#But no. She also makes fun of Luz for trying to show her way of thanks

[cosmicgamer]

The way Luz's thank you drawing got rejected by the person it was for when she thought she finally found someone who wouldn't make fun of her for her eccentric behavior, that she is worthless..and then the drawing does get recognized, that it's beautiful and why would it get thrown away. She was finally understood (I am in shambles help-)

[amiizuki]

watched the pilot storyboards, albeit only 3/4 of it, and I like how the pilot made Luz seem more like an outcast eccentric weirdo, which is what she's supposed to be, rather than an ignorant asshole who is borderline terrorist

instead of her waltzing into school with dozens of spiders, snakes and fireworks, that she all planned to use INSIDE the building with a smile on her face and not a care in the world, here she instead only brings one snake to school and that's it. a snake that stays with her and her only, doesn't bite anyone, and whom she also later sets free OUTSIDE school. sure, she mentions that Azura is going to "explode out of the snake's stomach", but I heavily doubt it meant that, if the teacher hadn't stopped her, she was gonna pull out a big pack of fireworks, like the ones she had in the show, stuff them inside the snake's mouth and blow it up, especially considering she called the snake "friend" and seemed to treat it like an actual living being, instead of a book report prop, since she had a bag of food for it in her locker.

honestly they should've kept this scene in the 1st episode, at least partially.

like, the start of the episode would play out the same as in the pilot, except Amity isn't here and doesn't stand up for her, so Luz just quietly sits down at her desk in embarrassment and maybe pets the snake while looking upset or something. it then continues the same, up until she opens her locker.

(by the way, I feel like this scene would work better to show the audience that Luz is a nerd, by looking at all those things in the locker, that are usually considered as either nerdy, childish or both, rather than having Luz herself just tell us that she likes to do nerdy things)

in the pilot, that's where Amity walks by and Luz tries to talk with her, but since she wouldn't be able to be here in the actual show, instead Luz would hear an announcement from the principal that he needs her to go to his office. cut to her sitting in the office with her mom already there, and then it generally plays out the same way it did in the 1st ep – the principal says that Luz's been disrupting classes often and have been making her classmates weirded out and disturbed by her antics, which also simultaneously lead to her having no friends. no spiders in class and fireworks inside building – only her acting overly eccentric and weird, to the point where she might accidentally ignore some of the social norms, like with that book report in the pilot and the school play in the show. then the principal mentions today's geometry class that Luz interrupted and says that this was the final straw – not only because something like that happened however many times before, but also because this time she brought a live snake to class, and while it didn't bite anyone (unlike in the show, where her snakes bit MULTIPLE people, and Luz was just like "oops, guess that's where the backup snakes went haha lmao"), it was still a very dangerous thing to do. Camila would react to it in surprise and ask "Mija, where in the world did you even get a snake?" or something like that, with Luz just kinda awkwardly shrugging in response, while looking down at the floor. after that, the principal offers for her to go to a summer camp, to "get her head out of the clouds", and everything else plays out the same way it did in the actual 1st episode.

if it was like that, then, once again, it would actually make Luz look like just an eccentric nerd, who doesn't actively try to harm or disturb anyone, and just does things that she thinks are cool or fun. sure, she might come off as a bit ignorant, with her occasionally ignoring classes and social cues, but it would be just because she's too passionate about the things she likes and gets so much into them, that she might forget the real world in the process.

but uh... the 1st episode Luz isn't exactly that

letting dozens of small spiders inside class, while not giving a shit about people who are scared of those is not cool or fun.

letting however many snakes roam free and bite everyone, while, again, not giving a shit about them being bit is not cool or fun.

and, fucking hell, setting off fireworks inside the school without a second thought is NOT cool or fun

so yeah, that's all I've got

also I wish the "Why would anyone throw it away?" moment with Eda was somehow kept in the show, because it's honestly beautiful and I love it. I don't know how they'd be able to pull it off in the actual show, since Amity was never able to go to Human Realm there and thus Luz wouldn't be able to make that drawing of them, but oh well, it's good that we're able to see this scene at least in the storyboard form.

[sepublic]

The Owl House Pilot Leak!!!

            Oh my titan.

            The Owl House’s original pilot episode (basically a bunch of voiced-over storyboards) just got leaked and OMT. Watching it felt like experiencing the original magic of the show all over again… Reminding me what it was like to fall in love the first time!!! The hype and rush, the excitement to type down my thoughts after a new episode, analyzing and gushing over both big and small moments, the details!!! The pilot has reiterated all over to me again why I love these characters, from Luz's powerful earnestness, to Eda's chaotic demeanor! It’s like having the whole show open ahead of me, the possibilities endless when knowing this is just the beginning and we could go anywhere from here!

            What’s interesting is that Luz’s conflict with Camila doesn’t really exist here; In fact Camila isn’t present or mentioned at all! What brings Luz to the isles is Amity, who’s been learning in the human world, under the guise of being a human by disguising her ears! It’s alluded to that Odalia and Alador made her do it, though we don’t know why…

            But WOW that must’ve been so meta, doing S3 with Amity stuck in the human world with Luz, hiding her ears! It must’ve been a fun way to bring back the older concepts in new form! And indeed, we see a couple of stuff we’ve already gotten glimpses of, such as the storyboards of Luz offering her friendship art to Amity! I love that we get to see the actual scenario of how Amity accidentally defended Luz in the first place, since we heard that but didn’t get to see how it turned out.

            It’s interesting that Lumity is basically the inciting incident of the story, though I can see why the final version opted instead to emphasize Luz’s conflict with her mother. Especially with how she chooses to stay in the isles in the final draft, which leads to guilt over lying to her mom, having her ‘coming out’ moment that eventually occurs in Yesterday’s Lie, etc. So more agency when it comes to Luz losing her access to the human world. Plus in the pilot, there isn't the same emphasis on Luz trying to live out her dreams of being a witch, and her obsession with stories that ties back to Manny and forms the basis for a lot of other themes and arcs.

            That said, I also appreciate what this alternate take offers, and how Lumity helps tie everything together, it really is the queerness that is such a foundational part of the ‘weirdness’ theme that the show is about, and it’s intertwined with the pilot! God Luz being heartbroken when Amity dismisses the drawing… And then crying when Eda compliments it without realizing who it’s about! Or maybe she did, she could’ve recognized Luz there and figured out a way to stealthily make Luz feel better…!

            I love Luz routinely lock-picking her locker because she presumably forgot the combination! And it’s interesting that we have a setup of there being multiple dimensions that the Boiling Isles has access to, and not just the human world and Demon Realm. That plays a role in the climax, more on that later. Given we have what is basically an airport for different dimensions, I wonder if we would’ve seen Luz find her way back home much earlier on, under much less intense circumstances, in a S1A episode?

            The ‘Emperor’ is also alluded to in the pilot, which we didn’t get actual mention of until the fifth episode in the final show. He apparently dislikes humans and wants Luz brought over to him, is this still operating off of the ‘Pupa’ version of the character who claimed to speak on behalf of the true ruler, trapped in their metamorphosis by him? So maybe he wasn’t always human, or maybe this is Belos’ hypocritical way of ‘protecting’ humans by keeping them away and in blissful ignorance of the demon realm.

            We also establish Hexside much earlier! IIRC Hexside was always part of the show, but executives pushed for it to have more emphasis, which the crew continued to follow through on in S2 onwards because that had already been set up. Lilith is the principal, and I recognize the storyboards of her, including her bat transformation! We get a Tinella Nosa cameo, we see Amity, and there’s also a brief cameo of Willow too! Nice way to set her up before her proper debut.

            The ‘barrier’ containing King’s crown turns out to just be a regular human locker, which makes me wonder if the writers updated the final draft to make it a force field that only allows humans through, because of the whole Belos twist. Which makes me wonder if in this draft, Belos is Pupa, who never was human, or maybe they realized the opportunity to insert foreshadowing into a big twist regarding the main villain. Makes me wonder if the house we see Amity enter in the pilot, which is on sale, would've had any significance like in the final show. Love how Tinella Nosa is a student at Hexside, and also Dana having to occasionally insert lines for Wendie Malick and others was great.

            Lilith is a lot more openly adversarial, which is different compared to how her actual debut provides a softer side to her; I imagine this would’ve been apparent in a later episode of the ‘Pilot AU’, and her transformation has me curious; Was she originally the one with the curse, but then the writers changed it to Eda? Or did they both have a curse? Eda also has an owl form she can summon and control at Will, maybe all Clawthornes have a beast mode that’s less of a curse and more of a talent. Lilith ends up trapped in another dimension, which makes me wonder if she’d have a temporary replacement –possibly Pilot Bump- or if she’d return offscreen. We see the portal key get destroyed under much more casual circumstances, though it’s less as big of a deal for this and the established ‘dimension port’ we saw before.

            (Also, Amity recognizing Luz in the hallway… Everything to me!!!)

            Warden Wrath doesn’t exist and neither does the Conformatorium, it’s Lilith and Hexside. With her as principal and Amity as student, I wonder if we would’ve gotten more of their relationship in the pilot AU, if Covention was a way of carrying over that former connection since Amity would be a teacher’s pet in either version of the story. And speaking of ties to Covention, it’s interesting is that Eda’s chest gem seems to be linked to the Emperor’s Coven, as ‘Pilot Kikimora’ uses it to control her. Curiously, we have a scene at the end mirroring what we got with Lilith in the final draft of the show!

            I feel it implies that Eda DID join the Emperor’s Coven with Lilith, if only for a brief moment, but then defected; But the chest gem is basically the pilot version of the Emperor’s sigil, except with the explicit function of being a shock collar. I find it interesting that Eda still has the mirror to contact the EC with, instead of just getting rid of the thing. Is she a rogue agent who hasn’t totally cut ties, because she can’t? Won’t?

And the fact that Pilot Kikimora can just shock Eda at will makes me wonder if the Emperor is low-key just letting Eda roam around, which makes me wonder if he’s aware of the familial connection, is using Eda to find Luz, already knows about her doing that because of the time loop, etc. We’d of course have gotten an episode where Luz finds out about Eda’s connection and helps her deal with the gem… I realize now that Luz learning Eda also wanted to join the EC with Lilith is a carryover of this idea.

I can see the ups and downs between both versions; The final draft sets up Luz’s conflict with Camila and the reality camp, which is foundational to her character arc throughout the whole show. Her pain over being ‘sent away’ is just so vital that I appreciate its inclusion in the first episode. But I also like the inclusion of Lumity and the earnest desire to be friends with someone who showed her, unwittingly, any kindness at all! We get explicit bullying from Luz’s peers in the pilot, but in the final draft we also get her thoughtlessness that plays a big part in her S1 arc. And Luz’s arrival in the isles is more intertwined with Eda and King in the final version, which also feels right; The show is about these three in particular!

All in all, this was wonderful to watch! The magic was experienced all over again, not just in watching an episode, but also commentating on one that was just ‘released’ as well? I thought the last time I’d do anything like this was with the series finale Watching and Dreaming… But as Luz said, it really comes full circle with watching the first episode all over again! So maybe we have other stuff to still look forward to after all… At the very least, we have an eternal anticipation with an unexplored universe ahead of us, that will never reach completion; So it's like our ever-lasting final gift from TOH, and a good last one. So until next time: BBBBBYYYYYEEEEEEEEE!!!!!!!

[blindbeta]

Hello! I have two questions, so I'll send two asks in case you want to answer them separately. First, a lot of your posts suggest writing multiple blind characters into your story to help avoid tokenism. However, when I try to write multiple blind characters, they always stand out or feel shoehorned in. Do you have any advice for writing multiple blind characters more "casually" so they don't feel as out of place?

Examples of How to Write Multiple Blind Characters Using The Owl House

Hello. Thank you for your questions! I actually started on this months ago and returned to it answering this question here.

I suspect this is what stops many writers, although they aren’t aware of it. This feeling of forcing representation is the result of society’s ableism and it can be difficult to recognize or deal with.

It might help to think about the reverse- isn’t it strange that so many characters in books and shows are abled? Isn’t it strange that so many disabled characters have no community?

When you write multiple blind characters, you are giving your blind character a community.

Another thing that might help is to show different characters having different conditions and different ways of dealing with their blindness. This is a technique I use all the time. You can even list all the blind characters and their characteristics so you can consider them all at once. For fun, we’ll use The Owl House. I feel that using all-ages examples might help writers feel comfortable engaging with the material.

The following will contain discussions of external and internalized ableism. It will also contain heavy spoilers for The Owl House up to the show’s finale.

Here is an example I came up with:

Main character, Luz, has a low vision in both eyes. She uses a cane for nighttime, mostly, but she feels like more of an outcast when she uses it at school, compared to the enthusiasm with which she used it and showed it to her classmates when she was a child. She stopped using a cane before entering high school. She packs it for camp just in case and uses it all the time on The Boiling Isles. There, she feels more comfortable using it every day. She is eventually able to use her cane and other assistive devices, whether magical or non-magical, whenever she needs to. Growing up, she struggled in school due to neurodivergence and not always getting her accommodations or maybe even struggling to ask for accommodations. She is happy to find that Eda and Hexside are able to accommodate her without making her feel othered. Although she has felt rejected in the past, she is able to fully embrace her blindness once more, celebrating a part of her in a way she was able to as a child. Also, she has several copies of The Good Witch Azura books in regular print, large print, and audiobook forms.

Eda, her mentor, had total enucleation in one eye and wears a prosthetic. How did she lose her eye? She doesn’t remember, now stop bugging her. Due to macular degeneration, her vision isn’t so good in the other eye and is decreasing over time. She doesn’t use a cane after struggling against her mother in childhood. She can use her Palisman or King as guides if she needs help. (King appointed himself her unofficial guide demon.) Her visually impaired partner, Raine, has gently and jokingly encouraged her to do what helps, including using assistive devices. After they started dating again, Eda feels comfortable using Raine as a guide, which also gives her an excuse to cozy up to them. Eda eventually comes to terms with her blindness much like her chronic illness. When she and Raine go on walks, she jokingly makes them carry things, stating if they want her to use a guide demon or a cane so bad, they can lend her a hand considering she only has one. She switches between the cane and guide depending on what suits her that day. Raine also supports her in her times of vulnerability. She can also have her phone or use spells to read, but reading is for nerds so she would rather have someone else read to her, such as her sister, Luz, Raine, or King.

Principal Bump is blind with residual vision and uses a guide Paliman to help him navigate and magnify things if he needs it. When he had Eda as a student, he was excited to help a student with similar experiences, but he quickly learned she was a troublemaker.

Willow is totally blind and uses a fluffy guide demon. She also has a cane decorated with flowering vines, which she enjoys using because she can have interesting tactile feedback. She was born blind and doesn’t struggle with her blindness beyond the occasional frustration with ableism or lack of accessibility. Her dads are very supportive and helpful. They sent her to Hexside hoping having a blind principal would assure she would get accommodations. She enjoys using magic with physical and textural elements, which is why she tried the magical school tracks she chose.

Gus is also blind with a bit of remaining vision. He enjoys looking at colors and lights. Gus chose to focus on illusions because they make interesting shapes and colors, providing his brain with a lot of sweet, sweet stimulation. Gus also enjoys that a track that is very visual is something he can excel at. He met Willow when complimenting her on how pretty her plants looked, describing to her what looked like a colorful blossom on a vine. He uses a cane to navigate, finding it more helpful for stairs and general independence even if canes aren’t quite as popular on the Boiling Isles as magically assisted options such as Palismans and guide demons. He also enjoys using something more similar to what humans use, as he is very interested in humans. He feels very comfortable with his blindness, finding a similar outlook in his friend Willow. Together, the two feel more understood. Willow and Gus pass Braille notes to each other in class. Gus prefers to have his spelled books or illusions read to him, though.

Amity deals with internalized ableism stemming from a need to be perfect, as well as many terrible implications from her parents that she doesn’t let on hurt her. She concentrates on not letting her disability stop her, as that’s what a Blight does. She has low vision, similar to Luz, and progressive vision loss. Unlike the other characters, she does not have much positive support. Principal Bump tries to encourage her to use the many aids and accommodations provided by the school, surprised that she knows the Boiling Isles equivalent of Braille, but only because her parents thought it would give their child an edge and because she attended the same early childhood classes as Willow. Amity politely rejects his help and goes on the be the top student just to prove a point to everyone (a.k.a her parents). She grows up being friends with other kids who say ableist things, leading to Amity feeling even more pressured to rely on her remaining vision. Eventually, her relationships with Luz and Willow help her to accept herself. She is able to act more authentically. This includes confronting her former friends, apologizing to the people she bullied, and attempting to use a cane at school. She is surprised to find that nothing really changes and a few people, including her siblings, even comment on her cane use positively. Willow also shows her how to get her phone to read to her, as well as use the spelled books you can buy that read out loud, which helps reduce eye strain. The similarities between her and Luz helps to strengthen their bond, but otherwise their relationship is unchanged from canon. Amity also has another troublesome barrier to asking Luz to Grom, such as how to make the note accessible. She ends up going with large print and high contrast ink. If she can read it, she knows Luz will be able to.

Hunter has an inherited retinal disorder, such as LCA or Stargardt disease. All of his predecessors have had a similar experience and Hunter takes pride in being part of that line. Each Golden Guard has decreased vision compared to the last, it seems. Hunter views his blindness as a part of him. His blindness allows him to adapt in ways others may not have a chance to explore. He becomes aware of advantages he has over the many sighted people he works with. He is known for his talent, adaptability, and resourcefulness. Hunter struggles with photophobia, which his mask helps with. For navigation, he has a cane, as well as his staff, which he prefers to adapt for navigating. It is about chest height and acts similarly to a WeWalk cane. He can use it to teleport and use magic, but it is mostly for identification and navigating if needed. Eventually, he considers switching to a guide demon like Willow’s, which can also offer companionship along with his new Palisman. Hunter can read the Boiling Isles equivalent of Braille, which he uses for labeling, personal note-keeping, and reading when his eyes are tired. He can keep working longer this way, although he does occasionally read or write for fun if he has a spare few minutes. Hunter also makes tactile maps.

There we go. I provided examples of several blind characters in the same place. Many of them know each other and maybe even meet because of their blindness. They all have different types of blindness and different experiences with their blindness, even when compared to characters who are on similar places on the blindness spectrum. I explored how they navigate, how they view their blindness, and ways in which they relate to others. Some struggle with internalized ableism, but not all of them. They have their own arcs related to their blindness, although they have the same arcs and interests as in canon.

Rather than seeing multiple blind characters as an obstacle, view it as an opportunity for characterization. For example, Amity’s experience with ableism is heavily rooted in how she was raised, in how her parents treated her blindness as a defect or something to be ignored. Meanwhile, Luz’s experience with ableism originated in childhood rejection. Compared to them, Willow, Gus, Principle Bump, and Hunter are all thriving. Even Eda is mostly cool with everything, only having a confusing and uncertain relationship with mobility aids. Additionally, Luz is able to let go of and unlearn her internalized ableism as soon as she finds people who accept her. Amity, in comparison, takes much longer to accept herself.

I know that some writers who aren’t blind may feel unequipped to write internalized ableism. It isn’t necessary, but instead something I thought fit Amity’s original character arc. Internalized ableism can be a lot more subtle than this or not feature in your story at all. Luz and Eda might struggle with this as well, but to a lesser degree. It would also be similar to their arcs in canon.

Here are additional character breakdowns because I thought they were fun:

Who uses Braille?

Willow, Hunter, and to some extent, Gus

Braille literacy is declining, so not everyone knows it in this A.U, which is similar to real life. However, I prefer to have at least some of my characters use Braille to push back against that.

Who uses audio to read, primarily or some of the time?

Gus, Amity, Luz, Eda

Who uses regular or large print?

Luz, Amity, Principal Bump

Who uses magnification?

Principal Bump and probably Luz in childhood

Who uses a cane?

Luz, Amity, Hunter, Willow, Eda

However, Luz, Amity, and Eda all struggled to get there to some degree. In real life, few blind people actually use canes despite possibly benefiting from them.

Who uses an animal guide?

Eda, Willow, and, later, Hunter

On the Boiling Isles, creatures participate in training schools and are matched with potential handlers. They are mostly given to adults, although some schools allow kids to apply, such as those in their upper teens. I have a post on guide animals here.

Who has some residual vision?

Luz, Eda, Bump, Gus, Amity, Hunter

Who is totally blind?

Willow

In real life, 85 to 90% of people who are blind have some residual vision, depending on what source you draw from. Most of the cast can still see something, even if only colors, light, and shadow.

I hope this helps. This is my first time sharing something like this. Readers, feel free to use this however you like, for stories or fan art.

-BlindBeta

[mdhwrites]

You've said before how you feel about Luz abandoning the Isles when they needed her because she refused to try and fix it. I think it's said that she genuinely believed she would only make things worse so she thought she needed to take herself out of the way? Are my memories faulty?

Okay so I'm going to start with a scenario to make my point clear because you're not wrong... But you also are.

Let's say you're assigned two partners for a science project. You decide the best way to split the work up evenly is to have one person do the research, one person to write up the conclusions and one person to do a lot of math for the calculations you'll need. You each state your strengths with one saying writing, one saying research and the last saying, "I like math."

However, a week passes and you are struggling to finish any it because you've gotten none of those calculations for it back. When you push, the person goes, "Well sure, I like math but I suck at it. As such, my calculations would have been wrong. That would have caused you all problems so I decided the thing that made the most sense would be not to do anything at all." The project still needs to be done though and the majority of the work has been done for them. As such, now you and the second person have to work your ass off to do what your third member cannot while they contribute nothing but they promise they feel really bad about it and they're okay taking a C if this ends up making the project fail, even though their actions would have gotten them an F on their own.

Luz likes to make decisions. She essentially never consults ANYONE on what she should do and half the time someone tells her, "Don't do X," she goes ahead and does it. This also constantly gets other people in trouble and gets her in trouble because she is really bad at making decisions. And yes, with helping Belos free the Collector, she admits that she made a terrible mistake and that she makes a lot of mistakes. Her literal statement on this is that she'll finally listen to her mom and learn from her mistakes by staying in the Human Realm. Permanently.

Do you potentially notice a problem here though? Yeah, my thoughts have NEVER stopped at "Luz left a planet to die because she wanted to stay home." No. I always do mention that she claims part of her reasoning is because she makes stupid, rash decisions on her own that hurt others but then she goes ahead and makes a stupid, albeit with implied a LOT of thought, decision ON HER OWN that will hurt people.

Do you know a great way to avoid making a mistake? Asking someone else if it's the right choice to make. Or hey, just decide you don't need to lead anymore. If your decisions are the problem then let someone else make the decisions. But... Then Luz doesn't get to do the fun thing she likes to do. She actually has to listen to other people and maybe do things that aren't her number one option because her first choice would get people hurt. That isn't what Luz wants. Luz doesn't want to actually grow or learn or get scolded for her mistakes. Otherwise, she wouldn't CONSTANTLY LIE ABOUT EVERYTHING.

So instead... Why not just let them suffer the consequences while she stays home and lives in peace, her problems in a far off fantasy realm that she never has to think about again? People always like to say she's giving up so much but what is she actually giving up? The fantasy world? You mean the one that's currently ravaged by a child god and has a populace that she assumes will hate her? Yeah, that's hardly something to give up. The chance at friends? Too bad Thanks to Them shows people who are very interested in being her friend and also Yesterday's Lie showed there are people like Luz who would probably be willing to be her friend. What is Luz sacrificing by deciding to just sit at home with her loving mom and live a normal life?

So why grow? Why learn? Why try to do better? When you can do nothing. That's what Luz wants to do. She wants to just stay home and do nothing, even as that means condemning an entire world, bare minimum at least a continent, which includes her found family and friends, to death. Her claims of trying to do better are nothing but excuses so she can have a clear conscious as she allows thousands upon thousands to be enslaved and tortured.

So yes, she SAYS that she is doing this because she doesn't want to make things worse. The problem is that there are plenty of ways for her to still have even attempted to help without having to make the decisions she's afraid to make worse but those options would require more work and require her not to be the star. And none of this, even if this is the most expanded version of this point, is missing from those past blogs because they also talk about how she claims to have a problem making decisions and yet still makes this choice entirely on her own.

Because she isn't learning. She's just deciding that some broken puppets are a small price to pay to keep getting to do whatever she wants. It is an excuse, end of story. See you next tale.

======+++++======

Sorry for so many blogs about this. It's admittedly to me a very important point because it's the moment Lumity dies. It's the moment that Luz's character can never recover. It's the moment when the TOH fandom became genuinely horrifying when it comes to mental health as THANK GOD no one has tried to refute this with "She has depression" because yes, that will get you blocked if you try to tell me that. I am disabled by depression and I understand lives still matter. I understand I'm not supposed to lie, CONSTANTLY. I understand basic ass morality, unlike Luz. And in this moment, there's no turning back for her, let alone after For the Future when she doubles down on how selfish her desires are.

I have a public Discord for any and all who want to join!

I also have an Amazon page for all of my original works in various forms of character focused romances from cute, teenage romance to erotica series of my past. I have an Ao3 for my fanfiction projects as well if that catches your fancy instead. If you want to hang out with me, I stream from time to time and love to chat with chat.

A Twitter you can follow too

And a Kofi if you like what I do and want to help out with the fact that disability doesn’t pay much.

[roodles03]

You get a Grom outfit! You get a Grom outfit! Everyone gets a Grom outfit!

Gus, Luz, and Amity were simple. Just reference the WAD Grom photo. Everyone else I came up with from scratch.

Ofc I wanted to keep the silly Suit/Dress thing Luz had going on so I did it again.

Amity tbh was probably the most simple one based on what was visible in the photo.

Gus was pretty similar to Amity, being simple outside of having to figure out how to draw his hair at a 3/4 angle because the photo had him at a side profile. (Just ignore I didn't notice he had glasses in that photo please... by the time I noticed it was too late to fix)

I originally wanted to make Viney blue, but then realized I had too many characters I wanted to make blue, so I made her yellow instead. Viney either gets her clothes ripped up by Puddles or she's like Eda and rips her own clothes.

For Skara and Boscha they're likely rich af so I wanted to try and give them fancy dresses.

For Skara and Cat, I also wanted to give them black hairstyles. Skara has dreads in a bun, and Cat has afro puffs.

Tbh I really don't have much to say for Cat's dress.

Bonus:

Amelia wore a suit in the previous grom so I gave her a suit.

Matt was fun because I really do feel like he'd go out of his way to get the extremely rare Cupid-Rose flower just to show off. Also I made his suit half blue half brown because Gusmatt lmao.

[ot3]

Why do you find little witch academia better than the owl house? Genuinely curious cuz I really like little witch academia. Hope you have a good day!

I think that akko is a much stronger protagonist than Luz overall because akko I think has more pronounced and consistent flaws to improve upon. I think Luz is really weakly written. I don't find her particularly interesting and I think most of the traits she's given are really shallow.

Additionally I think the core of LWAs narrative is much more strongly and consistently expressed. It's not super complicated - it's just a story about trying to find a balance between preserving tradition and moving into the future. But that tension is also echoed in the main character conflicts, which are akko and diana butting heads + akkos search for chariot

The thing owl house is going for narratively is "it's okay to be different and weird" but. Out of all of the owl house I've watched (which is most of it) that just... doesn't really land... because there's not a ton for it to be in conflict with. I get that the emperor's strict coven system is supposed to be the order and structure that luz and her scrappy crew are ultimately in opposition to but without writing a whole essay here I'll just say I don't think that works the way it needs to.

Additionally Luz is just... not that weird. She's friendly and gets along with most people and doesn't have any massive character flaws. So a story about how Being Different Is Good falls flat with a protagonist this bland. We also don't have any character who is consistently there to represent the Normalcy that luz is supposedly counter to. Amity is introduced in that capacity but they abandon that by episode 7 or whenever it is that they're at the library. Like there's some stuff with edas curse and whatever and with kings whole deal that I guess makes them outcasts in hexside society. But it just all feels kind of not functional in the moment to moment expression of this theme.

I think though the biggest problem with the owl house is that it's not very funny. I wouldn't care nearly as much about the ways the narrative is janky if watching the show was more fun but it's just not particularly entertaining tv. So all of the flaws are on full display since there's nothing to draw attention away from them

[that-ari-blogger]

A Parody Of A Parody (Any Sport In A Storm)

One of the foundational parts of The Owl House is that someone looked at a magical otherworld story and thought “what would I do in that situation?”.

As a result, you get Luz, someone who is creative to the point of breaking the plot, who understands the mechanics of stories so well that she can call things out before they happen. Someone for whom the realisation that its ok to be unique and stray from the path comes easily. Luz doesn’t resist the story at all, she embraces it with open arms.

She is, in that way, a parody of certain other characters, most specifically Monkey D Luffy. She actively seeks adventure because it’s fun to her rather being obligated by revenge or duty or a desire to protect those she cares about. She has that range, but it’s not her core motivation. She’s heroic, but she’s not coming at it from a particularly stand out motivation. She’s just kind, and that leads her to being the hero.

So, what happens if we reshuffle our hands and play with something new. What if we had someone else go on the same journey as Luz, in their own way? Someone else parodying her.

Then you get Hunter, and Any Sport In A Storm.

Let me explain.

SPOILERS AHEAD (The Owl House, One Piece, Lord Of The Rings)

Monkey D Luffy is a good person naturally. That’s why he will topple governments and fight gods. But fundamentally, his motivation is selfish. He wants to be happy and free. I’m not saying that’s villainous; I’m saying its amoral. You apply it in context.

Case and point, a key villain of the story, Blackbeard, has the exact same motivation. The difference being that Blackbeard has no care for anyone’s life except his own, and Luffy cares deeply about everyone else; his personal happiness cannot coexist with letting people get hurt. The character is kind, the motivation is not. Kindness is a characteristic not a goal.

Luffy’s and Blackbeard’s motivations both lead them to Impel Down, but Blackbeard’s character caused the Ace’s death, while Luffy’s made Ace’s life meaningful. Motivation is a big part of who a person is, but it’s far from the whole picture.

It’s almost as if people are inherently complex. I wonder if that’s important to the series’ theming.

"You're very good at doing exactly what you're told" accompanying a symmetrical shot with Hunter in front of an empty throne room that is too big for him to fill. I wonder if there's any symbolism there.

Hunter is not Blackbeard. He’s not a villain, most importantly. This is why he doesn’t actually get redeemed, he just switches sides, but that’s an argument for another day. He’s also doesn’t share a motivation with Luz.

Except he does, except he doesn’t. It’s complicated, and this gets granular.

Ok, the symbolism behind this. Hunter doesn't have the practical skills required for anything beyond following orders. He can read and learn, but that came from his need to read instructions. When it comes to putting something together, he will try, but he is in way over his head. This is part of the episode's setup, establishing the conflict to come. Here, that is being reshuffled. Hunter can do heroic stuff, it's the mundanity that's a problem for him.

Luz seeks to be accepted; Hunter wants to fit in. These are both facets of a desire for belonging, but their differences are more important. You could argue that they are effectively the same, but that restricts everyone into about three categories, those seeking belonging, safety, or comfort. The Owl House is fundamentally opposed to categorisation in this way, and the point of these two protagonists is that the two things are not equivalent.

This episode highlights that, showing how two similar characters react in wildly different ways.

It's not important, but the fact that the Crow Phone line is like torn paper makes me smile. It's a medieval aesthetic take on a modern visual.

Most notably is in their personalities. Because while their aims are similar, these two characters are opposites. Hunter isn’t curious, he’s wary. Hunter is constantly strategizing, paranoid that something might hurt him, Luz has zero impulse control at the best of times. Also, Hunter actively resists the plot at every turn.

The brave new world in this case is the opposite of Luz’s in a way. Where Luz went from mundanity to adventure, Hunter has gone from questing for the emperor to school drama.

The lessons here become the same as those that Luz learns day one. It’s ok to be different. Hunter just has a hard time learning that because he isn’t willing to look past what he thinks he already knows yet. He has blind spots, and he isn’t willing to examine them.

A good example of this is the contrast between the details that terrify our protagonists. I can’t exactly point at “everything”, so something specific. Luz freaks out when Eda loses her head the first time, Hunter barely flinches at Bellos’ transformation. Instead, Hunter is terrified by someone saying that they want to change the system.

The question then becomes: how do you get someone this resistant to change to undergo character development? Incongruity. Make his motivation clash with his blind spot and force him to operate in that unknown territory.

Hunter gets told to recruit the best and brightest, and to do that, he has to get unconventional. He has to learn that greatness comes in many forms, and if there was that useful piece of information to be found, what else could be hidden in places he has avoided looking?

At the moment, we’re setting up for bigger things down the road, and to do that, we need to get Hunter ready to accept some big changes.

So, we bring him into direct conflict with an authority figure, twice. We give him a support group that encourages him to think differently. We give him a way of using his skills that isn’t as a tool.

But more importantly, we mess with his idea of what people do and don't deserve.

"Where I come from, even chances have to be earned."

That's a pretty fundamental part of Hunter's character. He says the word "earn" so many times in this episode alone that it becomes a mantra. He believes you have to work to receive basic human decency. Willow shows him that that's not the case, and that he can chose to open himself up, if he wants. The emperor's way is not the only way.

He doesn’t pick any of these options yet, but we’re widening the scope of his character, letting him know that those other options are available. We’re setting up a Chekhov’s gun in the form of the power of friendship.

On the note of skills, has anyone else noticed that if it wasn’t for Willow, Hunter would unquestionably be the team powerhouse? Like, Luz is creative, she can take down stronger foes than herself through tricks and clever uses of magic. She’s not overtly powerful, she’s clever. Gus is similarly an illusionist; he can’t directly stand against anyone. Hunter, without magic, and with a new staff that he doesn’t understand, can hold Amity to a standstill.

Eclipse Lake was, so far, Hunter’s worst day, and he was still a physical and tactical threat. Which is why he’s not the main character.

The Owl House is heavily inspired by One Piece, but it throws in references to a ton of different anime, mostly shonen, and part of that is the power system. A core tenet of shonen is that raw power isn’t everything, and clever tactics can often lead to a victory despite that. Luz is the underdog, outclassed in raw magical talent, and yet she succeeds with tactics. Hunter is outclassed in natural magic, yes, but he punches far above his weight class with martial talent to make up for it. He’s a knight, an epic fantasy archetype.

Luz, with her grand dealings and evil emperor shenaniganry, is a shonen protagonist in an epic fantasy story. Hunter, with his discovery of the power of friendship and school drama, is an epic fantasy protagonist superimposed into a shonen story.

But epic fantasy is built on a dynamic with power in a different, hierarchical way. Lord Of The Rings has a reputation for a view on monarchy that I don’t think it actually features.

Tolkien definitely had some ideas that later audiences will find iffy, but his view on leadership was pretty iron clad. A king in Lord Of The Rings is a servant of the people, and those who use the people to serve them are portrayed as villainous. The people come first.

Even Aragorn’s destiny as the one true king isn’t characterised as accepting power, it’s accepting a duty to protect. In Lord Of The Rings, there is an idea of the good king, and he doesn’t have wealth or a kingdom. He has a sword.

Which, yeah, Tolkien was a soldier in WWI. And a soldier believing that a leader’s duty is to protect those under him isn’t that hard to believe.

Later authors have focused on the idea of real-world monarchy being inherently unjust, which I can’t say I disagree with, but the aesthetics of Tolkien have remained in epic fantasy. Knights loyal to kings, etc.

Which brings us to Bellos, and we see The Owl House’s view on unwavering loyalty. This is a series about understanding and engaging with the world around you. Hunter is loyal uncritically, which puts him as an antagonist in the series so far.

We’ll see how that goes for him.

Final Thoughts

The side plot of this episode isn’t really plot relevant. It’s another dead end. But its thematically quite interesting.

Luz and Amity go seeking someone who has paved their way before them and find out that it was a lie. They’ll have to make it up as they go, just like everyone else. But they take comfort in doing that together. They write their own stories.

But also, the Hexside crew other than the main five got a ton of characterisation here. Bosha got moved past, and Viney and Scara are finally in the same place at the same time, which means shipping.

I have speculations about a possible season three, and what I would like to see explored, and part of that would be a spiral from Bosha while Skarney becomes an actual thing. I think those three would make a phenomenal trio to base that series around while the actual protagonists are in the human realm. It would be about what happens when the characters with actual plot armour aren’t here, and the story needs to progress anyway. Essentially, the first scene in For The Future expanded. Throw in Mattholomule and the Blight Twins, and you have a story begging to go haywire.

Nex time, I’ll be covering Reaching Out, my favourite episode of television full stop. So, stick around if that interests you.

Previous - Next

[the-owl-house-takes]

I can't take Luz antis seriously I'm sorry but i am starting to hate them for numerous reasons

First of all, why do you ?? Care so much about this random fictional teenage character and the fact that she is imperfect ?? Like yeah I won't deny the owl house can get bad with it's writing at times but why are you so obsessed with hating it. if you don't like it why are you just filling your mind with more hatred and toxicity why are you s toh fan if you hate everything about it

Second of all a bunch of their arguments are useless. I most oftentimes see them ALWAYS bringing you her introduction and how she brang snakes to school. And let me tell you, in kids cartoons - character introductions are very much often exaggerated !!! All the time !! Oftentimes, characters in their introductions are exaggerated so the audience, usually being children, can easily get a quick grasp of who this new character is. Luzs introduction is meant to show us that she's the weird kid, people don't really like her, she doesn't fit in, she likes to have fun in weird ways. Her bringing fireworks,spiders and snakes into school, I believe is not meant to be taken extremely seriously, I believe it's a form of exaggeration, because fictional characters in their introductions are, like I said, exaggerated so they're easier to read

And honestly it seems a bit pitiful to always bring up the same scene over and over again even though it leaves little to no impact on the rest of the show

And don't tell me she is a Mary sue who's flaws never get pointed out. They literally do. Watch season 1. Also clearly she means no harm and she already feels such remote and guilt for things she has done but never has meant (helping belos w his plan). Are y'all trying to make her look morally bad? You're not doing a very good job

I've seen people say that she doesn't 'deserve' friends, her family, her girlfriend, or a happy life.

God that annoys me

You don't necessarily earn these things. Well, you shouldn't have to at least !! Everyone deserves a chance of a happy life, especially ppl like Luz who are just random teenagers who are struggling in their life due to various factors

Luz does deserve a happy life and a happy ending. Yes it might be a bit bland and boring in some people's eyes but that doesn't mean Luz as a person wouldnt deserve love and joy in her life

She continuously tries to "make up for what she's done" and she always blames herself too hard. Season 1 finale, season 2, season 3. It's shown constantly how do you miss it and how can you call her selfish

ALSO SHE LITERALLY LET HERSELF DIE ? And you're going to tell me that she's selfish even though she is literally anything but the things you try to make her be

.

Anyway I don't think Luz is actually that hated in the fandom, I just see very specific people hating on her and it makes no sense to me

Luz defender forever m💪

-

[jess-the-vampire]

I love the idea of Eda being this terrifyingly powerdul witch who rules over the Boiling Isles, but she's still a complete softie when it comes to her kids.

Eda: We have ways of making you talk-- Luz, sweetie, Mommy's working right now-- Oh my gosh, did you draw this? *holds up Young Luz's drawing of a flower* That is so good!

(i'm going to pocket that idea as a animatic video i could do later)

yeah the reason this happened was because when i made the au, even though it was a swap au, i really did not have the heart to make eda of all people actually abusive.

so i figured "Hey, if au philip is not going to be 100% like eda anyway and keep some of his flaws from the show, i don't seen why eda can't be technically an antagonist but also keep being a decent parent".

the swap is trying to keep them in character, even if philip is struggling to get better and eda is having her own unique issues.

(like i think there's some misconception that philip is a "Good person" in the au, and while he is better....i would not clarify him as a "Good person", just a "Recovering" and "Improving" individual)

So eda loves her kids, even if she screws up, there's good intent at least.

it's actually what i originally was hoping they'd do for belos before it was revealed what his relationship with hunter was like in s2.

Not that i'm against what they went with (Like it's still a fine story as is), but it would of been kinda interesting for a show to tackle a child leaving their villianous parent behind, despite the fact they have a genuinely loving relationship.

like imagine if philip HAD cared for hunter (I mean i think he technically kinda does in canon, but in a more toxic way), he was still doing all this horrible stuff and still hurting people, but hunter was the exception and he always treated him well.

So when luz and the gang try to turn hunter around, it breaks his heart to see his uncle as a bad person, and how to process that. Not to mention how hard it would of been for him to leave in the first place.

could even still of had the grimwalker aspect and left hunter wondering if his uncle ever loved him at all or he just loved caleb instead.

Making belos abusive to hunter was just the obvious route to take, so it would of been interesting had they done something like this and subverted those expectations. It would of certainly added to the "People are complicated" thing the show kinda was talking about near the end.

But i don't write the show, so instead i just added some of those aspects into my au instead with eda and luz (Though eda in this au really isn't that bad a person tbh)

i guess it makes for a fun dynamic in the au, eda cares about her kids and her family and that's more the motivation for her being an antagonist then anything.

[theaceofarrows]

Buckle up, this is going to be a long post⬇

Thinking about the unbridled chaos that would have been Hunter if he had gone to public school with Luz during they're time in the human realm

Would it have made sense for him to suddenly go to school, him the guy whose only previous experience with public education is an undercover afternoon at Hexside, a completely different realm where he didn't even attend class? No, it wouldn't have made any sense whatsoever.

But just imagine it. That you're a student at Luz's school and one day the weird girl who let loose a bunch of snakes in the school shows up with her "cousin from Sweden". This mysterious 16 year old dude with a facial scar who is an absolute beast in gym class whose got even the P.E. teacher speechless.

This guy who has a glare that makes even the seniors shudder and think twice about saying anything about the Noceda girl, and the one time the bully didn't take a hint and keep his mouth shut, and actually tired to take a swing at the guy, doesn't land a single hit because the Swedish dude breaks out some kind of Spider-Man moves and back flips out of the way and the bully ends up punching the locker instead and breaks his hand, and Swedish dude just goes "you would have broken your hand anyway with the way you were making a fist" whilst causally flicking a speck of dust of his shoulder.

He always spends his lunch period outside, and a cardinal shows up everyday without fail to join him. He's either having what appears to be an intense one sided conversation with said cardinal, or the bird is casually nesting in his hair while he reads a book and eats his lunch.

It turns out that all the teachers love him. The home ec teacher is so impressed with his sewing that she doesn't even mind that he nearly blew up the oven while they were making cookies. The math teacher loves him because he's apparently also a math whizz who can do college level problems. The P.E teacher is trying to recruit him for at least three different sports teams. The drama teacher loves him because He's a natural at acting and doing improv. He's always the first one to class, takes the most notes, he's super respectful to the teachers, reminds the teachers about homework, does extra assignment work for fun. This dude who is wicked smart and sarcastic, and witty almost all the time, and then raises his hand in history class and asks "What's a Spain?" With the most sincere expression.

Just imagine that

[that-cartoony-villain]

i have some thoughts after the first ep of downfall

i really like that they have the deities disguised as human trying to shut down aeor and the beginning with their possible creation and light vs darkness was incredible

but as much as i think the binary message was a cool little touch to make it easier to figure out which gods they are, i kinda wish they didn't do that

for people that dont know exandrias pantheon, seeing those words kind of dont mean anything to them because they wouldnt know what each god is a deity of

but at the same time for critters who know the lore it became very easy to figure out who is whom by the hints the cast and brennan were throwing around without them saying like "oh hi I'm [blank] god"

the raven queen was the easiest solely because we've had more time with her in c1 and other campaigns too since death is kind of inevitable

dawnfather was a slow build and then very much you couldnt ignore that it was him once nick said "it's not dark" like the little mf that pelor is /pos

melora was also fun to figure out because animals are her thing and then she got the most upset when erathis didnt show up like the yearning little lesbian that she is

arch heart was also a slow build up to figure out, they needed to be rigid and play their part so the others could get on board, they couldnt stop themselves of visiting the city of creation, they see beauty everywhere, they're just as much of a little shit as i imagined they would be also /pos

law bearer's envoy (champion?) was easy to figure out because of meloras reaction and also for The Emissary's lines about helping civilization, he was sent to be their salvation, maybe she knows it's inevitable for the city to fall and wants to preserve as much as she can (he might be the one to send out the blue bubbles who knows)

and then we have the everlight, at first i thought ashley was playing ioun, the husband talked about her being a teacher but then you have these subtleties in their lines - asmodeus talking about her not having followers, the dawnfather's care for his sister, her compassion - and everything made sense, even her light being name Luz is just Light translated from some romance languages

then we have the npcs: ioun was easy enough to figure out from the get go, brennan was also very explicit about who she is, and the betrayers were very fun to figure out, we don't have all the knowledge about them all but asmodeus, the father of lies, choosing to be Father Milo and a cleric of the Dawnfather just to fuck with him is an incredible choice, Torog being the torturer but also the most tortured and fucked up looking is such beautiful imagery, and the other two we don't have that much but i assume the halfling is Lolth, since she enjoys the darkest corners and climbing things, while the other one might be Tiamat, just cause it makes sense for me that she would be a heavy hitter

this is all to say that brennan and the cast did a wonderful job in this first ep with the imagery and subtle (and not so subtle) references to each character in a way that fans can figure out who is each person and newcomers can learn their personalities slowly and figure out the dynamics with the time we get to see

because we need to remember, this is bells hells watching this, and many of them have no knowledge about the gods beside a few that they've met their champions, fcg followed the changebringer, orym, fearne and dorian have met the wildmother and the spider queen, laudna has some connection to the matron and they now met a champion and a follower of asmodeus, both of which they havent asked much about the prince of hell

this is as much for them to meet the deities as it is for us to see the downfall of one of the most important cities in the Age of Arcanum

[prodigaldaughteralice]

Man, you know what hit me while watching For the Future, and I didn’t say anything about it at the time but it’s been circulating in my head since then?

Amity saying to Boscha “This is a bit much, even for you!”, in comparison to her father a few episodes back saying “this is too much— even for you.” The similarity in structure, the difference in delivery, you know.

And I keep thinking about the theory that Alador and Odalia were pushed to marry by their parents, and about how Amity was pushed to be friends with Boscha, and imagining a bad future where Luz didn’t show up and they ended up in a similar position.

It’s not going to be that bad, right? Sure, Amity never really *liked* Boscha, but you don’t have to like someone to be their friend, you just have to be around them, do things with them, listen when they talk. Having a wife will be like that, right? She’ll just… do the things she’s supposed to do, and live alongside her. It’ll be fine.

The wedding is just another formal event her parents throw, with the complication of Boscha’s parents being part of it too, and constantly trying to one-up hers. In her final act of rebellion, Amity sends Willow an invitation. She doesn’t come. Amity closes a door.

Odalia lightens up on urging Amity to join the Emperor’s Coven when she realizes that as the only one of their kids who follows in Alador’s footsteps magic-wise, it’d be better for her to train to take over the factory someday. She can’t say she exactly enjoys working under her father, since he only ever talks about work, and not even with the spark of interest in his eyes she remembers him having when she was little. Her mother spends most of her time sniping at her mothers-in-law and asking when grandkids are coming, though, and the twins are gadding about through high society and making fun of her whenever they can, so he’s kind of the family member she’s closest to by default.

Things don’t really go well. Boscha thinks the way their mothers constantly fight is hilarious, and she definitely enjoys the status that comes along with the Blight name, but she definitely doesn’t love the way her new in-laws expect her to wind potions skills into the family business or else just stay out of the way. She wants to win trophies, not be one. She’s also not stupid, and she knows Amity doesn’t love her— knew since long before the wedding, but she hoped that would change over time, and as it continues not to she’s building up an intense resentment. They were meant for each other, why can’t Amity see it? She’s being the queen of Bonesborough society, they’re on top together just like it was in high school only better, but Amity still doesn’t love her, and it’s not fair.

Some years on, they have a daughter. She’s the absolute light of Amity’s life, but by the time she’s toddling Boscha is already starting to take out some of her resentment on her. She pushes her too hard, she makes fun of the way she garbles words. The baby’s  just being a baby, and Amity tries to get Boscha to lighten up, but Boscha says she’s just having fun and being a mom, which Amity isn’t because she’s working all day, and she doesn’t have a comeback for that.  

Amity’s trying to calm Boscha down, taking her to matches when she has a rare night off and they can get a sitter, but it just prickles at her more— she wants to be on the field, not watching; she wants to be on a real date with her wife, not an awkward attempt at appeasement.

It’s all eating away at Amity. She looks into her daughter’s three beautiful gold eyes and she’s terrified her little girl will feel like this, someday.

She’s sleepwalking through her days, she feels like one of her mother’s ghosts. She’s working, because it’s the only thing she really understands anymore. She’s elbow-deep in the beta design for the 3.6, and she nearly jumps out of her skin when her father puts a hand on her shoulder.

He has a bottle of hard apple blood. They go sit on the roof, and they talk.

She can’t say she sees a way through to happiness, but at least she’s not alone. That’s something, isn’t it?

[sepublic]

The Owl House's Ending Anniversary...

So it's officially been one whole year since The Owl House ended.

One year ago, I wondered how I would move on. How I would keep going. But I also knew I would, no matter what, because time keeps going on. Things will eventually pass, they always do, that's how so many moments and days for me have gone. Even entire periods of my life.

So I'm not surprised how things have gone on since then; I still had plenty more things to say about TOH, and I still love it just as I have. I've gotten new hyperfixations, and even returned to old ones as some of you can see with recent posts, so it's only a matter of time before TOH circles back again.

And man does it feel so slow, only to feel so brief, it really feels like this anniversary has snuck up on and surprised me! And once again, we have some other, appropriate event lined up; A solar eclipse on this anniversary! Luckily there's no sigils nor coven heads gathered to make me worry. But dang, it was raining in Connecticut when Luz returned there, and it was the rebirth of Jesus when Luz was resurrected.

Makes me wonder if anyone of the Boiling Isles, justifiably, has had PTSD from solar eclipses, and dreaded any that showed up, despite knowing it couldn't happen again. People must've held their breaths the entire time during the first eclipse, panicked at even the slightest fatigue, and then it passed and they realized it really was impermanent and over. And that there was another step towards moving on, which I guess I can relate to now, though this is something I'm much less happy to see gone.

I think a lot about how TOH has influenced both me and my writing, how I approach characters and stories now. I've found myself gravitating more and more towards personal, character-driven stories and situations now. I still have a bit of a taste for grander-scale stuff, but TOH was special for me in that it feels like the first time I really got and understood a show and its characters from the ground-up as I experienced it all in real time. The first time I truly grasped themes and character arcs and could make reasoned predictions based on those, some of which came true! It really feels like THE big start of my media literacy in a way?

It's been fun looking back at TOH as a 'whole' work more or less to reevaluate, and learning other things behind-the-scenes about the show. We've had a few more livestreams and stuff confirmed. Dana's done more drawings, including on her Patreon.

I haven't been writing as much TOH stuff lately, and tbf I've already said soooo much. I might have other, new things to say later down the line, and I do have a few thoughts I've written in notes that maybe could be fully-fledged posts in their own right. I've found comparisons to protagonists of other media, like Miles Morales, or Arin from Ninjago.

The Owl House still is and will probably always be something truly special to me; It feels like my first real fandom experience. My first time understanding and learning a show, appreciating it as it develops and even as I speculate. It broadened my tastes and horizons, my ability to participate with others in stuff.

I miss it; I miss new episodes, new developments. I'm still agonized over things that could've been, things I would've loved to see more of. I'm apprehensive over whether we'll get that Raeda prequel because I don't wanna get my hopes up. Plus Dana needs a well-deserved break and is trying and experimenting with new, different things. And I get that.

It's bittersweet, it's scary, it's freeing, it's sad, it's happy. I've gone so far, this show and fandom has gone so far. And it'll keep going, it has to, time keeps marching on. Luz had to lose her father Manny, process that, but still keep going and must be surprised looking back how much she's adjusted since then, how much she's still grown and gained and learned, while still holding him dear; The same applies for the Titan and the magic she once wielded. With grief and acceptance being a core theme in this show, I'm not surprised that it prepped up the viewers to do the same, and now we have.

And you know what? I'm gonna keep going on, like Luz Noceda, possibly my favorite protagonist of all time, one of the greats and a huge inspiration now for how I really want to write and focus on my own protagonists, too. I'm gonna keep doing this like it never ended. The rate and frequency might fluctuate, but every now and then I'll have things to say, and stuff to drop by and check, such as with the tag and the occasional trending post, others' reblogs, and so forth.

So again, thanks to Dana and the crew. Thanks to Luz Noceda, Eda Clawthorne, King Clawthorne, and the other many, many characters! Luz's story is one where it feels like the show really is about her at its core and wraps around to her, and I want to do a story one day that accomplishes the same feeling. And as I see how Dana has been inspired by past influences, I can't help but look forward to future generations and stories that will themselves have been inspired by The Owl House, I know I've been already, retroactively applying it to things that were already fairly compatible to begin with, and really needed the fresh breath of new inspiration.

I'm repeating a lot of the same things I've said last year. Will I say the same stuff another whole year from now? I'll see. But until next time... BBBBYYYYYYEEEEEEEEE!!!!!!!!!

[urlocalnonbinarybastardwrites]

Give me a description of your appearance, personality, hobbies, and what fandom you want and I’ll match you with a character in my fandom range!!!

ooo this is so cool! thank you btw!! uhh im an indian teenage (14-15 though i look younger) girl and she/her presenting. im very easy to tell im indian. i have brown/tan skin and dark brown eyes. i have black curly hair but the tips are dyed a dark red. my face shape is pretty sharp, heart shape i think?? and people say i look like a cartoon? i have bangs that curl and swoop across my face though they fall straight across my forhead when straightened. I'm very energetic and it shows. Im bouncy and fidgety and easily excitable. I'm very friendly and silly, and just chaotic in general. I'm an ENFP and fit like all the stereotypes and everything. Or if you know Owl House, I'm exactly like Luz Noceda. I care a lot about my friends but im not sure if i show it enough? i come off as a lot at first and am very awkward i like to read! and hang out with friends! adventures and exploring and doing things im not supposed to FIRE AND NATURE AND OOO ANIMALS i live and love adventure and will break the law with you i also like to write, though im not very good at it. I doodle sometimes for fun. Crafts are fun too! I bake when i have time but i mainly hang out with friends <33 Any character or fandom! this is just a really cool idea and seems fun! so thanks for seeing my super long ask ( i blabber a lot lolol) :DD

Your Fandom Ship: Leo Valdez (Heroes of Olympus)

Lucky mf

Explanation: first things first I think that he would love the way you look in your heart shaped face and would totally make some friendly jokes about it if you were comfortable with it and if you were insecure, he would stop doing that. He definitely makes jokes about how you’re the more attractive one in the relationship. You both are quite similar personality wise and I think he would complement each other really well because Leo is always cracking jokes. He’s a chaotic mess and he’s just full of so basically a background story is demigods in general are supposed to have ADHD and dyslexia, but even for a demigod, Leo is off the ADHD charts, you get the idea. (He built a freaking flying ship and used a Nintendo switch controller to control it) he’s also a bit of a dork and awkward at first or at times so I think you have that covered and he’s a son of a Hephaestus (the builder/forging God from Greek mythology) and he literally has fire powers so if you like fire, he’s your guy. I think he would totally sit down and write goofy things with you or sketch little doodles with you as he’s often sketching and his own notebook not drawings as much but more outlines for building things but good luck trying to bake with him because it’s just going to end up being a huge flour fight. 

[mdhwrites]

In your opinion does "The Owl House" have any re-watch value? Does the story, characters, characterization, writing, etc. hold up over repeated viewings or is the show played out after the first time through the series?

So I want to acknowledge that this is actually an awkward question. Not with how you phrased it or anything just... Period? Because whether something is rewatchable will mostly come down to personal taste and enjoyment. Some people find Horror movies to be great fun to rewatch while others may not see the point because you already know all the scare moments or answers to creeping dread. Some might find action movies exciting to rewatch while others need the novelty of a first rewatch. As such, my answer is very much so is going to be biased by the fact that I ended up not liking the show.

But... I broke essentially on rewatch in a way. A lot of people have shattered on TOH essentially from having to reconcile what it says versus what it does. A lot of this because TOH constantly kicks payoffs down the line and hints at potential it will reach. It is constantly making the journey suffer for the promise of a grand finale. And, well... A lot of people have agreed that the shortening did not force their hand to break multiple themes in the finale, or take Amity's character or a bunch of other things that bloated the series and never got a proper payoff, such as the Collector.

This format of TOH I think is actually what makes it so hard to rewatch unless you are the ultimate fan of it who will notice nothing. S1 is labeled as boring, a complaint I even agree with as someone who mostly likes S1 still. It spends the most time setting up plot lines though in episodes that are a pretty safe seven out of ten, or worse. Amity episodes can escape this problem decently often, being fun in their own right, but that's why the fandom only acts like half, at best, of S1 even exists. Most of it is easily forgotten because it's very forgettable. Not like in a S1 of Amphibia way where it's all so much fun but also so much of it that they can blur and be hard to separate but just in a "I just wasted 20 minutes of my life watching an okay kids cartoon" way. The only thing that helped those episodes not feel that way was this idea that it was building towards something with these characters.

And... After the shock of things like the Lumity Kiss being real, I don't think S2 holds up for being the majority of those payoffs. Amity and Willow? One of the most explicitly kicked cans? Seen interacting on the same side before either addresses the "We're not friends' thing because of Eclipse Lake, so that's pre-shortening and they still didn't decide to address and then address it badly. Luz's magic is wrapped in a plotline she's not a part of and has no real reaction to even. It's just "Oh, we're just making bullshit up now instead of finding glyphs? K." Amity's parents are wrapped up, in the same episode, early S2, in a very similar way where Amity is barely a part of that episode but now her core angst and excuse for being a bad person? Dealt with and out of the way, at least until they randomly decide to try and say Alador TOOOOOTALLY wasn't a bad guy. That he hated Odalia too. Totally doesn't contradict literally everything that came before, something that would be much more sharply noticed on a binge rewatch. Like... It cannot be understated that by the point most plot threads in TOH wrap up, they were introduced and left to rot for so long that half the time, the fandom was starting to get UPSET during the runtime for the lack of any exploration or conclusion. Long hiatuses didn't help but at its core, even when it was running people were wondering when we would get satisfying answers to thing and rarely were they happy about it.

I think this is a core part of why ONLY the shipping community seems to have clung to TOH. That or people who are exploring the show's missed potential with characters like Belos or the Blights. The fandom has had to either commit to the one thing TOH did do well, its shipping (that comes with so many fucking asterisks) and its potential baiting. But the latter also means you have to recognize why it failed in the process of doing your exploration of the work.

So will some people enjoy rewatching it? Of course. There are people who probably like rewatching the AtLA movie though because the die hards are die hards. Do I think from a casual perspective you get much out of rewatching a random episode, let alone binging the series again?

No. I just think disappointment that the main series will leave you, which will eventually no longer be tempered by the reputation of it having been shortened, will only get worse. It is not a tale worth seeing again, so I hope I see you in the next one.

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I have a public Discord for any and all who want to join!

I also have an Amazon page for all of my original works in various forms of character focused romances from cute, teenage romance to erotica series of my past. I have an Ao3 for my fanfiction projects as well if that catches your fancy instead. If you want to hang out with me, I stream from time to time and love to chat with chat.

A Twitter you can follow too

And a Kofi if you like what I do and want to help out with the fact that disability doesn’t pay much.