Ok so, I'm not sure if you'll answer this or not. but I've been wondering whats at the very end of the affection chart. It's got me very curious with all the theories it could be!
I haven't answered asks regarding the affection chart in ages, but here's the context! Day 1 Day 2
It depends! For some endings, you might not even reach the end of the chart. After all, you never find out someone's a yandere unless they have a reason to be like you leaving them for example </3 And those are usually the bad endings.
I'm still tossing around story beats in my head like a salad, but I think certain tropes that make people enjoy yanderes will come into play in later days!
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JSTOR Wrapped: top ten JSTOR articles of 2023
Coo, Lyndsay. “A Tale of Two Sisters: Studies in Sophocles’ Tereus.” Transactions of the American Philological Association 143, no. 2 (2013): 349–84.
Finglass, P. J. “A New Fragment of Sophocles’ ‘Tereus.’” Zeitschrift Für Papyrologie Und Epigraphik 200 (2016): 61–85.
Foxhall, Lin. “Pandora Unbound: A Feminist Critique of Foucault’s History of Sexuality.” In Sex and Difference in Ancient Greece and Rome, edited by Mark Golden and Peter Toohey, 167–82. Edinburgh University Press, 2003.
Garrison, Elise P. “Eurydice’s Final Exit to Suicide in the ‘Antigone.’” The Classical World 82, no. 6 (1989): 431–35.
Grethlein, Jonas. “Eine Anthropologie Des Essens: Der Essensstreit in Der ‘Ilias’ Und Die Erntemetapher in Il. 19, 221-224.” Hermes 133, no. 3 (2005): 257–79.
McClure, Laura. “Tokens of Identity: Gender and Recognition in Greek Tragedy.” Illinois Classical Studies 40, no. 2 (2015): 219–36.
Purves, Alex C. “Wind and Time in Homeric Epic.” Transactions of the American Philological Association 140, no. 2 (2010): 323–50.
Richlin, Amy. “Gender and Rhetoric: Producing Manhood in the Schools.” In Sex and Difference in Ancient Greece and Rome, edited by Mark Golden and Peter Toohey, 202–20. Edinburgh University Press, 2003.
Rood, Naomi. “Four Silences in Sophocles’ ‘Trachiniae.’” Arethusa 43, no. 3 (2010): 345–64.
Zeitlin, Froma I. “The Dynamics of Misogyny: Myth and Mythmaking in the Oresteia.” Arethusa 11, no. 1/2 (1978): 149–84.
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In pure boredom I made a png of Jonathan inspired by the fact that Eddie has one (for some reason idk how that happened/gen question who made it)
Feel free to put him in places just give me credit for the creation please :]
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Question abt the xisuma and keralis doodle in the cozy xisuma post;;
Do the hermit's not know what xisuma's face looks like and keralis is one of the only ones/the only one who knows, or do the hermit's know what his face looks like but we as the audience for some reason don't?
I think as far as I’ve decided, Keralis, Cleo, and Doc are the only hermits who have seen Xisuma’s face.
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Death of the innocents
Poses were drawn using William Adolphe’s Pieta, with the og painting under the cut!
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