#I wrote this with all of you in mind

[crinkle-eyed-boo]

"If there’s one thing I’ve learned since becoming a stan of One Direction and all the boys’ solo careers, it’s that Louies are an incredibly passionate bunch who also know how to organize. They came out in droves this week for Louis, and he won by the largest margin in the history of this poll. A handsome victory indeed!!

It’s easy to see why Louies are so fiercely devoted to him. Louis has been having a banner year between the long-awaited release of his documentary All of These Voices and the North American and UK/European legs of the Faith in the Future World Tour. And he’s done it all whilst looking the best he’s ever looked. Seriously. I look at him and immediately start singing that line from “Juice” about being not a snack but the whole damn meal."

[inkskinned]

i got rickrolled today but it didn't work because i have adblocker installed, so youtube just told me i violated the terms of service. yesterday i was trying to edit a picture as a joke for my girlfriend, and google made me check a box to prove i'm human because i wasn't "searching normally".

it isn't just that capitalism is killing fun and whimsy, it is that any element of entertainment or joy is being fed upon by this mosquito body, one that will suck you dry at any vulnerability.

do you want to meet new friends in your city? download this app, visit our website, sign up for our email list. pay for this class on making a terrarium, on candlemaking, on cooking. it will be 90 dollars a session. you can go to group fitness, but only under our specific gym membership. solve the puzzle, sign up for our puzzle-of-the-month-club. what is a club if not just a paid opportunity - you are all paying for the same thing, which makes you a community.

but you're like me, i know it - you're careful, you try the library meetings and the stuff at the local school and all of that. the problem is that you kind of want really specific opportunities that used to exist. you are so grateful for libraries and the publicly-funded things: they are, however, an exception - and everything they have, they've fought tooth-and-nail to protect. you read a headline about how in many other states, libraries have virtually nothing left.

do you want to meet up with your friends afterwards? gift your friends the discord app. you can choose to go to a cafe (buy a coffee, at least), a bar (money, alcohol) or you can all stay in and catch a movie (streaming) or you can all stay in bed (rent. don't get me started) and scream (noise complaint. ticket at least).

you want to read a new book, but the book has to have 124 buzzwords from tiktok readers that are, like, weirdly horny. you can purchase this audiobook on audible! your podcast isn't on spotify, it's on its own server, pay for a different site. fuck, at least you're supporting artists you like. the art museum just raised their ticket price. once, they had a temporary exhibit that acknowledged that ~85% of their permanent art galleries were from cis white men, and that they had thousands of works by women (even famous women, like frida! georgia o'keefe!) just rotting in their basement. that exhibit lasted for 3 months and then they put everything away again.

walmart proudly supports this strip of land by the street! here are some flowers with wilting leaves. its employees have to pay out-of-pocket for their uniforms. my friend once got fined by the city because she organized a community pick-up of the riverfront, which was technically private property.

no, you cannot afford to take that dance class, neither can i. by the way - i'm a teacher. i'm absolutely not saying "educators shouldn't be paid fairly." i'm saying that when i taught classes, renting a studio went from 20 bucks an hour to 180 in the span of 6 months. no significant changes to the studio were made, except they now list the place as updated and friendly. the heat still doesn't work in the building. i have literally never seen the landlord who ignores my emails. recently they've been renting it out at night as an "unusual nightclub; a once-in-a-lifetime close-knit party." they spent some of those 180 dollars on LEDs and called it renovating. the high heels they invite in have been ruining the marley.

do you want to experience the old internet? do you want to play flash games or get back the temporary joy of club penguin? you can, you just need to pay for it. i have a weird, neurodivergent obsession with occasionally checking in to watch the downfall and NFT-ification of neopets. if i'm honest with you all - i never got into webkins, my family didn't have the money to buy me a pointless elephant. people forget that "being poor" can mean literally "if i buy you that toy, i can't afford rent."

you and i don't have time to make good food, and we don't have the budget for it. we are not gonna be able to host dinner parties, we're not made of money, kid. do you want some kind of 3rd space? a space that isn't home or work or school? you could try being online, but - what places actually exist for you? tiktok counts as social media because you see other people on it, not because they actually talk to you.

there was a local winter tradition of sledding down the hill at my school. kids would use pizza boxes and jackets and whatever worked, howling and laughing. back in september, they made a big announcement that this time, rules were changing, and everyone must pay 10 dollars to participate. when im not scared shitless, i kind of appreciate the environmental irony - it hasn't gone below 40. so much for snow & joyriding.

i saw a bulletin for a local dogwalking group and, nervous about making a good first impression, showed up early. the first guy there grimaced at me. "sorry," he said. "there's a 30-dollar buy-in fee." i thought he was joking. wait. for what? the group doesn't offer anything except friendship and people with whom to walk around the city.

he didn't know the answer. just shrugged at me. "you know," he said. "these days, everything costs money."

[corpsentry]

pick your battles

[bertoyana]

charles and erik with each other: oh dear, oh dear. gorgeous 🥺👐 charles and erik with the villain of the week/the x-men: K1LL YOURSELF 🔥🔥🔥

X-Men: First Class (2011) | X-Men Apocalypse (2016)

[biscuitsandwires]

In which Danny wakes up in a weird place.... again. (pt 2)

(pt 1 here)

After breakfast had been dutifully eaten, Danny looked up to find that Alfred had left. Which... was also a little weird. Surely they didn't trust some stranger not to just take off with things, snoop around, maybe even hurt somebody.

Not that Danny planned on doing any of those things!

Okay... well. Maybe he was going to snoop around, but the other two were waaaay off limits for his moral compass! Besides, he knew how to be discrete, and he was real curious about this "Wayne Manor" and all. Maybe he could find something that would explain why he'd been brought here!

He kind of doubted it, but his curiosity had always been a curse.

So when he'd carefully stacked all of the plates and silverware (and used napkins... he'd used quite a few of those, whoops) onto the tray, he got up, glanced around the room for anyone who might be hidden watching, and went ghost.

It was easy enough these days to become invisible to the regular person's eye, his body already intangible naturally enough that getting through the walls wasn't a big issue. Most of the rooms in here were your every day, modern millionaires abode. Statues, paintings, plush carpets and hardwood flooring. Then he got towards the back of the mansion and things got... a little more interesting.

There were a hallway of rooms, all filled with random things that didn't seem like they belonged to a man in his 30s, and as far as he remembered that was how old Mr. Wayne was. Or Alfred, really, he seemed a little too up there for video game systems and speaker bars set in front of 50 in. TVs.

Maybe that was judgy, maybe it wasn't, but Alfred wasn't here for him to ask (not that he would have anyways), so he was left to make his own assumptions.

The bedrooms all looked lived in, for sure. Rumpled bed sheets and blankets, dirty clothes strewn about or in laundry baskets.

A good five other people lived here, besides Mr. Wayne and Alfred. It was a little confusing, given that as far as he knew, Mr. Wayne was the bachelor type. These rooms all gave off serious young adult vibes. Did he have kids??

Floating off, he decided to see what else he could find. Things were certainly strange, here, but he needed to make sure he'd seen everything. Just in case they tried to keep him here for ransom or something.

He could get out just fine, that wasn't the issue. No, he needed some kind of something to make sure they wouldn't come after him. Just in case.

So he moved through the... actually really really big manor, going room to room, and not encountering anyone that did or didn't live here.

And that was how he discovered the giant cave under the entire thing.

It sprawled on for miles and miles, seemingly connected to various other caves that went on for miles and miles. It didn't seem to have an end, but he finally came up on what seemed to be an old railway system. That stretched on a while too, but finally he came to a big room, full of random crap and computers, black cars and...

Was this...

"What are you doing here?"

If Danny wasn't already half dead, he would have been now. Looking down, far below him, he found a guy in a red leather jacket staring up at him with glowing green eyes, a white stripe through otherwise dark colored hair.

This might not go as well as he'd hoped.

(pt 3 here)

[thresholdbb]

what's the threshold theory

There was a post about how Tom is the only crew member who isn't really affected by the Borg, and there's a theory that he has so much luck because he saw the past and the future when he crossed the transwarp threshold. He saw the past and the future, all of time and space. There's some subconscious part of him that remembers that experience. In fact, Tom refused to play a part in Chakotay indulging Annorax's temporal incursions, probably because a part of him knew nothing good could come of it.

If we extend that same theory to Janeway, some of her wild luck with time travel and other crack plans starts to make sense. She doesn't verbally hate time travel until after the events of Threshold, since it happens in Time and Again without complaint. Janeway has an uncanny knack for time travel, as evidenced every time she deals with it. She hates time travel, but it might be because part of her knows exactly how to manipulate the timeline. She manages to avoid the "inevitable" temporal explosion in Future's End, saving both Voyager and Braxton. She resets the entire timeline in Year of Hell, and no one else followed her reasoning. She pulled it off flawlessly. In Relativity, she senses the incidents are all related, despite it being just one reading that connects them. By the time she's involved, she has a temporal incursion factor of .0036 and a time travel protocol named after her, even if that may just be Braxton's personal grudge. Then there's Endgame, where she intentionally changes the timeline. Up until this point, she has been dragged into time travel, but for the first time, she jumps in on purpose. How does Admiral Janeway know how to get them home sooner in a way that completely avoids the Temporal Integrity Commission? It's because she has seen all of time, and part of her knows exactly what needs to happen so she can get Voyager home and do it in a way that becomes baked into the prime timeline. Maybe she doesn't consciously remember what happened during her transformation, but the experience lives in her mind somewhere, guiding her decisions.

[queenie-ofthe-void]

“Led Zeppelin? Never heard of them,” Steve lies, like a liar. Of course he’s heard of them, thinks maybe Hop’s mentioned them before. Doesn’t really know the band well, and probably definitely couldn’t name a song. But the comment serves its purpose, and the trap is set.

Eddie calls it the Zep Campaign. Every day they’ll listen to one album, and Steve will pick his favorite song from each. Eight days for eight albums. On the last day, they’ll narrow it down to one song to rule them all– because apparently even Led Zeppelin likes the Mordor books Dustin doesn’t shut up about. 

Each day, Steve struggles to pick a favorite. Day four isn’t bad– doesn’t mind a song that is actually called Rock and Roll, which is just a lazy title in his opinion– but they’re only half way through and the songs are all starting to sound the same. An endless stream of too-fast guitar melodies and weird, wobbly sounds he’s sure he’s never heard before. The vocals are his favorite part, but the lyrics are vague and confusing.

Long story short, he’s not a fan.

But this growing thing between him and this ridiculous metalhead is new, fragile. So if it’s important to Eddie, it’s important to Steve. 

“Stevie, we really don’t have to keep doing this,” Eddie concedes. It’s day eight, the final album, and he thinks even Eddie might be desperate to listen to something different. “You’ve listened to every other album and honestly this one is the worst. They were all on drugs, and this isn’t even their sound ya know? Like it’s not even real metal.”

And honestly, Steve does know. He’s been listening to this band for eight days and yeah, all the songs sound the same. But these ones are different. Softer. He’s made it this far, and he’s nothing if not persistent for the people he loves.

Sprawled out on the floor next to the boy he likes, passing a fading joint back and forth, he thinks he can suffer a bit longer. 

“No Eds come on, we’re halfway through anyways. Just flip it over and we’ll smoke while we finish.” Eddie huffs a sigh, but Steve can see the slight uptick of his lips, reminding him of why he’s doing this. He flips the record and crawls back, presses himself flush up against Steve’s side.

The next song is long, too long to keep his attention. They burn down their joint and Steve leans heavily onto Eddie’s open chest. He gets lost staring at the vinyl art. A guy dressed in a fancy white suit sits alone in a dive bar, the only splash of color against a dull background. The bartender looks gruff, like the rest of the bar, making the man stand out even more. He wonders if that’s how he looks posted up at the Hideout during Eddie’s shows. Wonders if he looks just as out of place in Eddie’s life as this man does, even though he looks comfortable there too. 

Eddie shifts his arms around Steve, bringing him back to the present. The song has changed and Steve feels the slow melody wash over him.

“Wait,” Steve cries out, flailing up and out of Eddie’s arms as he registers the new song. It’s soft with a steady beat. It’s got synth-- the sound Eddie told him he likes in pop music. This song isn’t loud and chaotic like the rest. The voice is soothing and the lyrics are mostly simple enough. It’s different, and he can’t believe it but–

All of my love, all of my love

all of my love to you, oh

“This one. I like this song. Like actually like it.”

Eddie sits up and stares at him. He can see the dramatic shock and annoyance on Eddie’s face. But it’s doing nothing to hide his broad smile and shining eyes. 

“Steven. Stevie. Baby, sweetheart, this absolutely cannot be your favorite Zeppelin song. Out of all the songs on all the albums and all the hours of poetic melodies I’ve forced upon you, you choose the most non-Zep Zeppelin song.” Steve laughs sweetly as he watches Eddie fail to keep the glee out of his supposedly annoyed voice.

The cup is raised, the toast is made yet again

One voice is clear above the din

“This song isn’t even metall!" Eddie screeches. He rants and raves, waiving his arms as he regales Steve with all of the reasons he should absolutely not like this one particular song. He's shining with happiness, dial turned up to a hundred and it's all aimed at Steve. He can't help but to gaze back fondly, enraptured in the adorably obnoxious spectacle.

"It’s all synth, almost no guitar because Page didn’t even write this one! He wrote all of them except two songs, Stevie, and of course that’s the one you chose. No one who knows good music even likes this album. It’s not even metal music and honestly I almost didn’t show it to you, that’s how bad it is!” They're both giggling, leaning falling slowly into the other's space. Facing one another, their feet tangled together, Steve twists and pulls on Eddie's rings. Just to touch.

“Well, maybe that’s why I like it,” Steve snarks, taking his hand. “Plus it’s a love song.” Daring to reach out.

All of my love, all of my love, yes

All of my love to you

Eddie’s smile dims a bit, softens at the edges as he grows serious. “It’s not a love song Stevie, not like that.” He’s looking at Steve but he isn’t. Looking past him into the back of his thoughts. “The lead singer, he wrote it for his son. His kid died of some kind of bad illness while he was on tour. Didn’t make it back in time.”

He pauses, and Steve waits. Knows Eddie has more to say, hoping his patience will pay off. Eddie’s sight refocuses and he heaves a heavy sigh. His eyes glisten as they lock onto Steve.  

“My mom used to sing it all the time. While she was cooking, or putting me to bed, or pulling weeds in the garden. She’d sing it constantly. Hell, she didn’t even know all the words, but she’d still try and sing the interludes– ya know, the music between the lyrics.” He laughs lightly, a stray tear just barely hanging on. Steve tightens his grip around Eddie’s hands and presses a kiss to his knuckles. A silent sign of gentle support and encouragement. 

“Sounds like a love song to me,” Steve whispers. Leaning forward, he presses a kiss to his forehead and pulls Eddie into a tight hug. 

All of my love, all of my love, to you now

“A love song just for you, from both of us.”

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

I've always headcanoned that Eddie loves Led Zeppelin, because he plays guitar and loves metal and reads Lord of the Rings so of course he would.

[alcoholicweiwuxian]

bestiessssss <3

click for better quality; tumblr eats lines

[yayll]

Hi!! It’s my first time requesting something so I dont know how that works.. um I was thinking of some mission like some kind of ball that dazai and y/n has to go and y/n has to seduce someone to get information out of them. You know those masquerade balls? Yeah I think that really goood!! And dazai gets sooooooooo jealous and after she got the information dazai kiss her infront of that person to show him that she’s his😭😭😭😭😭😭omg

HIII angel sorry this took me a while, but i hope you like it :') i tweaked your idea a lil and fingers crossed this is what you so graciously asked for. i tried to put my best jealous goofy ass dazai in there along with the absolute MUSH his brain turns into when he has you to himself mixed with a lil........ fucked in the headness. i love requests! this was soooo fun to write i love youuuuuu <3

~ a little something about Dazai and his uncharacteristic jealousy ~

"Osamu, come on... You're my only sweetheart, you know that."

You call out half sweetly and half out of breath as you follow him down the hallway of the lavish event you were currently attending, dressed to the nines and trying to remain undercover. You were coming to realize why people didn't date within the workplace as he walked ahead, grumbling to himself. He's trying to remain unfazed, pretending to still be upset as he shrugs with his back turned to you.

"Hmph. I dunno, I don't feel like I'm your 'sweet' anything..."

This causes you to roll your eyes affectionately and pick up the pace, placing a hand on the back of his shoulder to finally stop him in his tracks. You flash him a sincere smile, and speak softly.

"I'm really sorry you had to see that. I didn't know that asshole was going to kiss me after he let me go. I also didn't think you'd ever get jealous..."

You say that last part with a more playful tone, treading dangerous waters of your unpredictable lover's emotions. As expected, he sighs dramatically, casting you a look of disgust.

"Ugh, of course I'm not... That's honestly sooo lame and pathetic. I can entertain jealousy as much as I can entertain one of Kunikida's little speeches on morals, or whatever."

"You mean his 'ideals'?"

You chide, stifling a laugh. He glares at you, his eyes narrowing as he scans you for a moment.

He can't find a single flaw on that precious face, not a single stray hair or stain on your exquisite outfit. He should change that by the end of the night.

"... You're always so negative, correcting me and whatnot. Isn't it tiring being so irritatingly superior in every way?"

This one gets a laugh out of you, You can tell he's slowly lightening up his mood by the way you both begin walking side by side once again.

"Yeah well, if it weren't for that little kiss earlier, we'd both still be all tied up in the wine cellar of this wonderful party."

He flashes you a pout, and shrugs dismissively.

"And here I thought you of all people would like the idea of being tied up with me. Hmph, wrong partner, I suppose."

Now he was starting to pick back at you, though it was cute. Jealousy looked cute on him, it was something you didn't think he was capable of. It was a pity it had to be during a mission where your main asset was your seduction skills and his was mental instability. You hated every second of it, but you also wanted to make sure you both made it out with the secret intel alive.

You make your way into the grand ballroom, the gala is in full swing, and your eyes dart around to find a proper escape route. Just as you see an exit, a handsome and well dressed young man blocks your view, sticking his hand out.

"Hi. You're gorgeous. Care for a dance?"

You stare down at his hand and then back up at the stranger, your face flushing as you're caught off guard.

"Me? No, no I-"

Dazai immediately interjects, sloppily holding a glass of champagne that somehow manifested in his hand and pretends to be drunk. He loved his theatrics, especially when he was desperate.

He bumps harshly into the young man's shoulder, the alcohol sloshing out of the cup as he slurs, but not before he flashes you a wink to tell you to play along.

"Sooo sorry, pardon me. This indeed beautiful angel is quite busy you see... Taking care of me that is. Ooh, I'm a wreck! I'm nothing but a sad and lonely dog.. In this sad and lonely world-"

The man looks at Dazai skeptically, and huffs into a chuckle. He shoves him away, and turns his attention back to you. Your eyes dart nervously between the two, wondering what Dazai will do next.

"Shut it, clown.. Anyway, I think this further proves you should be in the company of a gentleman like me tonight rather than this wet mop-"

The sound of a champagne flute soaring through the air and connecting to the man's skull is suddenly heard, interrupting him and sending him falling to the ground along with broken glass and liquid everywhere. In one swift motion, Dazai is at your side with a premature victorious smirk, but before you can both be on your way, the man regains his posture and spins him around, punching him square in the face. Dazai's not scrawny or weak, but he isn't the most skilled fighter, relying mostly on his special ability and intelligence to get him out of things.

You gasp, instinctively grabbing Dazai by the collar of his suit and dragging him away to get lost in the crowd of concerned people. You finally make it outside and you both collapse onto the soft grass just outside the venue. It's decorated with all kinds of flowers and fragrant rose bushes, it almost looks like you're at the garden of Versailles. You look over at Dazai, his nose bleeding all over the place, but he looks completely unbothered by it. As you reach over to touch the bridge of his nose, he grabs your wrist and holds it away gently. He waves a finger at you.

"No touchy, I've got it."

He does not, in fact, got it. He looks around until he plucks a rose petal and uses it to wipe his nostrils. You frown, getting all up in his space within an instant.

"What on earth are you doing, Osamu? Let me help, you goofball. Your nose is a mess thanks to that stunt you pulled."

You tear off a bit of fabric from your outfit and dab his skin tenderly, holding his head on your lap now. You can see some blood has trailed down his neck, staining the bandages there along with the collar of his crisp white dress shirt you picked out for him this morning. Dazai perks up, his voice slightly strained but full of lightheartedness.

"How does it feel to work with the agency's most tactical and covert operative? Eh?~"

You bite back a smile, and shake your head. You murmur.

"Feels like he's asking for a death wish a little more than usual."

Your lips soon become a thin line, realizing your statement hurts a little more in the context of the situation than it usually would. He notices your mood shift as his eyes flicker from your concerned eyes down to your lips and back up again. He knows it hurts you when he's like this, reckless and acting out on the impulses of his own plans. He wants to sit up and close the gap between you, kiss you until you drop down those brave walls you're putting up for the sake of the mission. For the sake of your feelings for him. He knows he's careless with it all.

He hums, eyes trained on you as if burning the image of your heavenly self into his mind, where you always deserve to be. In the distance, a bulky sketchy looking man runs out of the venue frantically, looking around wildly and you both get the impression it's the guy from the cellar earlier who kissed you in exchange for your freedom.

Shit! You could have sworn you knocked him out cold. Dazai sits up from your lap and you two scoot more into the bush, trying to hide from him as he makes a call. You mutter under your breath, turning to Dazai as you begin to type something out on your communicator.

"Now's the perfect time to let the others know we're ready for extraction."

He's already looking at you, or gazing admiringly more like. He knows he can fuck up everything, pay any consequence, but the thing he needs to get right for the selfishness of his wretched little heart is you. He scoots a bit closer, hearing the sounds of both your shallow breaths harmonizing. He mutters, softly.

"It would also be the perfect time for you to kiss my face better. You know, for my wellness and all that. Besides, that guy wasn't very nice to us earlier and we need to get rid of any traces of him from those lips. Yuck."

You roll your eyes yet again, despite the fluttering that won't let your stomach rest.

"Who cares about that, we have a case to close first."

He smirks, voice dropping low and provocative.

"I care."

He leans in even further, practically caging you with both arms on either side of you. He can feel your breathing become more erratic, his own filled with a pathetic sense of need he always has when he's with you. Dazai's hand reaches out and grabs your chin, turning it up slightly to face him, making sure you drop this silly act once and for all. His voice comes out gentle, firm.

"I need you to physically push me away, or I swear I'm going to kiss you right now, cutie."

Your eyes widen as you let a shaky breath escape your plush lips, murmuring in return.

"I'll.. punch you in the nose again, you know..."

His hand moves from your chin to the side of your face, cupping your cheek as he takes another breath, his body aching to be as close to yours as possible. His eyes are fixed on you, tearing you apart right then and there, but not before putting you back together so nicely. In that moment, he knows you don't mean that, and he knows he can't resist anymore.

He then whispers with a finality, the anticipation torturing him like you do on a daily basis.

"I don't think I'm going to listen to that..."

You break into a faint smile as you perceive him back.

"You've still got a little blood on your-"

Without another word, Dazai closes the remaining distance between you and him, kissing you with fervor as his soft whines reverberate against your lips. You taste sweetness and then... metallic as your lips mesh together for a heavenly moment. He feels alive, this was what he needed, the soothing balm for his soul and any other wound only you could provide. He's like a vampire, a parasite leeching off of your very essence so he could be himself around you. Cowardly burrowing into the safety of your heart. You squirm just a tad, your fingers carding through his brown hair as you try to keep up. He pulls back after his nose can't push more air through and keeps his lips hovering over yours, feeling the heat from your mouth mingle with his as he sees your lips stained red with his blood. Just as he's going to comment on how disgustingly erotic it is to see you like that, he pushes away the indecent thoughts, using the bandage on his wrist to wipe your mouth instead.

"Okay, I'll be good for now. You can call for extraction.~"

It was a dumb thing to do and could be seen as him being territorial or jealous, but the reality of it was that it was the natural order of things when it came to the way he processed his affections. Someone gets in between the two of you in any way?

An uglier and more dangerous past version of himself would have called for an immediate execution, there was a reason he held the titles that he did. He did his very best to keep that mentality at bay, rebuking it every time he felt a dark urge that he felt needed to be dealt with, mostly for your sake and for the sake of the promise he made to a friend once. Though he can't lie and say that's not who he is anymore, he can always find a better way to get his point across... even if a wishful bullet to the head comes out in the form of a kiss on your precious lips. He'll try for you. He'll wear the fastidious label proudly and be Dazai, a jealous man.

[void-of-unparalled-chaos]

Can I Sing For You? (DpxDc Prompt)

Ghosts have many different subspecies, each with different traits and skills. Danny is half ghost, but if you wanted to be precise, he is half banshee/siren. Ever since his death, Danny has had a natural talent for singing and finds great enjoyment from it. Sometimes he just can't help himself and needs to belt out a tune to someone.

After high school, Danny decides to pursue a career in music. It let's him sing to his cores content without getting odd looks and puts some cash in his pocket so honestly there isn't really a downside. In order to get some extra practice in and gain more exposure, he has a youtube series where he walks around and asks people if he can sing for them.

Its while making one of these that Danny comes across DC character of your choosing and gets an urge to sing so overpowering that they barely have time to say yes before Danny is singing the most beautiful, powerful performance he ever has in his (un)life.

By the time the song is over, DC character is extremely flustered.

[aroaceleovaldez]

What is the PR disaster in question that made Rick announce TSATS? I wasn’t active in the online fandom at that point

Of course! This was awhile ago so it figures people don't remember it/aren't familiar:

Basically a couple years back (2020) the fandom had some posts circulate discussing the ways different characters in the Riordanverse were written poorly or offensively. There was a masterpost that went around tumblr but the two major points people were particularly focusing on were Piper and Samirah (particularly because Piper had featured prominently again in Trials of Apollo recently and the third MCGA book had further emphasized and discussed Samirah being Muslim, since it was supposed to take place during Ramadan). Basically each had multiple posts breaking down the ways they were depicted incorrectly or offensively. The entire fandom for a little bit was VERY intensely discussing this (and it's around this time the "RR crit" tag got very popularized on tumblr - it did exist before, but suddenly was being used VERY frequently - cause it was that wide-spread - though the discussion took over basically every side of Riordaverse social media on different platforms). People really wanted Rick to respond to these criticisms, so he did!

He made two blog posts, one about Piper and one about Samirah. He has since deleted both so the links are to archived versions. The short version: he essentially tried to justify his poor research and double-down that he hadn't written them offensively, actually, people were just being mean to him. The fandom, of course, reacted poorly to this.

[Further elaborated events under the cut since this got a bit lengthy]

(Fun fact, this all happened within a month or so of the time i posted an open letter on aphobic tropes in the Riordanverse that Rick replied to, and then he immediately followed with announcing that Reyna was intended to be ace-coded [which cause a LOT of fandom debate] before Rick dipped for a couple of weeks, and then came back to post the blog posts in response to Piper and Sam stuff. So I like to jokingly refer to this as "The time I imploded the fandom/drove Rick off of twitter." Twas I that set the house ablaze.)

Rick fully left social media after this and the LT Musical social media manager became Rick's social media manager for the time being.

So this all happened June/July of 2020. Tower of Nero would end up being published in October of 2020 and a few months after that Rick would state that he was done with the series and wouldn't be writing any more series installments involving Percy, and also that he wouldn't be writing a Nico quest following Tower of Nero as it "wasn't his place to" and encouraged the community to write their own versions of Nico's story.

The community continued to circulate the tumblr posts and discuss the topics of Rick's offensive character depictions, and this is also where we see the dramatic shift in how the fandom depicts Piper in fanwork (though in most cases it is admittedly not an improvement 😬) because of all this discussion. This is also around the time when the fandom brought Viria under scrutiny claiming that she was whitewashing Piper as part of the same discussions, through the justification that she was drawing Annabeth as having tan skin (which she does canonically), and if Annabeth has tanner skin then Piper then that's whitewashing Piper? Except they were using completely separate images of not fully rendered Piper art versus Annabeth in dramatic lighting, so it's all very awkward and poor logic, and did actually get kind of racist. A lot of people were calling it "Tannabeth Blackchase" (yeah, i know) or similar and a common sentiment you'd see repeated is "Don't draw Annabeth as having darker skin than Piper, because that's offensive/racist/whitewashing." (Note: it was not phrased "don't draw Piper as having lighter skin than Annabeth" - we also won't get into certain offensive depictions of Native Americans, but I digress). But yeah, the Annabeth stuff in all that did not age well at all.

Anyways, in October of 2021 however Rick would announce that he was co-writing The Sun And The Star - with a lot of heavy emphasis on how Mark Oshiro works as a sensitivity reader, and some false advertising from the official social media that Mark Oshiro was the first time a non-Riordan author would be collaborating on the series (disregarding the ghostwriters completely). One of the big criticisms in the breaking down of issues in Rick's writing was his lack of ever seeking a sensitivity reader, and fans claiming that a sensitivity reader could solve a lot of the problems. This was basically Rick's "look! I totally listened!!!!" (though it did little to actually improve things, based on the book) and in TSATS as well Piper gets a large cameo at the end where the text very directly addresses a lot of points made in criticism of Rick's writing of her.

We also then of course got the CoTG trilogy later, explicitly stated to be for advertising purposes for the show.

So basically, short version: Rick came under scrutiny for a lot of offensive writing within the span of two months, made some bad blog posts doubling down about it, left social media. TOA ends. Rick says he wasn't going to continue the series/write what would become TSATS. Community celebrates the end of of the franchise but also continues to discuss Rick's poor writing and the blog posts at length. Rick suddenly announces TSATS and Mark Oshiro's involvement. Everybody gets distracted from being mad. Show announcement stuff also happens and the discussions peter out.

[necrotic-nephilim]

au - tim sneaking out of jason's room one night at the manor and accidentally locking eyes with dick who is sneaking out of bruce's room at the exact same time, breakfast is very awkward the next morning

(i did think of having it be jason instead of tim but honestly jason has 0 shame and even less issue outing himself if it means fucking with bruce and, to a lesser extent, dick)

i'm cackling I love these types of things so much. they're so silly. sometimes we deserve mindless crack for these ships. have a *very* low effort ficlet bc this just makes me snort, enjoy <3

Dick closed Bruce's door as quietly as he could. Usually, he didn't have to sneak around when he slept with Bruce. But the temporary room Bruce had given Jason in the manor was just down the hall, and Dick didn't feel like looking Jason in the eye if he walked out of Bruce's bedroom in the morning at the wrong time.

Just because he was pretty sure Jason knew, didn't mean he needed confirmation and confrontation.

Dick had almost caved to staying in bed with Bruce when Bruce tried to pull him back down, but he kept some level of wits about him, prying Bruce's arm off of him and giving him a final kiss on the cheek before heading for the door.

The one thing Dick did allow himself, though, was wearing one of Bruce's shirts instead of his own. It was a size too large on him but smelled safe and comforting. Dick breathed a quiet sigh of relief when the door latched silently. He let go of the handle, turning around to creep off to his own bedroom in another wing.

And found himself staring at another figure.

With all of the lights off and only faint moonlight streaming through the windows, Dick couldn't tell who it was, at first. His reaction was embarrassing no matter who it was, jumping nearly a foot backward and clutching a hand over his chest.

He was a goddamn vigilante. This was just embarrassing.

The other person wasn't nearly as shocked as Dick, but they stood perfectly still, staring with wide eyes that faintly reflected what little light illuminated their face. Dick squinted, leaning forward to see who it was.

"Tim?" Dick hissed, trying to keep his voice to a whisper. Bruce had fallen asleep and if Dick woke him up now, he was never going to get the stubborn bastard back to bed.

Tim, still looking like a deer in headlights, just blinked at Dick.

"What are you doing up this late?" Dick asked. They'd all agreed to take tonight's patrol off, letting Babs, Helena, Dinah, and Zinda handle it in exchange for tackling the massive human trafficking ring in the morning with fresh eyes and cleared heads. The job was the only thing that had gotten Jason to agree to work with them in the first place. Bruce barely managed to strong-arm Jason into sleeping in the manor, with a decent amount of guilting from Alfred.

Jason, who was in the room only a few feet away from Dick. The room that Tim's hand was resting on the doorknob of.

"That's Jason's room," Dick said slowly.

Tim just nodded. "I know." He wasn't whispering like Dick was, but his tone remained impossible to read.

He just saw Dick walk out of Bruce's room. Had he put it together? It was Tim, after all. if he hadn't yet, Dick assumed he only had a couple minutes before it dawned on Tim.

"What were you doing in Jason's room?" Dick frowned. If he focused on Tim, it could keep the focus off of him for as long as possible. Dick tried to ignore how fast his heart was beating.

Tim's expression was hard to make out in the dark. "We were talking about the case." Still, his tone remained entirely neutral.

Too neutral, for Tim.

"At two am?"

"Well, what were you doing?" Tim huffed slightly when he said it, folding his arms over his chest.

He was shirtless, Dick just realized.

Shirtless and coming out of Jason's room.

"I was-" Dick stumbled over his words, choking as he tried to come up with an alibi. "We were talking about the-"

"I already used that excuse, pick your own," Tim deadpanned. Dick was pretty sure he also rolled his eyes. "I've known about you and Bruce for years, you know. You don't have to pretend."

The noise that came out of Dick's throat was almost as mortifying as the realization that not only did Jason likely know, but so did Tim.

"It... okay it has not been years," Dick's face was hot and he was glad it was too dark for Tim to see his blush. "I mean- it's been a while but not years-"

"Whatever you say." Tim shrugged, sounding unconvinced. "There have been feelings between you two for years, close enough for me."

If Dick died, right here, in this hallway in front of Bruce's door, he hoped the cause of death would be put down as homicide instead of natural causes. Because every word from Tim's mouth made another piece of Dick die inside, just a little.

"It's none of your business either way." Dick tried to stand up straight to sound more in control of the situation, clearing his throat.

"Trust me, I don't want it to be my business."

Dick would've laughed, if this was happening to anyone but him.

"What about... you and Jason?" Dick asked carefully.

Tim shifted on his feet. "What about it? I told you, we were talking about the case."

"Right." It was Dick's turn to roll his eyes. "In his bedroom, at two am, without your shirt?"

Tim stared at Dick for a long, torturous moment. A moment that made Dick agree with Tim, about not wanting to know any sordid details.

"I'm going to bed," Tim said suddenly, turning away from Dick. "Goodnight."

Dick had a thousand more questions he wanted to ask. How Tim and Jason even got together, when it happened. Last Dick knew, they could barely stand to be in the same room.

But Tim was walking away at an alarmingly brisk pace and Dick just sighed. He was too tired and mortified about his own secrets to chase Tim down for an impromptu interrogation that would just end up embarrassing them both more.

Maybe it was best for Dick's sanity if he didn't know the specifics.

Dick didn't consider how awkward it would be until he was standing in the kitchen, staring at Jason bent over a cup of coffee.

Did Jason know Dick knew? It didn't seem like he did, but he had always had a good poker face.

When Tim ambled into the kitchen and grabbed overnight oats from the fridge, he didn't even look at Dick. He seemed to be pointedly avoiding it, sitting as far away from Dick as he could at the oversized dining room table.

All while Dick couldn't seem to stop staring.

"Your cereal is going to get soggy," Jason muttered, and it took Dick a moment to realize Jason was talking to him. "At least eat it before trying to explode my head with your mind, or whatever your staring problem is."

"I'm not-" Dick stuttered. he shut himself up with a mouthful of cereal when Cass gave him an odd look.

Would she be able to figure it out just from his body language?

Dick had never fully understood the lengths her ability to read people could go. he looked away from her and stared at a random spot on the table, trying to eat at a normal pace.

Bruce was the last to wander into the kitchen. He squeezed Dick's shoulder as he walked by, making Dick jump. It was an innocent enough touch that no one would question, but all Dick could think about was the brief look from Tim before he quickly averted his eyes again.

The silence around the table was going to eat Dick alive. He started eating cereal faster.

"Oh for fuck's sake," Jason broke the tension, throwing his head back and slamming an empty mug down onto the table. "Everyone knows you two are fucking, alright?" He gestured between Dick and Bruce. "Stop being so goddamn weird about it, you're acting like there's a bomb in the room."

Bruce choked on his coffee. "Jason." He tried to sound reprimanding, but his voice was a few octaves too high.

Dick threw his hands in the air. "I knew you knew about that, but I didn't know about you and Tim until last night so excuse me for feeling a little awkward."

"You didn't know about what?" Bruce nearly yelled, spinning around to face Jason.

"Damnit, Dick!" Tim groaned, putting his head in his hands.

Jason just scoffed, pointing a fork at Bruce. "Oh don't even give me that self-righteous bullshit-"

Their argument went back and forth while Tim just rubbed his temples, muttering to himself and glaring at Dick.

Worst of all, Dick was pretty sure Cass was giggling next to him under her covered mouth.

Dick just sighed and ducked his head, dutifully waiting for the ground to open up and swallow him whole.

So much for his breakfast.

[coddda]

Hiiiiiii. Episode 25/26 lawlight analysis rant thingy here. I don't know how to write an intro for this so let's just get to it LOL

I think one of the reasons that the rain/foot scenes stick out so much (the. Sheer insanity of a Foot Massage Scene in an anime revolving around two guys trying to kill each other aside 💀) is the fact that the anime specifically suffers a bit in terms of adapting a few of the "emotional" moments in death note.

And I don't mean "emotionally impactful" exactly. For example I think the adaptations of scenes like Raye and Naomi's deaths were very impactful and the atmospheres of their final scenes were great, but I mean more from a characterization standpoint (if that makes sense). Being more focused on mind and logic games, Death Note as a whole isn't as invested in individual characters' deeper feelings as it is in its action (which isn't necessarily a criticism per say, it's simply part of the nature of a mystery thriller series). But just because they're fewer and farther between doesn't mean there are none at all. In the manga we do get to see, for example, how much Light actually cared for his family and especially Sayu, and how he actually felt more conflicted and suffered lack of sleep/appetite when he first used the Death Note.

The anime specifically as an adaptation is pretty good at adapting the main mind fuckery and action of Death Note, but its lacking in properly adapting scenes like the ones I mentioned above is a criticism I see somewhat often, and it's pretty fair imo. Compared to all the other adaptations, it certainly seems to fall short on an emotional level: the musical has entire songs going in depth about the characters feelings and relationships, the 2015 jdrama is. Insane and has its emotional moments in spades (because it's a TV drama, which are more focused on portraying emotional conflict and the like), even the 2006 movies has its emotional beats and L Change the WorLd is. Well. Oh Man.

Anime Light to a lot of people is like. Light but he's "already evil" (which I have my own thoughts on but I digress). Light but after using the Death Note for like 2 minutes he's already like "fuck yeah time to kill criminals". Basically the anime doesn't take as much time to delve into his less cynical sides or really delve into his already vague and harder to decipher feelings in general, he is noticeably colder from the get-go here, etc.

But that's part of why I think episode 25 manages to stand out so much tonally (apart from it being, y'know, the episode L literally Dies). I love the episode so much and could probably rant for hours about how much I love the artistic choices made in it but what I'm trying to get at here is that it's one of the very few moments where the show tries to go deeper into specific character's emotions, and one of the very few moments where the show Attempts (emphasis on "attempts" because, well, you'll see in a bit) to get more in-depth into Light's feelings apart from his cynicism/apathy/justice. ness.

L in these two scenes in episode 25 is, well, pretty damn open about how he feels. It's usually interpreted as him knowing that he's going to die, and you can see it. He visibly looks/sounds lost, somber, etc. He never really had much to hide around Light to begin with (since he doesn't really care about hiding himself the same way Light does) but especially not now and it Shows, and I personally thought it was pretty cool to delve into his thoughts/show how he feels this way. The somberness can be felt throughout the entire scene, even people who don't already know the plot of Death Note from the manga could probably tell that he's about to die.

In the manga, once L starts suspecting Misa again and Rem realizes what Light is trying to do, it goes straight to Watari and L's deaths, but the anime instead gives a distinct and unexpected pause in the middle of this where L contemplates his own death. It's fucking great, and the shift from straight action to slower emotional weight makes these scenes stand out a lot, since, like I said, the show usually focuses more on the former. But it's kind of ironic, too.

Not only does the anime open up L's feelings more in these scenes, but it also tries to dig deeper into Light's feelings as well through L. And it's really funny honestly because while, yes, these are the more "emotionally open" scenes of the anime Light still manages to be Incredibly avoidant and contribute almost nothing to the entire ordeal.

L is visibly upset -> "Yeah Ryuzaki, you're not making any sense at all" (Not addressing the obvious conflict from L)

"Tell me, Light. From the moment you were born, has there ever been a point where you've actually told the truth?" -> "[The most stale, over-explained, avoidant answer to a "yes/no" question that you could ever hear + blatant attempts to reframe the question]"

(L's half-smile here kills me) "I had a feeling you'd say something like that" -> [Nothing]

"I'm sorry" -> [Nothing]

"It'll be lonely won't it? You and I will be parting ways soon" -> [Nothing]

^ From this point Light continues to say literally Nothing for the rest of the scene. I'm not even joking, from then on the rest of Light's voicelines are reduced to nothing but vague noises of confusion.

Everytime L calls Light out as a person ("Has there ever been a point where you've actually told the truth?" / "I had a feeling you'd say something like that." / "Won't it be lonely?") he doesn't actually acknowledge anything. Out of those three lines, he only answers verbally to if he's ever told the truth, and even then it's the most blatantly people-pleasing answer ever, as it usually is with Light. And I don't think it's because Light just. Doesn't care about any of what L's saying at all, or that he doesn't know what the hell he's talking about (questioning Light's authenticity as a person, saying it would be lonely when they part), instead he's choosing not to acknowledge any of what this means about himself or him and L at all. He's like a fucking wall.

And like, for the truth question in particular, the show makes sure that you know it's not something that Light just. Doesn't care enough about to answer. The hard cuts to silence are a very rare but extremely effective way that the show conveys an extremely important moment (see: Light regaining his memories, Matsuda noticing Light opening the warehouse door before he escapes (not as much of a "direct" cut to silence but still)), and cuts to multiple angles/framings/zooms of the exact same shot are also used for the same purpose (see: Light hugging Misa when she was crying, Matsuda aiming his gun to shoot Light, Light regaining his memories Again). Just like the scene where Light gets his memories back, the moment L's question finishes the show utilizes both. That question cut Deep. There's is a solid Almost 5 seconds of silence before the sound of the rain gradually starts fading back in, and honestly that should be telling enough as is (but of course Light doesn't actually admit that. Or anything at all really, so). Oh also another fun detail! We do not see Light's face At All (except for the shot where you can see his mouth moving but not his eyes), for the Entire time that he's going on his spiel to L. We Will Be Revisiting This Later, by the way. This is not, in fact, the first time you're going to see this detail from Light.

The only sort of reciprocation that we see from Light during Any of these two scenes is when Light dries L's hair while L dries his feet. Biblical meanings/references aside it's interesting because it's the only time he directly does anything "for" L in these scenes, but even then he doesn't try to pass it off as anything meaningful really the same way L does ("You're still soaked", a purely neutral and factual statement. It doesn't Add Anything compared to L's. Sin atonement loneliness grieving stuff. While Light is showing his own reciprocation to this more personal moment he also tries to keep it impersonal enough that it doesn't actually have to mean anything deep). And when L says "I'm sorry" after he once again gets no response from Light. It's also after this that L gets that pained look on his face, like he knows that at this point he's not actually going to get anything meaningful from Light (again, very significant and rare from L in the show. We've seen him in distress (see: when Ukita died, hell, when Watari dies), but even then he mostly manages to keep his usually neutral expression), we never see him "look sad" like he does here):

I just think it's interesting that this is one of the few scenes in this particular adaptation of Death Note where they try to open up the character's thoughts/feeling (especially considering the fact that they. lowkey blunder in adaptations of original scenes from the manga), and L himself is being rather open (not that he ever really tries to hide what he thinks nearly as much as Light), and yet all Light contributes to it in return is like. Actually nothing. Bro fumbled it. There is no resolution to any of this, to any of what L asks at all, to any of the many opportunities for a meaningful conversation, and the only thing even relatively close to an answer that you can get from Light is what you can infer from how he acts in the episode after L dies, where he's just going through the motions, but hardly acting as if he's actually living at all.

(Honestly I think the transition from this scene with the taskforce to the subsequent scene with Misa says enough on its own. Light's expressions and tone says everything:)

(Oh sidenote but. This shit again:

"Light, this is our first date in forever. can't you enjoy yourself a little more?" ('Why don't you seem happy? We can finally be together since L is dead') -> No response, Light instead changing the topic to him wanting to move in with Misa without changing his mannerisms at all

Also there's that one detail again. You pretty much don't see Light's expression when he speaks here at all, except for one shot of his eyes, which is quite literally the exact same shot they used when he "saw" L, just altered for the new setting. You have No idea what he looks like when he's responding to Misa, although it's probably fair to assume that it's the same empty stare he has for the whole Two Shots where you can clearly see his whole expression in the entire scene.

Something something Light Yagami bad at feelings I think you get the point though)

I guess Light's Kind of showing what he's feeling now? He'll admit to himself that it's boring without L, but no more than that. Light never actually admits to anything "significant", and L's dead already anyway, so what would that even do?

And then we get, uh. Basically nothing from Light. For the next 5 Years. Except that he joined the NPA, so, uh, yay? Good job, Light you totally nailed it! Thank you for allowing us as an audience to delve deeper into your inner thoughts and feelings as a character so we can find out more about you as a person! Very helpful! Thank you for not sabotaging one of your few dedicated opportunities to look into yourself as a person and reflect on your relationships with others and being 100% honest with yourself! We stay winning guys.

Anyway, this got way too long for a scene that's over a decade old, and I've probably just said everything that everyone else has already said in this fandom before. But unfortunately this has been living in my head for way too long and I must scream. I just think this episode's neat is all :)

tl;dr Part of the reason why the rain/foot scene (tbh episode 25 in General) stands out so much is because the Death Note anime specifically was a bit robbed in terms of its more emotional character moments compared to the other medias, which makes more somber/introspective scenes like the ones in episode 25 stand out a Lot in comparison. But it's also incredibly ironic because it's one of the few moments where the show (or specifically L) tries to look deeper into Light's character, but because he is so avoidant for the entire duration of these two scenes he adds basically nothing at all. It's almost funny. Mostly sad. It's also very gay. Aand post

Okay actually nevermind one more thing I talked about how the jdrama is supposed to be more emotionally in-depth because it is a TV Drama and just for the record, same thing happens there! I could probably do an entire analysis of the Blue Scene in this context like I did with episode 25 but I'd literally be here forever, so uh, just take this iconic line as my main example:

Same Thing. L's statement "I wish we could have met some other way" is personal. It's his own wish, his own regret that he is expressing to Light. While Light's reply obviously has that same regret implied it's also phrased in a specifically impersonal way. It's closed off. "This is the only way we could have met" it closes off the topic and simply renders L's wish as ultimately futile. Light does not say that he Also wishes he could have met L a different way even if it was likely impossible, instead it's a cold statement of cynical fact.

Idk just. Something something L being able and Willing to be more openly sentimental/emotionally open towards Light/about Light vs. Light's inability to be honest with anyone including himself and his own nature preventing any form of meaningful reciprocation. Something something self-sabotage, y'know the drill. God don't even get me Started on how sincere L's tone is when he says "It'll be lonely won't it?"(at least in the eng dub) in the anime I could talk about his tone in that scene for ages. Also yes all of this relates to L Change the WorLd too by the way. Don't ask how it just does okay.

I do think that scenes like these (rain/foot scene, The Blue Scene. Uh. L Change the WorLd The Novel Adaptation) show, at least in those adaptations, that L does genuinely care for Light, and show that he values him as a friend not just in the mindgame-equal sense but also just like, a more sincere sense you know. Idk if that made any sense and that's a whole other topic for another day but you guys just have to believe me on this one alright please please believe me buries head in hands. Okay post over finally thanks for coming to my tedtalk hope you enjoyed my very-unnecessarily long analysis of the week

[books-books-smolderinglooks]

"He hadn’t realised how grey his life had been until Simon had come tumbling in in full technicolour, making everything feel brighter." ❤️ From Anywhere With You by @gulliblelemon. 💜

[ghostlyarchaeologist]

Eliot ensuring the girls know how to defend themselves. (And them proving that they can!)

Leverage S02E02/S04E05/Redemption S01E16/S02E03.

[youthofpandas]

Call Her Ishmael (or: a trans reading of one of my favorite Limbus characters)

Hi, I have been thinking about writing something like this since Canto V first released and today I finally felt inspired to actually make this... A compilation of the parts of Ishmael's story that lead me to reading her as trans <3 and why I think that understanding her character though that lens works so well

We begin with a woman stuck in the mundane. No plans for the future, no dreams of a life beyond the one she is currently living in, and that life is one she has long grown tired of. And she decides she would rather quit living that life, even if it would kill her. Everyone told her not to do this, but she wanted (needed) to do something new with her life.

She finds Ahab here, when she is at this low where she is unsure of where to go from here now that she has cast her old life away. She looks at Ahab and sees a woman with goals, determination, serious plans for the future she is willing to commit to. And she wants to be just like that woman. She wants to be a woman who will choose what her destiny is, choose what life she has.

"I hoped to be like her one day. To be someone who will face the destiny of her own choosing. To have something I could give it my all with conviction and without a moment of hesitation."

And when she gets on that boat and starts this new chapter in her life, well. There she meets Queequeg, and is asked for her name...

Queequeg asking her name, something that surprises Ishmael, and complimenting her hair is a defining moment in Ishmael's life and in their relationship. And not only is it the first conversation they have, it is the also last thing Queequeg asks of her. To hear Ishmael's name one more time is something that will bring not only herself comfort, but she knows will stabilize Ishmael as well in this moment. That it will bring her back to when they had first met, to the fond memories of a good friend who had asked for her name. Ishmael's name, her identity, the one she forged on that boat even through great difficulty is what shaped her into being herself... That is how their relationship begins and ends...

There is also a recurring theme of being reborn, of happiness being found in another life that is kinder to them both. Ishmael dreams of a life where they can break out of their cocoons. She wants to bury her past and had no dreams of the future before joining the Pequod, before meeting Queequeg and finding someone she wants a future with. Through Queequeg, through the woman who thinks her hair is the brilliant color of sunset and asked for her name, Ishmael is capable of imagining a destiny of her own choosing just like she had wanted when she met Ahab. (She isn't able to chase after it, not yet, because of Ahab's influence over the Pequod, but she for the first time can at least dream of a future where she is happy)

When tragedy strikes, she is left as, in her mind, the sole survivor of the crew, she has lost Queequeg, lost Ahab, lost her chance at finding happiness and purpose. It's then that she takes Queequeg's rope (the thing that kept her alive! Queequeg throughout their time knowing each other is always there to save her and help her keep on living) and makes it into a headband, attaches cute bows to it, a bit of femininity that is intrinsically attached to the woman who helped save her. She grows out her hair, her beautiful sunset colored hair, and it is so heart warming. For a long time I assumed that her not cutting her hair was done out of mourning, out of an unwillingness to move on from the life she had on that ship, but instead it was because Queequeg had loved her and she had loved her friend in kind.

In conclusion I love Ishmael very much and I like to rotate her around. Everything from her metaphors of being stuck in a cocoon and wanting to break free, her envy of Ahab's ability to find purpose so easily, her relationship with Queequeg that helped inspire her to dream for more to dream of a future where she is happy,, it is all very good and to me reading her as trans strengthens the themes of her story. I've watched the final part of the Canto V dungeon several times over when my friends arrive at that part of the story, and the Call Me Ishmael line always makes me start tearing up.

Ishmael starts as an unhappy office worker with no future and it is a life she cannot continue living, she meets an older woman who has the drive and passion to chase after her goals and wants to be like her when she is older, she has a life defining moment where another woman asks for her name and wants to be good friends with her, that woman will save her in so many ways and she will love that woman so deeply for how she helped influence her life, she sees herself trapped in a cocoon and wants to break free, she dreams of her and that woman will persevere, how they will live out the rest of their days, countless mirror worlds of happiness spent at each other's side. She starts the game proper with her hair grown long, ribbons attached to a rope that helped save her that represents the woman who had saved her before. She ends her chapter finding a new adventure to go on, one will she get to explore the world she lives in, she has found a compass in Dante who will help her chart her path forward.

Also I know we all make jokes about how inconsistent the art is when it comes to her chest but like... Come on look at the difference here.... I'm correct about this. But I mostly wanted to make this post to point out that her narrative arc is also trans and it goes so much deeper than just art inconsistencies.

Okay that's all I can think of now, thank you for reading, I hope you all also love her <3