#I want it to be around the same time my online friends are around

[jamiepaige]

Constant Companions Closeup #1: DYAD

(also on spotify!)

Hello everyone!! It's been a couple weeks and change since Constant Companions, my newest album, was released unto the world, and I've been genuinely blown away by the response. Genuinely, thank you to everyone who's been streaming, commenting, making mashups, changing their pfps and usernames - it means the world to me!

I wanted to give some of that love back with something people have been asking me a lot about - and, admittedly, something I love doing. Song explanations! Deep dives! Dropping the lore! Welcome... to the Constant Companions Closeups...

For the next eleven days, I'll be going into each track one by one and babbling about the process, inspiration, details, feelings, and thoughts behind each one! We're getting sappy. We're bearing our hearts. We're telling unfunny jokes. And we're starting with track one - DYAD (featuring unit.0)!

---

Naturally, since this is the first track, it also serves as a great point to talk about my intention with this album as a whole!

I'll elaborate more on this with future tracks, but to me, there are really two main things that define the sonic progression of this album versus my previous work - guitars and vocal synths. Obviously, these things have been present in my work since I first started calling myself Jamie Paige, but Constant Companions is intended to be my overwrought, sappy confession of love to these two things that time and time again have made me simply want to make music. I love rock and I love Hatsune Miku dammit!!!

I had originally written this song in February of 2023 for a game-jam-esque online festival hosted by my friend Loni called HAPPY PARTY TRI, and at that time, I had found myself at a major crossroads. I had put out People Posture Play Pretend and :women_wrestling: the previous year, and while the response was nice, I was feeling listless and lost.

I love singing. I like my voice well enough. I certainly love writing music with lyrics!! But... there was something uniquely electrifying about using vocal synths. Amidst a lot of insecurity and emotional turmoil surrounding the process of making art and putting myself out into the world, it was one of the few things that just made everything feel right. Suddenly, I was making the same kind of music that had touched my heart so many times over.

Would it alienate people, though? Would I lose longtime listeners? Yes, that weighed on my mind more than I'd like to admit, but even more than that... I was worried I'd lose some part of myself, as silly as it sounds. Maybe what I thought was a bridge would become a barrier, and the messages I wanted to send across the gap would never find their way.

Ultimately, I felt that Dyad was the only kind of opener I could've possibly given this album, and a perfect fit for the album's motif. A dialogue between myself, stricken with loneliness and a lack of inertia running in circles, and that synthesized voice (ANRI Arcane my darling), grabbing the outstretched hand and asking a question I already know the answer to -

"Baby, do you know what you wanna hear?"

Yes, it's a love song, but it's not just for a person - it's a love song for the creative impulse, and for the places I wanted it to take me.

im resisting the urge to be jokingly dismissive of myself to diffuse tension but i still need to signal that the emotionally bare part of this is over so pretend im doing a funny little dance Anyways let's talk more technical stuff

---

Like many of my songs, Dyad came together from a patchwork of different snippets and ideas I had laying around. The back half of the chorus - "dream together, we can dream together" - originally came from this idea I had jotted down something like 9 months prior, but ended up being a perfect fit for Dyad in basically every way. The verse snippet that I'd written to go with it got reused for a later song on Constant Companions as well! (I say without naming it, as if it isn't literally lifted wholesale from this demo and thus incredibly obvious)

I wasn't originally planning on brazenly quoting the bridge of a Tally Hall song when I set out to write this song, but while toying around with a bridge idea involving a shortened version of the pre-chorus melody, I realized I had inadvertently copied it anyways. I was going to scrap it... but at the request of my dear friend and certified Tally Hall lover Marcy Nabors, I made it an explicit reference. Which I'm fine with, personally! The first CD I ever owned was a copy of Marvin's Marvelous Mechanical Museum my sister bought me all the way back in 2006 - You can pry that sentimental attachment from my cold, dead hands, TikTok kiddies.

Lastly - not really behind the scenes so much as just a shoutout - thank you to unit.0 for the lovely lead guitar work on this song!! He's been a beloved collaborator of mine for many, many years now, and one of the people who ultimately convinced me this direction was the right one to go in, so it means a lot to share this song with him. Go listen to his music!!! Now!!!!!!

That's about it for this song! Not to sound like a fucking YouTuber, but genuinely, if there are any details you'd like to hear more about, let me know and I might made a bonus post at the end of all this. Otherwise, thank you for listening! Tomorrow: Not Quite There, featuring telebasher!

❤️💚

[utilitycaster]

actually taking the last bit out of the tags of that post because here is the thing. and I'm going to use specific examples, because I think it's illustrative.

the two groups of people in this fandom who have specifically harassed me have been, as I've said before, imo/dna fans mad I don't find the ship very good, and (to be fair, only on one occasion) shadowido/mauk fans who got mad that I said that tagging ao3 fic about throuples with individual pairs sucks. [hilariously the latter was not even about them at all, it was about me looking for imogen and fearne ship fic that wasn't witchy trio fic and finding it almost impossible to filter].

I do not like these people because they have engaged with harassment. It is not about identity; it is about actions. My closest friend, and the first non-family member I talked to on Wednesday morning, is a bi woman in an open marriage to a woman, with a longterm male partner. I was a bridesmaid in her wedding. The last time I visited her, in September, I was joined by other mutual friends, who are similarly in an open marriage with longterm partners and at least one relationship between two women.

I am entirely secure, in my personal life, that I am kind and accepting to queer women (of which I am one) and to poly people (of which I am not), and so I hope you can appreciate that if someone attempts to attack me on the internet on these grounds because I do not have the same exact opinions on pretend people kissing, my response isn't "oh my god I should go off and die because I'm a terrible person," it's "get a load of this moron making wild assumptions about my personal life based on a single data point in my preferences in fiction; I'm going to make them regret doing this to me, and hopefully anyone else, because this is genuinely a detrimental behavior in the fandom space." And also, you know what. If they were a homeless person on the street and asked for a dollar I would still give it to them if their attacks were merely verbal (yes, I know the idea of someone screaming "YOU'RE A LESBOPHOBE FOR HATING IMO/DNA can i have a dollar" outside the grocery store is rather comical, and I think that is how you need to consider statements like "um actually I won't help pro-shippers." Imagine that conversation happening in an irl activist group. Everyone would be like "uh...anyway, how do we fight back against this hostile bench architecture.")

I think right now it is vitally important to remember what actual bigotry looks like and what needs to be fought, and the reason I tapped the sign of this post last night is literally that I think you are wasting time and energy engaging with people who think bigotry is "criticizing the pretend guy Ashton Greymoore for concrete but pretend choices they made" when I also think most people criticizing Ashton would, if Ashton were real, still toss them change if they needed it, or are people who currently donate to or otherwise work with local programs that assist nb people, disabled people, or unhoused children.

I like to argue and I like to engage in fandom and I will continue doing that because it is a source of enjoyment and comfort for me, but I really urge everyone to ask yourself "am I arguing about genuinely different readings, or do I think that everyone who doesn't like my blorbo ship is a bad person" because if it's the latter, I think you need to nip that in the bud of online fandom before it grows into something darker and worse. A lot of irl hate and bigotry starts from a place of "everyone who doesn't agree with me and give me what I want all the time is wrong and evil" and perhaps I am too optimistic, but I think many people who say things like that in fandom just are caught up in the drama of it all and are capable of exercising empathy when they stop treating shipping or interpretation like a popularity contest that, if they lose, indicates that everyone around them is irredeemable. But I also think it can be the start of a really bad path.

[tomorrowxtogether]

SOOBIN: “I thought I should just try to shine as I am.”

TOMORROW X TOGETHER The Star Chapter: SANCTUARY comeback interview

2024.11.11

He once strived to become a lush, towering forest. But he realized that people will love him for exactly what he is—a deep, rolling ocean. And so, he decided to remain as whom he always has been: an ocean named SOOBIN.

You took a trip to Vietnam earlier this year with BEOMGYU. I heard you planned the whole thing. SOOBIN: I’m usually the kind of person who just goes around without a real plan, but since we don’t get much vacation time, I figured we’d better go all out and do everything we could in one go, so I tried planning it all out. (laughs) BEOMGYU just wanted to go with the flow, but there was a ton of stuff I wanted to do.

I’m sure it’s not easy taking a trip or spending your off time with the same people you spend all your time with. SOOBIN: I hang out a lot with the rest of the group on my own time too, though. Three of us were all hanging out together just yesterday. To be perfectly honest, it doesn’t feel like anything special since we’re always together 365 days a year, but I’m also most comfortable around them for the same reason.

Sometimes people start bickering with each other when they get too comfortable with one another, but you’re always so kind—like how you gifted BEOMGYU with a nap in that “The Perfect Way to Rest” video when you remembered he was feeling tired. SOOBIN: I think I’m good at picking up on things. I don’t know if I can do it with everyone, but at least with the other members of the group, I’m pretty good at telling how they’re feeling or if they’re not feeling well. As soon as I see one of them, I can tell, Oh, he looks a little rough today, or, He’s sure in a good mood today. (laughs) If they seem down, I go over to them to find out what’s wrong and talk it over.

Your kindness also comes across when you’re with animals, like in the “OUR TOMORROW” video, where you took care of one dog who was so nervous that it didn’t get a chance to eat any treats. Have you always been drawn to people and creatures that are small and left out? SOOBIN: So, so much. In fact, I was really shy and struggled to fit in when I was a trainee. I was really lonely at first. So when time passed and I finally got accustomed to things, if I saw another trainee who was shy and couldn’t adjust, I felt like looking out for them. Kai was among them. (laughs) That’s how I ended up becoming really close with him.

You talked about the cat your sister adopted recently, explaining how it used to be shy because it had a hard life in the past but that it finally opened up this year. SOOBIN: I went to see the cat when my sister first got it, but I couldn’t even see it that first time—it just hid under the couch. It was so shy that I thought I’d never get to pet it, but the last time I saw it, it came right up to me and started purring, wanting to be petted. It was able to overcome its painful past and open up to my family thanks to all the love they show looking after it. Love really does have the power to change anything. (laughs)

You also said on weverse LIVE recently that you made a new friend who you can talk about dramas, movies, and books with. SOOBIN: For me, dramas and movies don’t end with watching them—after you’re done watching, that’s when things are just getting started. I always look up reviews and analyses online. People can watch the same thing and they’ll all have their own thoughts on it, so I’m curious about all those different views, and now I have someone to talk about that with. They know a lot more about books and movies than I do, so I end up learning a lot when we’re sharing our thoughts together. Just having a friend to share my interests with is really fun.

You mentioned talking about Inside Out 2, and you looked at how it features a place to store things you’ve heard that you want to keep for a long time, which got you thinking about what sort of things you would want to hold onto. SOOBIN: I kept recalling things my friends say after we hang out—things like, “SOOBIN, I’m so happy we’re friends,” and, “I feel great whenever I’m with you.” Hearing things like that really touches my heart. Seriously, how often do you get to hear things like that in life? I used to find expressing things like that awkward and weird, but thanks to my friends, I’m getting used to saying I love and appreciate people. You empathized with how Anxiety works harder and feels more anxious than others because they want to be good at things. Are there things you feel you should work harder at than other people? SOOBIN: I’m actually slower at learning choreography compared to the other members. I assumed I’d get a lot better after debuting and regularly performing onstage, but progress was slower than I expected. I didn’t say anything about this before, and I even kept it a secret from the other members, but I actually got separate choreo lessons on the side when we were doing “Chasing That Feeling” and “Deja Vu.” We’d take lessons as a group, and then once I was alone I’d always spend about an hour dancing and working on the little details. I tried so hard with those two most recent songs that I even practiced on my own like that. Seeing as I’m slow, I have to work harder to keep up with the other members. If I have more time, I want to practice more for this comeback, too.

With all the touring you’ve done and the encore performances you have coming up, it must’ve been really hectic getting ready for your Star Chapter: SANCTUARY comeback. SOOBIN: The schedule was really tight this time around—we even had to record vocals in Japan in the middle of the tour since we were in and out of the country—but now that we’re in our sixth year, the five of us were all really fast about things. I could sense that we had grown compared to before since we were faster at recording than we could’ve expected to be in the past and it took us less time to work out the details of the choreography.

The album’s subtitle, SANCTUARY, is a word that’s appeared in TOMORROW X TOGETHER albums before. What’s been your sanctuary these days? SOOBIN: I never used to have a sanctuary, which made getting through tough times hard, but I do now: simple things like working out or reading. It feels like the things that break me away from overthinking and let me immerse myself in something else are my sanctuary.

You were complimented on your previous promotions for your improved vocals and high notes. What about on this album? SOOBIN: Actually, every other album we’ve done had a song in a genre I wasn’t confident in, but not this time. The single “Over The Moon” is really laid-back, and I felt like it was perfect timing for us to try out a song like that. What’s unfortunate is that I caught this horrendous cold during recording. We started practicing for live performances recently, and the director said, “SOOBIN’s singing better than he did when recording. He makes it sound effortless.” So I couldn’t help but think about how much better I could’ve done if only my throat had been in better shape.

You always focus a lot on lyrics. Were there any on this album that have stuck with you in particular? SOOBIN: This album isn’t so much about telling some big, sweeping story as it is about everything we’ve been through together. Now that we’ve been through all that chaos, it’s about the universal emotion of love, which everyone can relate to, and I liked that about it. There’s a line in “Higher Than Heaven” that sticks with me that goes, “I think I kinda get what forever means now.” I even once said, “I never used to believe in the word ‘forever,’ but I think I can now, thanks to our fans.” I didn’t write that part, but it’s like it was written to perfectly capture my feelings.

The other members have probably had an impact on your belief in the word “forever,” too. SOOBIN: I’m pretty sure we’re going to grow old together and that we’ll be together till the day I die. We do the same thing and basically live the same life day in and day out, so we know what makes each other cry the most during concerts, too. Whether it’s my tears of happiness or BEOMGYU’s tears of disappointment from a leg injury, having friends to understand and share those feelings with is nice. They’re all just really kind people—calm and clear, like a stream. None of us is domineering or splashing around, disturbing the peace, and nobody’s dirtying the water, so I think we’ll be able to stick together for a long, long time.

You said before that you had found being onstage tough while touring. Now that you’ve already wrapped up your third world tour, do you still find that to be the case? SOOBIN: I think I’m getting better over time. I still can’t say that I completely enjoy myself, but the worries I used to have before going onstage have gone away entirely. There used to be times where I found it hard to watch myself onstage because I didn’t like how I looked, but now I see myself up there and I think I look cool. (laughs)

The way you have a different outfit on for every sound check when you’re on tour is definitely cool. SOOBIN: For fans who come even though they’re busy, showing up hours before the concert just to wait, doing it purely out of love, I wanted to be more stylish, so I bought a lot of clothes just for sound checks. The glasses-plus-cardigan combo was something I bought in advance for summer, and the reaction from the audience was amazing! They showed me on the big screen and MOA was screaming their lungs out—like, not the usual “wow,” but, “aah!” Like shock and awe. (laughs) I was worried I went overboard with the look, but they showed they liked it, so I was happy.

There’s no way not to bring up your cover of the Choi Yu Ree song “Forest” when talking about you. You said that the people around you are like tall trees in a forest and that you thought you’re one of them, but that you figured out you’re actually more like the ocean. SOOBIN: It’s easy to find people around me who are better looking and sing and dance better than I do. I actually started thinking about that at Lollapalooza. The other members looked so happy and like they were having so much fun onstage, but I couldn’t. I felt eaten up inside seeing myself not being able to fully enjoy it because of all the pressure. Then I heard Choi Yu Ree explaining that “Forest” is about feeling like you’re not good enough and I thought, “Ah, so that’s what I’ve been going through.” I started to understand my emotions a little bit better. Everyone ends up comparing themselves to others at some point in their lives—it’s unavoidable. And they have times where all they can see are the things they hate about themselves, but it’s ridiculous. I was overflowing with negative feelings when I was working on my “Forest” cover, and I wanted to sort of deal with those feelings and express them.

The music video echoes your thoughts that someday you’ll come to shore and become one with the forest. What does the forest mean to you? SOOBIN: Just being a singer who’s good at singing and dancing, interacting with my fans, enjoying performing, and being able to do it all with complete sincerity. I think I was showing how the forest to me means being happy with the other members when they’re happy. Nothing big—just simple things I’m not always that good at.

Do you feel more like a forest now that some time has gone by? SOOBIN: Umm … I saw a ton of comments from fans after I covered “Forest.” My mindset when I was doing it was, Right now I’m like the ocean, but I’ll become a part of the forest just like you guys—so wait for me until then. But once I saw what fans were writing, I changed my mind and thought, Do I really need to become a part of the forest? I could be similar to the forest, but I don’t have to change myself to be one. My fans kept saying, “The whole reason we liked you in the first place is because you’re like the ocean, not because we hoped you’d become like a forest. If that were the case, we’d like somebody else. Why do you think it was you?” The ocean comes with its own perks, you know. You need to have some ocean near a forest to add to the scenery and have more things to do. Now I think maybe I tried too hard to fit in by trying to be like the forest. Now I feel like I can shine bright just by being myself.

That lines up with what you recently said in an interview you did in Japan when you said that your 20s, the best and most energetic time of life, are dazzling and fun thanks to knowing MOA. What do you think you’ll see when you look back on this youthful period of your 20s? SOOBIN: Joy. Every moment of our lives is packed with good times and bad times, joy and sorrow, but in the end, I think, I’m on a path towards joy. Even things that are so agonizing that you want to die—so bad you feel like the whole world is against you, and so bad you’re certain they’re weighing on you forever, eventually pass.

Doesn’t it almost feel funny sometimes, looking back after all that? (laughs) SOOBIN: Yes. It ends up feeling so trivial somehow. Things that felt massive at the time are like a speck in the distance once you get even a little space between them and yourself. Even after all the hardship I went through being a trainee, I can look back now and see there were a lot of good times. Maybe we tend to romanticize the past a bit? (laughs) Even some of the stuff I’m going through now can be tough, to be honest, but I’m never going to give up. There’s still so much I want to give. The amount of joy I derive from doing this is way higher than the amount of difficulty. I think my life’s amazing, even right now.

So amazing. (laughs) SOOBIN: I think so too! (laughs) As time goes on and I get older, when I look back on my youth, my time with TOMORROW X TOGETHER, I wonder if it’ll look that much more shiny and amazing. Maybe I’ll feel I was even cooler at this time than I feel I am now.

[098-lxxon]

Picture a Mouthwashing swap AU where :

Jimmy is the captain/pilot.

Anya is the co-pilot.

Swansea is the nurse.

Daisuke is the mechanic.

Curly is the intern. (or the mechanic assistant, I'm not sure. Can a guy his age be an intern?)

In which they know little to nothing about their jobs.

And imagine the absolute CHAOS.

✼ •• ┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈ •• ✼

[Pre-crash]

Situation :

- Jimmy scolding Anya about how careless she is when she controls the ship. But he never controls it once, always using auto-pilot.

- Curly got a paper cut and asked Swansea to help. Curly's entire arm ended up being bandaged. Swansea said it's for "future injury".

- Anya has a big "how to pilot" book with her to read. Most of her time, she seems to be in her cockpit, reading it.

- Daisuke is absolutely irritated from Jimmy assuming he only got this job because his parents have connections, when he hit the books every single free time until graduate.

- Curly has a sock puppet (Pun intended) with him. He named it Yimpy and tried to light everyone's mood up. But ended up annoying them instead.

✼ •• ┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈ •• ✼

Their performances :

- As I've said. Jimmy never touched a button on the control panel, but Anya didn't want to confront him for the same reason in the game. He's very bossy to everyone, especially anyone younger than him (Anya and Daisuke). And has little to no respect for Swansea. He's still a friend of Curly. He's the one getting Curly in this position.

- Anya tried her best to be reliable. She has no time for board games at all, asking Curly to play for her (He always wins for her, too). She is pretty sure she won't get any money for this trip from how many risky moves she made with the ship. She gossips about Jimmy not doing his job at all to Daisuke, too. Then ended it with "But who are we to judge" after gossiping for 3 hours in the cockpit hallway.

- Daisuke runs on rage. He won't admit that he lacks experience and only knows things from the textbook. Always activated emergency foam when trying to fix something. Tears up in anger every time Curly has to get him out of it. Yimpy made it worse. He and Swansea are pretty close. Well, imagine how many times he visits the medical room.

- Swansea's wife is a nurse. She taught him how to first-aid to bond whenever she was home. She gets him into online classes and he gets several certificates. He was surprised he was hired by Pony express in his first interview. And he's just as lacking in experience as Daisuke. Everyone walking out of the medical room is looking like a mummy.

- Curly walked around, sock-puppeting Yimpy to everyone. Only Anya and Swansea played along for a short moment. Jimmy told him to go to work. And Daisuke just raged on him/Yimpy. He learned to keep Yimpy away from Daisuke after 3 sessions of his rage.

✼ •• ┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈ •• ✼

[ Just . . . Imagine them in this song. YES YES I GOT THE IDEA FROM MY LITTLE PONY. ]

[da-riya]

Me looking at making a schedule to follow

Okay where do I put the 12 hour gaming/online browsing slot

[foxgloveinspace]

I mean this in the nicest way possible: I wish I was a better friend.

[indigopoptart]

man i love the people im surrounded with. how did this happen. youre all so lovely😭

[supergraphicultramoderngirl]

u ever hear a friend say something that they think is like this highly political and progressive thing and ur just kind of sitting there like. oh you haven’t gotten the new update yet

[roseofcards90]

Not me going through all my liked songs and seeing all the ones I added because of my roommate before 😭 augh I’m reminded of how I wish I could go back…

[canisvesperus]

Are we going to talk about the thinly veiled ableism towards high support needs autistic adults who frequent websites like deviantart for their hyperspecific non-fandomizable special interests, infrequent hygiene practices, “weird fetishes”, that are all clearly shaped by an experience with neurodiversity that is foreign to all y’all rebranded Asperger’s supremacists

[queerstudiesnatural]

i just love love. i love to feel love. sometimes i find myself overflowing with love. it's purifying and intoxicating at the same time. i love love.

[carcasstohounds]

sorry but i refuse to feel bad for people who are insecure about how pale they are

[snekdood]

Im so tired of acting the way i think some ppl on here think i should act. Im tired of assuming theyre seeing me through the lens my ex provides for them. Im tired of feeling like nothing i say or do matters anyways because people have made up their mind about me and refuse to try to see me in another light. I know who I am and I know what im like and im tired of trying to almost essentially help people see me change my behavior for the better from something i never even was? Because i guess i feel like if i act like most people dont know about the issues between me and my ex that means other people will think im just *pretending nothing is wrong or happening*. It feels like i cant win either way. I cant play pretend as this horrible person whos trying to reform and have people allow me the chance to actually change and recognize that change and i cant also be myself and just know myself without people thinking im just ignoring this thing that isnt even a thing i need to work on or ever even fucking did. Im so tired of feeling convinced that other people are convinced im horrible and having to work from there and having to try to navigate that situation and get someone to see my side of things because ive just come to the conclusion that some people just will refuse to and idk. Theres nothing i can do in this situation. I just know i didnt deserve any of it.

[kittyloops]

is there a reason that the only reason i'm looking forward to this hangout is for it to not exist anymore

[enfinizatics]

dear americans,

as a polish queer woman and human rights activist, i know exactly how you're feeling right now and what to expect from these elections. i lived through the 2015-2023 regime of pis, a right-wing populist party that divided families in the same way trump did. i’ve experienced the rise of fascism in poland, the influence of far-right parties like konfederacja, and their “santa’s little helpers”—ordo iuris, an ultra-conservative catholic organization (banned in many countries, mind you) that helped enforce a near-total abortion ban and runs anti-queer campaigns in public spaces. i supported the black protests in 2016 as a middle schooler when they first tried to ban abortion. as an adult, i actively participated in the 2020 women’s strike, running from police tear gas daily after they finally passed the ban. i supported friends who faced charges.

i’ve lived through intense homophobia in poland as a queer teen and adult. i survived the first pride march in my hometown, where far-right extremists threw stones and glass at us. i endured the anti-queer propaganda spread by the ruling party in state-owned media. i survived the “rainbow night,” poland’s own stonewall moment in summer 2020, when police arrested around 50 queer activists following the arrest of margo, a nonbinary activist. i survived the "lgbt-free zones," the targeted violence, the slurs from strangers on the street, and the protests i held against queerphobia. it was hard as fuck, but i survived.

but just because i survived, it doesn’t mean others did. many women died because of the abortion ban—marta, justyna, izabela, dorota, joanna, maria, and many others who didn’t survive pis’s draconian anti-abortion laws. milo, kacper, michał, zuzia (she was 12), wiktor, and other queer and trans kids and young adults took their own lives because of the relentless queerphobia.

despite all of this, our experience in poland can serve as a guide now. here are some tips for staying safe and how we, polish queers and women, organized under the regime:

safety first, always. if you know someone who’s had an abortion, no you don’t. if you know someone is trans, no you don’t. if you know people who help with safe abortions, no you don’t—at least not until you know it’s 100% safe to share. if you are queer or have had an abortion, only share this with people you trust fully. most importantly, not everyone has to be an activist just because they’re part of a minority. if it feels unsafe to share that you're queer, trans, etc., then don’t. it doesn’t make you any less queer.

use secure, encrypted messaging like signal for conversations on potentially risky topics, such as queerness, abortion, organizing counter-actions, protests—anything that might be used against you.

stay anonymous online. if you want to research or report something without surveillance, do not use regular internet. get a vpn (mullvad is affordable and reliable), download the tor browser (for both onion and standard links), and if you plan to whistleblow, consider using a riseup email account.

organize and build networks. community is everything now. support each other, foster independence, because your government won’t have your back. set up collectives, grassroots movements. create lists of trusted professionals—lawyers, doctors, etc.—who can offer support.

to lawyers and doctors: please consider pro-bono work. this is what got us through poland’s hardest times. your work will be needed now more than ever.

for protests or risky actions: always write a pro-bono lawyer’s number on your arm with a permanent marker.

get to know the anarchist black cross federation and other resources on safety culture: "Starting an anarchist black cross group: A guide"; Still We Rise - A resource pack for transgender and non-gender conforming people in prison; Safe OUTside the system by the Audre Lorde Project;

for safe abortion info or involvement: get familiar with womenhelpwomen.

stay radical, stay strong, stay informed: The Anarchist Library

if i forgot to (or didn't) include something, don't hesitate to reblog this post with other resources.

[doberbutts]

So here is my problem with the "by virtue of being a man, you have to make your peace with the fact that some people will be uncomfortable with you, and thus you have to make yourself a safe person"

I've heard the same thing about being black. A lot of people have taken my very presence as hostility. I have had people escalate situations just because I am present as a black person in front of them. Before, and after transition.

You know what the problem with bending over backwards to make other people comfortable with your presence even though you haven't actually done anything to them besides breathe the same air?

It's never enough. You can be One Of The Good Ones for ages and at some point you will fail your Good One inspection and people will turn on you at the drop of a hat. People who you thought you had a good rapport with. People you thought were your friends.

I have *experienced* this, both online and in person.

The onus is on everyone to be safe people to be around. Singling someone out and blaming them for daring to share a demographic with someone else who has caused harm isn't cute when people do it to me because I'm black, and it's also not cute when they do it because I'm a man.

People are uncomfortable about my blackness all the time. I didn't magically stop experiencing racism when I started taking testosterone. So it's absolutely wild to me that people think "well, you know, with what you look like, some people won't want you around" is going to fly when I was explicitly taught *not* to tolerate that shit by every single one of my black relatives.

Someone doesn't like that I'm occupying a space? Well I'm not hurting them, so that's a them problem and not a me problem. That's how I've learned how to exist as black in white-majority spaces. Why do you think you can change the demographic and get me to agree with you?