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sepublic · 3 days ago

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Palismen as Mutualism

For Hunter, abandoning his magitech staff in favor of Flapjack isn’t just about finding agency outside of Belos, and it’s not just about having an actual friend. Likewise, training wands do exist, but for Luz in Adventures in the Elements it’s emphasized that she needs to figure out the glyphs anyway, and eventually she can get her staff.

There’s practical Ups and Downs to the glyphs, such as being able to draw them even if you’re missing a staff, likewise staffs can cast magic with far less prep time. But I think the emphasis on Palismen is about cultivating a relationship with the land and people around you; Luz and Hunter can’t have magic without maintaining a relationship with someone else.

Magic is a gift from the Titan, that’s what Luz understands in Adventures in the Elements when she figures out glyphs, it’s what Eda’s trying to understand by shoving moss up her nose, because of what wild witches wrote. Even when Glyphs can be learned from others, witches still commune at the Knee to understand this. And with Palismen, we see that they’re highly intelligent beings, smarter than any animal in real life, if not sapient beings themselves; Owlbert can hold a conversation with Eda, lie on the spot to cover for Luz, gamble with her, etc. Then we have the Bat Queen as further evidence.

Palismen have autonomy, they choose whether to stay or not; Escape of the Palisman goes into these and the aforementioned details, many Palismen leave their witches if they feel mistreated. In Really Small Problems Owlbert is able to go off and have fun for himself, and is allowed to be distracted even when Eda needs him; There is no punishment towards Owlbert for exercising autonomy, and what Eda does should be the standard based on the Bat Queen’s trust.

Perhaps more ‘modern’ witches don’t lend the same freedom, but this is undoubtedly influenced by the culture of the coven regime and its insistence on ‘taming’ wildness. Palismen also don’t respond or awaken, even if carved, until a witch can perform some level of self-examination for them.

Glyphs come from understanding the Titan, and being able to do everything a witch can involves having a Palisman, and those come from the Titan via Palistrom trees that naturally grow. There are Animistic ideas about aspects of the environment having a life of their own, thus they deserve a respect of their own. For Luz, she’s a human coming after Belos, who’s committed colonization and genocide on this world; Hunter is his nephew and human-adjacent enough, struggling with a colonial heritage.

So to truly idealize as witches, they need to cultivate a mutual relationship with the Boiling Isles and its life, that’s why glyphs and Palismen are relevant, that’s why Eda doesn’t settle with a training wand for Luz; She wants Luz to really understand and appreciate the wild nature of magic, or else she could become like Lilith or many who joined the coven, esp in contrast to Belos.

Belos’ magitech staffs demonstrate his industrialism and refusal to cultivate a sustainable relationship with the land, as does his Palismen consumption. Him devouring Palismen is horrific because they’re sapient innocents, and because they’re all taken from loving witches who were either murdered or assimilated, it’s systemic genocide.

And we learn how Palistrom trees are being depleted, and when Hunter suggests a sustainable way to grow Palistrom wood, Belos is furious at the idea. He has no respect for this world and wants it dead, while wanting it to serve him in his entitlement and colonial fantasy.

In particular, Belos’ Palismen consumption leads directly to his curse, which worsens to a point that he needs to possess hosts and devour them from the inside to survive. His parasitic relationship with a natural resource causes him to become a literal parasite. He chooses to devour wantonly and after centuries is finally doomed to only being able to do that, centuries after he should’ve been dead and lacking any choices anyway.

Why must other lives be cut short to extend his life beyond reason, a life that continues to only be destructive? The protagonists could never keep Belos alive if it meant sacrificing innocents, and he gets to a point where he still deteriorates even while using hosts, emerging from Raine in a worse state than he started off in.

Likewise, we don’t know much of the training wand, but it is wielded by Amity, who is the daughter of Blight Industries and its arms manufacturing; It ends up siding with Belos and playing a factor into his genocide, esp during the Day of Unity. Odalia is CEO and her capitalist tendencies are not a coincidence, given the criticism of capitalism as being unsustainable in its pursuit of infinite growth, without questioning where all that growth will somehow keep coming from when the laws of equivalent exchange still exist.

This ‘independent’ form of magic via machines is flawed, because it doesn’t hearken back to the literal and figurative roots of magic itself, or the natural resources it inevitably still pulls from. It’s not anymore ‘advanced’ if not beholden to working with the culture or the land so every party can thrive. It’s not beholden to the people and animals, it’s just destructive in the long run without respect.

But technology isn’t inherently bad or unsustainable either; Alador is the true inventor of Blight Industries and uses his machines to help undo the damage of the coven bindings, and heal the isles alongside his fellow wild witches as a newly-anointed one. He decides he cares about the harm being done by Blight Industries and can still practice his inventions.

Caleb started off as a settler, but his story shows how white people are just as capable —and thus responsible— as the locals in coexisting with a new place, after learning from said local and choosing her over colonial teachings; Celtic pagans exist and seem to be an inspiration for TOH, and the Celts were often white because you guessed it!

White people have also been indigenous, at least at one point in time, they can also have the same relationship with land that PoC do, and it’s not some innate trait exclusive to brown people (which is a racist trope). It’s learned, not “in the DNA.” There’s no excuse not to, you just have to want to learn and open your mind.

Caleb and Evelyn have a mutual relationship that results in a child, who results in the Clawthornes and their own relationship with the isles, esp Dell and Eda. Caleb dies in the pose of the Titan, indicating he understood; At worst he’d only be a little confused, but still have the spirit, because Caleb clearly came from a place of good faith and would always keep improving because of that.

Hunter is a settler’s child and didn’t choose to come here or serve his uncle, but he decides when he’s free and with agency that he wants to continue engaging with this world; So Hunter can choose to give back to this world what his forebearer took. And he works with Dell to do this, who is Caleb’s descendant. Caleb’s woodcarving may have contributed to the Clawthorne tradition of Palisman carving after Flapjack liberated both him and Hunter, they gave back to this world and it comes full circle.

Hunter works with Dell and the Bat Queen to regrow Palistrom and then carve Palismen; He loves a witch who can help grow Palistrom, make the land itself teem with life; Perhaps not coincidentally, Willow’s magic is deemed worthless by the aforementioned Odalia, and the coven system finds Abominations more profitable, likely in the service of how Blight Industries (and later Belos) uses them; By contrast, Amity and Darius wield a more fluid technique and reject this, with Amity having thrived around Willow more and making amends.

For Luz, it’s not enough whether she can practically perform magic via the wand, she needs to understand and respect her host culture. When Eda says Luz needs to earn her staff, it’s less about work for its sake, and more about proving she can respect the rituals and ways of a culture that Luz wants to become a part of, by doing what the locals also do.

Luz needs to prove she can be accepted by her hosts as one of their own, like how she proves to the Titan she is someone he can trust to wield his magic. Luz has to be her own kind of witch against what the coven deems, and because there are some parts of the process she simply can’t do; But she also has to be true to the spirit of the practice… And this culminated in literally embodying the spirit of the Titan.

Palismen as a practice require reflection, and then constantly maintaining that respect and relationship to another being in order to keep using magic. It’s a way of accountability to the Boiling Isles they’re born from and represent, a way to continue repaying the gift of magic that one keeps using. It’s a mutual relationship, it’s sustainability, it’s remembering to give back to the environment so it can keep growing.

Hence, Luz learning to respect Palismen via Owlbert, learning to speak to the Titan like the witches before her. Glyphs are learned from the Titan, and witches can then pass down that magic to others themselves if they choose to, after being convinced to. Some may be insincere and abuse that trust, but this is outweighed by the many friends of Luz’s who benefit and use it for good; Luz still has the right to distribute this knowledge and it’s why the Titan gave it to her then, and affirms it later with his spirit. And even after the Titan’s death and the loss of glyphs, they’re continued anyway via his son King, who shows them to Luz and Eda, witches that learned to respect him and his father.

The fascination in a world goes both ways; The Demon Realm does not exist for human consumption, its people are also very interested in humanity themselves. Eda’s business, Gus founding the HAS, Vee finding her home; Witches and demons have a lot to learn from us, just as we have a lot to learn from them. Luz got her time in the isles, so Thanks to Them was about her friends getting the same with her home after hosting Luz. Camila repays their hospitality to her daughter with her own, and Gus leaves deeply satisfied from the experience.

There’s now a Boiling Isles exchange program, so humans visit the demon realm but vice-versa occurs. So it’s not so simple as humans being settlers again, they give something back to the natives who get to enjoy their world too. Maybe even take each other’s places, as Vee and Luz inadvertently did! With Vee becoming a Noceda.

Sustainability is a theme in The Owl House, with the endangerment of species such as the Selkidomus, the Galdorstones becoming rare artifacts, the depletion of Palistrom, and the extinction of Glyph magic are all things that are combatted; Luz and Eda save the Selkidomus that thrives in the epilogue, Gus and Mattholomule work with the guardian of the Looking Glass Ruins, Dell helps plant more Palistrom with the Bat Queen, and King gifts a new generation of glyphs.

The Archivists and Titan Trappers committed genocide, with the Archivists having the gall to claim to want to keep mortals alive, yet it’s a faux-sustainability where they destroy those who refuse, and their archived existence is hardly a life in and of itself; Instead, it’s a passive existence where mortals exist for the Archivists’ purpose with nothing real in return. King remains as the last of his kind to bring back his people one Titan at a time, and it’s a wild witch like Eda, with her fondness for learning from nature and respecting Palismen, who is entrusted to raise him.

All of this ties into the themes of indigeneity, of sustainability, of appreciating the nature and world around you, of getting your head out of the clouds of fantasy to appreciate the people around you and their practical needs, and work with them too. Working with people, working with the environment, it’s the same idea of mutualism, supporting each other, etc. Be yourself AND be kind to others, they’re mutual not mutually exclusive.

Magic is life, magic is given and shared, it comes from the world around you to pay attention to, and give back to. It’s life and goes on even after death, like relationships and their impact on you. This is what TOH’s magic is, it represents the themes of its story.

#The Owl House #Palismen #Luz Noceda #Boiling Isles Titan #Eda Clawthorne #Edalyn Clawthorne #The Owl House Bat Queen #Meta

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