#I still feel like society sees me as having no value

[psychemochanight]

Honestly, even if I love the new interpretation of Dick as the "angry Robin" that we have these days, sometimes it feels bad that you can't talk about a version of Dick as Robin that isn't like that without getting people saying things like "that's not Dick, he's the angry one, the bloodthirsty one" and... What?

It takes away a lot of depth from the character when people only think of that when talking about Robin!Dick, when, since always, Dick was, quite possibly, one of the best written characters, and one of those that has more nuances to make him a completely human character, not only in the sense of not having superpowers, but of being able to empathize with him.

There are many versions of the story, but the most widely accepted version is that Dick lost his parents at the age of eight, watching them fall because they sabotaged their act, an act Dick probably saw many times, one he knew for sure his parents would never fail... Until it failed, and through no fault of their own.

Dick was a little boy who grew up in a loving family (as far as we know, I still think they were strict, but not necessarily bad parents... We'll talk about the Court of Owls later), and from one second to the next, all of that ended. Even if Bruce was there for him, things obviously weren't the same anymore, they never would be again.

Although many have the idea that Dick escaped from youth center to kill Zucco, in the original stories Dick didn't even know yet about him, at least not that much to know what he really did; but he wanted to escape from juvenile so as not to lose his values, so as not to stop being who he is, who his parents taught him to be.

Even in the lines where he DOES say he wants to kill Zucco, in most cases, when push comes to shove, he wants to prevent Zucco's death. There are some moments where he even confesses that he didn't want Zucco to die, he just wanted justice for his parents.

People now see Dick as the Robin who only saw misfortune and was an absolute menace to society, and while, yes, Dick was an absolute menace, it was only to the villains, who heard a little boy laughing at them before beating the shit out of them. Plus, even as a child he was a master manipulator, both for enemies and allies.

But what about the rest? Robin was supposed to be the light where Batman was the darkness. He was the one who comforted scared civilians when Batman couldn't. He was the sensitivity that Batman cannot afford to show.

Dick Grayson was the one who saved Batman from losing himself in the same darkness that he himself was making his only way of life, and this is something that Alfred has pointed out before. It is thanks to Dick that Batman stopped being the ruthless "hero" he was becoming. Damn, he was the one who softened Alfred's heart in the first place too.

This was the Robin that Superman saw as worthy of carrying the mantle of Nightwing, whom he saw as someone who could represent hope itself.

Bruce didn't start smiling just because of the other Robins like many people now believe, no. Dick was the first to make him smile again, the one who opened the doors for the others.

Dick was always kind and tender-hearted, always joy where there was only devastation.

Even if he was the living nightmare of villains, he was still that cheerful child who wanted to avoid the pain of others. The boy who inspired other heroes, not only because of his skills, but because of his heart.

Dick is a character who, while he is now more recognized as Nightwing than as Robin (which doesn't bother me at all, because that was always his goal when he became an independent hero), he still has a history that people seem to increasingly forget about and pigeonhole his development into something... Flat.

Were there times when Dick had more anger and pain than any other feeling in him? Yes, absolutely YES. But this stage is mostly in his Discowing years, not of Robin as such (I'm not saying there weren't such moments, but there aren't as many as people describe now), or as some animated series showed (I love these series, even if they turned Dick into a feral child who is unable to smile, lol)

Again. I LOVE Dick's portrayal as a feral child and absolute menace to society (which he was), but I also LOVE when artists, writers, and the entire fandom itself appreciates the different nuances of his personality, from his ability to laugh despite the misfortunes in his life, to his sadness that never ceased to be a part of him, until the moments where he could only feel rage and pain and felt that the world was only darkness, unable to see the colors that emerged from the light he projected by himself.

Look at him, he's so cute <3

Does anyone care about this yap? No, but I wanted to let out what I've been repeating in my head for days because people on tiktok have me fed up HAHA

[laurel-michaela-connor]

I’ve been on semaglutide for about 4-5 months now and I’ve lost 30 lbs. it’s been really fantastic. This is the most weight I’ve lost in one go in probably 10 years. It’s also coming off at a reasonable pace of 1-2 lbs per week on average, so it’s manageable for my body. But honestly all I can think about is wanting to lose more weight faster. I am sure the reason it’s so hard for me to lose weight is also contributing to the slower weight loss, but I’m like… what about all these other people that lost 60+ pounds in the same amount of time? I still need to lose about 80-100 pounds (I’ll have a better idea closer to that goal). I know steady weight loss tends to plateau for most users at around 18 months. I just have this soul crushing urge to be thinner. Even when I am moving toward that goal it’s like nothing is happening fast enough.

[sgkjd]

ppl sometimes say to me "u think you're always right" and i sit there confused because yes? i usually AM right. because i have researched the topic more than you, and i have thought through both arguments and counterarguments before speaking up. moreover, my anxiety and fear of being misunderstood simply doesn't let me speak anything out loud which i haven't thought 150% through. so technically yes, i am more right? i don't understand what's the problem? i'm not talking about my personal opinion though? i'm just stating the facts? and the facts tend to be something that's "right"? don't they?

[cursed-spirit-manipulation]

i like thinking about Geto being quietly obsessed with grieving Riko. He thinks about her constantly and refuses to ever forget her, but he also refuses to talk about her. He has the selfish impulse that he's the only one who's truly allowed to grieve her because he was there when she died, he was the one who failed her. And I think he hates that he has that impulse because it's selfish, because Gojo failed her just as much as him, and Kuroi was her family and Riko meant so much more to her, but that isn't enough to stop him from feeling like he's the most deserving of the guilt and grief. And I think he can't ever truly see Mimiko and Nanako as their own people- he sees them as proof of his worldview, they are the reasons for his beliefs made human, but also. They're a chance at redemption. Theyre a chance to go home

[yongseungkim]

.

[luveline]

(𝐢𝐭’𝐬 𝐧𝐨𝐭 𝐥𝐢𝐤𝐞) 𝐡𝐞’𝐬 𝐦𝐲 𝐛𝐨𝐲𝐟𝐫𝐢𝐞𝐧𝐝 | 𝐬𝐭𝐞𝐯𝐞 𝐡𝐚𝐫𝐫𝐢𝐧𝐠𝐭𝐨𝐧

Steve hears you wrong, thinks he’s your boyfriend, and begins to act accordingly. You try your best to go along with it until you can’t anymore. 3k, fem. requested here ♡ 

cw shy(ish)!reader, misunderstandings, steve being a huge sweetheart, fluff, hurt/comfort, bonus fluff scene 

˚ʚ♡ɞ˚

The arcade is loud and brisk this evening, doors thrown open to allow for the constant ebb and flow of younglings, the machine music turned up to account for so many voices. You’re lost in a sea of rainbow flashing lights and the ticklish smell of sugar. Without Steve’s hand behind your shoulder, you’re pretty sure you would’ve gotten lost and trampled half an hour ago. 

A candy necklace pinwheels past your heads like a torpedo, forcing you closer together, your shoulders tight with a flinch. 

“We can leave,” Steve says immediately. He’s weirdly thoughtful. Before he asked you out you had no idea he thought so much about other people, but he’s always thinking about other people. You could argue he thinks a little too much, like you. 

“I wanna see Max.” 

“She has to be here somewhere.” 

That theory proves less and less likely. Steve’s hand falls away from you, tugging through his hair in a marker of stress as you circle the Palace Arcade for the tenth time. “Maybe she quit?” you suggest. 

Steve’s eyebrows pinch together as he gives the arcade another sweep. Max’s rough patch freaked him out, as it freaked you out, because ‘rough patch’ is a kind way to describe it. She could’ve got a whole lot worse; she was suffering, capital S. It’s nice to see her returning to society, but not if she isn’t actually settling in. That’s the whole reason you’re here. 

Steve frowns at you worriedly. 

“Who died?” asks a new voice.

You breathe out a sigh of relief. “Max!” Steve cheers. 

“That’s me,” Max says, looking at you both sceptically. Her ginger hair is pulled into two tight braids either side of her face, her cheeks flushed red. Mascara paints her usually pale lashes a darker brown, and a rosy tinted chapstick shines on her lips. 

“Hey, the uniform looks good on you,” he says affectionately. “You look like a valued member of society.”

“A society in need of better labour laws. I’m pretty sure this is child abuse.” She rolls her eyes. 

“Is it awful?” you ask. 

“It’s fine. Better when your stupid friends aren’t here making themselves sick on candy like they’re nine years old,” she says pointedly to Steve. “Are you going to throw up too? You look–” she grimaces in place of insult. 

“Who’s throwing up?” you ask. 

“Dustin. He’s outside.” 

Steve sighs and gives your shoulder a kind squeeze. “I’ll be right back,” he says, squaring his expression. “Goddamn kids.” 

He sounds like an old man, you think to yourself with a small smile. Disgruntled, he still goes to make sure everyone’s alright. He’s nice, even when that nice is begrudging and tiresome and plain gross sometimes. 

“Why are you smiling at him like that?” Max asks.

You school your impression. “Like what?” 

“Like you like him.” 

You shake your head. “Tell me about work, Max. What’s it like here? Are they giving you your breaks?” 

She drags you over to the counter to sit in the seat waiting behind. She glares at any kid who approaches, but besides that she seems in good spirits. The job isn’t hard, it’s just a job. She’d much rather be at home reading, but wouldn’t everyone? “And I get this sweet uniform,” she says, pointing at the embroidered icon on her shirt pocket. “What’s with you and Steve?” 

“Nothing,” you say, though it’s something. You’re mortified to have been caught having feelings. 

“Looks like something. Are you dating?” 

“I mean, this is a date,” you say, almost whispering as heat floods your face. “But we’re not together.” 

“He was touching you a lot.” 

“Max, he’s really nice. He’s a really nice guy,” you say gently, “and we’re not together, but if he does ask me out eventually, maybe I’ll say yes.” You realise what you’re saying and attempt to backtrack —you do like Steve, but Max doesn’t need to know that. “It’s not like he’s my boyfriend,” you say strangely. 

“Ew,” Max says with a laugh. 

“Not ew,” you correct. You hadn’t meant it in a bad way, it’s— 

“Not ew,” Steve says from behind you, his arm a heavy weight across your shoulder. 

You look wide-eyed up at his face, surprised by his huge beaming smile, an intense loveliness about him as he gives you a half hug. 

“What’s ew about that?” he asks you softly. 

Oh, boy, you think. 

As it turns out, being Steve’s girlfriend is kind of nice, but you aren’t ready.

From that afternoon at the Palace Arcade onward, he treats you like you’re made of gold. And it’s great, he’s so kind, he brings you flowers and takes you out for breakfast, where he pays the tab without any flourishes and talks to you as casually as always. You almost hope he hasn’t got it wrong at all, and that his soft tone a few days ago had been down to a brief overwhelming fondness. You’d get that. You have your moments with him, you’re falling for him, and it’s only a matter of time before you’re desperately in love, you’re sure, but then the waitress asks if you need anything else and he says, “Just a water for my girl,” and you realise you’re not getting off easy. 

Dating is sort of like being good friends; you’d planned to spend the day together anyways. You enjoy his company. It’s clear he’s eager, optioning off the day’s agenda as you return to the car, the bottom of your face hidden in your bouquet. 

“We could go to the movies,” he says, opening the passenger door, his smile seemingly permanent as you climb inside. “No science fiction, I promise.” 

“I kind of like sci-fi.” Petals press fragrant to your top lip.

“Well, we don’t have to go to the Hawk. We could go into the city. I bet they’re playing any movie you wanna see.” He checks that your leg is properly inside the car before he closes the door, jogging around to the driver’s side and practically throwing himself inside. He’s giggling like a kid. “Shit, I’ll see anything you want to.” 

“Steve.” 

“Or we can go do nothing? Until dinner.” 

“Steve,” you say again, thinking you’ll tell him. Nothing good ever comes from dishonesty. 

“What?” he asks. 

His eyes are so brown. Billions of people with brown eyes and you swear you’ve never seen anything like it before, their centres like hot honey, the sweetheart shape to them when he smiles 

You sigh. His smile is contagious, even while your stomach hurts. “Nothing. Let’s go see a movie.” 

“Are you okay?” 

“What?” 

“What do you mean, what? You sounded weird.” 

“I sounded weird?” 

“No!” He winces. “I mean, yeah, you sounded weird for you, like you… I don’t know. Sorry.” 

You feel bad, then. His apology is earnest, his hand resting open on the console for you to take if you could manage the flustering heat of it. 

“I wanna go to the movies,” you say, ‘cos you really do. 

“Alright, good. It’s just, I think my last relationship, I– I didn’t pay enough attention, and I want to do that better this time around. So yeah. Sorry.” 

Oh, Steve, you think. How are you supposed to tell him now? You’re gonna have to pretend to be ready for a relationship with him until you really are, it seems. He doesn’t deserve to have his heart played with twice. 

“Don’t be sorry,” you say gently. “Let’s go watch a movie, okay? I want to go, with you, we’ll watch a shitty daytime flick and then get dinner after. It’ll be fun.” 

You aren’t lying to him about what you want. It’s clear to everybody, Steve and his friends and especially you, that you like him, that you want to be around him and make him laugh. Maybe being his girlfriend won’t even be that different to being his something. 

After all, what’s romantic about seeing a movie? 

“You good?” he asks, half an hour later, your agony prolonged. 

You’re at the back of the movies where the seats have the most leg room, more popcorn and candy than you could ever eat at your feet and a litre cup stuffed into the armrest between you. Steve is tucking his shirt back into his jeans, his head parting the light of the projector and leaving a silhouette in the previews. 

“Steve,” you advise, gesturing for him to lean down out of the way. 

He leans down, further and further, face to face with you with his hands on his hips. A flirtatious teasing makes its way onto his lips. “What?” he asks, amused. 

“You were in the way of the light.” 

“That what it was?”

“Seriously!” you whisper-shout, laughing despite yourself. 

“You’re so cute,” he whispers back. “Want to take your jacket off?” 

Your lips part at his good suggestion. You hold your arm out and start to peel from your jacket, but he takes your sleeve and helps you out of it before folding it and sitting in the seat next to you, your jacket on his thigh. “How’s that, babe?” he asks. 

“It’s good.” 

“Okay, perfect.” He beams at you. He’s always smiling when he’s with you, like you’re the best thing since sliced bread. Like he loves you. “Tell me if you need something, yeah? I know you’re kinda shy.” 

He settles back in his seat with your jacket still in his lap and no indication that he might want to move it. Your knees touch as he relaxes, your knuckles as he puts his arm on the rest between you, a picture of contentedness as the movie begins and the opening credits play. “That’s us,” he says without looking at you. 

Two people walk down the street holding hands as the title of the movie blazes in yellow font with thick red outlines. A Day In Paradise! 

You bite down on a slither of the inside of your lip until it stings. You try to fight it off but the longer you sit there, the more your eyes burn, thinking about Steve and what he deserves and how unfortunate this whole thing is, and yeah, you’re overwhelmed, too. You aren’t ready for so much sweetness all at once. You don’t deserve it, he doesn’t deserve this. 

You force the tears away. The movie goes on and on, the lights low, the chatter of moviegoers and the occasional popcorn crush not nearly loud enough to cover the sound of Steve’s breathing. 

He pushes his hair out of his face. Somebody on screen makes a joke, his hand brushes against yours, and then takes it gently as he laughs. 

You pull your hand away and tip your head down, a frantic tear flicking from your lashes. 

“You okay?” he whispers. 

You try to answer. You whimper instead, a terrible, sorry sound stuck to your throat —you can’t hold it in anymore. It’s too much. 

“I’m sorry,” you mumble tearily, looking up, a tear rolling fast down the bump of your cheek. 

Steve sits still in moderate horror. “Why are you crying?” he whispers.

The thing about Steve that people tend to forget is that, while he takes care of people the best that he can, he’s really young. He doesn’t always know what to do. He stares at you now like you’re a foreign object, hand tucked back into his abdomen. 

A tear drips onto your lip. It tastes salty. “Sorry,” you say. 

“Why?” he asks, dumbfounded.

“I really like you, Steve.” 

He stares at you. “…But?”

“But I–” His frown hurts your heart. “I don’t know if I’m ready for all of this, I never– never had someone like me like this, I don’t know why I’m crying.” You say that last part to yourself rather than him, scrubbing your cheeks with your hands roughly before hiding your face completely. “It’s not you.” 

“I thought…” And of course he did. 

“I know,” you say. “I’m sorry, Steve. I thought it wouldn’t matter but everything’s going so fast.” 

He touches your arm gently. “I’m sorry,” he says. “I thought you wanted this. You– you said I was your boyfriend, to Max? I thought you liked me.” 

“I do like you,” you insist, meeting his eyes. 

“Can I wipe your tears away? They’re everywhere,” he says. You struggle to read his expression, but there’s no resentment or anger there for you. He looks quite serious. 

“Yeah.” 

Steve bends in his seat to wipe your tears off of your face gently. They really are everywhere, on your cheeks, your top lip, your chin, even down the arc of your neck. “I don’t understand,” he says, going back to your cheek for a missed streak, “but you don’t have to be upset. Please. I won’t do anything you don’t want me to do, I promise.” 

“Steve, when I was talking to Max, I said,” —you wince— “that it’s not like you’re my boyfriend. She was asking me about you, and I got all panicky because I like you, but I’m too weird about this stuff, I’m panicking now–”

“Don’t.” His hand lingers on your face, before a sorry flash of dejection passes over him, and he drops your face altogether. 

“I didn’t mean for this to happen. Please believe me.” 

“Of course I believe you.” He grimaces at you, and the heartbreak turns to something more manageable, like he’s brushing himself off. “I’m sorry. For getting the wrong idea.” 

“I like you,” you whisper. Your voice is nearly lost to the rustle of popcorn and drinks. 

“I like you too!” he says loudly. 

A few seats down, somebody turns, an angry whirl of hair and clicky nails. “Can you guys shut up?” 

You and Steve leave your mountain of snacks behind to stand in the theatre hallway, where the winter air is cool on your flushed skin, and the silence is stifling. You lean against a wood feature wall and try to calm down, because he’s the one who should be upset (or maybe he’s not that fussed about you). He stands a half foot away with his arms crossed, looking down at his shoes, though occasionally he glances at you for a split-second and looks away again. 

“You okay?” he asks tightly. 

“I’m sorry.”

He pokes his cheek with his tongue. “So you don’t want to be together?” 

You don’t know. He deserves the truth, even if you barely understand it yourself, and it stings to say. “I do, I like you, but I… I want to take things slowly.” 

He stands there without talking for a while. When he does talk again, he’s laughing, that achy awful sadness he’d worn a far off memory. “You’re this upset because you want us to take things slow?” 

“I didn’t want to hurt your feelings.” 

“You haven’t,” he promises. “That would never hurt my feelings. I knew when I heard it that it was too good to be true.” He scratches the back of his neck. “I guess I gotta earn the title like everybody else does. Is that… cool?” 

You nod vehemently. 

Steve blows a relieved breath of air up his face, his hair ruffling off of his forehead. “I thought I was gonna lose you completely,” he says, smiling. “This is fine. I can work with slow. Slow’s my middle name.”

—♡—

The sun is a blistering heat today. “Can’t believe it’s only spring,” you murmur, eyes covered by the back of your arm. 

A weight sits down on the blanket beside you, the sound of dry grass crushed underfoot. He brings the fresh scent of lemon slices with him, the zest sticking to his hands.

“I think I might melt.” 

“I’d never let that happen,” Steve says, laying down beside you. 

“You can be my parasol.” 

“Your what?” 

“It’s a sun umbrella.” 

“Like this?” he asks, gently laying himself across your front, his face on the slip of your stomach that’s bare, his arms sneaking behind your thighs to hug them as you bring them up. 

You reach down to stroke his hair, taking your fingers through the silky lengths of it, fingernails scratching ever so slightly at his scalp. “Thanks,” you say.

He kisses your naked leg. “You’re welcome, honey.” 

If he’d done that at the beginning of your relationship, you’d have frozen up; not because he would’ve done it differently, not because he wasn't always your handsome sweetheart, but because being comfortable with someone this intimately takes time, and that’s okay. 

“Your face is digging into my hip,” you murmur. 

He shifts back, his ear above your belly button. “Is that better?” 

“That’s perfect.” 

“Are you falling asleep?” he asks softly. 

“No… I’m thinking.” 

“Nothing good ever comes of that.” 

“I have something I want to talk to you about.”

“I love talking to you,” he says. He sounds as though he might fall asleep himself, his tongue heavy in his mouth. 

You stroke his hair away from his face by touch alone. Long, warm minutes pass without conversation. You aren’t scared to tell him how you’re feeling. He’s proved to you over time that he’s someone you’ll always be able to trust, and that whatever you have to say will hold weight. 

“It’s a question.” 

He turns in your hold to face you. You raise your arm, greeted by the image of him sun-kissed and lazing, laid out across you without a care in the world. 

“Don’t tell me then,” he says, rolling his eyes. “Jesus, you’re terrifying.” 

“Would you wanna be my boyfriend?”

He narrows his eyes at you. A myriad of emotions pass between you both, until he’s smiling, and you know he’s sitting up for a kiss seconds before he actually does. He presses his lips to yours carefully. “Baby,” he says as he pulls away, voice as mild as his soft kiss, “I think we’ve passed that point.” 

“I realised I’d never asked you, is all.” 

His hair falls down into his eyes. You tuck it behind his ear. It’s pretty clear now you’re together, even after such a bumpy start. 

“Can I get it in writing this time?” he asks, rubbing the tip of his nose against yours, your eyes fluttering closed in tandem. 

“Give you anything you want if you kiss me,” you murmur. 

His laugh fans over your lips. He cups your cheek, your heart a hummingbird drilling at your ribs as Steve moves in to kiss you properly. Your lips part under the pressure, your head tilting a touch to one side to accommodate him as he searches down for you, melty hot pleasure and nerves that never seem to fade arising as his thumb moves up your cheek, a semi-circle of touch. It promises undulating care whenever you want it. 

You tip your head aside to catch your breath.

“Better late than never,” you joke. 

Steve talks into the soft skin beside your mouth. “You weren’t late, babe. I was early, and I didn’t mind waiting.” 

˚ʚ♡ɞ˚

thank u for reading!! pretty please like/reblog or comment if you enjoyed cos it means so much to me and inspires me to write even more!!! but either way i hope u enjoyed❤️❤️❤️

[multi-lefaiye]

okay hi here we go. gelf gender time, specifically in regards to kylan.

tagging the folks who were especially interested, and people i just wanna share some worldbuilding with: @vacantgodling @skitzo-kero @corvus-rose @anexor @chaieyestea @paradoxspir1t @invaderskoodge @approximately20eggs

as a note. for this post, i'll be referring to two genders among gelflings, but in the sense of assigned gender and gender roles, not biological sex. they don't have distinct sexes and very little sexual dimorphism, and determine gender based on other factors i admittedly haven't figured out yet.

this is essentially me diving into a character living in a strict gender binary who is pushed out of that binary. there are certainly other gelflings who don't fall under that binary and have different experiences, this is just kylan's experience.

cw: idk if this would necessarily fall under transphobia or exorsexism, but a big thing i'm talking about here is a character being degendered as an othering-slash-abuse tactic by his mother and the people around him, and how that affects him. tread lightly.

also, tread lightly for talks of: bullying, abusive parenting, and fantasy racism/xenophobia.

for context, kylan was raised by the leader of his clan, mera, after the death of his biological parents. no one else was willing to take in the half-clan orphan, and as such, it was mera's responsibility as clan leader to take care of him. and she made it pretty clear to him that he was a responsibility she wasn't particularly happy to take on, putting it lightly.

and now, a note about gelf gender roles, especially in the spriton clan where kylan was raised.

i'm still deciding how a lot of it plays out, but the key things to note. the spritons are a matriarchal society, one which places a lot of value on, for lack of a better way to put it, homemaking. tending to the home and family, feeding one's community, and maintaining the home and the nature around them. all of that is a top priority, and while men and women alike are both expected to contribute, they *are* considered to be more of the *women's* domain.

this is in large part why the spritons are exclusively matriarchal--women are considered to be inherently more in tune with the needs of the home and the community, and as such are the ones leading their community. men can still act as advisors and assist women, of course, but their specialties lie elsewhere.

men, meanwhile, are entrusted with more of the work that must be done *outside* the home. this especially includes interacting with the other clans, whether for trade or war. but this also includes much of the physical labor in the community, such as hunting or building--these are what men are expected to be able to handle. women are also expected to contribute and participate, and the women in power oversee these operations as well (especially when the other clans are involved), but as a whole this is more considered men's work.

and one last thing here, but among the spritons especially, learning magic is something only women usually have the chance to do. all gelflings are magical creatures and have the potential to learn, but for the most part men aren't formally taught as mages unless the maudra (clan leader) decides to make an exception. especially the forms of magic the spritons are most known for: dream-etching and dream-stitching, in which a gelfling uses magic for writing, carving, or embroidery.

and now, kylan.

kylan, as a half-clan gelfling, was already intensely othered by his clanmates, especially as a child. while spritons are more accepting of inter-clan relationships than some of the other gelfling clans, they're still not a fan, putting it mildly. and while kylan's only mistake was being born half-clan to begin with, that extended to him. he was a part of the clan!! but mostly because accepting him was the polite, correct thing to do, and he was painfully aware from a young age that many of his peers did not want him there.

anyway. kylan is a man. i still don't have an answer for how gelflings assign gender at birth, but kylan was assigned male and considers himself male as an adult, at least mostly. but even when he was young, he was notably... excluded, from a lot of the traditionally male activities the other gelfling children were doing. from the moment it became clear that he's not naturally athletic and struggled to keep up with his peers, the adults in charge just... had him sit out, for the most part. it was for his own good, they reasoned, especially when the other children teased him.

he *still* tried to participate, to join in on the exercise and play that the other boys were doing, only to usually be promptly humiliated and left in the dust. at which point, the adults would gently suggest that he just go sit out for the day.

it wasn't much better on the occasions he tried to play and learn with the girls his age. even as a child, he was quiet and awkward in a way many of the girls found irritating, and his clumsy young hands struggled to keep up as they practiced their weaving. they quickly excluded him from that as well, leaving kylan to mostly play by himself.

with little else to occupy himself with, kylan turned to storytelling. reading and writing brought him comfort, even if they weren't considered especially important in spriton society at the time. not to say that they disregarded it entirely, but less quote-unquote "practical" arts like writing were seen as, like... nice, but ultimately that's about it. just nice. it didn't help him fit in or find friends.

even as he later got into writing and playing music, another less quote-unquote "practical" but still decently respectable art form, he was still clearly seen as an Other. (perhaps even more so--after all, even though the stonewoods are a clan of warriors, they also have some of the best songtellers and musicians in the land.)

but in this, at least, his adopted mother, mera, encouraged him. she saw a real talent for music in the boy, and encouraged him to work harder at it and develop his skills. she told him that, well, if he's not good at anything else he's supposed to be good at, he can at least do this. at least he's good for something. it stung, hearing her say it so plainly, but even that fleeting scrap of approval and encouragement was what he craved, so he kept at it.

(this came up again several more times, but most notably when mera decided to teach kylan how to dream-etch. it was rare for a boy to learn such magic, but she reasoned that he was never really much of a man, not in a way that really mattered, which she explained to him during their lessons. he wasn't really a woman, either, but he was her only child at that point, and she needed to pass her knowledge of the craft to someone. might as well be him.)

as kylan continued to practice his music, learning songs of powerful warriors and clever tricksters, of epic adventures against impossible odds, the rest of the clan seemed to warm up to the idea of him being their resident songteller. he was an oddity, to be sure, but a harmless enough one, they supposed.

maudra mera in particular loved to brag to visiting dignitaries from other clans about her adopted son's talents, and she would have him play his music to entertain them during important events and festivals. as long as he didn't do anything to embarrass her, that is.

and as for how all of this comes to affect kylan... well. the bullying and years of being Othered by the people around him left him with extremely low self-worth, as you can imagine. part of why he puts so much into his music and art is that he feels like it's the only thing he's good for. they're not the only skills he has (for example, he's a very good cook), but the only things that really got him any kind of positive attention, even if it was fleeting and often backhanded.

and finally, back to what i wanted this post to be about in the first place. how does this affect kylan in a gender sense. well. like i said, kylan does consider himself male, but not in the way other men do, at least as far as he assumes. he's not good at anything a man's supposed to be at, so maybe he isn't really much of a man. but he's sure he's not a woman, either, for similar reasons.

the only reason i'm hesitating at all to call him non-binary is that this degendering is the product of years of bullying and emotional abuse, but that is pretty much how he feels much of the time. it's something that was done to him, and it's had an effect on him.

wanna talk about the gelfs worldbuilding when i have a breather at work

anyway. would y'all like to hear about the very specific way kylan gets degendered by the people around him and the effect that has on him and his perception of himself and his gender

[the-one-and-only-elita]

One thing that I absolutely love about TFOne's writing is that it manages to avoid a lot of the heavier criticism I've seen regarding MegOp's hero/villain dynamic over the years (trust me, the mid-2010s TF discourse was crazy)

*Spoilers Below*

First of all, the narrative benefits so much from the main 4 cast members all being a part of the same exploited mining class. So many takes on MegOp have Orion being of a higher status (an archivist, a cop, etc) while Megatron is much lower down on the social latter (a miner, a gladiator, often in the context of being a slave).

I've seen many people be put off by this, because it feels as if Megs is being villianized for being rightfully angry at the system that deeply harmed and exploited him, while Orion/Optimus is praised for taking a more pacifistic stance despite him not suffering as much from or in some ways even benefiting from the system he claims to oppose. I don't find their dynamic to be as simple as that, and I do find these takes to be a bit reductive, but I do very much see where they are coming from.

I am definitely one of those people who's very frustrated with the way pacifism is hailed as the one true path of morality, and the inherent implication that taking any sort of revenge on the people who abused/exploited you makes you just as bad as them. Also, Marvel's particular brand of demonizing any form of radical political action, despite the system clearly being broken and corrupt, but being completely unwilling to offer any other alternatives to meaningfully change things for the better.

When looking at what I described above its pretty easy to see how a lot of versions of MegOp's hero/villain dynamic unfortunately fits into that trope. Bringing it back to TFOne, you can see how Op and Meg coming from the same political/social status subverts this. The existence of Elita and Bee only further illustrates that out of the 4 people of the mining class who were all deceived, exploited, and literally mutilated in the same way it is only D-16 that completely loses himself to his rage, even to the point where he loses compassion for his own companions and disregarding the safety of the other miners (when he decides to "tears everything down" and Elita exclaims he's going to "kill everyone").

What I think I love most about the characterization in TFOne is that Orion is the radical one. Not only that, but he is praised by Elita and by extension the narrative for it. He is constantly challenging authority, and is the first to have the suspicion that their society is structured in an unjust way.

Meanwhile D-16, to be frank, is kind of a bootlicker. He fully believed in the system and that Sentinal Prime, as someone with power, had the right to decided "what was best" for those who are weaker/lesser (I wish I had the specific quote from D-16 to support this, but the movie's still in theaters). It illustrate that D-16 already held certain fascistic ideals, and that he and Orion already have fundamentally opposing moral/political values, it simply hasn't been of any consequence yet. It shows that their eventual falling out was inevitable, even if they had decided to rebuild Cybertron together.

It should also be noted that D-16's feelings of anger and betrayal do not necessarily have anything to do with the unjust system itself, but that said unjust system was predicated on a lie. Hence his fixation on deception in the post-credits scene and him naming his faction the Decepticons. Meanwhile, when Orion learns the truth he's just sort of like "yeah, I always kinda knew something was up" because again, he understood on some level that their system was predicated on injustice.

Even D-16's obsession with Megatronus Prime, while initially an endearing aspect of his character, is also an indicator of the questionably large amount of value he puts on one's strength. It foreshadows the "might makes right" ideology that the decepticons follow, and is a key part of their ideological characterization across continuities.

Instead of the narrative we often see in Transformers media were Optimus is idolized by the narrative for being more moderate and Megatron is villiainized for being radical (or so people often claim), it is instead Optimus who is rewarded and praised by the narrative for being radical, and Megatron who is villainized and punished by the narrative for holding potentially fascistic values.

I do agree with some criticism I've seen that the whole thing with killing Sentinel and D-16's final turn into villainy felt a bit rushed and more than a little cliche, but I also understand it both had a limited runtime and that it is ultimately a family film meant to be accessible to children. More importantly though, I think the movie set the groundwork early on that, no matter how this final act played out, D-16 was always going to turn to darkness, and Orion would not have been able to stop him.

Its perfectly tragic, the way all MegOp should be, while also feeling really well thought out from a thematic standpoint. I love it.

[rayroseu]

Always wrecks me up that Meleanor is as forgotten as Knight of Dawn is, that even her son doesn't remember her.

Just like Silver, Lilia didn't inform him of his identity as a Silver Owl so that Silver can live without guilt of the atrocities his original kingdom did.

But, I think, in Malleus' case, Lilia and Maleficia (I think) didn't inform him too much about Meleanor's demise, not so much because they don't want to guilt Malleus about her sacrifice to him, that's a part of it, but I also think it was more so that his hatred for humans wouldn't go deeper. Especially since he was raised in the castle with only the Senates and pure faes who has limited interaction with humans, so naturally he grew disliking humans too (until he met Silver).

As we know, Malleus is very attached to his past, that's why in Book 7, he's having a hard time to let go. Even his interests mirrors his tight attachment to the past, i.e his fascination on history, ruins, antiques, abandoned places, etc.

I think in an alternate reality where he had knew about every detail that happened on Meleanor and Levan and the faes on Wild rose Castle basically, his view on humankind would be even more negative. He might even reject his invitation on NRC just like Gen. Lilia did. And, unlike Lilia, since Malleus always attaches to the past and not on the possible future, he might even never give chance that he can get along with humans.

I know its popular analysis that Meleanor and Malleus are different, but to me, they're fundamentally the same person, just raised in a different environment. Meleanor was never given a chance to see a good side of the humans, Malleus was like that for a bit, even in NRC, he still held his deep rooted belief that he really doesn't believe that humans would understand faes as Lilia hopes (Dorm Uniform Vignette). Malleus and Meleanor are the "same person" but Malleus just "had the chance to not know" the entire history of it, so that he can form his own opinion about it as he grows up.

Even if he grew up knowing it, it would be immature to stay on his hatred for humans for so long (I think Malleus would do this considering his trait of being attached to the past) and I think Lilia and Maleficia didnt want Malleus to grow up like that,, they must usher him to a better future yk.

Its just that its tragic that for Malleus to grow up and take a chance towards a better future, he has to forget major things about his mother and all the sacrifices that his family made, just so he wouldn't be "stuck with it. "

Maybe in a reality where Malleus does know every detail of his history, but just that, it would take a long time for him to let go of his guilt and hatred, that by the time he's ready to forgive humankind, Lilia might not be there to guide him anymore.

I think I read an analysis back then (or was it a legit line in game?? lol) that Malleus shouldve been in Briar Valley for just a bit longer instead of suddenly transferring to NRC where there'll be too many culture shock for him, he's just not entirely capable yet of balancing his feelings and power, but I think Maleficia/Lilia couldn't afford to have that much time to emotionally grow Malleus in Briar Valley, for the reason that by the time Malleus would be in control of his power and feelings, Lilia wouldn't be there anymore to guard him in NRC and guide him about human culture. (He says his magic weakens over the years)

I feel like Maleficia only agreed to take Malleus to NRC bcs Lilia will be there, he's the perfect guide for Malleus to have with in NRC, he's strong so he can physically protect him while also being a wise person that can teach Malleus about understanding humans while still upholding his fae values. Other guards wouldn't be suitable. Silver and Sebek are not fully trained, Baul is an advisor now not a soldier and he wouldn't be a great guide to have in human society lol So, she has to take that chance while Lilia is still here, even if Malleus is just "too young."

side note: what if thats also the reason why Maleficia let go of Meleanor to Wild Rose Castle alkfdklsd She trusted Lilia and Levan would protect her and they did yet even so.... 😭😭😭 I feel like its so tragic that everytime Maleficia let go of Meleanor/Malleus, they're always leading into a danger where she cannot reach and help them (on Meleanor's case, the communication on Black Scale and Wild Rose was disrupted bcs every envoy that Lilia and other soldiers sent to inform Maleficia that Wild Rose was besieged was all killed by the Silver Owls, so Maleficia knew too late. On Malleus' case, it would be too risky for her to just suddenly show up on Sage Island, it would leave Briar Valley in a very vulnerable state with no Draconia residing in their land, STYX is calling her to meet Malleus but I think many faes would disagree on their plan bcs that's exactly the type of situation that cornered Meleanor years ago, Levan/Malleus is lost and in danger so Meleanor/Maleficia has to save them, if you think about it in Briar Valley's view, it feels like a trap lol. It's not an easy decision to just let go of their only Draconia ruler to a human territory and on top of that, they're on the verge of losing one(Malleus). I wish they create a scene of the Briar Govt in the book, I'm sure the Senates are in ruins and regretting that Malleus went to that school or something, like its always STYX when its equally intriguing to know Maleficia and the Senates reaction to Malleus' overblot.

I find it really depressing that Malleus, like Silver, was born out of so much love from their family, yet they never knew the full scope of it (until now). 😭😭😭

[cursecuelebre]

Top Recommendations for Norse Pagans that aren’t Problematic.

There is a lot of books by people who are racist and part of far right side of Heathenry and I’m going to try my best and list the books I have that helped me on my path that isn’t problematic and have questionable intentions. Books and YouTube channels.

Anglo Saxon Socerery and Magic by Alaric Albertson. He is very knowledgeable in his work and path especially on runes which includes the rune poem to make your own interpretation and witchcraft side of things. He even talks about the Elves which I appreciate because not a lot of Norse authors talk about them. It’s more Germanic than Norse but I can’t see any problem adopting certain aspects since they are very similar. I will say he does take himself a bit serious at times but his information is so good and worthwhile. I have not read his first book on Travels through middle earth but it focus on more the pagan side.

Poetic Edda and Prose Edda: it’s what every Norse pagan needs. It’s the foundation of Norse paganism not bibles but myths and tales that can help along our journey. There is tons of translations, but my favorites are Dr. Jackson Crawford Poetic Edda and Anthony Fawkes Prose Edda. But look into other sagas as well like Volsung which Dr Jackson Crawford also wrote about.

Beowulf. More of a Germanic tale but again includes it has roots of Germanic sorcery, traditions, religion like the concept of Wyrd (Fate), the runes, and values within his society like loyalty and mythical creatures. Again there is many translations even Jrr Tolkien did a incompleted version of Beowulf but I think Tom Shippey finished that version I could be wrong. Nonetheless explore more than one, the oneI have is by Seamus Heaney.

Grimm Fairy Tales this mostly German Folklore but it’s still quite important to learn about in German folk magic, creatures and entities in German folklore tends to be very real to the practitioner in their spellwork.

The Way of Fire and Ice by Ryan Smith a very progressive outlook in Norse paganism, he talks about creating communities in Norse paganism and calling out and denouncing Nazis in the community how Norse Paganism is inclusive and how to be open to all types of people. But he has a beginner approach to the deities, beliefs, values within Norse paganism.

Look into a lot of academic sources that’s where you will find a lot of information on Norse paganism and religions.

Tacitus Germania - A Roman historian talking about the Germanic tribes their culture and customs.

Saxo Grammaticus history of the Danes

The Viking Way by Neil Price it goes good in depths about magic in Scandinavia like Seidh

Dictionary of Norse Mythology a quick guide to northern myths, if you are trying to find a specific god and you don’t have time to look up in a book it’s in there with great information to each one.

Children of Ask and Elm: History of Vikings by Neil Price on Scandinavian culture during the Viking age

Some YouTube Channels

The Norse Witch: Bente lives in Germany and their channel encompasses all of Norse paganism more around magic. They do interviews with other Norse witches of folk magic like Icelandic and Danish. Even gives good book recommendations and advice on general spellwork as well!.

Dr Jackson Crawford he is an author but he also has a YouTube channel. He was a professor in Colorado on Norse culture, mythology, and language and now is a full time YouTuber. He did a series of videos on the runes which are more historically accurate. Discusses the myths and the language and what do they mean. Jackson Crawford isn’t a Norse pagan nor he doesn’t care if you are one but just letting you know he isn’t coming from a pagan perspective.

The Welsh Viking also like Jackson Crawford but still has really great knowledge on Viking culture.

De Spökenkyker who is a channel that focus on German Folk magic living in Germany who is a practicing German Folk Witch.

Please feel free to add on any recommendations that are helpful and useful to the Norse pagan Community!

[lebensmudewing]

Men don't care about the facts

I once met a die hard misogynist who also hated men

He refused to date women and made a lot of efforst to not have any kind of relationship with them. To talk to him I had to wait two weeks since he was doing a vow of silence to not talk to any women.

He told me he left an english academia, because a woman started to talk to him and trying to hang out with him. Of course, I don't talk to him anymore.

He was and as far as I know still is, a genuine MGTOW. He just left women alone and minded his business. But he wasn't a high IQ successful six figures as MGTOW swear all men can become if they stop dating women. He usually drove while drunk, didn't had a career or a real job, lived with mom and dad and had a family completely progressive and contrary to his values. He also used to bet.

His misogyny was rampant, inflammatory and sophisticated. But he also seemed to hate men. He had a huge prejudice against men, he said that they are predatory, inherently selfish and violent.

But there was a major difference, he also believed that men are superior, that men are smarter, more beautiful, with mind and soul. So every bad characteristic had to be forgiven, while women had to be tightly controlled and punished.

And he acted accordingly, when I showed him a clip of a woman being harassed, it was her fault. If the woman rejected the man and the man exploded violently, it was her fault for not rejecting him nicely. If the woman tried to be polite and still molested, it was her fault for not being more clear.

He was aware of the constant damned if you do, damned if you don't rethoric and didn't have a problem with it. It was part of the principles, because women had to be punished and put on their place. Logic and fairness were not a problem for him, in fact, I believe that for him women had to endure the mistreatment since they were inferior.

Nowadays, everytime I see men talking about women online I see that man talking. It's always the same, doesn't matter who say it, with what words, the nuances of it. It all comes from the same place and it's the same game. Logic doesn't matter, facts don't matter, fairness doesn't matter.

I feel frustated everytime I see women online trying to educate men and respond to them. I understand the importance of counteract male bullshit stories, but everything seems to operate from men's frame. It's us responding to them, instead of them trying to convince us.

For example, the idea that men are entitled to fuck around a lot of women and demand a virgin bride. Everyone ask, well if all women have to remain virgin till marriage, with whom those men will have sex? And I can't help but feel that this is a loser move.

Men don't care about the maths, they care about what benefits them. If when young they feel like fucking around and then later they feel like settling and don't find the promised virgin wife, then it's not "my behavior was wrong" or "I have contributed to the problem", is a "women are the problem and society has to fix it for me". They are not thinking long term, they think it what they want now.

It is not a lack of math what makes them think this way, for them the pieces of the puzzle are fitting perfectly. Women have to gatekeep, be submissive, not think in their own desires and try to please them. They have a whole fantasy around being a kind of predator or a seductor who has conquered the virgin innocent women and has corrupted her, making her impure and damaged. They want to spend their lifes doing that and then settle with women who could not be conquered before.

Their whole self steem and validation relies on that. If a woman wants it and seek it, then they are not worth as much, since they don't have to put any effort or force. It's cheap and easy. If a woman has been with others before, then he is below those men.

It's perfectly logical for them, actually. When they become fathers, they still see themselves as part of the puzzle. Men who want to conquer his daughter have to conquer him too.

Of course, this take doesn't apply to all men perfectly, but all of them have a version of this idea. It seems inherent to men. Men who are succesful with women are sexist but benevolent and men who are not are hostile and misogynistic. Men who are good with women are good because they are getting validation from them, not because they are moral deconstructed people with strong feminist values.

They can't think of women as people by default, their view on them is conditioned on how they see themselves and what they have obtained from women. Their narratives and ideas stem from this, they don't respond to any external logic, their internal clock is right everytime of the year and your facts and math can't and won't change that.

It is said that if women would start act differently, men will act accordingly. I see more truth on it, but it won't solve everything. Not only because of the male allies, but because men will still act whitin their frame. If all women start to reject men, an unknown number of men will act from their entitlement and could literally kill us before seeking inside or listening to women about what they actually want. If women start to set the standard high and only reproduce with decent men, a lot of men will be excluded and will protest and sabotage.

Their firmware remains the same, they are superior, they worth more, they are entitled to you, you owe them something. It's not possible to reason a man out of that, so stop trying wasting your time and mental health on it. If they wanted to reach out, they would and they don't.

[tealvenetianmask]

Thoughts about Striker being a "supremacist:"

On the surface, he's sort of a social class activist/ Robin Hood archetype. I think he truly thinks of himself this way. But when Blitz calls him a supremacist, who's he a supremacist against exactly? It's imps. This guy hates imps (and also identifies as one, even though he's clearly some sort of hybrid, which is interesting).

Let me show you what I mean. The short version is that he's the self-hating minority bigot trope, and it's executed really well.

"Blue Bloods"

"Disgusting, rich, pompous goetia"

"Some of us have everything we care about taken away by fuckers like you."

"You don't get to talk over me. . . all you ever do is try to talk over us."

"Once I split your neck open and let you choke on your own blue blood, you won't be worth any more than the tomb stone you'll be buried under."

So . . . first, he doesn't actually say a lot that's solely about royals, and ALL of the quotes above are about how royals look down on people like him, NOT about any inherent flaws that they have. They're about class, not race, unless you count "blue blood" as race. I don't. It's tied directly to money. "Disgusting" comes up in reference to Blitz's relationship with Stolas, but the words "rich" and "pompous" follow immediately. Striker hates royals because he hates that society places them above him.

Imps

"Pathetic."

"You little things aint worth the cleanup."

"Oh I remember how easy you are to choke the life out of, little one."

"Blitz, come on. You know the two of us are superior to most of our kind."

"I still think it's embarrassing. You're wasting a lot of potential relying on a weak little . . ."

"Vermin"

I think that this is where Striker's worldview comes into clearer focus. He thinks that Moxxie and Millie (and by extension MOST imps) are inferior to him. The word "vermin" is particularly telling. There's something visceral about his disgust for "lesser" imps.

I think Striker worries that they reflect who he really is. I think he truly believes that imps are inferior to higher class demons, and he fears that if he doesn't prove himself to be special (through violent dominance), he's vermin himself.

Notice how in the image below, his edge over Moxxie is all about size and physical strength- the things he implies throughout the episode make him the superior being. Look at that wide smile. He loves the feeling of being superior.

Relationships between imps and royals

"You are so above sucking on a disgusting rich pompous goetia . . ."

"kill the unkillable . . . starting with the one that treats you like a plaything."

"Blitzy"

"You two are both embarrassments to our kind for meddlin' with blue bloods to begin with. But at least loud mouth here has the sense to only fuck his rich bitch, instead of being a little purse dog."

"This worthless little pet reeks of his over bloated master. I'll at least enjoy getting rid of him."

Striker clearly sees these relationships as imps lowering themselves. It doesn't seem to occur to him even for a moment that these relationships might involve genuine care because he sees all interactions between social classes as being about power and "who wins."

Notice that despite in theory caring about the power dynamics, Striker puts most of his shaming language on the imps in the relationships, and uses demeaning language to do it- "embarrassments, purse dog, little pet," as if they're at fault (for being used, in his view . . .?) and should be ashamed.

I thought about delving more into why Striker sees Blitz as closer to his own level, and I think it comes down to the things he values (physical strength, willingness to kill, detachment/independence), which are not the things that we the audience end up liking the most about Blitz. He misses the point of what actually makes our boy great, basically. 😍

I've spent a lot of time reading and watching videos about real life white supremacists because I like to be miserable, and . . . yeah, this character really shares their view that some people are inferior to others, and that the traits that make them inferior are inherent and immutable. The people he hates just aren't the ones he'd have us believe he hates.

[kinichval]

haiiii ;3 can i request kinich and a reader who’s like half siren? like in h20 where when they’re dry they have legs and mualani finds her injured and keeps her in the springs and one night when he goes to see her she’s singer and he like falls in love? i’m not the best with ideas but ignore if you don’t want to lol

hi !! ty for requesting :3 i love the idea so i gave it a shot. i'm not deep into the siren mythology so i switched the lore and tried my best writing this one < 3

"you can't just take in a random stranger in your house just because they're injured, mualani."

"but they were suffering and needed urgent help!"

"then, you should've taken them to the clinic. who knows how severe their injuries are or if they have good intentions."

the conversation of your savior and a stranger stirs you awake from your slumber, eyes fluttering open as your mind gradually processes that it is time to get up. well, maybe if your legs weren't a bit impaired then standing up would've been useful.

except you're not in the best shape as you found yourself tangled in washed-ashore seaweed causing you to trample over rocks and bruising your legs; this means that you can not transform back to your siren appearance (and vice versa if your tail was injured). thank archons, your ridiculous situation ended soon when a kindhearted mualani decided to tend your injuries.

you were honest with your true self with mualani, believing in your instincts that she is as kind as she shows herself to be. like you, she was one with the waters, a soul that's tied to the flow of the oceans and destined to live freely just as the waters liberty to just be.

in the silence of mualani's shelter where you rest and heal, there's the envy creeping up in your heart that you desperately want to repress. but no, it makes itself known for you are not like mualani.

mualani is a free-spirited surfer, an adventurer of the seas; while you were a siren shunned out by society, viewed as a menace and a threat to the land's safety. kill a siren on sight before they destroy your life is what the people would say.

but you do not have the heart to decline her kindness, rather you want to see her heart as a chance to be seen by humans in a different light. because if mualani can, then why can't they?

still, you uphold the value that your mother had instilled in you; there's no point in proving your kindness when they do not believe in your existence. so you remain hidden within the confines of mualani's home, waiting for your injury to subdue until you're able to become siren again.

"kinich, this is yn. yn, this is 'malipo' kinich." mualani introduced you to a trusted friend of hers with enthusiasm high enough to reach the heavens. simply, you give the dendro user a nod and a gentle smile, he returns the gesture with a civil nod of acknowledgement. kinich's reserved attitude is intimidating, given that mualani is the only human you had ever interacted with, you're confused how human relations work and whether the land culture is different from those who reside under the waters.

you trust that mualani hasn't let a word out about your identity, yet it doesn't assure you when you feel the man's skepticism clawing at your skin as if he's ready to capture you the moment he confirms your true nature.

or maybe you're just overthinking.

kinich never intended for his lingering stare to feel like a dagger pointed at your neck, on the contrary, he harbors the curiosity to learn about you. he often finds how his mind wanders off to mualani's newfound friend whenever the usually occupied space in his head is vacant. who is she? why is he so subconsciously adamant on knowing her? only he fails to grasp a clear picture of reason as to why the voices inside his head are telling him to seek at least a fragment of her soul.

"mualani, thank you for taking care of me."

as a parting token, you granted mualani to experience your siren form. the two of you are within the privacy of the springs that only a few ever come to visit under the moonlit night sky.

your heart sinks at the thought of returning back to the deep, uncertain if you shall ever come up to the surface once your clan learns about your predicament knowing that despite you were well taken care of, they will only emphasize the what-ifs and assert the dangers of a siren caught on land.

natlan's springs are peaceful. you requested to have time in the waters for yourself the next night; promising that when morning comes, you are off to return to the ocean where you belong. but right now, you are neither your ascribed identity or whom you want be, you are just part of the waters.

cold air hits your skin, you lightly splash the water with your luminescent tail and softly smile at the quietness. sometimes, the water doesn't have to be constantly flowing, staying still is alright.

in the midst of your solitude, you hum a tune that your mother used to lull you to sleep when you were a young siren. your voice mimics the gentleness of a mother's love, a cradling feeling of tenderness and comfort. slowly, it shifts to a song, your voice becoming louder and alluring.

and just like a serenade, your song had captivated a certain saurian hunter's attention, he stands on the opposite edge of the spring right across where you were situated in. your eyes still closed and immersed in your enchanting euphony.

"i believe i'm not under a spell, but allow me to compliment your melody. may i stay here and listen?"

kinich fixes his composure, hiding the nervousness inside his pocket. but oh, the moonlight acts like a spotlight on your figure, your true nature completely open for him to realize that you are not human at all.

but kinich isn't fazed, neither does he yield the urge to capture you in exchange for the prestige that comes with catching a siren alive.

"are you not afraid?"

instead, you were the one afraid, wrapping your arms around your torso as if it's any help in shield your true form from his green and amber eyes.

"i'm fascinated. you are a beauty."

at this point, kinich does not intend to supress his longing need for you. he's conscious and sober, implying that a siren's song is not all about luring prey into the waters.

sometimes, just like yn, a siren's song is an open book to her innermost thoughts and heartbeat's poems. it doesn't need to hold words for kinich to depict the sentiments carried into the wind as she sings; to be known, to be understood.

"may i stay with you for tonight?"

this time, you wish for the moon to stay in its place, for time to pause, and for kinich to stay in the springs with you.

[wildestdreamsblog]

Latibule Season 2: III

Pairing: Min Yoongi x Reader (Mafia/Detective AU)

Summary: In which he lost his latibule.

Warnings: Secret Identity, Yandere behavior, Obsessiveness, Possessiveness, Manipulative behavior, Violence, Mention of death, Disability, Sexual themes, If you’re not 18+ please, PLEASE, do not interact. Be mindful of the warnings. Let me know if I miss anything.

A/N: As promised :) Leave a comment or reblog if you enjoy!

GIF by urmingirl

Masterlist, Latibule 2.II

Taehyung looked up from his cellphone to his eldest hyung that was currently cooking their dinner. He pouted when he was not given the appropriate amount of attention he should be given. Honestly, he deserved it! After a moment when he still did not get what he wanted, he finally asked the question he had been dying to know the answer to.

“Hyung, is it always like that?”

“Hmm? Like what, Tae?” he asked while chopping diligently the vegetables the renowned doctor was preparing for a certain psychologist and his brothers that insisted they were hungry as well.

“When it ends…does it always hurt like that?”

Seokjin blinked at Taehyung’s unprompted question. He paused before he finally brought his eyes to the actor. He knew that the younger man had always been eccentric. His clinical condition definitely explained his behavior, but not this. He was never curious about the emotions he couldn’t feel, nor did he ever show any interest on understanding emotions. As the years passed by, Kim Taehyung got better at masking and pretending by learning the root causes of the emotions he could see. The brothers had always thought that this was precisely why he chose to be an actor. Everytime they watched him cried, laughed, or acted furious for his movies and dramas, they thought he was a different person.

Jin thought it was just understandable why he dropped the knife he was holding.

“What brought this on?”

“He-“ he lifted his mobile phone to show Jin the picture Jimin snapped of their Yoongi hyung looking like he had lost all his will to live. Taehyung found it so ridiculous that Jimin even made a collage of him and a cat that depicted their hyung. “-looks like breathing is a chore and is only fighting to live so he can end his enemies.”

Jin would have laughed had this happened before he met his sunshine. But now, the mere thought of her leaving set him on edge, and he knew he would be similar to Yoongi if not worse. Slowly, he picked up his knife as he carefully chose his words. He was always like this with Taehyung ever since he knew that something was not quite right in his mind, well…more than any of them, to be honest. The younger man took things at face value, and all the brothers knew to talk in a straightforward manner so there wouldn’t be any confusion on Taehyung’s part.

He kidded you not, once when they were still teenagers, they asked him to go ahead and get them a table in a restaurant. He left without any qualms only to return not an hour later carrying a big ass table from a restaurant. That was a horrifying memory, Jin thought, and that was when they all decided to change the way they talked. It was Namjoon that took it too far and enrolled the man in a body language class to better cope with society. However, it was Jungkook that forced him to take psychology classes with him for fun.

“I think it’s different,” Jin started, busying himself once again with cooking. “Yoongi never has love like that, I guess. It’s understandable that he acts like a sad lonely cat.”

Seokjin could still clearly remember how Yoongi looked at you. It was like you were all he ever wanted and more, like you were his reprieve from the darkness in his life. You were, as he called you, an angel to him. And then he lost you.

“Why?”

“Well…she’s his personal slice of heaven,” he answered, his voice contemplative and understanding of what Yoongi was going through. Jin paused in his chopping, a thoughtful expression crossing his features as he carefully considered his words. “And he’s been living in hell the very moment he was born. What do you think would happen if he was given a taste of heaven and then lost it?”

“Just like Hoseok hyung,” Taehyung nodded, slightly understanding the downfall of these strong men.

“Seriously, you are all worse than the ahjummas who love to talk about other people’s lives. Be better than that, guys,” Kim Namjoon observed with his deadpanned voice as soon as he walked in the kitchen. He took in the scene of the two men conversing and the other man quietly eating the snack Jin prepared him.

Jin scoffed as he rolled his eyes at Namjoon. “As if you wouldn’t react like that when your secretary finally resigns.”

To which, Namjoon only smirked. “Who says she can leave?”

“How will you stop her and her son if the father finally shows up?”

Namjoon, with his hand in his pocket, calmly uttered words that no normal people would believe to have any other meaning. “Well, as you said, the dead don’t exactly come back to life, do they?”

 Jin chuckled at Namjoon. Of course, he did something about that man. It was apparent, he thought. He could still vividly remember the look in Namjoon’s eyes when he told him that his secretary was pregnant and that the asshole of a father even put his hands on her. Suffice to say, it was the most unhinged Namjoon ever was.

“I think Namjoon will be the worst among us if he ever loses the love of his life,” Jin noted with lightness in his voice.

“Nah,” Jungkook finally lifted his head from his bowl. “I sincerely think it’ll be Taehyung.”

The conversation never left Jeon Jungkook’s mind. Anyway, he didn’t need anyone to tell him to do this. He did this out of the bond he shared with his brothers. Had this happened to any among them, he would have done the same.

He thought that it was cruel to let them experience the same hell he had been living every single day.

And so, he worked tirelessly and utilized every available technology and connection he had just to look for Yoongi’s angel. When he said she was alive, when he said he felt in his heart that you could have not gone where he couldn’t follow, then he’d believed him. He wouldn’t lose anything by looking for you, Jungkook rationalized. But he didn’t want to unnecessarily get his brother’s hopes up until he had evidence that you were indeed alive.

One morning, it finally happened. There you were.

Jungkook’s eyes could not have gone any bigger as he watched the CCTV of a far province in his office.

That was you, he was sure.

Without a moment's hesitation, he reached for his phone and dialed the person he knew he could trust. "Hyung, can you come to my office?" he requested urgently, the excitement and disbelief evident in his voice.

“That’s her,” Kim Namjoon validated after a moment. He was standing beside Jungkook’s seated form as he leaned in the monitor. He was ever the image of calmness with his hand in his pocket, his suit immaculate and not a crease in sight.

Seokjin raised his brows as he sat in a relaxed manner on the couch. Jungkook didn’t even call him, yet he was here because he was, per his words, bored and that a certain sunshine was not where she should be. “So the dead can indeed come back to life,” he noted with a tone the two men couldn’t understand. “Pray tell, Namjoon-ah. Should we tell Yoongi?”

Jungkook blinked at the rising tension between the two men. Whereas Jin merely looked curious, Namjoon looked like he was looking at the end of the sword with the way his jaw was clenched. He stood up straight and took a second to answer Seokjin.

“Of course, hyung. This is a great news, after all.”

“Hmm,” Seokjin smirked, his legs crossed as though nothing could have fazed him. It was moment like this when Jungkook could see the mafia prince in his usually playful hyung. Everybody knew not to cross this man despite him appearing goofy and motherlike to them.

Jungkook thought that it would only take one momentous catastrophe for him to return to his dark persona. He didn’t want to see that, though.

“He’s suffered enough, right?” Jin asked the room with a light tone, yet his eyes pierced through Namjoon’s. “Right, Namjoon-ah?”

Seven Mississippis passed before he answered. Jungkook knew because he counted, and he hated the tension he didn’t know why was present.

“Jungkook, tell Yoongi hyung,” Namjoon ordered.

—-

Min Yoongi’s brows were pulled together as he walked in a bustling street of a faraway province. He had to drive almost four hours just because their maknae told him to be here at this exact hour, claiming that he desperately needed him to be there. However, Jungkook was not answering his phone despite numerous calls from him.

Where was even that little shit, Yoongi asked himself as he surveyed the whole place.  

Despite barely getting any sleep, he found himself in a situation where he might have to scold his youngest brother for the first time. He should have been in Seoul right now, but he couldn’t exactly say no to him. He had shit ton of things to do and yet he was indulging the youngest brother.

Maybe this was exactly why he was spoiled? Ah, but anyway, he was a good kid.

So where was he?!

He walked further into the thick of the plaza, his phone plastered in his ear as he listened to the annoying and incessant ringback tone of Jungkook. Seriously, at this day and age? His eyes roamed the area of happy locals, at which he rolled his eyes.

He was on the verge of deciding whether he should just go ahead and kill Jungkook when he finally answered.

“Where the fuck are you?” he growled over the other line, his patience running thin when the man just answered innocently.

“At Seoul, hyung-“

“Then why am I here?! I swear to heavens, if you made me drive here just to buy you a weird snack then I’ll really kill you!”

“Seokjin hyung will be mad!”

Right. The eldest was protective of the youngest. What a nuisance, he thought. “Then I’ll do it in secret.”

Jungkook chuckled nervously. He couldn’t place whether he was joking or not. His money was that if his hyung could get away with it, he’d be floating in the river at this very moment. “I asked you to go there because I have a surprise for you, hyung.”

“I don’t particularly enjoy surprises-” he began, but was swiftly interrupted.

“I know, I know. But this one, I’m sure you’ll like. This is the most beautiful, most precious, most amazing surprise ever. You’ll stop sulking and looking like a sad cat and Jimin hyung will finally stop taking badly captured and cropped photos of you and make it into a collage. Taehyung hyung will stop observing your miserable demeanor for his next movie. You’ll finally stop living like it’s such a chore and-“

His back was bumped by a force. Turning around, he prepared to glare at the perpetrator only to stop because there it was.

There was you.

It was as if the universe finally said that he had enough and stopped punishing him because he saw you when he was not even looking for you. Your mouth hanged agape, your hand going to your forehead as you murmured apologies to him.

He was stunted. No, he was bewildered.

Was this real? Or was this one of his cruel dreams again, a figment of his mind playing tricks on him?

But no.

He had been living in hell, yet moment he heard your voice, all the sufferings disappeared. This was really you. You were truly alive. He was frozen as his wildest dream was brought into life. His whole body went into a state of shock, something that he never thought could ever happen.

It didn’t really matter the years he spent without you because one touch, one word- these were all it took for him to forget the bitterness your separation brought him.

With a trembling voice, Yoongi dared to call for you. “Ange-”

But before he could say another word, you interrupted, your voice light and apologetic.

“I’m really sorry, mister. I didn’t see you,” you chuckled, slightly lifting your walking stick to explain the small accident. You bowed down at the man before going your way.

And he stood there, watching as the love of his life walked away from him, unseeing. He thought he could no longer hurt. He thought that nothing could have fazed him any longer. But he was wrong. Watching you walked, unseeing as you traversed the plaza with only your walking stick pained him.

How did this happen to you?

Was it because of the incident?

Was that why you couldn’t return to him? Because you weren’t able to?

Or did he miss all the glaring signs?

Slowly, he lifted the old phone you gifted him years ago to his ear. “You didn’t stop looking for her?”

Jungkook was quiet for a moment. “Well…I would never wish this hell on anyone, much less my brother,” he stated, his voice carrying a certain tone of sadness they often heard from him. “Go get her, hyung.”

The bustling city streets faded into a blur around you as you walked, your steps slow and deliberate despite the cacophony of noise that surrounded you. Your sight may have been almost gone, but your other senses seemed to have sharpened in response, each sound and scent painting a vivid picture in his mind.

You remembered that when you were younger, you read a passage from a book entitled, ‘The Song of Achilles’. You thought it was a well-written book, a love that transcended even death. There was a line your college friends always thought to be a masterpiece. But you never understood it. The line so many people loved never really touched you.

Until it did.

Until you understood each word written in that book.

“I could recognize him by touch alone, by smell; I would know him blind, by the way his breaths came and his feet struck the earth. I would know him in death, at the end of the world.”

Because right now, the words made sense. You could recognize him despite your deteriorating eyesight. You knew him. He was here. And he was following you…to what exactly? Was he here to end you? Was he here to make sure that you wouldn’t tell the world of his secret identity?

Regardless of the reason, you tried to remain calm as Hoseok always ordered you to. You had no choice but to lead him back home, otherwise you were sure that he would be suspicious. The man that you used to love was perceptive, and any suspicious movements could alert him. From the moment you opened the front door to the time you closed it, you knew you only had a couple of seconds.

You fished the phone Hoseok gave you, one with tactile buttons and controls that made it easier for you to use it. You knew you couldn’t use the speech-to-text feature, otherwise he’d hear. And so, with a tense movement, you sent a message to him.

He’s here. Don’t come home. Leave with my son.

Part IV

[glamourscat]

¡Shidou’s hcs and character analysis!

tw// childhood trauma, violence, reference to possible SA in his past, my writing cause I didn’t proffered this

PHYSICAL TOUCH!! Friends, lovers or even just acquaintances, he has the bad habit of seeking touch, small or big doesn’t matter. From shoving to fidgeting. It’s different obviously base on the relationship you have with him. Are you two friends? Expect playful shoves, ruffling each other’s hair, if sat together legs or shoulders will touch casually. He is the type of person to laugh and slap your shoulder while laughing. 

If you two are lovers: hand holding (he does that thing of rubbing his thumb on the back of your hand), kisses, hair ruffling, legs intertwined, hugs from the back, nibbling/biting. Pressing his forehead against yours. SQUEEZES. Especially if you have more fat on you, he would *love* it. The need to hold you close and squish your rolls or chub. 

I personally see him as unlabelled. I know a lot like to hc him as gay. And it does make sense, but one can flirt with guys and it doesn’t erase the possibility of being into women too. That said, I do believe he has a preference for guys, especially aesthetically, but ultimately his choice of a partner would be base on mental compatibility and aesthetic attraction, no gender. I feel he is into someone who truly enjoys being their true self and doesn’t conform to society norms, more on this in a sec.

He is complex, as we see glimpses of this in the “egoist bible” and during his internal dialogue (like in the U20 arc). I don’t think he would be a bad boyfriend, but neither would he be perfect. Objectively speaking, he does have a rough, almost explosive side. But that’s a side he brings onto the football field. How he is outside of football we don’t really know. He is shown to be someone who values uniques, and also strength, complimenting other players strengths. He is not a demon, he just so happens to be a human with a deep complex personality. He seems to value peace in his life outside of football, which is something you don’t expect from him. Because he gets presented as this brute individual and yet he is the same who pops out this answers: “What made you cry recently?” At the end of the day when I become nothing, tears come out.

“What will you do on your last day on earth” Watch it as it reaches its end

“How would you spend your day off?” Be free from everything and become nothing

His answers are, intense, are they not? Which leads me to several thoughts. 1) He is very lonely. Using humour and anger to defend himself, a common trait of children who were abused, neglected in their childhood.

2) base on this, I feel in a relationship he would enjoy someone who has similar vibes to him but ultimately is different. Someone he can be chaotic with, someone he can laugh as loud as he wants, someone with who he can gossip and still have deep conversations at the same time. Ultimately, an artistic partner would be the best. Not only because he is into art, mostly as a way to cool down and shut down his brain, but because an artist or even a writer can see the world under different shades of colours rather than in greyscale. Classical introverted x extrovert duo, with the exception that the introvert individual becomes as extrovert as him when they are alone. His partner is his ancor. He will need to feel at peace from the turmoil inside of him. 

3)his home life was not the happy kind. Now, this has been long speculated and I will give my 50 cents on the matter. Let’s analyse his favourite movie, manga and song: 

Music > hide. Especially "Pink Spider" 

Movie > "A Clockwork Orange" 

Manga > "Chainsawman"

On the base line all three explore the darker sides of humanity, the need for personal freedom, and the consequences of defying societal norms. They create a raw and intense narrative about self-destruction, survival, and transformation.

But if we dive deeper > the movie mainly depicts SA, it’s a twist mix of violence, societal injustices and lack of free will… “Chainsaw man” it’s all about violence, power imbalance and manipulation. Denji was a tool from the start to end (again, lack of free will). The song, explored themes of internal chaos, the darkness in humanity, destruction and emotional turbulence and the psychological tool that that violence and abuse leaves on people.  I mean… can it be any more obvious? His whole character is shown to be this brute, rude, violent individual but slowly we are being feed details into his insight. Like how deeply philosophical he is, artistic and yet he is genuinely over sexualised. Maybe is a reach, but I don’t think that movie, the song and the manga choice are casual. They are a mirror image into the possibility that his childhood was pretty much terrible. That his sexual comments, which come off as almost distasteful, and feel icky in a way, are a projection of what he went through. Trying to use a distorted sense of humour and the violence he grew up with, to shield himself from what’s his personal life and past.

Like when he was locked up, his reaction was intense. He was close to begging to be set free. Again— lack of freedom, he hates not being able to be free. Something could have been taken away from him in the past. Maybe is as simple as a culture thing— as we know Japan is a rather modest country with certain unspoken rules. Its traditional outlook on things such as gender and sexuality are the total opposite of Shidou’s persona. His appearance is loud, his personality is loud and it alls screams “look at me I’m here” and yet at the end of the day he is still a lonely being.

I recently reread the U20 chapter where he enters on the field. His inner monologue he uses biology (specifically fertilization) as an analogy to scoring. Many people interpret it as him making a connection to sex, but for me, it didn’t read as such. Maybe it’s my literature student nerd ass, but, I took from his inner monologue a sense of need in terms of leaving a mark onto this world. He speaks how art leaves a mark, so does books, buildings and obviously children, showing the family legacy. Proof that something existed before them.

Shidou feels that his legacy, his needs, are validated through scoring. He feels seen, people are cheering. He is leaving a mark. Which ultimately could be validating a lack of emotional attention he received when he was a child. To me, all of these references and the constant sexual innuendos are a meaning for something deeper. We saw how each character with a heavy backstory has a trait or something in them that screams “something is not right”. Like Rin’s personality being a result of what happened between him and Sae. Can’t think of anything else to add, maybe I will add something later. If you have any opinions, I am more than willing to read them!! Feel free to reblog/comment :))

[crazilust]

astrology observations pt. 5 (i believe)

remember, if this doesn’t resonate, leave it, scroll away and forget it. i wanted a summer theme, so i’ll do it on this post why not 💛

🐬🍋🌊🌅 🐬🍋🌊🌅 🐬🍋🌊🌅 🐬🍋🌊🌅

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🐬 I wish I could look a Sag sun in the eyes and tell them that no matter how little or big they achieve, they’re worth something. That they don’t have to chase the next big shiny thing, that they don’t have to be a millionaire by age 30, that they don’t have to « be someone » because they’re already someone.

🍋 We’re always talking about how lucky Jupiter natives are and how free spirited they are, but the truth is, Jupiter is also about expansion and sometimes I feel like that expansion translates in a pressure to be exceptional. And in this society, in this world, being exceptional is only valued at a material level. The number of Sag suns that I’ve met that felt like complete failures at like 20 years old is not normal. They’re so harsh on themselves. I wish I could give them all a big hug

🌊 The power of pisces mercury lies in their intuition. As virgo’s sister sign, it makes sense that Pisces mercuries don’t find their answers through logic and evidence-based facts but rather intuition and feelings. It can be hard for them to trust that gut feeling or to feel intelligent cause if someone asks them « well how do you know? » their answers most likely will be « Eh, just a hunch » But trust it, it’s one of your many gifts

🌅 I used to be so fascinated with people with Aries and Gemini in their birth chart cause I found them so comfortable with people, the life of a party type of people and so damn charming. As I grow older though and begin to see life in nuances of grey instead of straight black and white, I’m able to realize that those people often suffer from people-pleasing tendencies, a sense of self that is either broken or fragile and codependent behaviors. It’s like their sense of worth is tied to how much people like them.

🐬 Cancers are very loyal, I know it’s not a popular sign on mainstream medias and people love to shit on them, but the truth is, Cancers will have your back, no matter the placements. If you’re ever loved by a Cancer, make sure to treat them right !

🍋 People who are not that much into astrology will meet a Leo and be like “omg, you don’t act like a Leo at all, you’re not arrogant or an attention whore” When we look at Leos celebrities, it’s easier to see that arrogant, flashy, extra side. But irl, we rarely meet that “kind “of Leos, right? (Except at bars lol) The reason for it, I found, is that Leos, for the most part, have personas. First of all, they’re a lot more private than you’d think. I believe that most Leos loooove attention, but they also know when it’s appropriate to show it or not. Depending on their other placements, they’ll decide when to grab that spotlight and when to leave it to others.

🌊 I had this girl that I knew that was a Leo sun (and I’m sure a bunch of virgo placements) and everybody was shocked of her sun sign because she was introverted, quiet and observant. But she was still a theater girl, wanted to be the main character (preferred the villain), veryyyy assertive when it came to her boundaries or what she liked and didn’t liked, and very extra and colourful in her outfits. The reason why I don’t like mainstream astrology is because it’s a bit childish in the way it describes a sign. You can love attention but show it in a way other than screaming and dancing on tables. This girl, for example. To me, she was a Leo sun to a T.

🌅 Aquarius placements 🤝🏽 their desires to connect with someone through intellectual stimulation, but refusing to show and acknowledge their deep rooted fear of intimacy and vulnerability

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and that’s it from me, folks.

-B.