hobby crafts and great and everyone should get into a hobby craft, but I really really really really need people to do at least a little bit of research into what they’re interested in and learn important things such as that fact that polymer clay, air-dry clay, and resin are NOT food safe. yes that includes clay that’s been coated in a clear coat like mod podge (the dishwasher safe mod podge is not food safe)
the reason that some* ceramics are food safe is because glazes melt into essentially a thin layer of glass on the surface, and the clay is heated to a temperature that vitrifies it. and I say some because not all ceramics/glazes/firing temps are food safe, and that’s a whole other deep dive of research for people who get into ceramics. but the point is that most people can’t do that at home, so they look into non-ceramic materials and assume that’s a cheaper and easier way to make food-safe items, when really what’s going to happen is all these materials will leach into your food, especially with heat applied
also can resin creators wear proper PPE with gloves and respirator, I am begging you, that shit is toxic to touch and inhale
I randomly got dragged to Mormon church and met the illustrator for A Series of Unfortunate Events who is apparently a bishop at the church, and now we are Instagram mutuals. today was so bizarre
These took so long but it was so worth it, I'm very proud of these
[Image ID: six images of three different fabric cuff bracelets. One is a blue/purple cuff with green wavy leafy vine embroidery that curls towards both ends of the bracelet. The design is on both sides of the spikes down the length of the bracelet, same placement as the others. All three bracelets have small metal spikes down the middle. The second bracelet is a desaturated red color, with a gray barbed wire design along both sides of the spikes. The third bracelet is a red and black flannel pattern, with a lighter silvery gray barbed wire embroidery in a slightly different style. The first barbed wire design is a little more stylized while the one on the black and red cuff is a little more realistic looking in its shape, but both are simplistic designs. All bracelets have button closures and three buttons to allow the wearer to adjust the size. All bracelets are roughly 9-10.5 inches long when open and flat and 2.5 inches wide. End ID]
“I am wearing Marc Jacobs shirt & bag, Heydari dress, Gothic Renaissance shoes, silver accessories made and collected by my mother, and fake Dolce & Gabbana glasses. I started playing dress up in my grandmas closet and never stopped. I look to the street, my mom, Iggy Pop, and Dragon’s Lair for inspiration.“
i'd read several people saying that this chapter sucked and that the end was bullshit so i was a little scared at what had happened but...
i literally don't understand how someone could be upset by this...?? i feel like this outcome has been heavily implied throughout the entire arc. like, just a few chapters ago, bonney used a technique very similar to one of luffy's. are we reading the same manga? lol
and from a storytelling standpoint, it's just so poetic. both of bonney's parents suffered and ultimately died (we still need confirmation on kuma, tho) at the hands of the WG. she, herself, fell terminally ill because of saturn's human experimentation. she carried a lot of unresolved trauma, and now that she's met luffy, she's starting to overcome it all. kuma told her that nika would free her, and it's happening!! how could anyone complain about this?
and to say that this undermines luffy's journey and efforts to awaken his df... please. we still don't know if she's gonna have a quarter of luffy's power if anything at all. stop assuming things just off of one panel. time will tell. for now, i very much like this concept, and i'm excited to see what oda will do with this in the future. he's never disappointed me, so far, when it comes to the story. i don't see why he would now.
Conceived as a dazzling dragonfly with delicate plique-à-jour wings, this brooch epitomizes the Art Nouveau style in both fashion and manufacture. With its translucent wings set en tremblant and its sparking rose-cut diamonds, the present jewel catches the light brilliantly. In the enameling technique called plique-à-jour, vitreous enamel is applied to openwork wire cells without a backing, creating the transparent effect of stained glass. The house of Boucheron was founded in 1858 by Frédéric Boucheron (1830–1902). First opened in the Galerie de Valois, under the arcades of the Palais Royal, the shop was perfectly situated in the center of Second Empire Parisian luxury. In 1893 Boucheron moved to the Place Vendôme—the first of the great French houses to occupy that location—where it remains headquartered to this day, with more than 30 branches across the globe.
The MET (Accession Number: Accession Number: 2018.447.1)