#In the sense that he was a very personally relatable character

[rohirric-hunter]

I don't know if I agree that escalation is important. Another series that did this well is the Redwall series by Brian Jacques. The first book written in the series had a protagonist, Matthias. A later book focused on his son, Mattimeo. The stakes in Mattimeo's book are, if we're quite honest, noticeably lower than in Matthias'. There are still stakes -- one of the villains kidnaps Mattimeo and a bunch of other children and another one threatens their home while they are away from it, but neither villain is as threatening as the main villain of Matthias' story, and both of their evil plots are fairly localized. If they both got away with it then far fewer people would be negatively affected than in the first book.

In fact, both villains are villains that Matthias, as the hero of the first book, would easily have been able to deal with if he had just happened to be in the right place at the right time, but he's not. Matthias' failing as a parent isn't that he is bad at it. It's that his greatest strengths are also his greatest weaknesses. He's a very kind character, and this results in him letting Mattimeo get away with far more than he should, and one instance of him choosing to be kind rather than cautious kicks off the plot and all the ensuing conflicts. (Note that this is not presented as the wrong choice, per se, just an example of how unfortunately bad people can often use people's good qualities against them.)

Matthias then spends the entire book being restrained from being involved directly in either plot (which, again, he would have sorted in about ten minutes most likely) by time, distance, or cave-ins. Getting thrown into a bottomless pit. That sort of thing. There's almost a third plot where Matthias struggles against himself, TBH. His actions only indirectly and distantly affect the downfall of either villain. (This is thematically appropriate for the character, something something themes and motifs, but only tangentially related to this discussion.)

Some of the things that make this sequel succeed where others fail are these:

Matthias is present and active in the story. He is not put on a bus or killed early on; lesser writers use this tactic when they fear the new characters won't hold their own against the old ones. He is present and active; the story is simply not about him. He also passively influences the story through his past actions from the first book (kind of) and who he is as a person.

Matthias is a good parent, albeit not a perfect one. This works to the story's advantage, as Mattimeo ends up sharing many of his good traits that endeared readers to him in the first place by virtue of having been raised by him. Now they endear readers to the new protagonist as well.

Matthias has his own proper role in the story and a satisfying character arc. Matthias enjoyers still have something to be excited about in the story even though he is not the protagonist: here the writer neatly sidestepped the pitfall of alienating readers who are primarily reading the sequel in the hopes of new stuff about their faves.

Stakes really have little to do with it -- if anything the story is helped by the fact that the stakes are all deeply personal to the protagonists and not an Even Bigger Threat that will Destroy the World Even Harder than the first time.

In the case of Tolkien also doing this well, I think the most important takeaway is this: The parent figure must in some clear and important way influence and direct the child figure's story. You cannot write a sequel about a beloved character's kid where things just happen just because. There must be a clear line of narrative that makes sense between the parent and child's story.

But it takes a really talented writer to pull that off (especially if they weren't planning the sequel when writing the first book) and well a lot of people aren't really talented writers.

Generational spin-off media is like “okay, what would be the most in-character way for the previous show’s protagonist to comprehensively fail as a parent?”

[accio-victuuri]

BURN AFTER READING. 🍭🍬

i have never made a post with this title before, but i have shared some cpn/speculation that deserve to be burned after reading. lol. this term is often used by cpfs for a candy or info related to the boys that may be “dangerous” — so you have to get rid of it after reading. but for my version of it, let’s describe it as something that is a level up from galaxy brain cpn. it’s the kind of cpn you will think twice or thrice before making up your mind about. 💫

we have (2) topics here and just a disclaimer that i am not confirming anything here. this content is for cpf only. don’t take it seriously!

(1) Who is An Huibo 安慧博?

fans noticed that there was a “stand in” credited for the we and life of us music videos and that is this person. think of it as a body double. it makes sense cause aside from that scene in WE, there are times that xz’s figure is against a backdrop so maybe they needed someone to do that. the clowning began when people were thinking about, what if the other xz in WE mv is actually WYB ⬇️⬇️⬇️

i can think of a couple of different reasons why this could be false but the strongest explanation for me is that xz will not allow wyb to so something like this. he is very superstitious. even if this is just acting, he will not allow them to act out a scene of betrayal. that for me is enough to shut this all down. but on the flipside, maybe wyb wanted him (xz) to play his first villain role opposite him in this music video.

now we have the reasons why fans think this is something worth looking at:

1. XZ and this An Huibo are the only 2 credited actors for both MVs. so it seems kinda special.

2. The director of this is LIN, the same one who directed WYB’s redmi advertisement. There are some CPNs both were made at the same studio. Which makes sense cause LIN has his own shooting studio. There is another separate CPN about this but the gist is we think this director is familiar with both of them. So XZ may be comfortable enough to bring WYB along and even include him in the video.

3. It may not be WYB himself, but he used that name to troll us. It’s so close, Huibo. Yibo.

4. I saw this explanation as well:

If "Anhuibo" is read according to the French transliteration as An Huibo, it would approximately read:

[ã чi bɔ]

·ã: similar to "ang";

·qi: similar to "wei" in Chinese, but lighter and soft;

·bo: similar to "wave", slightly shorter.

5. As a CPF, it’s so easy for our alarm bells to ring if you read that name. An alias of sorts for Bobo. some are saying he used this kind of jumbled name to combat the bad aura of their scene together. Since he is superstitious, this removes yibo’s name and identity as the stand in who stabbed XZ’s character. if that makes sense.

maybe we will know more when they release the behind the scenes video. that is if they show who this stand in is. let’s add this to the bjyx clowning vault in the meantime.

(2) XZ look-alike in the recent GRA

i was talking to @rainbowsky about this and my initial reaction was, cpn aside, i’m surprised at how people notice these things! which i actually should be used to considering turtle’s attention to detail, but still!

so here is the “evidence”

👀👀👀👀

like all other turtles, i’m someone who has stared at tons of photos of XZ. so i can totally understand why people would look twice at this person. i get i. i was staring at this photo for so long as well. however most of the cpfs comment on this is against this candy and they have valid reasons:

1. Why would he attend and be in the audience? XZ is someone lowkey so if he was there to accompany WYB, he will be backstage. Yes he is brave, but not like this — which seems almost careless.

2. There are names on the chair, so it’s not like anyone can just sit there casually.

3. Even if you believe in the probability, CPFs don’t wanna talk much about it cause it can be anti material. Saying XZ has to hide and can’t show his face in GRA. or why is he even there incognito when he doesn’t even have a project nominated. You all know how it goes, antis can twist the narrative. Plus we don’t want to accidentally expose them if this was true. We should not observe too much and post about it cause it will make it harder for them to do something similar in the future.

4. How did this person go unnoticed? Everyone had to get inside the security and there are cameras everywhere. He should have removed his cap and mask which — it’s impossible for someone to not notice XZ ( or is it? ). another thing is maybe he went to a diff entrance??

5. Some are washing it and saying it’s Yibo’s MUA.

Please take that last point i mentioned and carry it over to the reason why this look alike is sus. People are able to confirm that this is not WYB’s MUA because he was wearing a different cap. Even the hair and daresay the ears are not the same. and why would a MUA even be there? If WYB needs touch ups then they should do it backstage. If for some reason it has to be while the broadcast and recording was not on or was on a break, he should not sit there and act like a guest.

Yibo’s MUA, Wang Yiduo has been with him for years. He has years of experience being around celebrities and attending these events before WYB. So he knows the decorum. He will not sit there and act like a guest just because he feels like it.

I’m curious too, who is this person who can walk in— in an event filled with people that are dressed up and then come in with a mask and casual clothes. To be allowed to sit there. Who is special enough? Probably a celebrity? and that’s why some think it could be XZ. Even the staff and assistants during the event are dressed up which made this person stand out. As for the CPN explanation, it’s nice to think that XZ is so proud of Yibo’s nomination that he has to be there. He will find a way to be in the audience and witness this special moment. 💕

I think this can easily be analyzed more if we have the video but i don’t have time to rewatch the whole GRA and wait for this cut. Cause i wanna know if it’s even there, that’s how much we question things here! 🤣 It’s so sus to me that we only have the screenshots and no video when CPFs are notorious for having concrete evidence. personally, it reminds me of the SDC3 incident but this one is still pretty outrageous considering it is a public event.

take what you want with this information. and as always, when it comes to BJYX: ⬇️⬇️⬇️⬇️

sources: one/ two

[annawayne]

Hi, Ann! Hope you're having a good day. I wanted to ask—why do you think some people refuse to acknowledge that the sins of other characters in Attack on Titan are no better or worse than Annie's? Why does she seem to get more hate compared to characters like Bertholdt, Reiner, or even Eren? Annie is one of the most hated characters, along with Gabi. Do you think this could be because she's a woman? Her personality is similar to Levi's in different circumstances, yet she gets criticized heavily. People even accuse her of manipulating or bullying Mikasa. What are your thoughts?

Hello!

Oh, thank you a lot for asking! (and sorry it took me a few days to answer it)

There are a lot of wonderful metas on this topic, but I would be glad to contribute a bit with my thoughts on it as well, and thank you for the ask!

Here, a small disclaimer at the beginning: I'll talk only about my personal thoughts, focusing primarily on my reflections on why this intense hate comes from that are not related to the basic "I just don't like her" - it's all valid, and it's absolutely fine not to like a particular character just because, and it's nothing to do with plain hate.

I think that one of the main issues of Annie's hatred is not even about Annie as a character, but, unfortunately, by the way her character arc is built. We see her at the very beginning, and she is still the second-line character, even if she's EXTREMELY important to the plot. So, back then, we had her screen time, and let's be honest, not as much as I personally would love to have, primarily because she's an incredibly beautiful, interesting character with her unique points of view on the world and, as turns out later, one of the most prominent roles in the story as a whole. Still, till her reveal as Female Titan, we have some scenes with her, we have some impacts on other characters (also significant, like for Eren and Armin, for example), and then, the Female Titan arc happens and... she disappears for a VERY long period of time from the show, appearing much, much later, firstly, in flashback like a glimpse, and only then, with her whole come back during the literal apocalypse. So when the time comes to give us her backstory - I won't lie, it feels rushed, and I think, Isayma has a very great sense of self-irony when he articulates it through Hitch's mouth: "Wait, what is it a sudden sharing of your story?", all while on the background the Colossals take a march. I honestly think that Isayma also understood that it's definitely not telling enough to sympathize with Annie's character when it's presented like this (for me, personally, it was enough and I just simply would love to have more, since Annie's past in Liberio is one of the most interesting topics for me), but on the other hand, he couldn't reveal her story earlier because it would hint at her comeback FAR too obviously.

So, one of the main points is this large gap in her presence and a bit rushed exploration of her character due to the lack of time because of the situation around the characters. For example, we have a very detailed dive into Reiner's character, and still, I also feel like there's much more to explore with his character and his psycho, and what we can even say about Annie, who doesn't have such detailed exploration but has the same difficult and complex past which is undeniably important to understand not only her as a character but also more about the universe of AoT?

The next thing that plays the role here is linked to the previous one - due to the massive gap in Annie's presence in the story, many people forget many things about her. Primarily, her emotions. I think it's one of the most overlooked things regarding her character and in AoT in general. The way we see her tears IN HER TITAN FORM when she fails to capture Eren? Her tears when she was crystallizing herself? Her eyes, full of fear, when she woke up before the whole Stohess thing? Her genuine surprise, which she tried immediately to dismiss when Armin called her a good person? Her smile when Eren complimented her on her skills, which was also deleted from the anime but remains in the manga?

Here, I need to highlight an essential thing: Annie's Titan is the only Titan that is capable of showing emotions.

If we look closely, everyone else has their emotions relatively very firm, like, for example, Bert's and Armin's Colossals, caged and restricted by bones; Reiner, it looks to me, is not only the shield for others, but he's a shield from himself, completely forced to be armored in everything he feels; Lara's Titan also seems like covered in pristine white chains, and it's also interesting since she was, let's say, the shifter with a twist; Pieck's Titan also has a very permanent expression, which is compensated by her incredible endurance, just like Porco's or Ymir's Jaws lack of emotions are compensated by their mobility; Eren's Titan has always this emotion of rage as if it's the only feeling he could have going into attack. Zeke's monkey is the only other Titan with emotions, which is also intriguing.

So, back to Annie, her Titan is emotional: her tears from the failed attempt to catch Eren; like she was genuinely shocked to see people under the rubble when she fought Eren, and he threw her towards the church, leading to its crashing; like she smiled when she saw Armin under the hood; how she returned to the last battle, and how she screams in her Titan form - I genuinely here a lot of "human" in this tune, something, she doesn't allow herself in her human form. And yet, people focus a lot on the infamous "yo-yo" thing, on her battle with Levi's squad and other people, where, ironically, she attacks only when she has a direct threat to her identity or capture. If we look closely, Annie avoids fighting humans as much as possible till she's attacked directly - she runs, she screams, she tries to show off people not to touch her, and when it comes to the "fight or to lose" (which is also a remarkable parallel to Eren's character), she attacks, not to mention the obvious question - how else you act at war? Yes, back then, it wasn't something we could call like that specifically, yet she had a military mission, which, by the way, she was failing for several reasons, primarily because she's not so cold-blooded as her character is often reduced to. So, how else was she supposed to act? We don't see a lot of the same questions, for example, for Armin, who came to her hometown and blew up the port with many more casualties among civilians.

In AoT, everyone has sins. Everyone, with no exception, but Annie sometimes seems to carry the hate as if she's the typical antagonist that is supposed to be hated just because the genre demands (she's not even an antagonist either).

To sum up, Annie's character is simply very misunderstood. She's one of the most interesting characters in AoT, and I say it not because she's my fav, but primarily - she's my fav because she's much more complex than some people see her, starting from her mindset and views of the world to her development, which shows how unlovable, unwanted flower that was denied to bloom, grows through the cement and concrete, firstly, with the spikes not to let anyone close because she knows how it's to be hurt, and then, that uses these spikes, this strength to protect others and eventually leaving them be on the cold floor, and she - growing more and more into buyoant garden.

Her hands aren't without blood, and so are the others who have the same invisible tint on their skin, and yet, the same hands that only knew destruction and cold touch could also be soft and build something new, something much more powerful than her Titans kicks.

When Hitch asks her if she would do all the same, Annie says - yes, but I see it as only the mirror of Levi's "living with no regrets." Objectively speaking, Annie understands that it's impossible to turn the time back, and living among these endless what-ifs doesn't give any change - it's gone and cemented in history as it is. All these potential questions of "what would you do" are more of a mental trick to whitewash the ego. Annie doesn't do it - she understands that nothing of it was something to be proud of, and she never was, and at the same time, she doesn't know anything else. To do something differently from what point exactly? From her crystallization? Not to reveal herself earlier? Not to give Armin a chance to live twice? Not to go into the mission? Force Reiner to return? Not to listen to her father? Not to be born?

Where exactly could this point change something?

Annie doesn't lie to herself, and she doesn't look back with abstract thoughts of "How would it be," but when the time comes to actually take another action, she does it; she returns to the final battle before it becomes another "what if."

And it says more than anything else.

Annie is an honest character, primarily with herself, and she doesn't want to pretend to be better than she is. This makes her character much more human than some people try to make her look.

So, that's it!

It was quite a long read, and thank you everyone who reached this point, I appreciate your time on this!

Thank you a lot for asking, and have a good *timezone*!

[m4rs-ex3]

(even louder) trailer screaming part 2

the adrenaline i've had all day is making me crash hard so i'm tired so idk if i'll actually be screaming louder but like. internally i am

well starting off strong

oh fucking boy

first i'm gonna say i love the way he said "however ~vile~" like slay

and then i know that like. this feels like such an obvious/lame explanation but i do not believe this is "real". like of course there's the fact that the cube. yknow. isn't like that in real life that's just how it looks in his fever dream. a lame ass reason for sure but honestly my real reason for not believing this is that there's no way they'd put THIS reveal in the trailer. there's a distinctly lower number of new clips in this trailer then there has been for seasons past, which could be them building hype for the end of the arc(s), but still i have a feeling that there's only so much they were willing to put out (which excites me btw), so i doubt this would be one of those things, yk? i don't know anything ok im tired

could be another dream, could be hallucinations, could be anything

i do find it incredibly interesting that he's clearly in a xadian forest surrounded by giant mushrooms tho (zubeia?)

i will say this i believe

fuck she relapsed. but. b-ut also..ooo..w..

iiiiiiiiiii

we're all fairly certain that's human aaravos (which didn't even occur to me until i read one of the comments that shows you how observatory i am) and............... well i suppose it was inevitable. i've personally never really thirsted for aaravos; of course i get it but just can't relate. and now.............. oh my god this is the hottest person i have ever seen in my life. i've been awoogaing from the minute i saw him and damnit you can't make me stop

considering the following shot (also because it makes sense) that this is the spell that brought back all the spirits, but it makes me question the shot of aaravos standing in the valley of the graves cackling as the spirits surround him, because that just gives me very "mwuahaha we've just unleashed them" so idk. this is me trying to convince myself that that's not actually aaravos so i can drool over him without a little shame

ohoho this is exciting and fucking petrifying. that is a freeze spell if i've ever seen one, so it seems we have soren, TERRY !!, and allen rushing to presumably stop them, and then aanya kneeling over lujanne's body!!! yippee!

may i just say that the location zip zapping is hurting my brain. like callum and rayla both go from the nexus to katolis and everyone in katolis goes to the banther lodge and then callum ends up in a random xadian forest but also akiyu's grotto for some reason meanwhile rayla goes to the silvergrove but she also ends up in lux aurea with soren and coruvs who were with ez and aanya in the crystal cavern but ez and aanya were also at the valley of the graves but soren and aanya are also at the nexus where claudia and aaravos and terry are but before/after that they were/are first at the valley of the graves and also a xadian forest but then terry was in a different seemingly not-xadian forest and i need to lie down

in addition to the Cave Fuckers we also keep seeing this mf with BAT WINGS??? HELLO????

ok i know i sound like an edgy middle schooler but i'm sorry this is the most exciting shot in the trailer for me. what can i say blood excites me. my favorite characters covered in blood? even better. short king ram with that sickass head tilt? fucking hell to the fucking yeah (i'm choosing to ignore the way he literally went rawr XD immediately after)

this is another one where there's so much to process like as aforementioned we're in a xadian forest and terry's here looking perfectly content so assuming that he is abandoning ship (which is supported by the nexus shot) this is before that??

also as aforementioned callum in akiyu's grotto which is SO out of left field but whatever

and akiyu is also here. on the ground perhaps. good sign

this is irrelevant but. look at that lil face. hehe

ALSO AA IM STUPID AND AM ONLY JUST NOW REALIZING THIS BUT THE FIRE IS CLAUDIA'S YOU CAN SEE FROM THE BG OF HER DRAGON TRANSFORMATION SHE DEF THERE TOO AAKSDHFKJAHSKJDFHIASDHFLJKHSDKLFHKJSAHDLFK IM FO FUCKING EXCITED YOU HAVE NO IDEA HWO LONG AND HOW BADLY IVE NEEDE A PROPER CALLUM V CLAUDIA SHOW DOEWN EEEEEEEEEEEEEEEEE

also it's giving

[butterflydm]

some thoughts on spirits (DAV)

I feel like the game has done a good job making Rook feel like someone with natural leadership abilities. And while I do love the companions in the previous games, I feel like DAV's companions are my favorites (at least currently; entirely possible that a replay of the older games would make me feel different!).

I also really like the different dynamics between Rook and their companions. Just... idk good vibes.

Also, here is Rook being very relatable for me:

I am just really loving all the characters so much -- Lucanis stole my heart as my favorite (he's my 'personal demon' now in the character screen lol) but I'm very attached to all of my companions. I love how the game has made it easier to know when they have something new to say, and I like that they distinguish between 'conversations' and 'outings' in the companion quest section. I've really been enjoying getting to know them and I feel like this game has done a really good job appropriately gating dialogues and areas.

It feels like they found a good compromise between 'open world' and 'mission-based game'. Each of the areas feels really big but it's also gated in natural ways that get unlocked as the story goes on, so you can't bum-rush the Crossroads and do literally everything the first time you're there, for example. In DAI, I would sometimes have to impose my own pacing to make sure that things flowed well for me, and I haven't needed to do that with DAV.

One thing that leaving the Fereldan/Orlais area did is really let us get to know a lot of mages who don't have the same sense of shame and self-hate that mages are taught in the Chantry of southern Thedas (or the even more extreme way they are treated by the Qunari!). We got hints of this approach in earlier games, but getting to dive more in-depth into several cultures who do not have the same "let's toss all the mages into prison" approach to magic that southern Thedas has has been very illuminating! Obviously we've always had exceptions like the Dalish clans, but they were very much depicted as deliberately on the outskirts of society, and going against the Chantry-defined norm.

And to contrast, in DAV, I recently had a long conversation with Emmrich on the potential merits of lichdom! Basically an unthinkable conversation in either Ferelden or Orlais. Nevarra doesn't burn their dead and they don't have such a deep fear of the dead, demons, or magic itself. And it really just to illustrate how much the oppression of mages that was so much at display in the Circles is just... nonexistent in places like Nevarra. The oppression is cultural and it's religious -- it's not actually something that's necessary to 'keep magic in check'. (which, yeah, is obvious from the outside, but always nice to have reinforcement from the actual games!)

I'm also watching a let's play of DAI on the side and the person just got to Solas and Cole's personal quests and, yeah, they resonant so hard after the additional Solas revelations in DAV. And it really does feel so much like DAV is in a strong conversation with DAI (as makes sense). Solas and Varric are talking about Cole but Solas is also talking about himself.

Varric: "A spirit who is strangely like a person!"

Varric: "He came into this world to be a person. Let him be one."

Solas: "We cannot change our nature by wishing it." Varric: "You think?"

Solas: "You would alter the essence of what he is." Varric: "He did that to himself when he left the Fade."

[if Cole is made more spirit]

Varric: "...could have been a person." Solas: "Would that have made him happier?"

Is Solas's endgame becoming a spirit again? Or has he experienced and changed too much? (would it make him happier? is that a desirable goal?) Is it all a matter of perspective? Cole approves of the Inquisitor's choice whether they make him more of a spirit or more human. I feel like Solas would lose a lot of himself if he became a spirit again, but maybe that's a matter of perspective too.

And then Solas's DAI quest is all about dealing with the damage of a Wisdom Spirit being corrupted against its purpose -- the same kind of Spirit that Solas once was. Wisdom vs Pride (but once you're a person and not a spirit, you can be filled with both at the same time).

DAV is really making me want to do another run of DAI, and take Solas literally everywhere, lol. But the conversation about spirits in the 'real' world didn't start there either -- it started back in DAO, with Wynne. It continued in DA2, with Anders. Both DAO and DA2 are more 'standard' than what we get in DAI with Cole, in the sense that they were possessing a body (though with permission) but it's still part of the same conversation.

But the conversation really did explode into something bigger in DAI, with Cole as a spirit who was with us without possessing a body, and with learning that being briefly possessed can reverse Tranquility (via Cassandra's quest). And now, with what had been confirmed in DAV, we know that a spirit that takes mortal form can, over the generations, become mortal, as that's what the ancient elves did, so Cole could have kids who were fully mortal, maybe. And Cole did it without using lyrium (and thus taking something from the Titans to fuel himself) -- at least as far as I understand.

I am also finding myself very curious about where humans come from -- we know that the ancient elves were once spirits; we know that the dwarves are fragments of the Titans. Where did humans come from? Evolution? Or is there a magical answer for them too? Is the Maker a spirit and/or Titan who created humans specifically?

(I think it's implied that Qunari were genetically/magically engineered in some way, and possibly crossbred with dragons somehow?? iirc DAI correctly)

I'm really looking forward to removing my filters on DA-related stuff and reading other people's thoughts. I've covered my eyes and clicked on posts a couple of times so far and have been rewarded by mostly getting fanart and not spoilers, lol. Mostly.

I genuinely have zero critiques of the game so far, if anyone was wondering if I was just holding some back or whatever. I like the quality of life changes they made to a lot of little things like companion banter; I never had an issue with the art style*; and I'm enjoying the story and characters as they unfold.

(*I know that was a big thing with a lot of people but, confession time: I genuinely can barely tell a difference between DAI and DAV's 'art style'. You can change Qunari hairstyles separate from horns now in the character creator? People walk less awkwardly than in DAI? The menus are purple instead of green? idk, maybe my brain just doesn't register whatever it is that makes DAV so different, art-wise?)

I also love that I can literally just throw myself at boxes to break them open to get materials. It's so satisfying. I have a griffon that I can pet. idk, I guess I'm just a simple girl with simple desires. ¯\_(ツ)_/¯

Looking forward to playing more this weekend!

Current progress note: a Dalish clan (at least one) has been kidnapped for potential blood sacrifices, so trying to rescue them is my next main quest. I'm about eighty hours into the game.

[futuretrain]

very good post, thank you. i love the idea of fuyumi, but her execution is very shallow and isolated, if it makes sense? and not in the way that the childhoods of todoroki kids were isolating, but in terms of storytelling. all of the todoroki siblings are like that, including shouto, because each of them and their experience and trauma get evaluated separately, and then they simply have to come together to stop touya. they talk for a bit, sure (like the very and i mean *very* brief discussion that shouto and fuyumi got to have after the family dinner in the endeavor agency arc), but we don't get to see them have much in way of interaction together without endeavor being just. there and dominating the panel space and sucking up all the oxygen in the room.

it's disheartening, because it leaves so much unaddressed. each of the siblings circle their recovery/processing around endeavor, when, considering how the subplot of the todoroki family started, it should have been about the siblings, together. shouto said "i forgot all about you", and that helped him self-realize for a moment as a whole person, not one part of a quirk and one part of legacy expectation.

and yet endeavor's presence entirely dominates the subplot thereon and to the very end of the story. the todoroki kids become extensions to endeavor's character and tools to prop him up as needed, and fuyumi, especially, i feel gets it terrible. she gets to say once that she feels a lot of the same as natsuo, yet she never gets to actually express it - it's just a throwaway line. what she is written to do (and what is never explored in relation to shouto himself or his relationship with fuyumi or fuyumi's mental state and thought process) is create convenient opportunities for endeavor to engage with shouto in a non-professional atmosphere. it's fuyumi who gets used to organize the family (and interns/friends) dinner during endeavor agency, so endeavor doesn't have to force his son who's just declared that he won't behave to him like his son during the internship to endure his presence in a personal setting, because that would make endeavor look like even more of a selfish insincere dick. it's fuyumi who gives endeavor shouto's phone number so endeavor can blow his phone up with messages during school hours(!!!), so endeavor doesn't have to work to obtain his number in a different and more intentional and forceful way, because that would make endeavor look like even more of a selfish insincere dick.

i feel like you may be on to something with the fuyumi-eri comparison, because they are characters who are used as plot devices/props and as ways for the story to answer difficult questions without really answering. for fuyumi, it's this. for eri, it's the unspoken question hovering menacingly over the entirety of mha: what should be done with people whose quirks are too strong and dangerous. even though i find the saving of eri very powerful and an overall very good moment, the logic itself that deku uses - saying that eri's quirk is healing him, ergo it's a kind quirk, ergo eri deserves to be saved - i find very dangerous, for the simple reason that it refuses to engage with the possibility that someone's quirk may not be capable of kind things, so the answer in the end by exclusion posits that people whose powerful dangerous quirks cannot perform good actions do not deserve to be saved. and that idea permeates the story till the end - if only toga had known love before, if only she'd been better, she would've wanted to be kind - to give blood instead of taking it. afo could've been the kindest quirk. till the end, the story refuses to consider that a person may not be kind, and still deserve salvation, and only dreams of worlds where that they were just kinder, so as to fit the profile of someone who deserves to be saved.

TW: ABUSE, CHILD ABUSE

“He wants to air this dirty laundry to the world does he…? Dabi, you fiend…you’ve been waiting for this moment…when they couldn’t prevent mass destruction…and faith in heroes is wavering.” - chapter 292

I truly, wholeheartedly, believe that MHA as a story upholds the myth of the perfect victim. I do not want to discuss if Horikoshi did that on purpose, or subconsciously because of inner bias – I find no meaning in doing so. For me the execution of an idea, in the grand scheme of the narrative, holds more value than the intention of the author. I’ve also had my fair share of people infantilizing Asian authors in the anime community for their poor writing decisions for one lifetime. It’s patronizing to both the author and the people reading it. Whether or not Horikoshi intended for his themes of abuse to paint the picture they did does not matter, because that’s how it reads as.

MHA puts victims of abuse in narrow boxes and softly dictates what’s an acceptable reaction to said abuse. Victims are continuously walking a tightrope between being deserving of compassion and sympathy and being unredeemable monsters who are too far gone and are only good for martyrdom after being put down.  

Eri fits the clean cut depiction of abuse victims that media usually gears towards. She is untouched by the cruelty around her - she preserves her innocence and kindness. She isn't assertive, but rather meek and passive. She doesn't fight back with force. And when offered help, she is receptive to it. That is not to say that Eri's depiction doesn't have a place in fiction, or that her portrayal can't be representative of the experiences of some - as we all deal with trauma and the inhumanity people throw at us differently. We see the same thing in the portrayal of Fuyumi, who shares many of the qualities discussed above. The same thing applies to her - i personally love the idea of all the siblings having different reaction to their childhood trauma and abuse. It shows that victims are not some type of monolith.

But the narrative treats the "forgiving" or "receptive to help/support" victims of abuse with more grace and with much more kindness. if you are willing to forgive, or the very least be quietly tolerant, the story grants you a happy ending. Forgiveness isn't a bad thing, it is an individual choice - but an abuse victim shouldn't have to do it for them to have a happy ending.

In a vacuum Eri and Fuyumi's character arcs and depictions of abuse are good but it becomes a problem when that's the only experience and type of victim we ever hold in high value or recognize as valid and deserving of compassion. Which the story reinforces.

Touya and Tenko's backstories aren't pretty nor comfortable or easy to sit through. Their responses to abuse aren't either. Reactive abuse is very much real.

[moeblob]

They're soulmates in every single universe and I miss them at the most random times.

[mbat]

i literally read the book of bill days ago but its only now kinda hitting me how fucked ford and bills whole thing was though cause ford literally talks about being so unable to sleep (to try to keep bill away), and when sleep inevitably caught up to him, he would wake up to his body abused and things messed with and he just couldnt seem to find an escape (and he literally didnt get to truly escape until 30 years later)

(also keeping people awake for unhealthily long periods of time is another tactic used to mess with and control people because of how it impairs brain function)

listing off the things we see in those few pages in the book of bill:

i mean, punching and scratching at a steel door for hours would be so damaging to your hands and probably hurt like hell for at least 2 days after. then bill says he was hitting fords head against a wall, though its said in a post-it as if its a joke, but he also isnt exactly above doing that, and honestly he says most things like its a joke.

i also dont need to say 'bill really doesnt know how to take no for an answer' because he makes that very clear in literally any interaction we see with him.

bill literally puts a venomous snake near ford while fords asleep, which could have killed him if he wasnt lucky+skilled enough to deal with it.

he nearly gives ford hypothermia, and in the same action actively threatens ford with the idea of making him jump off of a high spot, and like ford says, doesnt do it just so he can send a message to ford about how hes the one in control.

he gets ford in trouble with not only the law, but also with other people that are probably not very happy with him after. he mutilates fords body in several ways, and i dont think i need to go into detail on them because theyre... so ew. and he even exposes part of fords body to the world. like, its just taking his shirt off, but thats still showing off his body in a way that he didnt agree to or want

and then he attempts to (or purposefully fails to) call stan, using fords voice to threaten suicide and tell stan that ford never loved him.

and he punctuates it with a final power move, in a hallucination that he creates, hes messing with stans memories and making him feel like his body was basically about to implode

and like. okay, we all joke about toxic old man yaoi, and its a good joke and toxic old man yaoi is great and its an interesting ship, but holy fuck.

like. to say the absolute least, that had to be so, so deeply violating. its no wonder that when we see ford in the past, when he finally contacts stan, he looks like hes on the verge of shattering into a million pieces. he just went through, and still wasnt yet out of, some deeply abusive shit.

like... everything coming out lately both in this book and what ive heard is on the website, mixed with what we already knew from the show itself... the stans are both so, so fucking tragic dude. their whole lives were thrown away over things that really didnt even need to be the way they were, and then they both get into situations that are pretty damn screwed, and those situations follow them for the rest of their lives. its basically a miracle that things worked out in the end for them.

i dont really have a point, i just had to talk about all that. i read almost all of the book of bill in one sitting, and while i was really enjoying it, i was also getting kind of tired of sitting in one spot only doing this one thing for several hours straight. i still felt a lot of the emotional bits of it of course, but man this part specifically just really didnt hit me until now.

i mean, to say the absolute least, i know what its like to feel violated in a similar way, though not anywhere near to the extent of what he went through at all. someone get that man some therapy got damn

[nostalgia-tblr]

"are people not into that?" i ask, after posting my weird niche shit to the internet, despite knowing it to be weird niche shit.

[bad-pun-king]

I quite liked Chris, if the fact that my blog is themed after him didn't make that obvious. He really resonated with me as a character, especially when his first interlude rolled around and I found out he had a lot of the same thought patterns that I did at the time I read Ward, and still more or less hold today. A concrete example would be his need to control the flow of information regarding his spoilery deal, which was almost 1 to 1 with my experience as an atheist in a highly religious area.

That being said, he still ended up being a dick and I would have personally gone about things very differently then he did.

Okay but following up with some Ward positives as of finishing arc 9:

Victoria, Ashley, and Sveta are great all in their own ways

Each of them recognisably being in that delicate state of late teens/early twenties where you're trying to figure your shit out and grapple with the fact you're 'behind' what feels like the majority of your peers in terms of your development due to your fucked up life and trauma

Both Ashleys' cringefail loser villainy, she kins Skeletor and Starscream

Crystal doesn't even own scissors

Rain O' Fire 'Sopping Wet' Frazier when do we get back to your deal

Kenzie has never done anything wrong except for all the crimes

I am shocked no one else seems to love Chris, is it because he is annoying and gross and shitty and mean? Is it because of his whole [spoilers deal]? Must a character be 'likeable' or have 'a single redeeming quality' or even 'be more palpable than biting aluminum foil' to be appreciated?

I think they should give Natalie a gun

[shannonsketches]

He said "Fuck this shit, I'm out" I'm crying. Toriyama's Vegeta was so top shelf 🤌

(From Neko Majin Z Chapter 5!)

[silusvesuius]

i legit love when a character's gender is so integral to their personality (and perception obviously.) like so concrete that if genderbent their whole shtick would just be absolute dookie. anyways i'm just writing this text so i can talk in the tags (My beautiful safe haven)

this 14 minute song is soooooooooooo FYRE

[tankgotstuckinthecircusgate]

my biggest dissonance is how robert de niro in once upon a time in america actually looks like young carlo (but more handsome than carlo) but noodles character is nothing like him like max is a certifed carlo core. he would do everything max did

[hecksupremechips]

My ass was trying so hard not to jump up and down with glee playing yttd with my sister and getting to the shin reveal I was like MY GUY MY FUNNY LAD MY SILLY RABBIT

[duckapus]

What's Up with Mario?

Mario's been acting a little strange lately, being slightly calmer and quieter than usual and seemingly sneaking off on occasion, and Meggy and SMG4 are understandably worried considering it's only been a few weeks since they got him back from being accidentally reset. So, they do what any reasonable, mature adults would do in this situation; follow him around in secret to see what he's been up to. This is despite Luigi reassuring them he knows what's going on and that it's nothing to worry about (he doesn't actually tell them what it is, since it's not his to explain).

For most of the episode their investigation seems entirely pointless, as all they see is Mario doing mundane, everyday errands with the expected Stupid Mario Twist. They're about ready to call the whole thing off...at least until he meets up with Daisy at a diner and they hang out and just talk, with it being obvious that they do this regularly. It's especially jarring since they're both just acting like regular people, no memes or chaos in sight. And then after lunch they go to what's apparently a therapy group for people whose lives have been drastically changed by the arrival of memes.

The two investigators call it off after that, finally feeling like they've pried into something they really shouldn't have. Later that day Mario shows up at the castle and the two of them try to admit what they were doing and apologize for spying on him, only for him to tell them that he already knew they were there, and he isn't mad since he would do (and has done) pretty much the same thing in their position. Then he explains what's going on.

Apparently, after the Mario Reset Arc, his old Canon personality and the Stupid Meme personality he's has for the past 12 years started to merge, and it threw him off-balance for a bit, which is why he's been acting weird for a while. He was hanging out with Daisy because seeing Shadow Mario's team during the WOTFI made him feel a bit guilty about letting those relationships fall apart, and he's been working on reconnecting with any of his old pre-meme friends who are open to it (so, at least for now, definitely not Peach, Toad or Yoshi). And the therapy group is something Daisy introduced him to, because quite frankly he is the Poster Boy for "had your entire life and personality upended when the memes showed up and only really got things in order years later." Not to say he doesn't like who he is now or what his life has become, but it was still a massive change with some pretty nasty consequences.

As for why he didn't tell anyone, it's partly because he didn't think it was that big a deal and partly because he didn't want anyone to worry about him. Luigi knew since they live together and he's also been trying to reconnect with their old canon friends, though he's got a lot less ground to cover than Mario.

(not really sure how to end this)

[invinciblerodent]

Going through my old Ray tag to remind myself of JUST who he is, is.... honestly an experience.

Man, I used to be so funny. And charming, and creative.

What the FUCK happened.