#I need to post more about this show…

[mastersprogram]

Happy 2 yr Anniversary to Dead end Season 2 ‼️

In honor of today, here’s one of my favorite clips of Pugsley! Since he’s my favorite.

Plus this screenshot, cause … idk I like it!

[stromblessed]

Mizu, femininity, and fallen sparrows

In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.

If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.

So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.

I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?

However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.

Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)

And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.

Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.

It does not mean she doesn't hurt for them.

Back to Mizu and collateral damage, remember that sparrow?

While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:

She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.

You see where I'm going with this.

When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:

And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD

When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.

MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS

No wonder Mizu is as stoic and cold as she is.

And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:

Speaking of Akemi - guess who else is compared to a bird!

The plumage is more colorful, a bit flashier. But a bird is a bird.

And, uh

Yeah.

I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.

But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.

Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:

But softness and mercy haven't gotten Mizu anywhere good, recently.

There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.

After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:

"LET" her die. Because as Ringo points out, she doesn't "know how" to die.

Kind of like another bird in this show:

[logicpng]

so, i have some thoughts. i feel like the game doesn't explore doey much, so i'm gonna take that as an opportunity to stretch him a lil.

in short, i see him as neither one whole nor 3 kids in a trench coat, but something in the middle of the two: a grown up who never really got to experience a proper childhood, the 3 originals in a blend with each other.

the time between creation and game events likely is enough for them to learn how to cooperate (up until. yknow). collectively or individually though, goddamn they need therapy

[ Description in ALT, text transcribed under cut ]

1st image:

point at head with teeth peeking: teeth may show more subtly, particularly when mischevious

point at hat: hat always at an angle

point at hand: stubby hands omg <3

point at neck: neck constantly bent in some fashion

Generally friendly and curious, may be more closed off and bitter if kevin is more dominant.

Collectively an adult due to passage of time and gaining experience, but still retains some more childish traits due to isolation from outside world and trauma, both collective and individual (holy shit do they need therapy).

Parts operate more or less seamlessly, but depending on situation some may show more or less of their traits.

When stressed, cooperation between parts may break down.

2nd image:

Kevin

present strongest when angry, most of anger processing goes through him.

not actually angry/cranky all of the time though, just a bit more gruff/edgy compared to the other two. tends to show teeth when talking.

over the years learned to control his rage better, can redirect it into being a bit of a troll w/ the others

understandably, safe haven's destruction made him revert and lose all restraint, resulting in lashing out, mixed with extreme emotions from others.

Jack

loved doey strongest before conversion (rip), as such expressions tend to default to his

learned to cope with constantly fighting for survival by cracking jokes and being more optimistic

present strongest when happy, may speak more childishly when in distress or comfortable

reverts into reliving trauma of death and family loss with safe haven's destruction

Matt

present strongest when focused on the leader role, strikes a balance between kevin and jack

through time learned to focus more on necessary action rather than allowing to succumb to past guilt

definitely still very stressed out from responsibility, especially after poppy leaving, learned not to show it through cooperation with kevin and jack

safe haven's destruction just plunges him straight into a guilt spiral

Note pointing at bottom notes for each: safe haven's destruction is a massively traumatic event for them, resulting in the three regressing into child selves from distress, mixed in with emotions from individual traumatic memories

[bixels]

Learning that fans hated Applejack and called her "boring" is crazyyy to me because I genuinely, unironically believe AJ's the most complex character in the main six.

Backstory-wise, she was born into a family of famers/blue collar workers who helped found the town she lives in. She grew up a habitual liar until she had the bad habit traumatized outta her. She lost both her parents and was orphaned at a young age, having to step up as her baby sister's mother figure. She's the only person in the main gang who's experienced this level of loss and grief (A Royal Problem reveals that AJ dreams about memories of being held by her parents as a baby). She moved to Manhattan to live with her wealthy family members, only to realize she'll never fit in or be accepted, even amongst her own family. The earlier seasons imply she and her family had money problems too (In The Ticket Master, AJ wants to go to the gala to earn money to buy new farm equipment and afford hip surgery for her grandma).

Personality-wise, she's a total people-pleaser/steamroller (with an occasional savior complex) who places her self worth on her independence and usefulness for other people, causing her to become a complete workaholic. In Applebuck Season, AJ stops taking care of herself because of her obsessive responsibilities for others and becomes completely dysfunctional. In Apple Family Reunion, AJ has a tearful breakdown because in she thinks she dishonored her family and tarnished her reputation as a potential leader –– an expectation and anxiety that's directly tied to her deceased parents, as shown in the episode's ending scene. In The Last Roundup, AJ abandons her family and friends out of shame because believes she failed them by not earning 1st place in a rodeo competition. She completely spirals emotionally when she isn't able to fulfill her duties toward others. Her need to be the best manifests in intense pride and competitiveness when others challenge her. And when her pride's broken, she cowers and physically hides herself.

Moreover, it's strongly implied that AJ has a deep-seated anger. The comics explore her ranting outbursts more. EQG also obviously has AJ yelling at and insulting Rarity in a jealous fit just to hurt her feelings (with a line that I could write a whole dissection on). And I'm certain I read in a post somewhere that in a Gameloft event, AJ's negative traits are listed as anger.

Subtextually, a lot of these flaws and anxieties can be (retroactively) linked to her parents' death, forcing her to grow up too quickly to become the adult/caregiver of the family (especially after her big brother becomes semiverbal). Notice how throughout the series, she's constantly acting as the "mom friend" of the group (despite everything, she manages to be the most emotionally mature of the bunch). Notice how AJ'll switch to a quieter, calmer tone when her friends are panicking and use soothing prompts and questions to talk them through their emotions/problems; something she'd definitely pick up while raising a child. Same with her stoicism and reluctance at crying or releasing emotions (something Pinkie explicitly points out). She also had a childhood relationship with Rara (which, if you were to give a queer reading, could easy be interpreted as her first 'aha' crush), who eventually left her life. (Interestingly enough, AJ also has an angry outburst with Rara for the same exact reasons as with EQG Rarity; jealous, upset that someone else is using and changing her). It's not hard to imagine an AJ with separation anxiety stemming from her mother and childhood friend/crush leaving. I'm also not above reading into AJ's relationship with her little sister (Y'all ever think about how AB never got to know her parents, even though she shares her father's colors and her mother's curly hair?).

AJ's stubbornness is a symptom of growing up too quickly as well. Who else to play with your baby sister when your brother goes nonverbal (not to discount Big Mac's role in raising AB)? Who else to wake up in the middle of the night to care for your crying baby sister when your grandma needs her rest? When you need to be 100% all the time for your family, you tend to become hard-stuck with a sense of moral superiority. You know what's best because you have to be your best because if you're aren't your best, then everything'll inevitably fall apart and it'll be your fault. And if you don't know what's best –– if you've been wrong the whole time –– that means you haven't been your best, which means you've failed the people who rely on you, which means you can't fulfill your role in the family/society, which makes you worthless . We've seen time and time again how this compulsive need to be right for the sake of others becomes self-destructive (Apple Family Reunion, Sound of Silence, all competitions against RD). We've seen in The Last Roundup how, when no longer at her best, AJ would rather remove herself from her community than confront them because she no longer feels of use to them.

But I guess it is kinda weird that AJ has "masculine" traits and isn't interested in men at all. It's totally justified that an aggressively straight, misogynistic male fandom would characterize her as a "boring background character." /s

At the time of writing this, it's 4:46AM.

[poorly-drawn-mdzs]

The Yiling Band Tour!

[borealing]

the first time gihun nearly cracks a smile in the games is when inho calls him by his name and then goes oh i just wanted to try calling you by your name.. do you mind? which raises the two incredible questions of 1. was that a slip of the tongue and if yes, does inho call him gihun when he thinks about him? not player 456, even though that's how the frontman addresses him? and 2. was gihun actually suspicious for a second there or was he completely appeased by the idea that a random guy in the games is trying to speedrun being his bestie given what happened last time (everyone he was friends with died)

i really wonder how badly the games traumatised gihun, like hes meeting these new people and expecting them to die within days. he meets them and has mourned them before he knows their names. he nearly cracks a smile when someone becomes his friend despite the pre-emptive grief he must be feeling. it just speaks to the kind of man he is, trusting to a fault and desperate for any kind of connection

[bikananjarrus]

can i just say it felt so fucking GOOD to have good, well-executed, fast-paced (!!) lightsaber fight choreography. the fights were exciting! each character had their own distinct style that matched their abilities and size! they were fast!!!!!! hands down the best saber fights we’ve seen in live-action sw in a long time.

[ghostbredtt]

two posts in a row!!

[thevioletcaptain]

i genuinely don't care how good a piece of ai generated art or writing looks on the surface. i don't care if it emulates brush strokes and metaphor in a way indistinguishable from those created by a person.

it is not the product of thoughtful creation. it offers no insights into the creator's life or viewpoint. it has no connection to a moment in time or a place or an attitude. it has no perspective. it has no value.

it's empty, it's hollow, and it exists only to generate clicks (and by extension, ad revenue.)

it's just another revolting symptom of the disease that is late stage capitalism, and it fucking sucks.

[lbhslefttiddie]

honestly i don't think sqq (jiu) would have minded the accusations of preferential treatment from yqy if they'd felt true. like as children he guarded the title of being yue qi's Favorite with teeth and claws. why shouldn't he be given preferential treatment? everyone ought to know just who qi-ge likes and trusts over everyone else. and for good fucking reason--who else here is watching out for qi-ge? as peak lords he's literally 2nd in command and chief tactician, if yqy values his word over yours, then its both what makes most sense and also what he deserves.

the thing is that to sqq, being accused of being favoured by yqy over others now just feels like a sick joke, because obviously (to him) that's not the fucking case. if he actually gave him preferential treatment you'd think he'd listen to what he has to fucking say, instead of believing what anyone else tells him about sqq. you'd think, if he was yqy's favorite, he wouldn't have left him to rot.

so i think, in a setting where they reconcile after becoming peak lords, that sqq would very much slap yqy's love for him in everyones faces as a kind of power move. a kind of, "oh, you thought that was favouritism? you havent seen yet what it looks like when qi-ge lets himself favour someone."

[screwpinecaprice]

Oh oof I slipped and hit them with dark and serious beam. 😣

[writing-is-hard-af]

Helena and Ramon both acting like they know Chris best, like they know what's best for him, but not only consistently treating him like he's still a little kid that can't do things himself, also guilting him into agreeing with them on their decisions and opinions. Contrasted with Eddie respecting Chris's boundaries, his decisions, and his independence, and actually treating him like the teenager he is by actually communicating with him instead of talking at him. The way he so clearly learned from his parents' mistakes and decided he wouldn't be like them, because he knows how it felt to have them as parents. And how he got Chris out of their house the second he realized they really were doing the same things to Chris they were doing to him. Just. Something about breaking cycles of abuse and generational trauma and the way you either learn to not be or become your parents. And Eddie chose not to be like them because he loves Chris so much and can finally see that he deserved better too, that he couldn't let Chris go through that. Because that's his kid.

[mattodore]

12 p.m.

[yardsards]

absolutely enamored by rose quartz's body type and character design. especially after the pink diamond reveal. like, girl CHOSE to become a fat woman. and everyone around her (rightfully) thought she was incredibly hot for it. queen shit.

[self-made-purgatories]

So it's Kirk's birthday but Spock has to work so Bones shows up at the door in these skintight hoochie cowboy pants with a bottle of really strong illegal liquor and hands Kirk a little pouch and Kirk's first question is whether the pouch contains Klingon aphrodisiacs like that's a perfectly normal thing Bones sometimes brings over and I'm not supposed to ship McKirk?

[edwinisms]

you know. I think the reasons it feels so literally narratively wrong when people refer to charles as being straight (such as in interviews where his love life comes up and so on) are that A) he’s never deemed outright straight in the show, so it’s just an assumption that he must be straight by default (which is silly in a show like this), and B) what he says following edwin’s confession. I know I’m biased, but even when I try to look at it as neutrally as possible, the way he reacts in general and the specific words he uses just don’t sound right when you imagine them being said by a Totally Definitely Straight guy.

first of all if you actually listen to it instead of absorbing the scene superficially it’s not particularly a rejection at all, and the actors have stated that themselves– it’s not him saying no, it’s him saying “I can’t give you an answer right now, but I will eventually”. that’s not an interpretation, that’s literally just the truth of what he said (and again, the actors agree). can you imagine a straight guy saying that, or possibly even more damning, “we have literally forever to figure out the rest [“the rest” meaning anything that goes beyond the kind of love charles already solidly has for him]”.

imagine you’re a straight man who’s unwaveringly confident in his orientation and your gay best friend confesses his feelings for you. you would not respond with the implication there is a “the rest” to figure out. since the main, obvious obstacle would be your solid lack of attraction to men, that’d probably be essential to your response– it wouldn’t be a “I can’t say–“ it’d be a “I can’t be–“. and on top of all that, I feel like the whole thing would have to sound far more apologetic– “I’m sorry, I love you and that’ll never change, but I just can’t love you the way that you love me.” something like that, right?

tldr: this is a rare instance in television where assuming a character is straight by default makes Less sense than the alternative. and charles’ choice of words in the confession overtly suggest that he is, at the very least, unsure of his orientation.