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thetomorrowshow · 1 month ago

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love is such a drag

Chapter one: Scar's first encounter with the angel (and Grian gets to eat ice cream)

welcome to my scariana griande drag college au. this will be quite the ride from start to finish.

Scar spots her from across the bar.

It would be hard not to notice her, honestly. Despite the dim, almost cloudy lighting of the room, she glows, as if a heavenly spotlight is set right on her to make it clear that she just descended from heaven.

Scar sneaks glances at her over the fun green umbrella in his drink. She's sitting by herself—an absolute crime, if you ask Scar—, swishing around the little black straw in her drink. Her dark blond hair falls in gorgeous ringlets down around her shoulders, outlining her face the way a pure golden frame would surround only the most beautiful of paintings.

Her nose is small, turned up just a little bit in a peak, the bridge delicate and sparkling with a small amount of angel dust that must be left over from the aforementioned descent. Her eyes are almost comically doe-like, large and accentuated with soft pink eye shadow and long eyelashes. Scar can't quite tell what color her eyes are from this distance (brown, maybe? Black?), but he knows that whatever color they are, they are absolutely perfect.

Her lips are pink to match her eye shadow, glittery, small and pursed, as if her drink isn't near good enough to pass those delicately soft lips.

Scar hasn't even met the woman, but he wants to kiss those lips. He wants some of that angel dust to find its way onto his own lips.

Her cheeks are rosy and full, and her round chin rests on her palm as she casts a bored look around the bar.

Scar downs the last bit of his drink for courage.

He sticks the umbrella in his shirt pocket for good luck.

Then he picks up his cane and saunters over, frantically sorting through every pick-up line in his repertoire—though none of them seem to match the beauty of God's creation before him.

She looks up at him as he approaches, peering at him from under those long lashes, and now he can tell—

Her eyes are grey, but not grey like clouds, or the sea, or the bartop that her arm rests on. Her eyes are grey like the comforter on his mom's bed, like the bricks around the fireplace back in his grandpa's old house, like the silver colored pencil he'd taken all his notes in for a semester to try and prove to Cub that it worked just as well as a normal pencil (it hadn't).

Her eyes are grey like the backdrop of Scar's dreams, the firmament that rests between consciousness and all else.

And then, of course, he's right there.

And she's waiting.

There isn't a single smooth pick-up line in his brain, which is offensive if Scar does say so himself, because he always has words. He could wax poetic about a frying pan for an hour just to annoy someone, but now that his skills are put to the test he can't hold on to his wits long enough to use them.

Goodness gracious, but she's beautiful.

She's wearing something pink and small, a cut-off that reveals a slender torso and adorable bellybutton, the sleeves long and flowy but off the shoulders. Her skirt is a lighter shade of pink, cutting off just above her knees, and it looks like just the kind of skirt that she could spin in and it would twirl along perfectly with her, the kind that sort of looks like a cupcake wrapper.

Scar's always wanted to wear that kind of skirt.

How long has he been staring at her?

"Hi," he manages, readjusting his sweaty grip on his cane. "Um. Come here often?"

She rolls her eyes.

It's breathtaking.

"Sorry, worst line in the book and all that," Scar excuses himself. "Can I order you another drink, then?"

She glances at the half-full drink she's been slowly working her way through. "I'm good, thanks," she says, and Scar nearly swoons.

The angel talked to him!

And her voice! Fluttery, but something deeper underneath! Textured like a symphonic piece of music, as soft as the faux fur carpets in the back of department stores!

She's perfect.

"I'll just cut straight to the point," Scar says, trying valiantly to not feel light-headed. "You are the most beautiful woman I have ever seen. May I take you out on a date?"

She blinks.

"You don't even know me," she says, leaning back down to take a dainty little sip out of the straw.

"No, but I want to," Scar reasons. "Can I get you anything? Some chips? A little umbrella?"

"The umbrellas come with the cocktails," she scoffs. She flicks her hair over her shoulder and Scar definitely doesn't almost fall over. "I'm not in the mood for a cocktail."

Scar leans forward. "You can ask for an umbrella with any drink," he whispers, winking conspiratorially. "I always do."

"What is it you really want?" she says, sounding almost tired, and Scar puts his hand to his heart.

"I just want to take you out on a date, I swear, nothing else," he says. "Scout's honor."

"Scout's honor?"

"Troupe 2906," Scar says, lying through his teeth. He was never a scout. Well, he did Cub Scouts, but he never made it to Boy Scouts. And he definitely didn't have a troupe. "Once a scout, always a scout."

Almost reluctantly, she giggles (a sound like windchimes softly jangling), then pulls her phone out of the tiny white purse at her side. "All right, fine. What's your name?"

"Scar," he tells her, pulling out his own phone. He unlocks it with a quick swipe, then pulls up a new contact card and trades his phone for the angel's.

"Your phone looks like it got ran over," she observes, picking at the tape on the side.

"If you pull that tape off, it goes dead."

She stops picking at it.

Scar types in his number slowly with one finger, leaning against the bar as casually as he can manage. He's been standing for a minute too long, but he doesn't want to make her uncomfortable by sitting down.

When he's finished, he passes the phone back to her, receiving his own in return.

"I'll text you," he promises.

She laughs again, nods. "Okay."

The way she dismisses him—

The conversation is clearly over, based on the way she turns back to her drink, her lips once again pursed but this time turned up at the corners.

Scar hurries out as fast as his body will allow him, which isn't very fast even on the best days.

Once he's outside, out of view of her, he checks his phone.

The contact is there, ten exquisite digits.

And her name.

Ariana.

"Cub, do you mind if I have someone over? I need to opine."

Cub looks up from his laptop, then flinches away when Scar turns on the lights.

"Scar, do you know what time it is?" he gripes, putting a pillow over his face.

"It's not even midnight, mister, so don't pretend like this is late. You're always up at all hours of the morning, anyway."

"Why can't you opine to me?" Cub sighs.

"You don't opine back! I need someone who will wallow on the floor with me."

Scar can practically hear Cub raise an eyebrow. "Ren?"

Scar grins. "Ren. He basically isn't even a guest, since he lives right above us. And it would only be for an hour at most!"

"Fine, fine," grumbles Cub, sitting up and setting his pillow to the side. "Call him. But I have a quiz tomorrow, so this better be quick."

Ren's over within five minutes, a two-liter of diet pepsi in one hand and a bag of candy in the other.

"Leftover Christmas candy, my dude," Ren says, tossing it on the floor. "You said you need to opine?"

Scar carefully lowers himself to sit on the floor, then flops down onto his back, his arms splayed out dramatically.

"Why are we doing this in my room?" groans Cub.

"I've seen an angel," Scar declares, and his heart flutters just the slightest bit.

"Ugh."

"Ooh!" Ren says, sitting cross-legged on the floor. "Tell me more."

"I was at the bar in Aquetown, right?" Scar starts, adjusting his arms to look more dramatic, one thrown over his forehead. "The good one. The quiet one."

"Right," nods Ren. "I know it well."

"And there she was," Scar says reverently. "The angel."

"What was her name? What happened? What did she—"

"Her name is Ariana," Scar breathes, the name as sweet on his lips as he knows her kiss would be. "She's perfect."

"Did you get her number?" Cub asks boredly.

Scar scoffs. "Of course I got her number! We're going on a date."

"Oooo!" Ren teases, slapping his shoulder. "My man has a date with a pretty girl!"

"She isn't just a girl," Scar says dreamily. "She's an angel. You should've seen her, Ren! If God himself turned up and told me that there had been a mistake, that she was supposed to be in heaven, I wouldn't have even blinked! She—"

"Yeah, she's a beautiful angel, we get it," interrupts Cub. "Can you do this in the living room?"

"What color are her eyes?" Ren asks.

"Grey . . . I've never met anyone with grey eyes. Not like those."

"What did she say? Is she into you?" Ren shakes his head. "What am I saying? Of course she's into you! Who wouldn't be?"

Scar. . . .

Scar hadn't even thought about that.

He'd just been so preoccupied with getting a date with such a perfect woman, he hadn't even thought about whether or not she might want one with him.

What if she secretly hates him?

What if she just told him yes to get him to go away?

"No, it's okay," Ren says quickly, patting his arm. "Don't cry! She's totally into you, dude! Don't even worry about it!"

"What if she isn't?" Scar asks, the hand thrown over his head moving to tug at his hair. "What if I was bothering her? What if she gave me a fake number?"

"No, dude, it's not—"

"Scar," Cub says, kneeling down on the floor beside him, "look at me."

There are already tears welling up in Scar's eyes when he looks up, straight into Cub's dark, unyielding eyes.

"Any woman would be lucky to have you," he says seriously. "If she was lying, that's her loss. Got it?"

Reluctantly, Scar nods, wiping away a tear with the heel of his palm.

Cub claps him on the shoulder. "Now get out of my room."

"Mumbo! Mumbo, you're never gonna guess—"

"In here!" Mumbo calls from their shared bedroom.

Grian shuts the front door and locks the deadbolt, then dashes down the short hall—past Pearl's empty bedroom—until he arrives at his own room. He shuts and locks that door behind himself as well, then leans against it, hands splayed on the old poorly-painted wood.

"Mumbo," he breathes. "Mumbo, it happened."

Mumbo is lying on his stomach on the floor, sleep shirt riding just a bit up his back from clear readjustments of position. He pushes his laptop a bit away, shuts whatever textbook he'd been studying, and rubs his eyes.

"You look cute," Mumbo says when he's done rubbing his eyes, blinking blearily at Grian. "Is that a new skirt?"

Grian stands up straight for a moment, twirls it back and forth. "Yeah, it's one of my new favorites, I think. Do you like it?"

"Looks great," says Mumbo. "Good show tonight?"

"It was fine, but that doesn't matter!" Grian falls back against the door again, letting himself slide all the way to the floor. "Mumbo, it finally happened. A man asked me out."

"No way!" Mumbo cheers, sitting up. "Like, legitimately? He thought—"

"He thought I was a girl and he asked me out!" Grian says. "This is the best day of my life. Nothing can top this."

"After—wait, after the performance? Or before? Because you think he'd know, after the performance, that it was drag, but maybe—"

"Oh, no, no, no," Grian waves him off. "This was at a different bar. I stopped by that one in Aquetown—you know, the dead one?—just on my way back, to try and get a decent drink before heading home. And he just came over to me—Mumbo, he called me the most beautiful woman he'd ever seen."

"Dude!" Mumbo waves his arms around like Kermit the Frog. "I think—I think we need to celebrate! Break out the ice cream, dude, because it's time to throw a party!"

Grian just breathes slowly, chest lifting and falling dramatically. He feels just like a girl in the movies after kissing her date goodbye, only better. More giddy, if that’s possible.

It's getting late, though. He should probably slip out of his heels, take out his hair extensions, wipe off his make-up, take off his boobs, change into pajamas. . . .

Or he could go eat ice cream in their tiny kitchen with Mumbo and animatedly recount every moment of the night.

Which is how Grian finds himself eating ice cream in their tiny kitchen with Mumbo, animatedly recounting every moment of the night.

"He has a cane," Grian remembers suddenly, halfway through telling Mumbo exactly what he'd said for the third time. "It was one of those old-fashioned ones. With the golden handle?"

"Okay, so he's, like, the rich heir of a mansion," Mumbo nods. "You could do a lot worse. Unless he was old—was he old?"

Grian shrugs. "I don't think so. He looked pretty young—he had a scar across his cheek, actually, kind of like—like this—"

He traces along his own cheek, starting from his jawbone, curving up a bit almost to his nose.

Mumbo frowns. "A scar? I think—"

The front door of the apartment opens, and in trudges Pearl, kicking off her muddy boots.

"Pearl!" Grian says excitedly, holding out his scraped-up plastic bowl, a couple of bites of melting ice cream still left. "We're having ice cream to celebrate!"

Pearl drops her blue backpack on the floor of the living room (right beside the front door, the dead carpet there dividing it from the tiled entrance space that leads into the kitchen). She looks first to Grian, then Mumbo, then the carton of vanilla ice cream on the kitchen counter.

"Sounds like a party!" she says, sticking her hands in her hoodie pockets. "You both look nice!"

"Oh! Um, thanks!" Mumbo says, while Grian does a little spin, his skirt lifting in the air (not that Pearl can see, standing on the other side of the counter as she is).

"A man asked me out," Grian tells her. "While he thought I was a woman!"

"Well, of course he did! You make a very pretty girl, Grian."

"Yeah, but you have to say that. You're my sister. He called me the most beautiful woman he'd ever seen."

"Awww," Pearl coos. She comes around the counter, pulls a chipped bowl out of the dishwasher (used to dry dishes, not wash them) along with a spoon, which she uses to load some ice cream into the bowl before sticking a spoonful in her mouth.

"What was his name?" she asks around the ice cream, words muffled.

Grian frowns. "I don't remember. He didn't write it in the contact. That isn't important, though—he asked me out!"

"Are you going to go?"

Grian freezes.

Is he going to. . . ?

"Oh no," he says, dread pooling in the pit of his stomach. "I—I didn't even think about that."

"Think about what?" Mumbo asks, scraping his spoon along the side of his bowl.

"I don't want to go on a date," Grian says. Oh, this is dreadful! "I just liked the attention! What do I do, Mumbo? I gave him my number and everything!"

Pearl scoffs. "You gave him your number? You're basically required to go on a date with him. If you give a man your real number, it means you're interested."

"Did you tell him you'd go on a date with him?"

Grian cringes. ". . . Maybe?"

"Grian!"

"I can't help it!" Grian defends. "I love flirting, you know that!"

Mumbo covers his face, bowl abandoned on the counter.

"Grian," Pearl bemoans.

"I'm sorry, I'm sorry. . . ."

"Well, we'd better hope he's a creep!" Mumbo says loudly, face still buried in his hands. "Because then you don't have to feel bad about ditching the date!"

"Was he nice?" asks Pearl.

Grian shrugs helplessly. "I guess? He tried to give me a drink umbrella."

"Oh. So, very drunk."

"No, I think he just wanted me to have one."

"Goodness, Grian. You've got yourself in a bit of a situation," Mumbo says, finally emerging from his hands. He looks into his bowl, frowns at the lack of ice cream.

"Maybe he'll forget about it?" Grian suggests, but his heart isn't really in it.

He doesn't have much hope. Not with the way the man had talked to him. No, he's probably just set himself up for a month of progressively creepier and more disgusting texts until he blocks the man and files a 'do not contact' directive with the school.

Assuming this man is a student.

What if he's, like, an old man?

Like, thirty?

Okay. This is too much.

Hopefully, he just doesn't text. Then Grian won't have to worry about it. Which won't happen, but he can dream.

"We can talk more about it tomorrow, all right?" Mumbo says, tossing his bowl in the sink. "It's getting late. And G, you should probably put your, er, appendages away."

"My bosom?" Grian says, raising an eyebrow.

"His tittie-tatties?" Pearl suggests.

"My breastily breasting boobs?"

"His badonka donk—"

"Please just get them off the counter."

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airenyah · 14 days ago

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A LOOK AT STYLE'S JOURNEY | Ep 9

(Overview | Ep1+2 | Ep3 | Ep4 | Ep5 | Ep6 | Ep7 | Ep8 | Ep10)

Yeah, I don't really have any introductory words to say on this one except... ENJOY <3

Pronoun situation: As usual, just assume Fadel and Style use the rude pronouns guu/mueng with each other unless I specify otherwise.

To recap: On their road trip through the country, Fadel and Style ran into an interesting pair and got involved in their (pre-)marital dispute. Style finally figures out what exactly Fadel is mad about and makes him a promise.

No. 1: A Stylish Death

Once more, Style and Fadel are on the road. Fadel finally took Style's advice from the end of episode 7 to heart and is currently taking a nap on the backseat of the car instead of threatening Style non-stop. Style turns his head to check on him, then shakes his head and looks back to the road, his expression amused. It's my personal headcanon that he finds it just as funny and ridiculous (affectionate) how bad of a kidnapper Fadel is as we the fandom do. What kidnapper just sleeps peacefully while letting their victim drive them around in a car without supervision? Speaking of headcanons, you know how there's been talk about where exactly Style got the sunglasses from all of a sudden? My mom suggested that they could be Bison's and that they just happened to lie around in the car, but it's my headcanon that Style actually nicked them from Jimmy and Popcorn's house. He probably found the glasses somewhere around the house and charmed the two of them into giving them to him before he and Fadel left.

Anyway, the radio cuts out and Style ends up finding a photo of some mysterious guy in the glove compartment in search of CDs. To be honest, I don't think Style is all that jealous in this moment (I think he'd know if there was a love rival he needed to worry about, I think he can read Fadel well enough by now), but I do think he's very confused and intrigued. Because Fadel did tell him four episodes ago that he didn't have any past lovers. And only the night before (I assume) they had a chat in which Style mentions that he doesn't know Fadel's past. And I think Style wants to know. About Fadel's past and now about the guy in the photo specifically, because that guy is likely connected to Fadel's past, too. Which Style wants to know about.

But right in that moment, Fadel wakes up. Style quickly throws the photo back into the compartment, slams it shut and immediately ropes Fadel into a conversation so that Fadel doesn't even have the time to ask what Style was doing in case he saw anything. Fadel starts telling Style about Bison's parents' island and house and Style hopes his best friend is still alive. The only thing Fadel has to say about that is: "I can’t guarantee that. You’ll have to find out for yourself." That's not a very reassuring answer. "Can’t you at least lie to make me feel better?" Style asks. Language fun fact, Style's reply actually goes more like:

Can't you give me some hope, please? มึงให้ความหวังกูหน่อยก็ได้ป่ะ [mueng - hâi - kwaam wăng - guu - nòi - gôh dâai - bpà] you - give - hope - me - a little (please) - [particle] - ?

Then Style asks for a quick stop at a clothes store because "I’ve been wearing [your clothes] this whole time, and it’s getting disgusting" and I just love that @panncakes was spot on when they said:

im just saying style is obviously not wearing his own shirt in episode 8 and since fadel had time to prepare for this search mission he obviously brought essentials including spare sets of clothing and baggy black does scream fadel; so im just going to assume fadel has style Who He's Definitely Killing Soon running around in his own clothing because you can't have a dead man running around in day old dirty clothes obviously and not because sharing clothes is becoming their Thing

In a bit we will see that Style actually is wearing a shirt that we've seen Fadel wear before on the show.

They start bickering, because Fadel isn't in the mood to go shopping for clothes, but Style fights for his will by joking about Fadel killing him and going on a very Style-like monologue about wanting to be a good-looking corpse. When he's done monologuing, he turns his head and throws Fadel a side glance to check if it worked.

It did.

No. 2: You Better Run, Better Run, Faster Than His Bullet

It worked. Despite Fadel's reluctance they are now standing in a clothes store on Style's request and that makes 3/3 series that JoongDunk have gone to a clothes store in. I'm starting to wonder if looking at clothes together on camera is in their contracts. Maybe the real sunflowers were the clothes stores we made along the way. (Yes, I am still waiting for a JD sun flower Easter egg. Since sun flowers were such a big thing in both their previous works and their mascot is a sunflower too.) Anyway, so Fadel caved and let Style go shopping for clothes after all, because when does Fadel not give in to Style and Style is hyped. They bicker some more and Style finally calls Fadel out for being a bad kidnapper while at the same time using the opportunity to pointedly call himself Fadel's boyfriend and just as pointedly call Fadel his own boyfriend again as well. Just listen to how much he stresses the word "faen". Actually, let me just share a more literal translation again, because he doesn't just throw around the word "boyfriend" two but three whole times in Thai:

Right now I feel more like a boyfriend. ตอนเนี่ยรู้สึกเหมือนแฟน��ากกว่า [dton nîia - rúu-sèuk - mĕuuan - faen - mâak gwàa] (right) now - feel - like - boyfriend - more Official subs: I feel like a boyfriend. It's/You're like a boyfriend who accompanies his boyfriend while shopping. เหมือนแฟนมาเฝ้าแฟนช้อปปิ้งอ่ะ [mĕuuan - faen - maa - fâo - faen - chóp-bpîng - àh] like - boyfriend - come - watch over, care - boyfriend - shopping - [particle] Official subs: This feels like going shopping with my boyfriend.

(The italicized boyfriends indicate which boyfriends Style pointedly stresses.)

Last episode, Fadel claimed twice that he and Style weren't boyfriends/a couple after Style referred to them as such. Now Style is calling them boyfriends again, but the only thing that Fadel debunks this time around is the claim that Style is his hostage. Fadel doesn't say a single word about them not being boyfriends. He ends his defense by claiming that Style doesn't hold enough value to be exchanged for anything and Style throws him a little nod like Sure Jan whatever you say.

Fadel continues to say "I'm just letting you find a little joy before I kill you" and that's interesting because:

I'm only letting you be a little happy before you die. กูแค่ให้มึงมีความสุขเล็กๆ น้อยๆ ก่อนตายเท่านั้นแหละ [guu - kâe - hâi - mueng - mii kwaam-sùk - lék lék nói nói - gòhn - dtaai - tâo nán - làe] I - just - let, give - you - be happy - little, small - before - die - only - [particle]

Let's compare with every other explicit death threat that Fadel has made to Style since he's kidnapped him:

Doesn't matter where [I'm taking you]. You'll be dead anyway. But before I kill you, I have to see my brother.

Once I find him, I'm going to kill you both.

One wrong move, I'm blowing your brain out.

If my car was stolen, not only would I kill you, I'd take a car from your garage.

Just because I let you do this doesn't mean I won't kill you, you know?

Do you see what's different all of a sudden? Yeah, that's right. Fadel threatened Style's life, but he did not say that he would be the one ending it. For once, Fadel did not say that he, Fadel, would be killing Style. The only other time he made a reference about Style being dead rather than him killing Style was the very first time he voiced an explicit death threat and that one was still followed by an "I kill you" in the very next sentence. Now, though? There is no "I (will) kill you" anywhere to be found. It's the same thing a few lines down: "You're going to die soon, what else do you want?" (Btw, I did check the Thai lines in the list above and in Thai he also says that he'll kill Style each time.)

I don't know if Style picks up on that subtle change in phrasing, but he certainly isn't as annoyed by and tired of the death threats anymore as he used to be. Instead, he now deals with them by making light of them, like earlier in the car when he insisted he wanted to be a good-looking corpse and now by asking Fadel to drop his dead body in a beautiful place so that at least his ghost could haunt nice places in nature. And what I love about this is that even though this is clearly meant more like a light-hearted joke, Style still sounds almost kind of genuine in his words. Because Fadel is "serious" about his death threats and so Style will also be serious about his dying wishes. And even though he doesn't believe that Fadel will actually kill him, Style still would rather haunt a beautiful place when he dies (even if it isn't at Fadel's hands). That part is genuine. However, Fadel ain't got no time for this particular wish. And so he threatens Style's life one more time by playing along with Style: "If you don't choose something right now, the only place you're haunting is this damn secondhand store."

Style stares at Fadel for a moment. Message received. It's time for Style to back down from being annoying or else Fadel will really lose his patience. And so Style turns his attention to the clothes rack, but not without showing Fadel how completely and utterly unimpressed he is by Fadel threatening death for the millionth time in the past 3-ish days. Style soon gets distracted from his performance when he notices a nice pair of shorts, which he grabs and then pointedly holds out to Fadel like There. I'm choosing something. Happy now?

Style seriously starts looking for something to wear after that and he's so focused on the clothes that he misses the way Fadel watches him with the most adoring look in his eyes. Style finds a top he likes and walks off to try it on. When he comes back to ask for Fadel's opinion on his outfit, Fadel points out that Style never really wears stripes:

But I don't really see you wearing striped clothes. แต่กูไม่ค่อยเห็นมึงใส่เสื้อลายทางนะ [dtàe - guu - mâi kôi - hĕn - mueng - sài - sêuua laai taang - ná] but - I - not really - see - you - wear - striped clothes - [particle] Official subs: I never saw you in stripes before.

Just wanted to make a little clarification, because in the subs Fadel actually says "I never saw you in stripes before" when Fadel actually has, in fact, seen Style in stripes. But "not really" and "never" isn't quite the same. In Thai Fadel implies that Style rarely wears stripes, not that he never wears stripes, and I think Style wearing stripes in front of Fadel three times in eight episodes is rare enough to be considered "not really".

Fadel taking note of this fact has Style quite satisfied, because Fadel is clearly paying attention to him. Then Style firmly tells Fadel "You can't kill me. You love me." and this stand-off really reminds me of the one in the storage room in episode 3 when Style tells Fadel "You won't [punch me]. You like me." Except this time Style is even more confident in his words. In fact, he knows he's right, because Fadel has had many perfect opportunities to kill him in the last couple of days, was actually close to killing him a few times and yet Style is still alive and kicking and actively being an annoying little menace in Fadel's life. And he also knows for a fact that Fadel is in love with him. He tested him in the bathtub and got a satisfactory result. Instead of being punched in the gut like last time, Style suddenly finds himself whirled around and on the ground, everything accompanied by the sound of gunshots.

From one second to the next, Style finds himself worrying about his his life again after he's finally managed to deal with his fear of death triggered by the pool incident. Somehow, Fadel and Style still have the time to bicker while Fadel fires off a few more gunshots and then they run to a different hiding spot. I do love how Style's first instinct the moment Fadel has dropped down on the ground next to him is to reach out to Fadel. And I love how Style doesn't even seem to be thinking about it, he just touches Fadel automatically, his hand seeks out Fadel almost out of reflex.

Fadel realizes he's out of bullets and blames Style who defends himself and then asks how they're gonna fight this guy. And once again we get to see how much of a helper Style is and how much of a need to fix things he has, because he immediately offers himself up as bait to distract the attacker. Fadel hates the idea, but Style insists. He's too helpful for his own good. Style gets in position to run, but turns back to Fadel for a moment when Fadel calls out Style's name a few times. Fadel tilts his head in disapproval like Are you fucking serious right now?! Style nods and blinks at him in a silent answer: Yeah. It'll be fine, don't worry. I got this. Then Style bravely runs off. His need to help overrides his fear of death.

Turns out Style cannot, in fact, outrun bullets. A bullet grazes him and he goes down. And at this point, let me just leave @secriden's observation here, because it totally hadn't occurred to me and it hurts me, so obviously I need to make it everyone else's problem, too:

[I]it is just deliciously dramatic that Style gets injured precisely dressed in the clothes he'd picked out so he could "at least die in something that's actually my style" and in the place Fadel said Style would haunt only minutes prior.

Fadel finds Style a minute or two later, once he's dealt with the attacker and they're both safe. Style says "It’s just a graze" and "This is nothing" and I'm not sure if he's saying this more to reassure Fadel or to reassure himself. His mouth says one thing, but his face sure says another.

Whatever brave face Style was putting on a moment ago disappears once Fadel starts wrapping his own shirt around Style's injury. Style goes down, clearly in pain. And I'm left wondering... Is that it? Is this why we've been counting Style around guns? Was it foreshadowing to Style getting shot? Only time will tell.

No. 3: Treating the Wounded

Somehow Fadel gets Style onto Bison's island. I wonder how far away they were at the point of Style being shot and how long it took for them to arrive on the island. Style is weak and pale and yet the first and also only thing out of his mouth is "Kant… You're alive. I'm happy to see that". Kant's death is a worry that Style has carried around ever since that morning at the hospital right before Fadel ambushed him and now that I think about it, this worry must have also played a part in Style's fear of and about death last episode. But Kant is alive. His best friend is alive. And that's all that matters through the pain right now.

Kant wants to help but Fadel immediately yells at him to let go of Style the moment Kant grabs Style's arm. I'm sure Style would have been cool with Kant also helping him, but Style currently doesn't have the energy to talk back to Fadel. Fadel continues to lead him towards the house and at one point as they're walking we see Style shut his eyes for a moment in a way that has me wonder if for a second his vision went blurry and/or if he's feeling dizzy from the pain and the shock of the injury:

Once at the house, Bison stitches Style back up while Fadel helps and acts as Style's moral support. I'm not sure how many details of what is happening here will be retained in Style's memory as his brain is certainly too busy with keeping him alive through the pain.

No. 4: Bestie Talk

Style wakes up in a bed and Kant finds him only a minute later with painkillers. Style first voices his relief that he himself didn't die from the shock of the surgery, followed by his relief that Kant isn't a corpse either. Kant's potential death really is something that was weighing him down. But Kant's alive! And he even told Bison about everything! Style can't believe his ears. How in the world is Kant still alive, then? Kant says "He loves me" and Style goes "Ohhhhhhhhh" while I go "The power of love, huh?" and then Style goes "The power of love, alright" and I die of laughter at how predictable Style's words were. Style, believer in the power of love, is very happy that his prediction was right, is very happy for his friend and his happiness. Kant continues "I love him, too. I'll do anything to keep him alive" and Style asks "And how are you going to do that? This mess is getting out of hand. It's not just the cops who are after them, but someone else clearly wants them dead" and it's interesting, because so far in their 1:1 scenes it was always Style being the optimistic one, the hopeful one, the dreamer while Kant kept things realistic and had a more pessimistic outlook on life. This time, though, it's the other way around. This time Style hits Kant with the realism. And it makes sense, because it was also Style who got hit by a real bullet. Style has felt and is actually currently feeling the very real consequences of "I'll do anything to keep him alive". One moment you think you can outrun a bullet, the next you almost die on a make-shift surgery table.

Kant says he doesn't exactly know how he's going to go about it, but that his heart is already in it. Style looks away, clearly thinking about something, then raises his eyebrows and nods.

"My heart is already in this." Style knows. Oh, how well Style knows that feeling. The feeling of wanting to do something, anything in the world for the well-being and safety of your hitman boyfriend. He's been feeling like this for a long time now. If we're being honest, Style has felt like this since all the way back in episode 5 where he told Kant "How would I even get through this? I compromised my whole body, and if we're being honest, I've already compromised half of my heart, too. I'm worried about him now" in that locker room. But back then things were going great for Style. Fadel had finally given him a chance and was happily dating Style while Style was falling in love with him more and more despite knowing his true identity. Back then, things were great. Now, though? Not so much. One moment Fadel threatens him with death, the next moment Fadel saves him from death. Style is happy that everything worked out well for his beloved bestie and his hitman boyfriend, but he himself is quite confused at the mixed signals he's getting from his own hitman: "Meanwhile, my chances are 50-50. He's hot and then cold. He loves me and then he doesn't. I honestly can't keep up with him." And I don't think the 50-50 refers to there being a 50-50 chance on whether Fadel will kill him or not. I think by now everyone and their mother knows that Fadel absolutely cannot bring himself to take Style's life no matter how hard he tries (and how hard he tries to convince himself otherwise) and Style is very much aware of it. He even called Fadel out on it at the store. No, I think the 50-50 is out on whether Fadel will forgive him and whether Fadel is willing to give Style another chance. Style knows Fadel loves him, but is the love he has also enough to let Style in again? Is it enough to put his walls down for Style again? And besides, apart from saving Style's life a few times, ever since Fadel found out the truth Fadel hasn't exactly been treating Style in a way that makes Style feel loved and appreciated while Style has done nothing but show his love and appreciation for Fadel. Fadel hasn't exactly shown that he really cares about Style. Style made it very clear that despite Fadel nearly taking his life at the pool, he still loved Fadel and was even willing to sleep with him anyway and Fadel just handcuffed him to the bed in return and told Style he didn't trust him. Style cried from trauma and the only consolation Fadel gave him was "don't be dramatic" and "I don't wanna listen". Style voiced genuine concerns about being murdered and Fadel came back with approval of Style's murder. Style called them boyfriends and Fadel returns with yet another death threat. Those aren't exactly bright prospects for Style and no matter how much Style stays in good spirits, deep down it's gotta hurt, too. Fadel may love Style enough not to kill him, but does he even care about him at all as well?

But Kant has an outside perspective and sees things that Style doesn't see. And from that perspective it looks like Fadel absolutely does care: "But from what I saw, he had your hands clasped in his so tightly. And the way he looked at you was exactly how I looked at Bison at the hospital." Style looks away again, even more lost in thought this time around as he contemplates Kant's words and thinks about Fadel holding his hand through the surgery as well as his relationship with him. Kant's words should come as good news, but Style still looks rather downhearted.

It may seem a little odd that our usual confident, optimistic, hopeful boy is suddenly discouraged. However, I think it makes sense. Style knows that Fadel loves him, but he hasn't exactly been treating Style in a way that makes Style actually feel that love (not killing Style and saving his life is kind of the bare minimum at this point, let's be real). Not to mention, there are also many things that we, the viewers, see from an outside perspective, but Style himself doesn't see them, like when Fadel nearly reached out to Style when Style was crying, or the look of adoration Fadel was watching Style with at the clothes store, or the concern Fadel showed while Bison was stitching Style up. But for the last incident, there was someone there to witness the outside perspective and finally Style learns how Fadel looks when Style's not looking. And that makes Style think. Fadel does seem to care. And Kant's words also serve to reconfirm that Style is right about Fadel loving him, but is that love enough to make Fadel want to be with Style again? After all, Style still has to work for Fadel's forgiveness. And I think that's why Style ultimately isn't all that convinced by Kant's words, because what good does the knowledge that Fadel loves him do, when there's a chance Fadel still won't take him back? What good does the knowledge that Fadel does care do, when it only happens in moments where Style is missing out on it? When it only happens in moments where that care doesn't properly reach Style?

Kant can tell that his friend is still unhappy, so he changes the topic to something more cheerful: "Thanks, though, for risking your life looking for me." This has Style genuinely laughing again as he says "I don’t need your gratitude." Another interpretation of this line is actually:

No need to get so touching, dude. ไม่ต้องมาซึ้งเลยมึง [mâi dtông - maa - séung - loiie - mueng] no need - come - touching, deep - [particle] - you

I think this is a little more coherent with Kant teasing Style about saying "I love you" afterwards, but that might also just be me. Anyway, Style and Kant bicker a bit and Kant accidentally causes pain to Style's injured arm. When they stop bickering, Style, who is in a bit of a better mood again after feeling a down about Fadel only moments before, now really wants to know alllll the tea he's missed while he was busy surviving the pain of the surgery: "When [Fadel] had my hand in his, how did he look at me?"

Kant goes into a dramatic reenactment for Style until they both break away laughing about how weird the thought of the two of them (Kant and Style) to kiss is. Once they've calmed down, Kant repeats that Fadel is worried about Style. Style smiles to himself, getting lost in thought again. It's still not an entirely happy smile, because Style still has a way to go to earn Fadel's forgiveness and Fadel still needs to make it clear in return that he does care about Style and appreciates him in a way where Style can actually see or feel it, but Style is definitely more hopeful again compared to earlier in the conversation. Maybe there is a chance Fadel is willing to give Style another chance after all. Maybe there really is still hope that Style will get his boyfriend back and that said boyfriend will also start treating him accordingly again. Maybe things aren't so bleak after all.

No. 5: Over My Dead Body

However, things take a dark turn when Style walks in on the love of his life holding his best friend at gunpoint. Style missed the beginning of the confrontation, so technically he doesn't really have context, but he also doesn't really need it, because he knows exactly what grudge Fadel is holding. No need to ask. Besides, the day they were playing with the BB guns Fadel already told Style "Kant has to deal with me. He started all this, after all." And now Fadel is making good on that promise.

But Style has been so worried about Kant's safety for so many episodes already and especially ever since Kant got kidnapped and now that Style's finally got his best friend back, alive, and he is not going to watch his (not-)boyfriend kill him in front of his very own eyes and so he shouts at Fadel not to hurt Kant. However, Kant is ready to accept his fate. But before he dies, Fadel needs to know that Style is innocent: "But Style has nothing to do with this. I lied to get him roped into this." Remember the word หลอก [lòhk] from last episode? Yeah, it makes an appearance again. Just so you know:

I deceived my friend one more time. ผมหลอกเพื่อนผมมาอีกทีนึงอ่ะ [pŏm - lòhk - pêuuan pŏm - maa - ìik tii nueng - àh] I - trick, deceive - my friend - [past tense marker] - one more time again - [particle]

(If you didn't read my ep8 meta: this word means "to trick" or "to deceive" and it came up A LOT during ep8. Lots of tricking and deceiving happening on this show. Who would have thought.)

But Style is not cool with Kant's sacrifice. "Don't you dare take all the credits," Style scolds him. And here, have the Thai version too, because it made me laugh:

Don't be cool all by yourself. มึงอย่าเท่คนเดียวดิวะ [mueng - yàa - têh - kon diieow - dì - wá] you - don't - (be) cool - alone, by yourself - [particle] - [particle]

Style won't let Kant to this alone. If Kant has to die, so does Style. And he makes that very clear to Fadel: "If you're going to kill him, kill me, too." Style's voice sounds angry when he says this and this is interesting, because Style hasn't really been properly angry with Fadel ever since he found himself tied up at the pool. Sure, Style got annoyed and he was even really done with Fadel at some points, but Style was never angry with Fadel, he never held any of what Fadel said or did to him against Fadel. No, instead of getting angry, Style just went with it and often met Fadel with kindness and love instead. But now that his best friend's life is on the line, Style is finally truly angry at Fadel. Fadel can shoot Kant over Style's dead body. And with the many times Fadel has saved Style in the last couple of days, Style knows for a fact that his dead body is not something Fadel can bear to see. Even when Fadel himself is the one who wants Style dead.

Style continues: "Nobody forced me into this. I agreed to it willingly." Style could have gotten out of this mess at any point after he was informed of Fadel's real occupation and of what Kant's real mission was, but Style didn't. Style stayed. And he even stuck to Fadel's side all throughout episode 8 without running away which is something that he did willingly. Not because he was afraid of Fadel's gun. Fadel never really treated Style as an actual hostage apart from that one time he handcuffed Style to the bed and the few times he waved his gun in Style's face. Style had plenty of opportunities to make a run for it, especially when Fadel was napping in the car. But Style chose to stay. Nobody forced him to do anything, not Fadel during their road trip and also not Kant at any time before that. Style went along with everything by his own choice and of his own will. No one's made any decisions for Style. Style also has agency in this game.

Style underlines this point by dropping down on his knees and offering his life by his very own choice. "Don't you have a little sympathy? We've been through all these things together. Why did you bother stitching me up if you're going to end up killing me anyway? Why didn't you just let me die?" Style is still angry, but now his voice sounds more reproachful as well as desperate. Style's hurt is really starting to shine through. He has stuck to Fadel's side with unwavering loyalty these past few days, has shown over and over again that he's serious about Fadel and his feelings for Fadel, he's been nice to Fadel, has helped him, has followed his wishes, has even nearly given his life to protect Fadel in the store. And not a single time has Fadel shown any sign of appreciation or as much as acknowledgment. That hurts. Even more so, when Fadel then goes to murder Style's best friend as a thank you in return for all that Style has done for him. I think when Style asks "Don't you have a little sympathy?" the unspoken question is You don't care about me, despite all that I've willingly done for you? Style's next words are even more loaded: "Why did you bother stitching me up if you're going to end up killing me anyway? Why didn't you just let me die?" This is You do care about me, because if you really did hate me all that much you could have easily let me die back there and finally be rid of me, but you didn't. You couldn't bear to see me die. This is If you care about me and my life this much, then why do you keep treating me so coldly? This is You saved my life and now you're just gonna destroy it immediately after? Are you really this cruel?

As Style is kneeling there, I don't think he is scared for his own life, I don't think he expects Fadel to actually shoot him dead on the spot. I think Style feels fairly safe in this moment, but he is terrified for Kant's life. He knows that Fadel can't bring himself to kill Style, because he loves him too much, but Fadel doesn't feel the same way about Kant. In fact, Fadel feels quite the opposite about Kant. If Fadel kills Kant now, even if he spares Style, Style's life would still be ruined. No matter how much Style insists that he'll like Fadel no matter what, I think if Fadel kills his best friend (or any of Style's loved ones really, like his dad), I think that's the one exception to the rule. I do think they would not be able to come back from that.

This moment here is also the first time Style actually begs Fadel for mercy. Yes, back at the pool he also worked on Fadel not firing that life-ending shot, but back then Style was mostly angry and annoyed and only a little scared. Yes, he did ask Fadel not to kill him, but back then Style was begging for his life, not for mercy. Back then Style didn't ask Fadel to show compassion. But now Style is on his knees, desperately begging Fadel to be merciful, to show compassion, to really think things through. Fadel stares at him.

Fadel may not appreciate the loyalty Style has shown him over the last few days, but Kant very much does appreciate Style's loyalty and voices it, too: "I'm happy to have called you a friend." Style replies "Thank you for making my life such an adventure. It's been so goddamn fun, you know that?" and now tears start falling from his eyes as he's speaking. And what I love about this is despite how Style is crying and despite how upset he is in this moment and despite how terrified he is about their (Kant's) death, for Style his potential goodbye to Kant isn't a tragedy. No, it's a celebration. Style is upset and he is sad and he is desperate and afraid, but he smiles a genuine smile through his tears as he speaks his potential last words that Kant may get to hear from him. It's a celebration of their friendship. Style takes this tragic moment and turns it into a happy one. Because if death is inevitable, he at least wants to spend their (Kant's) dying moment in happiness and with good memories in mind. Kant acknowledges that celebration with a smile and a nod, which Style returns.

But Fadel stays stubborn. "How can we be sure you're not just fooling us again?" Style's smile and brief moment of happiness has disappeared when he replies to Fadel. "You think I'd risk my life for all this if I didn't really have feelings for you?" Style is still firm, but now all the anger from moments before is completely gone. Only hurt and despair is left. Style is asking Fadel All this time you never thought or cared to see my perspective, did you? He's telling Fadel I'm here before you, literally begging you on my knees and you are STILL not willing to believe a single word out of my mouth nor any of my actions. Style may always act like Fadel's continuous stabs at him just bounce right off, but at the end of the day it does hurt him that Fadel keeps pushing him away, keeps refusing to appreciate or at the very least acknowledge Style's genuine sincerity. Style's words are reproachful, like he's asking What else do I still need to do in order to prove to you that I'm being serious, no tricks? How much longer will you disregard my very real feelings? Are you really that stubborn? Is this really the hill you're going to die on?

Now Kant jumps in with a beg of his own to support Style: "People make mistakes. Won't you give me a chance? I really love your brother, and my friend really loves you. The two of us will do anything to make sure the two of you get the life you want." Fadel looks at Style after Kant says "The two of us will do anything to make sure the two of you get the life you want." Style has his eyes fixed on Fadel and despite Style still being tense and his breathing being shaky, the expression on Style's face is firm and determined. Style really meant every single thing he just said or did. And he is especially determined in his decision to die alongside Kant. Style is sending a couple of messages to Fadel here. He's saying Since you're always disregarding my own feelings on this matter anyway it really seems like you don't give a shit about me after all, so killing me in addition to Kant really shouldn't be a problem for you at all, so go on, do it. He's telling him If you kill him, you kill me too. If not physically, then at the very least emotionally. He's asking Won't you finally believe that I'm undoubtedly serious and honest about everything and especially about you?

Style is also observing Fadel, watching Fadel intently to see what he's doing, to see what his next move is going to be. Fadel, who was staring at Style, looks back to Kant, then throws Style another look.

And that's when he makes the decision to not to shoot. To put the gun away, instead. And that decision was without a doubt made for Style, not for Bison. I think Style's words (and especially also the unspoken ones) got to him and more importantly, he got to see Style's loyalty in full action. And that was crucial for Fadel to see, because if Style is this loyal to Kant, then if Style's love for Fadel is true, Fadel can expect the same loyalty from him down the line. In fact, Style actually has shown Fadel the same loyalty all along already, or else he wouldn't have followed Fadel to Bison's island, nor would he have thrown himself in the line of fire at the store to protect Fadel. Although I'm not sure Fadel is really ready to truly look at and acknowledge that in this moment.

Fadel puts the gun down and walks a few steps away. Both Bison and Style rush to Kant to check on him. Once Style has made sure Kant is alright, he looks to Fadel. Fadel is looking at him too.

Then Fadel looks at the rest and asks "Any of you allergic to seafood?" And yes, that comment is funny, but it's funny in a way that in German we call Situationskomik (= situational comedy, comedy of the situation). I really don't think Fadel is making a joke here (like. that is NOT the face of a man who is cracking a joke). No, I think this is a peace offering, actually. It's an unspoken peace offering, because cooking for someone else is a gesture of care. And instead of killing Kant, Fadel offers to cook for everyone which includes Kant.

No. 6: Encouragement

Style on the phone with his dad and I'm relieved, because I'd been worrying about his dad with Style suddenly disappearing just like that without a word. And I'm sooo so glad the series spent a moment on showing us the relationship between Style and his dad again. Like, of course Style is gonna call his dad so that his dad doesn't have to worry. Bison is concerned that Style's dad will be mad if Style shows up back home all banged up like that, but Style is confident he can come up with some superhero story and promises not to spill the beans on Fadel and Bison. Style and Bison have some friendly banter until Bison tells Style that Fadel wants to talk to him and said for Style to meet him at the beach. Style is suddenly worried that Fadel changed his mind and wants to shoot him after all, since Style had already offered as much when he was on his knees earlier that day.

I think we have well-established by now that there is no way Fadel is capable of killing Style, and as I mentioned, I think Style is confident in that, too. So I don't think Style thinks Fadel is actually planning to kill him for real, I think he's mostly just being overdramatic and exaggerating again. Bison then plays along and says "No way. The worst he'd do would be trying to drown you" and when Style blinks at Bison and stares at him in shock I think it's because Style doesn't immediately recognize that this is a joke. After all, he hasn't really spent all that much time with Bison, so he doesn't really know Bison and his humor all that well. So Style stares at Bison with big eyes, then tilts his head and squeezes his eyes a bit, trying to figure out whether Bison is being serious right now and if this is something Fadel would actually do (after all, Bison knows Fadel's killer side a hell of a lot better than Style does) or whether Bison is just joking. Bison notices Style's struggle and clears up that he's just kidding and that Fadel wouldn't do that. But it's already too late. Bison's got Style genuinely concerned now. Fadel has proven over and over again that he won't be shooting Style, but who said anything about drowning Style? It's a possibility that Style had not yet considered.

Bison laughs and asks if Style really does like Fadel. All the fear and worry from a second ago disappears instantly as Style firmly tells him "Whatever Kant feels about you, that's how I feel about your brother. If you understand him, you should be able to understand me." Style fell in love with Fadel in episode 5 and absolutely nothing that has happened since, and especially absolutely nothing that has happened since Fadel drugged him at the hospital has changed any about that. Style chose Fadel at the end of episode 5 and he is still very set on that decision.

Bison advises Style that Style needs to prove his feelings to Fadel and tells Style "He acts all tough and rough on the outside, but on the inside, he’s just a softie". Style laughs. He did get to see that for himself during that short time period where he and Fadel were actually happy in their relationship. Bison continues: "He never hesitates when he kills. So if you're still alive, that means he's got a soft spot for you." Again, I think this is something that Style has absolutely clocked already and even called out (both explicitly at the beginning of the episode when he said "You can't kill me. You love me" as well as implicitly whenever he was teasing Fadel, for example in his hitman-teerak monologue or when he quoted Popcorn's words and went "I deserve to die" and cockily leaned his head back to mimic giving his life over to Fadel), but I also think that it still hits kinda different to hear it from someone who first of all has an outside perspective on things and second of all who knows Fadel's killer side better than anyone, from someone who's seen over and over again what Fadel is like when he's murderous, from someone who can absolutely judge the difference. Which Style can't, because he's never seen Fadel actually kill anyone, even if he got close to witnessing it a few times.

Style had started to get discouraged, because Fadel just wouldn't budge and just wouldn't let Style back in and Style just kept hitting one wall after another. And we can't forget that Style spent a lot of time repeatedly hitting walls for the first four episodes already and even when Fadel let him in, Fadel never let him in 100% (only 80%) and so even then Style still came across walls. And I think on top of being discouraged, Style was also starting to get tired a bit. It must be quite exhausting to be this persistent, let's be real. There is only so much energy you can spend on running after someone who keeps pushing you away again and again and keeps being harsh to you. Fadel hasn't even talked to Style or checked on him since Style woke up after the surgery. As far as we're aware of, the only time they've talked since then was when Style was begging for mercy on his knees. So yeah. That sure is encouraging.

But first with Kant's optimism and now with Bison's support as well, Style is starting to feel like maybe not all is lost after all. Hesitantly, he asks Bison:

You think I still have hope? มึงว่ากูยังมีหวังอยู่ป่ะวะ [mueng - wâa - guu - yang - mii - wăng - yùu - bpà - wá] you - think - I - still - have - hope - [auxiliary verb] - ? - [particle] Official subs: You think… I have a chance?

Style is starting to get his hopes up a little bit again. Maybe Fadel will take him back and be nice to him again. Bison is absolutely convinced: "Go for it. After all you've risked your life for, what else do you even have to be scared of now?" Style looks towards the ground, uncertain. Yeah, what else could he be scared of?

Nothing, except Fadel potentially drowning him in the ocean instead of rejecting him like a normal person. Or, you know, just the rejection in general, even if it doesn't come with murder. Honestly, at this point I think Style is also lowkey nervous, because now he really does have (strong) feelings for Fadel and Fadel being willing to be his boyfriend (again. or still) matters more than anything this time around. What will Style do if Fadel rejects him again?

Bison taps his shoulder encouragingly and walks off. Style stays back, thinking everything over.

How is he going to proceed from here? Is he going to try yet again and risk running into another wall as always? Or is he just gonna let it go and finally leave Fadel alone?

No. 7: A Vow Fulfilled

Style does go to the beach. When he arrives, Fadel is already there which makes sense, since Bison did tell Style that Fadel wanted to talk to him at the beach. Except Fadel immediately snaps at Style about what Style is doing here and asks about Bison. Style informs him that Bison was actually the one who said Fadel wanted to talk to Style right here. I think based on Fadel's facial journey and the fact that he moves to walk right off, Style can tell that Bison lied, probably to get Fadel and Style to talk to each other. And now, with new found hope, Style does very much have something to talk to Fadel about. So he catches Fadel's arm and pulls him back, asking him to at least stay for a chat. Fadel isn't really convinced and Style hits him with a cheeky "I can't sleep unless I talk to you". He then hands Fadel a list of all the relatives he has in his life, because "I want you to be sure that I'm not lying to you again." And I'm just gonna drop the Thai line again, because – ding ding ding, you guessed it! Our favorite word หลอก [lòhk] from last episode makes an appearance again:

I want you to be confident that I won't deceive you again. กูอยากให้มึงมั่นใจว่ากูจะไม่หลอกมึงอีก [guu - yàak - hâi - mueng - mân-jai - wâa - guu - jà - mâi - lòhk - mueng - ìik] I - want - that - you - (be) certain, confident - that - I - will - not - trick, deceive - you - again

If you haven't read my ep8 meta, I would encourage you to go read at least sections 6, 9 and 10, so that you have context for its significance. Last episode Style figured out that having been tricked (especially into love) was the one big thing that Fadel was really mad about. Last episode Fadel asked Style "You think that you deceiving (tricking) me is no big deal?" when they were sitting on the couch, then later when they were dancing, Style acknowledged that it is in fact a big deal and tells Fadel "But I'm ready to do anything to make you forgive me." Later in the bathtub Style acknowledges again that he did a bad thing by tricking (deceiving) and betraying Fadel (again I refer you to section 10 of my ep8 meta). And now, as Style is actively doing something in the hopes that it will finally make Fadel forgive him, he once again repeats to him the exact thing that Fadel is mad about, promising he won't be tricking/deceiving Fadel ever again. And yeah, the official translation isn't exactly wrong, because lying is in fact a thing that comes with deceiving or tricking people and this word can be translated as "lying", but I just want some consistency in the word choice. Because I'm sure the consistency of the word choice หลอก [lòhk] in the original Thai was very much on purpose. Otherwise they could have just had the characters say โกหก [goh-hòk] (= to lie) or some other word at some point too. But no, they kept (and keep) saying หลอก [lòhk] while the subs are all over the place (from "made someone do something" to "lying" to "fooling someone" etc. etc. -> these are just the ones off the top of my head). The translation student in me wants to scream. I might turn this into my master's thesis.

Anyway, now that this rant is out of the way, let's continue: So Style explicitly tells Fadel he won't be หลอก [lòhk]-ing him anymore and if he does end up doing it again, then Fadel is free to kill him together with his entire family. Fadel is outraged: "You're selling your whole family out for this? And you said you're a family man." And here's the literal translation, for those who are interested (it doesn't really change much):

You're selling your relatives to me? นี่มึงขายญาติให้กูเลยนะ [nîi - mueng - kăai - yâat - hâi - guu - loiie - ná] [interjection] - you - sell - relatives - to - me - [particle] - [particle] But you said you love your family, didn't you? ไหนมึงบอกว่ามึงรักครอบครัวไม่ใช่หรอ [năi - mueng - bòhk wâa - mueng - rák - krôp-kruua - mâi châi - rŏh] but - you - said that - you - love - family - no - ?

Style doesn't see a problem: "Because I know for a fact that I won't ever lie to you again." And yes, he does repeat the word หลอก [lòhk], thanks for asking. In fact, his wording is actually almost the same as earlier:

Well, I'm confident that I definitely won't deceive you again. ก็กูมั่นใจไงว่ากูจะไม่หลอกมึงอีกแน่นอน [gôh - guu - mân-jai - ngai - wâa - guu - jà - mâi - lòhk - mueng - ìik - nâe-non] well - I - (be) certain, confident - [particle] - that - I - will - not - trick, deceive - you - again - definitely, for sure

But Fadel, on top of being hurt that he was หลอก [lòhk]-ed by Style, he is now also offended that he is worth only a car to Style and sasses Style about it: "From what you did to me, I just hope that car's a real beauty." And it's actually kinda funny, because Style agreed to make Fadel his boyfriend, but it's been how many episodes since they've started dating?? And we have yet to see Style with said car. In fact, the only time that he went to Kant to claim the car was when he happily bragged about Fadel being his boyfriend the moment he started dating him many episodes ago, but then Kant told him about Fadel's real occupation and Style was like fuck that, keep your car, I'm out. And even when he agreed to stay with Fadel anyway, Style still didn't leave with the car. In fact, as of episode 6 it was Kant who was still in possession of the car, despite Style and Fadel being head over heels in love by that point (I've reached image limit, but we see Kant and Bison arrive at the bowling alley in that car at the end of episode 6 part 1). Style may have gone into it for the car, but he never actually took the car and by now the car is long forgotten. I didn't go and check, but as far as I remember Style hasn't even brought the car up to Kant ever since that scene in episode 4 where he initially came to claim it. At this point, Style would much rather have Fadel than the car anyway.

Fadel doesn't know any of that, of course. He doesn't know that Style isn't even in possession of the car (for now). And so Fadel drops a bitchy comment about it. Style's eyes widen and he immediately knows that Kant must have told Fadel. Fadel confirms and yells at him: "How are you gonna defend yourself now?" Shit. Style hadn't prepared for that conversation before he made his way down to the beach. Style hesitates a bit as he searches for words and the best way to defend himself without pissing Fadel off even more and making him run away again. Style's voice sounds a little stressed when he tells Fadel that it was only in the beginning that he wasn't being sincere. Fadel stares at him wordlessly. When Style continues to say "But after spending time with you" the stress from just now is gone and when he says "I've changed" his voice is very sincere and there's also an urgency that comes with it. Style really means what he says and it's important to him that Fadel believes him, too. But Fadel just looks away. So Style continues: "I never let anyone get the better of me. But for you, I'd do it again and again. I think we get along well." Now let me just share the Thai wording again:

Usually, I never lose to anyone. ปกติกูไม่เคยแพ้ใครนะ [bpòk-gà-dtì - guu - mâi koiie - páe - krai - ná] usually - I - never - lose (to) - anyone - [particle] But I have a soft spot for you. แต่กูแพ้ทางมึงว่ะ [dtàe - guu - páe taang - mueng - wâ] but - I - have a soft/weak spot for - you - [particle] I think we can have a life together. กูว่าเราสองคนอยู่ด้วยกันได้ [guu - wâa - rao sŏng kon - yùu - dûuay gan - dâai] I - think - the two of us - be, live - together - can, be able to

(Side note: there's a word play in the first and second line: to lose = แพ้ [páe] vs. to have a soft/weak spot = แพ้ทาง [páe taang])

Style uses the word แพ้ [páe] here, which means "to lose" or "to be defeated". And where have we heard Style use that word before? In episode 4, when Fadel drags him out of the Rise Up meeting and into the hallway. Once in the hallway, Style says: "I don't take defeats." And then we actually heard something similar again in episode 5 when Fadel tells Style "A guy like me doesn't know how to accept defeat" during their go-kart date. And now here Style is, standing in front of Fadel, telling him Fine. You win. I lose. And gladly so, if it means I get to have you in my life. Because he thinks they can be together. Style wants that and he's serious about it. Fadel looks away and sighs. So Style continues talking. And I'm just gonna share the literal translation again, not because it really makes any difference in meaning, but because I think some of you might be curious:

The thing I can do now is to convince you that I will be by your side. สิ่งที่กูทำได้ตอนนี้อ่ะ ก็คือพูดให้มึงเชื่อมั่นว่ากูจะอยู่ข้างมึง [sìng - tîi - guu - tam dâai - dton-níi - àh • gôh keu - pûut hâi mueng chêuua-mân - wâa - guu - jà - yùu - kâang mueng] thing - that - I - can do - now - [particle] • is - convince you - that - I - will - be - your side Official subs: The only thing I can do right now is promise you that I'll be by your side. But if you give me a chance แต่ถ้ามึงให้โอกาสกูอ่ะ [dtàe - tâa - mueng - hâi - oh-gàat - guu - àh] but - if - you - give - chance - me - [particle] Official subs: But if you give me a chance I will show you that I'm serious. กูจะทำให้มึงเห็นว่ากูเอาจริง [guu - jà - tam hâi - mueng - hĕn - wâa - guu - ao jing] I - will - make that - you - see - that - I - serious Official subs: I can show you I mean every word.

Fadel, who looked back at Style when he talked about being at Fadel's side, now looks away again and sighs for a second time. He remains stubborn. But Style won't be discouraged. He's made the decision to try getting through to Fadel once more and so he's on a mission now. "You don't believe me? Fine." Stupidly stubborn guys require stupidly silly methods. And at this point I really wanna share @ginnymoonbeam's words on this post:

You know when you've been fighting about something for a long time and eventually you get to a point where you know the other person has won, but you're too stubborn to just give up your position? That's Fadel. Everyone knows he isn't going to kill Style, that he loves Style, that he dragged him on this road trip because he wants to be with Style. He knows it too, but he's climbed on this hill-to-die-on and can't see his way down. Style's dramatic little stunt gives him a way to climb down. He has to get in the water because Style is the one being stubborn and unreasonable. It's gotta be a scene with a sense of urgency to break through that last resistance, but it also has to be something deeply stupid, because a genuine dangerous crisis takes his focus elsewhere. Fortunately manufacturing a deeply stupid emergency situation is right in Style's lane.

If Fadel wants to remain on that hill, then Style will just have to walk straight into the ocean. And he'll just keep walking until Fadel climbs down from that hill and gives him a chance after all. Even if Fadel's mirror last episode said that bad people don't deserve chances. And Style clearly is bad people for tricking Fadel into loving him and being crazy about him and then betraying him. And according to Fadel's mirror people who trick others into loving them all deserve to die. So instead of having Fadel drown him, Style will just willingly go drown himself in the ocean. He deserves to die for tricking Fadel after all. And so Style walks on. But suddenly Fadel starts getting stressed. He shouts after Style that his wound is going to get infected and but Style is determined to show just how serious he is: "And I will die of that, too!" Style is bad people and Style deserves to die for his sins and so Style will drown himself in the ocean and let the infected wound kill him on top of that. For love. Style walks and walks and makes a big show out of it and his injury gets closer and closer to the water and Fadel gets more and more stressed until he breaks after all: "Fine! I'll give you a chance." Style smiles for a moment, before he raises his eyebrows like Oh, is that so? and questions Fadel: "Really?"

Style knows he's won now, but the thing is that Fadel was reeeally stubborn for a reeeally long time and Style reeeally had to work for Fadel to utter the words "I'll give you a chance". And so Style decides drag it out a little longer. I think he partly does it to playfully mess with Fadel a bit, partly simply just to be a little shit and give Fadel a bit of a taste of his own medicine, and also partly because just as much as Fadel needed to see proof of Style's sincerity, Style also wants to see some proof that Fadel really means it when he says he'll give Style a chance. After all, Style's heart is on the line here, too. And there's only so much rejection a man in love can take. Style doesn't want that chance if Fadel is just gonna turn around and go back to making death threats again as soon as Style is back out of the water. And so instead of walking back to land, Style calls out "Nah, I’m gone. There’s no way you mean it." And let me just–

You're tricking me for sure. มึงหลอกกูแน่ [mueng - lòhk - guu - nâe] you - trick, deceive - me - for sure Official subs: There's no way you mean it.

Yup. Our favorite word is back. Fadel has repeatedly thrown it into Style's face that Style tricked him and now Style is turning Fadel's words back around on him. And it's not in a malicious way, no, Style is affectionately teasing Fadel with it and also being a bit of a little shit and also, as I just said, I do think Style is also lowkey worried that Fadel is in fact just tricking him. And I do think Style wants to confirm that this is not the case. By the way, I'm not sure Style's tease even registered in Fadel's brain, because he's so stressed and he's already moving to walk into the water the moment the words "I'm gone" are out of Style's mouth. As Fadel walks up to him in the water, Style watches him with a happy, expectant expression on his face. That expression turns serious as Fadel approaches him.

Style's behavior just now as he was walking into the ocean was very playful, very silly in order to get Fadel to loosen up and to lose his grumpiness a bit and to get Fadel to climb down from his hill of stubbornness. But what he has to say Fadel is actually very serious: "I promise you that, from now on, you'll only see the 100% real me." I think this is a big relief for Style, because we saw how much he was longing to be able to talk freely about everything with Fadel as far back as episodes 5 and 6. Fadel says "Besides work, I've been real to you from day one" and Style just looks at him without replying, because Fadel is kind of right. Although, it's not like Style could just say it, because apart from the deal with the car, the whole being a police snitch was Kant's thing, not Style's and so it was Kant's secret to spill. And it's not like Style could have just told Fadel Kant's secret, because Kant would have been a dead man right there and then. Style got as close as he could to spilling the secret without actually spilling it and I think especially that night at the rock concert Style would have like nothing more than to come clean and to stop Fadel from going on that mission, but it would have been at the cost of Kant's life and only two scenes ago we saw that Style will not have that.

As much as Style was Style for walking into the ocean just like that, Fadel is also Fadel and of course can't let this go without making another threat: "If you don't stay true to me after this, you'll find out how I deal with liars."

If you aren't real with me after this, you better watch out. หลังจากเนี้ยถ้ามึงไม่เรียลกับกู มึงเจอดีแน่ [lăng jàak - níia - tâa - mueng - mâi - riial - gàp - guu • mueng - jer - dii - nâe] after - this - if - you - not - real - with - me • you - meet - good - for sure

Bye the way, I'm not sure how obvious it is to non-Thai speakers, but whenever they talk about "being real" they actually use the English word "real". And I just wanted to put the Thai wording here, because Fadel also uses the anglicism "real" here when the subs talk about "staying true". Also, his threat is way less elaborate. Literally, the threat translates to something like "to meet good" (like, you'll meet something good as in something bad will happen to you).

Style doesn't talk back. He stays quiet. And I think it's because at this point there isn't really a lot he can say. It's true that he hadn't been real with Fadel and so he quietly accepts his fate. Style then also huffs a little and looks at Fadel fondly. Because even if Fadel just threatened him again, it still implied that they really will have a "from now on" together. And that makes Style happy. That's exactly what he just walked into the ocean for. After a moment, Fadel prompts Style to get out of the water before his wound gets infected. And now Style starts talking back again and teases Fadel: "Even when you're threatening me, you're worried about me."

And here I wanna share the literal wording again, because it reminds me of some other scenes. And let me just explain this one word before I do... So where the subs say "threatening", Style uses the word โหด [hòht] which is a word I actually discussed with my Thai friend after episode 7 and he explained that it can be translated in a few different ways depending on context, but usually it means "cruel" or "aggressive" or "brutal". I'm gonna go with "harsh" as a translation to have some consistency, because I feel like this word could work for all the lines that I'm about to drop.

In episode 4, when Style showed up in the kitchen he told Fadel:

No matter how harsh you are, I'm still hooked on you. มึงโหดแค่ไหนอ่ะ กูก็ยังติดใจมึงอยู่ดี [mueng - hòht - kâe năi - àh • guu - gôh - yang - dtìt-jai - mueng - yùu dee] you - harsh - how much - [particle] • I - [sentence link] - still - hooked - you - anyway Official subs: It doesn't matter how scary you are, I'm still hooked.

Then, in episode 7 when Fadel surprise attacked Style with a shower of kisses at the garage, Fadel had following complaint to Style:

When I'm sweet, you don't like it. ตอนกูหวานมึงก็ไม่ชอบ [dton - guu - wăan - mueng - gôr - mâi - chôp] when - I - sweet - you - [sentence link] - not - like Official subs: You don't like me being nice. When I'm harsh, you still scold me. ตอนกูโหดมึงก็ด่ากู [dton - guu - hòht - mueng - gôr - dàa - guu] when - I - harsh - you - [sentence link] - scold - me Official subs: You complain when I'm cold.

Now in episode 9, Style's words are very reminiscent of that complaint:

Even when you're this harsh, you're still sweet with me. นี่ขนาดโหดนะเนี่ย ยังหวานกับกูเลย [nîi - kà-nàat hòht - ná - nîia • yang - wăan - gàp - guu - loiie] [interjection] - this harsh - [particle] - [particle] • still - sweet - with - me - [particle] Official subs: Even when you're threatening me, you're worried about me.

When Style comments "How adorable", he's still teasing Fadel, but you can also clearly see just how delighted and happy he is that Fadel really seems to mean it when he says he'll give Style a chance after all. He looks at Fadel with the brightest smile. But Fadel has spent a lot of time being angry and hurt and grumpy and stubborn and so he isn't gonna be cheesy from one second to the next. And so he speaks out another (very empty, almost joking) threat as he warns Style he can be worse. "You want that?" Style says no. But if Fadel is already letting him put in requests, then Style wants Fadel to use only his sweet side.

From now on I want you to use only your sweet side. ต่อไปนี้กูอยากให้มึงใช้แต่ด้านหวาน [dtòh bpai níi - guu - yàak - hâi - mueng - chái - dtàe - dâan wăan] from now on - I - want - that - you - use - only - sweet side Official subs: From now on, I just want to see you being lovey-dovey.

This actually makes Fadel laugh a bit and ask for clarification and when he looks at Style after that, his face is suddenly so much softer. Style explains: "In a situation like this, if we weren't fighting, what would you like to do to me?" He smiles at Fadel, his face expectant and mixed with almost a sort of innocence like Oh, this is totally not an implicit request for you to kiss me and it also has a bit of a challenging flair like Do you dare to kiss me? The message reaches Fadel loud and clear. He dares. As long as Style is alive he'd make Fadel kiss him again. And Style did. Fadel is kissing him. By Fadel's own choice. Style left it entirely up to him, didn't force Fadel to kiss him, didn't get physically close to him, didn't try to seduce him in any way, didn't even explicitly say the words "kiss me" out loud. In fact, Style asked "What would you like to do to me?" and Fadel could really have chosen to do anything, but what Fadel wanted to do was to kiss Style. Style may have said earlier that he'd lose to Fadel, but is Style really losing here with Fadel back at his side?

Now. The eyes. Let me address the eyes, because I've seen talk about it. Honestly, the way Style's eye keep fluttering open kinda reminds me of what I wrote about the ep6 rock concert kiss and forehead touch in my ep6 meta:

They seal that promise with a kiss. And it's interesting, because Style doesn't immediately close his eyes when Fadel goes to kiss him but instead looks at him for a moment longer. And then his eyes keep fluttering open for a moment. It's almost as if he can't tear his eyes away from Fadel, as if he can't help but use every opportunity to look at Fadel, to catch every last glimpse of Fadel while he still has the opportunity to do so. They break apart and Fadel tells Style that he's (also) very happy tonight and Style (re)confirms his own happiness. They lean their foreheads against each other. And again, Style can't really close his eyes and fully sink into the moment the way Fadel can. It's like he tries to close his eyes but they keep fluttering open a second later because he just can't keep his eyes away from Fadel, is compelled to keep looking at him while he still can, while Fadel is still right there with him. And even when they break away from each other and turn to look out of the window towards the stage, it takes Style a couple of seconds to tear his eyes away from Fadel, who is already looking elsewhere.

Except now it's the polar opposite energy. Back at the concert, it was the end for Style. Now in the water it's a (new) beginning. Back at the concert it was like Style had to savor every last look at Fadel that he could get before it was too late. Now in the water it again feels like Style just can't stop looking at Fadel, but for a different reason. I think it's undeniable that Style is deeply in love with Fadel. But Fadel started pushing him away from the moment Bison was stabbed and at first Style didn't even know what the fuck was happening, especially with how weirdly affectionate Fadel had been the day before. And from then on Fadel has just kept pushing Style away again and again, outright tried to murder him even, and then just kept refusing Style, kept refusing to believe Style no matter how much Style tried to show him just how serious he was about his feelings for Fadel and how serious he was about their relationship. Fadel was pushing Style away so much that even Style, our beacon of optimism and hope, believer in the power of love, even he was starting to get discouraged that Fadel would ever take him back. But now Fadel is here, kissing him again. Style can't believe his eyes and it's like he has to keep looking at Fadel to check that he's really not dreaming, that Fadel really is here, standing in front of him, kissing him. It's the relief that he is finally getting his Fadel back which makes him unable to stop looking at Fadel to make sure it's real.

And another aspect my mom actually mentioned when I was talking to her about this scene was that Style is also checking on Fadel. I don't remember her reasoning, but for me personally it's that Fadel has been very hot-and-cold lately, jumping from saving Style's life to pushing him away again and threatening him in the very next moment. And as I mentioned above, Fadel is not the only one with a heart that can get hurt. Style is also human, Style also has a heart, Style can also get hurt. Even if it may not seem like it through his easy-going, unserious, always optimistic personality. Style is human and Style isn't the only one here between the two of them who did something hurtful to the other. And so I think part of the reason why Style's eyes keep fluttering open is to check Fadel's reactions. Because just because Fadel is in hot-mode right now, doesn't mean he won't jump right back into cold-mode from one second to the next. And so Style has to keep checking so that he's prepared for it if it happens again, because I'm not sure Style's heart could handle it if Fadel suddenly pushed him away again now without a warning. It would be like that time Fadel dumped him in the kitchen back in episode 4, except this time Style would probably be even more hurt than back then, because now he is undeniably irrevocably deeply in love with Fadel. If Fadel pushed him away again now I think that would actually break Style for real.

But Fadel doesn't. They break apart and Fadel nuzzles his face into Style's neck for a moment (definitely kissing it) and then they lean their foreheads against each other for a while. Together again at last.

No. 8: Lore

They're back in the room and Fadel is about to finish renewing Style's bandages after their little swim in the ocean. Fadel tells Style not to do something like this again. Style smiles and says "But I gotta pull some dramatic stunt for someone like you." Fadel huffs in response but is otherwise very focused on the bandages and doesn't reply. Now that they're finally one on one again and Style is also no longer dying of pain, he uses the chance to finally, albeit hesitantly, ask about the guy on the photo in the car. One could think that Style asks out of jealousy, but to be honest, I don't think so. As I mentioned in the beginning of this meta, I think he'd have a gut feeling if that guy was someone who could actually be a potential rival. Also, there's a chance that the person on the photo was also just a family member or something, not necessarily someone Fadel was romantically involved with. Besides, Fadel did tell him that he didn't have any past lovers and that he didn't want a lover in the first place to avoid getting anyone in trouble. So I think rather than out of jealousy, Style asks out of curiosity and genuine care. Fadel has shared next to nothing about his past, but Style wants to know. His voice is full of concern, but not because he feels threatened by the guy in the photo. Instead it's genuine worry for Fadel. Style hesitates to ask and seems almost a little nervous, as if he's scared that this question will cause Fadel to shut him out again.

Fadel stares at Style for quite a long moment, then goes back to the bandage without answering Style's question. Style immediately says "I'm sorry for prying. If you don't want to tell me, I understand" and that cements it even more for me that Style isn't asking out of jealousy. Because I think if he was jealous, he'd try to find out more. I don't think he'd be all that chill with Fadel not answering his question. No, I think Style's question is him cautiously trying to learn more about Fadel's past, but Style will also respect Fadel's boundaries if Fadel isn't ready to talk about it. Especially since last time Style insisted on Fadel opening up about his past, Fadel dropped that his parents were shot dead. So when Fadel doesn't answer, Style is quick to let him know that he won't be prying this time and that Fadel doesn't have to talk if he doesn't want to. And it's only then that Fadel makes the decision to open up after all. That guy is his ex. This new information has Style a little speechless as it dawns on him that Fadel lied about not having had a boyfriend before.

Once Style has processed this, he continues to ask how long Fadel had been dating this guy for and the reason why they broke up. And again, I don't think Style is bothered by the fact that Fadel does have an ex. There is so much worry and care in his voice as well as on his face while he talks and listens to Fadel. He genuinely cares to know about Fadel's past. And Fadel shares willingly and without any more hesitation: They were gonna start a life together but then the guy disappeared from one day to the other. Fadel jokes "Maybe he was scared of me, thinking I'd kill him if he broke up with me" and Style huffs and smiles a little, but that smile doesn't really reach his eyes.

Style doesn't think the joke is all that funny. He looks at Fadel fondly, but I think he also really feels for him. He feels bad for him for getting dumped like that and feels sad that Fadel thinks his past lover might have been scared of him, so terrified even that he didn't even want to confront him. And we know the latter part specifically really gets to Style, because the next thing he does is that he grabs Fadel's hand and tells him "I'm not scared of you". And Style is about to continue that sentence, but for a moment he just lets this part stand on its own, lets Fadel process that first before he goes on. Style isn't afraid of Fadel and it's important to him that Fadel knows that. Style continues to say that he hasn't been scared of Fadel since he saved the woman at the bowling alley and I call bullshit on that. I think Style stopped being afraid of Fadel by the end of episode 5 and I wrote 12k words about it. However, I do think the bowling alley incident cemented what Style was saying about Fadel being a good person last episode in the bathtub. Style ends with "You risked your life for a total stranger. I know I'm in love with the right man." And let me just...

A person who risks their own life for someone they don't even know. คนที่เอาชีวิตตัวเองไปเสี่ยงเพื่อคนที่ไม่รู้จักด้วยซ้ำ [kon - tîi - ao - chee-wít dtuua eng - bpai - sìiang - pêuua - kon - tîi - mâi - rúu-jàk - dûuay sám] person - that - take - one's own life - go - risk - for - person - that - not - know - even I love the right person. กูรักถูกคนแล้วละ [guu - rák - tùuk - kon - láew - lá] I - love - right - person - already - [particle]

I do much prefer the phrasing of "I love the right person", because it's not just a state of being, but it's something that Style actively does, is actively doing, has actively been doing, actively chooses to do over and over again.

Style's words really hit Fadel. And I think this time, he finally fully believes them, finally lets himself fully believe them. Fadel goes through quite the emotional journey, then grabs Style's arm and puts it over him as he lays his head in Style's lap. Fadel finally gets to be a child seeking comfort. Style's free hand immediately finds Fadel's head to stroke him. At one point Style smiles a little and shakes his head, looking a bit amused.

It's my personal headcanon that in this moment Style is remembering Bison's words about Fadel being all rough on the outside, but actually being a huge softie inside and is laughing to himself about how it's true. He currently has a very soft (and vulnerable) Fadel in his lap after all he roughness that Fadel put him through. They continue to stay like this until the end of the scene.

No. 9: Peace, Joy, Egg Cake

Allow me to bulk the last few scenes into one last section and allow me to mostly just skip over them a bit, since there isn't all that much plot happening here and it's more about the characters getting to be a little happy again at the end of this story arc before we go into the last bit (can you tell I'm just trying to get this meta done asap so I can hopefully drop it before ep10 lmao).

We got our OT4 happily playing frisbee in the water and it makes me laugh how Style's wound getting infected apparently isn't the same big problem anymore as it was the night before. It also makes me laugh how Style is apparently also perfectly capable of lifting an entire human man with that injured arm of his. I remember this one time a couple of years ago where I scraped open my entire leg and I couldn't walk on it for at least a week without being in pain, so like. Good on your pain tolerance @ Style, I guess. Same thing with Bison and his stab wound. And Fadel's sprained arm has magically healed as well, apparently. Not to mention Kant with his ocean trauma having absolutely no problem letting loose in the ocean water. This show is so unserious, I love it.

After they're done playing in the water, they sit on the shore and have a conversation about staying on the island, except Fadel reminds Bison that they still have one last job to do. Although Fadel then also says "Once we wrap up the last mission, we can go anywhere and do anything. Not sure if they'd come with us, though." For the last sentence, Fadel turns his head and says it directly into Style's face. This statement was 100000% directed at Style and Style alone, not Kant. Style stares at Fadel for a moment and then makes a face like My love, do you really even need to ask after I've followed you all the way here?

Then he says "Just tell me where, and I'll go with you." and I shake my hands at the writers in disappointment, because this would have been THE opportunity to bring back "hitman teerak". Especially because the wording is also kind of similar.

Episode 7: Tell me where you wanna go na krub, hitman-teerak. มึงอยากไปไหนอ่ะ บอกกูมาเลยนะครับนักฆ่าที่รัก [mueng - yàak - bpai - năi - àh • bòhk guu maa - loiie - ná - kráp - nák-kâa - tîi-rák] you - want - go - where - [particle] • tell me - [particle] na - krub - hitman - teerak Official subs: I'll drive you where you want me to go, my dear hitman. Episode 9: Tell me where you're going. I'm all ready to go. จะไปที่ไหนก็บอก กูพร้อมไปอยู่ละ [jà - bpai - tîi năi - gôh - bòhk • guu - próm - bpai - yùu - lá] will - go - where - [sentence link] - tell • I - ready- go - [auxillary verb] - [particle] Official subs: Just tell me where, and I'll go with you.

Please tell me, does the episode 9 sentence not scream for a "hitman teerak" drop? Does it not look a little incomplete?

Anyway, Style continues to say a very Style thing and Fadel laughs. This has Kant quite impressed. I have not gone back and checked if Kant is right about never having seen Fadel laugh, but I'm just gonna assume it's true. The only scene that I can think of where Kant may have seen Fadel laugh is at the bowling alley in episode 5, but Kant would have had to be looking at Fadel to see actually see that. Also let me just...

Please, the way Style is smiling so brightly at Fadel. He's so over the moon to have his Fadel back. With everyone being so happy and cute it just has me very worried about what next episode might have in store for them, especially considering the preview (we're not gonna have any more injuries on this show, are we? 🥺🙏).

As for Style's mood in the scene with everyone on the boat on the way back to land, I'm just gonna leave Joong's tweet here...

(Overview | Ep1+2 | Ep3 | Ep4 | Ep5 | Ep6 | Ep7 | Ep8 | Ep10)

#the heart killers #fadelstyle #stylefadel #thk #thk ep9 #thk meta #my meta #thkmetamine #adrm #i meant to proofread this last night but i was too sleepy #also atp these are so long that editing and proofreading them takes me at least half a day lmao rip #i'm also quite frustrated that i didn't manage to get this done BEFORE ep10 bc #some stuff in ep10 kind of confirmed what i was writing about here #but now nobody will believe me when i say i knew what i was seeing that BEFORE i watched ep10 kjdfkjkjdf #ah well. not that anyone's gonna come at me for it anyway lmao #it's just for personal satisfaction

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