so one time i got bit by a brown recluse which is one of the only types of spider in my area that's actually dangerous and at first i didn't know what had happened to me, only that it was nasty. the swelling wasn't going down and the wound started to get ugly. i don't want to like get into the details because that's gross but it got to the point 2 weeks later that i was worried enough to go to the doctor, which i hate doing.
i am not afraid of spiders but other people are so i'd been covering it with this big ole square bandage (i needed more landscape coverage than a simple bandaid) and sat in the university medical waiting room, kicking my heels and playing BOTW. the nurse who admitted me was like, oh, we have got to get Tom to cover this one. she wrote spider bite under my ticket.
i waited in the near-empty building for like an hour and then nurse tom shows up in spiderman scrubs, out of breath. "sorry," he says, "i saw - your slip - and I had," he heaves in a breath, "to run home and. get. these scrubs. i literally. ran. felt like a job. for. spiderman."
i laugh. he puts his hands on his knees, thumbs-ups at me. fishes a pamphlet out from under his clipboard that basically says spiders can be scary but you don't need to be scared, there's very few dangerous spiders in new england. "honestly," he wheezes, "we probably don't need to get you into an exam room. just..." he waves his hand at the pamphlet, "read that."
i look down at my arm. then back at him in his scrubs. and then down at my arm. i like that he made an effort to make a joke, but now it does not feel like a good joke, because they are mistaking my calm for a lack of injury. "can i. like. at least show you the bite?"
he gives me kind of a weird look, which is fair, but then says. "if. i mean, if you have to."
i peel the bandage off. his face goes green.
"oh," he says.
"yeah, man."
"a... spider bit you?" his voice is high and tight and trembling. he backs up a few steps.
"i think a brown recluse," i offer. "i know it's nasty, sorry."
"excuse me for a moment." he looks over to the administering nurse on the other side of the small room. "i need to find someone else to take care of you."
the administering nurse smiles over to us with a degree of pleasure that is almost salivating. for a moment, like a window opening, i am briefly aware of what must be a psychic message floating amongst the in-between. her jaguar teeth all say this is like a party for me and i know exactly what i'm doing.
"oh no, tom," she says, grinning. "i gave her to you specifically."
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God it just hit me.
Names are power in VnC. We call the piece of the world formula that defines a vampire their "true name." Learning and altering a vampire's true name gives you near-absolute power over them. Vanitas hides his old name as part of his "Vanitas" persona—a defense mechanism to hide his vulnerable self.
And names are an axis of discrimination too. The main way we've been examining discrimination against the dhampirs is through the lens of vampires refusing to call them by their names. And Luna, the perennial outsider, seems not to have been given a real name. They certainly didn't have a name that they liked or identified with for most of their life.
So with all that context, even more than it might be in another series, Teacher's whole name shtick becomes such an insane power move. He changes his name constantly and will brutally punish anyone that gets it wrong. Nobody has the power that would come from knowing whatever his first/true name was. He has the physical and social power to punish and correct anyone that doesn't call him what he wants to be called. He is in complete control of how people address him, or at least close to complete control, which is such a big deal within this story.
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the thing about post-rose ten is he IS casually cruel. he tells donna to her face that she's not clever, not special, not important - and gets slapped for it, which to my mind is kinda the reason the doctor-donna relationship works. he tells martha's coworker not to waste his time, to stay behind, she'll only hold them up. leaves her crying. and like, devoting his energy to the problem at hand (the hospital is on the moon, there's an alien situation going on, everyone here and possibly everyone on earth is at risk) is the practical move at the time. but there's an obvious casual cruelty to it that he wouldn't have stooped to before.
and I'm just reminded of the way donna forgot all her loudness and bluff and immediately snapped to empathy when there were people hurt. you're a doctor, you can help. I remember her watching in horror as the doctor presided over the execution of children and the destruction of a species - and telling him he can stop now. I remember her saying that yeah, her ex-fiance, the man who poisoned her and used her and secretly looked down on her all this time, he didn't deserve to die like he did, which is a pretty big admission given the freshness of that betrayal. she has a good heart. and I can see why she would be good for this new, cruel, forgotten-his-kindness-in-all-his-pain doctor.
and I'm just so, so sorry that martha had to know this version of him in the meantime.
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My headcanons on what each of the spider-kids parental name(s) for Miguel would be.
Miles
• Tìo of course.
• Papà.
• Work dad.™ I've seen this being used a few times and it's so canon lol.
• Mamà araña (spider mom) I read a fic with this nickname and I find it so cute.
Gwen
• Dad.
• Spider dad.
• On very rare occasions mom; she's more comfortable using dad though. (She feels guilty about calling Miguel mom, like she's replacing her old mother.)
Noir (he's 19)
• Father. Noir gives off vibes of someone who uses formal names 24/7 with older people. (Plus he's dramatic)
• Pops but only when he's emotional or drugged up on pain medication.
• Mother if he's in spider mode.
Margo
• Dad but in a teasing sort of way.
• Work dad; she doesn't care that it's trademark by Miles.
• Mom but in a I don't have emotionally healthy parents that don't fight all the time and you're my only semi stable parental figure I have to look up to sort of way.
Peni
• She just mostly uses Miguel's name or boss but she has called him dad a few times.
Hobie
• Old man. (Affectionately)
• Boss mom but he's being a little shit about it. Stole this nickname from a comic.
• Called him dad by accident once and he tried not throwing himself immediately out the window from his sheer embarrassment afterwards. (He failed)
• Mum if he's feeling vulnerable enough.
• Work dad™ but only because he wants to mess with Miles' trademark.
Pavitr
• Out of all of the spider-kids Pav seems the most emotionally healthy? That's not saying a lot but still. So in my mind he doesn't have enough parental issues to consider Miguel his parent. I think he would only call Miguel boss mom, but it's because he picked it up from Hobie.
• To him Miguel is more like a grumpy old uncle who's really cool.
Here is an extra headcanon for the people that read to the end ✨ or just scrolled down to the bottom of the post. 😒
• Peter b. called Miguel dad once in the middle of a villain fight. They both just stared at each other and immediately agreed to never bring it up again. Peter is still mortified he did that to this day.
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Something I've been thinking a lot about lately is how everyone thought Egon had gone insane. What Happened that made them think that. They've fought a gigantic Stay Puft Marshmellow Man TWICE (counting the 2009 video game because iirc it's canon? Correct me if I'm wrong), fought an interdimensional god, fought a blood thirsty ruler that killed thousands and was hated by all that was trapped in a painting (and managed to get in to beat him by making THE STATUE OF LIBERTY start walking down the street with slime that reacted purely based on vibes), found an underground abandoned transit system full of the moodslime, had a bathtub try to eat Dana and her baby, fought a giant murderous black widow lady, fought the fisherman ghost who turned an entire hotel floor into the bottom of a ocean, and that's not even mentioning them getting trapped on an island that randomly raised up from underwater that had been abandoned for decades created by Ivor Shandor who worshipped Gozer. So what did he do or say that made everyone else think he'd gone insane?? All I can think is maybe he was acting strange / eratic before, but he's always been like that to some degree.
I don't know. It's something that I've been thinking about. The correct answer is 'it's not that deep and they needed a reason that the others weren't together anymore and weren't aware of Egons death or know what was going on,' but also. What Was He Saying that prompted everyone, including Ray, to think he lost his mind when he'd been right almost every time before that.
I'm genuinely so curious as to what he was up to before this. What was he doing. What insane idea was working on prior to this or was he even working on anything at all??
Also want to clarify this post isn't negative 😭 I really love the newer movies and their lore / the newer storyline / characters, I just like thinking about small stupid things like this. Gives me something to think about / speculate about / figure out an answer to.
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What do you think Odile does for a living? She feels teacher like to me. What do you think she would do post canon?
HMMMM THIS IS GOOD QUESTION…
ive seen a lot of people hc her as a teacher / professor so i!! think that suits her pretty well. specifically as someone who studies + specializes in different types of craft (that would be why shes so proficient in multiple craft spells. also how she was able to figure out the loops stuff, AND to find something that could prevent siffrin from looping back).
post canon i am not sure… i am always torn between how the party would handle things post canon. obviously they would keep travelling for a bit, odile alongside her family without the stress of. constant sadness encounters + a king to kill lol. i think maybe she would get to take her time, reeaally get to know vauguardian culture when not within. a crisis. as was her original intention.
eventually. EVENTUALLY. when the family settles down somewhere (i am a “they all get a big house together” believer lol) she would get back into craft stuff. maybe go back into teaching too—surely people would be eager to hire a saviour. especially though i think it would be neat of her to try looking into wish craft etc, as a long forgotten form of craft. to satisfy her own curiosity, for siffrins sake, or just as a way of preserving the countries culture in whatever ways possible.
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Mikhail and Vitali were inseparable; when they weren’t studying or getting into fights, they would hang out at Mikhail’s place to smoke and get drunk on cheap rum and vodka, to then pass out in each other’s arms and sleep most of the next day away.
They promised each other— no matter what would happen— they would never leave each other’s side. Yet after starting university and college respectively, they did not see each other for a little over six years, leaving them both heartbroken and wondering what went wrong.
by lucas expedidor // catch me if you can; eden // clementine von radics, from 'courtney love prays to oregon' // sam sax, cruising: a broken tiara // 'ceramic home' by heavensghost; quote from john murillo // 'something's changed' by laiikastears // i don't want to watch the world end with someone else; clinton kane // fortesa latifi, from 'the truth about grief' // audre lorde, the evening news // frank o'hara, biotherm (for bill berkson) // heading home; ruben // 'preface to a dream' by alessandra casini // tokyo; caroline kole // langston hughes, poem // haruki murakami, norwegian wood // julie buntin, marlena // by lute // by aleksandr popov // anyway; noah kahan // christa wolf, cassandra: a novel and four essays
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