#I've had this magazine for many years now
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Flying Magazine Spring/Summer 2014 Issue ft. Gaku Sano, Masato Yano, Yu Inaba & Taiko Katono Fashion Shoot + Short Interviews (translations below)
Gaku Sano
Sano: I love clothes, so I was excited that I got to wear three different outfits this time (laughs). Rather than having a preference for a particular brand, I tend to focus more on the shape and overall image of clothing, so when I have the opportunity, I often go to stores by myself to look for these things. Among the ones I wore for this shoot, I like the dark gray setup the best. Short pants or sarouels with boots are my favorite style!
"Excited to pass the role of a Kamen Rider, which he longed to play! He heads towards Gaim, evolving everyday with passion burning in his heart."
Sano: I truly never thought that I would be able to become the Kamen Rider that I had been so fascinated with as a child, so I was really happy when I was chosen for the role. I have no experience in action, but I'm confident in my physical strength, so I felt like, "Come on, I accept!" and I'd even act out the toughest scenes without doing voice over. I still have a lot to learn, but I want to improve myself and grow little by little, so that when I look back in six months to a year, I'll be able to confidently say that I've grown!
_
Masato Yano
Yano: Basically, I like simple styles, but I try to bring out their points of interest, whether it be with the pattern or color in one specific place or another. I also like parkas, especially this leaf patterned one I'm wearing, which definitely has a spring like seasonal feel to it! Parkas are not only easy and comfortable to wear, but you can buy them almost anywhere. I once went on set wearing a different parka for an entire week (laughs).
"A young talented actor discovered by Ninagawa Yukio. He continues to be active with appearances in numerous stage plays, dramas, and movies."
Yano: I'll be appearing in three separate films that will release throughout the course of this year, and in the Summer, I'll perform for the third time in a stage play directed by Ninagawa-san. It's been a while since I've worked in a production by Ninagawa-san, so I'm really looking forward to it! Recently, I've started to receive alittle more praise than usual (laugh), so I'll do my best to show you that I've atleast grown alittle.
_
Yu Inaba
Inaba: I want to wear as little clothing as possible during the course my life (laughs). My favorite style is wearing a single t-shirt! This sukajan is abit unusual for me, but, it's comfortable to wear and fits my look well. It's surprisingly refreshing. I tend to wear mostly black, so I like the monotone look of these items.
"Aiming to become a "highly sought after actor" while growing from his many experiences on doing stage plays."
Inaba: When I entered the Junon Super Boy Contest, I had a very casual mindset, but soon after my debut, I performed in a series of stage performances, where I became more fascinated with the joys of "performing." Recently, I've been cast in many dramas and movies, as well as more stage plays, so I feel as though I'm living a very exciting and fulfilling life. Right now, I cherish these works and encounters with people, but someday, I want to be an actor where people will say, "I want to go just to see him!"
_
Taiko Katono
Katono: Usually I wear leather jackets and slim pants, so today I went for a fresh, cute, spring like look with a white cardigan. I like cardigans because they're so comfortable to wear. The one I'm wearing isn't too light and is more firm than I expected, so it feels very nice to wear! The color tone is also gentle, it's very "springtime coordinated."
"Aspirations hidden under a cute face. Looking forwars to facing future challenges with a positive outlook!"
Katono: Recently, I was cast in the drama "Team Batista 4: Raden Meikyu", which was a pretty big deal for me. I thought, "I'm going to be apart of that popular series?!" I was so shocked. In this field, I've learnt alot and am reflecting. I think I've grown alittle thanks to it. I hope to gain experience in this way one at a time, and in 10 years, I hope to be an actor with roles that only I am able to play. For this reason, I'll do my best to do these things one by one!
#RACULES SPOTTED#my scans#toku cast#ohsama sentai kingohger#kingohger#super sentai#racules hastie#racules husty#masato yano#kamen rider#kamen rider gaim#kouta kazuraba#gaku sano#kamen rider drive#go shijima#kamen rider mach#kamen rider chaser#my translation#tokusatsu#fashion#I've had this magazine for many years now#I didn't know who he was at the time#to me he looks more cute than handsome here 😳
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honey's it girl magazine november edition⋆.ೃ࿔*:・🎀
welcome back to honeys it girl magazine, this is the november catalog. get ready for the inside scoop on data that i've collected, things i've learned/started doing, and just general info like that organized in kind of a teen-magazine inspired fashion.
before we go any further i'd love to thank you all for the wonderful year we've had of it girls magazine, writing every catalog is SUCH a joy and im glad that u guys like it to. i'll continue to work on the magazine and make it more enjoyable for u all. i hope that as the magazine grows and evolves i'll have more lovely girlbloggers featured in my catalogs. this is THEE magazine for it girls ��� and now please enjoy, the it girl magazine.
THE HISTORY OF HELLO KITTY ;
hello kitty was born in the suburbs of london. she lives with her parents and her twin sister mimmy who is her bff. her hobbies include baking cookies and making new friends. as she always says, “you can never have too many friends”. but what else is there to know about this 3 apples tall ray of sunshine? SOOO much actually which is why i decided to write about hello kitty’s history.
hello kitty was created by the japanese company sanrio in 1974. she was initially designed by yuko shimizu. hello kitty quickly became emblematic of the cute culture in japan and a global symbol of nostalgia and girliness. hello kitty’s representation of girliness played such an important role in defining and popularizing kawaii culture in japan. hello kitty became a subtle statement of empowerment in the 1970s and 80’s.
the average apple is 3 inches tall. take your height in inches and divide it by three to find out how many apples tall you are! im 21 apples tall…💬🎀
during the 70's and 80's expectations for women were shifting, and with this context hello kitty emerged not only as an adorable kitty but as an emblem of a new type of femininity—one that embraced softness and strength simultaneously. hello kitty is associated with things like happiness and joy. in the 21st century, hello kitty’s presence in pop culture exploded.
a lot of celebrities are seen with hello kitty items, hello kitty collaborated with high-fashion brands, artists etc. they all appreciated her mix of innocence and global acclaim. and i think that the fact that shes maintained her grip on society even now says so much! hello kitty just RESONATES.
and honestly, hello kitty's longevity is a testament to her universal appeal. over the decades, hello kitty has gone from being just a character to becoming a pop culture icon that resonates with people of all ages and regions of the world. whether it’s a child picking out their first hello kitty backpack or an adult rocking a limited-edition hello kitty x gucci collection, she bridges generations with her timeless charm 💖
the success of hello kitty has a lot to do with her straightforward yet unmistakably unique design. her iconic bow, the lack of a mouth—on purpose, so that she can "speak from the heart"—and her endless versatility only cement hello kitty as an open canvas for self-expression. she’s playful, she’s nostalgic, she’s even edgy, depending on how she’s styled or reimagined.
hello kitty became a symbol of softness and femininity because she showed that being gentle and kind could still be powerful. when she was created in the 70s, women were stepping into new roles, and hello kitty stood for a new kind of strength—which wasn’t about being loud or aggressive but about connection, joy, and kindness.
SELF GRATITUDE. YOU'RE SO AMAZING ;
gratitude is a feeling thats really emphasized during november and i think that we should always be most grateful to ourselves! no one puts as much effort or loves u as much as u do. so lets take some time to appreciate ourselves and everything that we've done for ourselves as 2024 comes to an end.
take a moment to recognize everything that you've achieved this year, challenges that you've overcome and things that you've done for yourself this year to create a better more glamorous life for yourself. dont forget to say thank you and celebrate yourself cuz ur literally so cute and amazing and capable 💕
some ways that u can celebrate yourself and show gratitude towards yourself include…💬🎀
♡ pamper yourself with a spa day ♡ book that appointment you wanted ♡ write a love letter to yourself ♡ buy yourself a bouquet of flowers
PREPPING FOR A SUCCESSFUL YEAR ;
2025 is right around the corner so we should prepare and set ourselves up for success in this new year. so to start off prep for the next year we should make a MANIFESTATION list. title the list "2025" and write down everything that u want to manifest that year in a list fashion.
an important aspect of setting urself up for success in the new year is to reflect on the year we just had. reflect on your year so that u can see what u accomplished this year/what u can do better in the next year…💬🎀
i break up my year into 4 quarters (each lasting 3 months) that way i can see my year broken up and i have a clear plan and i can be organized. quarter one (january - march) quarter two (april - june) so on and so forth. and after every quarter i do a little analysis. and finally wrap up some things projects, assignments and things of that nature so that u can go into the next year on a clean slate.
WHAT THE IT GIRLS ARE LISTENING TO ;
first im gonna start off by talking about txt's new album SANCTUARY cuz if u guys didn't know im a moa 🙈. i LOVED everything about this album, the concept EVERYTHING. my favorite song on the album is 41 winks and over the moon is also incredible, i loved all the songs!! literally u cant name one bad song txts ever released cuz it doesnt fucking exist their discography is perfect. 10/10. i highly recommend giving it a listen if u have not.
tyla also released push to start and the music video is just a work of ART. tyla has been consistently giving us hit after hit, shes so incredibly talented and i LOVE push to start. i love the choreography also, but something that i love the MOST about this music video is the fashion like HELLO?? tyla rocked tiny tops and big boots in this music video and im lowkey living for it. the fringes in her tiny top in the opening scene, her teensy denim shorts that she leaves unbuttoned to show off her blinged out panties like YES.
THE ADVICE COLUMN ;
Hi! Question for the advice column. I'm going on a trip for my birthday to a retreat, with a group of 10 friends in a couple of weeks. It's only 3 days but I am so excited. I am in a part of the world where it's summer right now, so my question is: what are your essentials for a summer trip? Swimming gear, accessories, skincare etc, I'm planning all my outfits in advance, so any advice is appreciated. Thank you! 𐙚˙⋆.˚ ᡣ𐭩
❤︎ SPF (between 30-50)
❤︎ lacy/frilly bikinis and swimsuits. they make u look like an absolute beach doll 🍬✨
❤︎ a yummy body butter + body shimmer (during the summer, we show lots of skin so its important to stay moisturized like a glazed doughnut and also to sparkle like the star u are)
❤︎ as for clothing i typically opt for tube tops, mini skirts, sundresses and things of that nature. i LOVE summer fashion
❤︎ blinged out water tumbler for fashionable hydration 💦 and ofc a portable mini fan
Do you know how to make yourself look more exotic/tropical in appearance? Like I want to look like a tropical mermaid - cotton candy doll
❤︎ use a bit of shimmery bronzer on ur cheekbones and collarbones to achieve that glowy sun kissed look
❤︎ when i think of cotton candy key west kitten doll i think of BEACHY WAVES and bubblegum pink lips so braiding ur hair overnight can help you to achieve beachy waves in the morning, and invest in a bubble gum pink/glossy coral colored lipgloss (i recommend candy baby 🍭 from victorias secret)
❤︎ use fragrances with notes of fruit and coconut
NOVEMBER TRENDS ;
one of my favorite trends this november is the women in male dominated fields trend. its been all over my tiktok and essentially the trend is just women behaving the way many men of today behave towards women and giving them a taste of their own toxic medicine.
this trend reminds me a lot of ciara's song "like a boy". some of my FAVORITE moments from this trend are as follows…💬🎀
♡ when hes pouring his heart out in front of me and i start practicing my jumpshot mid-argument
♡ when hes got tears running down his face explaining to me why my actions hurt him but i just ask him "why are u with me then" and carry on with my day
♡ when he catches me in a lie but i just hit him with the "alright believe what u want"
this trend puts into perspective the toxic and dismissive behaviors that are becoming more and more common and that are normalized in relationships, now that the roles are reversed. it also serves as a reminder of how important mutual respect and empathy are in any relationship.
#honeysitgirlmagazine✨💝#honeytonedhottie⭐️#it girl#becoming that girl#self concept#self care#that girl#self love#it girl energy#dream girl tips#dream girl#dream life#dreamy#hyper femininity#hyper feminine#girly#girl blog#it girl magazine#it girl lifestyle#it girl journey#princess#dolly#fashion#passion 4 fashion#girly magazine#monthly catalogue#txt#new years prep#planning#productivity
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I've almost reached my breaking point with this genocide in Ukraine. I'm older than most Tumblr users, so I was being yelled at in university tutorials in the early 00s for talking about the Holodomor, and being told that "If it happened, Ukrainians deserved it for being Nazis".
I was out there in 2007 when we had the worldwide march for the Holodomor to be recognised as a genocide, only for so many countries (the USA being one of them) to tell us that they won't do it because it might upset russia.
I remember when russia invaded in 2014 and Obama said it wasn't his business, and that russia can decide what happens in Ukraine. And then he sent Ukraine fucking helmets and "hygiene kits" instead of the military aid he was supposed to.
My family in Donetsk walked out of their homes with their lives packed in plastic shopping bags nearly eleven years ago. But people prefer to believe the russian lies that Donbas wants to be part of russia.
I remember sitting at home on the 17th of July 2014, hearing about russia shooting down MH17, and feeling my blood run cold because the initial reports said the aeroplane was full of Americans. Being so sure that the USA might finally live up to the Budapest Memorandum and get involved in the war.
Of course they didn't.
And then the Malaysians went and protested at the Ukrainian embassy, as if they were to blame for being invaded by their genocidal neighbour.
I remember being at a protest at the russian embassy in Canberra just after Crimea was annexed, and the only people who turned up for us were other Ukrainians. Soon after there were massive protests for Palestine and BLM from Melbourne to Dublin and beyond. Ukrainians are too white for leftists and too foreign for right-wingers to care about.
More people dumped buckets of ice on their heads than supported us.
I spent Easter 2016 in a hotel in Ukraine. 8.5 years ago I was the only guest who wasn't a soldier on leave from the war.
Now I go on reddit and see that Americans are discussing how Ukraine "has a neo-fascist problem". Um, you guys just voted for Donald fucking Trump?
Then I see an Australian journalist say that the US election result means that America is "becoming like Eastern Europe". No. Eastern Europeans aren't Nazis. They suffered more under the Nazis than anyone.
We're always on our own. Millions upon millions of Ukrainians have been killed in the last ninety years, millions more sold into slavery in Germany (including my grandparents), hundreds of thousands sent to gulags (including the entire population of my grandmother's village), and hundreds and hundreds and hundreds of thousands dead or missing now, but we're still not seen as worthy of caring about.
I have family members whose dead bodies have been lying on battlefields for over a year. One killed in Bakhmut, a city that no longer exists. Another taken hostage from Mariupol, a city russia bombed to the ground. The mass graves there can be seen from space.
We can't get the bodies back because russia has colonised the area. I have a relative who was moved on from fighting in Vovchansk because there was no point fighting for another city that no longer exists. My relative who was taken hostage in Mariupol was starved and tortured for 2.5 years.
And then last week our city's magazine had a three-page interview with the russian ambassador, explaining why his country "has" to commit genocide in Ukraine. The editor laughed at my aunt when she phoned to register a complaint.
But teenaged tankies on sites like this will mock Ukrainians' deaths, stick a fucking hammer and sickle in their profile, and lecture people like me about things they know nothing about.
The world needs to end its ridiculous love affair with the russian federation.
#racism#genocide#settler colonialism#genocide of ukrainians#war crimes#eastern europe#russian invasion of ukraine#ukraine#russian culture#leftist hypocrisy#communism#western hypocrisy#russia
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Dear marzi, for reasons of trying not to give period characters too modern fetishes in my smut, may I have some recs as to where I may find some of that olde fetish content you've previously seen?
On the Wikipedia page for the "corset controversy," unfortunately!
Historians have been taking obvious tightlacing fetish letters seriously for...way too long. And sometimes still are. Confirmation bias is a hell of a thing. Of course, there's no way to 100% tell which letters are fetish fuel and which are real, but generally any that use particularly heightened language or common erotic tropes- or that seem to fly in the face of evidence from extant garments, unedited videos, stock and advertisements from real corset companies, etc. -are to be viewed with suspicion.
(The same is true for letters used now to claim that nipple piercing was a real Victorian trend- for, indeed, the only source is anonymous magazine letters and many of them fall into the same obvious patterns as the tightlacing letters. One DOES describe the alleged process in detail...but it's basically the same as the process for ear-piercing, a service jewelers did commonly offer back then. Just applied to nipples. So whether it's real or not is still uncertain, but it's highly doubtful that large numbers of Victorian women were running around with nipple piercings given that no extant nipple rings have been found, such piercings are never mentioned in letters or diaries or other more concrete sources, etc.)
Besides that, I've seen glimpses of most modern fetishes in various sources:
the Psychopathia Sexualis, a medical manual of "sexual mental illness" (in heavy quotes because things like homosexuality and gender variance are mentioned under that heading), talks about everything from a fetish for tight boots and gloves on women, to bloodplay (initiated by a woman, actually, who wanted to drink her husband's blood), to force-femming, to some very elaborate femdom scenarios that I hope the sex workers in question were paid well for. Of course, since the cases are anonymous, these are also difficult to confirm- but clearly someone had THOUGHT of them, since they're written into the book.
And I've seen at least some of them in other sources, too, including some of the magazines that published the nipple piercing and tightlacing letters. The Englishwomen's Domestic Magazine was notorious for its letters on tightlacing, tight gloves, spanking, etc.
Photographic porn was definitely a thing almost as soon as photography came into being. A lot of it is pretty vanilla, but I could swear I'd seen piss kink photos (with urine painted in after development) before the blog where they were hosted went defunct
James Joyce's letters to his wife get into farting and scat fetish territory. Yes, really.
Speaking of letters, there was one man living here in Boston who, in the late 19th century, wrote letters to his wife describing erotic dreams of her as a giantess who pissed on him and then ate him. I cannot remember his name and it's going to drive me insane all day, but he was the head of Boston's censorship organization, the Watch and Ward society and these letters were first released by his own children for an unauthorized biography written five years after his death. Guess there was little love lost there.
BDSM is old. Like, really old. Old, to quote the sacred texts, as balls. I'm pretty sure there are sexual flagellation texts going back to the Renaissance, but don't quote me on that.
Basically, Rule 34 can be back-applied, too. If it existed, there was a fetish for it, probably. Of course, things that specifically involve modern technology or properties are out, but beyond that...the sky is the limit
#long post#ask#anon#victorian#history#n.s.f.w.#'oh at school we were all laced down to 15“ waists!!!!!' yeah most corset companies' stock only went down to 19”#and that's 19“ CLOSED. most women wore their corsets with a 2” gap in the back or thereabouts#I've read one interview with a corsetier who said 'yeah women sometimes give their corset's closed measurement as their waist size'#'to make it sound smaller'#'but wearing it with a gap is standard'
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Party (1)
Hugh Jackman x reader (actress)
A/N: Sooo this part was written right after clubbing, and I may got carried away, which why I divided it into two parts. The next part should be online on Monday or Tuesday! So stay tuned! :)
Warnings: smut (not completely detailed), unprotected p in v (wrap it up!), mentions of alcohol, some swearing, mentions of pregnancy
Not proofread!
Enjoy!
Previous Part
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It's happening. I'm officially a year older today. Honestly, I don't even feel the change. Except for maybe the overwhelming sense of everything right now - the music, the laughter, the champagne that seems to be in my hand all the time - and him. Especially him. Hugh.
The night feels like a dream, but it's real - my birthday, my party. I rented this entire club for the occasion, and it's filled to the brim with friends, the people I care about, the ones who've been there through everything. Some are people I used to only see on screens, in magazines, but now they're real, they're here, and they're celebrating me. It's surreal.
The cast of The Greatest Showman showed up early, and I've barely had amoment to myself. Zac and Zendaya are dancing like they don't have a care in the world. Keala's by the bar, harmonizing with the DJ's set like only she can. Everywhere I turn, someone new is pulling me in for a hug, giving me a gift, toasting to me and wishing me all the best.
"Happy birthday, y/n!" Another friend comes up to me - one of the faces I vaguely recognize through the blur of champagne and flashing lights. They hand me a beautifully wrapped gift, and I accept it with a smile, although my mind is elsewhere. I'm grateful, of course, but the attention, the noise, the constant flow of people - it's overwhelming.
But my eyes always drift back to him. Hugh.
I catch a glimpse of him near the bar, his tall, broad frame leaning casually as he sips martini, talking to Ryan. The way the dim lights catch his features - sharp jawline, eyes that sparkle with a mischievous glint - it's like time slows down when I see him. My heart speeds up, a familiar heat spreading through me. It's not the alcohol. It's him.
I can't stop thinking about him, not tonight. There's something about the way he looks, how he moves in that perfectly tailored suit that drives me crazy. Maybe it's because I've had one too many glasses of champagne, or maybe it's just that he's Hugh and he's everything I want right now. I'm feeling it, that hormonal pull that still won't quit. It's like I'm on fire, and he's the only one who can put it out.
Our eyes meet across the room. A slow, easy smile spreads across his lips, and I feel a rush of heat flood through me. God, he's gorgeous. I feel myself gravitating toward him before I even realize what I'm doing weaving through the crowd.
"Enjoying your party, love?" His voice is low when I reach him, the deep itmbre sending shivers down my spine. He leans in, his breath warm against my ear, and I inhale the familiar scent of him - something earthy, masculine, mixed with the faintest hint of martini.
"I would be enjoying it a lot more if you weren't all the way over here." I murmur, my fingers finding the lapels of his jacket, tugging him closer.
Hugh laughs softly, his hand sliding around my waist with such ease it feels like second nature.
"Oh, I see. Is the birthday girl feeling a little. neglected?"
"Maybe." I tease, but the truth is, it's not just that. It's everything. I feel wound up, my body buzzing from the alcohol, the excitement, and from him. The way his hand rests so possessively on my waist. The way his eyes darken just a bit when I lean in closer and my chest brushing against his.
He's trying to play it cool, but I know him too well. He feels it too, this spark between us that's been burning hotter as the night goes on. And right now, I can't think of anything but us.
I press my body against his, my lips just grazing his ear as I whisper.
"You know, I've been thinking about you all night."
His grip tightens on my waist, his thumb brushing my hip in a way that makes me bite my lip.
"Oh is that so?" His voice is teasing, but there's an edge to it now, something darker and more primal.
"Mmhmm" I hum, letting my hands drift up his chest, feeling the firmness of his body beneath the thin fabric of his shirt. My fingers toy with his collar, brushing against his skin.
"I can't stop thinking about how good you look in this suit."
He chuckles, a low, rumbling sound hat vibrates through my body.
"You're playing with fire, baby."
"Oh I like the burn." I grin.
For a moment, we're just standing here, locked in this invisible dance of tension and desire, the noise of he party fading into the background. My fingers slip into his hair, tugging lightly, and I can feel the way his breath catches in response. He doesn't move, just looks at me with that slow smoldering gaze that makes my knees feel weak.
"Y/n.." he murmurs, his voice a little rough now, like he's barely holding himself back. "We're at your birthday party. You do realize that?"
I grin, pressing my hips against him as I lean up to whisper in his ear, "And what do you wanna do about that?"
His hand grips my waist tighter pulling me even closer, his mouth so close to mine I can feel his breath against my lips.
"You're trouble, you know that?"
"Only for you, baby."
Before I can say anything else, the music changes, and I feel the beat thrum through my body, pulling me onto the dance floor. Hugh follows, his hands on my hips as we move together.
Dancing with him feels like the most natural thing in the world. Every sway of my hips, every turn, it's like our bodies are in sync, perfectly attuned to each other. I can feel the heat of his hands on my skin, even through the fabric of my dress, and it makes me ache for more.
I turn in his arms, pressing my back against his chest and grinding against him as the music pulses around us. His hands tighten on my hips pulling me back harder against him, and I can feel his breath on my neck, hot and heavy.
"Y/n.." he whispers in my ear, voice strained but playful.
"You're making it very hard to be a gentleman right now."
A wicked smile curves my lips. I glance over my shoulder, giving him a sultry look. "Who said I want you to be a gentleman?"
His eyes darken, the playful glint replaced by something more primal. He presses a kiss to my neck, just below my ear, sending goosebumps down my arms. I turn in his arms, facing him fully, and pull him into another kiss, this one deeper, more intense, oblivious to the crowd dancing around us
He groans softly into the kiss, his hands sliding down my sides and his fingers gripping my hips like he's trying to keep some semblance of control. But I can feel him losing it, just as much as I am. The way his body presses into mine, the heat between us - it's almost unbearable.
The music blurs into the background, and all I can think about is the feel of him behind me. His body moving with mine, the way his hands seem to leave trails of fire on my skin. I look up, our lips just inches apart.
"We should stop.." he murmurs though his grip on me doesn't loosen. If anything, he pulls me closer.
I tilt my head up, brushing my lips against his in the barest of touches, teasing.
"Do you really want to?"
He doesn't answer with words. Instead, his mouth crashes against mine, and I lose myself in the taste of him. My hands are in his hair, tugging him closer, and I can feel the way his body tenses against mine, like he's holding back everything he wants to do.
I know we're still in the middle of the dance floor, but I don't care. Right now, it's just him and me, lost in the heat of the moment. I deepen the kiss, letting my tongue slide against hus, and he groans into my mouth, pulling me even closer, if that's even possible.
After what feels like an eternity, we finally pull away from the dance floor. My head is spinning, but not only from the champagne. I grab his hand, pulling him toward the photobooth in the corner of the club.
"Come on, let's do something fun!" I say with a playful grin, tugging him inside.
He laughs, following me into the cramped space. The curtain closes pehind us, and I waste no time climbing onto his lap, my legs straddling his.
"Smile for the camera!" I say, sticking my tongue out at him just as the first flash goes off.
We make silly faces for the next few shots - sticking our tongues out crossing our eyes - but I can feel the tension building between us again. My body is still humming from the dancing, the closeness, the way his hands feel on my thighs, even through the fabric of my dress.
I lean in for the next shot, kissing his cheek, but it doesn't stop there. The kiss lingers, my lips trailing down to his jaw, his neck, and I can feel the way his breath hitches beneath me.
"Love.." he breathes, his hands sliding up my thighs, gripping them tightly. "You're really trying to drive me crazy tonight, aren't you?"
smile against his skin, my lips brushing his ear as I whisper, "Maybe."
The camera flashes again, but we're not paying attention anymore. My mouth finds his, and the kiss quickly turns heated, desperate. His hands slide up my sides, pulling me closer until there's no space left between us. I can feel him hard against me, and it only makes me want him more.
I grind against him, and he groans softly, his hands gripping my hips so tightly I know I'II have bruises tomorrow. But I don't care. All I care about is the feel of him beneath me, the way his mouth moves against mine and the way his hands are everywhere at once.
We're lost in each other, so caught in the heat of the moment that I barely register the curtain ripping open. It takes a second for reality to hit, but when it does, it's not subtle.
"Hey! No funny business in there!" a voice teases, giggling as it echoes in the small booth.
I freeze, still straddling Hugh, our lips inches apart, our breathing heavy. I look up and find Chris standing there with his brother Scott, both grinning like they've just caught us in the act - because, well, they pretty much have.
"Really, guys?" I groan, burying my face in Hugh's neck in a mixture of embarrassment and frustration. Hugh chuckles, his chest vibrating beneath me, still catching his breath.
Chris gives me an exaggerated wink. "What? Thought we'd come join the party. The booth's big enough for four, right?"
"Get out of here, man!" Hugh says with a laugh, shaking his head, though he's still holding onto me like he has no intention of letting go. His hands remain firm on my waist and his body warm beneath mine. Scott leans against the doorway of the booth, grinning. "You know, we're happy for you two, but maybe save the PDA for after the birthday cake?"
I roll my eyes and slide off Hugh's lap, standing up and adjusting my dress, trying not to look too flustered.
"Fine, fine. The booth is yours!"
Hugh stands up behind me, smoothing down his suit and running a hand through his hair. He's got that mischievous glint in his eyes, though one that tells me this is far from over.
"Have fun!" he says, stepping out of the booth, his hand slipping into mine as we head back toward the party. I squeeze his fingers, unable to hide the grin on my face. But as we walk away, I feel the heat between us still simmering beneath the surface. It's like every brush of his hand against mine, every glance he gives me, is charged with electricity. I don't think either of us is done with what we started.
We slip into a quieter area of the club, tucked away from the noise of the party.
There's a small storage room just off the side of the main hallway, dimly lit, the perfect place to catch our breath and maybe finish what we started.
Inside the storage room, it's cramped and cluttered, a stark contrast to the opulent club just outside. The air smells faintly of cleaning products and dust. Shelves ine the walls, stacked with supplies - boxes, extra bottles of liquor, random equipment that looks untouched for months. There's a small, rickety table in the corner, just big enough for me to sit on, though it Iooks like it could collapse at any moment.
Hugh's hands are on me the second the door clicks shut. His lips find mine in a fierce, hungry kiss, and the world around us fades into a blur of heat and need. His fingers grip my tips, pulling me against him, and can feel the hardness of him through his pants, pressing insistently against me, The urgency between us is undeniable, like we've been holding back all night and can't wait another second.
He guides me backward, and stumble slightly as my back hits the edge of the small table, my breath catching. His mouth leaves a scorching trail along my neck, his teeth grazing the sensitive skin where my shoulder meets my collarbone. I shiver, my hands tangling in his hair, pulling him closer.
"I need you." I whisper, my voice breathy and desperate.
His response is a low growl vibrating against my skin. "God, y/n.. I need you too. I've needed you all night."
With one swift motion, he lifts me onto the table, my legs wrapping around his waist instinctively. The table creaks beneath me, unsteady from our combined weight, but neither of us cares. His hands slide up my thighs, pushing my dress higher, bunching it around my hips.
"You have no idea what you're doing to me." he murmurs against my ear, his voice thick with desire. His nands grip my waist, and his lips brush my neck again, leaving a trail of heat wherever he touches.
"I've been thinking about you.. imagining this.. every second of tonight."
A soft moan escapes my lips as his fingers tease the edge of my panties, and I arch my back, pressing against him. "Hugh please.."
Hugh's mouth crashes back onto mine swallowing my words. He fumbles with his belt, the leather slipping through the loops with a soft hiss, and the sound alone makes my pulse race. I can feel the tension in his body, the way his hands shake slightly with need, and it drives me wild.
He pulls my panties to the side, and I gasp as his fingers slide against me, teasingly testing.
"Fuck. You're so wet." he whispers, his voice hoarse. His fingers dip inside me briefly, making me gasp.
"And all for me?"
"Only for you baby.." I manage to say parely able to form the words through the haze of desire.
I need you, Hugh. Now."
With a groan, he frees himself from his pants, and I feel the hot, hard length of him pressing against my thigh. His fingers dig into my hips as he positions himself at my entrance, and I bite my lip, already rembling with anticipation.
"Tell me what you want." he murmurs, his lips brushing my ear. "Say it."
"I want you." I breathe, my voice shaking with need.
"I want you to fuck me."
He pushes inside me slowly, inch by inch, and my head falls back as a moan escapes my lips. The sensation of him filling me is overwhelming, a mix of pleasure and pain as he stretches me and takes me.
"Fucking hell, y/n." he groans, his forehead pressed against mine as he bottoms out inside me.
"You feel...so fucking good."
The table creaks beneath us, swaying slightly from our movements, but I barely notice. My legs tighten around his waist, pulling him deeper, and he begins to move slow at first, then harder, faster, until the rhythm of his thrusts matches the beat of the music still thudding through the walls. With every movement, I feel the tension building inside me, winding tighter and tighter until l'm on the verge of breaking. Hugh's hands roam my body, gripping my thighs my hips, sliding up to cup my breasts through my dress. His lips find mine again, his tongue tangling with mine as he thrusts into me with a desperation that mirrors my own.
"You make me feel so good.." I whimper, my nails digging into his shoulders.
"Don't stop... please, don't stop.."
His hand slides down to grip my ass pulling me harder against him as he thrusts deeper, his breath coming in ragged gasps.
"I love you, y/n." he groans, his voice rough with need. "I fucking love you."
"I love you, Hugh." I whisper, my body trembling as I hold onto him for dear life.
"I love you so much."
We're completely lost in each other now, the world around us disappearing as we move together and the table creaking loudly beneath us.
At one point, I hear something fall - a bottle or maybe a box knocked off one of the shelves - but neither of us cares. We're too far gone, too wrapped up in the heat of the moment to think about anything else.
His thrusts become more erratic, harder, faster, and I feel the tension inside me snap.
My climax crashes through me, sending waves of pleasure rippling through every nerve in my body. I cry out, my nails raking down his back as I hold on, riding the wave of ecstasy.
Hugh groans loudly as he follows me over the edge, his body tensing as he thrusts one last time, his release hot and deep inside me. We're both shaking, breathless, our bodies pressed so tightly together it's like we're one.
For at few moments, we - just stay like that, holding each other with our foreheads pressed together as we try to catch our breath. The room is silent now, save for the sound of our breathing, the faint thump of music still vibrating through the walls.
After a long moment, Hugh pulls back slightly, his eyes dark and intense as he looks at me. He leans down, pressing a soft, lingering kiss to my lips.
"You're amazing." he whispers, his voice thick with emotion.
I smile, my heart still racing. "So are you."
He kisses me again, but this time slower and sweeter, like he's savoring the moment. Then, with a soft laugh he pulls back and reaches into his pocket, pulling out a handkerchief.
"Here, love." he says with a grin, his back pocket and pulling out a handkerchief. It's such a gentlemanly gesture, one that makes me laugh softly. He helps me clean up, his touch careful and respectful, and I can't help but feel a rush of affection for him in that moment.
"Always prepared, huh?" I tease, running a hand through his tousled hair, which is still slightly damp with sweat from our heated encounter.
"I like to think so." he replies with a wink, adjusting his pants and redoing his belt.
He then wrapped his arms around me and pulled me closer while kissing softly my forehead.
"You okay?" he murmurs, his voice soft.
smile, my heart still pounding 'More than okay.
He chuckles, pressing a kiss to my forehead before slowly puling away and helping me straighten out my dress. We both fumble with our clothes trying to make ourselves look at least somewhat presentable, but I can't stop myself from smoothing his shirt, adjusting his tie, and brushing a hand through his hair.
"You're fussing." He says with a lazy smile while his hands find my waist again. "They're going to know we've been up to something."
"I don't care!" I laugh softly, though I can feel my cheeks flushing. I tug on his shirt collar one last time, making sure everything is back in place.
Then, he looks at me with that familiar softness in his eyes, the intensity from earlier replaced with something deeper. His hand cups my cheek, his thumb brushing my skin, and for a moment, we just stand there in the dim light, staring at each other like the rest of the world doesn't exist.
"What if you were pregnant?"
...
- to be continued -
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Next part
#hugh jackman#wolverine#hugh jackman x you#marvel#x men#hugh#hugh jackman x reader#jackman#hugh jackman imagines#fluff#smut#hugh jackman smut#chris evans#ryan reynolds#blake lively#the greatest showman#birthday party#logan howlett
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beg for you
PAIRING: winter x y/n reader
SUMMARY: Winter is your trusted, yet hated, co-worker. You both work for the South Korean secret service and are known to be a match made in heaven when it comes to killing or making someone disappear. Your already precarious relationship changes when you are assigned to find, and mercilessly kill, Choi Ye-won, a North Korean spy who has settled in South Korean territory.
GENRES: angst, violence, suggestive, death, blood, bad ending!
WORD COUNT: 3k
AUTHOR'S NOTE: english is not my first language! as you can see graphic design is my passion (i tried please ignore). i don't know if i'm good at writing stories like this but i tried!! i'll make it up to you by writing next time something extremely sweet for minjeong :))
It was night. Not even a sound seemed to rise in that total silence. The only noise the human ear could have heard was your breathing and your colleague's combined. The one who broke the religious silence was your colleague who began to reload the magazine of her gun. “Winter, for the love of God, be quiet” whispering had never been easy for you and, with a colleague like that who drove you crazy every second, all you could train was patience, certainly not silence. “There is no one in this hole in the forest anyway. And what's a mission without a little action?” she replied sarcastically to you with a raised eyebrow.
You, Panther, and Winter, your colleague, had been tasked by the South Korean secret service agency to find, interrogate, and then eliminate without any mercy Choi Ye-Won, informant and daughter of one of the most important men, at a managerial level, of North Korea. The young woman had been in South Korea for a few years and could get a huge amount of information to the North, without ever being traced. For a week, however, the secret services had been breathing down her neck and seemed to have discovered one of her many secret hideouts.
“I've always said that. Kill and let kill, what’s wrong with that? We are the God who decides what is right and wrong” Winter snorted, whose code name described her perfectly. “You’re crazy. We should only kill when it’s strictly necessary. What’s so nice about knowing you’ve taken someone’s life?” even though you knew no one was around, you persisted in whispering. “That you stole his life and his last words. He will die seeing you and no one else"
You and Winter thought differently about everything – it was always a debate. Nothing ever coincided when it came to you. Life, death, and desire were concepts that took two totally different paths in your subjective vision.
“Let’s stop for today, this little princess of the North won’t be captured so easily” “Well, what are you going to do?” A spark lit up in the eyes of the young girl with whom you share this difficult job. Winter took the gun and threw it as far as she could; it ended up near the abandoned house that you were observing from behind the trees. You turned to her, speechless; Winter walked past you with a satisfied smirk and headed toward the house
“Are you dumb?” “Why?” “First you complain about my inability to understand how important it is to do everything by the rules and now, not caring, you are perched on a criminal’s bed.” You yawned loudly and invited her to sit next to you.
Winter, despite appearances, sometimes seemed to let down that insurmountable barrier. The eyes, almost always empty and dull, sometimes revealed an unusual light that would have made even the darkest place shine. It wasn’t the first time you found yourself staring at her: her blonde hair, now gathered in a high bun, and the heavy black makeup made her seem more attractive - and cold - than usual.
“Are you kidding, right?” “Can't stand me at all?” your cheeks reddened slightly. “It’s counterproductive to get attached to someone you work with, Panther. Learn some basic rules” “So if we didn’t work together, would you be able to get attached?” Holding Winter’s gaze was an impossible mission; the mission you were trying to execute was child's play in comparison. You turned away unable to continue looking at those two puddles.
An unexpected thud made you turn towards the door, both with loaded guns and two lives to protect. You both exchanged a knowing look, before hearing another thud and coming back to attention. Winter didn’t fail to make a sarcastic comment before thanking God for sending you to die or kill.
“Don’t shoot” The first thing they taught you when you were still spending your days training was to not trust anyone. Sure, you wouldn’t shoot until you were shot, but you couldn’t say the same about your partner. You turned to look at her and noticed that she didn’t have any killer instinct. “Don't shoot for any reason, Y/n”
It was the first time she called you by your name. In astonishment, the gun slipped from your hands which had turned to butter. The next second Winter was pointing the gun at you.
“What are you doing?” “I thought you would end up getting more upset when this time came. I was wrong, maybe you are more qualified than I expected” “Winter” your angry gaze for the first time was able to hold the icy one of your colleague. “Everything will be fine, just do what I say”
These were the last words you heard, then something in your mouth prevented you from rebelling, and finally, darkness.
In a hotel room with furniture of questionable taste and an air that smelled of rottenness, you opened your eyes after a few hours. Your hands and feet were tied together, your mouth was dry and your hunger was starting to eat you from the inside. The first sensation when you woke up you also hoped would be the last. You didn't know where you were, you weren't completely aware of the dangers around you, and above all you were without a gun. Even though the last drastic moments you had lived with your perhaps no longer colleague were flashing through your mind, you had a hard time rationalizing everything. Was the woman who had accompanied you for the last five years trying to send you to the other world? And then, who was the little girl who had joined Winter? In the whirlwind of emotions and resentment that was building up in you, the door of the room slowly opened, contributing to creating more agitation in your nervous system.
“Hey sweetie, didn't you get scared while you were waiting all here alone?” You wanted to scream, but you only then noticed that your mouth was covered with a dirty cloth that prevented you from making any sound. “I know, I know. Take it easy. First, let me introduce you to my assistant,” she came forward timidly, in front of the bed where you had been placed, the girl who had stunned you, “She’s Choi Ye-won. Or at least, it’s Choi Ye-won on the passport that brought her here.”
Your head hurts. It felt like someone had landed countless blows on your head - maybe that's what happened. All the words that came out of Winter’s mouth came to you distorted. You wanted to answer her, but everything you thought couldn’t take shape.
“Y/n” Just saying your name for the second time, you started to thrash furiously on the bed, so much so that you scared the little girl who hid behind Winter. “Calm down, let me at least get this stuff off your face…” the blond-haired girl approached with huge strides as if to make you understand that it wouldn't be a problem for her to handle you and your outbursts.
As soon as Winter pulled the fabric out of your mouth, you instinctively grabbed her right arm and bit it so hard it made her in agony.
You tried to take your first steps after the impetuous action you had done, but you immediately realized that your legs could not move. Immediately after, cold as death, a gun was pointed at your temple.
“Let's calm down so no one gets hurt, what do you say?” “I won't play your game much longer, Winter.” “You'll be the one to say the famous last words, Y/n.”
Winter was in front of you, sitting on a wicker chair that screamed to the world that it had been clandestinely manufactured. The little girl, now sitting on the bed where you had been, was looking at you with a grim look.
“Ask me what you want.” Winter had no intention of letting you breathe: every word was accompanied by a lethal look and a gun pointed at you. Her ways were familiar to you but feeling the effect on your skin was something else entirely. “Who are you?” Winter looked at the little girl on the bed and then rested it on you. “Are you already ready to die?” “Answer me so I can die without regrets.”
Winter stood up from the chair and came closer, then sat on your lap and put her arms around your neck. This time the gun went to place behind your head. “What’s going through your head is probably right, Y/n” “Stop calling me that. I’m still in a work context” A disturbing giggle left the blonde’s lips. “I always told you: perfection will kill you”
This time Winter ran a finger over your lower lip and then over your upper lip. He gingerly approached your lips, kissed you, and then bit you so hard it made you bleed. The drop of blood hit your neck until it reached the hollow of your breast. Winter looked you in the eyes before smiling and lowering her head slightly; she slowly licked the trickle of blood. She met your eyes once more and licked her lips before speaking.
“I’m Choi Ye-won” A simple answer was enough to send you into a state of confusion. All the certainties, everything you had shared in the last five years flashed before your eyes: when was the truth falsehood and falsehood truth? “Prove it to me” Winter snorted loudly. “That’s my younger sister, she was brought to South Korea a few months ago and now everyone is convinced that she’s Choi Ye-won. They thought they had found the right person,” another stupid, irritating laugh came out of her mouth “But the right person is me and I’ve always been here. Next to you, next to the secret services, and close – maybe too close for your tastes – to South Korea”
“Why?” “Explain yourself better, Y/n” “What does all this mean?” Winter dropped the gun and, with her free hands, began to stroke your hair. “Unfortunately in all of South Korea, the agents chosen to carry out this mission were the two of us. The prey and the hunter. You understand that one of us had to disappear, one way or another”
The cold coming in from the large window of the room had numbed your body. You were unable to move. “So you're going to kill me?” “I'm not going to let you live”
Still sitting on your lap, Winter moved the gun from behind your head to your heart with a coldness that seemed forced even for her. “I know very well that after telling you everything you won’t let me escape to my country with my sister. I can’t stay here anymore. Winter only exists on South Korean soil and in your heart” “Winter is you” “No, I am Yewon. You're Y/n. I don't need to know anything else to make my own decisions."
A staring contest as painful as yours had never been seen, and yet you should have been two of the most feared women in Korea. Cold hands, throbbing hearts, and blood were all that remained of you. This time it was you who approached the blonde to kiss her and, Winter, without being told twice, returned a kiss that was anything but sweet: blood and saliva mixed, your wound continued to bleed and Winter couldn't help but be violent even in a moment that should have meant something else entirely.
“When?” “When I’m ready” “And when will you be ready?” Winter stood up from your lap and immediately the cold air hit you mercilessly. “I have to save my sister. I’m sorry, in another life maybe it would have gone differently” “It’s not your fault. After all, you always told me that it’s counterproductive to make friends at work” Winter laughed loudly at the word “friends” and then left the room with her sister. They both wished you goodnight. That day you abandoned the idea of sleeping and kept your eyes open for fear that someone would kill you without giving you the chance to see her one last time.
The next morning Winter seemed intent on carrying out the final act. She was gripping the gun with all her strength and, as she paid the bill, her hand was shaking. The two sisters had planned to leave that day. They had taken a suitcase and filled it with any junk that might pass them off as respectable people. Watching them get ready so hastily confirmed to you that the two were desperate and couldn’t wait to leave and get protection. Are you willing to leave everything behind, Winter?
You walked side by side. Winter held the fully loaded gun behind your back. The two had revealed to you that a North Korean collaborator would come to pick them up and take them safe and sound, after a nice trip around the Sea of Japan, back to their homeland.
“How old is your sister?” you asked, bored by the situation you found yourself in. “Sixteen” “Um. It must be fun for you to put a minor in danger.” “I have never killed or let people get killed who had nothing to do with the shady dealings their guardians were involved in.” “Your work ethic is sometimes worse than mine.” “Um?” Winter turned to look at you, shocked to hear such a serene tone.
You stopped, noticing how the boat that was waiting for the two young girls was a wreck in all its parts. “I see that North Korea treats you well” “There is no reason to expect more than salvation”
In Winter’s eyes, you see a new form of anger, rejection, and renunciation. The blonde touched the trigger of the gun and pointed it at you. “Y/n, I know it may seem terrible as an ending, but at least I will be the one to kill you. Your companion, your beloved and, soon, the incarnation of death” “Uhm” “Your last words?”
Looking into Winter’s eyes was a great way to distract her, and the five years you had spent together had proven that. You smiled cheekily, not losing eye contact with the blonde. “Maybe you really do have a heart too”
A second later a scream broke the unhealthy atmosphere between you and your colleague. Winter quickly turned in fury towards the scream uttered by her sister, who now found herself in the arms of the man who was supposed to take them to North Korea. “Leave my sister, you fucking idiot!” Oh, how satisfying it was to see a cold and calculating woman lose all her composure in an instant.
The man had a gun pointed at his younger sister’s temple. “Winter” In response, the girl turned violently towards you, pointing the gun straight at your forehead. This time it was you who had an annoying smirk on your face.
“That man works for the Secret Service, he’s a colleague of ours. There’s an entire squadron nearby ready to intervene at the first gunshot” Winter was shaking. “I'm about to offer you an advantageous deal” “Speak, you ugly bitch” “Leave the gun” "Never"
Winter had perhaps forgotten that in martial arts you had been at the top of your class for years. With a quick gesture, you threw the blonde’s gun as far away as possible. Now it was you who had the gun pointed at the young North Korean girl's forehead. Winter started laughing. “When did you realize that?” “When we were in that shitty little house and you came out with sentences I’d never heard before. Killing is your life, saying you didn’t want to do it was a pretty strong warning signal, don’t you think?”
“What do you want, Y/n?” “Your life.” Winter didn’t look scared at all. “And what do I gain from it?” “Your sister will live. I will personally send her back to Korea and cover up any clues or traces that could lead her back to you.” “Was I her doom?” “You can be her salvation.”
Winter turned to her sister and told her to cover her eyes and ears. “I trust you, Y/n.” “Me too. I know I wouldn’t screw up. Work is work and…” “Death is death. Don’t make it long and kill me.”
You pulled the trigger. You looked into Winter’s eyes one last time. The blonde seemed to feel the same. She was shaking, but nothing could stop you from completing the mission. “Thank you for everything, Winter. We’ll complete the mission together this time too” “Spare me this bullshit”
A gust of wind ruffled both of their hair, Winter’s sister let out another scream and started to cry. Tears were streaming down her face.
“Winter, your last words?” The girl smiled like you’d never seen her do. She chained her black pools in your eyes and whispered the next words. “Y/n, I loved y-”
You didn’t let her finish. One blow and the girl’s body was lying helpless on the ground. The pool of blood that formed beneath her seemed to be a representation of the blood she had taken from everyone she had killed over the past few years. She had been a liar, a murderer, the top of her class, and also the love of your life. You turned and signaled to your colleague to leave in the boat, which silently went away along with the tears of a younger sister left alone.
In the months that followed, the secret service agency named you and Winter the best agents they had ever had. Your names were now both imprinted on the golden walls of the department waiting room. No one ever knew that Winter was Choi Ye-Won; everyone cried her name believing that she had been killed by the North Korean whose body and traces you had then eliminated. Winter's sister remained safe in North Korea.
In your memories Winter was never Choi Ye-Won, but always and only Winter. Like the cold earth that now enveloped her body. In the future you asked your colleagues, when your time came, to bury you next to your beloved, yet hated, colleague. Choi Ye-Won was born and died as Winter in your heart.
#aespa headcanons#aespa x reader#aespa#aespa minjeong#aespa winter#aespa winter x reader#winter x reader#aespa fic#wlw#wlw angst#angst with a sad ending#bad ending#kpop#kpop gg#kim minjeong#minjeong x reader#kpop angst#kpop fics#aespa scenarios
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Hello, I am the person from a few days ago that mentioned House MD. .y idea for it is very simple and very funny. Tim ends up in House's hospital with House as his doctor. He was found unconscious on the side of the road with 3 stab wounds, two broken ribs, and a broken leg.
Tim is Knocked Out and in Civilian Clothes with No Wallet. Which means No ID. They call him John Doe for now and move on to stitching him up and doing an xray of his chest so they can fix up his ribs and check for internal bleeding from the stabs. They are having some kind of debate about how the kid has clearly had his ribs shattered many, many times and how they healed when House suddenly stands up and says, "all of you are missing the forest for the tree. Ignore the ribs for a second before the kid dies." He then leaves the room to the confusion of all the assistants. It takes almost ten seconds for one of them to yell, "WHERES HIS SPLEEN"
Within an hour Tim has been put in one if their Anti Germ Bubbles for the Immuno Compromised. Oh the bright side he 100% has a room all to himself! Tim wakes up in the bubble, very confused with House looming over him. Tim is Baffled and says, "who send you? What info are you after?" And House just says, "im your doctor. What's your name so we can stop calling you John Doe The Spleenless Wonder."
Tim and House verbally joust almost constantly for Tim's entire stay and honestly? Most relaxed he's been in *years*. However it takes *days* for them to pry him name out of him and it's not even *from* him. Someone saw his face on a magazine in the grocery store check out and went "that's out John Doe!!" And when Tim tells them that he is Tim Drake he simply says, "I didn't tell you for a very simple reason. If word got out it was The Tim Drake in your hospital, which is outside Gothem, could you imagine the Paparazzi? And what would happen? I can garentee you at least one person would show up trying to kill me. Why do you think I was outside gothem beat up? Assassins, obviously." House's boss is terrified this guy is gunna sue them into the ground for how House has been jabbing at him constantly.
House simply asks why his bones look like Swiss Cheese and Tim simply raises an eyebrow at him and says, "I live in Gothem."
Later on after Tim gets released, he buys the entire hospital, becomes its new boss, goes to House's boss who actually runs the hospital and says, "I do not care about running this hospital. It's all up to you, I want No Power here. I am simply here to triple your budget, no quadruple it. And you remain completely in power on one condition. I want House to be my Primary Doctor. He's fun."
Oh and if you want some Angst, House asking if Tim wants to call someone to pick him up and Tim says, "oh, I have a tracker on me. Someone will show up to check me out once they notice I'm missing." House squinting at him and says, "you've been here two weeks. So I don't believe you." But Tim is telling the truth. His tracker has said he's been at an out of city hospital for weeks and no one really noticed he was even gone.
Fuck yeah. I've seen some clips of House and, despite the large amounts of medical malpractice they should be sued for, Tim would absolutely enjoy House's banter.
Also, I'd so live for House and Tim trying to trick each other. Tim realizes quickly that House doesn't believe a word about what Tim says about how he got his injuries. House keeps trying to pull one over on Tim so that Tim actually receives medical treatment (especially because Tim keeps going back out on field with injuries). It becomes a somewhat friendly game
Fair warning, I'm probably about to butcher House's character. Idk enough about him, but here's what I think. Tim would prefer House as his main doctor for two reasons:
How House cares
House isn't Batman/Bat affiliated
For the first point, House does care but not in the way most others do. I think Tim will eventually start telling House the truth about how he gets his injuries because of how House reacts. House isn't going to be overly sympathetic, pity Tim, or try to mother hen him. Tim will stroll up, say he's been held without food for a week and has 3 broken bones, and House will just banter with Tim.
If Tim's being an idiot (like not resting), House won't try to tell him off. He won't yell or undermine Tim. He'll just point blank tell Tim he deserves whatever injury he got for being an idiot while helping the vigilante treat it.
Tim will never admit to being a cape, but he eventually trusts House enough not to hide it.
Then there's House not being a Bat doctor. Leslie may or may not inform Bruce of any injuries Tim gets that Leslie deems is important for Bruce to know about. Alfred for sure won't hide that shit. Either way, whether founded or not, Tim can't trust those doctors to give away his information "for his own good."
House probably wouldn't go out of his way to inform Bruce (especially if we add on your angst angle).
Probably fucked up House's characterization, but let me know what ya think! Feel free to send another ask or reblog or whatever with changes ya think I need to add
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Most V
Read Most here | ~5.8k words
From me: I've been waiting for this part for a REALLY long time.
Warnings: *drum roll* SMUT, semi-public, unprotected, really needy 18+ also, some pretty angsty chats (and more Lauren)
Summary: Harry has been dying for this date for three years. And all the answers it comes with. Even if he doesn't like some of them. She missed Harry. Plain and simple.
With Addie off the phone, she gazed at her reflection for a moment. The girls did an amazing job with her hair and makeup. She felt beautiful. Beautiful enough to be on a date with Harry. He was one of the only people she had ever been on a date with (as much as she did it, she didn’t consider third-wheeling with Addie and Carter actually dating; and knowing Harry was her soulmate put a damper on the memory of her dates with one of the only other guys she dated, Beau, in the ninth grade). It was simultaneously terrifying and wonderful.
The thought of him made the nerves return. Closing her eyes, she smoothed down the skirt of her dress. It was light green. Nearly matched Harry’s eyes, which was why she selected it. There was a slight V-cut at her neck and had fluttery sleeves at the top of her shoulders. Eleanor insisted it looked beautiful against her skin and the skirt cinched slightly at her waist accentuating her curves and then came to a ruffled hem that hit just above her knee. With a pair of wedged nude sandals, she tried to create the effect that her legs were longer, but she slightly felt like she was playing dress up and this was not a date she was meant to go on.
“I just need to jump,” she whispered to herself encouragingly.
The full effect had Harry’s jaw nearly unhinged to the floor as she entered the kitchen. Eleanor punched him in the arm to keep him from drooling. Sarah smiled excitedly. “You look beautiful.”
“Extremely,” Harry nodded in agreement, his eyes scanning her in a way that made her feel naked, but in a really good way. She blushed so cutely. It made Harry’s heart skip a beat. “Ready?” He asked.
She nodded. Because for the first time in ages she felt so ready to go on a date. Eager. Utterly excited to be alone with someone. “Yes,” she smiled.
*
Dinner passed in a blur. Truly, he was only thinking about the way her smile looked so nice on her lips. How soft her hair framed around her face. The way her skin practically glowed and it was only amplified by the makeup that she decidedly did not need but it looked like she was doing the products a favor by wearing them on her beautiful face. He was only pretty sure they spoke. Chatted about a variety of things but he wasn’t sure he could recall them in detail if asked because he was so overwhelmed by the fact that he was with her, on a date. After all that time.
He suspected there was stuff about work and college. He did remember he told her at least twenty stories about Mrs. Peterson and seriously worried she was one of his best friends, now. She talked about Carter and Addie. Gave an update on her mum and how she enjoyed living closer to her aunt.
But all those details disappeared. He was on a date with her. A date with the love of his life after three years of not seeing her and it was so goddamn effortless to talk to her, make her laugh, and smile with her.
It felt so good he could have cried.
“What are y’going t’do when y’finish your degree?”
“Uh,” she sighed, and Harry sensed her worry almost immediately. Wished he hadn’t made her feel uneasy even a little. Even if it was natural to feel that way.
A little anxiety about her future career was new for her. For the first time in so many years, nervousness that wasn’t because she was worried about him or her love for Harry was a bit of a curve ball. She knew what she wanted, and she wanted it badly, but didn’t know if it would pan out the way she saw it in her mind. “I’m not totally sure, actually,” she admitted. “I’ve got an online portfolio of my work, and I’ve sent it to a ton of publishers, magazines, et cetera,” she took a deep breath. “I could be really stereotypical and just continue waitressing by night and writing by day,” she shrugged. It wasn’t a bad gig. But it wasn’t what she hoped for exactly.
“Someone is going t’pick you up. You are too brilliant t’not be,” he sounded so sure—because he was. If there was anything he believed in, it was her, her dreams, and ambitions. “S’nice it can be... remote, yeah? Let you travel and visit your mum and whatnot,” stay here. With me. He thought silently to himself.
She nodded. “Yeah... I guess. But... I think I’d want to stay here.”
For three years, his heart was not inside his chest. But now it was back, the veins and arteries reconnecting to the rest of his body. Literally putting life back in him. It thudded so loudly he could barely make out the sound of the restaurant around them as he smiled at her. “Good,” he nodded. “Good,” he repeated quietly, relief heavier in his tone.
After a brief protest from her, (and for the first time since she arrived home, he didn’t even look at her as he pushed her hand away) Harry paid and signed the receipt for their meal. Once her glass was nothing but ice, he looked at her expectantly. “D’you want t’get coffee?” He asked, his voice full of hope because he didn’t want the night to end. Not even a little.
She nodded. If the night never ended, she would be glad.
Harry ushered her out of the restaurant, and she held her hand out for his. He took it eagerly and marveled at how her fingers fit the spaces between his; it felt like they were supposed to be there, and his hand was empty, not complete without hers attached to it.
They made their way toward the coffee shop up the road. Holding hands like they had done hundreds of times before. They chatted about the weather. He complimented the way her hair had lighter streaks throughout. She looked good. So good. “Louis and I have been running in the morning,” she told him with a shrug. “I think the sun hits different parts of my hair when it’s up and gives me this highlight effect.”
Harry had no idea he had been running with her. “You have?” He asked. Jealousy flooded him. It wasn’t fair to either of them. It was stupid. But the surprise was genuine.
“Yeah... the first time I went out and I saw him, I chased after him because he didn’t want to talk to me. But I buttered him up with those muffins I—”
“Holy shit, y’made the oat muffins?” He asked in shock. Forget what he said. The jealousy was real. She blushed, feeling bad she let Louis’ secret slip.
“You hate him now, don’t you?”
“Immensely,” he squeezed her hand as she giggled. “Did y’make the blueberry ones or the cranberry ones?”
“Do you actually want that answer?”
“No,” he shook his head quickly. “You’re right.”
“I’ll make some extra,” she offered.
Harry was about to ask her about breakfast tomorrow, but his phone began vibrating in his pocket. It was a great effort and made him feel awful, but he looked at it because he had to. As expected, it was his boss. “M’sorry kitten. S’work. Do y’want t’go in and order?” She smiled, nodding encouragingly. “Tell Lauren I said hi,” he said pressing the phone to his ear and stepping away from the shop a few paces.
Of course, someone was having a family emergency and without a family of his own, Harry was always the first call for overtime and help. There were still hours before he would need to go in. It wasn’t ideal, but still gave him plenty of time to finish his date.
It was well worth getting no sleep if it meant he could spend more precious time with her. It was one thing he was never going to take advantage of ever again. Time with her was the most invaluable thing he had.
“Everything okay?” She asked, holding out a cup to him.
“Thank you. Yeah... jus’... gotta do the overnight at midnight.”
“Oof,” she frowned. Then, much to his delight and surprise, she slipped her hand right back into his, like three years of nothingness didn’t stretch between them. Like they held hands for the last eleven-hundred odd days, every day. “Is that hard?”
For a moment, Harry was speechless, breathless, unable to remember what her question was asking. But then he brought himself back to reality. Harry didn’t like sleeping much. It was where he saw her most. All those dreams of what could have been... so no. It wasn’t hard to do overnights because at least when he was dead tired in the mornings after his shift, he didn’t dream. Didn’t see her. But he didn’t want to make her feel bad. “M’used to it.”
“Well, we can head home if you want to get a couple hours of sleep in before—”
“Do y’want t’go home?” He asked immediately, cutting her off, frowning at the idea of ending their night so quickly.
“No!” She answered just as immediately. Then, with a pink color painting her cheeks, she cleared her throat. “Just... want to make sure you’re... okay.”
Now he dreaded it. The couple of hours that he had seemed like nothing. There was no way he would get all the questions he wanted answered out in the open. But he had to start somewhere. “M’fine. Promise. Do y’want t’jus’ drive around for a bit?”
Silently, she nodded. “Please.”
*
Something shifted as they got back in his car. He wasn’t sure what, but it was a feeling like something had changed in the short time he was on the phone. It was in her eyes, the spiral of anxiety that was beginning to surface from inside her.
It seemed utterly unfair, and he silently hoped she wouldn’t retreat into herself. The thoughts of her leaving like she did three years ago rolled in his head so frequently now that she was home, he had a whole new set of nightmares to keep him company when he did sleep at night.
But right now, she was still in his car, and he had questions to ask.
For the time being, he pointed out new details on road signs that had been fixed and renovations to things in town she couldn’t see from the outside. She asked polite questions but really, he was just wasting time. So finally, Harry went to the next town over. He pulled into a little spot off the side of the road that fit exactly one car and gave a great view of the town. It wasn’t a mountain by any stretch, but high enough to make them feel tall and important.
He imagined it was a popular spot for teens with new licenses to make out as well.
Not that that was his intention.
There was a pause in their conversation. Comfortable and quiet. Then as Harry was about to ask her another question, she bounced in surprise at the sound of fireworks decorating the sky in front of them. “Wow,” she laughed. “All for me?” She winked at him.
He laughed and nodded. “M-hmm, had it all planned,” he watched the sky for a bit but the most beautiful thing he had the pleasure of looking at was her. So, he turned to watch her enjoy the display. She looked so pretty, her face illuminating every few seconds with a different color from the sky. He missed her so viscerally. Like even the freckles on his skin missed her. Every inch of him was plagued with wanting her even though she was right next to him.
If she went silent on him, he was going to lose his mind.
It was now, or never.
“Why did y’do it?” He whispered.
“Do what?” She asked, frowning at his quiet tone.
He closed his eyes, gripped the steering wheel tight. She had to know what he was talking about. “Why did you leave?”
Her breath caught and Harry felt bad for catching her off guard. But she had to know this needed to be said, needed to be dealt with. “Harry,” she sighed, swallowed hard. She looked out the passenger window avoiding the fireworks. “You should just... enjoy the fireworks. This isn’t—”
“Kitten, I need t’know.”
“I know,” her head knocked against the glass. He could just make out her reflection, her pained expression. It was rude of him to press. But he had to keep going. “But we—”
He pressed anyway. “You have t’tell me. Y’jus’ show up after three years of nothing. It killed me.”
“I know,” she croaked. “God, Harry, I know.”
“So tell me,” he was practically begging. “Don’t y’think I deserve t’know? You were m’whole world, kitten. S’not fair of you—”
“Harry, I fucking know!” She clenched her hands into fists in her lap. He was being unfair. In the time they were together they never fought. What did sixteen- and seventeen-year-olds have to fight about? When she left it was just sad. They never argued. So asking her to do this in his car on their first date after so many years, so many days of sadness and heartache, was completely unfair of him.
“I was so lost, kitten,” he wasn’t fighting fair at all. Coaxing her to breaking even though he had every right to know. She didn’t want the night to end and she feared it would if she told him.
“Harry—”
“Please, kitten. Baby, I just want t’understand—”
She choked out an involuntary sob the moment he said baby. “Because you deserved more than me! Okay? You deserved so much more than me and you wouldn’t have let me go so I just left, alright? You deserved more. So much more than me.”
The fireworks seemed quiet after her explosion.
But it didn’t make any more sense to Harry than the very day she first said it. “What does that even mean?”
Clearly, he broke something in her. She cried, hard. Breaking his heart further. He felt like an asshole, but he desperately needed to know. Her pretty makeup was going to be ruined thanks to him. “I don’t know. I don’t know,” she covered her mouth with her hand and sobbed into the window.
At least he had an answer.
Now for the next question. “Why did y’come back?” There was no answer for that. Just her quiet sniffles filled the car. She dug into his glove compartment for a napkin to wipe her face. If Harry wasn't so upset, he would have marveled at how she knew where everything was; some things didn't change even if they had. “Kitten, tell me.”
“Harry,” she whimpered. “Please...”
But he was desperate for answers. Desperate to put his heart back together. “I needed to see...” she croaked, her voice dying part way through the sentence.
“See what?” He was exasperated.
“That you had...” she swallowed. “That you had moved on.”
He turned away from her briefly, face twisting in anguish. He shook his head then turned back to her. He put his hand on her shoulder, asking her to face him and look at him when he said the next part. “Moved on?” He repeated. The words didn’t make sense. “How was I supposed t’move on, exactly?”
She sobbed and Harry wanted nothing more than to comfort her. Hold her and kiss her. He wanted to promise it was going to be okay. The way he always did when she cried. But he couldn’t. He needed to know how she thought that it was possible to exist without her. “I thought if I—”
“You are my soulmate, kitten. You know that.”
She whimpered, cheeks flushed, and tears streamed down her face. It pained him to look at her so upset but he had to finish this. Now. “You don’t believe in soulmates,” she whispered. Almost as if she wasn’t talking to him.
“But you told me we were,” his voice was crystal clear, definitive. No room to persuade him of anything else. She was his soulmate. She believed in them, so it had to be true. He believed in her. So that was enough. Harry gripped the steering wheel for all he was worth. Gritted his teeth as he asked his next question. “Did you move on?” The question was lost to the fireworks and the sound of her cries. But she clearly caught some of it.
“...What?” She whispered, tilting her head at him at a strange angle. Like he just told her that the grass was orange and it rained flower petals.
He inhaled sharply realizing he was agonizing over the thought. How long had he been holding that question in his head? Why didn’t he ask it sooner? Well, he knew why he didn’t ask it sooner. A large part of him never wanted to know the answer. “Do you have a boyfriend? Or... a fiancé?”
“Harry,” she rubbed her hands into her eyes.
“Goddammit," he sucked in a deep breath. "Tell me!” His heart was breaking.
“I didn’t date anyone while I was gone. I told people that I, and my heart, were happily taken. It never even crossed my mind, Harry,” she looked at her lap and swallowed nervously.
The fireworks complimented their evening perfectly. He released the breath he was holding and the grip he had on the steering wheel. The feeling came back to his fingers. His knuckles returned to the right color. “You said y’were taken?” He asked, thinking of the same notion he told Mrs. Peterson whenever she wanted to set him up on a blind date. Her gaze returned to his, and she held it for a moment, still in complete silence. Then she nodded. Her sniffles subsided.
Then she snorted, shaking her head with a smile that didn’t reach her eyes. “A fiancé, Harry? That’s ridiculous.”
“S’not,” he didn’t smile like she did. It was so serious to him. Felt it in his bones how serious it was. “Because if y’thought I was going t’move on from you... I don’t know, kitten,” he shook his head.
“No,” she repeated. Relief flooded him further. “I couldn’t... I took this first aid class,” she swallowed. “You would be really proud of me,” she smiled more genuinely through tears that filled her lash line. “I thought about all the things you taught me yourself when you practiced first aid and whatnot. I knew so much stuff. I was the class pet—”
“Course y’were.”
“—but we practiced taping wrists and ankles and I had to work with this guy, and I thought he was going to kill me,” she sniffed but that smile never left her lips. “I flinched every time his hand touched mine. He probably thought I was in a horrible relationship and that’s why I was learning how to tape injuries. I couldn’t even tell him that it was the exact opposite because I couldn’t tell him about you.”
Harry was silent, watching the explosion of color against the dark sky.
“I thought you would have moved on,” she whispered.
“Y’got your mom t’leave. I couldn’t even ask ‘bout you. You stopped talking to all of us.”
“If it helps at all, it was really lonely. Even with Addie and Carter...” she shrugged.
It didn’t. The thought of her being sad and lonely felt about as painful as her leaving. He was so grateful she had a friend to look after her. Someone to confide in. Because she left a lot of people behind who loved her, but at least Harry had them to comfort him as best they could.
“I thought about you every day,” she whispered. “I’ve been thinking about writing our story. I’ve been outlining it... reliving every memory through it. Every painful thing. I think it’ll be a series and honestly, I think it will be really good because the ending will be sad, and no one will see it coming because we didn’t see it coming and—”
“Our book?”
She paused. “You were my favorite thing to write about.”
He shook his head. He knew that. It wasn’t a conceited kind of thing. She said it all the time and he knew it. “What do you mean a sad ending?”
Another pause. She closed her eyes and sighed. “You can’t possibly want me back.”
Another long pause. Harry mulled it over and he realized just how angry he was. What had he done wrong that she didn’t feel adored by him? Where had he messed up and not made her feel safe? Did he let go of her hand like when they were on the balcony the other day? It was too much for him. His grip tightened on the steering wheel again. “What is the matter with you?” He put his head on the steering wheel against his hands as he spit the words out. He hated arguing with her. He felt pulled in two directions to have this conversation and comfort her. It seemed impossible to do them both at the same time.
“Harry,” she frowned. “I’m—”
He shook his head and smacked his hands against the wheel as he sat back. “I am never going t’stop wanting you. Don’t you get that? There is no ending with us. There can’t be. I have been waiting for three years for you t’come back t’me. You’re here and y’think I’m jus’ supposed t’have move—”
She was kissing him.
Her lips covered his in a hungry kind of way. Raw, achy, and hot. She pulled away briefly, her breath short pants. Her hand at the back of his head, her fingers pulled and tightened snuggly against locks of his hair. Poor Harry was so surprised he didn’t fully grasp what was happening and forgot to kiss her back.
He hoped she didn’t think it was too late. Or too soon, maybe, for him to agree to this kind of thing. But he only let one additional second pass before his lips were back on hers. His hands held each side of her face pulling her close to him, awkwardly around the console.
She seemed to melt into the kiss, her whole body releasing a long breath that made her shoulders fall, her body sinking forward. Harry moaned quietly into her mouth. One hand slid from her face into the back of her perfectly styled hair. Within five more seconds he started to pull her over the console separating them. He heard the clunk of one of her shoes falling onto the floor. With one hand on the small of her back, he used his free hand to push the seat back to give her more room between his body and the steering wheel.
Harry wasn’t her first kiss. But the way it felt, he may as well have been. She wished he was. There was nothing better than kissing him. There was a familiar possessiveness in the mix of their lips and breath. It was like he was saying no one else was ever going to kiss her as well as he did. Softly, his tongue slid across the seam of her lips to get her to open further.
Harry knew she didn’t like lots of tongue in her kisses. Which was fine with Harry, a quick brush of her tongue against his was plenty and not the part he cared about much anyway. The way she sucked his lower lip into her mouth and traced it with her tongue nearly made him finish in his pants. Her lips were so sweet. Just like her. It was the most natural feeling in the world to kiss her. Like he kissed her yesterday, the day before, all last year, and every other day succeeding her departure. “God,” she whispered against his mouth.
“Hmm,” he hummed. His hands touched everywhere. Roamed along her sides and around her back, up her arms and cupped the sides of her neck. He wanted to touch her everywhere. It felt so good to hold her and the way she moaned made him assume she was enjoying it just as much. It had been ages since she had been touched and that was fine because she didn’t want anyone to touch her but Harry. His hands were warm and felt so good on her back. Even through her dress. Even though it was summer and very warm, she shivered and nuzzled closer. The car was too small and the space between them was too big. “Baby, can we—”
“Yes,” she whispered. It didn’t matter what he asked. She was a yes to anything he said. He groaned into her mouth and slid his hands between them, lifting the skirt of her dress just above her hips so everything was covered but easier to access.
“Kitten,” he moaned when she reached between them as well and fiddled with the button of his jeans. Why on earth would he have a condom? The thought of being with anyone else so intimately was laughable. “I don’t have—”
“I don’t care.”
He groaned again and kissed down the length of her neck, his tongue poking out to lick at the spots he kissed. She thought she was going to pass out, but she didn’t want to miss a second of this feeling. So, she refused to pass out. “I forgot,” he was breathless as he shifted trying to make space between them so he could pull his pants down just a little more, just enough. “Forgot how much I missed this.”
“What did you miss?” She whispered just as breathlessly, her lips against his neck as he reached between the two of them, slid his fingers against her underwear and pushed it to the side. She whimpered at the light friction of his knuckle barely grazing her clit even though it wasn’t his intention.
Harry’s moans were nearly obscene. They turned her to jelly. “I missed everything, kitten. Everything.”
She shivered again at his response. When she felt him lining himself up, pressing through her folds so easily because she was already an aching wet mess for him, she cried out again. The electric feeling coursed through her and it wasn’t fair that she made him lose this feeling for three years. “Oh,” she tucked her face into his neck.
“I’m... fuck, baby,” he whispered as the head of his cock slipped deeper inside her. He didn’t want to know if she had sex while he was gone. In his mind he was the only person that got to be inside her like this—to feel her like this. His voice was raspy. Not even a whisper really. “I’m not...” his other hand that wasn’t helping her slip further down on him cupped the back of her neck. “S’not going t’last...” He couldn’t even give a time frame because he was so far gone. “S’been...”
She didn’t want to know how long it had been for him. The idea he had sex with someone else would probably make her inconsolable while he was inside her and it wasn’t anyone’s fault but her own. She shook her head and kissed the space just below his ear that used to drive him crazy. “I don’t mind,” she promised.
“God,” he closed his eyes and pressed his face to the front of her chest. Her dress was still in the way, but he wanted to rip it off her. He couldn’t because as much as he was enjoying this—and yes, he would have loved to feel her nipples in his mouth—he refused the risk of anyone seeing her naked like that. This was already bolder than anything they had ever done before—and the intimacy of seeing her fall apart was for him only. A possessive stance he would never let go of.
“Oh my God,” she whispered. It was too hot in the car; her skin was damp with sweat from pressing so close to Harry and the exertion of fitting in the small space between him and the steering wheel. She wanted nothing more than to stay glued to Harry like that, his dick deep inside her for as long as she lived. They really were two puzzle pieces just meant to fit together. For a brief moment she paused the way she was moving slowly up and down his cock; hoping that maybe she would just die in that car because at least this would be the last thing she ever did. Their breathing stilled, quieted. He tilted his neck back, smiled as he gazed up at her.
“You’re so beautiful, kitten,” he whispered.
It was embarrassing that she could come that quickly and that hard from just his compliment and he wasn’t even moving inside her.
She gasped so loudly. Her whines and moans releasing from her without warning. She felt distraught and whole. It was practically primal the way she started to bounce up and down again, only ever so slightly, her legs shaking to find purchase on the side of his seat near the door and dodging the seatbelt holder with her knee. It wasn’t conducive to do this here but what choice did they have when they couldn’t wait a second longer?
“Oh my God, fuck, kitten,” he groaned, wrapping his arms tight around her waist, kissing at her throat and the exposed cleavage he did have access too. He met her greedy little bounces to prolong the euphoria that was coursing through her, making her clench around his cock so hard he thought he was going to exist outside of his body. “Baby, I can’t pull out,” he warned her.
They were young, but not in high school young anymore. Getting pregnant wasn’t their worst fear anymore as it was their first go around leading to her going to the doctor and asking for birth control. In fact, getting pregnant probably didn’t even crack the top ten. But even still... “Pill,” she rasped. “Please,” she begged.
“Oh fuck,” he moaned. His hand slid beneath her dress. He pressed the tip of his finger directly on her clit and rubbed perfect little circles on it.
So perfectly, she was going to explode again. The fireworks had nothing on her. “Oh my God, please,” she cried. The plead, the feel of her squeezing around him again, the heat of her and the car... all of it was a heady combination that left Harry completely useless as he finished inside her at the exact moment that she dropped her face to his shoulder again and fluttered around him. As Harry finally released a breath, he had been holding for three years it seemed, he found she was still trying to squeeze her thighs around him to savor the pleasure. He couldn’t blame her. All he wanted to do was make her come over and over.
There were a lot of firsts they shared over their relationship, and Harry was so grateful to have another even after all the time between them. His body twitched as she stayed in place, her breathing finally slowing. Harry felt hot, too hot but didn’t dare remove her from his body. He held her to him as he shifted more, her bum bumped into the car horn. She giggled once and Harry smiled. His breathing slowed, following hers.
The car was silent except for their labored breathing. They were young when they had sex back then. They thought it was good back then. But it didn’t compare to that. She felt a wave of worry that he had practiced all while she was gone. The same worry went right through him nearly at the same time. Maybe she sensed it because he relieved her with one sentence. “I read an embarrassing number of books with scenes like the one we just reenacted.”
Harry sighed with relief; his nose pressed to her ear. His lips brushed her temple and he spoke quietly. “Send me every single page y’read, kitten.”
She giggled making her clench around him as he softened. He groaned involuntarily. He didn’t want to leave her body. Terrified it would never be like this again. As he started to move, she stopped him. “Um... Do you have a towel?” She whispered; her cheeks probably would have flushed asking the question, but it was impossible to tell with the endorphins that flooded her blood doing most of the work now.
Harry felt a little stupid at the moment, so he nodded, then shook his head. He didn’t fully understand her question but wanted to try for her.
“Uhh... here,” he reached in the backseat for a T-shirt with the station’s logo on it. As he shifted, she whimpered at the feeling of him moving inside her again. He kept a hand on her dress, right at her hip and rubbed his thumb soothingly against her.
“I can’t use this and then have you wear it around town,” she frowned.
“Baby,” he snickered. “I wouldn’t wear it... in public," he teased. She lightly hit his chest with the back of her hand.
She slowly pulled off him, falling back into the passenger seat, the T-shirt between her legs. She finger-combed her hair as best she could and checked her makeup for obvious smudges. Harry mussed with his hair quickly and then placed his hand on her knee. She held it with both hands, brought his fingers to her lips and kissed his knuckles no less than ten times.
“That was perfect,” she whispered.
Forget her writing, she was her very own poem. He smiled. “Always, kitten.”
*
Harry took the long way back to her apartment. Her grip didn’t loosen around his hand. Not even when he needed to take a turn. When he finally parked, she looked at him expectantly. “I don’t want t’go,” he whispered. “I would quit right now, if I could. I want t’talk all night and tell y’everything and know everything, kitten. M’so...” he shook his head terrified that if he left right now all the progress, everything would be gone. “I missed you so completely baby. I need t’know everything there is t’know ‘bout you and the last three years and all the thoughts y’had. S’not fair and m’so—”
“Harry,” she smiled, squeezed his hand encouragingly. She brought a hand to his chin and rested her forehead against his. “I’ll see you tomorrow; right after your shift, okay?” she kissed him gently on the lips. A soft brush of promising more.
Relief flooded him. “Yeah?” Their mouths were so close as he spoke, his lips touched hers the entire time.
“I’ll be here,” she promised. That little saying, “it was music to his ears,” never really made much sense to him. But right then it did. It made so much sense. She was music. She was the sun. She was fireworks. “Good night, Harry. Have a good shift,” she whispered and pressed her lips solidly against his once more making him feel like he could do anything.
--
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BBC Radio 1 - 1997: The love edition
Can't believe that so many seminal Noel & Liam quotes are from the very same interview, either Noel's life + music crisis poured it all out of him, or the good moments are just indeed that good BTS.
Naturally, they were (allegedly) drunk. Liam wasn't supposed to show up but he changed his mind last minute, my headcanon is that he missed Noel judging from how well they got along that day.
I'm very friendly to my bed, I love my bed, and my bed loves me.
(Interviewer says Liam only gets better, Noel complains Liam doesn't show up for B sides recordings, Liam says he had a sore throat, and somehow, this comes to this.)
Love-love-love. Liam twists exhibition (oasis photo thing) into expedition and Noel's bullying turns into a live fantasy of marching down the south pole wastelands together to build heart shaped igloos, also Liam's shy. And fighting for his life.
There we have it, a recorded (half) confession.
Okay so here I find the "as long as ... for a couple of quids" holds some meaning as Noel goes a little rigid saying no. Can't ever meant this. but I can't for the life of me understand Liam.
Also Liam clears out that inspiration entails for him listening and understanding him without rushing into ill-made judgments and it's palpable he's at his limits with the media. Coincidentally the day after this interview he was tracked down by journalists, asking him if he had regrets over what he said, because apparently he swore too much and had people clutch on their pearls all over the UK.
Supersonic quote but in full. Mad for it, Noel says.
I'll be a really good uncle to Liam's child.
I could sum this one up with Pardon? but -- "that man is a bigger man than I am, why, it has nothing to do with you, but he has to deal with life and with somebody like me on top of everything else" yet by the end of that year it had all gone to flames. Also audio proof they did give each other birthday presents, not lost on me this one.
Noel truly cares about Liam's opinion but won't show it (nothing new ik) However that giggle at the end has my wonders.
Bonus:
In the honour of a 2024 magazine article deeply regretting Liam's menacing aura and rock n roll attitude from 1997
And, if anyone can possibly make out what Liam says Noel is pointing his way, this one maxed out my comprehension skills:
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🥊 Heartsteel Universe — You haven't seen your ex in years, not since he became a famous popstar, but today is about to ruin that streak. 🥊
🥊 Word Count: 3k 🥊 Music Vibes: Down Bad by Taylor Swift 🥊 Warning(s): Smut (fingering), public sex (technically), angst (about your ex/non-mutual break-up), & a sprinkle of jealousy 🥊 A/N: Apologies if there are any egregious errors, I've been trying to get this fic out of my head for so long now so I hunkered down to finally push it out today. I'll probably go back at a later date to spruce it up if it needs it. I passively enjoy League content & have favorites despite not having played in many years 🥰 heh
He probably thought you didn’t recognize him… But you did. Of course, you did. How couldn’t you? Sure, he was a pop star, glitz and glam probably filled his every moment nowadays, but he was still your ex-boyfriend.
A chorus of “SETT!”s at the highest pitch possible had carried through the gym air and met your ears at the front desk. You did your best to stave off the annoyed expression on your face—not just because there was a high possibility of seeing him, but because the sound of the fangirls that played a hand in ruining your relationship rattled you to your bones. Of course, he’d choose this gym. Of course.
So when Sett had finally passed by the desk, you thought you might have gotten lucky since his head was turned, but at the last second, he’d locked eyes with you. A surge of emotions passed through your body like an electric shock. It was hard to tell what exactly he was feeling, and part of you was trying desperately not to care, but you could have sworn you saw a hint of sadness mixed with surprise before his security team pulled him away. The fangirls pushed against the security at the front of the gym, shouting and waving their posters and other memorabilia they wanted him to sign. You rolled your eyes and returned to the task you’d been doing before the chaos of your ex’s entrance.
You’d done everything in your power to push through the slew of emotions you felt weighing on your chest—you were pretty sure you’d cleaned a single machine at least three times in a row while in your emotional daze—and didn’t spot him once after his initial entrance. You weren’t sure if you were relieved or not and by the time you made it to the end of your shift at midnight, you were ready to blow off some steam.
The gloves you donned were thick and absorbed each punch that collided with the punching bag. One, two. One, two, three. One. One, two. You timed the hits with your breaths as a guitar solo pulsed in your earphones and sweat dripped down your forehead.
It had been a year since you’d last had contact with Sett, or, since you cut off your communication with him. The decision wasn’t easy but it was what you felt was best for you and your mental at the time. You remember how he pleaded, holding your hands in his, absolutely dwarfing them, eyes big and tearful, but your pain was too much, the paranoia was too much.
The magazine that sparked the argument in the first place sat between you. On the cover was a story about him, the upcoming star, and Ahri, from KDA, and their potential romance brewing. This was in addition to the already circulating rumor amongst fans about him and his bandmate, Aphelios. He denied it all, doing everything he could to convince you, but between them, the fans, and the comments they made about you, it was just too much. You couldn’t take it and you couldn’t bear the idea of forcing him to deal with your emotions on top of his big break. So you cut off.
The punch you landed was a little rough, bending your wrist more than intended, and you felt the sobering pain radiate through your hand. You practically growled at the feeling and shook it out in an attempt to alleviate some of the tension you felt already building in your tendons. The room you were in was empty, it was rare to see it full at this time of night, and you were thankful for it.
That bubble of frustration you’d felt in your chest pushed out and you sent all of it through your next punch. The impact sent the punching bag flying… but not as far as you thought it might go. You blinked and noticed a pair of hands holding on to either side. A head peered around the object—red hair with two ears poking out of the top of the strands, a long scar across his nose, and familiar green-blue eyes.
You could make out the words “Hey” and your name and you contemplated leaving in your headphones before he gently tapped his ears. A request. Your jaw clenched, taking a long moment to consider him before you pulled out your headphones and pocketed them.
“Why are you still here?” you asked, a bit cold. His sheepish smile turned downward ever so slightly and his ears flattened on his head. There was a small bloom of sadness in your chest seeing it.
“Just, you know, working out,” he answered.
“I hoped you would’ve been gone by now.”
His expression dropped completely at that point.
“You did?”
Your jaw clenched. Everything in you wanted to not be in this situation, to see his sad expressions, to feel so damn bad about being cold to him, but you didn’t know what else to do. Inviting the heartache of leaving him back into your life, even for a moment, wasn’t something wanted. Flashes of his tear-filled eyes watching you as you left with your bags of stuff crossed your mind and it made you start moving.
You moved past him and into the rows of punching bags in this part of the gym. From behind you, he said your name and pleaded for your attention, but you wanted out. You almost made it to the bench your stuff was on when you felt his large hand wrap around your forearm. It wasn’t a rough touch, but it was firm enough to pull your eyes back to him.
“What did I do to make you hate me so much?” he asked, confusion and pain in his words. You knew tugging yourself free would be useless so you stood your ground and stared him down. His touch was like molten lava seeping into your skin. You didn’t hate him, you hated the people that came with his fame and the lack of protection to shield you from them.
“I don’t hate you,” you said quietly.
“Then why are you acting like this?”
“Because being in the same vicinity as you is painful.”
Sett paused and his brows furrowed.
“You were the one that broke up with me,” he said, words laced with the hurt you imagined he was also feeling. You stared at each other for a long moment. Nothing that came to mind could quell the tension nor the steady increase of your heartbeat. It all just fell flat.
“Let me go,” you said, tugging at your arm, the tears gathering at the corner of your eyes despite all your attempts to stop them.
He huffed in disbelief.
“I haven’t seen you in a year. Not since you just, decided for the both of us that this wasn’t going to work. I’ve never known you to be so… So cruel,” he said. Sett’s eyes were as devastating as his words. It felt like a knife digging into your chest, threatening to carve your heart out.
“Sett, please,” you tried and turned your eyes down to where he held you.
“No, talk to me, please.”
“I have nothing,” you said. “I told you why I was leaving.”
“No, you gave me bullshit excuses and scenarios that didn’t exist,” he pushed… and he was right. You knew he was even back then when he sat across from you on the couch clasping your hands in his and tears streaming down his cheeks, just trying to understand.
“They weren’t excuses, Sett. I was so proud of you—s-still am, but…” You looked up at him and flared your nostrils with a sigh. There was no avoiding this. “Neither of us could have known how quickly fame would come. How possessive Heartsteel’s fans would be. How… brutal they’d be to me. How brutal it would be for me to watch rumors about affairs swirl. I couldn’t do it. I wanted you so bad, I wanted us, but I knew I couldn’t have you and… and…”
The tears had begun to fall. You cursed under your breath and wiped your free hand against your cheek, tears settling on the material boxing glove you still wore. Sett stepped forward and pressed his thumb over the new tear that had already begun its descent down your cheek. You recoiled a little but in response, he caught your chin and tilted up so you could look at him.
“You always had me,” he whispered. “Still do.”
Everything in you that wanted to bolt, to hide from the shame and sadness and anger seeing him made you feel, stilled. Your heartbeat pounded in your throat at his touch, at his attention, and you swallowed hard under his intense examination. The blue-green of his eyes felt so familiar and safe that it made the knot in your chest twist and expand.
“Sett… I don’t think we could even if we—”
“Why not?” he pushed. “I don’t care what any of them think. I never have. You didn’t even give me the chance to fight for us. For you… You just left.”
“I was scared. I didn’t want my heart broken by you… So I broke it for myself. I thought it’d be easier and it was but… Now…”
His ears twitched, a beam of hopefulness crossing his expression.
“Now? What about now?” he asked.
You didn’t know. A part of you felt so hopeful, so ready to try again just from his magnetic pull alone. How safe he made you feel. That hadn’t changed. You opened your mouth to say something but the sound of the door opening startled you both. Sett’s grip loosened enough for you to pull your arm away, both of you looking toward the interruption. A man in a suit you recognized as one of his security guards had begun approaching.
“There you are, sir—”
“Jackson, not now—No wait!” Sett called your name.
You’d already managed to get one of your gloves off so you could grab your bag and head toward the private bathrooms. You felt like you couldn’t breathe with his hand on your arm and now was your chance to pull yourself out of his orbit before you did something stupid.
You only managed to get to the door before you were stopped again by something yanking you to a stop, but this time it was the handle of your gym bag. You twisted around, ready to fight someone, but instead was met with a quick blur of Sett’s figure before his lips crashed into yours.
It was bold, something you hadn’t anticipated, and while you wanted to pull away… you felt him punching at the icy wall you’d built for yourself after everything. Every breath, every motion, everything felt like he was chipping at it piece by piece, until, well… It shattered.
Your free hand opened the door to the private bathroom and you dragged him into it. You were thankful that the cameras didn’t touch this part of the hallway, which only spurred on this potential mistake.
The two of you stumbled into the space—it was typically reserved for gym employees and special guests who wanted to avoid the more public locker rooms. It was spacious enough to house the usual bathroom amenities plus a bench for you to utilize as needed and the standing shower was nestled into the corner, blocked by the door whenever it was open.
Sett closed the door and locked it once you were both inside before his large hands clasped onto the back of your thighs to pull you into the air effortlessly. The bag you’d both been holding onto tumbled to the floor, kicked by the shuffle of his feet. Your back met the wall across from the door, inhaling deeply when his lips left yours to nip at your neck.
“Sett,” you tried, breathless.
“I’ve missed you—” His lips pressed urgently against your pulse. “So much.”
“Sett… We can’t… I can’t…”
Your mind was whirling at the feel of him, the heat he elicited from your body. His lips slowed to an agonizing pace but he heeded your words, head picking up to look directly into your eyes, surprised to find them not fully enveloped in lust… It was the adoration, the haze of love, that made your heart stutter. You could cry.
“I can stop,” he whispered. Sett’s gaze dropped to your lips. “I just…” You waited, drawing in a breath so deep that the orange-scented cleaner you were familiar with tingled in your nose.
All of your emotions and warning bells were as loud and overwhelming as an extreme weather siren. You shouldn’t do this. Any progress you’d made—either of you had made—was already shattered, leaving you vulnerable. But you still found yourself asking, “What?” It was just as soft as his whisper, timid, afraid.
Sett took in a similarly deep breath, except a hum danced within his throat and rumbled through his chest like a growl.
“I don’t want to,” he said with a small, bashful laugh. One of his fangs pulled at his lip as he turned his eyes back up to yours. “I want to keep touching you… But only if you want me to. I can also leave. Just—Just tell me—” You placed one of your index fingers on his lips and he promptly stopped talking.
You didn’t know what to do. Everything in you knew this was likely temporary, and the moment he left this room, things would go right back to the way they were, except this time with brand new wounds on your heart to cater to. But here he was, looking at you with his eyes, ears flat against his head, waiting for you to make your call, and probably just as scared as you. A sigh left you.
“Go ahead,” you said. Sett’s ears twitched, expression lightening. “Touch me.”
You got the feeling he’d waited for you out of courtesy, for you to potentially change your mind after that statement, but seized your lips with his after barely a second. His eagerness stole the breath from you, resulting in a chuckle that he inhaled and returned. He moved you toward the bench and effortlessly placed you down on it, lips never leaving yours.
The rush of approval had him on a mission that you guessed involved the shedding and ripping of clothes—but you were wrong. Instead, one of the hands that had been holding you reached down, slid past your waistband and started to work. A surprised gasp left your lips. He pulled away to gaze down at your face as it writhed in pleasure. The way his fingers moved against your clit was so deliciously familiar and mindful with every circle.
You instinctively reached one of your hands down toward his growing bulge to provide some mutual relief, another familiar motion, but was stopped by Sett’s free hand. You brow furrowed and he leaned down to place a soft kiss upon it whilst guiding the hand he’d stopped on his neck.
For a fraction of a second, you wondered if the world knew about this Sett, this loving, calm, goofy, loyal man you’d always known. Not just fist fights and bad boy leaning tendencies.
You selfishly hoped they never would.
“No, just you this time,” he said. You clocked the ‘this time’ but it was stifled the moment you felt one of his fingers ease into you. Your back arched.
Any protests you had left with the rest of your reservations about all of this. You nodded, warmth pooling in your cheeks now, and rolled your eyes back when the finger he’d slipped inside of you touched that spot he knew very well. Your body twitched, your other hand grabbing as much of his bicep as you could for balance, and let him work.
Sett’s mouth trailed kisses anywhere he felt like it as his fingers moved. Little whispers of your name left him occasionally but you could barely hear it over the thundering of your heartbeat in your ears. You wished you weren’t so close to coming already, you wished he didn’t know you in and out in every way imaginable, yet here you were about to topple over the edge of bliss at the hands of a man you still loved—no matter how much you wanted to deny it.
“Sett,” you gasped.
“I know,” he assured, the hand on your hip the only thing truly grounding you to this plane of existence.
The tightness in your stomach finally released, a moan tumbling from your lips as stars danced behind your eyelids. Sett helped you ride through your orgasm with targeted praise, soft touches, and lips. Everything about his patience and opt for celibacy just added to your surprise about everything. He helped you to a sitting position and rubbed your back, a smile tugging at his lips.
“I…” You blew hot air out into the room. “Shit.” Sett laughed and brought one of your hands up to his lips.
“Yeah,” he said knowingly. You turned to catch his gaze, a smile breaking out on his lips that you couldn’t help but return. “Can I… give you a ride home?”
Reality started to set in after the high and you could feel the hardening of your heart begin again. You bit your lip in contemplation. His expression started to soften again, almost as though he were ready to be hurt by your rejection once more.
“Alright,” you said. The creeping freeze of your heart halted enough for you to add, “Maybe we can grab late-night ramen and talk…?”
“I’d like that,” he answered.
“Do not text your Mom about this,” you added with a deadpan look that made him laugh. He got to his feet and gently tapped his knuckles against your chin.
“No promises,” he said cheekily. You rolled your eyes, free of any real annoyance, and smiled. No matter what you wanted yourself to believe, you missed him too.
#sett#league of legends#league#LoL#sett fanfic#sett fanfiction#sett smut#league of legends fanfic#league of legends fanfiction#league of legends smut#LoL fanfic#LoL fanfiction#LoL smut#sett x reader#heartsteel#heartsteel fanfic#heartsteel fanfiction#heartsteel smut#femme reader#fanfic#smut#fanfiction
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arctic monkeys for q magazine, june 2011 (x) (x)
ARCTIC MONKEYS: Inside Alex Turner's Head
Words Sylvia Patterson Portrait John Wright
The day Arctic Monkeys moved into their six bedroom, Spanish-style villa in the Hollywood Hills, where the first-floor balcony looked over the patio swimming pool, they knew exactly what to do.
"From the balcony, you could get on t'roof and jump in't pool," chirps the Monkeys' most gregarious member, drummer Matt Helders, in his homely Yorkshire way. "We looked at it and said, That's definitely gonna happen. So by the end, we did a couple of 'em. Somersaults in t'pool, from the roof. At night time."
In January 2011, as Sheffield and the rest of Britain endured its bitterest winter in a century, Arctic Monkeys capered among the palm trees, eschewing hotels for a millionaire's Hollywood homestead as they recorded and mixed their fourth studio album, Suck It and See.
The four Monkeys, alongside producer James Ford and engineer James Brown, lived what they called the "American man thing": watched Super Bowl on giant TVs, played ping-pong, hired two Mustangs, cooked cartoon Tom And Jerry-sized steaks on barbecues on Sundays, had girlfriends over to visit, all cooking and drinking around the colossal outdoor kitchen area featuring a fridge and two dishwashers. Living atop the Hills, they could see the Pacific Ocean beyond by day, the infinite glittering lights of downtown LA by night.
Every day, en route to Sound City Studios, they'd travel in a seven-seater four-by-four through the mountains, via bohemian 60s enclave Laurel Canyon, blaring out the tunes: The Stones Roses, The Cramps, the Misfits' Hollywood Babylon. For the sometime teenage art-punk renegades whose guitarist, Jamie Cook, was once ejected from London's Met Bar for refusing to pay €22 for two beers, the comedy rock'n'roll life still feels, however, absolutely nothing like reality.
NICK O'MALLEY: "It were really as if we were on holiday. When we came back it's the most post-holiday blues I've ever had!"
JAMIE COOK: "It's hard to comment on that. It were just really good fun."
MATT HELDERS: "We always said, As soon as things like that feel normal, we're in trouble. But it's just funny. You might think it would get more and more serious as you get older but it's getting funnier. We've done four albums now and I'm still only 24, I'm still immature to an extent. So who cares?"
Alex? Al? Are you there?
ALEX TURNER: "Yeah, it were good times. But we were in the studio most of the time. So there's no real wild Hollywood stories. Hmn. Yeah."
Wednesday, 16 March 2011, Strongroom Bar, Shoreditch, East London, 11am. Alex Turner, 25, slips entirely alone into an empty art-crowd brasserie looking like an indie girl's indie dream boy: mop-top bouffant hair which coils, in curlicues, directly into his cheekbones, army-green waist-length jacket, baggy-arsed skinny jeans, black cord zip-up cardigan, simple gold chain, supermoon sized chocolate-brown eyes.
Almost six years after I Bet You Look Good On The Dancefloor became the indie-punk anthem of a generation (from the first of Arctic Monkeys' three Number 1 albums), and nothing prepares you for the curious phenomenon of Alex Turner "in conversation". Unlike so many of the Monkeys frenetic early songs, he operates in slow motion, seemingly underwater, carrying a protective shell on his back, perhaps indie rock's very own diamond-backed terrapin. The most celebrated young wordsmith in rock'n roll today talks fulsomely, in fact, only in shapeless, curling sentences punctuated with "maybe... hmn.. yeah", an anecdotal wilderness sketching pictures as vague as a cloud. He is, though, simultaneously adorable: amenable, gentle, graceful, and as Northern as a 70s grandpa who literally greets you with "ey oop?".
"People think I'm a miserable bastard," he notes, cheerfully, "but it's just the way me face falls." Still profoundly private, if not as hermetically sealed as a vacuum-packed length of Frankfurter, his fante-shy reticence extends not only to his personal life (his four-year relationship with It-girl/TV presenter Alexa Chung, whom he never mentions) but to insider details generally. Take the Monkeys’ Hollywood high jinks documented above: not one word of it was described by Turner. Before Q was informed by his other Monkey bandmates, Turner’s anecdotal aversion unfolded like this:
Describe the lovely villa you were in. AT: "Well... we certainly had a... good view."
Of what? AT: "Well, we were up quite high."
The downtown LA lights going on forever? AT: "I dunno. It was definitely that thing of getting a bit of sort of sunshine. Is it vitamin D? If you can get vitamin D on your record, you've got a bit of a head start. So we'd get up and drive to the studio."
What were you driving? AT: "Nothing... spectacular. But yeah, we'd drive up the studio, spend all day there and sort of, y know, get back. To be honest... we had limited time. So we spent as much time as possible kind of getting into it, like, in the studio.
So your favourite adventures were what? AT: "Well, they were really… minimal. We were working out there!"
Any nightclubs or anything, perhaps? AT: "You really want the goss 'ere, don't you?"
Yes, please. AT: "I could make some up. Nah!"
And this was on the second time of asking. It's perhaps obvious: Alex Turner, one of the most prolific songwriters of his generation (four Monkeys albums and two EPs in five years, The Last Shadow Puppets side-project, a bewitching acoustic soundtrack for his actor/video director friend Richard Ayoade's feature-length debut Submarine), is dedicated only to the cause – of being the best he can possibly be. He simply remembers the songs much more than the somersaults.
Throughout 2009, Arctic Monkeys toured third album Humbug – the record mostly made in the Californian desert with Queens Of The Stone Age man-monolith Josh Homme – across the planet. While hardly some cranium-blistering opus, its heavier sonic meanderings considerably slowed the Arctic Monkeys' live sets and on 23 August 2009, Q watched them headline the Lowlands Festival, Holland and witnessed a hitherto unthinkable sight – swathes of perplexed Monkeys fans trudging away from the stage. With the sludge rock mood matching their cascading dude-rock hair it seemed obvious: they'd smoked way too much outrageously strong weed in the desert.
"Heheheh, yeah," responds Turner, unperturbed. "That's your theory. You probably weren't alone."
Back in the Strongroom Bar, Turner's arm is now nonchalantly draped along the back of a beaten-up brown leather sofa. He ponders his band's somewhat contrary reputation…
"I think starting the headline set at Reading with a cover of a Nick Cave tune perhaps was a bit contrary. D'youknowhat Imean?! But to be honest, that summer, at those festivals, we had a great time. And I know some fans enjoyed those sets 10 times more. And you can't just do, y’know, another Mardy Bum or whatever. Because how could you, really?"
With Humbug, notes Turner, "I went into corners I hadn't before, because I needed to see what were there," but by spring 2010 he wanted their fourth album to be "more song-based" and less lyrically "removed". He was "organised this time", studied "the good songwriters" (from Nick Cave, The Byrds and Leonard Cohen to country colossi Johnny Cash and Patsy Cline), discovered "the other three strings" on his guitar, and wrote 12 songs through the spring and summer of 2010, mostly in the fourth-floor New York flat he shared with Chung before the couple moved back to London late last summer (the New York MTV show It's On With Alexa Chung was cancelled after two seasons). The result: major-key melodies, harmonised singing and classic song structures.
At the same time he revisited the opposite extreme: bands such as Black Sabbath and The Stooges ("we wanted a few wig-outs as well"); he was also still heavily influenced by the oil-thick grinder rock of Josh Homme, who is clearly now a permanent Monkeys hero. After four months' rehearsals in London, on 8 January the Monkeys relocated to LA for five swift weeks of production and Homme came to visit, singing backing vocals on All My Own Stunts. Tequila was involved.
"Tequila is probably me favourite," manages Turner, by way of an anecdote. "But it takes a certain climate... It's not the same... in the rain. Yeah. [Looks to be contemplating a lyric] Tequila in the rain."
Vocally, he developed the caramel richness first unveiled on The Last Shadow Puppets' Scott Walker-esque The Age Of The Understatement, finding a crooner's vibrato. "Everything before was so tight,” he notes, clutching his neck. "Probably just through nerves. That's just not there any more." Suck It and See contains at least four of the most glittering, sing-along, world-class pop songs (and obvious singles) of Arctic Monkeys' career: the towering, clanging She's Thunderstorms, the summertime stunner The Hellcat Spangled Shalalala, the heavenly harmonised title track and the Echo & The Bunnymen-esque jangly pop of closer That's Where You're Wrong.
Elsewhere, in typically contrary "fashion", there's preposterous head-banger bedlam (Brick By Brick, the rollicking faux-heavy rock download they released in March "just for fun", featuring vocals by Helders; Don't Sit Down 'Cause I've Moved Your Chair, and Library Pictures). News arrives that the first single proper will be Don't Sit Down 'Cause I've Moved Your Chair. Q is perplexed. Brilliantly titled, certainly, but arriving after Brick By Brick, the new album will appear to the planet as some comedy pastiche metal album for 12-year-old boys.
You've got all these colossal, summery, indie-pop classics and you've gone for... The Chair? AT: [Laughing uproariously] "The Chair! I'm now calling it The Chair, that's cool. Well for once it weren't even our suggestion. It was Laurence's (Bell, Domino label boss). And I were, Fucking too right! He's awesome. It'd be good to get a bit of fucking rock'n'roll out there, won't it? It's riffs. It's loud. It's funny."
If you don't release The Hellcat Spangled Shalalala as a single I'm going round Domino to kick Laurence's "awesome" butt. AT: "I think it'll be the next one!"
The record's title, meanwhile, could've been more enigmatically original than the un-loved phrase Suck It and See. The band, struggling with ideas due to the opposing sonic moods, invented an inspiration-conjuring ruse: to think of new names for effects pedals in the style of Tom Wolfe, Turner being long enamoured with the American author's legendarily psychedelic books The Electric Kool-Aid Acid Test and The Kandy-Kolored Tangerine-Flake Streamline Baby, "cos that just sounds awesome".
"There's the Big Muff pedal," he elaborates, "That’s the classic. I've got the Valve Slapper. And there's the Tube Screamer. So we came up with the Thunder Suckle Fuzz Canyon. And… wait till I assemble it in me mind… em… it'll come to me… The Blonde-O-Sonic Shimmer Trap. So we were going for summat like that."
A wasted opportunity?
"Nah. Because some of those things ended up in the lyrics anyway. Suck It and See was just easier."
Alex Turner, rock'n'roll's premier descriptive art-poet, still writes his lyrics long-hand in spiral-bound notebooks. "Writing lyrics is a craft that I've practised a bit now," he avers. "In me notebook it looks like sums. Theories. There's words and arrows going everywhere. There's always a few possibilities and I write the word 'OR' in a square."
For our most celebrated colloquial sketch-writer of the everyday observation (all betting pencils, boy slags and ice-cream van aggravations) the more successful he becomes, the less he orbits the ordinary. "I'm not struggling with that, to be honest," he decides. "In fact I'm enjoying writing lyrics much more than I did. Stories. Describing a picture. Um. There's quite a bit of weather and time in this one. Which is probably not reassuring. 'Oh God, he's writing about the weather.' Maybe leave that out!"
There are also some direct, funny, romantic observations: "That's not a skirt, girl, that's a sawn-off shotgun/And I only hope you've got it aimed at me..." (from the title track).
Some of your romantic quips, now, must be about Alexa. AT: "Right. Yeah. Definitely. Well... there's always been that side to our songs, when we weren't writing about... the fucking taxi rank. It's kind of inevitably... people you're with." [At the mention of Chung's name, Turner is visibly aggrieved, head sliding into his neck, terrapin-esque indeed.]
It must have been very grounding being in a proper relationship through all this madness. Because if you weren't, girls would be jumping all over your head. AT: "Em. Hmn. Well, of course that helps you to... I don't really know.. what the other way would be."
Does Alexa wonder if the lyrics are about her? AT: "Oh there's none of that. Yeah, no, there's no looking over the shoulder."
She must be curious, at least. "Maybe."
Did you ever watch Popworld? AT: [Nervous laughter] "Em! Now and again."
Did you ever see the episode where she helps Paul McCartney write a song about shoes? AT: "Ah, yeah I think so, maybe I did see that."
Well, if I was you, I'd have been thinking, "She's the one for me." AT: "Well. Yeah... maybe that would've... sealed the deal! Hmn. But maybe that wasn't when i got the ray of light. When was? Nah [buries head in hands]. I might have to go for a cigarette..."
Q can't torture him any more and joins him for a snout. Turner smokes Camels from a crumpled, sad, soft-pack and resembles a teenager again. As early song You Probably Couldn't See For The Lights But You Were Staring Straight At Me says, "Never tenser/Could all go a bit Frank Spencer…”
In January 2006, when Arctic Monkeys' Number 1 album Whatever People Say I Am, That's What I'm Not became the fastest-selling debut in UK history, inadvertently redefining the concept of autonomy and further imploding the decimated music industry (& wasn't their idea to be "the MySpace band", it was their fans': the Monkeys merely kick-started viral marketing by giving away demos at gigs), the 19- and 20-year-old Monkeys were terrible at fame. They weren't so much insurrectionary teenage upstarts as teenage innocents culturally traumatised by the peak-era fame democracy.
To their generation (born in the mid-'80s) fame was now synonymous with some-twat-off-the-telly a world of foaming tabloid hysteria where renown and celebrity meant, in fact, you were talentless. Hence their interview diffidence and receiving awards via videos dressed up as the Wizard OfOz and the Village People. Which only, ironically, made them even more celebrated and famous. (“That were a product of us just trying to hold onto the reins," thinks Turner today. "Being uncooperative.")
Q meets The Other Three one morning at 11am, in the well-appointed, empty bar of the Bethnal Green, Bast London hotel they're staying in (all three live in Sheffield, with their girlfriends, in their own homes). First to arrive is the industrious, sensible and cheerful Helders, crunching into a hangover-curing green apple. He has recovered from last year's boxing accident at the gym, which left his broken arm requiring a fitted plate. Now impressively purple-scarred, the break felt "interesting" and the doctor couldn't resist the one-armed drummer jest: "D'you like Def Leppard?"
Currently enjoying an enduring bromance with Diddy, he still doesn't feel famous, "it just doesn't feel that real, there's no paparazzi waiting for me to trip up." He and Turner, during the four-month rehearsals last year, became an accomplished roast dinner cooking duo for the band. "I reckon we could have us our own cookbook," he beams. "Pictures of us stirring, with a whisk."
O'Malley, an agreeable, twinkly-eyed 25-year-old with a strikingly deep voice and a winningly huge smile, is still coyly embarrassed by the interview process. A replacement for the departed original bass player Andy Nicholson in May 2006, he went from Asda shelf-filler to Glastonbury headliner in 13 months and still finds the Monkeys "a massive adventure". His life in Sheffield is profoundly normal – he's delighted that his new home since last October has an open-hearth fireplace: "Me parents had electric bars." He has also discovered cooking. “I’m just a pretty shit-hot housewife, most of the time," he smiles. "I cook stews, fish combinations, curries, chillies. I made a beef pho noodle soup the other day, Vietnamese, I surprised meself, had some mates round for that."
Recently, at his dad's 50th birthday bash, the party band, made up of family and friends, insisted he join them onstage "for ...The Dancefloor. So I were up there [mimes playing bass, all sheepish] and it were the wrong pitch, they didn't know the words or 'owt, going, Makin eyes... er..." He has no extra-curricular musical ambitions. "I'm happy just playing bass," he smiles. "I've never had the skill of doing songs meself. It'd be shit!"
Cook, 25, is still spectacularly embarrassed by the interview process. He perches upright, with a fixed nervous smile, newly shorn of the beard and ponytail he sported in LA: "Rockin' a pone, yeah, because I could get away with it." With his classic preppy haircut and dapper green military coat (from London's swish department store, Liberty), he looks like a handsome '40s film star. (Turner deems Cook "the band heartbreaker" and had a word with him post-LA: "I said to him, Come on, mate, you've got to get that beard shaved off. Get the girls back into us. Shift some posters.")
His life in Sheffield is also profoundly normal. He still plays Sunday League football with his local pub team, The Pack Horse FC (position, left back), remains in his long-term relationship with page-three-model-turned-make-up-artist Katie Downes and "potters about" at home, refusing to describe said home, "cos I'll get burgled".
A tiler by trade, he always vowed, should the Monkeys sign a deal, that he'd throw his trowel in a Sheffield river on his last day of work. "I never did fling me trowel," he confirms. "Probably still in me shed." He's never considered what his band represents to his generation. "I'd go insane thinking about it, I'm pretty good at not thinking about it… Oh God. I'm terrible at this!"
Back in the Strongroom Bar, Alex Turner is cloudily describing his everyday life. "I just keep meself to meself," he confounds. He mostly stays indoors and his perfect night in with Alexa is "watching loads of Sopranos. And doing roast dinners".
No longer spindle-limbed, he attends a gym and has handsomely well-defined arms – "You have to look after yourself."
Suddenly, Crying Lightning from Humbug rumbles over the bar stereo. "Wow. How about that? I was quite happy the other morning cos Brick By Brick were on the round-up goals on Soccer AM. It's still exciting when that happens. It was like Brick By Brick is real."
He spends his days writing music, "listening to records", and recommends Blues Run The Game by doomed '60s minstrel Jackson C Frank ("who's that lass?... Laura Marling, she did a cover recently), a simple, acoustic, deep and regretful stunner about missing someone on the road.
Lyrically, he cites as an example of greatness the Nick Cave B-side Little Empty Boat [from ‘97 single Into My Arms ], a comically sinister paean to a sexual power struggle: "Your knowledge is impressive and your argument is good/But I am the resurrection babe and you're standing on my foot."
"I need a hobby," he suddenly decides. "I'd like to learn another language." Since his mum is a German teacher (his dad teaches music), surely he can speak some German? "I know how to ask somebody if they've had fun at Christmas." Go on, then. "Nah!"
Where Turner's creative gifts stem from remains a contemporary rock'n'roll mystery; he became a fledgling songwriter at 16, after the gift of a guitar at Christmas from his parents. An only child, did his folks, perhaps, foresee artistic greatness? "I doubt it!" he balks. "Cos I didn't. I wasn't... a show kid." Like the others, he doesn't analyse the past, or the future.
"You can't constantly be thinking about what's happened," he reasons, "it's just about getting on with it." The elaborate pinky ring he now constantly wears, however, a silver, gold and ruby metal-goth corker featuring the words DEATH RAMPS is a permanent reminder of he and his best friends’ past. The Death Ramps is not only a Monkeys pseudonym and B-side to Teddy Picker, but a place they used to ride their bikes in Sheffield as kids.
"Up in the woods near where we lived," he nods. "Just little hills. But when you're eight years old they're death ramps." The ring was custom made by a friend of his, who runs top-end rock'n'roll jewellery emporium The Great Frog near London's Carnaby Street. Ask Turner why he thinks the chase between his writing and speaking eloquence is quite so mesmerisingly vast and he attempts a theory.
"Well, writing isn't the same as speaking," he muses. "Not for me. I seem to struggle more and more with... conversation. Talking onstage... I can't do it any more. Hmn. I'll have to work on that."
The ever-helpful Helders has a better theory.
"Since he's been writing songs," he ponders, “It seems like he’s always thinking about that. So even when he’s talking to you now, he’s thinking about the next thing that rhymes with a word. Even when he’s driving. We joke he’s a bad driver, his focus is never 100 per cent on what he’s doing. Which is good for us cos it means he’s got another 12 songs up his sleeve. I think music must be the easiest way for him to be concise and get everything out. Otherwise his head would explode.”
The Shoreditch.com photo studios, 18 March. Alex Turner, today, is more ethereally distracted than ever, transfixed by the studio iPod, playing Led Zeppelin, The Rolling Stones, a version of I’d Rather Go Blind. Occasionally, he’ll completely lose his conversational thread, “Um. I’ve dropped a stitch.”
The first to arrive for Q’s photoshoot, he greets his incoming bandmates with enormous hugs (and also hugs them goodbye). Today, Q feels it’s pointless poking its pickaxe of serious enquiry further into Turner’s vacuum-packed soul and wonders if he’ll play, instead, a daft game. It’s called Popworld Questions, as first posed by someone he knows rather well.
“Oh, OK. Let’s do it,” he blinks, now perched in an empty dressing room. He then vigorously shakes his head, “Um…I’ve gotta snap back into it.”
Here, then, are some genuine “Alexa Chung on Popworld” questions (2006-2007), as originally posed to Matt Willis, Amy Winehouse, Robbie Williams, Pussycat Dolls, Kaiser Chiefs and Diddy.
Why do indie bands wear such tight jeans? AT: “Um. I supposed they do. They haven’t always. When we first were playing I was definitely in flares. You need to be quite tall to get the full effect, though. So, that's why this indie band wears such tight jeans, cos we've not got the legs for flares."
What makes you tick in the sexy department? AT: "Wow. Pass. What do I find most attractive in a woman? Something in the head? That's definitely a requirement. Well... Hmn. I'm struggling."
Tell us about all the lovely groupies. AT: "No!"
If dogs had human hands instead of paws, would you consider trying to teach them to play the piano? AT: "Absolutely. I'd teach Hey Jude."
How many plums d'you think you can comfortably fit in one hand? AT: "They're not very big. [Holds small, pale, girly hand up for inspection] It's a shame. Probably three. Diddy only managed two? Maybe not then. I can carry a lot of glasses at once, though. If they're small ones I can do four."
Are you cool? AT: "Not as much as I'd like to be. There's this clip where Clint Eastwood is on a talkshow and he gets asked, Everybody thinks of you as defining cool, what d'you think about that? And he gets his cigs out, takes one out, flicks it into his mouth, lights it and says, I have no idea what you're talking about."
Here, Turner locates his Camels soft-pack and attempts to do a Clint Eastwood. He flicks one upwards towards his mouth. And misses. Flicks another. And misses. "Third time lucky?" He misses. "I'll get it the next time." And succeeds. "Hey. Fourth time. Don't put that in! So there you go. I'm four steps away from where I wanna be."
Thank you very much for joining me here on Popworld, here's my clammy hand again. There it is, let it slip, hmmn. You can let go now. AT: "OK! Were you a Popworld fan, then? It was funny. Cool. What were we talking about, before?"
Blimey, Alex. What must you be like when you're completely stoned out of your head? AT: "Stoned? What d'you mean, cos I seem like that anyway? Yeah. A lot of people... tell me I'm a bit... dreamy. But I like the idea of that. Of being somewhere else."
Two days earlier, Turner had contemplated what he wanted from all this, in the end. Many seconds later he gave his deceptively ambitious answer.
"I just wanna write better songs," he decided. "And better lyrics. I just definitely wanna be good at it. Hmn. Yeah.”
—
RUFUS BLACK: AKA Matt Helders, on his ongoing bromance with Diddy
Matt Helders has known preposterous rap titan Diddy since they met in Miami in 2008. “He goes, Arctic Monkeys! Then he said summat about a B-side and I was like, He's not lying! I just thought, This is funny, I'm gonna go with this for a while." Last October Diddy texted Helders, suggesting he play drums with his Diddy Dirty Money band on Friday Night With Jonathan Ross, to give his own drummer a day off. “I were bowling with me girifriend at the time. In Sheffield, on a Sunday." On the day of recording, says Helder, "We had a musical director. That were one of the maddest times of my life. Next day Diddy said, Why don't you just stay? Come along with me. So I went everywhere with him." Diddy had "a convoy of cars" and made sure Helders was always in his. "He'd stop his car and go, Where's Matt? You're coming with me! So I'd get in his car. Just me, him, his security, driver." Diddy, by now, had given him a pseudonym - Rufus Black. "He kept saying, I don't wanna fuck up your image. And I'm, I don't think it's gonna do me any harm!" He stayed in Diddy's spectacularly expensive hotel. Some weeks later, Helders almost returned to the Dirty Money drumstool for a gig in Glasgow. "But we were rehearsing in London. I were like, I might come, how are you getting there? And he were like, Jet. Jump on t’jet with me. But I had to stay in Bethnal Green instead.”
Love’s young dream: Diddy (left) with Helders
#arctic monkeys#alex turner#matt helders#nick o'malley#jamie cook#sias era#interviews#q magazine#my image id#bands#this is such a funny interview honestly shfjwjs#self proclaimed housewife nick my beloved......#also why did the interviewer describe alex's hands as small pale and girly HELPME#btw im missing page 93 it's probabky just a photospread but yeah#i managed to find the dead links' images on vk#eye contact#not my scan
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4x02 Easy Money // 3x01 Burning Down the House // 3x02 Eclipse | Rift
Something that always strikes me about Ray's moment of reconciliation with his father (in a show that might as well be subtitled Fathers Kinda Suck Huh???????) is the way this scene in particular is shot.
They focus especially on Ray's bracelet as he extends his hand:
Which isn't the only time they've focused on Ray's bracelet during Important Character Building. There's of course, his intro in Burning Down the House,
The close-up on the similarity with Marcus Ellory's bracelet in Eclipse,
And a bunch of other moments over seasons 3 and 4 that basically use the bracelet as a quick visual stand-in for "Ray Kowalski's a little bit different."
It’s something Ray Vecchio would never wear; hell, it's something most cops would never wear. It's a little bit, as Ray Kowalski would say, queer.
And so is Ray Kowalski.
The decision to focus on this bracelet during the exact moment he offers his hand to Damian as a peace offering is therefore, to me, worth considering. I personally read this as an indicator that part of the reason for Ray's rift with his father was his queerness.
And the first thing Damian says to Ray after they shake hands?
He compliments Ray’s experimental hair! He mentions another “queer” element of Ray’s physical appearance—one his father has likely given him a lot of grief for—and accepts it. Metaphor!!
It is, of course, understandable that Damian would have wanted better for his son than to be a cop, and this isn't to say that there isn't a world where that might have been enough to cause Damian to lose meaningful touch with his son for a decade. It certainly made sense for Ray Vecchio's father, who was likely involved with low-level mob business. But it does seem pretty extreme for Damian!
There's also the beautiful scene where Ray tells Fraser about his family in the precinct mess. At the very end, it really does look like he has something else he wants to say... but then Huey interrupts.
Now I am, of course, aware that Ray was dating or engaged to Stella at the time he graduated Academy. So what could his queerness possibly have to do with anything?
Well, as much as many of us wish it would, your queerness does not disappear when you enter a straight-passing relationship. I've even seen interesting ruminations in fic that some of the early hardship in Ray and Stella's relationship—remember, they broke up for a while during her college tenure—might have been due to the fact that Ray was interested in (or even caught) experimenting with men.
A personal anecdote, if you'll indulge me: I was in my mid-twenties, four years into a relationship with a man I thought I was going to marry, and tormented constantly by the idea that I was, probably, queer. I had no way of finding out while I was in a committed monogamous relationship. When I told my own mother that I thought I was bisexual, she told me it was all right—but also to never, ever tell my father. Even though I was in a relationship with a man, the knowledge of my queerness would have been enough to potentially cause a rift between my father and I that I don't know if we ever could have repaired. [editor's note: i'm a lesbian now and my dad and I have a stellar relationship ftr but i did have to marry a whole man first so] [editor's note: i am also the editor]
Ray gets caught with a man while Stella is in college? Or Stella knows and tells Ray's mother while they're drunk on wine one night? Or Ray's parents find a magazine... or a photo... or a stamp from the wrong club... anything. There's a million reasons why Ray's queerness could and may have come up even while he was with Stella, even while he was monogamous. Because he was still queer.
I know there's a certain element of "sometimes the curtains are just blue, dude, chill” to all of my meta, but when it comes to this show in particular I very much operate in my analyses from a place of "everything is intentional." Small details really do matter; the way scenes are shot matter, the words that are used matter, there's intentionality behind it all. We can't know or understand authorial intent, of course, but we can read our own interpretation of that intent into it. (The author is dead but Paul Gross thought Callum Keith Rennie was hot, so)
This is, after all, another episode directed by George Bloomfield, who also did Burning Down the House and is responsible for that "love at first sight" moment in Say Amen, so the direction here is in the hands of someone who is clearly in lock-step with Gross around the inclusion of queerness in the latter seasons of the show.
This moment is interesting to me in particular when considering intent because I actually would prefer to see Ray and Damian's faces in this moment! I want to know what Damian is thinking, or if he frowns. I want to know if Ray looks nervous or concerned. We don't see that at all.
Instead of seeing them over the GTO, we get the close-up on the hands and the bracelet over the rebuilt engine.
Rebuilding!! They're doing it.
And that makes my little queer heart pretty happy.
#due south#benton fraser#ray kowalski#fraser/rayk#otp: there's no ships like partnerships#fraser/kowalski#maggs due south meta#4x02 easy money#3x01 burning down the house#3x02 eclipse#sneaking in JUST under the wire for easy money week!!!!!#it’s chill if you disagree this just my meta
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I'm always a fan of Caity Weaver's work, but this piece from the New York Times Magazine (these links are gift links from me past the NYT paywall to access the full article) about how the penny is not only a ridiculous zombie currency, but also a reflection of American dysfunction is one of the best articles I've read in a long time. It's really interesting, especially the parts about production, circulation, and the ultimate paralysis of throwing them in a coin jar for months or years before eventually taking them to a Coinstar machine.
Not only is the penny useless and more expensive to make than it is actually worth, but it's also relatively easy to eliminate. But it's not an imperative and eliminating it also wouldn't necessarily be something that the government or the citizens would actively profit from. And people don't like change -- and I don't mean "change" as in currency, but the act of doing something different or unusual from our accepted routines. So we just ignore them or discard them or hoard them needlessly, and the government keeps making billions of tons (literally) of them because they drop out of circulation. Nobody cares and nobody wants to have to do anything about it because America.
Here's a little excerpt of the piece from the New York Times Magazine, and again, just follow the links for a free gift pass behind the paywall for Caity's full article:
Americans accumulate pennies not because we desire them but because we are entitled to them. If we pay for something in cash with more than exact change, we expect to receive back the difference; if the difference ends in any number other than 0 or 5, we will receive at least one penny. We are entitled to pennies because they exist. But imagine a world where they didn't. Imagine a world where it was Canada. Many Americans will be surprised to learn that Canada eliminated its 1-cent coin more than a decade ago...Canada got rid of its penny in 2013 because it cost 1.6 cents to produce and had, like its American cousin, become essentially worthless. Here is the most important detail to understand: Canada eliminated only its physical coin, not the mathematical concept of 1 cent. Payment by credit card, debit card, mobile phone or check -- any kind of noncash transaction -- is calculated exactly as it was before the penny was abolished. If, after tax, a bill comes to, say, $20.11, a Canadian paying by credit card will be charged $20.11. A Canadian paying by cash can expect to pay $20.10. The final digit of Canadian cash transactions is rounded to the nearest nickel: 1 and 2, nearest to 0 nickels, round down to 0; 3 and 4 round up to a nickel -- 5; 6 and 7, also nearest to one nickel, round down -- 5 again; 8 and 9, nearest to 10 cents, round up. I admit that the thought I might be asked to pay, say $3.80 (cash) for something that, according to the laws of God and man, has been calculated to cost $3.79 (cash) is not only reflexively infuriating to me but a potential source of permanent confusion. The Canadian government mitigated one of those problems (no hope for the other) with an information campaign that included signs with simple charts dividing potential prices into two columns: "Round down" and "Round up." I asked Karl Littler from the Retail Council of Canada if there were still signs at cash registers explaining the rounding. "It's 10 years now, so even the most obtuse people have pretty much figured it out," he said, and laughed.
-- Caity Weaver: "America Must Free Itself from the Tyranny of the Penny", the New York Times Magazine
#To Read#Caity Weaver#New York Times Magazine#Pennies#Penny#Currency#Money#United States of America#New York Times#Long Reads#Reading Suggestions#Good Articles#Interesting#Interesting Reads#Interesting Articles#Gift Links
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SOGUE MAGAZINE, WINTER 2024
The Blood of the Innocent: Judith Ward's Dirty Little Secret
(For the Occultify a Sim challenge in the Occult Simblr Discord)
Nobody will forget the feeling of seeing their childhood favorite movie star twenty years later. The nostalgia of seeing their face, the weird awareness of your own mortality as you take in the new wrinkles and lines. Did she have those kids when she filmed that movie? Were they really that young? I'm older than he was when he filmed that one show... But one Del Sol face has yet to bear the scars of time - the ever-iconic Judith Ward. In our interview, Ward told me exactly how she's stayed just so young and lovely: consensual Vampirism.
Want more? Read the rest of the article below the cut!
This announcement comes at a complicated time for Simerica, as anti-Occult sentiments have spread across the nation like wildfire, and public opinion has shifted away from their support. Vampires especially, known for their "inborn" violent tendencies towards ordinary Sims, face a great deal of discrimination in many regions. Some Sims view this as a safety measure, a means of keeping natural killers away from their families. Recent legislation has attempted to make this a national issue, as opposed to a region-specific one, as proposed by senators Victor Feng and Anne Thorne, of San Myshuno and Copperdale respectively. Others sympathize with the Occult cause. Feng and Thorne's bill failed to get the required majority, but it was close. Many Sims on both sides of the political spectrum felt that the vote should have swung one way or another, and celebrities across Simerica have taken to speaking their piece. Judith Ward's, however, may be the most personal - and impactful - of them all. We conducted our interview at Ward's Del Sol house:
WHY NOW? "Now is precisely the right time to speak up about these things. Sims across the nation are wondering what to believe, and who to trust. And they know they can trust me. If being open about what I am convinces even a single Sim to join the cause and protect my people, it will have been worth all the backlash I expect to face." YOU CALLED IT CONSENSUAL VAMPIRISM. EXPLAIN THAT? "It's true that untrained or under-educated Vampires can cause massive harm to populations, especially in small towns. But the solution to that problem isn't punishing them, or stripping them of their resources. We've seen what happens when you do that. It's why we've had this moment of tension in the first place. But when provided the resources needed to survive harmlessly, Vampires are no more dangerous than any other Sim." BUT... "CONSENSUAL?" "I keep a few Sims in my employ. Times are tough, and I pay handsomely. It's in cooperation with a private medical practice, they're thoroughly informed beforehand, and it's all quite sterile and ethical, don't you worry." TELL ME ABOUT YOUR EXPERIENCE WITH VAMPIRISM. "I admit, when I first signed up for it, I had no idea what I was getting myself into. It was frightening. The transformation can be quite painful, particularly in the first few days. I've had some issues with work, too. I have to film daylight scenes in short bursts, or on soundstages. I've lost more than a few roles because of it. But I've got it easy, all things considered. My heart really goes out to all those who don't have such flexibility in their careers."
It's hard to say for certain where Occult politics will lead. Polling is wildly polarized across and within regions, and extremism on both sides is rampant. More and more prominent social figures are taking stances, and Judith Ward certainly won't be the last. Only time will tell which way the political compass will turn. See you next time, LINCOLN BROADSHEET
CelebCrave: Sogue Journalist Fired After Political Tantrum!
"They wildly misrepresented me," complained former Sogue interviewer Lincoln Broadsheet, in a recent Social Bunny post. "I didn't approve the cover or the title... It's incredibly hurtful to see such a prominent magazine ignore my intentions as a writer like this... And they fired me over it. Writers like me get fired for trying to provide the truth, instead of writing for clicks." Read the full Social Bunny thread here: Lincoln Broadsheet @ LBWrites replying to @[...] They wildly misrepresented me and Judith. It was a huge lapse in judgment from Sogue, and their decision to fire me when I protested was irresponsible. 1/8 Lincoln Broadsheet @ LBWrites I didn't approve the cover or the title. My articles are always unbiased, especially when they're about such decisive subjects. It's incredibly hurtful to see such a prominent magazine ignore my intentions as a writer like this. 2/8 Lincoln Broadsheet @ LBWrites I couldn't sit by without speaking out, and they fired me over it. It hurts to see how many Sims don't care about misinformation and biased reporting. These issues are rampant, and writers like me get fired for trying to provide the truth, instead of writing for clicks. 3/8 [...]
#blood tw#sims 4#legacy challenge#sims 4 legacy#ts4#cash legacy#gen 3#gen 3 ch 1#lincoln broadsheet#judith ward#also mentioned:#victor feng#anne thorne#god help me. this wasn't supposed to be lore. but here we are. writing 700+ words of nonsense about JUDY
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Leather and Lace
Summary: The night Harry sang with Stevie at the Troubadour
Warnings: None
Word Count: 1440
A/N: This is a special little one shot written after that night in 2017. For those who don't know me, I've been a massive Stevie Nicks fan for many many years. Though I was not there at the Troubadour, I cried tears of joy when I found out about it. Then I wrote this. It's written in first person because it is so personal to me.
I'd been trying to hold it together for the last twenty minutes. The show was over, the crowd for the most part was dispersing and leaving the Troubadour, with a few clusters of fans here and there chatting. The music was still ringing in my ears, the feedback from the guitar now long gone yet still managing to vibrate and shake throughout my body. I stood frozen in my spot on the balcony where I'd sat next to James to watch Harry. The stage was now empty, the spotlights now making it seem more like a distant memory, or a time capsule from a completely different era - one that I'd seen in old magazines from decades ago.
I couldn't believe what I'd just witnessed. Harry had just sung with Stevie Nicks. Stevie fucking Nicks! To say I was a fan of hers would be an understatement. Stevie was my idol. My queen. The reason I'd wanted to be a musician since I was twelve.
I hadn't known she would be there. Harry hadn't told me. Whether it was because he wanted it to be a surprise, or because he was afraid I would freak out and be nervous for him, therefore making him all the more nervous, I didn't know. But maybe it was a little of both.
I nearly jumped out of my skin when I felt a hand on my back. I turned to see James who gave me a kind smile and patted my shoulder. He whispered in my ear that he was leaving and he would ring Harry later. I nodded and gave him a quick hug and said goodnight. Then I turned my gaze back to the stage below.
He'd done it. This was it. I couldn't even imagine it getting any better. He could sell out arenas and stadiums all over the world, win all the Grammys and stay at number one on Billboard for over a year and it still wouldn't compare to the emotions I'd felt watching him sing with Stevie.
I felt a tear start to trickle down my cheek and I quickly wiped it away when I heard my name behind me.
"There you are," said Glenne. "Harry's looking for you."
"What?" I asked incredulously. "He is?"
"Yeah, he wants you backstage."
Harry never asked for me to come backstage or to the dressing room, neither before or after a show. I would give him the space he needed to clear his head and get in the zone. Even when he was on Saturday Night Live, I'd just taken a seat like any other audience member and waited until he'd come out to find me, his face all flushed, his bag slung over his shoulder. For him to be asking for me now...after what had just happened...that meant something.
"Okay..." I took a deep breath and swallowed hard.
I descended the staircase slowly, my knees shaking. Glenne hadn't bothered to follow me, which only confirmed that Harry had requested me and me only.
Jeff stood just inside the dressing room door when I entered. He nodded at me silently before walking around me and leaving me alone with Harry. He sat on a small leather loveseat that had seen better days and probably had more stories to tell than Keith Richards. When he saw me, he beamed. I immediately ran to him when he rose, throwing my arms around his middle. It didn't matter that he was sweaty. It didn't matter that the door behind me was wide open. All that mattered was that I couldn't be more proud of him than I was in that moment.
We rocked back and forth for a few minutes until I felt him kiss the top of my head and whisper.
"Sorry I didn't tell you. Kinda wanted it to be a surprise."
"Well, you definitely achieved that."
Harry chuckled, his chest shaking against my cheek that pressed to it. "So, what'd you think?"
I licked my lips, trying to gather my thoughts. "I thought it was the most beautiful moment I've ever gotten to see and hear in my life."
"Yeah?"
I lifted my head to look at him. "Of course. My two favorite people. Singing together. What could be better than that?"
Harry smiled wider as he brushed a strand of hair away from my eyes. His eyes danced with glee, like a giddy child who'd just gone to Disneyland.
"How did it feel to you?" I asked him. "To be up there with her, singing her songs, her singing yours? That had to feel incredible."
For the first time since I'd entered the room, Harry's smile faltered a bit and he pressed his lips together.
"To be honest," he replied, "I was having a hard time keeping it together."
I nodded. "I know. I noticed. But I think that made it ever better. I loved seeing you getting choked up. Because I was getting choked up too."
Harry suddenly let go of me and backed away, digging his palms into his eyes. He sat on the couch again, his shoulders trembling as he released his emotions he'd no doubt been holding in up to that point. I silently sat beside him, my hand gently laid on his thigh, unmoving and waiting until he was ready for more contact. I watched him cry, the overwhelmingness finally hitting him. Finally with a shaky breath, he took hold of my hand, giving it a squeeze. He tried to catch the tears before they fell unsuccessfully as I rubbed his back with my other hand.
"That was...pretty intense, huh?" I asked.
"Yeah..." he breathed, wiping his eye with the back of his hand.
"She's amazing."
"A legend," Harry added. "I can't believe...I can't believe that actually happened. It's like...a dream."
I smiled. "She seemed to really like you, too. She must think you're something special to do that with you. And she'd be right."
Harry turned to me then, giving me a small grin.
"I'm so proud of you, baby," I murmured, leaning my cheek against his shoulder. "I just...I just don't even have words for how I feel right now. You continue to blow my mind.
He squeezed my hand again before threading his fingers through and bringing it to his lips.
"Now, I'm gonna want a studio recording of Leather and Lace," I quipped.
Harry chuckled, and I was happy I'd lightened the mood.
"You might just have to settle for a live version on youtube, I'm afraid."
I shrugged. "Fair enough. Sometimes live recordings are better anyway. And there's no way you could really recapture that magic in a studio version."
"Harry, darling, I just wanted to say goodbye and wish you the best of luck."
I knew the voice before I even turned my head. There she stood in the doorway, my queen in all her five feet and one inch, minus the platform boots. My eyes widened and I'm pretty sure I gasped as Harry rose from the sofa again, my hand still in his.
"Thank you so much, Stevie," he choked, his voice raspier than usual.
The next few moments were a blur which seemed to happen in fast forward and slow motion simultaneously. Harry introduced me to Stevie, I shook her soft, tiny, hand with its long painted nails, and I think I might have told her I loved her, though I don't remember exactly. I do remember, however, that she hugged me and she smelled intoxicatingly beautiful, like a cross between jasmine, honeysuckle and Nag Champa incense. I also might've held on a little longer than I should have until she pulled away and smiled, then moving to hug Harry. If I had thought about it, I would have taken a photo, but the memory burned in my brain was enough.
I watched her walk away, giving one last wave, then I stared at her boots as she walked down the hall and hugged Sarah and Clare.
"I wonder which of us is the most starstruck," I heard behind me.
I smiled, turning around.
"Definitely you," I commented. "You got to sing with her. That's like...the ultimate."
"I dunno," he smirked. "You should see your face right now."
I slapped my hand to my mouth. "Oh my God!" I muffled my scream. "I just met Stevie Nicks!"
Harry smiled wider, holding out his arm to gesture for me.
"C'mere, love," he said.
I crashed into his chest again, wrapping my arms around him. Just like before, we rocked back and forth. Only this time, I was the one weeping.
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what are some of the biggest changes in the music industry that you’ve noticed/experienced, good and bad? i’ve definitely heard people say that it’s all gone to shit and stuff like that, but i’m interested to hear your thoughts as someone who’s had their finger on the pulse for 40ish years now.
obligatory ‘hope everyone is doing well’ :)
JF: I can imagine lots of folks saying "everything is has all gone to shit". As someone who has eeked out a living in this field for a long time, a lot of things just stopped making sense around 2010, when all the related creative industries (advertising, paid downloads, newspapers, magazines, music television) started going to shit as well. ((And I find is strangely twisted that so many pundits look to touring and merch as "alternative solutions" while the latter was always just secondary income and the former had been a historic money-loser for the entire duration of the "music industry".))
I think what emerges is that all the fears folks had about Napster were actually realized with modern day streamers. While I've been risk-averse for the duration and often feel pretty flush, if I had made a few big bad choices along the way I could imagine feeling pretty ripped off, but then again--people are exploited at their jobs all the time.
To be clear, I am extremely grateful to our audience and don't take anything for granted. My advice to bands, and anybody, is save your money and buys some low cost Vanguard ETFs.
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