#I am a happy happy nerd
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sketchy-noodles · 11 months ago
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The price of greed 💜
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courfee · 4 months ago
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17 December 1975 / 15 May 1976
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poorly-drawn-mdzs · 7 months ago
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Lan Wangji Goes To Lotus Pier AU: Part 5: Flip Slip.
(Part 1, Part 2, Part 3, Part 4, Part 4.5)
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i-dreamed-i-had-a-son · 2 months ago
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jon val jon or something
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fairandfatalasfair · 10 months ago
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“Please do not tell me that you woke up on this ship with no ability to leave or call for help, took a look at the computer system whose operations are responsible for keeping us all alive, and decided to name it after the Allied Mastercomputer.”
“Okay."
“Did you name Amy after the Allied Mastercomputer?”
“You just asked me not to tell you, so-”
---
Tal Smithson (ke/kem) from @derinthescarletpescatarian's scifi serial, Time To Orbit: Unknown
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apostaterevolutionary · 2 months ago
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I am so sorry, apparently it’s 2024 and I’m arguing about dragon age again lmao. How did I get here! Why is this happening!! Time is a flat circle!!!
Anyway. People can feel how they want about the past games not mattering in this game. If you’re cool with it, I’m happy for you. But there’s one particular argument in defence of this choice that is really, really bothering me and I have to rant
The thing I keep seeing is “well all this other stuff has nothing to do with the main plot or Rook, so it should be cut” and that’s. Not a good way to tell stories in my opinion. Because here’s the thing: it’s not about the Big Overall Plot. It’s about the characters that live in this world, big and small
I’m going to use the example of Varric and Hawke cause I think it’s the easiest to explain quickly. Varric is a storyteller. That’s the defining trait of his character. He tells stories, and sometimes they’re true and sometimes they’re not and sometimes it’s something in between. In DA2 he tells you about his brother. In inquisition, he talks about hawke and there’s banter about several of the companions. Most of these are just little one liners that don’t “serve the overall plot” but they serve Varric’s character
And that matters
So if we take this character known for telling stories about people that have been in his life, well, he largely can’t do that now. How can he talk about Hawke, someone who can be a very close friend of his, without even their gender being a choice you can select? Or whether Varric should be saying ‘is’ or ‘was’ about them? How can he talk about the companions in DA2 or inquisition when a lot of them don’t have to be recruited or can die? Will he limit himself to only characters that are guaranteed to be a part of it and alive? Or is it that he and Rook will have such a shallow relationship that Varric, of all characters, never talks about his life and past exploits?
Or has Varric as a character changed so much that he doesn’t even want to tell stories anymore? That Hawke living or dying means nothing to him? That the friendships he built with people in 2 games mean nothing to him? That he’s become literally unrecognizable?
This is where the problem is. Sure, Rook maybe doesn’t care about these people they’ve never met. But do they care about Varric? What about if a companion mentions an old friend of theirs, talks about an experience they had that made them who they are - is that only okay if that experience isn’t from a previous game? Or are all the characters so flat that we never learn anything about their connections to others outside of Rook? Is this story SO focused on this player character and this plot that NOTHING else matters, even within the world, and there’s no depth to be found in any of the characters that feature in it?
Writing characters so that they only ever talk about things that “directly serve the plot” is how you get flat, unremarkable, boring, forgettable characters. And that’s not something I would have accused bioware of doing even if some instalments are stronger in this area than others. But it sounds like that’s what they’re doing here, at least with the past characters. Cause sure, maybe Morrigan is so closed off she’ll never mention her son and partner. That’s believable, even if iffy given that they’ve said she’s going to be more involved than we think. But Varric? VARRIC??? Never mentioning ANY of the people he used to spend time with and care about except Solas and maybe some of the inquisition characters that can’t die or not be recruited but also carefully skirting around what happened to them in the game? That’s literally not the same character
And I would expand this to like. A letter mentioning this or a codex mentioning that, or ambient dialogue about so and so - that makes the world feel deep and those random, unimportant NPCs feel richer by connecting them to the larger world. It’s not about “serving the plot”, it’s about making your world and characters deep enough that they feel real, lived in, and like something we can actually care about
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dustykneed · 7 months ago
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Picture this; Bones holding Joanna, rocking her to sleep and the part in Beautiful Boy where it’s like “The monster's gone, He's on the run, And your daddy's here” is playing. :,)
Fatherhood gives you certain... skills. Coincidentally, this is also how Jim finds out that Bones sings.
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:'))
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bea-the-cool-guy · 7 months ago
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So... I never post anything of my own on here usually, but it's Ink's birthday today, and I wanted to share some things I made to celebrate. Thanks for the memories, @comyet !! Ink is awesome!!! (And yes the username is correct, that's my handle on Instagram =))
This drawing took me dayssss because of all the work i've been swamped with recently T-T still enjoyed making it tho
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coolnonsenseworld · 1 year ago
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(to know more about the story and the calendar on pre-order check out previous posts! LESS THAN 2 WEEKS LEFT)
In September they don't feel like going anywhere or doing any bucket lists - no getting out of the comfort zone this time around. All they need is a little comfort of one another - they take breaks for a movie night when they wouldn't, buy extra cakes they haven't tried previously, go on date-walks and take bubble baths with new scents.
Enjoying simple things in life and appreciating your own presence here feels like it should be a basic part of any bucket list.
How is your September going? Do you have any plans or achievements this month?
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neverheroes · 3 months ago
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dubylou-draws · 6 months ago
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Preview of a gigantic Japanese woodblock print- style KNY fanart I'm currently working on.
This is going to take an unholy amount of time to colour in, so... here's a WIP for now 😅
Expect to see the finished piece posted here at some point- and the backstory/ historical inspiration that goes with it, too!
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willowser · 2 years ago
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katsuki jumps, startlingly, when you rub a hand up his back.
he's leaned too far down, bent over the counter at an angle that will give him an ache he'll complain about later, and his head whips up as you come to stand beside him. an e-mail on his phone is what previously had his full attention, but now he looks at you, eyes softening as you lean into his shoulder.
he's never been a very touchy guy. even after a year into your relationship, it's most often you reaching for his hand as you walk down the street; you pressing a kiss into his cheek while watching a movie on the couch; you running a hand through his hair as his breath steadies out beside you in bed.
it's not something you really complain about. you know how he is, knew before anything developed between the two of you, and you can't say it's a deal-breaker. there's little you know about his previous relationships or if he even had any, but you have the painful-gut feeling that affection just isn't something he's used to.
you press a smile into the sleeve of his shirt and his spine relaxes under your hand, finds that awful curve again. he watches you like he's waiting for something, tracing the tender details of your face.
"love you," you say, because do and you want to voice it aloud, put it into his mind even though you know he knows. as expected, his lips flatten into a wavering little line, shy suddenly, and your teeth wet the fabric of his shirt when you smile.
all you get is a little grunt in response and he dips his chin down in a wordless nod, accepting your lovey-dovey assault. it makes him feel a little helpless, you know, but you bring up an arm to wrap around him as he turns back to his phone, ears pink.
katsuki straightens with a dull pop!, stretching his arms up and allowing you to shuffle closer, so that your head is resting on his chest. you press your ear to it and wait, eyes closed, until the heavy promise of his heartbeat echoes like a drum in your ear. it's loud, and after a moment, your own falls into sync, right where it belongs.
"'s'wrong?"
"hm?" you glance up at him, the frown on his pink face, before breathing in the clean scent of his laundry soap. your laundry soap. and then you shake your head. "nothin'. just missed you."
"been home all day."
"i know," you sigh, letting your eyes fall shut again. the sound of his phone locking clicks and you can feel the slight down-slide of his sweatpants when he pockets it. "sometimes i miss you even though you're right here."
you expect — something; another grunt or laugh through his nose, a raspy little noise that voices his confusion. things like this can be hard for him; you know how he is, knew before anything ever developed between the two of you — but you don't think it makes him any less deserving.
katsuki steps back from you a little, and you feel the hesitant rise of his arm before you feel it. his hand comes up to your face — pink and scarred in your peripheral vision — and he tilts your head up, waits until you open your eyes.
when you do, it looks as if a million things are running through his head. his poker-face is good, it has to be, but you can see little bits of his vulnerability shining through. you wonder how long it's been since he showed it to anybody. he almost looks sad.
katsuki squeezes your cheeks until your lips pucker, and his frown deepens when you laugh. "y're so...damn weird."
that's along the lines of what you were anticipating: one of his teasing little insults, warm with a fire he's still learning how to kindle. you don't get the chance to say anything before he's kissing you, eyes shut tight, lashes brushing against your own.
you expect something soft, because affection is a fickle thing, from him — but his hand never falls from your face and his tongue is sliding with yours suddenly, a heated gesture that throws your heart out of whack. you let him kiss you as deeply as he can, until your back arches painfully backward over the counter as he leans into you.
when he pulls away, his lips are a little swollen and his cheeks are burning, as he presses one into yours. "i—jus'—" katsuki tries and then abandons it, a hand curling into the material of your shirt. "i get it." he murmurs, there, into the heated skin of your face, heart beating in time with yours.
things like this are hard with him — but he makes them so, so worth it.
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helpmyinterestsareverywhere · 6 months ago
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ASDJHLWJLDHJLSADH ITS HIM!! THEY CERTAINLY WEREN'T LYING
I'VE MISSED HIM - BBG PLEASE COME HOME ME AND KIDS MISS YOU
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everywaythatmatters · 2 years ago
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Absolutely insane planet Brandon, 10/10
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rozeliyawashereyall · 4 months ago
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Redrew the Korey ref because I have no self control
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The absolute gal she is.
Little symbolism and poem made by my dearest nerd of a brother for the apple tree.
The Apple Tree of Toxicity
In a family filled with pain and strife,
An apple tree stood tall, a symbol of life,
Its branches reached out, so filled with grace,
Promising protection and a place,
But the fruits of this tree, oh so sweet,
Hid a bitter truth, hidden beneath,
They promised knowledge and a sense of power,
But only brought emptiness and devower,
For the taste of the fruit was oh so sour,
It left a feeling of nothingness in its wake,
As though the apples were poisoned,
Leaving a hollow feeling, a wound that cannot be healed,
And yet we still reach out, hungry for more,
Searching for answers to what lies in store,
For we cannot seem to let go,
Of the knowledge that the tree has to show.
But oh, how we wish to let go,
Of the toxicity that's brought us woe,
For we cannot escape the past,
And it leaves us with a feeling of emptiness at last.
SYMBOLISM LETS GOOOOOOOO—
In the story of Genesis, the forbidden fruit that Eve consumes is often interpreted as a figurative apple. Apples are associated with knowledge and wisdom, which can be a double-edged sword when it comes to toxic families.
On one hand, the pursuit of knowledge can help you see the truth about your family dynamics, which can lead to self-discovery and a sense of peace. On the other hand, the pursuit of knowledge can also make you realize the emptiness that can result from growing up in a toxic environment.
The apple tree, which bears the fruit of knowledge, can be seen as a symbol for families that are rooted in toxicity. The tree can provide a sense of stability and belonging, but it can also be a source of pain and trauma.
In such families, it is not uncommon for children to feel a sense of emptiness, as they struggle to make sense of their experiences and find their place in the world. The fruit of the toxic family "apple tree" can leave them feeling hollow, as they come to terms with the challenges of living in a family that is not emotionally supportive.
Ultimately, the experience of growing up in a toxic family is a journey of self-discovery and healing, much like the pursuit of knowledge from the forbidden fruit. Both can lead to a sense of emptiness, but also offer the potential for growth and healing.
Credit to my brother Rani, you're an absolute nerd, but thanks 👍
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minecraftbookshelf · 9 months ago
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In the Age of Icons: Mistakes Are Made
Chapter One: The Day Of
A Marriage of State AU Fic
[AU Masterpost (includes the AO3 link)]
Characters: Jimmy Solidarity, Xornoth, Katherine Elizabeth, Mythical J Sausage
Relationships (for the AU as a whole): Eventual (very slow burn) Flower Husbands, (established) Shadowbeans/Jizzie, (obnoxiously new) Jornoth, Eventual (very far future) Nature Wives
Wordcount: 4214
Rating On AO3: This particular fic is rated T, future installments in the AU may go all the way up to E for graphic violence but most will be between T & M
Chapter POV: Jimmy Solidarity & Xornoth
Summary:
The Codfather weaves his fingertips together so that the slight webbing between his fingers touches. It's the first time in a while he's had both hands away from his shoulder, where at least one has been hovering near his sword hilt almost the entire time, despite Katherine's glares. "It's a marriage treaty, between the royalty of the oppositions, bound in blood and salt, for peace and mutual gain." His voice has gained a slight sing-song cadence to it, even through what is clearly a slightly stumbling translation, that Xornoth recognizes from their own anytime they are reciting something from their childhood lessons, even to this day.
Warnings: A sort of general reminder of the narrative tool "Unreliable Narrators"
This AU features multiple arranged marriages across the spectrum of platonic-romantic and the complicated nuances of chosen and arranged.
Any section from Xornoth's POV does have parts that read like very violent and occasionally graphic intrusive thoughts due to the whole "there is a demon living in their head" thing. If that's something you think you might have issues with, please proceed with caution if you choose to proceed at all.
--
Jimmy spends the majority of his flight to the Overgrown fuming and imagining the many different ways he could kill Sausage. It's cathartic indulgence and if he's busy imagining swarms of axolotls and pufferfish descend on the Mythlandic king in his minds' eye than he isn't worrying about the actual situation and what it could potentially mean for him and the Swamp.
Much. He isn't worrying about it much.
The fact that Sausage had made it past the Swamp border and all the way to Jimmy's house without being seen or stopped is...fine. It's fine.
The wind catches Jimmy's elytra at an odd angle and he dips alarmingly low for a heart-jolting moment; his tail flailing out on instinct in an attempt to steady him in a non-existent current. He catches himself before he actually crashes into the treetops, though he does have to bank hard to the left in a way that pulls the harness sharp against his shoulder. The joint twinges at the strain and he grimaces. He'll probably feel that tomorrow. He's been skipping out on his stretches, in all the chaos of the escalating tensions, and his bad side has been worse than usual. He can feel the tension of the old scar tissue at his elbow and the tightness of the muscle down his neck and shoulder.
Joel will yell at him for that.
On the bright side, maybe he'll go to war with the Mythlands and then he'll be too busy to get yelled at. He thinks Pix would call that 'silver linings.'
The trees thin out and give way to green grass fields dotted with sheep and flowers and Jimmy angles his trajectory downwards. The magic saturating the Border of the Overgrown brushes his scales as he enters and he shudders. It doesn't matter how many times he comes to visit Katherine, every time is just as unsettling. It feels like the time he bit an electric eel as a fry. A tingle and a buzzing that leaves the webbing between his fingers numb and his teeth hurting.
Katherine's house materializes on the horizon, the layers of glamour falling away and Jimmy banks into a spiral to land. He's been airborne for so long that he's barely even damp and, last minute, he decides to land in the water feature instead of on the grass surrounding it. He lands in the fountain with a splash and a sigh, the water closing over his head and offering blessed relief. His gills flare, water flowing freely through his right side and even managing a pass on his left. He allows himself a moment to settle beneath the surface and let the itchy dry feeling of his scales fade, away from the biting cold and thin air of the skyways.
He rolls over and stares at the sky, taking a minute to just exist. It's uncomfortable; his elytra, his trident, and his sword all pressing into his spine, but at least it is calm and quiet.
His view is almost immediately obstructed by a far, far too familiar silhouette tinted red and gold.
Jimmy bolts upright and almost slams his forehead into Sausage's.
He scrambles back and to his feet where he stands, dripping, in the fountain to the backdrop of the displeased gazes of Katherine's door guards and the giggles of the King of Mythland.
How did this go so wrong so fast?
"Hello, Jimmy!"
He manages to clamber out of the fountain without tripping and falling flat on his face at least. He splashes Katherine in the process, where she is hovering off to the side but he can't really be bothered to worry about that. All he can manage to do is stare at Sausage's smirking face.
"Hello, Jimmy!"
Katherine's greeting is much less mocking and Jimmy looks back down to acknowledge it. Way down. Katherine is the shortest emperor and the white tips of her ears barely clear his elbow. She is smiling up at him as if she hasn't invited him to her house only to ambush him with one of his greatest enemies. As if he hadn't trusted that her home was safe. As if he hadn't trusted that she would stand with him.
"What is he doing here?" He jerks his chin at Sausage, who is still giggling like a child. He sees Jimmy looking and grins at him, all teeth.
Behind the mask, Jimmy bares his own teeth and takes some comfort in the knowledge that he has more of them; and they are sharper. He straightens his spine and does his best to stand at his full height instead of curling slightly to the left. His sword and trident clank softly together over his shoulder.
Katherine looks briefly unsure before she sets her expression and gestures at her door. "We should all go inside and talk there. I would like to help negotiate peace between The Swamp and Mythland."
She's using her official voice. Sausage keeps giggling and Jimmy can barely hear it beneath the roar in his ears. He leans down to try and whisper into the faerie queen's ear.
"I really need your alliance right now, Katherine." He hopes his desperation doesn't show in his voice.
She gives him a reproving look that throws him right back to his brief time spent in a classroom. "I'm allied with everyone, Jimmy. You know that."
"He invaded the Swamp," Jimmy hisses, his ear-fins flaring, ignoring the shudder down his spine from her use of his Name, even in part. "He crossed our borders. Again. He's threatened war." He's no longer whispering by the end, standing to his full height, shoulders back, sword hand by his shoulder.
"And according to him, you've threatened it right back!"
It's almost a physical blow, the way the betrayal hits him. He manages to keep from physically staggering back only because Sausage appears beside him and throws an arm over his shoulder. Something the Mythlandic king has to stand on tiptoe to accomplish. It yanks Jimmy uncomfortably sideways and down and his trident almost slips from his back.
"Come on, Jimmy! Let's talk!" Sausage smiles, all teeth like an alligator, lurking on the surface of the water. "We can make peace!"
Jimmy knocks his arm away and straightens, doing his best to loom over the other ruler. His extra foot of height should be more of an advantage than if feels like. He grabs for the hilt of his sword and is only stopped by Katherine, who flies right up into his face to frown at him.
"No weapons!" She shakes her finger right in front of his mask and Jimmy clamps down on the instinctive urge to yank up the Codfather head and bite it. That would be no help to anyone, especially himself. No one takes him seriously as it is. Except maybe Pix. Maybe.
Instead he focuses on glaring at Sausage over Katherine's shoulder. The king of Mythland beams back at him, hands clasped innocently in front of himself (well away from the hilt of his own greatsword), head cocked to the side. The picture of harmless amiability were it not for the malicious sparkle in his eyes. Ohhhhhh how Jimmy would love to feed his organs to Lizzie's axolotls. He flexes his claws before Katherine grabs his arm and tugs him towards her front door, six tiny fingertips digging into his scales above his vambraces. (The embossed leather the only armor he'd worn, he hadn't realized he'd wish for more.)
Sausage trails behind them and as much as Jimmy reminds himself that not even Sausage would have the audacity to attack him in Katherine's house (probably) he can't quite shake the prickling tension from having an enemy at his back. It feels like the first time Lizzie and Joel took him to clear an ancient monument and he'd stalked through the twisty corridors and boxy rooms with the creeping feeling of being stalked in turn.
Sausage slips and almost falls on some of the tacky slime he'd accidentally tracked in and that does help. Even if he does feel bad for messing up Katherine's floor. He can feel the impassively judgmental stare from Katherine's guards, who's features do not change but still somehow radiate disapproval. He knows he probably shouldn't take it personally, most fae don't think highly of outsiders but it still feels personal.
Sausage recovers quickly and shakes out the fur lining of his coat. "Is it just me or does it smell fishy in here, now?"
"Sausage," Katherine looks disapprovingly back over her shoulder. "That's rude."
"Oh," Sausage blinks at them both, "I'm sorry, Jimmy, I didn't realize."
Jimmy wants to stab him so badly, he sets his shoulders and refrains. He can do this. He's technically trained for this, even if the skills are rusty, fallen aside before the more hands on duties that rebuilding the Swamp has required.
"Oh, this one is new!" Sausage immediately changes the subject, pointing at one of the skulls hanging on the wall of the hall. It's some kind of middling-sized land animal...a sheep maybe? with poppies filling the eye sockets and woven in a crown, there are delicate lines of gold painted across the surface of the bleached bone.
Katherine beams, her irritation at the rudeness forgotten (or at least set aside, fae never truly forget breaches of etiquette) "It is! It's a gift from a childhood friend," she looks fondly upon the skull for a moment. "We've been reconnecting lately."
Sausage nods sagely, "It is always good to spend time with your friends."
"It is," Katherine's ears twitch and her wings flutter briefly before she resumes walking. "Which is why we are going to fix this."
She leads them down the hall towards her library, a room so thoroughly warded that Jimmy can feel the magic against his scales when he passes through the door in an echo of the fae-realm boundaries.
It is a cozy room, despite the elegance and delicacy. It makes Jimmy feel out of place and reminds him a little bit of Lizzie's war room, if a better lit and less damp version. Every corner is full of plants and flowers and books and crystals, and blessedly free of guards and staff and other judging eyes. It's just Jimmy and Katherine and Sausage and the Elvenking sitting in the corner.
Jimmy may or may not do a full and proper double take.
Huge white and black wings, glittering obsidian antlers, an incongruous cup of tea on the side table. Apparently this meeting has interrupted the...reading time? of the King of Rivendell. Jimmy grits his teeth at the presence of one more ally for Sausage and turns his attention to the other two rulers instead. He'll worry about the Elvenking if they decide to become a problem.
-
In retrospect, Xornoth probably should have left as soon as Katherine escorted Sausage and The Codfather into her library, her expression tense and serious despite the cheerful tone to her chatter but in all honesty they were so startled at first that they froze. Now its been just long enough it would be too awkward to get up and leave. And the others are in-between them and the door, which just makes it worse. So they sit in the corner, tome in hand, trying their hardest to pretend they aren't getting a front row seat to the latest incarnation of the Mythland-Swamp dispute, featuring The Codfather's tangible rage and frustration over Katherine's stubborn neutrality.
(Which is understandable, but arguing a fae over their nature is a futile task and The Codfather seems too much a fool to realize it.)
The palpable hostility in the room has Xornoth's feathers fluffing against their will. Katherine is doing her best to mediate but she might as well try to climb a cliff-face in a blizzard. Sausage seems more interested in taunting The Codfather than coming to any kind of agreement and The Codfather himself stubbornly refuses to even consider any kind of negotiations until...a disc is returned?
Meaningless frivolity.
Xornoth isn't quite sure of the intricacies of the Mythland-Swamp conflict, since most of it happened during Rivendell's seclusion and so they don't even have any accounts of it other than what has been acquired in the past few decades. Accounts that are, somewhat understandably, for the most part slanted towards the Mythlandic perspective. (It is Mythland that Xornoth is allied with and it is Mythland that writes things down while The Swamp seems to lean heavily towards oral histories.) They don't think they've heard anything about a disc before, that might be new.
Both Sausage and The Codfather are known for their chaotic natures. If this does escalate to war (as both have threatened multiple times in the past hour) they will both involve their allies. As much fun as it would be to go toe-to-toe with the King of Mezalea in the arena, if Xornoth has to deal with wartime logistics because of these two acting like elflings not yet out of the home, they will just walk off into the mountains and wait for the winter to take them.
Do not pretend such reluctance. I see the truth.
Xornoth turns a page.
"At this point," The Codfather snarls, leaning on the back of the sofa he is standing by, looking inches away from leaping across the library to strangle Sausage (or try to at least) regardless of Katherine's policy on unapproved violence, his speech has been steadily growing more formal as the debate raged on, but also with a lot more insults in a multitude of languages. (Which Sausage had been more than happy to return.) "I don't think I'd trust even a-" he makes a series of humming, clicking syllables that Xornoth recognizes as Oceanic, but does not understand "-from you lot!"
That, of all things, is what grinds the entire conversation to a halt. Even Sausage stops his mocking dance around the edge of the room to look at The Codfather in confusion. "A who now?"
Katherine is frowning in concentration, mouthing words to herself while she tries to translate. "An...in-law treaty?"
"You know," The Codfather waves a hand dismissively. "A Binding Agreement."
At least he's speaking Mythlandic again, a language Xornoth supposedly understands.
"No, we don't know," Katherine still looks confused by also speculative. "Please explain. What kind of binding exactly is this?"
The Codfather weaves his fingertips together so that the slight webbing between his fingers touches. It's the first time in a while he's had both hands away from his shoulder, where at least one has been hovering near his sword hilt almost the entire time, despite Katherine's glares. "It's a marriage treaty, between the royalty of the oppositions, bound in blood and salt, for peace and mutual gain."
His voice has gained a slight sing-song cadence to it, even through what is clearly a slightly stumbling translation, that Xornoth recognizes from their own anytime they are reciting something from their childhood lessons, even to this day. They've never been able to quite shake the "student voice."
You are still only a student. And you will be so long as you refuse to take what is rightfully ours.
"Oh!" Katherine's face lights up with recognition and she bounces on her toes, wings aflutter. "I read about that! It's an Oceanic thing!"
Oceanic, not Swamp. Interesting.
The Codfather tilts his head to the side, radiating bewilderment despite the mask completely obscuring his features. "Um...yeah? Wait, do land-folk not do those? At all?"
Both Sausage and Katherine shake their head and Katherine expands verbally, talking right over the Codfather's hushed 'oh.'
"Not between empires, not since the Worldspawn Treaty. It's not uncommon for different families within an empire to form alliance through marriage though."
Xornoth wisely stays silent, though they can't quite help but touch the enchanted jewel fastening their cape at the shoulder. Only Katherine notices, but she's the only one of present company who knows what it means anyway.
"Oh," The Codfather seems a bit taken aback. "I thought it was just that it hadn't happened recently, not that you didn't at all."
"No," Sausage looks intrigued. "We don't."
"We could though," Katherine says suddenly, looking ecstatic. "The treaty just rendered those kinds of alliances of limited use, it didn't forbid them. What about a marriage truce between The Wither Rose Alliance and The Swamp!"
All three of them stare at the faerie queen like she's crazy. (At least, Xornoth is assuming that's what The Codfather's emotions are.) Sausage's eyebrows alone are conveying enough skepticism for the whole room. The Codfather's tail swishes uneasily.
Like a fish on a hook.
Sausage latches onto the movement with a smirk. "Aw! Do you not want to marry me, Jimmy?"
"I would rather move to the desert," The Codfather says without hesitation. "Or the Nether."
"Maybe not the two of you," Katherine says, even her spiteful optimism clearly powerless against the reality of what the outcome of that would be. Wise of her. Xornoth doesn't trust them to not kill each other before they make it to the wedding night. If they even made it to the wedding itself. "We are trying to make peace, not break it irreparably. But the Wither Rose Alliance is the largest alliance. Surely something can be arranged. For a...Binding Agreement the two parties have to be of equal or near-equal standing, right?"
"Well yes, but-"
"So," she says triumphantly, cutting The Codfather off before he can even get started. "One of the other emperors?"
There is a moment of silence as they all contemplate, even Sausage looking more focused than usual.
They are going to hurt themselves, trying that hard to utilize what little intelligence they have.
"Fwhip?" Sausage eventually offers, somewhat unsure, but also clearly just trying for a reaction.
And he gets one; a loud, rattly, snarling hiss that, despite usually considering The Codfather's threat level somewhere between "negligible" and "non-existent", Xornoth find themself sitting up straighter and even has Sausage taking a step back, visibly startled. Deep in the corner of their mind that Xornoth does their best to ignore, a shudder of disquiet resonates for a moment before being cut off.
Katherine's eyes are wide and, seemingly without realizing it, she takes to the air slightly, hovering over the floor, set to evade any attacks. Xornoth realizes that their hand is on the hilt of their sword and slowly, so as not to draw attention, they withdraw it back to their book. Their wings stay mantled, primaries brushing against he walls of their alcove.
"Okay, not Fwhip," Katherine says hurriedly, slowly dropping back down to the floor and smoothing her skirt out in a nervous gesture she's had since she was small. Usually she does better at controlling herself. She'd had the unphased exterior trained into her well before Xornoth ever met her and, however amiable and relaxed she likes to appear, they know its always there beneath.
If we pinned her wings to the wall like a butterfly and made her watch, that would phase her.
Xornoth contemplates smashing the side of their head into the wall. Unconsciousness has about a 50/50 chance of bringing peace and quiet with it. Unfortunately, the hangings in this library nook are imported from Rivendell, several layers of thick woolen brocade. It probably wouldn't be a very effective attempt. And would have them looking crazy in front of two allies and a...not quite enemy. (Though if they don't sort this out that will probably be changing very soon.)
Let there be war, one step closer to our full power.
Katherine has moved on. "What about Gem?"
Sausage snorts a laugh but also looks a little terrified at the idea of even suggesting such a thing. Perhaps the wisest he's been all day, based off what Xornoth has gathered about what seems to amount to a neighbors' spat between him and The Codfather. (Albeit a neighbors spat with centuries of animosity behind it and that is now threatening war.)
The Codfather shakes his head a little frantically, the copper-beaded tassels on the side of the mask clinking against the trident slung across his back. "She's scary."
He seems to realize that he said that out loud and quickly scrambles like a fish suffocating on a rock to cover for it. "And, uh, Great Wizard isn't a title with a lot of..." He flounders a bit. "There could be a new Great Wizard tomorrow, if someone beat her. It has to be a more permanent title."
Personally, Xornoth finds the likelihood of anyone replacing Gemini Tay at any point during a mortal lifetime (and possibly longer) very, very unlikely. It takes a lot to outshine bringing the dragons back. But The Codfather is right. And not only is Gem scary, she's also mean. Which most people don't realize because she spends so much time keeping Fwhip and Sausage from getting themselves killed. Xornoth has been to enough Wither Rose meetings to fear her though. She would eat The Codfather alive.
They do also find themself a little bit impressed, they hadn't thought he had that level of awareness of the internal workings o the other kingdoms.
If we gutted him like a fish he'd squeal so nicely.
It's been a while since Xornoth turned a page. They turn a page.
"Pearl can't be that closely tied to any other ruler," Katherine keeps going. "Too many people across the Empires rely on their trade with her and it isn't fair to your people to risk their well-being that way."
Honestly, if it came to war, Xornoth is fairly certain that Pearl would fight to remain neutral. It would destroy her, being unable to help her friends. Rip that golden heart of hers right out of her chest and shred it in the dust, but so many people from all the lands depend on Helianthia's crops and herds to remain fed. And her sense of duty, to her own people and all the others would take precedence over her loyalty to her friends, and that would kill her swifter than any blade.
If the war did not destroy her lands, and her with them, first.
The page in their white-knuckled grip begins to tear on the edge.
Rip them all to pieces, give the farmer the fight she wants.
Rivendell would follow Helianthia, Xornoth acknowledges. They are not as selfless as Pearl. And even if they were, they could not condemn Rivendell to another harsh winter of starvation and death. They would stand to defend her against all comers (and there would be many who came, lured by the resources she guarded) both as a friend and as a political alliance. Rivendell is not back to the point of being able to sustain themselves, not if the winters continue to worsen the way they have been. Loathe as they are to admit it, even inside their own head where no one can hear.
Well, no one but-
Wheat fields burn so easily, all it would take is a single spark in the right place and all of Mythland would be in flames.
Carefully, carefully, Xornoth sets their book down on the table beside them and places their hands in their lap. Katherine will stop allowing them to borrow her books if they start spontaneously combusting them. Hopefully she doesn't notice the slightly singed cover.
"Joey?" Now it is Katherine who's skepticism is betrayed in her voice and Sausage actually snorts a laugh. All three of them look over at Xornoth, though The Codfather quickly looks away again.
Free us of the silly bird.
"Good luck with that," Sausage says, giggling, and waggles his eyebrows at Xornoth. They pretend to not see, giving their full attention to the tapestry on the wall beside them in a vain attempt at pretending that their painfully un-subtle affair is not the most gossiped about topic among the emperors at present.
This is an old one, probably gifted by their grandparents to the House Blossom Lady of the time. The knot-work symbol in the corner is one they are unfamiliar with, not the signature of any artisan from their lifetime.
"And Xornoth is already married," Katherine doesn't acknowledge Sausage's behavior, beyond an annoyed look, which is probably for the best.
The Codfather jerks his head sharply to the side, "and that's all the royals in your alliance." He sounds almost smug. "None of them work."
And that is when Xornoth makes what they will refer to for centuries to come as "The Mistake." They pick their book back up and affect disinterest as they impulsively decide to wipe the smug grin they are imagining off The Codfather's face. "There is my brother."
There is a long moment of silence. Xornoth eventually looks up and gets their first inkling of how badly they might have just messed up when they see the astonished expression on Sausage's face, and the slowly dawning delight on Katherine's. They stubbornly ignore the blank cod-face staring directly at them.
Why do you consistently choose to prove your incompetence.
"Your brother is alive?" Sausage says but is cut off by Katherine.
"Oh!" she says, bouncing on her toes, hands clasped under her chin. "That's perfect!"
--
Chapter Two [TBA]
Chapter Three [TBA]
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