#I've had this magazine for many years now

[brucewaynehater101]

Hello, I am the person from a few days ago that mentioned House MD. .y idea for it is very simple and very funny. Tim ends up in House's hospital with House as his doctor. He was found unconscious on the side of the road with 3 stab wounds, two broken ribs, and a broken leg.

Tim is Knocked Out and in Civilian Clothes with No Wallet. Which means No ID. They call him John Doe for now and move on to stitching him up and doing an xray of his chest so they can fix up his ribs and check for internal bleeding from the stabs. They are having some kind of debate about how the kid has clearly had his ribs shattered many, many times and how they healed when House suddenly stands up and says, "all of you are missing the forest for the tree. Ignore the ribs for a second before the kid dies." He then leaves the room to the confusion of all the assistants. It takes almost ten seconds for one of them to yell, "WHERES HIS SPLEEN"

Within an hour Tim has been put in one if their Anti Germ Bubbles for the Immuno Compromised. Oh the bright side he 100% has a room all to himself! Tim wakes up in the bubble, very confused with House looming over him. Tim is Baffled and says, "who send you? What info are you after?" And House just says, "im your doctor. What's your name so we can stop calling you John Doe The Spleenless Wonder."

Tim and House verbally joust almost constantly for Tim's entire stay and honestly? Most relaxed he's been in *years*. However it takes *days* for them to pry him name out of him and it's not even *from* him. Someone saw his face on a magazine in the grocery store check out and went "that's out John Doe!!" And when Tim tells them that he is Tim Drake he simply says, "I didn't tell you for a very simple reason. If word got out it was The Tim Drake in your hospital, which is outside Gothem, could you imagine the Paparazzi? And what would happen? I can garentee you at least one person would show up trying to kill me. Why do you think I was outside gothem beat up? Assassins, obviously." House's boss is terrified this guy is gunna sue them into the ground for how House has been jabbing at him constantly.

House simply asks why his bones look like Swiss Cheese and Tim simply raises an eyebrow at him and says, "I live in Gothem."

Later on after Tim gets released, he buys the entire hospital, becomes its new boss, goes to House's boss who actually runs the hospital and says, "I do not care about running this hospital. It's all up to you, I want No Power here. I am simply here to triple your budget, no quadruple it. And you remain completely in power on one condition. I want House to be my Primary Doctor. He's fun."

Oh and if you want some Angst, House asking if Tim wants to call someone to pick him up and Tim says, "oh, I have a tracker on me. Someone will show up to check me out once they notice I'm missing." House squinting at him and says, "you've been here two weeks. So I don't believe you." But Tim is telling the truth. His tracker has said he's been at an out of city hospital for weeks and no one really noticed he was even gone.

Fuck yeah. I've seen some clips of House and, despite the large amounts of medical malpractice they should be sued for, Tim would absolutely enjoy House's banter.

Also, I'd so live for House and Tim trying to trick each other. Tim realizes quickly that House doesn't believe a word about what Tim says about how he got his injuries. House keeps trying to pull one over on Tim so that Tim actually receives medical treatment (especially because Tim keeps going back out on field with injuries). It becomes a somewhat friendly game

Fair warning, I'm probably about to butcher House's character. Idk enough about him, but here's what I think. Tim would prefer House as his main doctor for two reasons:

How House cares

House isn't Batman/Bat affiliated

For the first point, House does care but not in the way most others do. I think Tim will eventually start telling House the truth about how he gets his injuries because of how House reacts. House isn't going to be overly sympathetic, pity Tim, or try to mother hen him. Tim will stroll up, say he's been held without food for a week and has 3 broken bones, and House will just banter with Tim.

If Tim's being an idiot (like not resting), House won't try to tell him off. He won't yell or undermine Tim. He'll just point blank tell Tim he deserves whatever injury he got for being an idiot while helping the vigilante treat it.

Tim will never admit to being a cape, but he eventually trusts House enough not to hide it.

Then there's House not being a Bat doctor. Leslie may or may not inform Bruce of any injuries Tim gets that Leslie deems is important for Bruce to know about. Alfred for sure won't hide that shit. Either way, whether founded or not, Tim can't trust those doctors to give away his information "for his own good."

House probably wouldn't go out of his way to inform Bruce (especially if we add on your angst angle).

Probably fucked up House's characterization, but let me know what ya think! Feel free to send another ask or reblog or whatever with changes ya think I need to add

[mirai-e-jump]

Flying Magazine Spring/Summer 2014 Issue ft. Gaku Sano, Masato Yano, Yu Inaba & Taiko Katono Fashion Shoot + Short Interviews (translations below)

Gaku Sano

Sano: I love clothes, so I was excited that I got to wear three different outfits this time (laughs). Rather than having a preference for a particular brand, I tend to focus more on the shape and overall image of clothing, so when I have the opportunity, I often go to stores by myself to look for these things. Among the ones I wore for this shoot, I like the dark gray setup the best. Short pants or sarouels with boots are my favorite style!

"Excited to pass the role of a Kamen Rider, which he longed to play! He heads towards Gaim, evolving everyday with passion burning in his heart."

Sano: I truly never thought that I would be able to become the Kamen Rider that I had been so fascinated with as a child, so I was really happy when I was chosen for the role. I have no experience in action, but I'm confident in my physical strength, so I felt like, "Come on, I accept!" and I'd even act out the toughest scenes without doing voice over. I still have a lot to learn, but I want to improve myself and grow little by little, so that when I look back in six months to a year, I'll be able to confidently say that I've grown!

_

Masato Yano

Yano: Basically, I like simple styles, but I try to bring out their points of interest, whether it be with the pattern or color in one specific place or another. I also like parkas, especially this leaf patterned one I'm wearing, which definitely has a spring like seasonal feel to it! Parkas are not only easy and comfortable to wear, but you can buy them almost anywhere. I once went on set wearing a different parka for an entire week (laughs).

"A young talented actor discovered by Ninagawa Yukio. He continues to be active with appearances in numerous stage plays, dramas, and movies."

Yano: I'll be appearing in three separate films that will release throughout the course of this year, and in the Summer, I'll perform for the third time in a stage play directed by Ninagawa-san. It's been a while since I've worked in a production by Ninagawa-san, so I'm really looking forward to it! Recently, I've started to receive alittle more praise than usual (laugh), so I'll do my best to show you that I've atleast grown alittle.

_

Yu Inaba

Inaba: I want to wear as little clothing as possible during the course my life (laughs). My favorite style is wearing a single t-shirt! This sukajan is abit unusual for me, but, it's comfortable to wear and fits my look well. It's surprisingly refreshing. I tend to wear mostly black, so I like the monotone look of these items.

"Aiming to become a "highly sought after actor" while growing from his many experiences on doing stage plays."

Inaba: When I entered the Junon Super Boy Contest, I had a very casual mindset, but soon after my debut, I performed in a series of stage performances, where I became more fascinated with the joys of "performing." Recently, I've been cast in many dramas and movies, as well as more stage plays, so I feel as though I'm living a very exciting and fulfilling life. Right now, I cherish these works and encounters with people, but someday, I want to be an actor where people will say, "I want to go just to see him!"

_

Taiko Katono

Katono: Usually I wear leather jackets and slim pants, so today I went for a fresh, cute, spring like look with a white cardigan. I like cardigans because they're so comfortable to wear. The one I'm wearing isn't too light and is more firm than I expected, so it feels very nice to wear! The color tone is also gentle, it's very "springtime coordinated."

"Aspirations hidden under a cute face. Looking forwars to facing future challenges with a positive outlook!"

Katono: Recently, I was cast in the drama "Team Batista 4: Raden Meikyu", which was a pretty big deal for me. I thought, "I'm going to be apart of that popular series?!" I was so shocked. In this field, I've learnt alot and am reflecting. I think I've grown alittle thanks to it. I hope to gain experience in this way one at a time, and in 10 years, I hope to be an actor with roles that only I am able to play. For this reason, I'll do my best to do these things one by one!

[headspace-hotel]

How people in the USA loved nature and knew the ways of the plants in the past vs. nowadays

I have been in the stacks at the library, reading a lot of magazine and journal articles, selecting those that are from over fifty years ago.

I do this because I want to see how people thought and the tools they had to come up with their ideas, and see if I can get perspective on the thoughts and ideas of nowadays

I've been looking at the journals and magazines about nature, gardening, plants, and wildlife, focusing on those from 1950-1970 or thereabouts. These are some unstructured observations.

The discourse about spraying poisons on everything in your garden/lawn has been virtually unchanged for the past 70 years; the main thing that's changed is the specific chemicals used, which in the past were chemicals now known to be horribly dangerous and toxic. In many cases, just as today, the people who opposed the poisons were considered as whackos overreacting to something mostly safe with a few risks that could be easily minimized. In short, history is not on the pesticides' side.

Compared with 50-70 years ago, today the "wilderness" areas of the USA are doing much better nowadays, but it actually appears that the areas with lots of human habitation are doing much worse nowadays.

I am especially stricken by references to wildflowers. There has definitely been a MASSIVE disappearance of flowers in the Eastern United States. I can tell this because of what flowers the old magazines reference as common or familiar wildflowers. Many of them are flowers that seem rare to me, which I have only seen in designated preserves.

There are a lot more lepidopterans (butterflies and moths) presumed to be familiar to the reader. And birds.

Yes, land ownership in the USA originated with colonization, but it appears that the preoccupation with who owns every little piece of land on a very nitpicking level has emerged more recently? In the magazines there is a sense of natural places as an unacknowledged commons. It is assumed that a person has access to "The creek," "The woods," "The field," "The pond" for simple rambling or enjoyment without personally owning property or directly asking permission to go onto another person's property.

There is very little talk of hiking and backpacking. I don't think I saw anything in the magazines about hiking or going on hikes, which is strange because nowadays hiking is the main outdoor activity people think of. Nature lovers 50-70 years ago described many more activities that were not very physically active, simply watching the birds or tending to one's garden or going on a nice walk. I feel this HAS to do with the immediately above point.

Gardening seems like it was more common, like in general. The discussion is about gardening without poisons or unsustainable practices, instead of trying to convince people to garden at all.

Overall, the range of animals and plants culturally considered to be common or familiar "backyard" creatures has narrowed significantly, even as the overall conservation status of animals and plants has improved.

This, to me, suggests two things that each may be possible: first, that the soils and environments of our suburbs and houses have sustained such a high level of cumulative damage that the life forms they once supported are no longer able to live, or second, that our way of managing our yards and inhabited areas has become steadily more destructive. Perhaps it may be the case that the minimum "acceptable" standard of lawn management has become more fastidious.

In conclusion, I feel that our relationship with nature has become more distant, even as the number of people who abstractly support the preservation of "wilderness" has increased. In the past, these wilderness preservation initiatives were a harder sell, but somehow, more people were in more direct contact with the more mundane parts of nature like flowers and birds, and had a personal relationship with those things.

And somehow, even with all the DDT and arsenic, the everyday outdoor spaces surrounding people's homes were not as broadly hostile to life even though the people might have FELT more hostile towards life. In 1960, a person hates woodpeckers, snakes and moths and his yard is constantly plagued by them: in 2024, a person enjoys the concept of woodpeckers, snakes and moths but rarely sees them, and is more likely to think of parks and preserves as the place they live and need to be protected. Large animals are mostly doing better in 2024, but the littlest ones, the wildflowers and bugs and birds, have declined steeply. It's not because "wilderness" is less; it seems more because non-wilderness has declined in quality.

[marzipanandminutiae]

Dear marzi, for reasons of trying not to give period characters too modern fetishes in my smut, may I have some recs as to where I may find some of that olde fetish content you've previously seen?

On the Wikipedia page for the "corset controversy," unfortunately!

Historians have been taking obvious tightlacing fetish letters seriously for...way too long. And sometimes still are. Confirmation bias is a hell of a thing. Of course, there's no way to 100% tell which letters are fetish fuel and which are real, but generally any that use particularly heightened language or common erotic tropes- or that seem to fly in the face of evidence from extant garments, unedited videos, stock and advertisements from real corset companies, etc. -are to be viewed with suspicion.

(The same is true for letters used now to claim that nipple piercing was a real Victorian trend- for, indeed, the only source is anonymous magazine letters and many of them fall into the same obvious patterns as the tightlacing letters. One DOES describe the alleged process in detail...but it's basically the same as the process for ear-piercing, a service jewelers did commonly offer back then. Just applied to nipples. So whether it's real or not is still uncertain, but it's highly doubtful that large numbers of Victorian women were running around with nipple piercings given that no extant nipple rings have been found, such piercings are never mentioned in letters or diaries or other more concrete sources, etc.)

Besides that, I've seen glimpses of most modern fetishes in various sources:

the Psychopathia Sexualis, a medical manual of "sexual mental illness" (in heavy quotes because things like homosexuality and gender variance are mentioned under that heading), talks about everything from a fetish for tight boots and gloves on women, to bloodplay (initiated by a woman, actually, who wanted to drink her husband's blood), to force-femming, to some very elaborate femdom scenarios that I hope the sex workers in question were paid well for. Of course, since the cases are anonymous, these are also difficult to confirm- but clearly someone had THOUGHT of them, since they're written into the book.

And I've seen at least some of them in other sources, too, including some of the magazines that published the nipple piercing and tightlacing letters. The Englishwomen's Domestic Magazine was notorious for its letters on tightlacing, tight gloves, spanking, etc.

Photographic porn was definitely a thing almost as soon as photography came into being. A lot of it is pretty vanilla, but I could swear I'd seen piss kink photos (with urine painted in after development) before the blog where they were hosted went defunct

James Joyce's letters to his wife get into farting and scat fetish territory. Yes, really.

Speaking of letters, there was one man living here in Boston who, in the late 19th century, wrote letters to his wife describing erotic dreams of her as a giantess who pissed on him and then ate him. I cannot remember his name and it's going to drive me insane all day, but he was the head of Boston's censorship organization, the Watch and Ward society and these letters were first released by his own children for an unauthorized biography written five years after his death. Guess there was little love lost there.

BDSM is old. Like, really old. Old, to quote the sacred texts, as balls. I'm pretty sure there are sexual flagellation texts going back to the Renaissance, but don't quote me on that.

Basically, Rule 34 can be back-applied, too. If it existed, there was a fetish for it, probably. Of course, things that specifically involve modern technology or properties are out, but beyond that...the sky is the limit

[1d1195]

Most V

Read Most here | ~5.8k words

From me: I've been waiting for this part for a REALLY long time.

Warnings: *drum roll* SMUT, semi-public, unprotected, really needy 18+ also, some pretty angsty chats (and more Lauren)

Summary: Harry has been dying for this date for three years. And all the answers it comes with. Even if he doesn't like some of them. She missed Harry. Plain and simple.

With Addie off the phone, she gazed at her reflection for a moment. The girls did an amazing job with her hair and makeup. She felt beautiful. Beautiful enough to be on a date with Harry. He was one of the only people she had ever been on a date with (as much as she did it, she didn’t consider third-wheeling with Addie and Carter actually dating; and knowing Harry was her soulmate put a damper on the memory of her dates with one of the only other guys she dated, Beau, in the ninth grade). It was simultaneously terrifying and wonderful.

The thought of him made the nerves return. Closing her eyes, she smoothed down the skirt of her dress. It was light green. Nearly matched Harry’s eyes, which was why she selected it. There was a slight V-cut at her neck and had fluttery sleeves at the top of her shoulders. Eleanor insisted it looked beautiful against her skin and the skirt cinched slightly at her waist accentuating her curves and then came to a ruffled hem that hit just above her knee. With a pair of wedged nude sandals, she tried to create the effect that her legs were longer, but she slightly felt like she was playing dress up and this was not a date she was meant to go on.

“I just need to jump,” she whispered to herself encouragingly.

The full effect had Harry’s jaw nearly unhinged to the floor as she entered the kitchen. Eleanor punched him in the arm to keep him from drooling. Sarah smiled excitedly. “You look beautiful.”

“Extremely,” Harry nodded in agreement, his eyes scanning her in a way that made her feel naked, but in a really good way. She blushed so cutely. It made Harry’s heart skip a beat.  “Ready?” He asked.

She nodded. Because for the first time in ages she felt so ready to go on a date. Eager. Utterly excited to be alone with someone. “Yes,” she smiled.

*

Dinner passed in a blur. Truly, he was only thinking about the way her smile looked so nice on her lips. How soft her hair framed around her face. The way her skin practically glowed and it was only amplified by the makeup that she decidedly did not need but it looked like she was doing the products a favor by wearing them on her beautiful face. He was only pretty sure they spoke. Chatted about a variety of things but he wasn’t sure he could recall them in detail if asked because he was so overwhelmed by the fact that he was with her, on a date. After all that time.

He suspected there was stuff about work and college. He did remember he told her at least twenty stories about Mrs. Peterson and seriously worried she was one of his best friends, now. She talked about Carter and Addie. Gave an update on her mum and how she enjoyed living closer to her aunt.

But all those details disappeared. He was on a date with her. A date with the love of his life after three years of not seeing her and it was so goddamn effortless to talk to her, make her laugh, and smile with her.

It felt so good he could have cried.

“What are y’going t’do when y’finish your degree?”

“Uh,” she sighed, and Harry sensed her worry almost immediately. Wished he hadn’t made her feel uneasy even a little. Even if it was natural to feel that way.

A little anxiety about her future career was new for her. For the first time in so many years, nervousness that wasn’t because she was worried about him or her love for Harry was a bit of a curve ball. She knew what she wanted, and she wanted it badly, but didn’t know if it would pan out the way she saw it in her mind. “I’m not totally sure, actually,” she admitted. “I’ve got an online portfolio of my work, and I’ve sent it to a ton of publishers, magazines, et cetera,” she took a deep breath. “I could be really stereotypical and just continue waitressing by night and writing by day,” she shrugged. It wasn’t a bad gig. But it wasn’t what she hoped for exactly.

“Someone is going t’pick you up. You are too brilliant t’not be,” he sounded so sure—because he was. If there was anything he believed in, it was her, her dreams, and ambitions. “S’nice it can be... remote, yeah? Let you travel and visit your mum and whatnot,” stay here. With me. He thought silently to himself.

She nodded. “Yeah... I guess. But... I think I’d want to stay here.”

For three years, his heart was not inside his chest. But now it was back, the veins and arteries reconnecting to the rest of his body. Literally putting life back in him. It thudded so loudly he could barely make out the sound of the restaurant around them as he smiled at her. “Good,” he nodded. “Good,” he repeated quietly, relief heavier in his tone.

After a brief protest from her, (and for the first time since she arrived home, he didn’t even look at her as he pushed her hand away) Harry paid and signed the receipt for their meal. Once her glass was nothing but ice, he looked at her expectantly. “D’you want t’get coffee?” He asked, his voice full of hope because he didn’t want the night to end. Not even a little.

She nodded. If the night never ended, she would be glad.

Harry ushered her out of the restaurant, and she held her hand out for his. He took it eagerly and marveled at how her fingers fit the spaces between his; it felt like they were supposed to be there, and his hand was empty, not complete without hers attached to it.

They made their way toward the coffee shop up the road. Holding hands like they had done hundreds of times before. They chatted about the weather. He complimented the way her hair had lighter streaks throughout. She looked good. So good. “Louis and I have been running in the morning,” she told him with a shrug. “I think the sun hits different parts of my hair when it’s up and gives me this highlight effect.”

Harry had no idea he had been running with her. “You have?” He asked. Jealousy flooded him. It wasn’t fair to either of them. It was stupid. But the surprise was genuine.

“Yeah... the first time I went out and I saw him, I chased after him because he didn’t want to talk to me. But I buttered him up with those muffins I—”

“Holy shit, y’made the oat muffins?” He asked in shock. Forget what he said. The jealousy was real. She blushed, feeling bad she let Louis’ secret slip.

“You hate him now, don’t you?”

“Immensely,” he squeezed her hand as she giggled. “Did y’make the blueberry ones or the cranberry ones?”

“Do you actually want that answer?”

“No,” he shook his head quickly. “You’re right.”

“I’ll make some extra,” she offered.

Harry was about to ask her about breakfast tomorrow, but his phone began vibrating in his pocket. It was a great effort and made him feel awful, but he looked at it because he had to. As expected, it was his boss. “M’sorry kitten. S’work. Do y’want t’go in and order?” She smiled, nodding encouragingly. “Tell Lauren I said hi,” he said pressing the phone to his ear and stepping away from the shop a few paces.

Of course, someone was having a family emergency and without a family of his own, Harry was always the first call for overtime and help. There were still hours before he would need to go in. It wasn’t ideal, but still gave him plenty of time to finish his date.

It was well worth getting no sleep if it meant he could spend more precious time with her. It was one thing he was never going to take advantage of ever again. Time with her was the most invaluable thing he had.

“Everything okay?” She asked, holding out a cup to him.

“Thank you. Yeah... jus’... gotta do the overnight at midnight.”

“Oof,” she frowned. Then, much to his delight and surprise, she slipped her hand right back into his, like three years of nothingness didn’t stretch between them. Like they held hands for the last eleven-hundred odd days, every day. “Is that hard?”

For a moment, Harry was speechless, breathless, unable to remember what her question was asking. But then he brought himself back to reality. Harry didn’t like sleeping much. It was where he saw her most. All those dreams of what could have been... so no. It wasn’t hard to do overnights because at least when he was dead tired in the mornings after his shift, he didn’t dream. Didn’t see her. But he didn’t want to make her feel bad. “M’used to it.”

“Well, we can head home if you want to get a couple hours of sleep in before—”

“Do y’want t’go home?” He asked immediately, cutting her off, frowning at the idea of ending their night so quickly.

“No!” She answered just as immediately. Then, with a pink color painting her cheeks, she cleared her throat. “Just... want to make sure you’re... okay.”

Now he dreaded it. The couple of hours that he had seemed like nothing. There was no way he would get all the questions he wanted answered out in the open. But he had to start somewhere. “M’fine. Promise. Do y’want t’jus’ drive around for a bit?”

Silently, she nodded. “Please.”

*

Something shifted as they got back in his car. He wasn’t sure what, but it was a feeling like something had changed in the short time he was on the phone. It was in her eyes, the spiral of anxiety that was beginning to surface from inside her.

It seemed utterly unfair, and he silently hoped she wouldn’t retreat into herself. The thoughts of her leaving like she did three years ago rolled in his head so frequently now that she was home, he had a whole new set of nightmares to keep him company when he did sleep at night.

But right now, she was still in his car, and he had questions to ask.

For the time being, he pointed out new details on road signs that had been fixed and renovations to things in town she couldn’t see from the outside. She asked polite questions but really, he was just wasting time. So finally, Harry went to the next town over. He pulled into a little spot off the side of the road that fit exactly one car and gave a great view of the town. It wasn’t a mountain by any stretch, but high enough to make them feel tall and important.

He imagined it was a popular spot for teens with new licenses to make out as well.

Not that that was his intention.

There was a pause in their conversation. Comfortable and quiet. Then as Harry was about to ask her another question, she bounced in surprise at the sound of fireworks decorating the sky in front of them. “Wow,” she laughed. “All for me?” She winked at him.

He laughed and nodded. “M-hmm, had it all planned,” he watched the sky for a bit but the most beautiful thing he had the pleasure of looking at was her. So, he turned to watch her enjoy the display. She looked so pretty, her face illuminating every few seconds with a different color from the sky. He missed her so viscerally. Like even the freckles on his skin missed her. Every inch of him was plagued with wanting her even though she was right next to him.

If she went silent on him, he was going to lose his mind.

It was now, or never.

“Why did y’do it?” He whispered.

“Do what?” She asked, frowning at his quiet tone.

He closed his eyes, gripped the steering wheel tight. She had to know what he was talking about. “Why did you leave?”

Her breath caught and Harry felt bad for catching her off guard. But she had to know this needed to be said, needed to be dealt with. “Harry,” she sighed, swallowed hard. She looked out the passenger window avoiding the fireworks. “You should just... enjoy the fireworks. This isn’t—”

“Kitten, I need t’know.”

“I know,” her head knocked against the glass. He could just make out her reflection, her pained expression. It was rude of him to press. But he had to keep going. “But we—”

He pressed anyway. “You have t’tell me. Y’jus’ show up after three years of nothing. It killed me.”

“I know,” she croaked. “God, Harry, I know.”

“So tell me,” he was practically begging. “Don’t y’think I deserve t’know? You were m’whole world, kitten. S’not fair of you—”

“Harry, I fucking know!” She clenched her hands into fists in her lap. He was being unfair. In the time they were together they never fought. What did sixteen- and seventeen-year-olds have to fight about? When she left it was just sad. They never argued. So asking her to do this in his car on their first date after so many years, so many days of sadness and heartache, was completely unfair of him.

“I was so lost, kitten,” he wasn’t fighting fair at all. Coaxing her to breaking even though he had every right to know. She didn’t want the night to end and she feared it would if she told him.

“Harry—”

“Please, kitten. Baby, I just want t’understand—”

She choked out an involuntary sob the moment he said baby. “Because you deserved more than me! Okay? You deserved so much more than me and you wouldn’t have let me go so I just left, alright? You deserved more. So much more than me.”

The fireworks seemed quiet after her explosion.

But it didn’t make any more sense to Harry than the very day she first said it. “What does that even mean?”

Clearly, he broke something in her. She cried, hard. Breaking his heart further. He felt like an asshole, but he desperately needed to know. Her pretty makeup was going to be ruined thanks to him. “I don’t know. I don’t know,” she covered her mouth with her hand and sobbed into the window.

At least he had an answer.

Now for the next question. “Why did y’come back?” There was no answer for that. Just her quiet sniffles filled the car. She dug into his glove compartment for a napkin to wipe her face. If Harry wasn't so upset, he would have marveled at how she knew where everything was; some things didn't change even if they had. “Kitten, tell me.”

“Harry,” she whimpered. “Please...”

But he was desperate for answers. Desperate to put his heart back together. “I needed to see...” she croaked, her voice dying part way through the sentence.

“See what?” He was exasperated.

“That you had...” she swallowed. “That you had moved on.”

He turned away from her briefly, face twisting in anguish. He shook his head then turned back to her. He put his hand on her shoulder, asking her to face him and look at him when he said the next part. “Moved on?” He repeated. The words didn’t make sense. “How was I supposed t’move on, exactly?”

She sobbed and Harry wanted nothing more than to comfort her. Hold her and kiss her. He wanted to promise it was going to be okay. The way he always did when she cried. But he couldn’t. He needed to know how she thought that it was possible to exist without her. “I thought if I—”

“You are my soulmate, kitten. You know that.”

She whimpered, cheeks flushed, and tears streamed down her face. It pained him to look at her so upset but he had to finish this. Now. “You don’t believe in soulmates,” she whispered. Almost as if she wasn’t talking to him.

“But you told me we were,” his voice was crystal clear, definitive. No room to persuade him of anything else. She was his soulmate. She believed in them, so it had to be true. He believed in her. So that was enough. Harry gripped the steering wheel for all he was worth. Gritted his teeth as he asked his next question. “Did you move on?” The question was lost to the fireworks and the sound of her cries. But she clearly caught some of it.

“...What?” She whispered, tilting her head at him at a strange angle. Like he just told her that the grass was orange and it rained flower petals.

He inhaled sharply realizing he was agonizing over the thought. How long had he been holding that question in his head? Why didn’t he ask it sooner? Well, he knew why he didn’t ask it sooner. A large part of him never wanted to know the answer. “Do you have a boyfriend? Or... a fiancé?”

“Harry,” she rubbed her hands into her eyes.

“Goddammit," he sucked in a deep breath. "Tell me!” His heart was breaking.

“I didn’t date anyone while I was gone. I told people that I, and my heart, were happily taken. It never even crossed my mind, Harry,” she looked at her lap and swallowed nervously.

The fireworks complimented their evening perfectly. He released the breath he was holding and the grip he had on the steering wheel. The feeling came back to his fingers. His knuckles returned to the right color. “You said y’were taken?” He asked, thinking of the same notion he told Mrs. Peterson whenever she wanted to set him up on a blind date. Her gaze returned to his, and she held it for a moment, still in complete silence. Then she nodded. Her sniffles subsided.

Then she snorted, shaking her head with a smile that didn’t reach her eyes. “A fiancé, Harry? That’s ridiculous.”

“S’not,” he didn’t smile like she did. It was so serious to him. Felt it in his bones how serious it was. “Because if y’thought I was going t’move on from you... I don’t know, kitten,” he shook his head.

“No,” she repeated. Relief flooded him further. “I couldn’t... I took this first aid class,” she swallowed. “You would be really proud of me,” she smiled more genuinely through tears that filled her lash line. “I thought about all the things you taught me yourself when you practiced first aid and whatnot. I knew so much stuff. I was the class pet—”

“Course y’were.”

“—but we practiced taping wrists and ankles and I had to work with this guy, and I thought he was going to kill me,” she sniffed but that smile never left her lips. “I flinched every time his hand touched mine. He probably thought I was in a horrible relationship and that’s why I was learning how to tape injuries. I couldn’t even tell him that it was the exact opposite because I couldn’t tell him about you.”

Harry was silent, watching the explosion of color against the dark sky.

“I thought you would have moved on,” she whispered.

“Y’got your mom t’leave. I couldn’t even ask ‘bout you. You stopped talking to all of us.”

“If it helps at all, it was really lonely. Even with Addie and Carter...” she shrugged.

It didn’t. The thought of her being sad and lonely felt about as painful as her leaving. He was so grateful she had a friend to look after her. Someone to confide in. Because she left a lot of people behind who loved her, but at least Harry had them to comfort him as best they could.

“I thought about you every day,” she whispered. “I’ve been thinking about writing our story. I’ve been outlining it... reliving every memory through it. Every painful thing. I think it’ll be a series and honestly, I think it will be really good because the ending will be sad, and no one will see it coming because we didn’t see it coming and—”

“Our book?”

She paused. “You were my favorite thing to write about.”

He shook his head. He knew that. It wasn’t a conceited kind of thing. She said it all the time and he knew it. “What do you mean a sad ending?”

Another pause. She closed her eyes and sighed. “You can’t possibly want me back.”

Another long pause. Harry mulled it over and he realized just how angry he was. What had he done wrong that she didn’t feel adored by him? Where had he messed up and not made her feel safe? Did he let go of her hand like when they were on the balcony the other day? It was too much for him. His grip tightened on the steering wheel again. “What is the matter with you?” He put his head on the steering wheel against his hands as he spit the words out. He hated arguing with her. He felt pulled in two directions to have this conversation and comfort her. It seemed impossible to do them both at the same time.

“Harry,” she frowned. “I’m—”

He shook his head and smacked his hands against the wheel as he sat back. “I am never going t’stop wanting you. Don’t you get that? There is no ending with us. There can’t be. I have been waiting for three years for you t’come back t’me. You’re here and y’think I’m jus’ supposed t’have move—”

She was kissing him.

Her lips covered his in a hungry kind of way. Raw, achy, and hot. She pulled away briefly, her breath short pants. Her hand at the back of his head, her fingers pulled and tightened snuggly against locks of his hair. Poor Harry was so surprised he didn’t fully grasp what was happening and forgot to kiss her back.

He hoped she didn’t think it was too late. Or too soon, maybe, for him to agree to this kind of thing. But he only let one additional second pass before his lips were back on hers. His hands held each side of her face pulling her close to him, awkwardly around the console.

She seemed to melt into the kiss, her whole body releasing a long breath that made her shoulders fall, her body sinking forward. Harry moaned quietly into her mouth. One hand slid from her face into the back of her perfectly styled hair. Within five more seconds he started to pull her over the console separating them. He heard the clunk of one of her shoes falling onto the floor. With one hand on the small of her back, he used his free hand to push the seat back to give her more room between his body and the steering wheel.

Harry wasn’t her first kiss. But the way it felt, he may as well have been. She wished he was. There was nothing better than kissing him. There was a familiar possessiveness in the mix of their lips and breath. It was like he was saying no one else was ever going to kiss her as well as he did. Softly, his tongue slid across the seam of her lips to get her to open further.

Harry knew she didn’t like lots of tongue in her kisses. Which was fine with Harry, a quick brush of her tongue against his was plenty and not the part he cared about much anyway. The way she sucked his lower lip into her mouth and traced it with her tongue nearly made him finish in his pants. Her lips were so sweet. Just like her. It was the most natural feeling in the world to kiss her. Like he kissed her yesterday, the day before, all last year, and every other day succeeding her departure. “God,” she whispered against his mouth.

“Hmm,” he hummed. His hands touched everywhere. Roamed along her sides and around her back, up her arms and cupped the sides of her neck. He wanted to touch her everywhere. It felt so good to hold her and the way she moaned made him assume she was enjoying it just as much. It had been ages since she had been touched and that was fine because she didn’t want anyone to touch her but Harry. His hands were warm and felt so good on her back. Even through her dress. Even though it was summer and very warm, she shivered and nuzzled closer. The car was too small and the space between them was too big. “Baby, can we—”

“Yes,” she whispered. It didn’t matter what he asked. She was a yes to anything he said. He groaned into her mouth and slid his hands between them, lifting the skirt of her dress just above her hips so everything was covered but easier to access.

“Kitten,” he moaned when she reached between them as well and fiddled with the button of his jeans. Why on earth would he have a condom? The thought of being with anyone else so intimately was laughable. “I don’t have—”

“I don’t care.”

He groaned again and kissed down the length of her neck, his tongue poking out to lick at the spots he kissed. She thought she was going to pass out, but she didn’t want to miss a second of this feeling. So, she refused to pass out. “I forgot,” he was breathless as he shifted trying to make space between them so he could pull his pants down just a little more, just enough. “Forgot how much I missed this.”

“What did you miss?” She whispered just as breathlessly, her lips against his neck as he reached between the two of them, slid his fingers against her underwear and pushed it to the side. She whimpered at the light friction of his knuckle barely grazing her clit even though it wasn’t his intention.

Harry’s moans were nearly obscene. They turned her to jelly. “I missed everything, kitten. Everything.”

She shivered again at his response. When she felt him lining himself up, pressing through her folds so easily because she was already an aching wet mess for him, she cried out again. The electric feeling coursed through her and it wasn’t fair that she made him lose this feeling for three years. “Oh,” she tucked her face into his neck.

“I’m... fuck, baby,” he whispered as the head of his cock slipped deeper inside her. He didn’t want to know if she had sex while he was gone. In his mind he was the only person that got to be inside her like this—to feel her like this. His voice was raspy. Not even a whisper really. “I’m not...” his other hand that wasn’t helping her slip further down on him cupped the back of her neck. “S’not going t’last...” He couldn’t even give a time frame because he was so far gone. “S’been...”

She didn’t want to know how long it had been for him. The idea he had sex with someone else would probably make her inconsolable while he was inside her and it wasn’t anyone’s fault but her own. She shook her head and kissed the space just below his ear that used to drive him crazy. “I don’t mind,” she promised.

“God,” he closed his eyes and pressed his face to the front of her chest. Her dress was still in the way, but he wanted to rip it off her. He couldn’t because as much as he was enjoying this—and yes, he would have loved to feel her nipples in his mouth—he refused the risk of anyone seeing her naked like that. This was already bolder than anything they had ever done before—and the intimacy of seeing her fall apart was for him only. A possessive stance he would never let go of.

“Oh my God,” she whispered. It was too hot in the car; her skin was damp with sweat from pressing so close to Harry and the exertion of fitting in the small space between him and the steering wheel. She wanted nothing more than to stay glued to Harry like that, his dick deep inside her for as long as she lived. They really were two puzzle pieces just meant to fit together. For a brief moment she paused the way she was moving slowly up and down his cock; hoping that maybe she would just die in that car because at least this would be the last thing she ever did. Their breathing stilled, quieted. He tilted his neck back, smiled as he gazed up at her.

“You’re so beautiful, kitten,” he whispered.

It was embarrassing that she could come that quickly and that hard from just his compliment and he wasn’t even moving inside her.

She gasped so loudly. Her whines and moans releasing from her without warning. She felt distraught and whole. It was practically primal the way she started to bounce up and down again, only ever so slightly, her legs shaking to find purchase on the side of his seat near the door and dodging the seatbelt holder with her knee. It wasn’t conducive to do this here but what choice did they have when they couldn’t wait a second longer?

“Oh my God, fuck, kitten,” he groaned, wrapping his arms tight around her waist, kissing at her throat and the exposed cleavage he did have access too. He met her greedy little bounces to prolong the euphoria that was coursing through her, making her clench around his cock so hard he thought he was going to exist outside of his body. “Baby, I can’t pull out,” he warned her.

They were young, but not in high school young anymore. Getting pregnant wasn’t their worst fear anymore as it was their first go around leading to her going to the doctor and asking for birth control. In fact, getting pregnant probably didn’t even crack the top ten. But even still... “Pill,” she rasped. “Please,” she begged.

“Oh fuck,” he moaned. His hand slid beneath her dress. He pressed the tip of his finger directly on her clit and rubbed perfect little circles on it.

So perfectly, she was going to explode again. The fireworks had nothing on her. “Oh my God, please,” she cried. The plead, the feel of her squeezing around him again, the heat of her and the car... all of it was a heady combination that left Harry completely useless as he finished inside her at the exact moment that she dropped her face to his shoulder again and fluttered around him. As Harry finally released a breath, he had been holding for three years it seemed, he found she was still trying to squeeze her thighs around him to savor the pleasure. He couldn’t blame her. All he wanted to do was make her come over and over.

There were a lot of firsts they shared over their relationship, and Harry was so grateful to have another even after all the time between them. His body twitched as she stayed in place, her breathing finally slowing. Harry felt hot, too hot but didn’t dare remove her from his body. He held her to him as he shifted more, her bum bumped into the car horn. She giggled once and Harry smiled. His breathing slowed, following hers.

The car was silent except for their labored breathing. They were young when they had sex back then. They thought it was good back then. But it didn’t compare to that. She felt a wave of worry that he had practiced all while she was gone. The same worry went right through him nearly at the same time. Maybe she sensed it because he relieved her with one sentence. “I read an embarrassing number of books with scenes like the one we just reenacted.”

Harry sighed with relief; his nose pressed to her ear. His lips brushed her temple and he spoke quietly. “Send me every single page y’read, kitten.”

She giggled making her clench around him as he softened. He groaned involuntarily. He didn’t want to leave her body. Terrified it would never be like this again. As he started to move, she stopped him. “Um... Do you have a towel?” She whispered; her cheeks probably would have flushed asking the question, but it was impossible to tell with the endorphins that flooded her blood doing most of the work now.

Harry felt a little stupid at the moment, so he nodded, then shook his head. He didn’t fully understand her question but wanted to try for her.

“Uhh... here,” he reached in the backseat for a T-shirt with the station’s logo on it. As he shifted, she whimpered at the feeling of him moving inside her again. He kept a hand on her dress, right at her hip and rubbed his thumb soothingly against her.

“I can’t use this and then have you wear it around town,” she frowned.

“Baby,” he snickered. “I wouldn’t wear it... in public," he teased. She lightly hit his chest with the back of her hand.

She slowly pulled off him, falling back into the passenger seat, the T-shirt between her legs. She finger-combed her hair as best she could and checked her makeup for obvious smudges. Harry mussed with his hair quickly and then placed his hand on her knee. She held it with both hands, brought his fingers to her lips and kissed his knuckles no less than ten times.

“That was perfect,” she whispered.

Forget her writing, she was her very own poem. He smiled. “Always, kitten.”

*

Harry took the long way back to her apartment. Her grip didn’t loosen around his hand. Not even when he needed to take a turn. When he finally parked, she looked at him expectantly. “I don’t want t’go,” he whispered. “I would quit right now, if I could. I want t’talk all night and tell y’everything and know everything, kitten. M’so...” he shook his head terrified that if he left right now all the progress, everything would be gone. “I missed you so completely baby. I need t’know everything there is t’know ‘bout you and the last three years and all the thoughts y’had. S’not fair and m’so—”

“Harry,” she smiled, squeezed his hand encouragingly. She brought a hand to his chin and rested her forehead against his. “I’ll see you tomorrow; right after your shift, okay?” she kissed him gently on the lips. A soft brush of promising more.

Relief flooded him. “Yeah?” Their mouths were so close as he spoke, his lips touched hers the entire time.

“I’ll be here,” she promised. That little saying, “it was music to his ears,” never really made much sense to him. But right then it did. It made so much sense. She was music. She was the sun. She was fireworks. “Good night, Harry. Have a good shift,” she whispered and pressed her lips solidly against his once more making him feel like he could do anything.

--

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[cheralith]

vogue — 「 boss/fashion designer!geto suguru x reader 」

synopsis ; even without much knowledge in the world of fashion, you decide that it's in your best interest to work for the country's fashion magazine powerhouse. however, you begin to second-guess your decision when you're faced with the grueling labor of its one and only editor-in-chief who expects nothing less of perfection. can your efficiency meet his standards or will you be out the door before you can even blink?

content tags/warnings ; gn!reader, use of they/them pronouns, mild language, traditional japanese basis of (l/n) (f/n) used, reader wears glasses, makeup, and heeled boots, some mild manga and jjk 0 spoilers (three minor characters from each are introduced), uhhh suguru being a dick lawl, some parts not edited/not beta read

contains ; editor-in-chief!geto, fashion designer!geto, assistant!reader, assistant turned ****!reader, platonic roommate!ino, modern au, mild angst, some crack if you squint

word count ; 10.2k

notes ; heavily inspired by "the devil wears prada" and "paradise kiss", so there'll be some references i've dropped within this—see if you can spot them! also the censored is spoilers so until then, hehe.

now playing ; seven days in sunny june - jamiroquai

It’d be foolish not to know the household name of Geto Suguru, the ultimate male muse of Jun Takahashi whose title has yet to be reigned by another. He was the ultimate breathing mannequin of the iconic Yohji Yamamoto piece he had worn on the Milan runway back when he was just a teenager. It was one of the most staple pieces of the new century that helped open the gates of the mixing of world culture and avant garde fashion—an England-Japanese punk fusion of an ashen and tattered kasaya layered under the contrasting statement piece: the earth-toned gojōu-gesa splattered with weaves of gold—and it was that very piece that rose him to the top of the fashion world as one of the most powerful names in global fashion.

And how could he not? At seventeen, he was scouted as a model for Gaulthier and became his muse at the ripe age of twenty before several other worldwide designers began to fight for his eyes. It was only a few shrewd years later that he’d open up his own successful fashion line, RIIKO, named in honor of his late sister, resulting in it becoming one of the fashion line pillars in the modern century. 

It didn’t take long after that, due to his fame and distinct education from Jujutsu University, rising to the top for Kaizen fashion magazine and ruling it with an iron fist and several cups of coffee with almost all his designs on display for all to see in the office. It was due to his work that Kaizen became the powerhouse of powerhouses of fashion editorials and magazines and it was solely his work that made fashion what it was in present times. 

Whether it was direct or indirect, Geto had impacted the industry in all sorts of ways. Be it blossoming an upcoming supermodel’s name or setting new fashion trends, everything could essentially be traced to Geto Suguru. 

So it’s understandable that many had called you a fool—a dimwit, even—for not understanding how big of a deal it was to become his junior assistant after lazily submitting your resume. Originally, you had just wanted to become a simple lifestyle journalist for papers like Sankei Shimbun or The Japan Times, but seeing how it was between a seemingly mysterious fashion magazine that mentioned, received gasps, or the measly and homely newspaper of The Hokkaido Tribune, a magazine you knew would only give new journalists the scraps of what they earned, the choice was obvious. 

Whatever gave you more money, you’d take. Survival of the fittest, was this world not?

“Do not tell me you’re going to your interview at Kaizen wearing that?” Ino barks out a laugh as he finishes his morning cereal for breakfast, scanning your outfit. “You’re going to work in a fashion magazine, not some dingy corporate office.”

You sneer at him as you shove on your loafers (don’t mind that the leather is peeling slightly on the side). You think that there’s nothing remotely wrong with your overused gauntlet gray matching set of trousers and blazer with a slightly wrinkled button-up underneath it. 

“Oh, please,” you roll your eyes at your roommate and parttime brother figure. “What on earth do you know about fashion?”

“Enough of it to know that outfit is atrocious for that type of environment,” he states simply as he shoves a donut in his mouth. He kicks his feet up on the table, making you cringe at their nakedness. “Trust me, change if you can. Make a statement for ‘em.”

Ino Takuma sighs and glances at your thick spectacles that you’ve worn since early college. “And at least change your glasses for your contacts. Heard they don’t like those sorta things over there. At least not the prescription kind.”

“Can’t find them,” you grunt when you feel the weight of your shoulder bag heave down your body. “I’m already late, anyway,” you sigh, “Listen, if I don’t come back alive, which I will by the way, then you can dance on my grave all you want.”

“I’m holding you to that,” he chants before he lets out a haughty snicker that gets muffled instantly when you slam the door on him. 

You throw insults at Ino in your mind, grumbling about how a mere job hopper like him wouldn’t even know the speck of fashion, how you refuse to take advice from someone who wears the same thing every day. There’s nothing wrong with the gray, you think. It’s safe and presentable, ordinary and professional, and you’d much rather blend in than stand out as you believe standing out and making yourself known is just a recipe for trouble. 

Stretching out a hand on the street, you call for a taxi and humbly enter as you smooth out your trousers. The taxi driver eyes you in the rearview mirror with a questioning glint in your eye. “Job interview?” he asks.

“Oh, um,” you nod your head. “Yep! I'm a little nervous, haha.”

“Really?” he says as he gratefully steps on the accelerator a little faster. “Better get you there quick, then. Would hate to have you late. Where are you planning on working?”

“Kaizen Magazine,” you declare confidently, an affirmative look on your face.

“Kaizen?” questions the driver slowly as his eyes go to scan your outfit in the mirror again, his brows raised. “As in the… the fashion magazine?” 

You nod with visible apprehensiveness. You think that maybe you truly were the only person in the world that didn’t know the impact of Kaizen, seeing as how a mere taxi driver even knew about the name and you didn’t up until a few weeks ago. 

“I see…” he mutters. The drive there is a mix of silence and everyday morning conversations, before he pulls up to the building that held the key to your dreams. “Well then, here’s your stop.” 

You let out a little gasp of excitement. “Thank you so much,” you reply as you shove some cash into the slot. 

“Hm, well,” the taxi driver counts the money carefully, barely looking just before you close the door as he mutters, “Good luck, Plain Jane.”

You turn back to the taxi, your hearing a little awry. “Sorry, what was that?”

But when you turn back to the yellow cab, all that’s left is a billow of smoke and cinders. Dazed and confused, you quickly shake those feelings off before you head inside to the building that was now your shining beacon of hope with a determined smile still plastered on your lips. White is the first thing that greets you when you enter the building as it was essentially aired out onto every corner. White marble counters, white tile flooring with white grout, white frames of fashion icons—the white screams pristine and perfection to you and its message went very much noticed. You haven’t even met Geto Suguru yet, but you understood already that he expected nothing but excellence.

You ride up the elevator quietly and alone, trying not to focus on how your anxiety increased with each ding of the passing floors. The elevator screen seems to almost taunt you as it closes in on your doom, the numbers getting closer to the designated floor until it slowly pauses and shone brightly the number 21 in stippled red.

The doors slowly open and the light seeps itself back to your vision, white flooding your senses again. You carry yourself carefully down the hallway whilst taking your time to admire the many framed pictures of past magazines, multiple runway models, and scraps of newspaper articles. One specific piece catches your attention, however; it was large, almost half your body size and framed in a gilded black frame. It was a picture of a mannequin wearing a tawdry gray-black robe with the kanji characters of “summer” painted with purple messily atop. Layered was a loose, but well-fitted piece of thick green and gold cloth that looked much more refined to the messiness of the other materials. 

You stare at it for what seemed to be forever whilst admiring the contrast and beauty of the work before your name is called out.

“(Y/N) (L/N)?”

Your trance breaks from the voice approaching you. You turn to see a short and young woman with dark blue eyes staring at you with a raised brow. “That’s you I presume?” she asks.

“Oh! Uh,” you nod furiously and smooth out your trousers again. “Yes… yes, that’s me. I assume you’re Manami Suda? The one I spoke with on the phone?”

She nods slowly, her eyes going to study your outfit which was a rather stark contrast to her own attire that highlighted an emphasis on shades of opal and navy. Her eyes have a similar glint in the way that Ino’s and the taxi driver’s had, further enunciating the message that your attire was rather… something.

“I see you’ve dressed up for the occasion,” she murmurs. Sarcasm going undetected by you, you grin as a response and think that a compliment from her was a sign you did something right. Her eyes go to rise back and meet yours again before she turns and redirects you to the end of the hallway where some rooms belonging to subordinal editors sat in, clacking away at the computers. There was one singular room that held the only door on the floor and it doesn’t take you long to assume who it belongs to considering the large letters of GS frosted onto the glass.

Two desks stood on each side of the door, one completely devoid of life and decorations. Manami guides you to the empty one and patted the top of it. “This will be yours if you manage to miraculously pass.” 

Manami taps on her clipboard a couple of times, listing off a couple of requirements that you were most likely going to need in the future: efficient time management, ability to fight for what Geto wants, sharp memory, quick feet…

“And uh…” Manami flickers her eyes to you and the details (or lack of, in this case). She mutters under her breath quietly, “... a good wardrobe.”

You turn to her, internally wondering if you were going deaf today. “Sorry, can you repeat that?”

“A good, warm…” she squints, obviously finding the right word to keep that ignorant smile on your face. “... welcome to start off his day.”

She succeeds in her task as you merely nod with the same blatant grin attached. “Got it!”

Manami tours you around the floor of the office, letting you say hello to your future coworkers that work in the cubicles that send you worried looks behind your back. They obviously seem too pitying of you, knowing that your fate would be sealed as Geto’s potential right hand man the moment you signed that employee contract.  

“This is Human Resources,” Manami gestures over to a room filled with chattering employees who seemed to be getting their gossip out before their day started. “You’ll contact them if you have any—” her phone dings suddenly. Casually, she pulls it out, only for all of her resolve to disappear in an instant. Manami then abruptly blows a whistle with her teeth, alerting everybody in the radius.

“Everybody! His morning facial was canceled!” Manami hollers. “Geto is coming in…” her phone pings again with another notification, and you can tell Manami’s heart instantly drops. “Oh God… he’s in the lobby! Everybody, places! You,” she snags the sleeve of your blazer and drags you along with her, your clunky loafers nearly tripping you. “Come with me.”

Manami takes back to where you first started and orders you to stand in the front of the blank desk with a look that screams both fright and anxiousness all in one. She lists off too many tasks that you need to do before he comes, but you’re so frazzled with trying to remember how to act in front of your future boss that you can’t even remember the first thing she told you. 

“Help me arrange the drafts of the magazines from most recent to least recent before he—”

The elevator dings and all goes quiet; Manami tosses the magazines over her shoulders and positions herself firmly in her place, gesturing for you to do the same. The doors open and unveiled from two bodyguards is a man—a tall man, around six feet or perhaps even taller—dressed in noir fitted pants and a matching button-up closed only halfway to reveal a silk navy turtleneck. Caped behind him is a black velvet trenchcoat that you’re sure is worth half your rent and a watch plated on his wrist that is well over your life savings. He’s slightly sunkissed, with blue-black tresses of hair with a soft bang sneaking through and large plated earrings to match. His eyes, however, show a tint of color—a sharp dark amethyst that you think could cut through you like crystals.

But he’s almost hauntingly attracting—like a spirit. Something about him was an enigma and his aura was nothing less than powerful. 

“Good morning, Geto,” Manami chants with an artificial happiness to her tone.

Geto doesn’t reply, just merely giving a silent blink before he sheds his coat off and tosses it aimlessly towards Manami. It proves to be heavier than anticipated, giving how she fights to groan from the weight of it. He’s handed his briefcase from one of the bodyguards and begins to open the door to his office until he pauses and turns and glances at you, the stranger.

“Hello,” you state with a slight bow. “I-I’m one of the interviewees for your junior assistant. My name is—”

“(Y/N),” Geto murmurs; his voice is soft and low. It’s all knowing, with indigo eyes boring into your own. “(L/N) (Y/N), I know. The one that graduated from Jujutsu University recently, yes?” 

 Adjusting your glasses to wave away the blurriness, you nod with anticipation. “Yes, that’s me.”

Geto turns back and opens the door, to which he only replies back, “In my office.”

You glance at Manami for confirmation, only given back with a jut of her head towards the door. All the unease you felt in the elevator comes hurdling back to you in an instinct and you feel as if you were no more than a peasant to someone that was essentially royalty in the fashion world. 

Geto turns his chair to face away from you, shuffling a few papers over each other that appears to be your resume, before he spins it slowly towards you. He kicks his feet up lazily on his desk. 

“It’s nice to have another Jujutsu alum to join us,” he says. His voice is still the same—a little baritone with a wisping edge of a whisper to it, but it almost sounds… bored. Unamused even. “A bachelors in print journalism… same as mine, hm. Tell me, is Professor Tengen still as loose as ever with their practices?”

You fight to fiddle with your glasses as you watch as Geto tangibly toys with his own, with his focus angled on the papers in front of him rather than you. “Um, I assume so. Though I believe they’re actually retiring this year.”

“Good,” he sighs in what seems to be relief. “Shame that the university had wasted time and money by hiring them. Truly, I hope they can find someone much better suited for their position.”

“Really?” you quietly question. You had only taken their class a few semesters ago and thought despite their rather… all too lenient disposition… you did learn quite a lot in their class. “I thought they were a rather alright teacher…”

Regret pools in your mouth from the moment you have finished your sentence. Geto finally goes to look at you from the edge of his glasses with a sharp look, narrowing his eyes ever so slightly. 

“Tengen was merely a sorry excuse for a professor. They were rather nothing but a nanny who gave their students too much leeway,” Geto declares. “Though, I’ll admit, I am pleasantly surprised that you managed to take something out of that class.”

A laugh that’s just dripping with nothing but nervousness leaks out of your lips. “I suppose I had learned just a few things…”

“Mmh,” Geto nod nonchalantly, eyes drawing back to the papers. “Well. Let’s start with the basics. Why exactly do you want to work here?” 

Geto already feels the cliche comments erupting. Had the person in front of him say at least one of them, he was ready to insert the papers he was holding into the nearby shredder. Or maybe out the window this time, he wonders—something nice for a change.

“I was inspired by your work.” 

“It’s been my dream to work at Kaizen.”

“Fashion is my absolute passion.”

“I want to—”

“I’m just in need of a job, really,” you say lifelessly. 

He goes to raise his head slowly from the packet and turns to you slowly. Geto doesn’t say anything, but his facial expressions indicate a blend of confusion and intrigue. A slithering tongue darts out to slick his lips, indicating you’ve piqued his interest. “Well, obviously. But why this job specifically? What about it stood out to you?”

You clear your throat. “I had learned recently that Kaizen is a rather prestigious mag—”

“‘Recently’?” Geto repeats quietly. “You hadn’t heard of us before?” 

Lips thinning, you shake your head slightly. His eyes go narrow again to your dread, serpent-like. “My specialty is more in newspapers rather than magazines, I-I’m not too knowledgeable in that area.”

Geto goes quiet and the silence makes the air go thick. It’s then that familiar glint sparkles in his sullen eyes when they go to examine your choice of clothing—it confirms Ino was truly right in the end, as he lets out a smile-less chuckle that doesn’t do much to ease your brain. 

“Continue,” Geto gestures and takes off his glasses to look at you, or you suppose your outfit, more properly. He folds his hands and places his chin on top of them. “You said you only learned about us not too long ago?”

“Yes, and I realized that perhaps working here for a while would, at least I hope, grant me access to other media houses,” you explain. It’s only then you realize that your declaration sounds absolutely ludicrous and almost disrespectful to the editor-in-chief of the most iconic fashion magazine in the nation. “Connections are quite powerful in this day and age, haha…”

“I suppose,” Geto mumbles with not much interest in your poor humor. “What about me? I do hate bragging but surely, you know about my name or at least my fashion line?”

Your hesitant countenance and silence tells Geto all he needs to know. He thinks that it’s almost some sort of marvel that no one has heard of him or his works before.

He sighs. “Do you have any experience working in any fashion-related activities at least?”

“Well, I once worked in a department store for a few months back in high school,” you say thoughtfully (and ignorantly).

Geto gives you a blank look. His blinks are apathetically slow.

“Um,” you clear your throat again and shake your head, timid. “N-no…”

“Then tell me,” he continues smoothly. “Why exactly should I hire you? You obviously have no taste in fashion and you hadn’t even heard of my name, let alone my magazine, until recently. What is there within that makes you want to work here other than you just… what was it that you said?” He air-quotes mockingly, “‘needing a job?’”

Your throat runs dry and limbs go stiff. A heat rockets to your face when you seemingly can’t get any words out to excuse yourself, much too caught up in the same of your ignorance towards Geto’s profession. And that’s all the response he needs to make his decision. 

His hand takes the packet again and to your horror that you fight to keep in, inserts it into the paper shredder. The groan of it rumbles through the room agonizingly and you realize that Ino is going to have the time of your life planning your doomsday. 

Geto gives you the mercy of breaking the thick silence first. “You may go.” 

With a swift flick of his wrist, Geto dismisses you with a slight edge to his murmuring as he puts back on his glasses to examine the morning newspaper to not waste any more incessant time in the day. 

You don’t even attempt to fight back with any poor excuses. Tears prick the corner of your eyes, the sting of them frustrating you to your wits end. Instead, you gather the last of your resolve and bid him through a strained throat good day and make your leave, humiliation and disappointment trailing not too far behind. 

You hope that Ino will give a nice eulogy, at least.

Out of all the miracles that await you in life, you do not expect the one that comes in the form of an early morning phone call that wakes you at the ass-crack of dawn. When you pick it up with sleep still very much embedded in your eyes, it dissipates in the instant you hear Manami’s voice. It’s only then that it hits you why on earth she was calling so early and why she was demanding to know your whereabouts, claiming you were going to be late on your first day of work. 

You think it’s some sort of cruel joke maneuvered by Ino, especially with how his comforts from last night were mixed with taunts. But when Manami’s voice finally registers in your brain, by some sort of miracle or stroke of luck, you have gotten the job as Geto Suguru’s junior assistant. 

You don’t know how, but you don’t waste any time questioning how on earth you landed in such a position because you leap out of bed at 7:23 a.m. and manage to do your morning routine in the matter of what you think is a record-breaking fifteen minutes. Your ruckus manages to wake up deep-sleeping Ino, who, when you excitedly tell him to postpone your funeral, gives a groggy thumbs up before drooling back into his pillow. It’s 7:38 a.m. when you shove on your shabby coat and you realize you only have a mere twenty-two minutes left until you have to officially clock in for work. 

At 7:40, you’re out the door and sprinting to the located coffee shop that thankfully wasn’t too far from where you lived.

At 7:47, you’re at the designated cafe whilst attempting to swim through the crowds of morning bustlers to pick up Geto’s coffee.

7:50, you’re sticking your hand out waving desperately for a taxi and tip extra to make the driver speed through as you attempt to make sure the coffees don’t spill out of their containers.

7:58, you arrive at the building and just barely make it into the narrow gap of a tight-fitting elevator, earning stares from the others from your rather… frazzled appearance.

At 8:02 a.m., you dash out the elevator and officially clock in for your first day at work at Kaizen Magazine amidst a birdnest of hair, clothes that were plucked out of your hamper, and what you pray to the heavens above are hefty layers of deodorant and perfume since you were given no time to shower.

When Geto comes in that day, all suave and composed, he takes one good look at you before sighing and focusing his attention to the more refined Manami and lets her take the gears for the day. The only attention he gives you that morning is the rough toss of his heavy coat—a cashmere pearl peacoat today—flung at your arms that nearly makes you tumble from its weight.

You quickly learn that working for Geto requires high demand and maintenance, as he is not one to skip over any details in his day. Not even three hours in your first day, you already have to plan out his future meetings, reschedule one with a rather feisty and insistent client, edit a forest of emails, finishing by dashing out five blocks on foot to the two michelin star restaurant to retrieve Geto’s weekly steak for lunch. Had this been your old corporate job, you only would’ve gotten half the tasks you had completed by the end of the usual eight hours, but you realized early on that you had barely scratched the surface of your future in Kaizen.

You think that after plating his steak with the shakiest of hands, you finally have time to relax during lunch time when you see the small hand of the clock finally hit 12:00 p.m. , especially since you and him were left alone in his part of the office together. But the moment that Geto saunters into the office again, he tends to you once again with a final task by himself.

“(Y/N),” he calls from the office, the scrape of his fork against ceramic cluttering your ears agonizingly. 

You fight the urge to cringe from the sound as you scurry to the doorframe, hands stiffly intertwined together. “Yes, Mr. Geto?”

“No need for such formalities,” he remarks with the dab of a napkin to his lips. “They make me feel old, and I’m surely not much older than you are…” you think that’s the longest he’s spoken to you since the day had started. “Did Leibovitz confirm?”

Blinking, you tilt your head ignorantly. “D-did who confirm?”

He pauses and does that taunting slow rise of his eyes from his steak to you. “Leibovitz. Did she confirm?”

Silence fills the office, much like the silence that drowned you back at the interview. He clicks his tongue and dismisses you with a disappointed shake of his head. “Just go on your lunch,” he mutters, sighing.

Manami, the savior that she is, is called into the office after her break and is asked the same task and you watch with humiliation whilst packing your things to go on your lunch as she picks up the telephone and speaks to someone over the line before confirming to Geto that, “I’ve got Annie!”

“He hates me, Taku!” you cry out whilst flopping onto the dinner table. It’s ten in the evening and you’ve just come home after what was supposed to be an 8-5 shift. You suppose you should be used to this already after two months of working for the Lucifer donned ritually in white in the building, but you don’t know how much your sanity (and body) can take. 

Normally, Geto is usually cold to those who he wasn’t familiar with, but you think that his distaste for you sours everyday. You notice that he’s beginning to pile you with the more urgent and busier duties and that he often stares you down more menacingly in the morning with those piercing purple eyes of his, like you were gum stuck on the bottom of his shoe. You thought it was just him being normal Geto Suguru, the man with the expectations higher than the clouds, and that you just were still adjusting to such a high-intensity environment, but it was today that your world came crumbling down when you overheard him muttering to his associates about you, tone icier than ever.

You were on the other side of the door, a fist going to rap on the glass with the other holding his afternoon coffee pick-me-up when you heard it.

“... can’t even do the most miniscule things right,” Geto had groaned. “I ask if Lanvin’s models are all good to go for next Thursday’s shoot and somehow, they have the nerve to ask ‘How do you spell Lanvin’? For fuck’s sake, I can feel my goddamn conscious just wither away by the second.”

You hadn’t heard Geto swear since you had started working there, but something about his venomous tone enunciating such words had made your blood run cold from the other side of the door. Not having the courage to face him after that, you left his coffee on Manami’s desk for her to tend to with a post-it note saying a sorry excuse for yourself before letting your eyes sob frustratingly in the bathroom, isolated from others.

The last time you had cried that hard was way back in childhood, where you had broken your arm from falling down a tree branch. But you think that Geto’s words had twisted through your skin and bone much harsher than that pain ever will. 

“It’s a miracle how I haven’t been fired yet… I don’t even know why he hired me!” you wail.

Ino sighs from across the dinner table and you can’t tell if it’s a sigh of pity or a sigh of criticism. You learn that it’s both when he rolls his eyes at you whilst simultaneously pushing a plate of much needed food towards you. 

“First off, you need to eat,” he presses, staring at your gaunt features. “The way your face is swallowing is making me feel like I’m living’ with a ghost. You’ve lost some weight, I’ve noticed.”

Awareingly, you touch your cheekbones and realize he’s right, for you feel the small disc of sharpness from them prick your fingertips. They’ve never been so cavern before. You suppose it’s because of the lack of proper meal time between your days and how you often eat small and very late dinners back at home, truly not enough needed fuel for you.

“Secondly,” Ino chews his tongue, wondering if he should really say what he’s about to say because of your current disposition but goes through with it anyway. He might as well rip the bandaid off now to let more time for the wound to heal. “You won’t like what I’m ‘bout to say, but you need to up your game. Severely.”

An aching body rises up from the table. You go to stare at Ino through glazed eyes and a pouty lip, asking him what he meant.

“Ah nope! Don’t give me that face and don’t play coy with me,” he hisses, looking away to not give in to your helpless puppy eyes. He can’t—he shouldn’t give you the easy way out and just say to quit—not when you’ve been earning so much bank that rent isn’t a problem for either of you anymore. He wonders, though, for a moment if so much money is worth your rationality.

He drags a hand down his face before placing his chin on it, examining your haggard appearance. “What I mean is that you need to see through Geto’s eyes. See what he sees when he looks at you. Tell me, if you had an assistant that showed up wearing things that looked like they were plucked from the clearance bin at a thrift store and didn’t show any respect for your brand, which just so happens to be a fashion magazine out of all things…” Ino eyes you with a raised brow. “You startin’ to follow me?”

Your fingers fiddle with each other. “... sorta.”

“Now listen,” he raises his hands up lazily in surrender. “I already know what you’re ‘bout to say about me not knowing’ how to dress in shit other than black and more black, but even I know that you should put in more effort into your appearance. That’s the first step.”

“But I have—!” you exclaim helplessly, “I-I swear, I’ve been trying to… but it’s not my fault that it isn’t up to his standards.”

Your roommate groans and rubs his forehead, not really knowing what else to do for your situation until an idea pops in his head. “Free up your weekend,” he demands with a sly grin that makes you a little uneasy. “I’m no fashion connoisseur, but you know who is?”

“And remember, we never touch anything with chevron on it, especially in today’s fashion world,” Yuki chimes as she slaps on a navy blue pageboy cap on your head and she prances about your bedroom that’s been littered with spare clothes from her very own closet she graciously gifted to you for the past weekend. “I’m so utterly relieved that the trend has dug its own grave.”

The past weekend had been filled with endless shopping trips and you shuffling in and out of clothes every minute, practicing how to pair items and colors together by Yuki’s teachings. Of course you should’ve known that Ino was going to contact the one person that he was within reach that was essentially a walking encyclopedia when it came to fashion. You’ve met Tsukumo Yuki before, found her to be quite delightful even, but you never anticipated she would be this giddy, especially about clothes of all things.

And she used her brain to good use for not only clothes, but the entirety of yourself. You never knew how much just a simple haircut could do your face along with small hints of makeup to emphasize the best parts of it. Dared not your hands go to a lash curler, but here you are now, making sure your powder compact and lipstick for the day was in your bag before you went out. 

“Uh, I don’t think I ever mentioned this before yet, but thank you for helping my wardrobe out, it really means a lot,” you say just before she slides on a pair of gold bangles on your wrist. “Are you sure you wanna give these clothes to me? I’m okay with just borrowing them.” 

“Nonsense, babe,” she wavers off before shuffling through your now-hearty closet, a closet that’s now bursting with many clothes given by her. “I needed space in my closet anyway, so take as much as you need.”

So (Y/N)’s closet is basically her trash can, a particular shaggy brunette thinks with a roll of his eyes. Ino fiddles with the piece of toast in his mouth as he leans on the doorway, watching as Yuki essentially treats you like her very own Barbie doll at such an odd morning hour. 

“(Y/N)’s not a doll, Yuki,” Ino lazily calls aloud through a tired yawn. “You better get ‘em out the door soon or else they’ll get late for work. Especially need that money since the landlord’s been on our ass about increasing our rent…” he mutters, sniffing. “Damn bastard.”

She snaps at Ino to be quiet and let her work before she shuffles on a regal blue overcoat over your shoulders that completes your look. When you look at yourself finally in the mirror, you almost think there’s a stranger in your house from the way you look so dignified compared to the you just three days ago. It’s a simple outfit with not much layering, but it’s still enough to ooze charisma and elegance to wandering eyes. You’re adorned in a white weaved sweater with flared, light-wash jeans and white boots to match. Over the outfit lies the coat that drapes almost like a king’s mantle behind you and the pageboy cap as your crown.

Yuki creeps up behind you, her manicured hands on your shoulders affirmingly. “How’re you feeling, hun?” she asks quietly as she shares the same sight with you in the mirror. “Don’t you look wonderful?”

You know that it was all her work, it was all her creativity that made you into the artwork that you are now, so breathlessly laugh with a smile on your painted lips and thank her quietly once more before whispering, “Yeah… yeah, I do.”

Her eyes study you for another minute, going to stare at the glasses still atop your face. Yes, they were new and much more modern considering she quite literally called your old pair atrocious, snapped them in half, and tossed them over her shoulder, but she was still quite dissatisfied when you told her about your hesitance about using contacts. “Are you sure you don’t want to give contacts another chance?” she sighs. 

You shake your head with a small smile, “I’ll feel completely naked without them,” you murmur, “Besides, I think they actually compliment this look, if I’m being honest.”

Her lips stretch out into a grin, too absorbed in her fashion education finally being used. 

“Well then!” she begins to drag you by the sleeve out your room. “We wouldn’t want you to be late then for your first day as the new you, right? Let’s get you a cab!”

Somehow, you think you really are at your first day at work again from the way you feel that same fluttering in your stomach and from how the people you’ve once grown accustomed to seeing in the early mornings are not merely passing you with mundane nods of their heads but instead, greeting you with wide-eyed gawks and open-mouthed smiles. Some of them, a few who you knew but never spoke a word to, even do a double take and compliment you aloud on the new look. Even the cute barista in the lobby that never bothered to spell your name right at last did after finally taking a good look at the holder of the card.

When you exit out of the elevator, Manami nearly drops the pile of magazines she’s holding when she spots a refined and refreshed you. You offer a bright smile to her and you watch as her gasp slowly forms into an affirmative grin when you round your desk.

She laughs softly. “And who might you be?” she asks with a tease in her voice. “‘Cause last time I checked, that’s my coworker (Y/N)’s desk.”

“I murdered them,” you shrug nonchalantly, earning another chuckle from her. You take it as a good sign, great even, considering up until now, Manami had been rather stoic and a little indifferent towards you because of your amateurism; but now, you suppose that ditching that Plain Jane from just two days ago is finally beginning to do you good by finally grounding a proper relationship with her. “Shame, isn’t it? Poor thing.”

“Truly,” she nods. Her eyes trail further down until they spot something that makes her gasp. “Don’t tell me those are—”

“—the new calfskin gold studded Louboutin boots?” you finish for her. You flex your ankle and show off the ravishing red bottoms of your shoes. “Oh yeah.”

Manami squeals in excitement and rushes over to your desk, begging to take a look at them. “How on earth did you manage to get your hands on these?! I’ve been looking for them fo—”

The elevator dings again but with a tone that makes you and Manami flinch. Both of you stiffen and straighten out your posture, falling into a thick silence when out comes Geto traipsing out like he usually did—his aura being nothing less than dominating. You and Manami chime out in sync a good morning to him as he saunters towards his office as he begins to shuffle off his coat as usual to toss to you until he looks up and catches you in his field of vision.

He stops all of a sudden with his eyes dancing about your figure, a stark contrast to the rest of his paralyzed body. Geto’s lips thin all of a sudden, and so do his eyes when they scan your outfit. He takes in a sharp breath and opens his mouth to say something to you, yet nothing comes out, even as your eyes glisten with anticipation.

It merely instead zips itself close and he finally whisks himself into his office, coat still on and briefcase still in hand, and slams the door shut. 

But not without glancing at you one last time.

Much has changed in the past month for the better.

Yuki was a godsend—she had been your guardian angel, your fairy godmother of sorts—because you swore your career life had taken a complete 180° the moment your closet was revamped. Ever since that makeover, you had felt so much more confident in your actions, so much lighter on your feet. The price of your efforts was beginning to pay off as well, as Geto began to slowly thaw his icier sense of self when you began to actually put effort into your appearance. His thrusts of his coat towards you began to become less aggressive, was significantly more lenient when it came to more of the impossible tasks, and had at one time actually muttered a ‘good morning’ to you and Manami after months of greeting with silence and judgemental glances.

She’d occasionally check up on you every once in a while, usually to offer new clothes that she didn’t want anymore. And by offer, it actually just meant packing them in a box from her place to yours with a post-it that’d usually read “With love, YT ❤” in neat cursive. Along with forming a close bond with Yuki, your relationship with Manami improved significantly, especially when you gave her those white Louboutins she was eyeing. She often invited you to lunch with her other friends, Larue and Remi. 

The iconic John Galliano once said that, “The joy of dressing is an art.” A month ago, you would’ve never believed what you would think is a rather tacky statement, but now, you can truly see it to believe it. It never occurred to you to actually look at your surroundings closely, but you often would sometimes take a few seconds out of your day to admire the many colors and materials that would adorn your coworkers. Whether it be admiration for their sense of style or mild jealousy over luxurious pieces, you were finally understanding what makes fashion, fashion.

And your epiphany was awarded today with the task that you thought would never come into the light of your days working for Geto—being tasked with dropping off The Book.

The Book was a collection of pieces that were needed for the upcoming edition of the magazine, regarding it as being the most important item in the entire company. It was a duty that usually Manami tended to, but she hypothesized that you managed to finally get on Geto’s good side after a while and congratulated you. Manami spoke to you briefly about how trivial The Book was to both Geto and Kaizen. She told you about how you must guard it and Geto’s key to his penthouse with your life, and that you were to remain absolutely invisible to him if he was in the apartment. Manami told you because it was usually the hour he needed most concentration—it was during the later hours of the day that he usually mended last minute edits to the edition or he was working on his latest fashion collection since he was only able to work on it during the weekends as Kaizen took too much of his time.

Manami told you he would most likely be found on the second floor of his penthouse, and you were to remain on the first floor at all costs. 

“The editors will finish The Book around 10:30 or 11:00 at night, wait in the office until then. Then, drop the book off at his penthouse at no later than 11:30 with his dry cleaning, too.”

Her words echo in your mind as you tiptoe out of the cab and look up to see a gleaming, glamorous building sitting in the heart of the city. It’s one you’ve passed a plenty of times—hell, you pass it on your way to work—but it never occurred to you that it’d be this antique white, Parisian-styled building that would be the abode of your boss. 

“Take the elevator to the top floor and enter his apartment. Do not call out his name, don’t wander around, don’t even make a single sound. You are nothing more than a ghost when you step foot into his house.”

The only doors that are on the very top floor of the apartment complex are two large metal doors that sit before you. You enter the key into the keyhole and push them open with controlled force, closing them as quietly as possible with Manami’s whispers still floating about your head. You knew that Geto was certainly a man of luxury, but to see that wealth exempt in a form other than fashion was a sight that you weren’t sure if your eyes deserved to feast on. Sculptures and paintings decorated the foyer and hallway, adding occasional splashes of color to the ivory-adorned apartment. After hanging the dry cleaning in the designated coat closet, the first room you enter - and perhaps the only one you’ll ever be in - is the said living room with the glass coffee table sitting in the center of it.

“Place The Book on the coffee table in the living room. That’s it. Do not toddle any longer in his house and get out immediately. Don’t let curiosity get the better of you and just simply go afterwards. It’s for your own good.”

But oh, how curiosity is just a little devil of temptation that sits far too easily on your shoulder. A house holds the most of a person, and Geto is just an all too mysterious enigma for you not to at least dip your toe in. The doors at the end of the hallway are waiting for you, but so are the picture frames that sit atop the TV stand. You suppose… maybe another minute wouldn’t hurt.

Your feet carry you slowly to the stand and you crouch, adjusting your glasses to get a better look at the pictures. There’s only two of them—six by fours, both in oak brown frames. The first one is a picture of a smiling young girl with short chestnut hair sporting a smile with a cigarette between her teeth. Beside her are two boys taller than her, both making similar faces at the camera. One of them, the one that’s a little taller with silvery snow hair and opaque black sunglasses, throwing a forced, all-too wide grin that almost looks maniacal. It doesn’t require much brain power to know the other figure in the photo is a younger Geto Suguru, his hair shorter in a tight bun with a rare, but soft grin on his face, his gaze affectionate to the others.

The other picture is of the same two boys arm in arm with each other. Both of them are grinning now, with the white haired boy still smiling a little more largely than the other. It doesn’t take long for you to assume who the other boy was considering that the shade of purple sheathing his twinkling eyes is unique to only one individual in your life. 

Best friends, you suggest in your mind as you study the pictures a little longer than needed. A minute, you thought, wouldn’t do much harm, but how utterly wrong your thoughts prove when you suddenly hear the slam of a door from the floor above. The crash of it makes you yelp and breaks you out of your trance from the pictures and your gaze suddenly snaps to the open stairs above you, as well as two voices echoing aloud. 

“Y-you can’t—” an unknown voice wheezes. “I’ve been your muse for years. You possibly can’t just abandon me out of nowhere…”

“You say that as if I’m not doing that right now,” a familiar one replies back boredly. It’s Geto, and his voice makes your nerves electrify in fear because it’s in that moment that you remember that you can’t get caught inside of his house. “This is the last time I’m telling you, Shigemo. Get out.”

The man that you assume is Shigemo heaves heavy breaths. “You need me,” he declares.

“Needed. Past tense,” Geto corrects as he almost forces Shigemo down the stairs with an invisible force surrounding him. You can see their figures above you, Shigemo slowly stepping backwards with each step Geto takes forward. “You’ve done me well these few years, I admit, and I do thank you for that. But I suppose your expiration date has finally come.”

“I’m not a food,” Shigemo snivels. “I’m a person. Most importantly. I’m the reason your fashion line flourished, I was the inspiration for almost all your works. We’re essentially a team.”

They’re towards the end of the staircase, towards where you are still present in plain sight. Your eyes scatter about a place to hide in the meantime, but there are seemingly no places to hide that would hide you well without the notice of Geto’s eyes.

“A team?” Geto barks out a sarcastic laugh, one that makes shivers run down your spine from both the rarity of the sound and how utterly intimidating it is. “I work alone and I always have. There is no point on relying on anyone of any kind when my independence obviously pays off.”

“Who will you have then?” Shigemo retaliates with a whimper in his voice. “You know that I’m the only one that will tolerate you. It’s not like you can go crawling to Goj—“

“Finish that sentence and see what happens,” Geto hisses, causing the other man to fall into a forced silence.

Your eyes finally land on the small space between the fireplace and a pillar. It’s a space large enough for you to fill and efficient enough to hide you from sight. Unsticking your feet from the ground, you make a run for the small space, only for you to forget about the obstacle that was the ottoman sitting spitefully on the floor.

The thud that comes from your body almost rivals the volume of the door slamming open moments earlier and just like the door, it attracts unneeded attention. Geto and Shigemo stop their bickering for a moment to search for the cause of the sound, only to see you humiliatingly face first on the floor. Geto narrows his eyes at the sight of you, an unwanted visitor in his home. 

A pained groan slips from your lips accidentally. You silently curse yourself for not taking the time to properly break into the tantalizing loafers Yuki bought you the day prior and wince at the pain blooming from your knees and chest. When you finally get up, you can’t help but notice that everything around you seems rather… hazy.

“Who is that…” Shigemo mutters.

Geto bites back a sigh and instead, pinches the bridge of his nose. He supposes that despite your improved mannerisms, your clumsiness still has yet to dissipate. Annoyed, he grunts out, “One of my new assistants.”

Shaking his head, Geto decides to deal with you later. His home is already suffocated with one individual, he doesn’t need another clogging the atmosphere up. He returns his attention back to Shigemo. “I thought I told you to leave,” he states, shoving his bag towards him.

Shigemo’s face paints a horrified expression once again. “Geto, please rethink this,” Shigemo pleads. 

He lets out a chain of pleads and excuses for himself as Geto essentially escorts him out with just walking towards him, his face still icy. Shigemo ends up on the other side of the door to his penthouse and it’s there where his patheticness exudes the most—he falls on his hands and knees like a beggar, claiming he’d do anything and everything just to be by his side. 

But his voice is suddenly cut short when Geto finally slams the door in his face, the thickness of them guarding him from Shigemo’s whines. He lets out another sigh and locks up the door securely before dealing with the other parasite in his house.

“I don’t think dropping off a book should take longer than thirty seconds,” Geto drawls as he saunters towards the living room, where you’re still on all fours on the floor, your hands tapping around. “So tell me, why are you still here?”

At the sound of his sharp tone, you freeze. You’re sure you looked utterly stupid and a mess right now, considering that you had just lost a fight to an ottoman out of all things, but you couldn’t let Geto see you in such a state. It didn’t take you long to realize that the reason why everything around you looked so blurry was because of your now-missing glasses that you attempted to look around for. But you pulled a Velma, and just like her, you can’t see without your glasses.

Everyone thinks it’s an exaggeration when you state that you felt utterly naked without them, but you truly did. You’ve been wearing glasses ever since childhood and you really didn’t appreciate the looks you had gotten when you were younger when at times you’d take them off. Some complained that your eyes were too small, too big—others mentioned you looked “off” and “weird” without them. Either way, comments from the other children stuck with you like scars, and ever since then, you refused to be seen without them. 

“I a-apologize,” you stutter, shuffling your body to hide behind the recliner so Geto wouldn’t see how much of a clutter you are. You’ve humiliated yourself too much already in the office and the last thing you truly need is for you to get fired merely because your curiosity got the better of you. “I was about to head out and th-then I heard your voice from upstairs and—”

Your words fall deaf on Geto’s ears. He lets out another groan while stretching the aching muscles in his neck as he closes in on your disorderedness. A hand goes to shield your face—you don’t want him to see the bareness of your face, especially since you didn’t bother wearing makeup today. You can’t even bear the thought of him looking at it. In a rushed state, you wander around for your glasses with your head tucked in, using the remnants of your hair to curtain your face.

A jumble of excuses tumble out of your quivering lip, but Geto is too preoccupied with the gleam of something catching his eye. Laying flat on the floor are a pair of glasses that doesn’t take Geto long to presume who they belong to. He plucks them from the ground and examines them for a brief moment before holding them above you. 

“I assume these are yours,” he asserts with a cocked brow.

Your head snaps up at the sound of his voice directly right above you and through your foggy field of vision is the seraphic figure of Geto holding what seems to be your glasses. Lips escaping a relieved gasp, you hurriedly scramble to your feet. Your eyes are too poor to see it properly, but Geto also shares surprise, but for an entirely different reason.

He doesn’t give you the sanity that is your glasses right away, because he’s much too preoccupied studying your face. It’s so… fresh. Your glasses were hiding such a view, like curtains to a window that unveiled the utmost rare and breathtaking sights. The way your eyes are wide open, pupils blown with a touch of singularity makes him even more intrigued because of how they’re uniquely placed onto your face along with the rest of your features. Your lips, plump with a natural sheen to them—your cheekbones, perfectly rounded. The slope of your nose fell just right. Geto studies it like an artist to a blank canvas, devoid of anything yet holding just the perfect amount of space—wanting, waiting to be filled with anything and everything.

When his eyes stare at you in what seems to be bewilderment, you swallow thickly and look away. But you can only glance at your surroundings for less than a second before Geto takes your chin between his thumb and forefinger, turning your face toward him again. It’s then that you realize that Geto isn’t staring at you, but your face as a whole. His eyes flick with small movements, dancing about as they go from eyebrow to lips, freckle to lash, examining each and every single particle that your face has to offer.

You feel a heat creep onto your cheeks. You’re not sure whether it’s because of the closeness you and him share or the fact that you can’t detect his opinions on the one thing you’ve been disclosed about for years, but either way, you feel weak in the knees; it only worsens when Geto’s thumb brushes over the entirety of your bottom lip, feeling the plushness of it on his the pad of his finger.

“Has your face always been this open…?” he murmurs softly as he studies the various angles of your face. 

You aren’t sure whether it’s a compliment or insult, either or neither. Geto’s tone always had a sort of bleakness to it, but in this very moment, you truly can’t tell what he’s thinking. 

“My glasses…” is all you manage to squeak out, fighting the urge to squirm in his grasp. Another gulp goes down your dry throat when Geto’s face contorts to an irritated confusion before he realizes his other hand holds the one thing dear to your heart. 

“Oh,” he mutters and hands them back to you. His opposing hand finally goes to release your face. “Right.”

Shaking hands go to put them back onto your face again. Sighing internally of relief of your now crystal-clear surroundings, you dust yourself off with your head once more, tucked into your chest. 

“I’m so sorry for this,” you whisper. The heat on your face has now spread to the entirety of your body, your nerves alight with the rush of adrenaline. “I-I’ll make sure this never happens again… good night.”

With that, you scurry yourself out before Geto has the chance to falter. All words to urge you to stay to either scold you or excuse you evaporate on his tongue. He can only watch in a strange silence as your figure rushes down the hall and out the doors, the click of them ringing out in his penthouse.

After moments of self-paralysis, an unknown feeling boils inside the pit of Geto’s stomach. He thinks he’s seen your face before with the familiarity of it unsettling him. The ghost of your face prances about in his mind as he slowly climbs the stairs to his sewing room, ignoring the shattered wine glass on the floor thrown by Shigemo. He instead, refills his own glass again with the nearby bottle of merlot wine and savoring the thickness of it running down his dry throat, embellishing in its warmth.

A single, large window faces the busy nighttime street and Geto walks and stills near it, watching carefully as the speck of your figure on the street below calls for a cab. He eyes how you turn towards the building one more time, doing your usual adjustment of your glasses (it’s a habit you often do in times of nervousness, he’s picked up) before you shuffle yourself into a cab that speeds off into the night.

Geto lets out an annoyed click of his tongue. Something about your face seems haunting and he doesn’t enjoy it. The last thing that he needed for today was even more plaguing thoughts in his head after the loss of his muse not even just ten minutes ago, but now with your face staining the back of his head, his jaw grits in irritation. In a poor attempt to take his mind off the excursion of today and the future, he shuffles about his many sketchbooks to look for any designs he could pluck out for his latest collection. 

It’s an hour in, two glasses of wine later, and somehow, he still hasn’t found a single piece to begin working on that fits into his theme. Miraculously, through the vast array of what is thought to be thousands of sketches, Geto hasn’t found one that stood out to him until he gets to the last sketchbook. It’s an early one—he thinks it dates back to his early college days, when he was just beginning to peek into the world of fashion. A pang of nostalgia hits him all of a sudden when he flips to a specific page that was the start of his history.

It’s the very design that had the attention of many designers. The sketch featured a gold and red embellished outfit, a sheen of glittering flickers adorning it. The shirt features a mosaic of gold and small flecks of color here and there, imitating the many church mosaics he’d often admired as a child. The skirt and collar of the shirt were the same shade of blood red, crimson gems bespeckling them. 

It’s not the outfit, however, that makes his eyes harden. Why would it? He’s seen it many times before. It’s been brought up over and over again—in interviews, in magazines. It’s one of the staples that made Geto the pillar that he is. He knows every detail of it, much like his other designs, so it isn’t the design of the outfit that made him appalled. It’s instead, the person that’s wearing it. 

Because somehow, the eerie sketch of the model’s face that he had drawn years ago…

… somehow replicates your own face perfectly.

a/n: first jjk fic in forever! wowie it's been much too long... also if u need a refresher on who shigemo is, he's the guy with the ponytail that nanami pulled kekeke

10.2k is hefty i know but i couldn't help myself my bad lolol T_T currently just a test run of what i hope to be is a series that some may be interested in because clearly this barely scratches the surface of what i want to embed haha so please let me know how you like it so far :))

continuing, i hope you enjoyed and thank you for taking time out of your day to enjoy my craft, whether it be your first time or your hundredth! once more, likes/comments/reblogs are always noticed and are always appreciated (´｡• ᵕ •｡`) ♡ !!!

[sophaeros]

arctic monkeys for q magazine, june 2011 (x) (x)

ARCTIC MONKEYS: Inside Alex Turner's Head

Words Sylvia Patterson Portrait John Wright

The day Arctic Monkeys moved into their six bedroom, Spanish-style villa in the Hollywood Hills, where the first-floor balcony looked over the patio swimming pool, they knew exactly what to do.

"From the balcony, you could get on t'roof and jump in't pool," chirps the Monkeys' most gregarious member, drummer Matt Helders, in his homely Yorkshire way. "We looked at it and said, That's definitely gonna happen. So by the end, we did a couple of 'em. Somersaults in t'pool, from the roof. At night time."

In January 2011, as Sheffield and the rest of Britain endured its bitterest winter in a century, Arctic Monkeys capered among the palm trees, eschewing hotels for a millionaire's Hollywood homestead as they recorded and mixed their fourth studio album, Suck It and See.

The four Monkeys, alongside producer James Ford and engineer James Brown, lived what they called the "American man thing": watched Super Bowl on giant TVs, played ping-pong, hired two Mustangs, cooked cartoon Tom And Jerry-sized steaks on barbecues on Sundays, had girlfriends over to visit, all cooking and drinking around the colossal outdoor kitchen area featuring a fridge and two dishwashers. Living atop the Hills, they could see the Pacific Ocean beyond by day, the infinite glittering lights of downtown LA by night.

Every day, en route to Sound City Studios, they'd travel in a seven-seater four-by-four through the mountains, via bohemian 60s enclave Laurel Canyon, blaring out the tunes: The Stones Roses, The Cramps, the Misfits' Hollywood Babylon. For the sometime teenage art-punk renegades whose guitarist, Jamie Cook, was once ejected from London's Met Bar for refusing to pay €22 for two beers, the comedy rock'n'roll life still feels, however, absolutely nothing like reality.

NICK O'MALLEY: "It were really as if we were on holiday. When we came back it's the most post-holiday blues I've ever had!"

JAMIE COOK: "It's hard to comment on that. It were just really good fun."

MATT HELDERS: "We always said, As soon as things like that feel normal, we're in trouble. But it's just funny. You might think it would get more and more serious as you get older but it's getting funnier. We've done four albums now and I'm still only 24, I'm still immature to an extent. So who cares?"

Alex? Al? Are you there?

ALEX TURNER: "Yeah, it were good times. But we were in the studio most of the time. So there's no real wild Hollywood stories. Hmn. Yeah."

Wednesday, 16 March 2011, Strongroom Bar, Shoreditch, East London, 11am. Alex Turner, 25, slips entirely alone into an empty art-crowd brasserie looking like an indie girl's indie dream boy: mop-top bouffant hair which coils, in curlicues, directly into his cheekbones, army-green waist-length jacket, baggy-arsed skinny jeans, black cord zip-up cardigan, simple gold chain, supermoon sized chocolate-brown eyes.

Almost six years after I Bet You Look Good On The Dancefloor became the indie-punk anthem of a generation (from the first of Arctic Monkeys' three Number 1 albums), and nothing prepares you for the curious phenomenon of Alex Turner "in conversation". Unlike so many of the Monkeys frenetic early songs, he operates in slow motion, seemingly underwater, carrying a protective shell on his back, perhaps indie rock's very own diamond-backed terrapin. The most celebrated young wordsmith in rock'n roll today talks fulsomely, in fact, only in shapeless, curling sentences punctuated with "maybe... hmn.. yeah", an anecdotal wilderness sketching pictures as vague as a cloud. He is, though, simultaneously adorable: amenable, gentle, graceful, and as Northern as a 70s grandpa who literally greets you with "ey oop?".

"People think I'm a miserable bastard," he notes, cheerfully, "but it's just the way me face falls." Still profoundly private, if not as hermetically sealed as a vacuum-packed length of Frankfurter, his fante-shy reticence extends not only to his personal life (his four-year relationship with It-girl/TV presenter Alexa Chung, whom he never mentions) but to insider details generally. Take the Monkeys’ Hollywood high jinks documented above: not one word of it was described by Turner. Before Q was informed by his other Monkey bandmates, Turner’s anecdotal aversion unfolded like this:

Describe the lovely villa you were in. AT: "Well... we certainly had a... good view."

Of what? AT: "Well, we were up quite high."

The downtown LA lights going on forever? AT: "I dunno. It was definitely that thing of getting a bit of sort of sunshine. Is it vitamin D? If you can get vitamin D on your record, you've got a bit of a head start. So we'd get up and drive to the studio."

What were you driving? AT: "Nothing... spectacular. But yeah, we'd drive up the studio, spend all day there and sort of, y know, get back. To be honest... we had limited time. So we spent as much time as possible kind of getting into it, like, in the studio.

So your favourite adventures were what? AT: "Well, they were really… minimal. We were working out there!"

Any nightclubs or anything, perhaps? AT: "You really want the goss 'ere, don't you?"

Yes, please. AT: "I could make some up. Nah!"

And this was on the second time of asking. It's perhaps obvious: Alex Turner, one of the most prolific songwriters of his generation (four Monkeys albums and two EPs in five years, The Last Shadow Puppets side-project, a bewitching acoustic soundtrack for his actor/video director friend Richard Ayoade's feature-length debut Submarine), is dedicated only to the cause – of being the best he can possibly be. He simply remembers the songs much more than the somersaults.

Throughout 2009, Arctic Monkeys toured third album Humbug – the record mostly made in the Californian desert with Queens Of The Stone Age man-monolith Josh Homme – across the planet. While hardly some cranium-blistering opus, its heavier sonic meanderings considerably slowed the Arctic Monkeys' live sets and on 23 August 2009, Q watched them headline the Lowlands Festival, Holland and witnessed a hitherto unthinkable sight – swathes of perplexed Monkeys fans trudging away from the stage. With the sludge rock mood matching their cascading dude-rock hair it seemed obvious: they'd smoked way too much outrageously strong weed in the desert.

"Heheheh, yeah," responds Turner, unperturbed. "That's your theory. You probably weren't alone."

Back in the Strongroom Bar, Turner's arm is now nonchalantly draped along the back of a beaten-up brown leather sofa. He ponders his band's somewhat contrary reputation…

"I think starting the headline set at Reading with a cover of a Nick Cave tune perhaps was a bit contrary. D'youknowhat Imean?! But to be honest, that summer, at those festivals, we had a great time. And I know some fans enjoyed those sets 10 times more. And you can't just do, y’know, another Mardy Bum or whatever. Because how could you, really?"

With Humbug, notes Turner, "I went into corners I hadn't before, because I needed to see what were there," but by spring 2010 he wanted their fourth album to be "more song-based" and less lyrically "removed". He was "organised this time", studied "the good songwriters" (from Nick Cave, The Byrds and Leonard Cohen to country colossi Johnny Cash and Patsy Cline), discovered "the other three strings" on his guitar, and wrote 12 songs through the spring and summer of 2010, mostly in the fourth-floor New York flat he shared with Chung before the couple moved back to London late last summer (the New York MTV show It's On With Alexa Chung was cancelled after two seasons). The result: major-key melodies, harmonised singing and classic song structures.

At the same time he revisited the opposite extreme: bands such as Black Sabbath and The Stooges ("we wanted a few wig-outs as well"); he was also still heavily influenced by the oil-thick grinder rock of Josh Homme, who is clearly now a permanent Monkeys hero. After four months' rehearsals in London, on 8 January the Monkeys relocated to LA for five swift weeks of production and Homme came to visit, singing backing vocals on All My Own Stunts. Tequila was involved.

"Tequila is probably me favourite," manages Turner, by way of an anecdote. "But it takes a certain climate... It's not the same... in the rain. Yeah. [Looks to be contemplating a lyric] Tequila in the rain."

Vocally, he developed the caramel richness first unveiled on The Last Shadow Puppets' Scott Walker-esque The Age Of The Understatement, finding a crooner's vibrato. "Everything before was so tight,” he notes, clutching his neck. "Probably just through nerves. That's just not there any more." Suck It and See contains at least four of the most glittering, sing-along, world-class pop songs (and obvious singles) of Arctic Monkeys' career: the towering, clanging She's Thunderstorms, the summertime stunner The Hellcat Spangled Shalalala, the heavenly harmonised title track and the Echo & The Bunnymen-esque jangly pop of closer That's Where You're Wrong.

Elsewhere, in typically contrary "fashion", there's preposterous head-banger bedlam (Brick By Brick, the rollicking faux-heavy rock download they released in March "just for fun", featuring vocals by Helders; Don't Sit Down 'Cause I've Moved Your Chair, and Library Pictures). News arrives that the first single proper will be Don't Sit Down 'Cause I've Moved Your Chair. Q is perplexed. Brilliantly titled, certainly, but arriving after Brick By Brick, the new album will appear to the planet as some comedy pastiche metal album for 12-year-old boys.

You've got all these colossal, summery, indie-pop classics and you've gone for... The Chair? AT: [Laughing uproariously] "The Chair! I'm now calling it The Chair, that's cool. Well for once it weren't even our suggestion. It was Laurence's (Bell, Domino label boss). And I were, Fucking too right! He's awesome. It'd be good to get a bit of fucking rock'n'roll out there, won't it? It's riffs. It's loud. It's funny."

If you don't release The Hellcat Spangled Shalalala as a single I'm going round Domino to kick Laurence's "awesome" butt. AT: "I think it'll be the next one!"

The record's title, meanwhile, could've been more enigmatically original than the un-loved phrase Suck It and See. The band, struggling with ideas due to the opposing sonic moods, invented an inspiration-conjuring ruse: to think of new names for effects pedals in the style of Tom Wolfe, Turner being long enamoured with the American author's legendarily psychedelic books The Electric Kool-Aid Acid Test and The Kandy-Kolored Tangerine-Flake Streamline Baby, "cos that just sounds awesome".

"There's the Big Muff pedal," he elaborates, "That’s the classic. I've got the Valve Slapper. And there's the Tube Screamer. So we came up with the Thunder Suckle Fuzz Canyon. And… wait till I assemble it in me mind… em… it'll come to me… The Blonde-O-Sonic Shimmer Trap. So we were going for summat like that."

A wasted opportunity?

"Nah. Because some of those things ended up in the lyrics anyway. Suck It and See was just easier."

Alex Turner, rock'n'roll's premier descriptive art-poet, still writes his lyrics long-hand in spiral-bound notebooks. "Writing lyrics is a craft that I've practised a bit now," he avers. "In me notebook it looks like sums. Theories. There's words and arrows going everywhere. There's always a few possibilities and I write the word 'OR' in a square."

For our most celebrated colloquial sketch-writer of the everyday observation (all betting pencils, boy slags and ice-cream van aggravations) the more successful he becomes, the less he orbits the ordinary. "I'm not struggling with that, to be honest," he decides. "In fact I'm enjoying writing lyrics much more than I did. Stories. Describing a picture. Um. There's quite a bit of weather and time in this one. Which is probably not reassuring. 'Oh God, he's writing about the weather.' Maybe leave that out!"

There are also some direct, funny, romantic observations: "That's not a skirt, girl, that's a sawn-off shotgun/And I only hope you've got it aimed at me..." (from the title track).

Some of your romantic quips, now, must be about Alexa. AT: "Right. Yeah. Definitely. Well... there's always been that side to our songs, when we weren't writing about... the fucking taxi rank. It's kind of inevitably... people you're with." [At the mention of Chung's name, Turner is visibly aggrieved, head sliding into his neck, terrapin-esque indeed.]

It must have been very grounding being in a proper relationship through all this madness. Because if you weren't, girls would be jumping all over your head. AT: "Em. Hmn. Well, of course that helps you to... I don't really know.. what the other way would be."

Does Alexa wonder if the lyrics are about her? AT: "Oh there's none of that. Yeah, no, there's no looking over the shoulder."

She must be curious, at least. "Maybe."

Did you ever watch Popworld? AT: [Nervous laughter] "Em! Now and again."

Did you ever see the episode where she helps Paul McCartney write a song about shoes? AT: "Ah, yeah I think so, maybe I did see that."

Well, if I was you, I'd have been thinking, "She's the one for me." AT: "Well. Yeah... maybe that would've... sealed the deal! Hmn. But maybe that wasn't when i got the ray of light. When was? Nah [buries head in hands]. I might have to go for a cigarette..."

Q can't torture him any more and joins him for a snout. Turner smokes Camels from a crumpled, sad, soft-pack and resembles a teenager again. As early song You Probably Couldn't See For The Lights But You Were Staring Straight At Me says, "Never tenser/Could all go a bit Frank Spencer…”

In January 2006, when Arctic Monkeys' Number 1 album Whatever People Say I Am, That's What I'm Not became the fastest-selling debut in UK history, inadvertently redefining the concept of autonomy and further imploding the decimated music industry (& wasn't their idea to be "the MySpace band", it was their fans': the Monkeys merely kick-started viral marketing by giving away demos at gigs), the 19- and 20-year-old Monkeys were terrible at fame. They weren't so much insurrectionary teenage upstarts as teenage innocents culturally traumatised by the peak-era fame democracy.

To their generation (born in the mid-'80s) fame was now synonymous with some-twat-off-the-telly a world of foaming tabloid hysteria where renown and celebrity meant, in fact, you were talentless. Hence their interview diffidence and receiving awards via videos dressed up as the Wizard OfOz and the Village People. Which only, ironically, made them even more celebrated and famous. (“That were a product of us just trying to hold onto the reins," thinks Turner today. "Being uncooperative.")

Q meets The Other Three one morning at 11am, in the well-appointed, empty bar of the Bethnal Green, Bast London hotel they're staying in (all three live in Sheffield, with their girlfriends, in their own homes). First to arrive is the industrious, sensible and cheerful Helders, crunching into a hangover-curing green apple. He has recovered from last year's boxing accident at the gym, which left his broken arm requiring a fitted plate. Now impressively purple-scarred, the break felt "interesting" and the doctor couldn't resist the one-armed drummer jest: "D'you like Def Leppard?"

Currently enjoying an enduring bromance with Diddy, he still doesn't feel famous, "it just doesn't feel that real, there's no paparazzi waiting for me to trip up." He and Turner, during the four-month rehearsals last year, became an accomplished roast dinner cooking duo for the band. "I reckon we could have us our own cookbook," he beams. "Pictures of us stirring, with a whisk."

O'Malley, an agreeable, twinkly-eyed 25-year-old with a strikingly deep voice and a winningly huge smile, is still coyly embarrassed by the interview process. A replacement for the departed original bass player Andy Nicholson in May 2006, he went from Asda shelf-filler to Glastonbury headliner in 13 months and still finds the Monkeys "a massive adventure". His life in Sheffield is profoundly normal – he's delighted that his new home since last October has an open-hearth fireplace: "Me parents had electric bars." He has also discovered cooking. “I’m just a pretty shit-hot housewife, most of the time," he smiles. "I cook stews, fish combinations, curries, chillies. I made a beef pho noodle soup the other day, Vietnamese, I surprised meself, had some mates round for that."

Recently, at his dad's 50th birthday bash, the party band, made up of family and friends, insisted he join them onstage "for ...The Dancefloor. So I were up there [mimes playing bass, all sheepish] and it were the wrong pitch, they didn't know the words or 'owt, going, Makin eyes... er..." He has no extra-curricular musical ambitions. "I'm happy just playing bass," he smiles. "I've never had the skill of doing songs meself. It'd be shit!"

Cook, 25, is still spectacularly embarrassed by the interview process. He perches upright, with a fixed nervous smile, newly shorn of the beard and ponytail he sported in LA: "Rockin' a pone, yeah, because I could get away with it." With his classic preppy haircut and dapper green military coat (from London's swish department store, Liberty), he looks like a handsome '40s film star. (Turner deems Cook "the band heartbreaker" and had a word with him post-LA: "I said to him, Come on, mate, you've got to get that beard shaved off. Get the girls back into us. Shift some posters.")

His life in Sheffield is also profoundly normal. He still plays Sunday League football with his local pub team, The Pack Horse FC (position, left back), remains in his long-term relationship with page-three-model-turned-make-up-artist Katie Downes and "potters about" at home, refusing to describe said home, "cos I'll get burgled".

A tiler by trade, he always vowed, should the Monkeys sign a deal, that he'd throw his trowel in a Sheffield river on his last day of work. "I never did fling me trowel," he confirms. "Probably still in me shed." He's never considered what his band represents to his generation. "I'd go insane thinking about it, I'm pretty good at not thinking about it… Oh God. I'm terrible at this!"

Back in the Strongroom Bar, Alex Turner is cloudily describing his everyday life. "I just keep meself to meself," he confounds. He mostly stays indoors and his perfect night in with Alexa is "watching loads of Sopranos. And doing roast dinners".

No longer spindle-limbed, he attends a gym and has handsomely well-defined arms – "You have to look after yourself."

Suddenly, Crying Lightning from Humbug rumbles over the bar stereo. "Wow. How about that? I was quite happy the other morning cos Brick By Brick were on the round-up goals on Soccer AM. It's still exciting when that happens. It was like Brick By Brick is real."

He spends his days writing music, "listening to records", and recommends Blues Run The Game by doomed '60s minstrel Jackson C Frank ("who's that lass?... Laura Marling, she did a cover recently), a simple, acoustic, deep and regretful stunner about missing someone on the road.

Lyrically, he cites as an example of greatness the Nick Cave B-side Little Empty Boat [from ‘97 single Into My Arms ], a comically sinister paean to a sexual power struggle: "Your knowledge is impressive and your argument is good/But I am the resurrection babe and you're standing on my foot."

"I need a hobby," he suddenly decides. "I'd like to learn another language." Since his mum is a German teacher (his dad teaches music), surely he can speak some German? "I know how to ask somebody if they've had fun at Christmas." Go on, then. "Nah!"

Where Turner's creative gifts stem from remains a contemporary rock'n'roll mystery; he became a fledgling songwriter at 16, after the gift of a guitar at Christmas from his parents. An only child, did his folks, perhaps, foresee artistic greatness? "I doubt it!" he balks. "Cos I didn't. I wasn't... a show kid." Like the others, he doesn't analyse the past, or the future.

"You can't constantly be thinking about what's happened," he reasons, "it's just about getting on with it." The elaborate pinky ring he now constantly wears, however, a silver, gold and ruby metal-goth corker featuring the words DEATH RAMPS is a permanent reminder of he and his best friends’ past. The Death Ramps is not only a Monkeys pseudonym and B-side to Teddy Picker, but a place they used to ride their bikes in Sheffield as kids.

"Up in the woods near where we lived," he nods. "Just little hills. But when you're eight years old they're death ramps." The ring was custom made by a friend of his, who runs top-end rock'n'roll jewellery emporium The Great Frog near London's Carnaby Street. Ask Turner why he thinks the chase between his writing and speaking eloquence is quite so mesmerisingly vast and he attempts a theory.

"Well, writing isn't the same as speaking," he muses. "Not for me. I seem to struggle more and more with... conversation. Talking onstage... I can't do it any more. Hmn. I'll have to work on that."

The ever-helpful Helders has a better theory.

"Since he's been writing songs," he ponders, “It seems like he’s always thinking about that. So even when he’s talking to you now, he’s thinking about the next thing that rhymes with a word. Even when he’s driving. We joke he’s a bad driver, his focus is never 100 per cent on what he’s doing. Which is good for us cos it means he’s got another 12 songs up his sleeve. I think music must be the easiest way for him to be concise and get everything out. Otherwise his head would explode.”

The Shoreditch.com photo studios, 18 March. Alex Turner, today, is more ethereally distracted than ever, transfixed by the studio iPod, playing Led Zeppelin, The Rolling Stones, a version of I’d Rather Go Blind. Occasionally, he’ll completely lose his conversational thread, “Um. I’ve dropped a stitch.”

The first to arrive for Q’s photoshoot, he greets his incoming bandmates with enormous hugs (and also hugs them goodbye). Today, Q feels it’s pointless poking its pickaxe of serious enquiry further into Turner’s vacuum-packed soul and wonders if he’ll play, instead, a daft game. It’s called Popworld Questions, as first posed by someone he knows rather well.

“Oh, OK. Let’s do it,” he blinks, now perched in an empty dressing room. He then vigorously shakes his head, “Um…I’ve gotta snap back into it.”

Here, then, are some genuine “Alexa Chung on Popworld” questions (2006-2007), as originally posed to Matt Willis, Amy Winehouse, Robbie Williams, Pussycat Dolls, Kaiser Chiefs and Diddy.

Why do indie bands wear such tight jeans? AT: “Um. I supposed they do. They haven’t always. When we first were playing I was definitely in flares. You need to be quite tall to get the full effect, though. So, that's why this indie band wears such tight jeans, cos we've not got the legs for flares."

What makes you tick in the sexy department? AT: "Wow. Pass. What do I find most attractive in a woman? Something in the head? That's definitely a requirement. Well... Hmn. I'm struggling."

Tell us about all the lovely groupies. AT: "No!"

If dogs had human hands instead of paws, would you consider trying to teach them to play the piano? AT: "Absolutely. I'd teach Hey Jude."

How many plums d'you think you can comfortably fit in one hand? AT: "They're not very big. [Holds small, pale, girly hand up for inspection] It's a shame. Probably three. Diddy only managed two? Maybe not then. I can carry a lot of glasses at once, though. If they're small ones I can do four."

Are you cool? AT: "Not as much as I'd like to be. There's this clip where Clint Eastwood is on a talkshow and he gets asked, Everybody thinks of you as defining cool, what d'you think about that? And he gets his cigs out, takes one out, flicks it into his mouth, lights it and says, I have no idea what you're talking about."

Here, Turner locates his Camels soft-pack and attempts to do a Clint Eastwood. He flicks one upwards towards his mouth. And misses. Flicks another. And misses. "Third time lucky?" He misses. "I'll get it the next time." And succeeds. "Hey. Fourth time. Don't put that in! So there you go. I'm four steps away from where I wanna be."

Thank you very much for joining me here on Popworld, here's my clammy hand again. There it is, let it slip, hmmn. You can let go now. AT: "OK! Were you a Popworld fan, then? It was funny. Cool. What were we talking about, before?"

Blimey, Alex. What must you be like when you're completely stoned out of your head? AT: "Stoned? What d'you mean, cos I seem like that anyway? Yeah. A lot of people... tell me I'm a bit... dreamy. But I like the idea of that. Of being somewhere else."

Two days earlier, Turner had contemplated what he wanted from all this, in the end. Many seconds later he gave his deceptively ambitious answer.

"I just wanna write better songs," he decided. "And better lyrics. I just definitely wanna be good at it. Hmn. Yeah.”

—

RUFUS BLACK: AKA Matt Helders, on his ongoing bromance with Diddy

Matt Helders has known preposterous rap titan Diddy since they met in Miami in 2008. “He goes, Arctic Monkeys! Then he said summat about a B-side and I was like, He's not lying! I just thought, This is funny, I'm gonna go with this for a while." Last October Diddy texted Helders, suggesting he play drums with his Diddy Dirty Money band on Friday Night With Jonathan Ross, to give his own drummer a day off. “I were bowling with me girifriend at the time. In Sheffield, on a Sunday." On the day of recording, says Helder, "We had a musical director. That were one of the maddest times of my life. Next day Diddy said, Why don't you just stay? Come along with me. So I went everywhere with him." Diddy had "a convoy of cars" and made sure Helders was always in his. "He'd stop his car and go, Where's Matt? You're coming with me! So I'd get in his car. Just me, him, his security, driver." Diddy, by now, had given him a pseudonym - Rufus Black. "He kept saying, I don't wanna fuck up your image. And I'm, I don't think it's gonna do me any harm!" He stayed in Diddy's spectacularly expensive hotel. Some weeks later, Helders almost returned to the Dirty Money drumstool for a gig in Glasgow. "But we were rehearsing in London. I were like, I might come, how are you getting there? And he were like, Jet. Jump on t’jet with me. But I had to stay in Bethnal Green instead.”

Love’s young dream: Diddy (left) with Helders

[deadpresidents]

I'm always a fan of Caity Weaver's work, but this piece from the New York Times Magazine (these links are gift links from me past the NYT paywall to access the full article) about how the penny is not only a ridiculous zombie currency, but also a reflection of American dysfunction is one of the best articles I've read in a long time. It's really interesting, especially the parts about production, circulation, and the ultimate paralysis of throwing them in a coin jar for months or years before eventually taking them to a Coinstar machine.

Not only is the penny useless and more expensive to make than it is actually worth, but it's also relatively easy to eliminate. But it's not an imperative and eliminating it also wouldn't necessarily be something that the government or the citizens would actively profit from. And people don't like change -- and I don't mean "change" as in currency, but the act of doing something different or unusual from our accepted routines. So we just ignore them or discard them or hoard them needlessly, and the government keeps making billions of tons (literally) of them because they drop out of circulation. Nobody cares and nobody wants to have to do anything about it because America.

Here's a little excerpt of the piece from the New York Times Magazine, and again, just follow the links for a free gift pass behind the paywall for Caity's full article:

Americans accumulate pennies not because we desire them but because we are entitled to them. If we pay for something in cash with more than exact change, we expect to receive back the difference; if the difference ends in any number other than 0 or 5, we will receive at least one penny. We are entitled to pennies because they exist. But imagine a world where they didn't. Imagine a world where it was Canada. Many Americans will be surprised to learn that Canada eliminated its 1-cent coin more than a decade ago...Canada got rid of its penny in 2013 because it cost 1.6 cents to produce and had, like its American cousin, become essentially worthless. Here is the most important detail to understand: Canada eliminated only its physical coin, not the mathematical concept of 1 cent. Payment by credit card, debit card, mobile phone or check -- any kind of noncash transaction -- is calculated exactly as it was before the penny was abolished. If, after tax, a bill comes to, say, $20.11, a Canadian paying by credit card will be charged $20.11. A Canadian paying by cash can expect to pay $20.10. The final digit of Canadian cash transactions is rounded to the nearest nickel: 1 and 2, nearest to 0 nickels, round down to 0; 3 and 4 round up to a nickel -- 5; 6 and 7, also nearest to one nickel, round down -- 5 again; 8 and 9, nearest to 10 cents, round up. I admit that the thought I might be asked to pay, say $3.80 (cash) for something that, according to the laws of God and man, has been calculated to cost $3.79 (cash) is not only reflexively infuriating to me but a potential source of permanent confusion. The Canadian government mitigated one of those problems (no hope for the other) with an information campaign that included signs with simple charts dividing potential prices into two columns: "Round down" and "Round up." I asked Karl Littler from the Retail Council of Canada if there were still signs at cash registers explaining the rounding. "It's 10 years now, so even the most obtuse people have pretty much figured it out," he said, and laughed.

-- Caity Weaver: "America Must Free Itself from the Tyranny of the Penny", the New York Times Magazine

[lemoncrushh]

Leather and Lace

Summary: The night Harry sang with Stevie at the Troubadour

Warnings: None

Word Count: 1440

A/N: This is a special little one shot written after that night in 2017. For those who don't know me, I've been a massive Stevie Nicks fan for many many years. Though I was not there at the Troubadour, I cried tears of joy when I found out about it. Then I wrote this. It's written in first person because it is so personal to me.

I'd been trying to hold it together for the last twenty minutes. The show was over, the crowd for the most part was dispersing and leaving the Troubadour, with a few clusters of fans here and there chatting. The music was still ringing in my ears, the feedback from the guitar now long gone yet still managing to vibrate and shake throughout my body. I stood frozen in my spot on the balcony where I'd sat next to James to watch Harry. The stage was now empty, the spotlights now making it seem more like a distant memory, or a time capsule from a completely different era - one that I'd seen in old magazines from decades ago.

I couldn't believe what I'd just witnessed. Harry had just sung with Stevie Nicks. Stevie fucking Nicks! To say I was a fan of hers would be an understatement. Stevie was my idol. My queen. The reason I'd wanted to be a musician since I was twelve.

I hadn't known she would be there. Harry hadn't told me. Whether it was because he wanted it to be a surprise, or because he was afraid I would freak out and be nervous for him, therefore making him all the more nervous, I didn't know. But maybe it was a little of both.

I nearly jumped out of my skin when I felt a hand on my back. I turned to see James who gave me a kind smile and patted my shoulder. He whispered in my ear that he was leaving and he would ring Harry later. I nodded and gave him a quick hug and said goodnight. Then I turned my gaze back to the stage below.

He'd done it. This was it. I couldn't even imagine it getting any better. He could sell out arenas and stadiums all over the world, win all the Grammys and stay at number one on Billboard for over a year and it still wouldn't compare to the emotions I'd felt watching him sing with Stevie.

I felt a tear start to trickle down my cheek and I quickly wiped it away when I heard my name behind me.

"There you are," said Glenne. "Harry's looking for you."

"What?" I asked incredulously. "He is?"

"Yeah, he wants you backstage."

Harry never asked for me to come backstage or to the dressing room, neither before or after a show. I would give him the space he needed to clear his head and get in the zone. Even when he was on Saturday Night Live, I'd just taken a seat like any other audience member and waited until he'd come out to find me, his face all flushed, his bag slung over his shoulder. For him to be asking for me now...after what had just happened...that meant something.

"Okay..." I took a deep breath and swallowed hard.

I descended the staircase slowly, my knees shaking. Glenne hadn't bothered to follow me, which only confirmed that Harry had requested me and me only.

Jeff stood just inside the dressing room door when I entered. He nodded at me silently before walking around me and leaving me alone with Harry. He sat on a small leather loveseat that had seen better days and probably had more stories to tell than Keith Richards. When he saw me, he beamed. I immediately ran to him when he rose, throwing my arms around his middle. It didn't matter that he was sweaty. It didn't matter that the door behind me was wide open. All that mattered was that I couldn't be more proud of him than I was in that moment.

We rocked back and forth for a few minutes until I felt him kiss the top of my head and whisper.

"Sorry I didn't tell you. Kinda wanted it to be a surprise."

"Well, you definitely achieved that."

Harry chuckled, his chest shaking against my cheek that pressed to it. "So, what'd you think?"

I licked my lips, trying to gather my thoughts. "I thought it was the most beautiful moment I've ever gotten to see and hear in my life."

"Yeah?"

I lifted my head to look at him. "Of course. My two favorite people. Singing together. What could be better than that?"

Harry smiled wider as he brushed a strand of hair away from my eyes. His eyes danced with glee, like a giddy child who'd just gone to Disneyland.

"How did it feel to you?" I asked him. "To be up there with her, singing her songs, her singing yours? That had to feel incredible."

For the first time since I'd entered the room, Harry's smile faltered a bit and he pressed his lips together.

"To be honest," he replied, "I was having a hard time keeping it together."

I nodded. "I know. I noticed. But I think that made it ever better. I loved seeing you getting choked up. Because I was getting choked up too."

Harry suddenly let go of me and backed away, digging his palms into his eyes. He sat on the couch again, his shoulders trembling as he released his emotions he'd no doubt been holding in up to that point. I silently sat beside him, my hand gently laid on his thigh, unmoving and waiting until he was ready for more contact. I watched him cry, the overwhelmingness finally hitting him. Finally with a shaky breath, he took hold of my hand, giving it a squeeze. He tried to catch the tears before they fell unsuccessfully as I rubbed his back with my other hand.

"That was...pretty intense, huh?" I asked.

"Yeah..." he breathed, wiping his eye with the back of his hand.

"She's amazing."

"A legend," Harry added. "I can't believe...I can't believe that actually happened. It's like...a dream."

I smiled. "She seemed to really like you, too. She must think you're something special to do that with you. And she'd be right."

Harry turned to me then, giving me a small grin.

"I'm so proud of you, baby," I murmured, leaning my cheek against his shoulder. "I just...I just don't even have words for how I feel right now. You continue to blow my mind.

He squeezed my hand again before threading his fingers through and bringing it to his lips.

"Now, I'm gonna want a studio recording of Leather and Lace," I quipped.

Harry chuckled, and I was happy I'd lightened the mood.

"You might just have to settle for a live version on youtube, I'm afraid."

I shrugged. "Fair enough. Sometimes live recordings are better anyway. And there's no way you could really recapture that magic in a studio version."

"Harry, darling, I just wanted to say goodbye and wish you the best of luck."

I knew the voice before I even turned my head. There she stood in the doorway, my queen in all her five feet and one inch, minus the platform boots. My eyes widened and I'm pretty sure I gasped as Harry rose from the sofa again, my hand still in his.

"Thank you so much, Stevie," he choked, his voice raspier than usual.

The next few moments were a blur which seemed to happen in fast forward and slow motion simultaneously. Harry introduced me to Stevie, I shook her soft, tiny, hand with its long painted nails, and I think I might have told her I loved her, though I don't remember exactly. I do remember, however, that she hugged me and she smelled intoxicatingly beautiful, like a cross between jasmine, honeysuckle and Nag Champa incense. I also might've held on a little longer than I should have until she pulled away and smiled, then moving to hug Harry. If I had thought about it, I would have taken a photo, but the memory burned in my brain was enough.

I watched her walk away, giving one last wave, then I stared at her boots as she walked down the hall and hugged Sarah and Clare.

"I wonder which of us is the most starstruck," I heard behind me.

I smiled, turning around.

"Definitely you," I commented. "You got to sing with her. That's like...the ultimate."

"I dunno," he smirked. "You should see your face right now."

I slapped my hand to my mouth. "Oh my God!" I muffled my scream. "I just met Stevie Nicks!"

Harry smiled wider, holding out his arm to gesture for me.

"C'mere, love," he said.

I crashed into his chest again, wrapping my arms around him. Just like before, we rocked back and forth. Only this time, I was the one weeping.

If you enjoyed, please like, comment, reblog or send me a msg!

MASTERLIST | KO-FI | FEEDBACK

[tmbgareok]

what are some of the biggest changes in the music industry that you’ve noticed/experienced, good and bad? i’ve definitely heard people say that it’s all gone to shit and stuff like that, but i’m interested to hear your thoughts as someone who’s had their finger on the pulse for 40ish years now.

obligatory ‘hope everyone is doing well’ :)

JF: I can imagine lots of folks saying "everything is has all gone to shit". As someone who has eeked out a living in this field for a long time, a lot of things just stopped making sense around 2010, when all the related creative industries (advertising, paid downloads, newspapers, magazines, music television) started going to shit as well. ((And I find is strangely twisted that so many pundits look to touring and merch as "alternative solutions" while the latter was always just secondary income and the former had been a historic money-loser for the entire duration of the "music industry".))

I think what emerges is that all the fears folks had about Napster were actually realized with modern day streamers. While I've been risk-averse for the duration and often feel pretty flush, if I had made a few big bad choices along the way I could imagine feeling pretty ripped off, but then again--people are exploited at their jobs all the time.

To be clear, I am extremely grateful to our audience and don't take anything for granted. My advice to bands, and anybody, is save your money and buys some low cost Vanguard ETFs.

[librarycards]

hello! i apologize in advance this is probably something that you get asked a lot. but do you have any recs on literary magazines to submit to? im a trans poet, ive been writing for over a decade but never shared anything and ive been wanting to try to send my stuff to get it published somewhere. obv ive been google searching but theres so many big and small publications and i was wondering if you have ones you like especially and/or tips on how to choose a magazine/journal to submit to. thanks a lot! <3

no worries, thank you for reaching out!! i've been publishing for like 8 years + an editor for almost 4, so i always appreciate the opportunity to help people new to the world find ethical publications that will treat their work with the care it deserves.

first and foremost: there are going to be pubs out there that are awesome and i don't know about. you may be the one to discover them for yourself! one aid in finding the best mag for your work is the wonderful, writer-created chillsubs. it's a fantastic platform that keeps a huge list of mags and presses and their relevant stats, and lets you create an account and bookmark those you're interested in. everyone i know uses them, and it's very worth it given the sheer volume of mags out there.

i also have some recs of my own, ofc. i'm going to list them below. if they pay (which i prioritize) I'll mark them with a $. some are trans/queer focused and some aren't, but all are pubs i've either edited and/or published with and can confirm their ethics + respect for writers.

manywor(l)ds - my mag! i'm co-founder and eic. break genre _ shapeshift with us. ($)

Sinister Wisdom - old, well-regarded lesbian+ lit mag, now open to everyone who is/loves a dyke. I'm guest-editing an issue on Madness with them, now open for submissions!

fifth wheel press - run by a beloved friend and comrade of mine. i've published here. excellent transparency, care, great for first-timers. ($).

kith books - headed by trans literary icon kat blair. a mag/press/community centered around bodymind non-conformity and noncompliance.

Honey Literary - QTPOC-centered, unabashedly pop-culture + social justice oriented. the vibes are simply immaculate.

Whale Road Review - not queer/trans focused, more oriented toward....'grown up' poetry/prose/pedagogy papers. Katie Manning (eic) is a fucking gem.

Graphic Violence Lit - just had my first experience publishing with them, and their care + consideration for the whole writer is amazing. they publish boundary-pushing work.

beestung - one of the brainchildren of Sarah Clark. nb/gq/2s SFF. I just edited a few guest issues w them and have published with them. amazing work. ($)

A Velvet Giant - genrequeer work. the editors are experienced, enthusiastic, and amazing at promoting writers long after publication. it's a family! ($)

Ethel Zine + Press - handmade with love by Sara Lefsyk (as you can see, trans/nonbinary/2s sarahs dominate indie publishing, as well we should :3). Sara is a sensitive and care-full editor and bookmaker whose every publication is a work of art.

Protean - pro- as in proletariat. awesome left mag with a mix of politics and culture and everything in between. they take reprints! ($)

Mudroom - publish your work along with a picture of your mudroom/shoe rack. very responsive editors who will hype you tf up. ($)

The Institutionalized Review - for psych survivors. the editors concreteness of vision and dedication to their community know no bounds.

Just Femme + Dandy - queer and fashion-focused! led by the inimitable Addie Tsai. They pay *handsomely*. ($)

In addition, there are also some "big" mags I have had excellent experiences publishing with and wanted to shout out. These are harder for a beginner to break into, but worth keeping on your radar + have been fantastic to me as a writer.

Electric Lit

Split Lip Magazine

The Offing

Nat. Brut

Santa Fe Writers' Project

Bodega

New Orleans Review

Augur Magazine

I hope this is helpful to you + others! the literary world is ever-changing and this is just a snapshot. Hopefully you find some that you like!

[pixel-percy]

🥊 Heartsteel Universe — You haven't seen your ex in years, not since he became a famous popstar, but today is about to ruin that streak. 🥊

🥊 Word Count: 3k 🥊 Music Vibes: Down Bad by Taylor Swift 🥊 Warning(s): Smut (fingering), public sex (technically), angst (about your ex/non-mutual break-up), & a sprinkle of jealousy 🥊 A/N: Apologies if there are any egregious errors, I've been trying to get this fic out of my head for so long now so I hunkered down to finally push it out today. I'll probably go back at a later date to spruce it up if it needs it. I passively enjoy League content & have favorites despite not having played in many years 🥰 heh

He probably thought you didn’t recognize him… But you did. Of course, you did. How couldn’t you? Sure, he was a pop star, glitz and glam probably filled his every moment nowadays, but he was still your ex-boyfriend.

A chorus of “SETT!”s at the highest pitch possible had carried through the gym air and met your ears at the front desk. You did your best to stave off the annoyed expression on your face—not just because there was a high possibility of seeing him, but because the sound of the fangirls that played a hand in ruining your relationship rattled you to your bones. Of course, he’d choose this gym. Of course.

So when Sett had finally passed by the desk, you thought you might have gotten lucky since his head was turned, but at the last second, he’d locked eyes with you. A surge of emotions passed through your body like an electric shock. It was hard to tell what exactly he was feeling, and part of you was trying desperately not to care, but you could have sworn you saw a hint of sadness mixed with surprise before his security team pulled him away. The fangirls pushed against the security at the front of the gym, shouting and waving their posters and other memorabilia they wanted him to sign. You rolled your eyes and returned to the task you’d been doing before the chaos of your ex’s entrance.

You’d done everything in your power to push through the slew of emotions you felt weighing on your chest—you were pretty sure you’d cleaned a single machine at least three times in a row while in your emotional daze—and didn’t spot him once after his initial entrance. You weren’t sure if you were relieved or not and by the time you made it to the end of your shift at midnight, you were ready to blow off some steam.

The gloves you donned were thick and absorbed each punch that collided with the punching bag. One, two. One, two, three. One. One, two. You timed the hits with your breaths as a guitar solo pulsed in your earphones and sweat dripped down your forehead.

It had been a year since you’d last had contact with Sett, or, since you cut off your communication with him. The decision wasn’t easy but it was what you felt was best for you and your mental at the time. You remember how he pleaded, holding your hands in his, absolutely dwarfing them, eyes big and tearful, but your pain was too much, the paranoia was too much.

The magazine that sparked the argument in the first place sat between you. On the cover was a story about him, the upcoming star, and Ahri, from KDA, and their potential romance brewing. This was in addition to the already circulating rumor amongst fans about him and his bandmate, Aphelios. He denied it all, doing everything he could to convince you, but between them, the fans, and the comments they made about you, it was just too much. You couldn’t take it and you couldn’t bear the idea of forcing him to deal with your emotions on top of his big break. So you cut off.

The punch you landed was a little rough, bending your wrist more than intended, and you felt the sobering pain radiate through your hand. You practically growled at the feeling and shook it out in an attempt to alleviate some of the tension you felt already building in your tendons. The room you were in was empty, it was rare to see it full at this time of night, and you were thankful for it. 

That bubble of frustration you’d felt in your chest pushed out and you sent all of it through your next punch. The impact sent the punching bag flying… but not as far as you thought it might go. You blinked and noticed a pair of hands holding on to either side. A head peered around the object—red hair with two ears poking out of the top of the strands, a long scar across his nose, and familiar green-blue eyes.

You could make out the words “Hey” and your name and you contemplated leaving in your headphones before he gently tapped his ears. A request. Your jaw clenched, taking a long moment to consider him before you pulled out your headphones and pocketed them.

“Why are you still here?” you asked, a bit cold. His sheepish smile turned downward ever so slightly and his ears flattened on his head. There was a small bloom of sadness in your chest seeing it.

“Just, you know, working out,” he answered.

“I hoped you would’ve been gone by now.”

His expression dropped completely at that point.

“You did?”

Your jaw clenched. Everything in you wanted to not be in this situation, to see his sad expressions, to feel so damn bad about being cold to him, but you didn’t know what else to do. Inviting the heartache of leaving him back into your life, even for a moment, wasn’t something wanted. Flashes of his tear-filled eyes watching you as you left with your bags of stuff crossed your mind and it made you start moving.

You moved past him and into the rows of punching bags in this part of the gym. From behind you, he said your name and pleaded for your attention, but you wanted out. You almost made it to the bench your stuff was on when you felt his large hand wrap around your forearm. It wasn’t a rough touch, but it was firm enough to pull your eyes back to him.

“What did I do to make you hate me so much?” he asked, confusion and pain in his words. You knew tugging yourself free would be useless so you stood your ground and stared him down. His touch was like molten lava seeping into your skin. You didn’t hate him, you hated the people that came with his fame and the lack of protection to shield you from them.

“I don’t hate you,” you said quietly.

“Then why are you acting like this?”

“Because being in the same vicinity as you is painful.”

Sett paused and his brows furrowed.

“You were the one that broke up with me,” he said, words laced with the hurt you imagined he was also feeling. You stared at each other for a long moment. Nothing that came to mind could quell the tension nor the steady increase of your heartbeat. It all just fell flat.

“Let me go,” you said, tugging at your arm, the tears gathering at the corner of your eyes despite all your attempts to stop them.

He huffed in disbelief.

“I haven’t seen you in a year. Not since you just, decided for the both of us that this wasn’t going to work. I’ve never known you to be so… So cruel,” he said. Sett’s eyes were as devastating as his words. It felt like a knife digging into your chest, threatening to carve your heart out.

“Sett, please,” you tried and turned your eyes down to where he held you.

“No, talk to me, please.”

“I have nothing,” you said. “I told you why I was leaving.”

“No, you gave me bullshit excuses and scenarios that didn’t exist,” he pushed… and he was right. You knew he was even back then when he sat across from you on the couch clasping your hands in his and tears streaming down his cheeks, just trying to understand.

“They weren’t excuses, Sett. I was so proud of you—s-still am, but…” You looked up at him and flared your nostrils with a sigh. There was no avoiding this. “Neither of us could have known how quickly fame would come. How possessive Heartsteel’s fans would be. How… brutal they’d be to me. How brutal it would be for me to watch rumors about affairs swirl. I couldn’t do it. I wanted you so bad, I wanted us, but I knew I couldn’t have you and… and…”

The tears had begun to fall. You cursed under your breath and wiped your free hand against your cheek, tears settling on the material boxing glove you still wore. Sett stepped forward and pressed his thumb over the new tear that had already begun its descent down your cheek. You recoiled a little but in response, he caught your chin and tilted up so you could look at him.

“You always had me,” he whispered. “Still do.”

Everything in you that wanted to bolt, to hide from the shame and sadness and anger seeing him made you feel, stilled. Your heartbeat pounded in your throat at his touch, at his attention, and you swallowed hard under his intense examination. The blue-green of his eyes felt so familiar and safe that it made the knot in your chest twist and expand.

“Sett… I don’t think we could even if we—”

“Why not?” he pushed. “I don’t care what any of them think. I never have. You didn’t even give me the chance to fight for us. For you… You just left.”

“I was scared. I didn’t want my heart broken by you… So I broke it for myself. I thought it’d be easier and it was but… Now…”

His ears twitched, a beam of hopefulness crossing his expression.

“Now? What about now?” he asked.

You didn’t know. A part of you felt so hopeful, so ready to try again just from his magnetic pull alone. How safe he made you feel. That hadn’t changed. You opened your mouth to say something but the sound of the door opening startled you both. Sett’s grip loosened enough for you to pull your arm away, both of you looking toward the interruption. A man in a suit you recognized as one of his security guards had begun approaching.

“There you are, sir—”

“Jackson, not now—No wait!” Sett called your name.

You’d already managed to get one of your gloves off so you could grab your bag and head toward the private bathrooms. You felt like you couldn’t breathe with his hand on your arm and now was your chance to pull yourself out of his orbit before you did something stupid.

You only managed to get to the door before you were stopped again by something yanking you to a stop, but this time it was the handle of your gym bag. You twisted around, ready to fight someone, but instead was met with a quick blur of Sett’s figure before his lips crashed into yours.

It was bold, something you hadn’t anticipated, and while you wanted to pull away… you felt him punching at the icy wall you’d built for yourself after everything. Every breath, every motion, everything felt like he was chipping at it piece by piece, until, well… It shattered.

Your free hand opened the door to the private bathroom and you dragged him into it. You were thankful that the cameras didn’t touch this part of the hallway, which only spurred on this potential mistake.

The two of you stumbled into the space—it was typically reserved for gym employees and special guests who wanted to avoid the more public locker rooms. It was spacious enough to house the usual bathroom amenities plus a bench for you to utilize as needed and the standing shower was nestled into the corner, blocked by the door whenever it was open.

Sett closed the door and locked it once you were both inside before his large hands clasped onto the back of your thighs to pull you into the air effortlessly. The bag you’d both been holding onto tumbled to the floor, kicked by the shuffle of his feet. Your back met the wall across from the door, inhaling deeply when his lips left yours to nip at your neck.

“Sett,” you tried, breathless.

“I’ve missed you—” His lips pressed urgently against your pulse. “So much.”

“Sett… We can’t… I can’t…”

Your mind was whirling at the feel of him, the heat he elicited from your body. His lips slowed to an agonizing pace but he heeded your words, head picking up to look directly into your eyes, surprised to find them not fully enveloped in lust… It was the adoration, the haze of love, that made your heart stutter. You could cry.

“I can stop,” he whispered. Sett’s gaze dropped to your lips. “I just…” You waited, drawing in a breath so deep that the orange-scented cleaner you were familiar with tingled in your nose.

All of your emotions and warning bells were as loud and overwhelming as an extreme weather siren. You shouldn’t do this. Any progress you’d made—either of you had made—was already shattered, leaving you vulnerable. But you still found yourself asking, “What?” It was just as soft as his whisper, timid, afraid.

Sett took in a similarly deep breath, except a hum danced within his throat and rumbled through his chest like a growl. 

“I don’t want to,” he said with a small, bashful laugh. One of his fangs pulled at his lip as he turned his eyes back up to yours. “I want to keep touching you… But only if you want me to. I can also leave. Just—Just tell me—” You placed one of your index fingers on his lips and he promptly stopped talking. 

You didn’t know what to do. Everything in you knew this was likely temporary, and the moment he left this room, things would go right back to the way they were, except this time with brand new wounds on your heart to cater to. But here he was, looking at you with his eyes, ears flat against his head, waiting for you to make your call, and probably just as scared as you. A sigh left you.

“Go ahead,” you said. Sett’s ears twitched, expression lightening. “Touch me.”

You got the feeling he’d waited for you out of courtesy, for you to potentially change your mind after that statement, but seized your lips with his after barely a second. His eagerness stole the breath from you, resulting in a chuckle that he inhaled and returned. He moved you toward the bench and effortlessly placed you down on it, lips never leaving yours.

The rush of approval had him on a mission that you guessed involved the shedding and ripping of clothes—but you were wrong. Instead, one of the hands that had been holding you reached down, slid past your waistband and started to work. A surprised gasp left your lips. He pulled away to gaze down at your face as it writhed in pleasure. The way his fingers moved against your clit was so deliciously familiar and mindful with every circle. 

You instinctively reached one of your hands down toward his growing bulge to provide some mutual relief, another familiar motion, but was stopped by Sett’s free hand. You brow furrowed and he leaned down to place a soft kiss upon it whilst guiding the hand he’d stopped on his neck. 

For a fraction of a second, you wondered if the world knew about this Sett, this loving, calm, goofy, loyal man you’d always known. Not just fist fights and bad boy leaning tendencies.

You selfishly hoped they never would.

“No, just you this time,” he said. You clocked the ‘this time’ but it was stifled the moment you felt one of his fingers ease into you. Your back arched.

Any protests you had left with the rest of your reservations about all of this. You nodded, warmth pooling in your cheeks now, and rolled your eyes back when the finger he’d slipped inside of you touched that spot he knew very well. Your body twitched, your other hand grabbing as much of his bicep as you could for balance, and let him work.

Sett’s mouth trailed kisses anywhere he felt like it as his fingers moved. Little whispers of your name left him occasionally but you could barely hear it over the thundering of your heartbeat in your ears. You wished you weren’t so close to coming already, you wished he didn’t know you in and out in every way imaginable, yet here you were about to topple over the edge of bliss at the hands of a man you still loved—no matter how much you wanted to deny it.

“Sett,” you gasped.

“I know,” he assured, the hand on your hip the only thing truly grounding you to this plane of existence. 

The tightness in your stomach finally released, a moan tumbling from your lips as stars danced behind your eyelids. Sett helped you ride through your orgasm with targeted praise, soft touches, and lips. Everything about his patience and opt for celibacy just added to your surprise about everything. He helped you to a sitting position and rubbed your back, a smile tugging at his lips.

“I…” You blew hot air out into the room. “Shit.” Sett laughed and brought one of your hands up to his lips.

“Yeah,” he said knowingly. You turned to catch his gaze, a smile breaking out on his lips that you couldn’t help but return. “Can I… give you a ride home?”

Reality started to set in after the high and you could feel the hardening of your heart begin again. You bit your lip in contemplation. His expression started to soften again, almost as though he were ready to be hurt by your rejection once more.

“Alright,” you said. The creeping freeze of your heart halted enough for you to add, “Maybe we can grab late-night ramen and talk…?”

“I’d like that,” he answered.

“Do not text your Mom about this,” you added with a deadpan look that made him laugh. He got to his feet and gently tapped his knuckles against your chin.

“No promises,” he said cheekily. You rolled your eyes, free of any real annoyance, and smiled. No matter what you wanted yourself to believe, you missed him too.

[cowboyjen68]

Hey Jen, thank you for all you do. I'm a young lesbian (going into my first year of university) and while I've met a few other lesbians in my life and retained a friendship (and I am deeply grateful for her), I worry that there are not many others out there like me. I've never had a girlfriend, and while I don't really feel the need to be in a relationship right now, I can't help but feel a little lonely. I'm worried that my strong opinions will make finding someone I click with even more difficult. Do you have any words of wisdom for a young woman worried there really aren't that many fish in the sea?

I didn't date until I was in my early 20's and i was out of college. I was terrified of being a lesbian and I knew boys grossed me out so I just waited.

In retrospect I was really not ready or that interested in dating while in college. I just felt that i didn't have the time or energy and literally no one really interested me enough to give up my focus on school, friends and coming out (not coming out. Yet everyone and thing (movies, TV, magazines, music etc) was telling me I HAD to date in order to be a "normal" teenager to early 20's women. It took some effort to just not date.

Most of us lesbians feel that our dating is already pretty small and then to have the knowledge (that straight people forget) that we are not attracted physically to all woman. AND even in the group of those we find physically attractive there are even few we share similar values and interests with.

This numbers game can really mess with our heads and panic our hearts. The key is to expand your world as you go. Don't be afraid to attend events or gatherings you are unsure about.

Follow what you are interested in. If you love cats volunteer at a shelter or rescue non profit. Attend their events, take the training. If you love reading lesbian history volunteer at the lesbians or lgbt+ archives at your school or at a place nearby. Start a simple book club or Cat Chat or Dog Discussion for lesbians using the meet up app or good old fashioned black and white fliers.

Attend women's festivals or music venues that feature women singers. Seek lesbians publications of zines on line and subscribe. If you attend a group or event and it is not for you take in that experience and move on.

The more you expand your world the more women you meet and in the meantime you are doing things you enjoy. AND at the end of they day you will have gained knowledge about what you like and dislike about dating, friendships and social situations.

[xenosagaepisodeone]

For the last 2 weeks I've been transfixed on a strain of lost media I've come to call "bad memory induced media", where the supposed media in question does not (or at least more than likely does not) exist, but there are swaths of people convinced that they have definitely seen it at some point. There is rarely anything more to go off of for the hunt than a vague summary outlined in a post on some forum, but the lack of specificity allows people to fill in the blanks with similar types of media that they've seen, giving them the impression that they've already experienced it. I've found that this is extremely common for alleged lost shock media in particular, which isn't surprising. I talked a little about this on my LOL SUPERMAN post, and I get the impression that a similar strain of logic applies on a smaller scale.

Anyway, 2 major cases I have been looking at for a while are Saki Sanobashi/Go For A Punch and Evil Farm Game. Saki Sanobashi in particular fascinates me because an urban legend like this should have crumbled to the wayside by like 2018 at the latest, since that's when anime more or less became demystified to normal people. The basic premise is that it is an 80s/90s horror anime about anywhere from 4-8 girls trapped in a bathroom. The girls talk about their lives, hopes, dreams and philosophies before slowly going insane and dying one by one. If you like horror stuff you probably are already getting the vague impression that it sounds familiar- which could be influenced by any swath of media artifacts from Saw to the Russian Sleep Experiment creepypasta to the Ikea SCP to ClockUp's Euphoria to snippets of Battle Royale to that one Grisaia no Kajitsu arc. OP insisted he found it fully subbed on the deep web (omegalul) and hasn't found a trace of it since, implying some kind of murky origin or legal status (the OVA is not pornographic btw). As you can probably tell, I think this is silly. Like, so much goes into anime production that it would be difficult to hide any traces of this thing's existence. Someone had to voice act those girls. Someone had to sit hunched over a desk and draw that settei. OVAs were such a new thing in the 80s and 90s that both sfw and nsfw series were advertised in magazines. The only way that this could be so lost that not even a MAL entry remains is if it had been a student/indie production or something made for a single comiket event...but even at that....you're telling me that someone still managed to rip this from a vhs and subtitle it? And then chose to upload it to the deep web instead of youtube? even the title sounds like something google translated but didnt format correctly ("Saki Sanobashi" being gibberish while "Saki-san no Bashi" translates to "Saki-san's Bridge").

And yet there are people who will say "I definitely saw this at some point" because they saw a reaction image similar to the alleged scene where the protagonist smashes someone's head into a mirror. "The neck scratching death sounds familiar...." because you watched a higurashi amv! And OP did too, and thought it was so creepy that he involved it in his fake story. It's almost grating how much you have to suspend your disbelief to embrace that something like this exists in the exact way that stories like this insist. While many people have accepted that the series is likely not real in the last 4 or so years, there still persists a cohort of people hunting for Saki Sanobashi, likely because they are kids who are now too old to believe in Squidward's Suicide.

Evil Farm Game gives me a chuckle because it goes like this: a redditor posts to r/tipofmytongue about an old flash game where you play as a farmer who kills his wife and then has to hide her body while going about his farm tasks. The setup is completely fine and actually kind of reminiscent of a few story driven flash games I played on newgrounds as a kid. Many people came forward insisting that they had played this as well, one person even producing a link to a file from their hard drive that they couldn't open, but strongly believed that the game was there. A subreddit was even created to support the search. The twist is that it was a misremembered joke from a vinesauce stream.

Everyone knows that memory is an extremely fallable thing; people can be coaxed into believing that they did or saw things that they didn't with the correct prompts. What gets me is that a lot of people on the hunt for "bad memory induced media" seem to largely be hyping themselves up. They want to believe there is something that exists against all reason no matter what. It's chuuni in nature. Do not get me wrong- the interest in finding a cool, mysterious, haunting piece of media isn't lost on me, but dog, the dopamine hit of finding a previously lost 1985 commercial for almonds in a box of vhs tapes you got from eBay is the same.

[trillscienceofficer]

from Star Trek: Voyager the official magazine, June 1997

ROXANN DAWSON - B'Elanna Torres

by Ian Spelling

“You never really get used to it,” Roxann Dawson says of the makeup that transforms her into B'Elanna Torres on STAR TREK: VOYAGER. “I've gotten used to having it applied, but I don't think you ever really get used to it. Part of me likes it though. It certainly helps me slip into character and, of course, I'm not recognized at all out of the makeup, sometimes not even on the set.

“I remember that in the first few months we were doing the show, even people on the set had no idea who I was. I would walk right onto the stage without makeup and our own director of photography wouldn't recognize me. Over time, people have seen me out of makeup a little bit more often. So at least the cast and crew are beginning to know who I am now.”

Dawson smiles, which is a big no-no. At this very moment, she's sitting in a chair as a makeup artist glues on prosthetics and paints over assorted Klingon facial ridges. Every time Dawson stretches her facial muscles too much—which occurs when she smiles or laughs—she risks ruining the makeup artists work, and that would only mean more time in the chair. “I usually like to look the person I'm talking to in the eye,” Dawson explains. "But I can't turn my head, either. Use the mirror. I know it's a little weird, but if you look at me in the mirror as we speak, we can make eye contact.”

Clearly, Dawson has held more than a few conversations from this chair, which sits in the middle of a make-up trailer just a short walk from the VOYAGER sound-stages on the Paramount Pictures lot.

Hard as it may be to believe, three years have passed since Dawson first arrived here to play B'Elanna in the “Caretaker” pilot. “It is hard to believe, and it has been a great experience. I've been able to do almost everything as an actress portraying this character,” she enthuses. The other day, they had me rappelling for a scene we were shooting. That was so cool. It's one of the neat things about being an actor. You don't have to know how to do something and you don't really have to practice it. They just had me do it. Of course, I was protected, and a stuntwoman would have done anything that would have been too dangerous for me to do.”

Dawson notes, “We're also learning so much about this character. In ‘Blood Fever,’ we really explored many aspects that were very particular to B'Elanna, but not necessarily particular to Klingons or chief engineers in general. We're discovering that she's not just strong in the masculine sense, but that she can be sexual and feminine and interested in learning more about herself. I talked with Jeri Taylor at the beginning of the season because I wanted to see more of B'Elanna's Klingon side come out. I didn't want her to become too complacent. I wanted her irreverence to always be there. I wanted that war going on inside of her to be present and always a conflict that influenced her choices. I think the writers are making sure that's all there this sea- son.

“I don't want B'Elanna to be a goody two-shoes,” Dawson emphasizes. “I don't mind seeing her darker, uglier sides. That's important. It's part of who she is. It's good to see her at her worst. It's good to see her learn from her mistakes. That's what makes a character interesting. I love that, and I hope it continues.

“You never really get what you want as an actress, but with B'Elanna, I've really gotten a lot of what I had wished for. The writers keep surprising me,” she continues. “They keep coming up with different aspects of her for me to explore. I think to myself, ‘How did you know that was in my hidden agenda?’ That's a wonderful feeling for an actress on any show to have.”

Dawson also believes that the writers are doing justice to B'Elanna's relationships with the other characters aboard Voyager. When the series began, she was primarily presented as an outsider, even among her Maquis co-conspirators. Over time, B'Elanna has emerged as a respected member of the crew. Captain Janeway now shows the utmost confidence in her, and her friendship with Tom Paris seems to be blossoming into romance. “One thing people have to understand is that this is an ensemble show. There are nine regular characters to service every week,” Dawson notes. “I just feel really fortunate that, in such a short time, they've developed B'Elanna's specific relationships with just about everyone on the ship. except maybe Kes. We haven't had much to do together and I would love to have an episode exploring that relationship a little bit more.

"With all of the other characters, though, I have a specific relationship and a definite attitude, and each relationship and attitude is changing and growing. I love thee fact that the Doctor can tick me off so much at one moment, but al other moments there is an element of respect, when he does something that impresses me. For example, when I thought we were losing him and his memory, I suddenly realize that I need him, that he has grown me. I love that every once in a while, we see little windows of B'Elanna's past with Chakotay. Paris and I got very close in ‘Blood Fever’, but I was under the influence of something, I was in Klingon heat.

“I want the writers to keep surprising me. Sometimes I love not knowing exactly what's going to happen, and not figuring it out until I'm handed a script. I really don't know where they're going to go with the relationship between B'Elanna and Paris. I do hope they'll take their time and make it happen slowly. I hope it's original, a little different than what we've seen before. I hope they put in a great deal of friction. I'm sure B'Elanna is different from anyone Paris has ever been involved with before, and would love to see him realizing and dealing with that. I see that all happening, and it really pleases me.”

According to Dawson, she and Robert Duncan McNeill have sat down and discussed the best ways to make the B'Elanna-Paris relationship work for them, how to best add layers to the groundwork being provided by the shows writing staff. By way of example, when they received the “Blood Fever” teleplay, the two discussed the arc of the script and how they saw it as the launching pad for an ongoing relationship. They incorporated their conversations into their performances when the scenes were played out before the camera. 'It really comes down to the actors interpreting what's on the page,” Dawson says. “Robbie and I wanted to make sure that certain elements were there and, also, we didn't want to overstep any boundaries. We wanted to be certain we were doing it right. We do discuss things on that level, but we always have to keep in mind that we must by what the script says.”

Sometimes, of course, Dawson also must go by what her directors say. And the actress has been directed not only by actor/directors Jonathan Frakes and LeVar Burton, but also by her VOYAGER costars McNeill and Robert Picardo. McNeill helmed “Sacred Ground”, while Picardo called the shots on “Alter Ego”. “I had about 30 seconds of screen time in ‘Sacred Ground,’ but I was impressed with what Robbie did. Actually, he's going to direct another episode,” she says. “Bob was great on his show. It amazes me, because you don't always know that an actor will be able to direct. Both of these men are obviously multi-talented, because they're not only fine actors but they managed to direct well, too."

Soon enough, Dawson will find out whether or not she can add herself to the list of multi-talented VOYAGER cast members, for she is enrolled in STAR TREK's director-in-training program, which has turned out such directors as Frakes, Burton, Patrick Stewart and STAR TREK: DEEP SPACE NINE's Avery Brooks and Rene Auberjonois. She's watching other directors in action, sitting in on editing sessions and the like, all in preparation to direct an episode sometimes next season. “There's a great education to be had here and they treat me with such grace. I'm so grateful to have the opportunity to learn this craft,” Dawson enthuses with a smile that elicits a wince from her makeup man.

“I've always wanted to direct. I've directed for theater, but it's quite different from directing for film or TV. I honestly don't know if I'll like it or be good at it. I think the time for deciding whether I'll be a good director is right now, during the learning process. So far, I really do love it. Hopefully, I'll be good at it, too. Whatever episode they give me to do, I just want to be able to bring it to life. Each episode is so different. Sometimes you're handled something that's very action-oriented, and sometimes you'll get something that's very thought-provoking. I don't know which kind of show I would be better at, but part of me says I would be better off starting with a quieter episode. I don't know if I have a particular style that I would impose anything. That was always my goal as a stage director. I'll probably stick with that idea for my first episode."

While Roxann Dawson may go on to make her mark as a director of VOYAGER, she's well aware that, even though she'll likely enjoy a long, fruitful career beyond STAR TREK, the show, her role and the fans will always be a part of her life. "I've heard that. Am I comfortable with it? I guess I'm growing more comfortable with the idea," she acknowledges.

"If this was something that didn't deserve that kind of recognition, then I would feel uncomfortable. But I think VOYAGER does deserve that kind of recognition. I'm part of something special. So, yeah, I guess I am comfortable with the idea STAR TREK being a part of my life forever. Let me put it this way: I'm as comfortable as I could be.”

Focus: Star Trek: Voyager

It has been a long time since Roxann Dawson last looked back at the episodes of STAR TREK: VOYAGER which were either focused almost entirely on B'Elanna Torres or which featured scenes of importance as they related to the character. Thus, the conversation backtracks to October 1995, when “Persistence of Vision” first aired:

“Persistence of Vision” (The crew's deeply buried desires surface; Chakotay seduces B'Elanna): “All I remember from that one was not being able to stop laughing when we were doing the love scene between Chakotay and me. Robert Beltran and I just kept cracking each other up.”

“Resistance” (The crew encounters the Mokra; Tuvok and B'Elanna are captured): “I liked working with Tim Russ. That was the first show where I saw any potential for exploring the relationship between Tuvok and B'Elanna. I realized he could help her explore some of the imbalances in the way she views her Klingon and human sides.”

“Prototype” (B'Elanna reactivates a robot, only to have it kidnap her and try to destroy Voyager) and “Dreadnought” (B'Elanna beams inside a missile to deactivate it): “I worked with Jonathan Frakes and LeVar Burton [as directors] on those two shows. They're both great guys. It's funny, in ‘Faces’ I dealt with myself a lot. In ‘Prototype’ I dealt with a robot and in ‘Dreadnought’ I dealt with a computer that had my voice. So, I was acting with myself in three B'Elanna-heavy episodes. I begged the writers to make the next one something where I interacted with a human. “Jonathan did a great job directing ‘Prototype’. ‘Dreadnought’ surprised me because so much effort went into actually developing the computer voice. That came about through hours and hours of looping. The whole show was B'Elanna and her relationship with this computer counterpart. So, it was fascinating for me to create that relationship half in performance and half in a sound studio.”

“The Thaw” (A clown [Michael McKean] holds Harry Kim and B'Elanna hostage while Janeway tries to free them): “I didn't have a whole lot to do in that. but I thought it was a brilliant episode. It had a lot to say and certain moments were just chilling, especially the death of Fear. Michael McKean was just great.”

“The Swarm” (The Doctor's system overloads and B'Elanna tries to help him recover his programming): “That was a great opportunity to work with Bob Picardo and to explore B'Elanna's relationship with the Doctor. I liked the fact that, to B'Elanna, he had always been just a computer, and in this episode she got to see he had this... humanity.”

“Remember” (B'Elanna has bad dreams; Dawson plays two roles): “I loved having the opportunity to do that show. It was a brilliant script. I loved being able to play the two characters, and how Karenna's [sic] life influenced B'Elanna's. I felt the show had something to say. Bruce Davidson [who played Jareth, Karenna's father] was extraordinary. I've always wanted to work with him. I had known of him since I lived in New York City, and he was just brilliant.”

“Blood Fever” (B'Elanna experiences Klingon heat; she and Paris begin their relationship): “That was an extraordinary experience. It demanded a kind of courage I didn't know I had. I took risks there, and I'm glad I did. I hope people think those risks paid off.”

“Darkling” (The Doctor goes bad): That was our Jekyll and Hyde epsiode with the Doctor turning a little evil. Bob Picardo and I had some fun together when he was in his Mr. Hyde mode. He paralyzed me and he was threatening to kill me and Bob was speaking in a sleazy, very sexual way. It was so disgusting, but I think it came across very funny.”

Though Torres doesn't feature heavily in the next few episodes shot, efforts have been made to develop one aspect of her character. “What's happening is that they've been furthering the B'Elanna/Paris relationship in subsequent episodes. In ‘Displaced’ we have the B-storyline. We did a lot of head-butting in that one. And we did one show where, for the first time, I worked only one day. But the whole day was B'Elanna/Paris stuff.

[applecherryandpears]

BBC Radio 1 - 1997: The love edition

Can't believe that so many seminal Noel & Liam quotes are from the very same interview, either Noel's life + music crisis poured it all out of him, or the good moments are just indeed that good BTS.

Naturally, they were (allegedly) drunk. Liam wasn't supposed to show up but he changed his mind last minute, my headcanon is that he missed Noel judging from how well they got along that day.

I'm very friendly to my bed, I love my bed, and my bed loves me.

(Interviewer says Liam only gets better, Noel complains Liam doesn't show up for B sides recordings, Liam says he had a sore throat, and somehow, this comes to this.)

Love-love-love. Liam twists exhibition (oasis photo thing) into expedition and Noel's bullying turns into a live fantasy of marching down the south pole wastelands together to build heart shaped igloos, also Liam's shy. And fighting for his life.

There we have it, a recorded (half) confession.

Okay so here I find the "as long as ... for a couple of quids" holds some meaning as Noel goes a little rigid saying no. Can't ever meant this. but I can't for the life of me understand Liam.

Also Liam clears out that inspiration entails for him listening and understanding him without rushing into ill-made judgments and it's palpable he's at his limits with the media. Coincidentally the day after this interview he was tracked down by journalists, asking him if he had regrets over what he said, because apparently he swore too much and had people clutch on their pearls all over the UK.

Supersonic quote but in full. Mad for it, Noel says.

I'll be a really good uncle to Liam's child.

I could sum this one up with Pardon? but -- "that man is a bigger man than I am, why, it has nothing to do with you, but he has to deal with life and with somebody like me on top of everything else" yet by the end of that year it had all gone to flames. Also audio proof they did give each other birthday presents, not lost on me this one.

Noel truly cares about Liam's opinion but won't show it (nothing new ik) However that giggle at the end has my wonders.

Bonus:

In the honour of a 2024 magazine article deeply regretting Liam's menacing aura and rock n roll attitude from 1997

And, if anyone can possibly make out what Liam says Noel is pointing his way, this one maxed out my comprehension skills: