#I still feel like society sees me as having no value
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yentling · 2 days ago
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Gonna be annoying for a second and pop out of my bubble. Okay. Teenagers. Twenty-somethings. I'm gonna sound like I have inflated self-importance but listen to me anyway.
Do not join the military.
It is morally wrong for you to join the military.
It was always morally wrong for you to join the military, but in theory we're about to see increased military spending with a focus on recruitment. Do not join the military.
"But what about x benefit?" In addition to benefits being frequently overstated, US military operations emit more carbon than many countries. Do you understand that we are in a climate crisis? Yes? Your benefits will not serve you long, then. Do not join the military.
"Not everyone in the military is a Republican" that's true! Plenty aren't! And yet they are still vital cogs of the machine of the US military industrial complex, which often times serves what I'm guessing you consider Republican values and has many times caused the deaths of millions of civilians outside of the United States. Do not join the military.
"But the working class--" Firstly, are you part of the working class? If you are not, then stop talking. If you are, then I truly empathize, and believe me when I say I want to help build a world where you can work 40 hrs/week or less and not have to fear destitution. Help me build that world. Do not join the military.
"But I think I can change things!" And I want you to change things, but you will not be able to do so while a part of the US military. You cannot change a system from the inside. Do not join the military.
"But I don't know what to do in my life. My grades suck and I don't really like doing anything related to a career." Maybe you'll find something you love that makes money, maybe you won't. But work isn't traditionally about enjoyment, although if you absolutely hate it it's a good sign something is wrong. I want to help build a world where you can work enough to keep yourself and the rest of society flowing and then go do things that feel more personally fulfilling. Help me build that world. Do not join the military.
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laurel-michaela-connor · 5 months ago
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I’ve been on semaglutide for about 4-5 months now and I’ve lost 30 lbs. it’s been really fantastic. This is the most weight I’ve lost in one go in probably 10 years. It’s also coming off at a reasonable pace of 1-2 lbs per week on average, so it’s manageable for my body. But honestly all I can think about is wanting to lose more weight faster. I am sure the reason it’s so hard for me to lose weight is also contributing to the slower weight loss, but I’m like… what about all these other people that lost 60+ pounds in the same amount of time? I still need to lose about 80-100 pounds (I’ll have a better idea closer to that goal). I know steady weight loss tends to plateau for most users at around 18 months. I just have this soul crushing urge to be thinner. Even when I am moving toward that goal it’s like nothing is happening fast enough.
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sgkjd · 8 months ago
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ppl sometimes say to me "u think you're always right" and i sit there confused because yes? i usually AM right. because i have researched the topic more than you, and i have thought through both arguments and counterarguments before speaking up. moreover, my anxiety and fear of being misunderstood simply doesn't let me speak anything out loud which i haven't thought 150% through. so technically yes, i am more right? i don't understand what's the problem? i'm not talking about my personal opinion though? i'm just stating the facts? and the facts tend to be something that's "right"? don't they?
#like please#just engage in a proper discussion w me if u want to share what u know and what u have researched#i also don't understand how i talk about history facts or political ideas and ppl are like 'these are just your beliefs'#and i have to explain how there actually exists a sort of objective reality#and that political views and moral values are not really equal to 'personal beliefs' that are the sort of 'oh i think pineapple on pizza#is the most delicious food'#how are these the same#ppl who don't like pineapple on pizza aren't oppressed#and it makes me so genuinely frustrated#i realize each person sees the world differently but that's why we have science and the sort – bc humanity is trying to reach some more#objective pov#that's why we have 'big words' that mean some specific thing and we define those words via dictionaries#while our explanations of 'objective reality' are still flawed (bc everything is mostly just plausible guesses) i still think it's better t#try and define it#and try and come to agreements on things of what certain things mean#idk even if the 'objective reality' can't exist isn't it still better to pretend to have one? bc if u only think how#'everyone has their own reality' and that's the answer/explanation u say to anything happening in society that u don't understand#or that u think is wrong#i feel like such skepticism makes ppl prone to not having hope in a better world#and i think that hope is soso important to have bc it's what drives the activism#just a big rant....i have many feelings ...#i don't understand how some ppl don't have such sense of justice like it's literally a separate feeling#; words generated by me#actually autistic
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luveline · 9 months ago
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(𝐢𝐭’𝐬 𝐧𝐨𝐭 𝐥𝐢𝐤𝐞) 𝐡𝐞’𝐬 𝐦𝐲 𝐛𝐨𝐲𝐟𝐫𝐢𝐞𝐧𝐝 | 𝐬𝐭𝐞𝐯𝐞 𝐡𝐚𝐫𝐫𝐢𝐧𝐠𝐭𝐨𝐧
Steve hears you wrong, thinks he’s your boyfriend, and begins to act accordingly. You try your best to go along with it until you can’t anymore. 3k, fem. requested here ♡ 
cw shy(ish)!reader, misunderstandings, steve being a huge sweetheart, fluff, hurt/comfort, bonus fluff scene 
˚ʚ♡ɞ˚
The arcade is loud and brisk this evening, doors thrown open to allow for the constant ebb and flow of younglings, the machine music turned up to account for so many voices. You’re lost in a sea of rainbow flashing lights and the ticklish smell of sugar. Without Steve’s hand behind your shoulder, you’re pretty sure you would’ve gotten lost and trampled half an hour ago. 
A candy necklace pinwheels past your heads like a torpedo, forcing you closer together, your shoulders tight with a flinch. 
“We can leave,” Steve says immediately. He’s weirdly thoughtful. Before he asked you out you had no idea he thought so much about other people, but he’s always thinking about other people. You could argue he thinks a little too much, like you. 
“I wanna see Max.” 
“She has to be here somewhere.” 
That theory proves less and less likely. Steve’s hand falls away from you, tugging through his hair in a marker of stress as you circle the Palace Arcade for the tenth time. “Maybe she quit?” you suggest. 
Steve’s eyebrows pinch together as he gives the arcade another sweep. Max’s rough patch freaked him out, as it freaked you out, because ‘rough patch’ is a kind way to describe it. She could’ve got a whole lot worse; she was suffering, capital S. It’s nice to see her returning to society, but not if she isn’t actually settling in. That’s the whole reason you’re here. 
Steve frowns at you worriedly. 
“Who died?” asks a new voice.
You breathe out a sigh of relief. “Max!” Steve cheers. 
“That’s me,” Max says, looking at you both sceptically. Her ginger hair is pulled into two tight braids either side of her face, her cheeks flushed red. Mascara paints her usually pale lashes a darker brown, and a rosy tinted chapstick shines on her lips. 
“Hey, the uniform looks good on you,” he says affectionately. “You look like a valued member of society.”
“A society in need of better labour laws. I’m pretty sure this is child abuse.” She rolls her eyes. 
“Is it awful?” you ask. 
“It’s fine. Better when your stupid friends aren’t here making themselves sick on candy like they’re nine years old,” she says pointedly to Steve. “Are you going to throw up too? You look–” she grimaces in place of insult. 
“Who’s throwing up?” you ask. 
“Dustin. He’s outside.” 
Steve sighs and gives your shoulder a kind squeeze. “I’ll be right back,” he says, squaring his expression. “Goddamn kids.” 
He sounds like an old man, you think to yourself with a small smile. Disgruntled, he still goes to make sure everyone’s alright. He’s nice, even when that nice is begrudging and tiresome and plain gross sometimes. 
“Why are you smiling at him like that?” Max asks.
You school your impression. “Like what?” 
“Like you like him.” 
You shake your head. “Tell me about work, Max. What’s it like here? Are they giving you your breaks?” 
She drags you over to the counter to sit in the seat waiting behind. She glares at any kid who approaches, but besides that she seems in good spirits. The job isn’t hard, it’s just a job. She’d much rather be at home reading, but wouldn’t everyone? “And I get this sweet uniform,” she says, pointing at the embroidered icon on her shirt pocket. “What’s with you and Steve?” 
“Nothing,” you say, though it’s something. You’re mortified to have been caught having feelings. 
“Looks like something. Are you dating?” 
“I mean, this is a date,” you say, almost whispering as heat floods your face. “But we’re not together.” 
“He was touching you a lot.” 
“Max, he’s really nice. He’s a really nice guy,” you say gently, “and we’re not together, but if he does ask me out eventually, maybe I’ll say yes.” You realise what you’re saying and attempt to backtrack —you do like Steve, but Max doesn’t need to know that. “It’s not like he’s my boyfriend,” you say strangely. 
“Ew,” Max says with a laugh. 
“Not ew,” you correct. You hadn’t meant it in a bad way, it’s— 
“Not ew,” Steve says from behind you, his arm a heavy weight across your shoulder. 
You look wide-eyed up at his face, surprised by his huge beaming smile, an intense loveliness about him as he gives you a half hug. 
“What’s ew about that?” he asks you softly. 
Oh, boy, you think. 
As it turns out, being Steve’s girlfriend is kind of nice, but you aren’t ready.
From that afternoon at the Palace Arcade onward, he treats you like you’re made of gold. And it’s great, he’s so kind, he brings you flowers and takes you out for breakfast, where he pays the tab without any flourishes and talks to you as casually as always. You almost hope he hasn’t got it wrong at all, and that his soft tone a few days ago had been down to a brief overwhelming fondness. You’d get that. You have your moments with him, you’re falling for him, and it’s only a matter of time before you’re desperately in love, you’re sure, but then the waitress asks if you need anything else and he says, “Just a water for my girl,” and you realise you’re not getting off easy. 
Dating is sort of like being good friends; you’d planned to spend the day together anyways. You enjoy his company. It’s clear he’s eager, optioning off the day’s agenda as you return to the car, the bottom of your face hidden in your bouquet. 
“We could go to the movies,” he says, opening the passenger door, his smile seemingly permanent as you climb inside. “No science fiction, I promise.” 
“I kind of like sci-fi.” Petals press fragrant to your top lip.
“Well, we don’t have to go to the Hawk. We could go into the city. I bet they’re playing any movie you wanna see.” He checks that your leg is properly inside the car before he closes the door, jogging around to the driver’s side and practically throwing himself inside. He’s giggling like a kid. “Shit, I’ll see anything you want to.” 
“Steve.” 
“Or we can go do nothing? Until dinner.” 
“Steve,” you say again, thinking you’ll tell him. Nothing good ever comes from dishonesty. 
“What?” he asks. 
His eyes are so brown. Billions of people with brown eyes and you swear you’ve never seen anything like it before, their centres like hot honey, the sweetheart shape to them when he smiles 
You sigh. His smile is contagious, even while your stomach hurts. “Nothing. Let’s go see a movie.” 
“Are you okay?” 
“What?” 
“What do you mean, what? You sounded weird.” 
“I sounded weird?” 
“No!” He winces. “I mean, yeah, you sounded weird for you, like you… I don’t know. Sorry.” 
You feel bad, then. His apology is earnest, his hand resting open on the console for you to take if you could manage the flustering heat of it. 
“I wanna go to the movies,” you say, ‘cos you really do. 
“Alright, good. It’s just, I think my last relationship, I– I didn’t pay enough attention, and I want to do that better this time around. So yeah. Sorry.” 
Oh, Steve, you think. How are you supposed to tell him now? You’re gonna have to pretend to be ready for a relationship with him until you really are, it seems. He doesn’t deserve to have his heart played with twice. 
“Don’t be sorry,” you say gently. “Let’s go watch a movie, okay? I want to go, with you, we’ll watch a shitty daytime flick and then get dinner after. It’ll be fun.” 
You aren’t lying to him about what you want. It’s clear to everybody, Steve and his friends and especially you, that you like him, that you want to be around him and make him laugh. Maybe being his girlfriend won’t even be that different to being his something. 
After all, what’s romantic about seeing a movie? 
“You good?” he asks, half an hour later, your agony prolonged. 
You’re at the back of the movies where the seats have the most leg room, more popcorn and candy than you could ever eat at your feet and a litre cup stuffed into the armrest between you. Steve is tucking his shirt back into his jeans, his head parting the light of the projector and leaving a silhouette in the previews. 
“Steve,” you advise, gesturing for him to lean down out of the way. 
He leans down, further and further, face to face with you with his hands on his hips. A flirtatious teasing makes its way onto his lips. “What?” he asks, amused. 
“You were in the way of the light.” 
“That what it was?”
“Seriously!” you whisper-shout, laughing despite yourself. 
“You’re so cute,” he whispers back. “Want to take your jacket off?” 
Your lips part at his good suggestion. You hold your arm out and start to peel from your jacket, but he takes your sleeve and helps you out of it before folding it and sitting in the seat next to you, your jacket on his thigh. “How’s that, babe?” he asks. 
“It’s good.” 
“Okay, perfect.” He beams at you. He’s always smiling when he’s with you, like you’re the best thing since sliced bread. Like he loves you. “Tell me if you need something, yeah? I know you’re kinda shy.” 
He settles back in his seat with your jacket still in his lap and no indication that he might want to move it. Your knees touch as he relaxes, your knuckles as he puts his arm on the rest between you, a picture of contentedness as the movie begins and the opening credits play. “That’s us,” he says without looking at you. 
Two people walk down the street holding hands as the title of the movie blazes in yellow font with thick red outlines. A Day In Paradise! 
You bite down on a slither of the inside of your lip until it stings. You try to fight it off but the longer you sit there, the more your eyes burn, thinking about Steve and what he deserves and how unfortunate this whole thing is, and yeah, you’re overwhelmed, too. You aren’t ready for so much sweetness all at once. You don’t deserve it, he doesn’t deserve this. 
You force the tears away. The movie goes on and on, the lights low, the chatter of moviegoers and the occasional popcorn crush not nearly loud enough to cover the sound of Steve’s breathing. 
He pushes his hair out of his face. Somebody on screen makes a joke, his hand brushes against yours, and then takes it gently as he laughs. 
You pull your hand away and tip your head down, a frantic tear flicking from your lashes. 
“You okay?” he whispers. 
You try to answer. You whimper instead, a terrible, sorry sound stuck to your throat —you can’t hold it in anymore. It’s too much. 
“I’m sorry,” you mumble tearily, looking up, a tear rolling fast down the bump of your cheek. 
Steve sits still in moderate horror. “Why are you crying?” he whispers.
The thing about Steve that people tend to forget is that, while he takes care of people the best that he can, he’s really young. He doesn’t always know what to do. He stares at you now like you’re a foreign object, hand tucked back into his abdomen. 
A tear drips onto your lip. It tastes salty. “Sorry,” you say. 
“Why?” he asks, dumbfounded.
“I really like you, Steve.” 
He stares at you. “…But?”
“But I–” His frown hurts your heart. “I don’t know if I’m ready for all of this, I never– never had someone like me like this, I don’t know why I’m crying.” You say that last part to yourself rather than him, scrubbing your cheeks with your hands roughly before hiding your face completely. “It’s not you.” 
“I thought…” And of course he did. 
“I know,” you say. “I’m sorry, Steve. I thought it wouldn’t matter but everything’s going so fast.” 
He touches your arm gently. “I’m sorry,” he says. “I thought you wanted this. You– you said I was your boyfriend, to Max? I thought you liked me.” 
“I do like you,” you insist, meeting his eyes. 
“Can I wipe your tears away? They’re everywhere,” he says. You struggle to read his expression, but there’s no resentment or anger there for you. He looks quite serious. 
“Yeah.” 
Steve bends in his seat to wipe your tears off of your face gently. They really are everywhere, on your cheeks, your top lip, your chin, even down the arc of your neck. “I don’t understand,” he says, going back to your cheek for a missed streak, “but you don’t have to be upset. Please. I won’t do anything you don’t want me to do, I promise.” 
“Steve, when I was talking to Max, I said,” —you wince— “that it’s not like you’re my boyfriend. She was asking me about you, and I got all panicky because I like you, but I’m too weird about this stuff, I’m panicking now–”
“Don’t.” His hand lingers on your face, before a sorry flash of dejection passes over him, and he drops your face altogether. 
“I didn’t mean for this to happen. Please believe me.” 
“Of course I believe you.” He grimaces at you, and the heartbreak turns to something more manageable, like he’s brushing himself off. “I’m sorry. For getting the wrong idea.” 
“I like you,” you whisper. Your voice is nearly lost to the rustle of popcorn and drinks. 
“I like you too!” he says loudly. 
A few seats down, somebody turns, an angry whirl of hair and clicky nails. “Can you guys shut up?” 
You and Steve leave your mountain of snacks behind to stand in the theatre hallway, where the winter air is cool on your flushed skin, and the silence is stifling. You lean against a wood feature wall and try to calm down, because he’s the one who should be upset (or maybe he’s not that fussed about you). He stands a half foot away with his arms crossed, looking down at his shoes, though occasionally he glances at you for a split-second and looks away again. 
“You okay?” he asks tightly. 
“I’m sorry.”
He pokes his cheek with his tongue. “So you don’t want to be together?” 
You don’t know. He deserves the truth, even if you barely understand it yourself, and it stings to say. “I do, I like you, but I… I want to take things slowly.” 
He stands there without talking for a while. When he does talk again, he’s laughing, that achy awful sadness he’d worn a far off memory. “You’re this upset because you want us to take things slow?” 
“I didn’t want to hurt your feelings.” 
“You haven’t,” he promises. “That would never hurt my feelings. I knew when I heard it that it was too good to be true.” He scratches the back of his neck. “I guess I gotta earn the title like everybody else does. Is that… cool?” 
You nod vehemently. 
Steve blows a relieved breath of air up his face, his hair ruffling off of his forehead. “I thought I was gonna lose you completely,” he says, smiling. “This is fine. I can work with slow. Slow’s my middle name.”
—♡—
The sun is a blistering heat today. “Can’t believe it’s only spring,” you murmur, eyes covered by the back of your arm. 
A weight sits down on the blanket beside you, the sound of dry grass crushed underfoot. He brings the fresh scent of lemon slices with him, the zest sticking to his hands.
“I think I might melt.” 
“I’d never let that happen,” Steve says, laying down beside you. 
“You can be my parasol.” 
“Your what?” 
“It’s a sun umbrella.” 
“Like this?” he asks, gently laying himself across your front, his face on the slip of your stomach that’s bare, his arms sneaking behind your thighs to hug them as you bring them up. 
You reach down to stroke his hair, taking your fingers through the silky lengths of it, fingernails scratching ever so slightly at his scalp. “Thanks,” you say.
He kisses your naked leg. “You’re welcome, honey.” 
If he’d done that at the beginning of your relationship, you’d have frozen up; not because he would’ve done it differently, not because he wasn't always your handsome sweetheart, but because being comfortable with someone this intimately takes time, and that’s okay. 
“Your face is digging into my hip,” you murmur. 
He shifts back, his ear above your belly button. “Is that better?” 
“That’s perfect.” 
“Are you falling asleep?” he asks softly. 
“No… I’m thinking.” 
“Nothing good ever comes of that.” 
“I have something I want to talk to you about.”
“I love talking to you,” he says. He sounds as though he might fall asleep himself, his tongue heavy in his mouth. 
You stroke his hair away from his face by touch alone. Long, warm minutes pass without conversation. You aren’t scared to tell him how you’re feeling. He’s proved to you over time that he’s someone you’ll always be able to trust, and that whatever you have to say will hold weight. 
“It’s a question.” 
He turns in your hold to face you. You raise your arm, greeted by the image of him sun-kissed and lazing, laid out across you without a care in the world. 
“Don’t tell me then,” he says, rolling his eyes. “Jesus, you’re terrifying.” 
“Would you wanna be my boyfriend?”
He narrows his eyes at you. A myriad of emotions pass between you both, until he’s smiling, and you know he’s sitting up for a kiss seconds before he actually does. He presses his lips to yours carefully. “Baby,” he says as he pulls away, voice as mild as his soft kiss, “I think we’ve passed that point.” 
“I realised I’d never asked you, is all.” 
His hair falls down into his eyes. You tuck it behind his ear. It’s pretty clear now you’re together, even after such a bumpy start. 
“Can I get it in writing this time?” he asks, rubbing the tip of his nose against yours, your eyes fluttering closed in tandem. 
“Give you anything you want if you kiss me,” you murmur. 
His laugh fans over your lips. He cups your cheek, your heart a hummingbird drilling at your ribs as Steve moves in to kiss you properly. Your lips part under the pressure, your head tilting a touch to one side to accommodate him as he searches down for you, melty hot pleasure and nerves that never seem to fade arising as his thumb moves up your cheek, a semi-circle of touch. It promises undulating care whenever you want it. 
You tip your head aside to catch your breath.
“Better late than never,” you joke. 
Steve talks into the soft skin beside your mouth. “You weren’t late, babe. I was early, and I didn’t mind waiting.” 
˚ʚ♡ɞ˚
thank u for reading!! pretty please like/reblog or comment if you enjoyed cos it means so much to me and inspires me to write even more!!! but either way i hope u enjoyed❤️❤️❤️
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a-most-beloved-fool · 2 months ago
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makes me a little sad when star trek ignores IDIC. like. vulcans are logical. that is true. But 'logical', for vulcans, does not amount to 'without compassion,' and it definitely doesn't amount to 'racial superiority.' Belief in 'infinite diversity in infinite combinations' should NOT result in the weird racist/speciest stuff we're getting in some of the newer treks. It does make sense that some vulcans are discriminatory. They're still flawed. But that should not be common or expected, like it seems to be in SNW. If it is, then it's a race of hypocrites, which. doesn't seem very true to Star Trek's message.
I think TOS Spock does a pretty good job of embodying this. Not always, it was the 60s, after all, but mostly. He was often trying to find non-violent routes, and get by without killing - even if they were in danger or had already been attacked. (See: the mugato, and the horta (until Kirk was the one in danger, lmao. t'hy'la > IDIC), the Gorn ship). Kirk, in his eulogy, calls him the most human soul he's ever known, and I've always read that as Kirk calling out Spock's overwhelming compassion.
It's just so much more interesting when Vulcans get to be radically compassionate. I want them to believe that everything and everyone has value. I want them to respect all ways of being. I want them to find ways for even very non-humanoid aliens to exist unfettered in society. I want them to see hybrids and think that it's amazing. Also, like, disability rep. I want Vulcans to have The Most Accessible Planet and available resources because they want everyone to feel accepted and valued. It makes for better characters and more interesting stories.
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the-one-and-only-elita · 2 months ago
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One thing that I absolutely love about TFOne's writing is that it manages to avoid a lot of the heavier criticism I've seen regarding MegOp's hero/villain dynamic over the years (trust me, the mid-2010s TF discourse was crazy)
*Spoilers Below*
First of all, the narrative benefits so much from the main 4 cast members all being a part of the same exploited mining class. So many takes on MegOp have Orion being of a higher status (an archivist, a cop, etc) while Megatron is much lower down on the social latter (a miner, a gladiator, often in the context of being a slave).
I've seen many people be put off by this, because it feels as if Megs is being villianized for being rightfully angry at the system that deeply harmed and exploited him, while Orion/Optimus is praised for taking a more pacifistic stance despite him not suffering as much from or in some ways even benefiting from the system he claims to oppose. I don't find their dynamic to be as simple as that, and I do find these takes to be a bit reductive, but I do very much see where they are coming from.
I am definitely one of those people who's very frustrated with the way pacifism is hailed as the one true path of morality, and the inherent implication that taking any sort of revenge on the people who abused/exploited you makes you just as bad as them. Also, Marvel's particular brand of demonizing any form of radical political action, despite the system clearly being broken and corrupt, but being completely unwilling to offer any other alternatives to meaningfully change things for the better.
When looking at what I described above its pretty easy to see how a lot of versions of MegOp's hero/villain dynamic unfortunately fits into that trope. Bringing it back to TFOne, you can see how Op and Meg coming from the same political/social status subverts this. The existence of Elita and Bee only further illustrates that out of the 4 people of the mining class who were all deceived, exploited, and literally mutilated in the same way it is only D-16 that completely loses himself to his rage, even to the point where he loses compassion for his own companions and disregarding the safety of the other miners (when he decides to "tears everything down" and Elita exclaims he's going to "kill everyone").
What I think I love most about the characterization in TFOne is that Orion is the radical one. Not only that, but he is praised by Elita and by extension the narrative for it. He is constantly challenging authority, and is the first to have the suspicion that their society is structured in an unjust way.
Meanwhile D-16, to be frank, is kind of a bootlicker. He fully believed in the system and that Sentinal Prime, as someone with power, had the right to decided "what was best" for those who are weaker/lesser (I wish I had the specific quote from D-16 to support this, but the movie's still in theaters). It illustrate that D-16 already held certain fascistic ideals, and that he and Orion already have fundamentally opposing moral/political values, it simply hasn't been of any consequence yet. It shows that their eventual falling out was inevitable, even if they had decided to rebuild Cybertron together.
It should also be noted that D-16's feelings of anger and betrayal do not necessarily have anything to do with the unjust system itself, but that said unjust system was predicated on a lie. Hence his fixation on deception in the post-credits scene and him naming his faction the Decepticons. Meanwhile, when Orion learns the truth he's just sort of like "yeah, I always kinda knew something was up" because again, he understood on some level that their system was predicated on injustice.
Even D-16's obsession with Megatronus Prime, while initially an endearing aspect of his character, is also an indicator of the questionably large amount of value he puts on one's strength. It foreshadows the "might makes right" ideology that the decepticons follow, and is a key part of their ideological characterization across continuities.
Instead of the narrative we often see in Transformers media were Optimus is idolized by the narrative for being more moderate and Megatron is villiainized for being radical (or so people often claim), it is instead Optimus who is rewarded and praised by the narrative for being radical, and Megatron who is villainized and punished by the narrative for holding potentially fascistic values.
I do agree with some criticism I've seen that the whole thing with killing Sentinel and D-16's final turn into villainy felt a bit rushed and more than a little cliche, but I also understand it both had a limited runtime and that it is ultimately a family film meant to be accessible to children. More importantly though, I think the movie set the groundwork early on that, no matter how this final act played out, D-16 was always going to turn to darkness, and Orion would not have been able to stop him.
Its perfectly tragic, the way all MegOp should be, while also feeling really well thought out from a thematic standpoint. I love it.
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cursecuelebre · 2 months ago
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Top Recommendations for Norse Pagans that aren’t Problematic.
There is a lot of books by people who are racist and part of far right side of Heathenry and I’m going to try my best and list the books I have that helped me on my path that isn’t problematic and have questionable intentions. Books and YouTube channels.
Anglo Saxon Socerery and Magic by Alaric Albertson. He is very knowledgeable in his work and path especially on runes which includes the rune poem to make your own interpretation and witchcraft side of things. He even talks about the Elves which I appreciate because not a lot of Norse authors talk about them. It’s more Germanic than Norse but I can’t see any problem adopting certain aspects since they are very similar. I will say he does take himself a bit serious at times but his information is so good and worthwhile. I have not read his first book on Travels through middle earth but it focus on more the pagan side.
Poetic Edda and Prose Edda: it’s what every Norse pagan needs. It’s the foundation of Norse paganism not bibles but myths and tales that can help along our journey. There is tons of translations, but my favorites are Dr. Jackson Crawford Poetic Edda and Anthony Fawkes Prose Edda. But look into other sagas as well like Volsung which Dr Jackson Crawford also wrote about.
Beowulf. More of a Germanic tale but again includes it has roots of Germanic sorcery, traditions, religion like the concept of Wyrd (Fate), the runes, and values within his society like loyalty and mythical creatures. Again there is many translations even Jrr Tolkien did a incompleted version of Beowulf but I think Tom Shippey finished that version I could be wrong. Nonetheless explore more than one, the oneI have is by Seamus Heaney.
Grimm Fairy Tales this mostly German Folklore but it’s still quite important to learn about in German folk magic, creatures and entities in German folklore tends to be very real to the practitioner in their spellwork.
The Way of Fire and Ice by Ryan Smith a very progressive outlook in Norse paganism, he talks about creating communities in Norse paganism and calling out and denouncing Nazis in the community how Norse Paganism is inclusive and how to be open to all types of people. But he has a beginner approach to the deities, beliefs, values within Norse paganism.
Look into a lot of academic sources that’s where you will find a lot of information on Norse paganism and religions.
Tacitus Germania - A Roman historian talking about the Germanic tribes their culture and customs.
Saxo Grammaticus history of the Danes
The Viking Way by Neil Price it goes good in depths about magic in Scandinavia like Seidh
Dictionary of Norse Mythology a quick guide to northern myths, if you are trying to find a specific god and you don’t have time to look up in a book it’s in there with great information to each one.
Children of Ask and Elm: History of Vikings by Neil Price on Scandinavian culture during the Viking age
Some YouTube Channels
The Norse Witch: Bente lives in Germany and their channel encompasses all of Norse paganism more around magic. They do interviews with other Norse witches of folk magic like Icelandic and Danish. Even gives good book recommendations and advice on general spellwork as well!.
Dr Jackson Crawford he is an author but he also has a YouTube channel. He was a professor in Colorado on Norse culture, mythology, and language and now is a full time YouTuber. He did a series of videos on the runes which are more historically accurate. Discusses the myths and the language and what do they mean. Jackson Crawford isn’t a Norse pagan nor he doesn’t care if you are one but just letting you know he isn’t coming from a pagan perspective.
The Welsh Viking also like Jackson Crawford but still has really great knowledge on Viking culture.
De Spökenkyker who is a channel that focus on German Folk magic living in Germany who is a practicing German Folk Witch.
Please feel free to add on any recommendations that are helpful and useful to the Norse pagan Community!
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tealvenetianmask · 5 months ago
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Thoughts about Striker being a "supremacist:"
On the surface, he's sort of a social class activist/ Robin Hood archetype. I think he truly thinks of himself this way. But when Blitz calls him a supremacist, who's he a supremacist against exactly? It's imps. This guy hates imps (and also identifies as one, even though he's clearly some sort of hybrid, which is interesting).
Let me show you what I mean. The short version is that he's the self-hating minority bigot trope, and it's executed really well.
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"Blue Bloods"
"Disgusting, rich, pompous goetia"
"Some of us have everything we care about taken away by fuckers like you."
"You don't get to talk over me. . . all you ever do is try to talk over us."
"Once I split your neck open and let you choke on your own blue blood, you won't be worth any more than the tomb stone you'll be buried under."
So . . . first, he doesn't actually say a lot that's solely about royals, and ALL of the quotes above are about how royals look down on people like him, NOT about any inherent flaws that they have. They're about class, not race, unless you count "blue blood" as race. I don't. It's tied directly to money. "Disgusting" comes up in reference to Blitz's relationship with Stolas, but the words "rich" and "pompous" follow immediately. Striker hates royals because he hates that society places them above him.
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Imps
"Pathetic."
"You little things aint worth the cleanup."
"Oh I remember how easy you are to choke the life out of, little one."
"Blitz, come on. You know the two of us are superior to most of our kind."
"I still think it's embarrassing. You're wasting a lot of potential relying on a weak little . . ."
"Vermin"
I think that this is where Striker's worldview comes into clearer focus. He thinks that Moxxie and Millie (and by extension MOST imps) are inferior to him. The word "vermin" is particularly telling. There's something visceral about his disgust for "lesser" imps.
I think Striker worries that they reflect who he really is. I think he truly believes that imps are inferior to higher class demons, and he fears that if he doesn't prove himself to be special (through violent dominance), he's vermin himself.
Notice how in the image below, his edge over Moxxie is all about size and physical strength- the things he implies throughout the episode make him the superior being. Look at that wide smile. He loves the feeling of being superior.
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Relationships between imps and royals
"You are so above sucking on a disgusting rich pompous goetia . . ."
"kill the unkillable . . . starting with the one that treats you like a plaything."
"Blitzy"
"You two are both embarrassments to our kind for meddlin' with blue bloods to begin with. But at least loud mouth here has the sense to only fuck his rich bitch, instead of being a little purse dog."
"This worthless little pet reeks of his over bloated master. I'll at least enjoy getting rid of him."
Striker clearly sees these relationships as imps lowering themselves. It doesn't seem to occur to him even for a moment that these relationships might involve genuine care because he sees all interactions between social classes as being about power and "who wins."
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Notice that despite in theory caring about the power dynamics, Striker puts most of his shaming language on the imps in the relationships, and uses demeaning language to do it- "embarrassments, purse dog, little pet," as if they're at fault (for being used, in his view . . .?) and should be ashamed.
I thought about delving more into why Striker sees Blitz as closer to his own level, and I think it comes down to the things he values (physical strength, willingness to kill, detachment/independence), which are not the things that we the audience end up liking the most about Blitz. He misses the point of what actually makes our boy great, basically. 😍
I've spent a lot of time reading and watching videos about real life white supremacists because I like to be miserable, and . . . yeah, this character really shares their view that some people are inferior to others, and that the traits that make them inferior are inherent and immutable. The people he hates just aren't the ones he'd have us believe he hates.
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wildestdreamsblog · 8 months ago
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Latibule Season 2: III
Pairing: Min Yoongi x Reader (Mafia/Detective AU)
Summary: In which he lost his latibule.
Warnings: Secret Identity, Yandere behavior, Obsessiveness, Possessiveness, Manipulative behavior, Violence, Mention of death, Disability, Sexual themes, If you’re not 18+ please, PLEASE, do not interact. Be mindful of the warnings. Let me know if I miss anything.
A/N: As promised :) Leave a comment or reblog if you enjoy!
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GIF by urmingirl
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Masterlist, Latibule 2.II
Taehyung looked up from his cellphone to his eldest hyung that was currently cooking their dinner. He pouted when he was not given the appropriate amount of attention he should be given. Honestly, he deserved it! After a moment when he still did not get what he wanted, he finally asked the question he had been dying to know the answer to.
“Hyung, is it always like that?”
“Hmm? Like what, Tae?” he asked while chopping diligently the vegetables the renowned doctor was preparing for a certain psychologist and his brothers that insisted they were hungry as well.
“When it ends…does it always hurt like that?”
Seokjin blinked at Taehyung’s unprompted question. He paused before he finally brought his eyes to the actor. He knew that the younger man had always been eccentric. His clinical condition definitely explained his behavior, but not this. He was never curious about the emotions he couldn’t feel, nor did he ever show any interest on understanding emotions. As the years passed by, Kim Taehyung got better at masking and pretending by learning the root causes of the emotions he could see. The brothers had always thought that this was precisely why he chose to be an actor. Everytime they watched him cried, laughed, or acted furious for his movies and dramas, they thought he was a different person.
Jin thought it was just understandable why he dropped the knife he was holding.
“What brought this on?”
“He-“ he lifted his mobile phone to show Jin the picture Jimin snapped of their Yoongi hyung looking like he had lost all his will to live. Taehyung found it so ridiculous that Jimin even made a collage of him and a cat that depicted their hyung. “-looks like breathing is a chore and is only fighting to live so he can end his enemies.”
Jin would have laughed had this happened before he met his sunshine. But now, the mere thought of her leaving set him on edge, and he knew he would be similar to Yoongi if not worse. Slowly, he picked up his knife as he carefully chose his words. He was always like this with Taehyung ever since he knew that something was not quite right in his mind, well…more than any of them, to be honest. The younger man took things at face value, and all the brothers knew to talk in a straightforward manner so there wouldn’t be any confusion on Taehyung’s part.
He kidded you not, once when they were still teenagers, they asked him to go ahead and get them a table in a restaurant. He left without any qualms only to return not an hour later carrying a big ass table from a restaurant. That was a horrifying memory, Jin thought, and that was when they all decided to change the way they talked. It was Namjoon that took it too far and enrolled the man in a body language class to better cope with society. However, it was Jungkook that forced him to take psychology classes with him for fun.
“I think it’s different,” Jin started, busying himself once again with cooking. “Yoongi never has love like that, I guess. It’s understandable that he acts like a sad lonely cat.”
Seokjin could still clearly remember how Yoongi looked at you. It was like you were all he ever wanted and more, like you were his reprieve from the darkness in his life. You were, as he called you, an angel to him. And then he lost you.
“Why?”
“Well…she’s his personal slice of heaven,” he answered, his voice contemplative and understanding of what Yoongi was going through. Jin paused in his chopping, a thoughtful expression crossing his features as he carefully considered his words. “And he’s been living in hell the very moment he was born. What do you think would happen if he was given a taste of heaven and then lost it?”
“Just like Hoseok hyung,” Taehyung nodded, slightly understanding the downfall of these strong men.
“Seriously, you are all worse than the ahjummas who love to talk about other people’s lives. Be better than that, guys,” Kim Namjoon observed with his deadpanned voice as soon as he walked in the kitchen. He took in the scene of the two men conversing and the other man quietly eating the snack Jin prepared him.
Jin scoffed as he rolled his eyes at Namjoon. “As if you wouldn’t react like that when your secretary finally resigns.”
To which, Namjoon only smirked. “Who says she can leave?”
“How will you stop her and her son if the father finally shows up?”
Namjoon, with his hand in his pocket, calmly uttered words that no normal people would believe to have any other meaning. “Well, as you said, the dead don’t exactly come back to life, do they?”
 Jin chuckled at Namjoon. Of course, he did something about that man. It was apparent, he thought. He could still vividly remember the look in Namjoon’s eyes when he told him that his secretary was pregnant and that the asshole of a father even put his hands on her. Suffice to say, it was the most unhinged Namjoon ever was.
“I think Namjoon will be the worst among us if he ever loses the love of his life,” Jin noted with lightness in his voice.
“Nah,” Jungkook finally lifted his head from his bowl. “I sincerely think it’ll be Taehyung.”
The conversation never left Jeon Jungkook’s mind. Anyway, he didn’t need anyone to tell him to do this. He did this out of the bond he shared with his brothers. Had this happened to any among them, he would have done the same.
He thought that it was cruel to let them experience the same hell he had been living every single day.
And so, he worked tirelessly and utilized every available technology and connection he had just to look for Yoongi’s angel. When he said she was alive, when he said he felt in his heart that you could have not gone where he couldn’t follow, then he’d believed him. He wouldn’t lose anything by looking for you, Jungkook rationalized. But he didn’t want to unnecessarily get his brother’s hopes up until he had evidence that you were indeed alive.
One morning, it finally happened. There you were.
Jungkook’s eyes could not have gone any bigger as he watched the CCTV of a far province in his office.
That was you, he was sure.
Without a moment's hesitation, he reached for his phone and dialed the person he knew he could trust. "Hyung, can you come to my office?" he requested urgently, the excitement and disbelief evident in his voice.
“That’s her,” Kim Namjoon validated after a moment. He was standing beside Jungkook’s seated form as he leaned in the monitor. He was ever the image of calmness with his hand in his pocket, his suit immaculate and not a crease in sight.
Seokjin raised his brows as he sat in a relaxed manner on the couch. Jungkook didn’t even call him, yet he was here because he was, per his words, bored and that a certain sunshine was not where she should be. “So the dead can indeed come back to life,” he noted with a tone the two men couldn’t understand. “Pray tell, Namjoon-ah. Should we tell Yoongi?”
Jungkook blinked at the rising tension between the two men. Whereas Jin merely looked curious, Namjoon looked like he was looking at the end of the sword with the way his jaw was clenched. He stood up straight and took a second to answer Seokjin.
“Of course, hyung. This is a great news, after all.”
“Hmm,” Seokjin smirked, his legs crossed as though nothing could have fazed him. It was moment like this when Jungkook could see the mafia prince in his usually playful hyung. Everybody knew not to cross this man despite him appearing goofy and motherlike to them.
Jungkook thought that it would only take one momentous catastrophe for him to return to his dark persona. He didn’t want to see that, though.
“He’s suffered enough, right?” Jin asked the room with a light tone, yet his eyes pierced through Namjoon’s. “Right, Namjoon-ah?”
Seven Mississippis passed before he answered. Jungkook knew because he counted, and he hated the tension he didn’t know why was present.
“Jungkook, tell Yoongi hyung,” Namjoon ordered.
—-
Min Yoongi’s brows were pulled together as he walked in a bustling street of a faraway province. He had to drive almost four hours just because their maknae told him to be here at this exact hour, claiming that he desperately needed him to be there. However, Jungkook was not answering his phone despite numerous calls from him.
Where was even that little shit, Yoongi asked himself as he surveyed the whole place.  
Despite barely getting any sleep, he found himself in a situation where he might have to scold his youngest brother for the first time. He should have been in Seoul right now, but he couldn’t exactly say no to him. He had shit ton of things to do and yet he was indulging the youngest brother.
Maybe this was exactly why he was spoiled? Ah, but anyway, he was a good kid.
So where was he?!
He walked further into the thick of the plaza, his phone plastered in his ear as he listened to the annoying and incessant ringback tone of Jungkook. Seriously, at this day and age? His eyes roamed the area of happy locals, at which he rolled his eyes.
He was on the verge of deciding whether he should just go ahead and kill Jungkook when he finally answered.
“Where the fuck are you?” he growled over the other line, his patience running thin when the man just answered innocently.
“At Seoul, hyung-“
“Then why am I here?! I swear to heavens, if you made me drive here just to buy you a weird snack then I’ll really kill you!”
“Seokjin hyung will be mad!”
Right. The eldest was protective of the youngest. What a nuisance, he thought. “Then I’ll do it in secret.”
Jungkook chuckled nervously. He couldn’t place whether he was joking or not. His money was that if his hyung could get away with it, he’d be floating in the river at this very moment. “I asked you to go there because I have a surprise for you, hyung.”
“I don’t particularly enjoy surprises-” he began, but was swiftly interrupted.
“I know, I know. But this one, I’m sure you’ll like. This is the most beautiful, most precious, most amazing surprise ever. You’ll stop sulking and looking like a sad cat and Jimin hyung will finally stop taking badly captured and cropped photos of you and make it into a collage. Taehyung hyung will stop observing your miserable demeanor for his next movie. You’ll finally stop living like it’s such a chore and-“
His back was bumped by a force. Turning around, he prepared to glare at the perpetrator only to stop because there it was.
There was you.
It was as if the universe finally said that he had enough and stopped punishing him because he saw you when he was not even looking for you. Your mouth hanged agape, your hand going to your forehead as you murmured apologies to him.
He was stunted. No, he was bewildered.
Was this real? Or was this one of his cruel dreams again, a figment of his mind playing tricks on him?
But no.
He had been living in hell, yet moment he heard your voice, all the sufferings disappeared. This was really you. You were truly alive. He was frozen as his wildest dream was brought into life. His whole body went into a state of shock, something that he never thought could ever happen.
It didn’t really matter the years he spent without you because one touch, one word- these were all it took for him to forget the bitterness your separation brought him.
With a trembling voice, Yoongi dared to call for you. “Ange-”
But before he could say another word, you interrupted, your voice light and apologetic.
“I’m really sorry, mister. I didn’t see you,” you chuckled, slightly lifting your walking stick to explain the small accident. You bowed down at the man before going your way.
And he stood there, watching as the love of his life walked away from him, unseeing. He thought he could no longer hurt. He thought that nothing could have fazed him any longer. But he was wrong. Watching you walked, unseeing as you traversed the plaza with only your walking stick pained him.
How did this happen to you?
Was it because of the incident?
Was that why you couldn’t return to him? Because you weren’t able to?
Or did he miss all the glaring signs?
Slowly, he lifted the old phone you gifted him years ago to his ear. “You didn’t stop looking for her?”
Jungkook was quiet for a moment. “Well…I would never wish this hell on anyone, much less my brother,” he stated, his voice carrying a certain tone of sadness they often heard from him. “Go get her, hyung.”
The bustling city streets faded into a blur around you as you walked, your steps slow and deliberate despite the cacophony of noise that surrounded you. Your sight may have been almost gone, but your other senses seemed to have sharpened in response, each sound and scent painting a vivid picture in his mind.
You remembered that when you were younger, you read a passage from a book entitled, ‘The Song of Achilles’. You thought it was a well-written book, a love that transcended even death. There was a line your college friends always thought to be a masterpiece. But you never understood it. The line so many people loved never really touched you.
Until it did.
Until you understood each word written in that book.
“I could recognize him by touch alone, by smell; I would know him blind, by the way his breaths came and his feet struck the earth. I would know him in death, at the end of the world.”
Because right now, the words made sense. You could recognize him despite your deteriorating eyesight. You knew him. He was here. And he was following you…to what exactly? Was he here to end you? Was he here to make sure that you wouldn’t tell the world of his secret identity?
Regardless of the reason, you tried to remain calm as Hoseok always ordered you to. You had no choice but to lead him back home, otherwise you were sure that he would be suspicious. The man that you used to love was perceptive, and any suspicious movements could alert him. From the moment you opened the front door to the time you closed it, you knew you only had a couple of seconds.
You fished the phone Hoseok gave you, one with tactile buttons and controls that made it easier for you to use it. You knew you couldn’t use the speech-to-text feature, otherwise he’d hear. And so, with a tense movement, you sent a message to him.
He’s here. Don’t come home. Leave with my son.
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Part IV
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crazilust · 4 months ago
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astrology observations pt. 5 (i believe)
remember, if this doesn’t resonate, leave it, scroll away and forget it. i wanted a summer theme, so i’ll do it on this post why not 💛
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🐬🍋🌊🌅 🐬🍋🌊🌅 🐬🍋🌊🌅 🐬🍋🌊🌅
▄▀▄▀▄▀▄ ▄▀▄▀▄▀▄ ▄▀▄▀▄▀▄ ▄▀▄▀▄▀▄ ▄▀▄▀▄▀▄ ▄▀▄▀▄▀▄
🐬 I wish I could look a Sag sun in the eyes and tell them that no matter how little or big they achieve, they’re worth something. That they don’t have to chase the next big shiny thing, that they don’t have to be a millionaire by age 30, that they don’t have to « be someone » because they’re already someone.
🍋 We’re always talking about how lucky Jupiter natives are and how free spirited they are, but the truth is, Jupiter is also about expansion and sometimes I feel like that expansion translates in a pressure to be exceptional. And in this society, in this world, being exceptional is only valued at a material level. The number of Sag suns that I’ve met that felt like complete failures at like 20 years old is not normal. They’re so harsh on themselves. I wish I could give them all a big hug
🌊 The power of pisces mercury lies in their intuition. As virgo’s sister sign, it makes sense that Pisces mercuries don’t find their answers through logic and evidence-based facts but rather intuition and feelings. It can be hard for them to trust that gut feeling or to feel intelligent cause if someone asks them « well how do you know? » their answers most likely will be « Eh, just a hunch » But trust it, it’s one of your many gifts
🌅 I used to be so fascinated with people with Aries and Gemini in their birth chart cause I found them so comfortable with people, the life of a party type of people and so damn charming. As I grow older though and begin to see life in nuances of grey instead of straight black and white, I’m able to realize that those people often suffer from people-pleasing tendencies, a sense of self that is either broken or fragile and codependent behaviors. It’s like their sense of worth is tied to how much people like them.
🐬 Cancers are very loyal, I know it’s not a popular sign on mainstream medias and people love to shit on them, but the truth is, Cancers will have your back, no matter the placements. If you’re ever loved by a Cancer, make sure to treat them right !
🍋 People who are not that much into astrology will meet a Leo and be like “omg, you don’t act like a Leo at all, you’re not arrogant or an attention whore” When we look at Leos celebrities, it’s easier to see that arrogant, flashy, extra side. But irl, we rarely meet that “kind “of Leos, right? (Except at bars lol) The reason for it, I found, is that Leos, for the most part, have personas. First of all, they’re a lot more private than you’d think. I believe that most Leos loooove attention, but they also know when it’s appropriate to show it or not. Depending on their other placements, they’ll decide when to grab that spotlight and when to leave it to others.
🌊 I had this girl that I knew that was a Leo sun (and I’m sure a bunch of virgo placements) and everybody was shocked of her sun sign because she was introverted, quiet and observant. But she was still a theater girl, wanted to be the main character (preferred the villain), veryyyy assertive when it came to her boundaries or what she liked and didn’t liked, and very extra and colourful in her outfits. The reason why I don’t like mainstream astrology is because it’s a bit childish in the way it describes a sign. You can love attention but show it in a way other than screaming and dancing on tables. This girl, for example. To me, she was a Leo sun to a T.
🌅 Aquarius placements 🤝🏽 their desires to connect with someone through intellectual stimulation, but refusing to show and acknowledge their deep rooted fear of intimacy and vulnerability
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and that’s it from me, folks.
-B.
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indierpgnewsletter · 8 months ago
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Playing Rabbits in an RPG from 1976
(This continues our 2024 series, 10 Games From The First 10 Years. First published in the Indie RPG Newsletter)
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It is genuinely surprising to me that in 1976, within two years of D&D coming out, someone published a game about being rabbits. It makes a little more sense when you realize that it was inspired by Watership Down and the designers were, I believe, zoologists or something similar. But having read it, the premise is the least interesting part of this game. It has so many fascinating little ideas.
Bunnies & Burrows is a game about rabbits … but these aren’t just rabbits, they fight, explore, gamble, study herbs, see the future, parley with beetles, find love, have children – and the list goes on. The end result are characters that ironically feel more human than you’d imagine.
As I play more games, I learn about games, sure, but I’m also learning a lot about myself. And a rule of thumb has slowly emerged: I want to play games that lead to interesting, surprising, unique things being said by the players. I’ve sometimes phrased it as “people want to say cool shit at the table”. I’m people.
Bunnies & Burrows starts with D&D as a jumping off point – there’s that old, familiar rolling 3d6 down the line to get your stats. But that’s more or less where the similarities end. You have rules for fighting but it’s not D&D combat – this game is often described as having “the first martial arts system” but what this means is that fighting is mostly weapon-less and involves declaring actions that flow into each other as patterns or c-c-combos. Basically, some actions set up other actions – you can’t Rip into another rabbit unless you already pulled off a Bite & Hold in the last turn. Some actions like Run aren’t possible if you’ve just done a Pin or a Rip in the previous turn and so on. I didn’t actually get to play out a fight but these rules got me grinning.
And the whole thing is like that. The study and application of herbs is meant to be a little puzzle where through trial-and-error and dice rolls, you slowly figure out what’s good for you and what isn’t. The languages and persuasion rules mean that certain characters can become envoys to other species. Because a language can mean the difference between things turning violent and a peaceful negotiation between rabbits and a mother scorpion that has accidentally wandered into their warren.
Don’t get me wrong. Most of these little pieces are eccentric and inelegant – always more convoluted than you’d like but still a major leap forward in playability because in the end, it’s a d100 roll under a target number. All the fiddliness – and there’s a lot of it – lies in the absolutely esoteric ways this game invents for calculating that target number. But I find it easy to forgive this in an old game, especially when the most interesting part of the game doesn’t lie in the mechanics but the negative space the rules seem to create.
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The donut hole in the centre of this game – fruitful void? uncrowded centre? – is the question: What is rabbit society like? This is a setting question – or rather, a system of relation question – that is never asked but it must be answered. The mechanics have some opinions. For example, every player picks a profession when they make a character – Empath, Seer, Storyteller, Scout, and so on. Some of this comes from Watership Down, which can, of course, be your ready-made answer – it’s the unstated but obvious setting sourcebook for this game. But if you don’t go down that route, you’ve got a juicy problem: What do we value? What do we despise?
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anilyan · 4 months ago
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Time to message Hoyo about the colorism...
This is the text I prepared to send to Hoyo, to their emails ([email protected] | [email protected]), feedback, eventual surveys...
Feel free to copy paste and send this exact thing as well. Feedback is appreciated before I send anything.
Shorter version below, and imo it's better.
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Subject: [Constructive Feedback] You can and should darken the skin tone of Natlan characters
Regarding the skin color discussion started by the reveal of Natlan characters:
We fans understand that the world of Teyvat is fictional, and that the Nations and characters are informed by different real cultures that end up being mixed to create a fictional setting. But it's also undeniable that some Nations in the world of Genshin are primarily inspired by some cultures more than others, and that character traits tend to reflect the main countries the Nation they inhabit is based on.
There are no consensus amongst fans regarding how accurate outfits are, and we know very little about the Nation itself, but it's undeniable that Hoyoverse researched and put a lot of effort into designing Natlan. Which is why it's a shame that all that effort is being drowned by the obvious racism and colorism reflected in the designs.
After Sumeru, Natlan was the only chance Hoyoverse would have to prove they were not afraid of designing characters with darker skin tones. Many people had hope, and the people of some of the cultures Natlan were based on hoped to see themselves represented. Even if you do not care about representation and respecting your fans, you should care about not bastardizing all of the good things that the new nation has to offer, and having at least some characters with a darker skin tone was the bare minimum that made sense.
YOU STILL HAVE TIME TO FIX THIS. Darken their skin tones. Significantly. Even Chinese fans are mocking you over your decisions, you're running out of excuses.
Hoyoverse has proven capable of change and adjusting their values over time - for example, your early depiction of female characters in Honkai Impact 3rd paled in comparison with the great writing of current female characters being put out, to not call it sexist. So me and many still want to believe you can recognize your mistake and fix it. You are a company that heavily supports fan and fan works, and who constantly invests in things that have a positive impact in society, which is why many people like to support you, and why this is so disapointing to see.
Do not let this taint your legacy. Tech otakus were supposed to change the world, remember? And perpetuating colorism is not how you should do it.
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Shorter version:
Regarding the skin color discussion started by the reveal of Natlan characters:
We fans understand that the world of Teyvat is fictional, and that the Nations and characters are informed by different real cultures that are mixed to create a fictional setting.
But it's undeniable that different Nations are inspired by different cultures, and that character traits tend to reflect the main countries the Nation they inhabit is based on.
With so much clear research put into the characterization of each nation, Natlan included, it's a shame to let those efforts be drowned by designs that reflect colorist and racist views.
It would make sense to have characters with significantly darker skin tons in Natlan, and many fans hoped for that.
Hoyoverse has proven capable of change for the better - for example, your early depiction of female characters in HI3 leaned on sexism and paled in comparison with the great writing of current female characters.
There are other things that the company does right, and you can do it again. Tech otakus were supposed to change the world, remember? And perpetuating colorism is not how you should do it.
So don't let this taint your legacy. Even Chinese fans are mocking your decisions.
Darken the skin color of the Natlan characters. You still have time.
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waitingtobreatheagain · 4 months ago
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One of my favorite parts of the argument outside the Modiste scene is one although it starts harsh/angry…it becomes vulnerable and communicative very quickly. This is due to the core of their relationship. They are each other’s favorite person. No one understands the other more or in the way they do. Even through the hurt, the love is so so apparent.
It is a great example of how anger is a secondary emotion and in this case the primary emotion are emotions related to feeling emotionally hurt.
People say all they had was miscommunication and that is absolutely not true. You wanted them to be all good in five seconds and that was never going to be the case. Two weeks to process what felt like a betrayal, work through it, and work through your own insecurities that could impact your relationship in the future is NO SMALL THING. Not to mention, Colin repeatedly shows his love even in his anger hurt and confusion.
My absolute favorite thing about the scene (and proof of them still having good conversation even while being on the outs) is Colin doing something that Eloise never did. He actually asks Penelope WHY she wrote what she wrote. Even in feeling his most hurt, he seeks understanding. He knows Pen better than anyone (as she does him) and he really needs to identify how and why his most favorite person in the world, the love of his life, could do this. After discussing it, he is still upset which again is fair but he does understand and knows that she is still who he has always know her to be.
To be vulnerable when you’re hurt instead of hurtful also so emotional maturity. Yes, we know their first time seeing each other after the reveal he says something hurtful but he immediately regrets it which is made evident by Luke Newton’s skill in facial expression. He even asks Pen’s questions which she agrees with and identifies why she couldn’t do those things back when she wrote about specific things (I.E. “why didn’t you just tell me to my face” “I know I should have I didn’t have the confidence to then”).
And the part where we see his insecurity about his writing skill and the biggest insecurity being deserving of her on full display. Colin has grown up feeling as if he has to be so many things for so many people to be able to feel worthy. Just being himself has never felt like enough so it makes complete sense that he cannot honestly fathom that his favorite person…the love of his life…loves him simply for being him. That’s beyond belief for him. That is why the “what good am I to you, then (if I can’t protect you) and Pen’s response of I love you is so important. We see Pen’s face go from on guard, defensive, and some indignation to soft and empathetic. She is truly seeing the insecurity and similarly to how Colin couldn’t believe that Pen had no chance of romance when she asked him to kiss her…Pen can’t believe that Colin thinks he can only be loved by her if he is in service of her or has utility. His reaction to her I love you also support Colin is demisexual theories. The affirmation that she does not need him to protect her or do all these things for her and instead just has to be the man she loves is the catalyst for the passion and desire we see him kiss her with afterwards As to say, that’s right. This is the only relationship in my life where I am able to fully be myself, where I am loved for who I am, where I am uplifted, understood, seen, and valued based on my true self not based on who society says I should be, where my vulnerability and emotional intelligence is seen as a strength and not a deficit, etc.
That is so beautiful to me.
This goes back to why for me Polin will always be the pinnacle. The depth of their relationship following years of friends especially as they got closer sets up how they work through conflicts. There are so many parallels when looking at Colin helping Pen work through her insecurity with her confidence and appearance and Pen helping Colin work through his insecurity with self doubt and feeling deserving/worthy of his love.
Truly, a love that is a beautiful as it is rare.
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ironunderstands · 8 months ago
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2.1 was so good holy shit (spoilers, obviously)
GOD THEY ATE AND IM SPECIFICALLY GONNA TALK ABOUT HOW WELL THEY WROTE RATIO IN THIS BECAUSE IM FOAMING AT THE GODDAMN MOUTH IT CHANGES HOW YOU VIEW EVERYTHING BUT IN A GOOD WAY.
so, let’s start from the beginning in 2.0 I want to walk you through my experience of it
ratio mean to aventurine, everyone gets mad. I feel weird about it, pre-2.1 I come to the conclusion that he got used as a plot device in that scene, since being racist contradicts his core motivations and the dialogue is awkward and has no real reason behind it, I chalk it up to bad writing but ultimately forgive it because 2.1 seems centered around Aventurine so they need setup for that
2.1 drops, my bsf plays the update throughout the night and we are losing our shit. He gets to the part where Ratio “betrays” Aventurine. I fucking lose it, I try to reconcile this with my preconceived notions of ratio, they don’t match up at all, his behavior that whole time doesn’t in the slightest. I am confused, I wonder if I have been wrong about him this whole time, if his whole speech on the Space Station and his character quests were some kind of fluke. I mean it could be in character? Knowledge of how a stellaron works could save millions if not billions of lives, invaluable information which Ratio would have trouble turning down because of its value. It still feels deeply wrong, Ratio isnt a backstabber, and he wouldn’t so easily bargain with Sunday over information he has no confirmation of (and could likely obtain in some other way).
The story continues, me and Haseeb (aforementioned best friend) are still pissed, I’m losing it because my favorite character just did something so unforgivable and out of character and I feel like a complete and utter idiot for interpreting a character to be a good person when they so clearly weren’t. Well, I (luckily) was so so so so so so so wrong about that, as it was all a setup, a plan devised by Aventurine to distract Sunday and forward their goals. I’ve never been happier, and suddenly every weird behavior, every “this doesn’t make sense” goes from “bad writing” to perhaps one of my favorite retroactive twists in fiction.
Ratio belittling Aventurine for his background doesn’t make any sense, I mean we literally saw the guy give a whole ass speech about how he believes all people deserve access to knowledge and that everyone is capable of being creative and having intellect, but that they just have to try for it, and if they are incapable of it, he DOCTOR Ratio is there to lend a helping hand. To cure the galaxy of stupidity, something which he views as not the lack of knowledge but rather the misuse and misinterpretation of it, how he depises the Genius Society because they mostly do not try and use their intellect from the betterment of other, and actively guide/encourage other scientists (and in Hertas case the researchers at the space station) to view knowledge as some sort of prize or commodity rather than tool. This notion is what causes Screwellum to acknowledge that Ratio is more like a medical doctor than a scholar. And this notion is something Sunday Isn’t Aware Of.
Sunday doesn’t know who Ratio really is, he may have heard of his various exploits, but Ratio has a reputation for arrogance, bluntness and insensitivity, something which Ratio plays up to the nines. The 2.0 scene with Aventurine goes from seemingly massively OOC for Ratio to him actively playing up his negative reputation to play into Sundays perceptions of the pair for their plan. Ratio->
a) makes it seem like Aventurine fucked up and he’s mad at him for losing the cornerstones, something which Sunday would see and go “hmm they don’t like each other
b) this “oh I can drive a wedge between them” notion gets worse (although in their case better) when Ratio brings up Aventurine’s (not entirely accurate) background. Sunday now thinks he has leverage over Aventurine and even more of a chance of getting Ratio to betray him. Ratio also makes it seem like he just learned this information by stating he “did his homework” and this supposed unfamiliarity with one another would give Sunday more confidence to try and drive a wedge between them
c) this makes it seem like the IPC are unaware of the Families constant surveillance, as it looks like they are having an important conversation in a private room, which would make Sunday think they are unaware of his eyes and ears everywhere
Now let me qualify this notion with more evidence because you could still try and argue that the deal Ratio and Aventurine struck was post 2.0 argument
Topaz (my glorious Queen). At the end of the 1.4 (or was it 1.5?) Belabog quest she has a conversation with Aventurine in which he requests for her help in Penacony, and we do not get a confirmation on if she said yes or not. Until 2.1, in which the the Topaz (and Jade) stone in in Aventurines possession, meaning she took him up on that offer prior to 2.0 because how else would he bring multiple cornerstones there, which we know there are many because Ratio says he lost the cornerstones, not just his own. Topaz would not give this item up easily or on a whim in between 2.0 and 2.1, meaning she would have to be let in on his plan prior, meaning the plan was formed prior. Since Ratio was also assigned to this mission keeping him in the dark would make negative sense and actively undermine their collaboration, something which he brings up in their fake argument
2. The Final Victory Lightcone. I originally thought this scene to be after their argument for complicated reasons, the most important of which being the minor snippet of conversation we see between Ratio and Aventurine during the first time we meet Acheron. Aventurine mentions 3 chips, Ratio doubts him, and the lightcone description starts with Aventurine questioning his doubt and firing three shots, a perfect correlation that made me place the order of events in that way. However, we get to see the snippet of conversation between Aventurine and Ratio in game, right before they meet Sunday, not prior to the lightcone events. However, they are still clearly connected for aforementioned reasons, just in a different manner, let me explain. Now we know the three chips reference not bullets but the three cornerstones, and Ratio openly expresses his doubt because the family is always watching (something which I will get into) and because a part of him does doubt this plan will go well. However, Aventurine prior reminds him of the events of the lightcone with the three chips. My interpretation is that Aventurine took that gamble in the lightcone to convince Ratio to go along with his crazy plan since if he can win a game of Russian Roulette with an unwavering smile on his face he an insane gamble means nothing to him (ratio doesn’t buy it because it’s ratio but the sheer audacity or you could say the “charming audacity” makes him go along with it). In my opinion this scene only makes sense pre-penacony, due to the timeline of events, which is why I believe it the reason for the events in it has to be Aventurine trying to convince Ratio to join in.
3) The family is always watching. During the 2.1 story quest it gets brought up several times in many different ways that it seems like the family has eyes on everything and everyone. Sunday’s fuckass bird is everywhere, and the man himself (minus being a goddamn biblically accurate angel) is covered in eye shaped shit and possesses close ties with the Harmony, which lends itself well to a character that knows things considering the Aeon itself is a conglomeration of many different perspectives. He fucking perception checks Aventurine, when the crew goes to look for info on firefly they learn the dream pools monitor people’s vitals and everything, even producing a dialogue option where the trailblazer states they feel like their every move is being watched. Topaz gets stalked by bloodhound members upon arrival, I could go on. TLDR Sunday knows almost everything that’s going on in Penacony, this is what leads him to believe the traitor is within the family, and his access to knowledge is something the IPC 100% knows about. I mean they have been presumably attempting to try and get it back for a while, and they would reasonably extensively try and learn everything about it. The Family notoriously hates negotiating with them so the IPC either learning and/or coming to the conclusion that the Family is watching their every move isn’t a ridiculous notion. If this conversation was genuine, if Ratio truly wanted to discuss this matter with Aventurine, why would he do it in a likely wiretapped, not very soundproof room where any passerby could hear Ratio loudly exclaim that Aventurine lost the very important cornerstones and that he is also one of the most despised groups in the galaxy because that would really do numbers for both their reputations. If you think about it, this not being staged is an incredibly stupid blunder on Ratio’s end (minus the deliberate OOCness) because of all the places Ratio could set up a very important meeting he does it in one of the worst places ever.
4) The dialogue in the scene. It’s awkward, it’s so awkward and the whole “also my family died I didn’t get an education” seemed so tacked on the first time I watched it. Knowing now, it seemed so tacked on because it was, Aventurine had to shove the info in there somewhere and their incredible conversational skills decided that was the best part in there. Ratio fucking leaving before Aventurine is even done talking goes from a “huh weird” to a “wow he is really playing up this arrogant scholar role”. And if Ratio is playing the arrogant scholar, Aventurine is playing the dumb, helpless, blonde to a T. Losing the cornerstones and acting nonchalant about it, letting Ratio insult him so callously and letting the insults slide, talking absolute nonsense at the end about random things that don’t matter, sadly lamenting into the distance that he’s alone again. Bro is playing it up and I live for it. They also and play up these personas in their little adventure prior to meeting Sunday, Aventurine asks stupid questions like wondering about the species of the bird that make up the statues and talking about how he wants to play in the sandpit and even insulting Sunday a bit, behavior that would make Sunday think him unprepared and unserious rather than cold and calculating. If Aventurine does that well, Ratio plays up his arrogant, uncaring scholar persona to the nines. He insults any and every decision or thing Aventurine does, loudly sighing of how happy he is to finally have some peace and quiet when Aventurine leaves his sight for 0.00008 milleseconds, pointing out his sarcasm, beefing with a random Pepeshi bodyguard no reason, pointing out his sarcasm, just the exaggerated way he talks in general, and suggesting he admit Aventurine into the Genius Society (even Ratio wouldn’t stoop so low as to suggest Aventurine was worthy of that).
Moreover, this is really, really tragic because I do think there are several moments of genuine banter and fun the two share “Ratio, you’re huge!” was not added to the script to enhance the plot guys. And obviously Aventurine knows most of Ratios behavior is acting, however he has such severe trust issues, and Ratio is so damn straightforward and blunt that he worries the man was serious about some of it which just breaks my heart. Soft Ratio please add it give me one conversation, the note at the end of 2.1 doesn’t count it’s too short.
Ultimately, knowing what I know now I can’t help but view the 2.0 conversation with Aventurine as being anything but staged, it simply makes no sense otherwise, and it happily obsolescent Ratio of his sins. This was a bit incoherent I honestly just wanted to rant (if you couldn’t tell haha) but I hope you enjoyed it regardless. I need sincere Ratio more then I need oxygen and I’m not afraid to say it.
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queen-mihai · 1 year ago
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We only need a few rich people
And we need zero billionaires
The "need" in society to have rich people running around is mostly for entertainment value.
Let's say someone who earns $20 million a year due to some really popular product she invented and maybe some smart investments.
This person will never be a billionaire
BUT she will be a fun person to have around on some dumb TV show
"Oh yeah I bought myself a second yacht this year 😅. They're kind of a guilty pleasure of mine so I thought I'd splurge"
She's not rich enough to get around paying her taxes, which means she's probably giving 10-15 million a year or more straight to the government as taxes.
Now, she's paying the people who build the yacht, keeping them in business. They hire tradespeople and artists to make her ship nice, and those people go on to further stimulate the economy by spending the paychecks they earned building her yacht
She buys houses, clothes, cars, puts her kids through expensive classes, and sets aside a little nest egg so she can retire in comfort and her kids can go to school
That's not so bad. She's probably on TV shows talking about how fun it is being rich and everything. Maybe she gives some money to charity and people kinda wanna be like her.
You know what we don't need?
Someone rich enough to, instead of buying a car, buys the entire car manufacturer
We don't need someone who has enough money to stop paying their taxes and then pretend they still do.
We don't need someone who can spend a million dollars in a day and have it replaced that same day.
Spending money SHOULD hurt. Or make you feel SOMETHING.
If you're collecting money so goddamn fast that you literally can't spend it fast enough to ever see your bank account go down, we don't fucking need you.
If you're collecting that much money, your bank account should just be a wide open door where people can rob you all they want because you won't even notice anyway.
Are you a billionaire reading this? Give me ten million dollars and I'll think about shutting up. I won't, but I'll think about it.
You're gonna have to give ten million to every other person reading this though cuz they're probably not gonna shut up either.
You know what? Actually it'd probably just be easier to PAY YOUR DAMN TAXES. That would get a lot of us to shut up.
Try it. You might like it
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drdemonprince · 3 months ago
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Do you have any immediate thoughts about core identity and autism?
I have a great, neurodivergent friendly therapist - bottom-up, somatic, all that shit that's supposed to be good for autistic clients. But I've been stalled for the last half dozen sessions over the feeling that I have no core 'self', that I am so much a mimic of people around me that my internal self has no core qualities beyond the immediate drive to survive and avoid demands and sensations.
It comes out as "I have no inherent value" (c'mon, no one does) and "I have no inherent moral drive, I just know what causes me pain probably causes others pain, and I am aware other people are different enough from me that I have to believe them when they say something causes them pain, and I must avoid pain for myself and others"
I've been trying to express to my therapist that core identity terms are maybe better couched in vocabulary for computer programs or robots, but it's difficult to adjust therapy speak into that even with a curious and agile therapist.
I have been thinking a lot about animals lately. Animals that are not humans have no "core self." They have no thoughts of self-worth. If you truly look into the eyes of, say, a squirrel or a turtle, you will immediately recognize a great, living void. They are a collection of survival instincts, learned responses, and reactions to the present environment that have some general pattern of constancy but which are ever-evolving.
They do not exist for any "reason," they just exist. No instinct that they have is false, even one that is mimicked or new. They have no morality, only reactions that propel them and follow a sense that is senseless to us creatures with minds that are forever narrating and judging. They just exist and that existence is inseparable from their present physical reality. The same is true of each of us, our minds only complicate it.
I think it is very compelling to be much like any other animal. When I am alone, or feeding my most primal hungers (when I am famished, say, or craving a drink or cigarette), I have no worries of whether I am being authentic or valuable to society or even if I am good. I simply experience feelings and cravings. Life is lived through experiences, as a consciousness that can take things in and do things that affect reality in turn. Life is not lived via our identity or even our beliefs. The universe is horrifically indifferent to what we aspire to be, or believe is right. Entire species exist only due to mating rituals that require murder or rape, and the thriving of one species often spells the doom of others or even itself. It is disgusting and meaningless, being an animal. But in that void there is such stillness and great beauty.
I have been able to access this dark-eyed feral side of myself more lately. I have been spending more time alone, no longer even trying to mask to myself as the kind of social, giving being I had convinced myself I had to be, if my life narrative were to be that I got well. I don't care about being well. Or even being good. Those terms are playmobil level human made up stupid. When I touch that void, and dwell in it, I can see that none of it matters and none of those human judgments are real, and that the fiction of my core self does not really exist at all. And I find it very peaceful.
Lately hard core bondage really helps me get there, mentally, as do long swims and long walks late at night. Conversations with the rare few who are not afraid of almost any thought also help me get there. Most of all I just need time and fucking silence. There are pictures of me lately where I can see an animal. Not someone posing or trying to manage an impression. In those few photos I can feel some unnamable emotion that is real. It is that animal void that exists in all things, that is the breathing of life into flesh.
Therapy, I have got to say, is the stuff of small minds. I don't mean you, I mean your therapist. Therapy can only process in individual personality units, which are a fiction, and it believes that problems exist to be solved through an optimization of the self. You need to be confident. Need to know who you are.
I have often written like that, forgive me for it. But problems do not exist to be solved, they just exist, and some things do not get better, and there really isn't a better or a worse anyway, there is just a vast ecosystem responding to things. A great void of life always teeming, always changing. Great loss and growth and change, violence and birth.
And so I am not surprised to hear your therapist does not get it. The detached view you take of morality likely frightens them. But that might mean you are on a far more compelling path than what they would desire for you, which is probably self-esteem boosting exercises and tidy scripts for setting boundaries with your parents. That stuff is fine. But expecting too much from it is like asking a can opener to explain the universe.
Thanks for writing.
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