#I do love them I just don't get their reasons sometimes

[harpieisthecarpie]

Thanks for the peer review o7 i will use this power for ramble

I do think that a lot of the fic sex/romance issues were started in a genuine push to not spread misinformation, bc iirc fics used to parrot a lot of common myths re: intercourse (even moreso than now), especially ones about non-"traditional" non-cishet practices. And safety. And anatomy.

Which, it's cool and good to see a push for sex positivity and education! But I do feel there's now a pressure (internal or external) for the sexual aspects of fic to be textbook safe, sane, and consensual in all avenues.

I have 2 main reasons (beyond fic ≠ sex ed) that the squeaky clean route shouldn't be our only route. Which are: characterization, and erotica vs romance.

Firstly, characterization:

Intimacy can be an amazing way to explore characters, a relationship, or even a setting in your story. You can miss out on a lot by treating sex as simply a lesson rather than a tool in your narrative toolbelt!

Tbh I think the reason gen z ppl (like me) often say we "hate sex scenes" in media is bc they feel unnecessarily explicit or unnecessary in general, and we often don't have the language for what the problem is. Or we misattribute the ickiness to sex scenes happening at all!

I'm grayace and they can be boring af, or sometimes creepy as hell for reasons unrelated to the narrative (stop auteur directors now! /hj).

But one of my fave fave fave book series is the Binding Light trilogy by Freya Marske (I think the author's on tumblr actually), in which the sex scenes are narratively pivotal. And I, the sex scene hater, love the series sm I didn't even have to look up the title or author just now!! Unheard of!!!

These books are so dear to me bc the intimate scenes mirror both the (wonderful, superb) magic system AND the characters' relationships! Their sexual vulnerability and connection evolves alongside the characters' development. I've never before rambled about breathplay as a metaphor for trust, but Marske had me writing ESSAYS. My apologies to my friends' DMs

At first I had skipped those sex scenes, but once I had to go back for plot info, actually reading them made me go "oh holy shit this is all important".

I think stories miss that relevence pretty often. You don't NEED to have sex scenes, but also you CAN have them wherever it feels right.

IMO It's important to treat intimacy (of all kinds) in a work as character exploration first, rather than purely mile markers or something for characters (and writers) to "get a good grade in"

Moving on to erotica vs romance:

I've recently been watching a lot of SAVY WRITES BOOKS on youtube, and in one of her CoHo reviews she talked about the difference between works labelled "erotica" and "romance".

To her, romance novels have a sense of realism, they exist in a world that functions (at least adjacently) like ours. A romance would treat consent and safe sex like we do irl (or some historical equivalent based on setting). Basically, characters wouldn't be able to smash in a subway car without getting charged with public indecency.

Thus, if the characters were practicing BDSM, they would on some level acknowledge they're performing a scene (ex. consent check-ins and safewords). Here we have some level of RACK. Or if its unhealthy, there's framing acknowledging that fact!

Whereas erotica exists inside that BDSM scene! An erotic fic that tags its kinks and content correctly has given you enough for you to have informed consent. If you read the fic, you will thus be reading the "fantasy" of a BDSM scene. We know this isn't necessarily realistic or healthy, and that's fine! We read it with the knowledge it's not meant to be!

Uhhhh so. This was a really long way for me to explain "fanfic isn't sex ed so it's fine if they don't always use contraceptive"

tl;dr Intimacy and sex are cool for characterization. And smut is a Scene, if a person is informed of its contents all consent is accounted for :)

author’s notes today: hey guys so just a warning there isn’t 100% explicit verbal consent even though they’re both really into it so remember this is FICTION, also they don’t use a condom :((( but in real life safe sex is important!!! please be safe out there everyone

a/n back in the day: kept thinking about ____ stabbing knives through both of _____’s hands to pin him in place while they fucked so here you go lol =P

[ghsface]

Not sure if you are taking request but can we get an angst with Matt where like reader and him are dating for years but recently comments have been getting to her or people have been following her home and eventually she decideds to break up with Matt but Matt takes things to in his hands where he’s tells ppl to stop and they get back together?(Lol sorry if it didn’t make sense but thank you)

𝜗𝜚 new messege .ᐟ.ᐟ

Hey gorgeous, I really liked this idea, I hope you like it too.

You are the only thing I want - Matt Sturniolo

Sumary: You and Matt had a secret relationship and when you decide to make it public everything goes wrong...

Warnings: angst hate messages towards reader, this is just angst with a happy ending

A/n: Leave me ideas to write in my inbox because I'm running out of ideas. I'm sorry if something is misspelled or not understood. My first language is not English. By the way, what do you think of my new theme, in my opinion, it's very cute like the baby pink and light brown. 🩷🧸

⛧°。 ��༺ ✮ ༻⋆。 °⛧

It had been exactly fourteen months since the first time you and Matt kissed. You hadn't imagined then how important he would become in your life, nor that being with him would be so complicated. Because, although you adored each other and the bond between you grew every day, that relationship had to be kept secret. It was a mutual decision, made for practical reasons. At first, the thrill of secrecy made everything more exciting. But now, you both felt exhausted.

You had spent too many nights talking secretly in the car, dates arranged down to the last detail so as not to be seen, or moments of solitude where, instead of shouting to the world how much you loved each other, you had to hide it like a forbidden secret. The situation was starting to weigh on you.

That night, you were on the couch at Matt's house. He was holding you, and your head was resting on his shoulder while you felt his fingers playing with the strands of your hair.

"Aren't you tired of this?" he asked quietly, breaking the silence.

You raised your head and looked at him, searching his eyes for what he really wanted to say.

"What are you talking about?"

"About having to hide… about not being able to tell anyone how amazing you are." Matt smiled, but his eyes reflected a sadness that you shared.

"Of course I'm tired. Sometimes I wish we could be a normal couple".

"Then let's do it", he suggested, giving your hand a squeeze. "Let's make it public. I don't care what others say. I want to be with you, and I want everyone to know it."

The idea made you feel butterflies in your stomach. The love you had for Matt was bigger than any fear, and the fact that he was willing to share your relationship with his fans made you feel special. You decided to announce it on social media.

When Matt uploaded the first photo of the two of you together, you felt a mix of excitement and nervousness. The image showed an intimate moment, a selfie of the two smiling on the beach, with the sunset in the background. The caption was simple but powerful: “Over a year together, and we’re just getting started.”

For the first few hours, the response was overwhelmingly positive. There were comments from fans congratulating and supporting them: “They look beautiful together,” “Finally someone makes Matt happy as he deserves,” “What a great couple they make!”

But over time, other types of messages began to appear. “Her? Is he really with her?”, “She’s not enough for him,” “She’s only with him for fame, I’m sure she’ll use him to become famous,” “Poor Matt, he deserves someone better.”

At first, you tried not to take them seriously. But every time you checked your phone, more of those comments appeared. There were people criticizing your appearance: “She’s too basic for someone like him,” “She’s not even pretty, how dare she date Matt?”, “Matt deserves someone more attractive.”

The words cut you deeply. You knew you shouldn’t let those comments affect you, but you couldn’t stop the doubts from starting to poison your mind. Every time you looked in the mirror, you started to see those flaws that others mentioned. Insecurity began to invade you in a way you hadn’t experienced before.

Matt tried to comfort you whenever he noticed you looking down. Sometimes, during the night, he would catch you reading the comments on your phone, and he would simply take the phone away from you and hold you, whispering that he loved you and that was all that mattered.

“You don’t need to listen to those people, babe,” he said, looking at you with a sincere expression. “They don’t know anything about you, they don’t know how amazing you are.”

The comments didn’t stop, though. Every day they became crueler and crueler. Rumors began to circulate suggesting that you were only with Matt to gain followers, or that you were using his fame to make yourself known. People commented on every aspect of your life, from how you dressed to how you looked without makeup. There were those who said things like, “It’s obvious that she dresses like that to get attention, can’t she dress up better?” or “She should thank Matt for giving her a chance, she’s just an ordinary girl.”

At some point, comments were no longer the only thing. People started following you home, taking photos of you without your permission, and even trying to get close to you to ask you invasive questions. You felt watched and judged at every turn, and little by little, you started to believe that you weren't enough, that maybe all those people were right.

The pressure began to be unbearable. Your self-esteem plummeted, and every time you looked in the mirror, you saw someone who, according to the world, wasn’t enough. Matt tried to cheer you up, to remind you how much he loved you, but you couldn’t stand it anymore.

One night, after one of your most difficult conversations, you asked him to meet you. Matt came over to your house, and as soon as you saw him, he knew something was wrong. He stared at you in silence as you searched for the words to say to him.

“Matt… I can’t do this anymore,” you whispered, your voice shaking.

“What are you saying?” he asked, frowning, clearly worried.

“I can’t be in this relationship anymore. The pressure, the comments… they’re tearing me apart. I can’t take it anymore.

Matt looked at you, unable to process what you were saying. He was trying to understand, but the pain in your eyes made it clear to him that you were really hurt.

“But… I love you, and I don’t care what other people think. They don’t understand what we have.”

“I know, Matt. I know you love me, but I can’t go on like this. I’m losing myself in all of this.” It's getting harder and harder to get up and pretend everything is okay.

You took a deep breath, trying to hold back your tears. “Matt… I can’t keep going like this. I can’t handle the pressure, the comments, the people following me everywhere. I feel like I’m losing myself, and I don’t want to drag you into this. I think… I think it’s best that we break up.”

The goodbye was hard and heartbreaking for both of us. In the days that followed, Matt stayed away from social media, not mentioning anything about what had happened. He isolated himself, trying to understand how the love of his life had to walk away because of the cruelty of others.

Weeks went by as you tried to get over the situation, even though you felt empty. However, one afternoon, while you were checking your social media, you noticed a post from Matt that surprised you.

It was a photo of you and him that Nick had taken, and the message was clear and direct: “I don't give a shit what others say about my girlfriend. I'm with her because I love her, and that's never going to change.”

Matt's public statement was not only a message to his fans, but a promise that he was willing to stand up for what they had. Feeling a torrent of emotions, you decided to call him. When he answered, his voice trembled with emotion.

"I can't go on without you" he said quietly, while you tried to hold back your tears.

"Me neither, Matt… I love you."

That night, they met again, and between tears and hugs, they knew that this time there would be nothing and no one that could separate.

⛧°。 ⋆༺ ✮ ༻⋆。 °⛧

your reblogs and replies are always appreciated dearly, and feel free to leave a request ✮

⤷ Tags... @matthewsroses @sophand4n4 @strnilolover @lolastrniolo

[healdeals]

Sometimes I think about how much Mettaton (specifically in Undertale) and Spamton are foils to each other and it drives me perhaps a bit insane.

Like... Mettaton had the drive to go see the light of day on the surface, to be with humans and be a savior to monsterkind, and was willing to kill a kid to get there. He wanted to be more than a simple snail farmer and had Alphys there to help him build a new body. He, whether intended or not, abandoned family & friends to live out his dream.

Spamton is also more than willing to kill to get to see the light, he wants to be more than a darkner in a dark world, and abandons his friends to be [big] without them, relying only on the help of some strange benefactor until he also is abandoned.

They both can be self absorbed, their visages plastered around all the stuff they own (or owned). They can be inconsiderate of others. They have dreams of being big stars. There is no subtext with MTT figuring out his identity and his transitioning; its all plain to see. While it's more subtle for Spam, there are themes of self identity with him, too.

I think the biggest difference in their personalities is that Mettaton can be a lot more humble. Despite Burgerpants' treatment and taking Alphys for granted, a lot of the monsters in the MTT hotel do speak fondly of him, especially if he dies and you go back through the hotel afterward. He doesn't resist talking to Napstablook when they call in, even though he probably feels guilty for leaving them behind for whatever reason he did. He clearly still loves his cousin, and does appreciate his friendship with Alphys.

Meanwhile Spamton lies to himself about being better off without the Addisons. Deep down he doesn't mean it, but coming to terms with the reality of his feelings? Naw. He's probably had to use this tough guy persona to shield himself from criticism in his big shot days and now doesn't know how to take the mask off without it hurting. There's a lot of denial in his small body, not helped by the years of scraping by in back alleys after his fall.

Though, if the roles were reversed, would things have played out differently? Mettaton has the benefit of well-meaning people around him and luck. Its through shuffling around the trash zone that he met someone who could make his dream body come true, and who ALSO had ties to the king of the Underground. Spamton has... fairweather friends? We don't know for sure how close he was to the Addisons, or how much he thinks of his relationship with Swatch in his grander days, or how benevolent the person on the phone really was.

Yes, there was desperation to get to the surface for MTT, but he didn't have to deal with the mind-breaking information of how radically different and free the light world is when you live a deterministic existence. He didn't have to deal with seeing a soul as a blinding beacon within a kid's body. I doubt Metta wouldn't be overly obsessed with the light world, nor doubt Spamton wouldn't be content with his place in life, if they swapped shoes.

It's also so WILD that they don't know each other in the DR universe, but Mettaton had a profound impact on Spamton just by making his a little art file. He unknowingly is the one who gives this spam email a glimpse into world above, and possibly a piece of his own hopes and dreams as well. I wonder if later the DR Mettaton, too, will be affected in some way by Spamton.

[xinganhao]

🌸 jihoon x poetry account!reader.

the one where jihoon reads all the poems you think he'll like. headcanons & bonus content under the cut. ➤ see also: svt burner accounts series

🌸 jihoon and the languages of love .ᐟ

jihoon claims: he can live without receiving gifts. he's never been particularly materialistic to begin with. he appreciates the bits and bobs he gets from fans, although he will also be the first to insist that no, you don't have to do this for him. spend your money on something more 'important'. save for a rainy day. he is fine without it; he is happy to just be remembered.

this is the same jihoon who will wear the socks he was given until there are holes in them. (even then, he'll try to hold on to, believing they serve their purpose.) jihoon who keeps all the gift tags from presents tucked away in a shoe box underneath his bed. jihoon who, with every poem you tweet, feels like he's receiving a little gift in itself.

jihoon claims: he's not a fan of physical touch. a lot of his members have chipped at his distaste for skinship over the years, but even then, he's not the type to seek out affection that way. he will indulge fans at fan signs. hold their hands when they ask. still, it is not something on the top of his mind when he thinks of the word 'love'.

this is the same jihoon who will stick to his members' side when they're out someplace unfamiliar. jihoon who will bear the weight of his twelve brothers' crushing bear hugs with little to no complaint, his expression exasperated but impossibly fond. jihoon who, when you mention loving the lyrics of hug, wonders briefly what that might be like— to share something like that with you.

jihoon claims: he doesn't deserve acts of service. he reasons that it's because he's nobody special. he's just a guy, not anybody you have to expend too much energy on. and he's an adult, at that, one who has always viewed himself as independent and self-sufficient in day-to-day. it's alright, he'll say. i can do it myself.

this is the same jihoon who almost cries when he realizes a blanket had been tucked over his shoulders during his sleep. jihoon who remembers like the back of his hand the snacks that his members love, the birthdays of all their own families, the names of their pets. jihoon who feels a dull ache in his chest when he thinks of people like you and what more he can do to keep you around.

jihoon claims: he's terrible with quality time. he's busy, always so busy, spending more time in his studio than anywhere else in the world. he works like he has more than just 24 hours in a day. he feels guilty at this one in particular, at the knowledge that he can only give so much of his already portioned minutes. it's the life he chose, though, and he takes care to remind himself of that every day.

this is the same jihoon who has a special ringtone set for the people he loves so no matter how deep he is in his work, he will know when he has to look up and check. jihoon who purposefully carves out time to respond to texts or meet up with someone, even if it's only for half an hour. jihoon who lets himself be selfish, lets himself be just a teensy bit greedy, when he doom scrolls through the poems you leave him. (five minutes more, he'll barter with himself. just five minutes more, please.)

jihoon claims: he could be better with words of affirmation. he tends to be blunt with his words, which may sometimes be interpreted as coldness. he jokes around sparingly. he doesn't have the cutesy text-speak, the suave pickup lines of the other members. there are days, even, when the three words that matter the most catch in his throat. when all that comes out is a helpless, flustered stutter of i— i— i— love you.

this is the same jihoon who means every damn lyric he writes. jihoon whose entire discography of love, and heartbreak, and yearning, and home, and family, is made with specific faces in mind. jihoon who stutters and stammers when it comes to saying things outright, so when it comes to you, he borrows words from people who say it better than he can; he loans quotes and phrases and lines, hoping that somehow it will all still reach you. he can be more fluent in these languages of love, he knows. but he trusts that you can hear and see what he means all the same.

BONUS CONTENT .ᐟ

⌗ ┆this is a slight homage to one of my favorite twitter accounts ever, poemsfornamjoon. i like to believe jihoon would also love a good poem (´• ω •`) ♡! hcs were also heavily inspired by this tweet (THE ENTIRE THREAD!!!), which i think of A Lot when it comes to jihoon: "woozi is always like, i'm so sorry i can't say saranghae. i can only write, compose and produce 100+ songs and counting for our band. i can only maintain a vast mental encyclopedia of 12 people's little things. wooahae. wooahae. wooahae. wooahae. wooahae. wooahae"

[bonefall]

With the discussion and the mention of the voice being described as 'sinister' I don't think this is the case anymore, but reading the chapter with Moonpaw in it after reading the prolouge made me guess that starclan actually intentionally made Moonpaw fuse with her sibling so the sibling could be a guide and companion to Moonpaw.

It's still leaning into the problematic nature of portraying the fusion of two embryos as one 'killing' the other but the idea is that bc they're fused in she's kinda in this inbetween-worlds state where she can relay info from starclan to moonpaw like a messenger or a gaurdian angel, and that their conflict with eachother would be more akin to normal sibling conflict.

"You're annoying I hate you!"

"Well I hate you too!" *gives moonpaw the mental image of her crossing her arms and turning her back to her*

"... sorry"

*still giving her the silent treatment*

"seriously???"

See, that's cute. That's ideal, imo. Like you said, it still leans into the problem of implying Vanishing Twin Syndrome/Fusion Chimerism is akin to one sibling "killing" the other, but I think this kind of dynamic would have enough love and complexity to soften that.

It's usually not about eliminating all problematic aspects, that's impossible-- just being aware of them, addressing them when necessary.

After all, that's why BB's goal is generally to "address," not "eliminate." (Within my personal comfort and ability ofc, see the content warnings)

From what I've seen of the Chimerism/Vanishing Twin critique, what seems to be requested in representation is positive portrayals, not total elimination. Duality as a point of love and pride, guiding each other.

Fusion Chimeras are rare though-- and usually identified because of visible intersex traits at birth, so I'm also gonna be looking over at the intersex community to see what they're looking for in portrayals too.

And, from what I'm seeing from the pwDID in my inbox, audience, and around the fandom, what they're usually looking for is complexity in alter/headmate characters. Not "evil voices," but fleshed-out personalities, especially when those headmates have a "purpose" in the function of the system.

(Like, for example, an alter who is loud and abrasive to stand up to threats and protect the rest of the system. Or one who is very caring, good at resolving conflict and making the system feel comfortable. Personalities which were formed for a reason.)

Not necessarily always benevolent-- sometimes you do have to deal with a bad headmate, or adjust the behavior of an alter. Like a roommate you have to evict or have a meeting with. Complexity. Not just vague entities.

All that to say, Sibling Headpaw sounds like it would be the best way foward. I hope this is what we get in canon 🙏

[white--moon]

At first it was kind of difficult to imagine Ichigo sitting at a desk, writing into the early hours of the morning, hours he's usually out roaming the streets or working a very different kind of job. But the more they talk about it, the more easily the image comes to him. He never really saw Ichigo bent over his studies when they were together, but he knows that's because he was too much of a distraction. Without himself in the picture, it's a lot easier to imagine.

He scoffs, "I never do anything embarrassing." Very very not true. Ichigo makes himself so punchable sometimes. Shiro struggles not to roll his eyes, and plays along instead. "Oh, don't downplay that. It'll be the most interesting part of the whole story. Who doesn't love a doomed romantic subplot attached to the misunderstood character? Most of the criminal population probably doesn't read anyway."

Ichigo's not wrong, but damn that's kind of harsh. "Yeah but I'd say no to all of them real fuckin' fast to say yes to you instead." He'd drop everything and everyone for Ichigo. Obsessed, like Ichigo's going to write in his book. And he's glad for the confirmation that he's the hottest guy Ichigo knows, but he didn't really want to hear about whatever complicated thing is going on between Grimmjow and Ichigo. Except it shifts gears into something. Shiro blinks, then heaves an exasperated sigh. "I understand he's mad at me, but I'm literally so loaded I don't know what to do with it. All he has to do is say something. Hell he could'a just sent me his rent bill or something." What an asshole. He doubts Grimmjow wants handouts from him, "Or I could find work for him. Doesn't even have to be illegal shit. I have a lot of connections."

That scowl makes Shiro's hackles raise, but the words take most of the fight out of him. He's so twisted up about Ichigo. He sighs. "I do. I do wanna be friends." The problem is that he doesn't know how to be just friends with Ichigo. He's going to settle for it, because it's all he's going to get, but it's going to hurt.

He shrugs. "Not all of it. I move the important stuff. Politicians, celebrities. People who think they're being discrete. Only reason I never moved my own product before was because I didn't trust myself around it often." He offers up a sort of self deprecating smile. "That's not an issue anymore. But it's a lot of product, a lot of money and a lot of networking to trust to someone else, so it works out."

He watches Ichigo check his own vehicle from the driver seat, and starts rolling down the drive when he sees Ichigo climb into the car and start it. He takes them into the city, to a hole in the wall alt fashion shop that has too many items crammed into a too small of a space. It's his favorite place for clothes though.

"Oh, you were bein' a smartass?" There's a heavy dose of sarcasm in his tone while he rolls his eyes. But it's good to hear that Ichigo is still thinking of his sisters in this. Ever the protector. Has to make sure his sisters are alright, had to interrupt his own life to make sure Shiro gets through this treat.

He smirks slightly about that. "What would it be about? What it's like runnin' around the streets doin' everyone else's dirty work?" He scoffs, but it's good natured. "Whatever, I'm not that hard to figure out. How to understand a back alley drug dealer for dummies." He laughs, amusing himself.

Aiming a look at Ichigo, he arches a brow and disagrees. "I always need a bunch a' guys saying yes to me. Preferably hot ones." Not that he's sleeping with his staff. He tried that exactly twice. The first time was disastrously annoying and it was not a fluke.

It is a fair question, and he wants to argue that, but Ichigo keeps going to answer the question anyway. "I wasn't asking what you think, I was asking exactly what I asked." But he got Ichigo's option anyway and it doesn't surprise him. He notes that Ichigo didn't actually say yes or no to wanting him there, though. He's talking around the answer the same way Shiro did about the shirt. "I already plan on laying low for a while. As much as I can, at least. I think I'll stay in the penthouse for a while. It's a lot safer than the mansion but it'll seem less like hiding." And he can higher some muscle to keep around easy enough, like Ichigo's suggesting, he's stubborn about it. He has always been his own muscle. He's never needed security or guards, but this is getting bigger than he can handle on his own. It's getting bigger than he thinks he warrants, but he has made himself notoriously hard to get rid of.

He doesn't know how to feel about Ichigo trying to keep him and his maybe-boyfriend situation intact. It's good of him, it's the morally right thing to do. The only real problem with it Shiro has is that it's just further proof that he and Ichigo have no chance of being together again. "I'll figure things out with him, you don't need to worry about it." Or he wont. Maybe he'll sabotage his own building relationship and blame it on all the chaos of attempted assassination. His features even out. "All my habits?" This better not turn into a lecture. "He thinks I indulge a little too much sometimes, but otherwise he tolerates it. I doubt he expected anything less from a dealer. Most people don't know I was ever clean, only you. It was always weird for me not to use the product I was sellin'."

He slides into the driver seat and starts the car, then looks over at Ichigo and snorts. "You mean boring?" He shrugs. "I needed something with more cargo space that didn't stand out so much. It's easier to clean, too. Less work for my cleaner."

[animeyanderelover]

This will be my first request, I am very happy because I LOVE your writing.

Alas aside, Yandere falls in love with a woman older than them who is very maternal for having a child, when he proposes she rejects him because she feels that they should not waste themselves on a woman who already has a child (You can do with the father whatever you want ).It would be with Atsushi, Akutagawa, Daichi Sawamura, Oikawa and if you want to add any more I don't mind

Sorry for my bad english😘😘

Tw: Yandere themes, possessive behavior, obsession, delusional behavior, clinginess, manipulation, stalking, threats, violence

Tags: @shumidehiro @leveyani

You shouldn’t waste your time on me

Sawamura Daichi

🌅​Cries of a small child are what guide him through the crowds on that day, his eyes flickering over the people before they finally land on the boy who is standing there all alone. Upon asking him what happened the child tells him that he got distracted and lost his mother. As not only a police officer but also a decent human being Daichi immediately helps, asks the boy where him and his mother were last together and if he knows where his mother planned to go. If worst comes to worst and he won't be able to find the boy's mother he'll just ask the boy where he lives and will bring hm home to wait together with him until his mom returns. Luckily it never comes that far as Daichi is able to find you after half an hour of searching, the boy instantly leaving his side and running to you with tears in his eyes. He's far too humble in your eyes as he is confronted with your gratefulness, tells you that he only did his job and that anyone would have helped a crying child. Still, you make some small talk with him as you ask for his name and both of you start talking for a while with each other. That's how he finds out that you recently moved to the Miyagi prefecture with your child and live close to his neighbourhood.

🌅​The fact that he doesn't live far away from you and that he helped your child are major reasons that aid the two of you in getting so close to each other. Also, your son's dream is it to work for the police later on so he obviously views Daichi as his hero, something that flusters the man deep down a lot more than he shows. He visits you once a week when he has a free day, often bombarded with questions from your son about his job until you softly chide your child for his uncontrolled excitement. You admit to him relatively early that you moved here because your husband died and your parents live nearby as you also need to work and need someone to look after your son. Hearing that your husband died strangely enough makes more sense to him than if someone would have divorced you as only an ignorant fool would have let someone like you go. Daichi is not even going to deny his own feelings, he knows that he's extremely attracted to you. You're kind yet not too coddling, you're responsible and patient, you listen to the worries of others and are always willing to help where you can. Watching you raising your son sometimes reminds him of his high school days, a fond look on his face.

🌅​Daichi is able to stay patient in spite of his obsession, especially if the loss of your husband has been very recent. He gives you time, he allows you to grieve and focuses in the meantime on helping you and your child to integrate into the new city. The thing is that he fills that role of a supportive husband and father so nicely that neighbours and even your own parents and son can't help but support the two of you getting together. When you reject him he is a bit disheartened but he takes it really well because he realises that you didn't do so because you do not love him. You reject him because you feel not good enough but that in itself is still quite hurtful. You're such a wonderful person after all. He doesn't mind the little age gap nor does he think of you less because you have a child. In fact he's grown very fond and protective of your son who you have raised wonderfully. Still, it's wiser to not pressure you so he steps back for now. His confidence remains though, knowing that you didn't deny not being able to see him as a partner. He'll just stay in your life as a pillar of support for now and will slowly make you realise that you are everything but a waste to him.

Oikawa Tooru

👑​After a difficult divorce you make the decision to completely change your life and decide to try to reach for a dream you had when you were younger but gave up later on, deciding that you might not make it. It's better to try and fail then to never take the step. After many months of interviews, exchange of mails and documents you receive the news though. You did it. You're one of the managers for your favorite volleyball club, Club Athletico San Juan. You're so joyous, almost feel like a school girl all over again as you read the letter over and over again, kicking your feet and grinning like an idiot. Oikawa is still Oikawa even if he is by now an adult, his charming attitude still there as soon as you're introduced to the team as their new manager. His other teammates just watch with half amusement and half pity as Oikawa's charm ultimately never works. Sure, he manages to charm people quickly but he never manages to hold a relationship and they would hate for their setter and new manager to be on bad terms from the very start. You, with the divorce still freshly on your mind though, put your foot firmly down and clarify it to Oikawa very clearly that you have no intention of dating.

👑​Obviously Tooru is miffed about your blunt rejection yet another part of him can't help but respect your determination. You know what you want to focus on and he wants to acknowledge that, especially since he is essentially the same. The keyword here is want because who would have thought that his feelings would slip out of his grasp of control so quickly? You know when to put him and his childish antics in his place, chiding him almost as if he were a child and the experience feels only more realistic when he realises that you're a few years older than he is. The fact that you work so closely with him only enables him to be very overbearing as he dreams up all kinds of minor inconveniences so that he has something to complain about to have your attention on himself. Your daughter is a shocker as you have never talked about your private life before and whilst other players gush over your child he gives her a strange look at first, his mind trying to process what it could mean. He pesters you privately about it, his eyes desperate and his body tense. The tension leaves his body at least partially when you admit with a heavy sigh that you had a rough divorce before you started working here.

👑​Oikawa doesn't take the rejection very well, his heart dropping even though it doesn't have to do with the fact that you don't see him that way. Still, it is hard to stay logical with a heart as sensitive as his, especially since he is prone to being delusional. He just doesn't understand. What is it that he could have done better?? He has made it more than obvious that he is deeply in love with you. He's showered you in presents, constantly demands your attention and has even made the effort to get closer to your daughter despite initial caution he held. Is that still not enough?? What do you want him to do?? Please tell him what he as to do in order for you to accept. Honestly, your maternal instincts will come quite in handy as you're confronted with Tooru whilst his feelings threaten to burst out of him. Because it helps him to calm down and gives him the reassurance he so desperately craves from you in that moment. Nevertheless though, he ramps up his affection from a 10 to an 11 after that incident. If the problem is simply that you don't feel good enough he will change your mind. You're forgiven this one time. Do not reject him a second time though or else he might just make your job more difficult.

Nakajima Atsushi

🐅​The gentle love of a parent is a notion so foreign to Atsushi that the first encounter he has with you leaves him almost on the edge. Your kind words, the patient look in your eyes, the warmth and comfort you provide him with by simply being in the room threatens to burst his heart right at the seams. After cold deprivation for as long as he can remember your presence feels like being drowned in a bathtub filled with hot water. It's overwhelming almost, scorches his skin yet he gladly submerges himself in the heat and the sensations that come with it. He's almost immediately infatuated with you, finds himself yearning for your affection in his dreams as well as in the real world. The age difference is something that weights on his soul though as he realises how experienced you are and how clumsy he seems to be in comparison. There's a lack of knowledge with certain machines or customs that he hasn't been exposed to due to his time in the orphanage but he is always too ashamed to tell you about it. Adamant to not let himself look like a young fool in front of you, Atsushi simply refuses to ask for help or advice from you. He wants to prove to you as well as himself that he can provide for you.

🐅​As shameful as it is, there is an undeniable twinge of jealousy directed against your own child. He envies the little boy for being able to cling to you as often as he does as those are all things Atsushi desperately wishes to do as well. He wants to be held, comforted and loved by you too but he could never admit such things as he stares at your son. What would you think of him after all if he were to confess to you that he feels jealous of your own child? It doesn't stop him from clenching his hands into fists every time he witnesses you giving affection to your son, nails turning into claws as he imagines what it would be like if he were to be the one in your child's position. You and your husband have parted ways a few years ago but you still keep in contact due to the child and that just about kills Atsushi. It takes always more willpower than it should to not outright growl at the man whenever he visits. Atsushi can't even fathom how a man could let someone like you go and occasionally he imagines what it would be like to just tear that man apart whenever his jealousy gets the better of him. Chances aren't exactly zero for Atsushi to confront your ex-lover and accidentally kill him during an argument.

🐅​The beast within him tries to tame itself as good as it can for you even if results are mixed. With time he grows closer to your child though he struggles to be a parent for the little boy as he more than once acts just as childish and needy. Still, he does his best to show you that he can protect and provide for you and your child all whilst seeking emotional comfort from you. It has taken him a good chunk of courage to finally confess to you only to be met with a direct blow to his heart. The shock of your rejection numbs him for a few seconds before the weight comes crushing down. He hyperventilates, he cries, he bites his bottom lip bloody and his nails threaten to rip through the skin of his palms. That is only because he does misunderstand your rejection as you telling him that you have no interest in him. Once he has come to understand that you didn't reject him for that reason hopefully he manages to calm down at least a bit. That means that he still has a chance, doesn't he? Still, he feels like it's his fault for not having made it clearer to you just how deeply infatuated he is with you. That has to change now. Hopefully some of his seniors can give him useful tips how to woo you.

Akutagawa Ryunosuke

⬛​It is through Gin that Akutagawa finds out about you as his beneath the mask quite shy sister has befriended you and finds herself visiting your small shop once a week. Whilst he is anything but an overbearing brother this piece of information still manages to stick to him. It's the first time he has heard that Gin has made friends with someone outside the Mafia and initially he starts directing hostility against you. Akutagawa isn't an individual to trust easily as he distrusts with far more confidence and this is what he finds himself doing against you. Who are you? Are you really just a regular citizen? His sister assures him that you are not some spy nor does she plan to give you any information about the Port Mafia or her real identity but for Akutagawa actions speak louder than words. He finds himself stalking you occasionally, dark eyes trailing after you. A scoff appears on his face the moment he notices the boy following you, realising that you have a child. How naive you must be, keeping a child whilst involving yourself with a mafioso. If you really are just a normal person you must have no motherly senses at all or else you wouldn't hang out casually with Gin.

⬛​Akutagawa never had a mother who raised him as he has grown up in a violent environment from a very young ago. None of his mentor figures have ever given him even an ounce of affection which has led him to believe that love is a weakness. A weakness he has fallen victim to. A part of him itches to use Rashomon to tear you and that little brat apart yet he holds himself back. Partially because his emotions are messy and partially for his sister's sake as she cherishes you. It's Gin he turns to as his curiosity grows and it is through her he finds out most information about you. The most pressing issue for him is who the father of your son is and even if Gin tells him that you have parted with the guy long before your child was born that doesn't stop Akutagawa's urges to rip that man apart for his mere existence. Stalking you becomes quite difficult, his possessive side flaring up the moment you talk to another man and give him a smile. It's the horrified gaze of his sister that holds him back but that is no guarantee that it'll work every single time. Only to his sister is he able to admit his conflicting feelings to you and both of them know that it is only a question of time when you will find out.

⬛​Still, even if it comes that far Gin wishes for her brother to not terrorise and hurt you even with his obsession. She cares for Akutagawa but you're still her friend and she likes your child as well. She wants him to attempt to confess to you the normal way at least once and if you reject him she kind of knows that there's little she can do. Unable to live with herself if she wouldn't try though Gin introduces her brother to you who finds himself incredibly awkward as he is completely out of his comfort zone, easily irritated and with little patience, especially when your son is around. Big chance that Gin is lurking around in the distance when Akutagawa tries confessing, already looking like he is glaring at you. He honestly only knows what to do in case you reject him because you don't like him which is instantly doing what he can do best. Inflicting fear upon you whilst using Rashomon. He isn't prepared for you rejecting him because you think he shouldn't bother with you and is left so perplexed with that answer that he just stares at you for a good while. Ultimately this only delays the abduction though because it'll still happen. He's promised Gin to not harm your son though.

[impactrueno]

I saw your twt about holding back on telling stories with serious and deep tones and it reminded me of an issue I had a while back. Im a south park fan and I loved reading deep analysis of the characters. and south park being south park, people dont take it seriously and think its just funny so it doesnt deserve deep analysis like other forms of media. I always came across comments saying "its not that deep" or "doing all of that for south park" and I used to hate that so much because why are you commenting that under the authors post? In media there is like a "spectrum" of how deep you are in it as a fan, and it doesn't make you less of a fan if you like to binge watch the show when you feel like it because its funny. Someone who makes fan fiction and psychoanalyses the characters doesnt make them a better fan than you. I hate "it's not deep" because it is that deep to me, I enjoy it, but it dismisses critical thinking and discourages deep discussions about our interests. I want to learn more about the turning point for eric cartman and the friendship dynamics between the main 4. I want to read psychoanalysis of the characters and understand why they do the things they do. I loved reading fan fics with an author that understood how the characters work and put them in situations while making it believable. Whether the content was deep and serious or lighthearted and silly. I don't see those as cringe at all. What I see as cringe is trying to downplay someones time and effort. you dont care for it. cool, just dont make it our problem.

I believe in recent years, this cringe and its not that deep mentality is linked to media literacy/reading comprehension issues. On top of the fact, that fandoms right now has been "normalized", so alot of mean and rude kids and adults are in this space not having a mature and respectful conversation and discussions, as well as zero fandom etiquette. (I understand the past wasnt this magical respectful place but this behaviour has increased compared to past years).

Please don't worry about making deep content, its super fun and there will be fans of what you write/draw that will definitely be into it.

GOSH anon you are absolutely right. cringe culture has done some serious damage to people's creativity and freedom of expression. doing things in earnest is now cringe to so many people (specifically that 18-21 age where they think they're better than everyone else and everything is cringe to them, image is everything) and they actually give you shit for it?? it's crazy. the most harmless thing in the world. whenever my hey arnold comics would leave my target audience on instagram i would get the meanest comments for no fucking reason, because i was taking hey arnold "seriously" (nevermind that hey arnold is probably the nicktoon with the most emotional depth and moments besides ginger but i digress) but hey at least i'm not the one losing my marbles over some random cartoon comic on the internet.

i think rudeness in general has been too normalized not just in fandom, but in social media in general. it's sad. the only thing you can do about it is be kind as much as you can to counterbalance it. i'd like to think that rubs off on people just like how being rude rubbed off on them.

i said that thing about holding back because i'm admittedly too hard on myself sometimes. no one is calling me cringe or making fun of me for what i do, thankfully, people have been super cool and supportive. and it means a lot to me because i'm very earnest about everything i create, even when i try to hold back. i literally cannot help being myself. it's all i know how to do. i'm just glad i was able to grow a platform where i'm free to be openly passionate about the things i like, talk about them and why i like them, the little things that i find fascinating, the emotions they make me feel, all of that shit is awesome and i wish more people did that.

[nuninho2000]

what's your opinion to all weasleys?

Well , let's start with the parents:

Arthur: I like Arthur, i really enjoy his fascination with everything related to Muggles, it reminds of those kinds of scientists, explorers and collectors on whatever are things found in Nature and then takes home with observing and studying , he's a great role model father that is caring, understanding but can be put his kids in their place when enough is enough and his relationship with Harry and Hermione and the way he takes care and watches over then is really underrated

Molly : I like Molly too , she's the definition of what a realistic mother looks like , she's not a perfect mother but always is trying her best and what's her kids to shine and have success especially in school, sure she can be a nag sometimes with her overprotective side but she is the best mother than you could ask for , in some ways she reminds my own mom and the way she welcomed Harry and show he's part of the family is good

Bill : I like him , he's a very cool old brother that has a cool job and is that kind of brother that everyone loves and the brothers friends look up to , he's a good looking and stylish guy that is patient and helpful, i love his relationship with Fleur and i think are great pair

Charlie: he's the Weasley sibling that we have less showing but just like Bill we can see that people love him especially his teammates from Quidditch like Oliver Wood , his work with dragons always fascinated me because i love dragons and the thought of him working on dangerous job is really badass

Percy; unpopular opinion but i like Percy's character arc and appreciate his development from a snobbish person and is a student role model who is ambitious and wants more , his ambition got the better of him and act really bad during book 5 the way he spoke to his father and how he was ashamed of him , ignoring his mother Christmas present was out of line, to be honest I don't blame him that much for not trusting Harry because despite knowing him they don't get along but the main reason why Percy sided with the ministry was because of the promotion and his ambition got the better of him and when was finally reveal that Voldemort returned and Harry was right all along his pride didn't make go apologise to his family and he had it coming when his siblings ignored him and twins and Ginny throwing food at him but i was really he came around in the end and finally apologised, made amends and fought in the battle of Hogwarts side his family

Fred Weasley : smart person and was a talented wizard that was a great duo with twin brother George, his death was really sad not only because he died next with Percy when everything was alright between them and the fact he died with a smile is heartbreaking and fitting his character

George Weasley: I like him , i think in terms of personality i like him more than his brother Fred , he's a great mastermind and was the best Quidditch player among the twins, i love how protective he is with Harry especially in book 2 when Harry said he would do anything to get the golden snitch and even got mad at Oliver for it , along with Ginny consolidated Ron when he thought his rat was killed

I find it so relatable he gave his pass away brother's name to his son because my name is a tribute to my dead uncle that i didn't know but from the people that knew him said he was a wonderful person

Ron : he's my favourite Weasley character and one of the characters i like the most in the series and he's in my top 10 HP favourite characters, he's brave , funny, smart, passionate, loyal, lovely person and a character that i have a ton of respect for .

He's the best friend that any person likes to have and the best friend and company that someone like Harry and Hermione should have , without him the Golden Trio wouldn't be complete and we readers couldn't have a better person to show us how the Wizarding World works .

Ginny: the lovely girl who conquered the heart of our beloved protagonist and his soulmate.

What can i say about Ginny? The shy girl that wasn't exactly shy had a good growth throughout the series and showed how brave and reckless she could be by fighting against the possession of a memory of Tom Riddle with 11 years old and hang on until it became inevitable, fought against her own trauma, had many friends, was popular, become a Quidditch player which was dream considering that use to practice without her brothers consenting and notice but the peak was when her wishes and dreams became real when the love of her life and soulmate kiss her in front of many people and started dating, unfortunately and was necessary she understood when Harry broke up with her not because he stopped loving her but to protect her .

With Harry, Ron and Hermione haunting for Horcruxs she alongside Neville and Luna restarted the DA and fought against the Carrow and tried to steal the sword of Gryffindor and fought in the battle of Hogwarts .

After the battle she and Harry rapidly started dating again, got married and had 3 wonderful kids and she realised her dream of becoming a Quidditch player for 4 years and then started to write about sports after retirement.

I love the Weasley family, what's not like, right?

[scopophobia-polaris]

So, to add on to Navi's post, because her whole read for the original was getting screenshots from the game to debunk what was said, of course....we are now here. I want to tell you that no one here disagreed with your conclusion about Ganondorf being a victim. What we here disagreed with was the method you used to get there. Simplifying Ganondorf down to solely good or solely evil is something this Fandom does all the time with little to no nuance. And even though you have written an eloquent essay, Published even! You twisted or outright made up parts of the game to get to your conclusion. In essay writing, that's called a logical fallacy, and the whole essay either twists what happens in the game or outright gets it wrong.

Now people are probably gonna wonder why I'm treating this like a big deal or why I'm speaking so blunt, because this is by all means very stupid fandom drama.

But I think when you're a college prof and you get an essay published and it's online for people to read everywhere without you, one, not giving the context behind Ganondorf's creation and the coding of his appearance and motivations, two the complexities of a corporate conglomerate in a notoriously socially conservative country taking aesthetics from countries who were historically colonized. And Three, The way that video games are a collaborative effort with usually no singular vision, this is very true at nintendo despite what people may think, and at any moment changes can be made for any reason by team leads or executives that would hinder or even hurt a story. It detrimental to the audience reading it that you do not provide them more of a couple of screenshots

Basically, many things go into a story and now I'm taking this more from a DOYLIST view right here talking about Nintendo. But I'm doing this because you keep trying to say..... well fuck man do I need to pull up more examples? Navi got them all, the whole essay is you trying HEAVILY to imply that Nintendo MEANT to do all of this, as in intentional in the story, idk I feel crazy, words have meaning, specific wording has implication, oh and this dosent even get into how localization can change things 😃😀 wording has meaning and sometimes translators don't have cultural contexxxtttttttt and to not even mention about Nintendo's history or even the short hand that comes from Ganondorf's design and the historical Orientalism behind it feels like a disservice to the paper, but much more qualified people then I have discussed the way Ganondorf is written and probably would love to discuss or link to previous writing again if asked.

And this is a cold take but Nintendo isn’t the place you should be looking to for deep story telling, they will always be a corporate entity first and the bottom line is a general audience, this does not mean JUST KIDS this means to a generalized population. And this is extremely cynical but a lot of people cant even handle the complexity of a female character who is mean, like Midna, do you really think people would handle a Ganondorf like how he is in Tp being portrayed in any form of film language as good????? This game dropped 5 years after 9/11, Nintendo was never gonna lose out in money like that.

And Dude people have given so much shit to HUGE fanartists and comic authors about their work portraying Ganondorf in a sympathetic light, you would of thunk more people would of picked up on Ganondorf's story being written as tragedy if there was something in the game that actually DID that. Maybe they would of written a blog post about how Midna saw Link kill Ganondorf and was ashamed of that or Ganondorf TOTALLY said the history of light and shadow will be written in blood thing before the final battle, you think people would of talked about huh why did Ganondorf say that there or something and maybe went 🤔 instead of it being argued that Tp Ganondorf had the weakest writing of the series until TotK threw a pile of flaming shit at my door with a picture of Ganondorf on it.

Navi also goes in depth on how Hyrule has not exactly stagnated like what was claimed in History of Light and Shadow by using the Goron merchants and Yeto as examples.

Rynling has stated that the cause of the stagnation and decline is due to an ineffectual leader that has "Not allowed its people to be revitalized by change and diversity."

Now I am familiar with the flaws of an undetermined national unity, I am very familiar with the subject, but I’m not going to speak like an authority. Id rather let someone much more qualified make that post and I link back to it, because i know its coming. But Navi said in her post that the idea of what could of happened at Arbiter's Grounds can completely blow over someone's head if they didn't play OoT first, and I think more or less this is accurate, certain things are lost in Wind Waker even with the recaps, but I wanna join in on this in my own way...

Rynling....you may say Hyrule has been on a decline during Tp......you may even think OoT had a more stable Hyrule or some shit.....i THINK YOU FORGOT ABOUT THE PLOT OF OCARINA OF TIME BAYBEEEEEEE

THE SUPPLEMENTAL MATERIAL THAT I CAN PULL UP TO PROVE MY SHIT ABOUT OOT HYRULE BEING DOG SHIT IN COMPARISON TO TP

Like if you're seriously gonna link me and Navi to your essay then I am about to go full BTW it's a Sativa and eat that bitch after midnight cuZ we YELLIN ABOUT OCARINA OF TIME ON THIS POST FOR EVERYONE🌟🌟🌟🌟🌟

All of Ocarina of Time's narrative is haunted by the civil war, the whole reason why Link is being raised in the woods is cuz of the civil war, the Sheikah are implied to have died out during the same conflict, and well its said that Hyrule was unified during it

Civil War yet the translators use unified the country like it WASNT under a sole ruler before? Hello? I need to go back through the Japanese script for the game again to see if i missed something of the game and freak it harder. And do realize the Deku sprout in this screenshot says fierce war but every where else, including the Zelda wiki (not fandom) its CIVIL War.

The Gate to Death mountain and Simultaniously the fence at Zora's river gives us and idea that peace was....tenuous at best downright hostile at worse given relations with the Gerudo

so today we gonna do some fun comparing and contrasting the Gorons and how they are treated in OoT to TP

and we gonna start with his racist ass BHJBHDBHKCJW

I mean, damn remmeber how mad Darunia is at Link for being the supposed royal family messenger? Link Unlocking the door to Darunia's room with Zelda's lullaby, I think it's a little funny that Darunia is hung up , you know, like he knows this is some disrespectful shit

Hey wannna hear some shit? The gates at the edge of death mountain aren't guarded by Gorons and were not built by them you can tell, the only way to visit the mountain is to get permission from the King to go up and not from the people that actually live there

God and like, there is something about the way Darunia locks himself in his room, like he does it to keep the ruby safe from all the other Gorons being so hungry that he's frightened they're gonna eat it, he doesn't know what to do on how to act about the Dodongos that Ganondorf summon on him for not giving over that rock. It qlmost sounds like when Ganondorf came in and Threatened Darunia, and that he (Darunia) sent a message to the royal family asking for help, why else would he be expecting someone to come meet with him?

"If I'm not mistaken, you came out here to eat the red stone too! Well, too bad! It's not here! What? That's not why you're here? You're looking for a "Spiritual Stone?" You must mean that delicious-looking red stone that was once displayed above the city! I was so hungry that I thought it would be OK to just give it one tiny, little lick...so I snuck up there. But it was already gone! I think Big Brother took it away. He always says that everyone is after that red stone! Big Brother has shut himself up in his room saying, "I will wait in here for the Royal Family's messenger!" this is a quote from the Goron that you can find on the middle of the rope bridge thing in Goron city.

Yeah so he sent a letter or something and no one answered yeesh.

contrast this all with TP where OH LOOKS WHO'S GUARDING DEATH MOUNTAIN

so in TP spoilers, this happens

Kakariko is more connected then ever! Renado here is wondering what the hell is going on with their FRIENDS. And yeah the Goron elder Gor Coron is trying to keep the last few people from kakariko left safe, and other Gorons, i mean, theyre keeping a piece of the fused shadow in there. also the way that entry into the temple goes in this game is cute, Darunia was freaking it cuz everyone is starving, but here Link wrestles his way up a mountain to ask the Gron elder whats happening since he was asked to come here by Renado, Gor Coron goes DAMN

unless......?

IDK ITS LIKE? ITS SILLY? Idk Hyrule isnt the best place but why try and act like this doesnt happen during TP?

so where am i getting at with this? the hell was going on back during OoT? If things are so odd and weirdly tense with the gates gaurds and non responses

"As time passed, the Triforce became a legend, and the different people of Hyrule forgot the laws and wisdom that the goddesses had left behind. Warfare and strife became common in Hyrule, as the armies of the Zora marched on the Hylians. The Gorons fought the Gerudo. It seemed every race of Hyrule was at the other's throat. Only the secluded Kokiri, sheltered by their magical forest and the Great Deku Tree, were spared the destruction of Hyrule's civil wars.

After 50 years of ceaseless combat, there arose a Hylian King of great wisdom, courage and power. Through his brilliant military campaigns and wise diplomacy, he was able to bring the varied people of Hyrule into a tenuous harmony. Treaties of peace were signed, and prosperity once again seemed to bloom in Hyrule. But no sooner had people declared peace in Hyrule than trouble once again stalked the land."

Tenuous Harmony, could you imagine if they dropped a line like this in Creating a champion? The tumblr side of the fandom would go fucking nuts with that info like OHHHHH SHIT WAS GOING ONNNNNN

This was ALL on the offical Nintendo Zelda website back when oot was the big game out, we have this cuz someone saved it to the wayback, THIS SCREENSHOT WAS FROM DECEMBER 14TH 2001, ABOUT A FULL YEAR AND A DAY UNTIL WIND WAKER WAS RELEASED IN JAPAN. THAT'S INSANE RIGHT???? ‼️‼️🔥🔥🔥🔥🔥🔥

And then it all probably got deleted once wind waker became the new thing!!! Or when they wanted to modernize and deleted it!!! THAT SUCKS RIGHT????

And what's worse is that it introduces some new info and also clarifies something. Hey you know when I made that post like damn Darunia racist as hell

"Warfare and strife became common in Hyrule, as the armies of the Zora marched on the Hylians. The Gorons fought the Gerudo."

NO WHERE IN THE GAME THE LEGEND OF ZELDA OCARINA OF TIME IT SAYS THIS, IT DOES NOT STATE THERE WAS CONFLICT BETWEEN THE GORONS AND GERUDO.....LIKE DIN GET YA KIDS.....IM LOOKING EVERYWHERE FOR SOMETHING I MUST OF MISSED.

But Like oh hey a fucking explanation to why he just fucking says that, I figure it was cuz of Ganondorf trying to almond mom all of them or that he kept talking to the King and well.....Navi already showed the GENERAL reaction to the Gerudo in castle town.

it went from oh hes just racist to dARUNIA AND GANONDORF HAVE HISTORY????

But the interesting one is why did thy Zora "marched on the Hylians."

Like sitting here like, I know a comic made in Germany shouldn't be a be all end all in shit I knew it never was and it would like. If you put this in warrior cats canonicoty categorization would be considered lower down supplementary material dubious canon, but their are things in the comic AND the Himekawa manga that behinds some behind the scenes actions given that LINK'S MOM HAS A MOSTLY CONSISTENT DESIGN WHAT THE HELLLLLLLL. And I always thought the Goron Zora war thing was stupid but Nintendo then had that out on their website, what the hell was going ON.

Because idk i didnt think much of Zora De Bon XVI and the Hyrulien King's relationship but

Now a days the Zelda website is much different and does not have lore pages like this anymore, it's more like a summary of the timeline. But yeah actually Nintendo approved shit, Hylian/Zora war.

Hyrule is progressing, its just going slowly, Hyrule is not AS stifled by its monarchy or a lack of integration during TP because Hyrule IS integrating, is people's are intermingling like is hasn't before during this game.

And this isn't even to get started on the E3 demo of Twilight princess that the trip that Link is supposed to take at the beginning of the game was to be the representative of Ordon at the "Hyrule summit

and Hyrule is described in a VERY specific way

Kingdom of Hyrule and neighboring realms? like theyre all not under the crown? so like???? FUN, that didn't end up making it in the game. the dailouge that is, But the remints is still there in the way the game is made up, like how OoT is built off is civil war bones

actually funny, Navi just got me screenshots of the way the dialouge was changed here

Like stuff clearly changed during the demo and finished game, I should of been touching more on the intricacies of how like shit was just change for no reason sometimes but uh....

But maybe @rawliverandgoronspice would want to one day like about games industry stuff if you ever want to 😭 I know you're super passionate on this and I wish I like even off hand mentioned something about how like TP is also effected by how games are made but I didn't and I'm a fool but games are complicated as hell and that post you made talking a bit about it was fun ya know 👉👈 and the Beta of Tp changes a LOT of stuff, one Rusl really is like a brother to link in the way he messes with him, it actually makes some weird Nintendo licensed shit saying hes like a big brother to Link made WAYYYYY more since with the Beta in mind, but....that also mean they tried to keep the big bro vibes....but then put the dad ones in there too like.....uh...did..someone not change his summary anywhere?

that was my big thing i wanted to talk about, navi's already touched on everything else i just think the parallels here between the Goron quest between OoT and TP changes in such a nice way.

And like this doesn't get into other shit about TP, like if we wanna deep dive into shit ya don't gotta do it by twisting the story, like I was going and talking to @blackautmedia to ask with some help when it came to like.......god idk what i even said anymore i was going a mile a minute. He wants to write his own thing on Twilight princess so im not gonna step on his toes but he has recommended Arabs and Muslims in the Media: Race and Representation after 9/11 by Evelyn Alsultany, the link I provided here is too her website and her page on the book this link here is from her own site that has a pdf of a part American Quarterly with a paper by the same name.

Anyways i wanna reflex for a moment cuz ive been up for hours finishing this because my brain wont stop unless i do. But the thing that by all means started this, was not your reblog linking me and Navi to your essay, or that there is 2 versions i found out where the paper published one had a lot more context to why you wrote your tumblr post the way you did, Navi helped me get the parts that were cut, please realize removing these does not remove the sentiment from the essay, its baked in.

fanfic, its a popular Fan interpretation that there was fighting between the Gerudo and Hylians after Ganondorf was caught trying to take the triforce, but this is not stated to of happened in the lore itself or even has evidence to back it up other then the Implications of Arbiter's grounds theory

UGHHHH AND THIS AGAIN "Twilight Princess Delivers a subtle yet poignant protest against neoliberal discourses of empire reflected in the rhetoric of heroism inform the geopolitical movements of Japan throught the twentieth century"

WHAT ARE YOU FUCKING TALKING ABOUT......

i dont mean this in a stupid ass way, im saying where the hell was about the protest thing, wait i really shouldt take from the published one cuz you actually dumbed down the line for tumblr

anyways again, where, Navi made it clear enough with her own post that, no, the way that Ganondorf is animated has no sympathy for him until the light is literally leaving him. Hell Twilight princess inst very kind to the gerudo either given that the only thing said about them is that they were thieves and nothing more. Like somehow OoT is more empathetic to the Gerudo, it doesn't just call them thieves, it aint great its not even good its just a bad portrayal of a people, and yet somehow OoT is willing to show the Gerudo in a neutral light at points then TP ever did.

but the reason i decided to just throw down a post is cuz i was pissed that you went after Ezlo for reblogging ME and NAVI's posts and purposefully misunderstood their fuckin wind waker post about ZELDA YOUTUBERS

dude you had them getting genuinely harassed by people with 0 reading comprehension that thinks a snarky reply to a tumblr post means its 100% correct. Webbed. Site.

anyways, I hope people don't take this as a right or wrong way to interpret a piece of work, as stated before, I read your essay, navi read your essay, you changed parts of Twilight Princess to get to the conclusion of you paper...And im gonna be real but it's kinda crazy that you're using post colonial melancholia for this when it's got some.....well something like idk i need someone to do a full ass review because there are point where i gently raise an eyebrow im gonna be real. but also like

like how do you read his book and then miss out on this, one of your whole big aruments is that hyrule is stagnate and not multi cultural and i had to grab screenshots and Navi had to get shit from the game.

like damn, do yall ever uh feel a strange sadness when dusk falls? i do. Idk this is one of the first and last times Nintendo ever delt with Ganondorf with some form a sympathy for him, cuz we got the dragon explosion in totk its like oh he's turbo evil now and he exploded you exploded him and yet the Gerudo probably still gotta pay for his shit from a billion years ago anyways idk idk idk pot shots at totk again.

I know you dug around a little for that post, and I understand from the numerous people that dmed me about that, you probably went on making an essay on their post so you could sound smart again.

And to be clear, I was told to drop some shit i was about to say about you because no one wants to start fandom drama, neither do I truly and any jab on the post itself would just be rude. people change and some people only learn to shut the hell up, so we'll keep it at that. I just hope you really don't truly recognize some of these people you started shit with.

So yeah tldr, uh.....idk, im going in for an autism screening in a month

also me watching the ending to windwaker cuz i wanted to say something about stong endings TP fans im sorry But Wind waker's ending hits no matter what best sequal to OoT thats isnt Majora's mask

The History of Light and Shadow

At the end of Twilight Princess, Ganondorf delivers one of his most memorable lines, “The history of light and shadow will be written in blood.” He is not wrong. As the player has witnessed over the course of Link’s adventure, Hyrule is haunted by ruins and ghost towns, a mere shadow of what it once was. The landscape is filled with numerous sites of past violence and empty spaces visibly marked by decay and wasted potential.

When Zelda tells Link and Midna that “these dark times are the result of our deeds,” she is referring to specific historical acts of imperialistic aggression. Hyrule established hegemony over its outlying territories by crushing the rebellions against its advances, but the kingdom has suffered from cultural stagnation as a result. Without the dynamic diversity symbolized by Ganondorf, Hyrule finds itself in economic and political decline, isolated from any contact with the world beyond its shrinking borders.

As a representative of a marginalized group of people who have been attacked and driven from their homes, Ganondorf is a tangible manifestation of the horrors of imperialism. He must be defeated, but doing so does not address the underlying problems that have resulted in Hyrule’s decline. I therefore want to argue that Twilight Princess uses Ganondorf to deliver a subtle yet poignant protest against the discourses of empire reflected by the dualistic “light and shadow” rhetoric of heroism that has resulted in tragedy and regret.

Keep reading

[call-me-chips]

New MHA oc! (More info below the cut :) )

Basic info:

Full name: Kyomu Mori (Mori is his surname) Nickname: Kyo Gender: Male (He/him) Sexuality: Gay Height: 6'2" Weight: 185lbs Age: 16 Birthday: April 6th Zodiac: Aries MBTI: ESTP-A Langauges: Japanese, English, Filipino Ethnicity: Japanese, Filipino Dominant hand: Right Scars: Scar on the upper center of his forehead Reason for scars: Unknown Piercings: 1 right eyebrow piercing, 1 lobe piercing on each ear Eye colour: Yellow Skin colour: Medium brown Hair colour: Light blue, white Hair style: High ponytail Hair length: Upper back Body type: Tall, muscular Special features: Anthro-like legs, long tail, oddly shaped ears, slightly sharp fingers, sharp canine teeth

MHA related:

Occupation: UA Student Hero name: Tamper Quirk: Memory Mutation. The ability to move, alter, and add to memories of both others and himself with just a touch More detailed quirk description: When the user touches another person with either their hands, feet, or tail, they are able to access the recent memories (recent being a few days) of the person and alter them. With further concentration and effort, they can access older memories (older being a week or more), but this is draining and difficult to successfully do. Although memory tampering can be performed with the hands, tail, and feet, the effect doesn't work as well with the feet. Altering memories: This action is the easiest to do. With this action, the user is able to change a specific part of a pre-existing memory. Example: They could cause you to remember leaving your keys on your desk, when you actually took them with you. Moving memories: This action makes the user practically able to delete a memory by moving it from someone's mind to his own, or from his mind to someone else's. Adding memories: This action takes the longest to perform. With this, the user can give someone a completely new memory, even if it's something that never happened. To do this, the user requires a lot of concentration, as they have to clearly invision all that happens in the memory. If their mind is not clear enough while invisioning the new memory, it may seem distorted.

Personal questions:

Is he more optimistic or pessimistic? Optimistic Is he more introverted or extroverted? Extroverted What bad habits does he have? "I have no bad habits." He can't sit normally in chairs. He chews with his mouth open (he blames the fangs). He jaywalks. Doesn't like listening to authority How does he display affection? He loves physical touch, and will sometimes purposefully touch people he likes with his tail How does he want to be seen by others? He wants to be seen as the cool older brother figure to Class 1A How does he see himself? He sees himself as a valuable member of his class How do others see him? His closest friends see him as a brother, while others see him as a rebellious teenager who's always getting into trouble How does he react to praise? With open arms How does he react to criticism? In the moment, he acts like he doesn't care and like he doesn't listen, but later, he finds himself thinking over it deeper and trying to subtly improve What is his greatest fear? "Nothing." Being forgotten What are his phobias? Enclosed spaces, mice/rats Favourite animal? Dogs. Specifically German Shepherds because of how fierce and protective they can be (And that he thinks guard dogs are fucking awesome) Favourite colour? Yellow More often than not, what is his password? "Nice try. I ain't telling that." It's usually 1234567896 "Hey! >:(" What would he dress up as for Halloween? One of those big enflatable costumes like a dinosaur or a rubber duck What would he ask a fortune teller? "Hmmm, I don't trust it. If you are so smart, how many fingers are behind my back right now?" What sport is he good at? Basketball What sport is he bad at? Golf. He has something personal against golf and anyone who plays it

Kyomu is, design-wise, basically just a compilation of physical traits that I am either bad at, or want to improve on. I'm not good at drawing men. I'm not good at drawing hands, and his quirk involves using his hands. I want to get better at drawing different perspectives of asymmetrical objects, so I gave him an asymmetrical tail. I'd like to improve at drawing anthro legs. I want some experience with drawing fangs. I'm not good at drawing updo hairstyles

Feel free to ask more questions about him in my inbox. I'm always looking to add to characters :)

[a-most-beloved-fool]

Vulcan tails! I love giving Vulcans tails. But, because I am a writer more than an artist, I am cursed to think of The Implications™. So, have some headcanons. (i think there was a different one of these not too long ago, too, but i figure more can't possibly hurt!)

Prehensile - it is fully maneuverable and can be used to grasp small-ish objects. It's pretty thin, though, so it can't hold much more than 20 pounds. (even that seems like a stretch to me, with how long and thin they're usually drawn, but Vulcans are stronger than humans, so let's indulge.)

Telepathically sensitive! Not as sensitive as fingers or qui'lari, maybe, but still pretty sensitive. Compatible minds could meld using only tail contact, even if they're not the most telepathically proficient. Most of that sensitivity is concentrated near the tip, but in instances where the tail must be partially amputated for some reason, the telepathic centers have been known to redevelop farther up, on the new tip.

Tails are kept wrapped around the body (like a belt, typically, but there may be different styles of wearing them) the majority of the time. This is partially inspired by fanart, and partially because wrapping the tail around something is a Very Good Way to keep it still through emotions.* (I've seen it suggested that Vulcans would simply amputate tails as infants, but I Do Not agree with that, simply because I think that cutting perfectly functional body parts off of people without their consent is Horrifically Immoral, and also? inherently illogical? Like what do you mean you're chopping off their limb??? what if they want it later? it can't just grow back! wtf??? Cardassians might cut off tails, Vulcans Would Not. You could argue that the tails are usually kept tucked away beneath clothes, though, if you want an excuse for "no visible tail". You could also maybe argue that those who completed kolinahr would get their tails removed as a symbol of the removal of emotions, but tbh i don't like that much, either.)

I think I saw a different headcanon list somewhere on here which suggested that very young Vulcans might hang onto the tails of their parents, and I do like that concept. It's very cute. So, yes, tails are often used when caring for small children. They probably offer some kind of emotional support to Vulcans young enough to not have developed their controls yet. A telepathic pacifier or comfort blanket, if you will.

The V'Tosh Ka'tur (Vulcans without logic, like Sybok) advocate for tails to be freed. Sometimes Vulcan punks will experiment with their tails loosed as a form of rebellion. There's a whole underground movement about it.

There's an ongoing debate about whether tail use should be allowed during certain sports and gymnastics. It does help with balance, for example, but critics suggest that it's unfair to allow tail use when some Vulcan athletes will still refuse to use their tails for spiritual/Surakian reasons. They say it offers an unfair advantage to those who use tails, at the cost of more conservative Vulcans. Others say that it's illogical to ban the use of a natural body part that they almost universally possess.

(speaking of "universally possess" - I'm toying with the idea that the tail kind of begins as an umbilical cord? so before the child is born, it connects the infant to its mother, and after it's born, the cord develops bones and cartilage and transforms into another limb. idk how much sense that makes, but i like the concept.)

Because Vulcans keep their tails so contained, sometimes aliens don't realize that they have them. They assume that they're just an unusual belt that Vulcans are particularly fond of. More than one has been utterly shocked to see this supposed article of clothing twitch on its own! (sometimes, particularly young or rebellious Vulcans will deliberately play this prank on people.)

The VSA bans all tail use for tasks in their laboratories (both chemical and engineering) after a number of unfortunate accidents involving dropped specimens and tails caught in machinery. Space-OSHA is very strict about tail PPE. Tails must stay beneath the lab coat at all times!

Pre-Surakian theater often had blocking instructions for tails written into the script. The first time a modern troupe put on one of these productions, the controversy became the talk of the planet for weeks.

Similarly, pre-Surakian paintings and sculpture had a strong emphasis on tails. However, the tails were particularly prone to breaking off of the sculptures (they are very thin, after all), and large amounts of academic discussion have gone into attempting to restore the tails accurately. Unfortunately, it can be difficult to tell what position the tails would have been held in. There are only a handful of sculptures which have remained completely intact, and their tail positions are not consistent enough to provide a template, so many statue recreations are forced to guess. Some academics also suggest that there was a movement nearly 1000 years previously to deliberately remove tails from statues and destroy them!

At least one (non-percussive) musical instrument exists which requires use of a tail to play it properly.

Underground Vulcan clubs often feature risque tail dancing. This is less controversial than the plays, simply because it's not officially sanctioned and is considered to be a "display of skill and sensuality" rather than an expression of emotions.

*this has been haunting me with another silly spirk fic idea I don't yet have time to write, which is below:

Spock's tail, which is usually kept wrapped around his waist (save for when it's in use holding things), gets badly injured during a landing party. Some of the bones are broken, and because the bones are small and finicky, a good chunk of the healing needs to be done via a good old fashioned cast.

Meaning: Spock can no longer keep it wrapped around his waist.

And, having a free-hanging tail for the first time since he was three-ish, Spock learns that he is Very Bad at keeping tabs on it. Whenever he's focused on any sort of project, his tail has a mind of its own, and, naturally, it reacts most strongly to Kirk. Sometimes it wags when Kirk smiles at him, and nearly every time Kirk is close enough to him, it drifts over to touch him. They do reports together one night, and Spock's tail finds its way to Kirk's lap, and Spock, too focused on his work, doesn't notice that it's there for over an hour. Kirk does notice, and deliberately doesn't draw Spock's attention to it.

Kirk (pining) is trying his very best to not read too much into things (and is failing. oh boy does he want it to Mean Something). Spock (also pining) is just about at his wit's end trying to figure out how to control his wayward tail (because he doesn't want people to realize that it Means Something). Everyone else just finds the whole situation very cute (because they all knew from the start that the emotions were there).

[makiswirl]

can i just say. and this is probably a niche hill to die on. that i am so gobsmacked every time someone vaguely hints at the idea that jotaro doesn't care meaningfully for the other crusaders, usually particularly kakyoin and joseph, when those two actually tend to be the ones he reacts to being hurt the hardest

like he cares for his loved ones!!!! that literally plays into his character motives in every single part he shows up in!!! stop lying to me!!!!!!!

[royalarchivist]

[A sad violin song plays over an image of a sad hamster]

Pac: This doesn't have anything to do with me – I wear a blue sweatshirt, you're crazy, this mouse doesn't even have a sweatshirt, this hamster! [Reading chat] Am I a depressed hamster?

[ Transcript continued ↓ ]*

–

Pac: Actually– that's fine! I embrace that idea – of course I'm going to be depressed, are you crazy? [He hits his desk, then starts counting off people on his fingers] Fit is gone, Richarlyson is gone, Ramon is gone, Bagi and Empanada who were always there when we were there are also gone, I haven't seen them! It's just me and Tubbo, and sometimes Philza shows up.

Pac: I lost Chume Labs, I lost the Favela, I lost Murder Mystery, I lost Ilha Chume Labs, it's crazy! Look at how much I've lost, and I've gained nothing! Of course I'm going to be depressed, are you crazy?! How am I supposed to be happy?!

Pac: [Reading chat] "You have us Pac," that's true, thank you. No, that's true, sorry.

* NOTE: Please note that this is an incomplete transcript, as I was primarily relying on Aypierre's translation mod at the time and if I am not confident of the translation, I do not include it. As always, please feel free to add on translations or message me corrections.

[gingermintpepper]

As usual I read your tags always and so you said Apollo did not ask for resurrection of Asclepius and Hyacinthus so i just wanted to share this. About Asclepius death I read it on theoi.com, that earlier authors don't make him resurrect as a god but that's a later development mentioned only by Roman authors like Cicero, Hyginus and Ovid. But still Apollo has a role in Ovid's version

Ovid, Fasti 6. 735 ff (trans.Boyle) (Roman poetry C1st B.C. to C1st A.D.) : Clymenus [Haides] and Clotho resent the threads of life respun and death's royal rights diminished. Jove [Zeus] feared the precedent and aimed his thunderbolt at the man who employed excessive art. Phoebus [Apollon], you whined. He is a god; smile at your father, who, for your sake, undoes his prohibitions [i.e. when he obtains immortality for Asklepios].

So here it is actually because of Apollo the decision was taken to resurrect him as god. And with Hyacinthus, I don't think I've read about Artemis playing the primary role. I know in Sparta there was a picture of Artemis, Athena and Aphrodite carrying Hyacinthus and his sister to heaven.

This is not on theoi.com but I saw on Tumblr it's from Dionysiaca by Nonnus

Second, my lord Oiagros wove a winding lay, as the father of Orpheus who has the Muse his boon companion. Only a couple of verses he sang, a ditty of Phoibos, clearspoken in few words after some Amyclaian style: Apollo brought to life again his longhaired Hyacinthos: Staphylos will be made to live for aye by Dionysos.

So since he is singing inspired by amyclean stories it probably means in that place it was believed Apollo was the one to bring back his lover to life.

Apollo as god of order was very important so i think it shows how special these people (and admetus too) were to him that he decided to go against the order for them 🥺

ANON!! Shakes you like a bottle of ramune!! BELOVED ANON!!!!! I'm littering your face with kisses, I'm anointing you with olive oil and honey - you absolutely made my night with this because, not only did I get the pure serotonin shot of having someone interact with my tags (yippee, wahoo!!) I also got to have that wonderful feeling of "oh wow, have I misunderstood something that was integral to my understanding of this myth/figure this whole time or is this a case of interpretational differences?" which is imo vital for my aims and interests as someone who enjoys mythological content and literature.

I'll preface my response with this: Hyacinthus is by far the hardest of these to get accounts for because his revival itself, as you very astutely point out, is generally accounted for in painting/ritual format which muddies the waters on who interceded for what. I wasn't actually familiar with that passage from the Argonautica - and certainly didn't remember it so thank you very much for bringing it to my attention!

That said, what I've come to understand, both about Hyacinthus and about Asclepius is that in the accounts of their deaths, Apollo's position is startlingly clear.

For Hyacinthus, it is established time and again that Apollo would have sacrificed everything for him - his status, his power, his very own immortality and divinity. Ovid writes that Apollo would have installed him as a god if only he had the time:

(Ovid. Metamorphoses. Book X. trans. Johnston)

Many other writers too speak of how Apollo abandoned his lyre and his seat at Delphi to spend his days with Hyacinthus, but they also all agree that when it came to his death - he was powerless. Ovid gives that graphic account of Apollo's desperation as he tries all his healing arts to save him to no avail:

(Ovid, Metamorphoses Book X. Apollo me boy, methinks him dead. trans Johnston)

Bion, in one of his fragments, writes that Apollo was "dumb" upon seeing Hyacinthus' agony:

(Bion, The Bucolic Poets. Fragment XI. trans Edmonds)

Even Nonnus in the Dionysiaca speaks constantly of Apollo's helplessness in the face of Hyacinthus' fate where he writes that the god still shivers if a westward wind blows upon an iris:

and when Zephyros breathed through the flowery garden, Apollo turned a quick eye upon his young darling, his yearning never satisfied; if he saw the plant beaten by the breezes, he remembered the quoit, and trembled for fear the wind, so jealous once about the boy, might hate him even in a leaf...

(Nonnus, Dionysiaca, Book 3. trans Rouse)

And the point here is just that - Apollo, at least as far as I've read, cannot avert someone's death. He simply can't. Once they're already dead - once Fate has cut their string - all Apollo's power is gone and he can do nothing no matter how much he wants to. And this is, as far as I know, supported with the accounts of Asclepius as well!

Since you specifically brought up Ovid's account, I'll also stick only to Ovid's account but in Metamorphoses when we get Ovid's version of Coronis' demise, he writes that Apollo intensely and immediately regrets slaughtering Coronis. He regrets it so intensely that he, like he does with Hyacinthus, does his best to resuscitate her:

(Ovid, Metamorphoses Book Two. Apollo's regret)

And like Hyacinthus, when it becomes clear that what has happened cannot be undone, Apollo wails:

(Ovid, Metamorphoses Book Two. Apollo wept.)

Unlike his mother, Asclepius in her womb had not yet died and so, with the last of Apollo's strength, he does manage, at least, to save him.

(Ovid, Metamorphoses Book Two. Apollo puts the 'tearing out' in Asclepius.)

But it goes further than even that because Ocyrhoe, Chiron's daughter, a prophetess who unduly gained the ability to directly proclaim the secrets of the Fates, upon seeing the baby Asclepius, immediately prophesies his glory, his inevitable death and then his fated ascension:

(Ovid. Metamorphoses, Book Two. Ocyrhoe's prophecy. trans Johnston)

Before she too succumbs to her hubris and is transformed by the Fates into a horse so she can no longer speak secrets that aren't hers to share.

These things ultimately are important because it establishes two very important things: 1) Apollo can't do anything in the face of the ultimate Fate of mortals, which is, of course, death and 2) even when Apollo is Actively Devastated, regretful, yearning, mournful, guilty or some unholy combination of all of the above, when someone is dead, he accepts that they are gone. Even if he is devastated by it, even if he'll cry all the rest of his days about it - if they're dead? Apollo lets them go. In Fasti, when Zeus brings Asclepius back, he does not say Apollo asked him to - Zeus, or well, in this case Jove, brings Asclepius back because he wants Apollo to stop being mad at him.

(Ovid, Fasti VI. Apollo please come home your father misses you. trans. A.S Kline)

Even Boyle's translation which you used above in your findings hints that Zeus made Asclepius a god because he wanted Apollo to stop grieving. (i.e 'smile at your father', 'for your sake [he] undoes his prohibitions')

And like, Apollo was deeply upset by Asclepius' death - apart from killing the Cyclops in anger, in book 4 of the Argonautica, Apollonius writes that the Celts believe the stream of Eridanus to be the tears Apollo shed over the death of Asclepius when he left for Hyperborea after being chastised by Zeus for killing his Cyclops:

But the Celts have attached this story to them, that these are the tears of Leto's son, Apollo, that are borne along by the eddies, the countless tears that he shed aforetime when he came to the sacred race of the Hyperboreans and left shining heaven at the chiding of his father, being in wrath concerning his son whom divine Coronis bare in bright Lacereia at the mouth of Amyrus.

It all paints a very clear picture to me. Apollo did not ask for either of them to be brought back. Though bringing them back certainly pleased and delighted him, they are actions of other gods who are moved by Apollo's grief and mourning and seek to mollify him. Him not asking doesn't mean he didn't want them back which I think is a very important distinction by the by, but it simply means that Apollo knows the natural order of things and, even if it hurts, he isn't going to press his luck about it.

Which, of course, brings us to Admetus. And I'm really not going to overcomplicate this, Admetus is different because, very vitally, Admetus is not dead. Apollo can't do a thing once Fate has been carried out and Death has claimed a mortal but you know what he absolutely can do? Bargain like hell with the Fates before that point of inevitability. And that's what he does, ultimately for Admetus and Alcestis. He sought to prolong Admetus' life, not revive him from death or absolve him from death altogether and even after getting the Fates drunk, he's still only able to organise a sacrifice - a life for a life - something completely contingent on whether some other mortal would be willing to die in Admetus' place and not at all controllable by Apollo's own power.

All of these things, I think come back to that point you made - that Apollo's place as a god of order is very important and therefore these people are very special to him if it means he's willing to go against that order but, I also wish to challenge that opinion if you'd let me. Apollo's place as a god of order is very important and therefore, I would argue, that it is even more important that it is shown that he does not break the divine order, especially for the people that mean the most to him. The original context of my comments which started this conversation were on this lovely, lovely post by @hyacinthusmemorial which contemplated upon Asclepius from the perspective of an Emergency Medical personnel and included, in their tags, the very poignant lines "there's something about Apollo letting go when Asclepius couldn't that eats my heart away" and "you do what you can, you do your best, but you don't ever reach too far" and I think that's perfectly embodied with the Apollo-Asclepius dichotomy. Apollo grieves. He wails, he cries, he does his best each and every time to save that which is precious to him but he does not curse their nature, he does not resent that they are human and ultimately, he accepts that that which is mortal must inevitably die. There is nothing that so saliently proves that those who uphold rules are also their most staunch followers - if Apollo wants to delight in his place as Fate's mouthpiece, he cannot undo Fate. And, if even the god of healing and order himself cannot undo death, what right does Asclepius, mortal as he is, talented as he is, have to disrespect it?

The beauty of these stories isn't that Apollo loved them enough to bring them back. The beauty is that Apollo loved them enough to let them go.

[moonyasnow]

Even MORE Malina facts bc Wednesdays are super busy for me but yapping about her doesn't take a lot of time~

Some physical facts are that her eyes are purple— which you can't really see in a pencil sketch— and she has Irina's smile.

A way she likes to show love and affection through people is kisses, so she'll often kiss the cheeks, hands and foreheads of the ones she loves, ESPECIALLY her family. And and often kisses the back of her friends and acquaintances' hands when saying hello or goodbye.

Since she's so much taller than her mother Irina, who's just 152cm, she sometimes straight up just picks Irina up to hug and kiss her. She's the tallest of all of the siblings, too, so they all get the same treatment. Unless they're tall enough she'd just need to bend a little to place a kiss on the top of their head

She loves participating in her youngest siblings, Malissa and Malindt's playing. She spends as much time as she possibly can with her family, always making time for them. In part because she knows that one day, she will be queen, and won't have as much time to be able to spend smothering them all in her love. So it's like she's trying to make up for that fact by dedicating her every moment to them.

That said, used to being spoiled as she is, she does not like it when her affection isn't returned. Same way where, if she's given affection from others, she always returns it. To her, it's as simple as equivalent exchange; an expression of love that, if the gesture is returned, means mutual love. She does not like giving and getting nothing in return. So if someone— most often her younger brother Malcolm— doesn't return said affection, she instead prompts to take something from them, like a big bite of their pastry, or an hour of their time. It's the same reason why she gets so upset if her siblings don't still treasure the stuffed animal she gave them from her hoard. She is incredibly protective of her hoard, after all, so in her mind the least they could do is appreciate it.

So uhhhh @blood-red-hummingbee for your Fankid dorm placement thing— I changed my mind, Malina would be in Octavinelle ‘^^

I made a playlist for her too!

Already having a kindy shitty day so to make myself feel better I drew Malina (my granddaughter—)

(Ignore the outfit I just made up something random)

I think the first time I drew her it didn't register as easily that she does look a lot like Irina too

So I changed up the way I drew her eyes and the shape of her hair slightly to get it across better

Also since we've been talking character inspos recently, her biggest inspiration was without a doubt Camilla from Fire Emblem: Fates

From the design itself right down to the 'very doting & protective, almost even baby-ing, older sister' thing