#I also want to do secondary characters

[creaturefeaster]

Oh my god, the references of mimes are so cool!! Are you planning to do the same thing only with hosts?

yessss I do >:)

[andstuffsketches]

Maybe not Impulse, But I think she would date Cissie

a glimpse into a possible future....

[apostaterevolutionary]

I am so sorry, apparently it’s 2024 and I’m arguing about dragon age again lmao. How did I get here! Why is this happening!! Time is a flat circle!!!

Anyway. People can feel how they want about the past games not mattering in this game. If you’re cool with it, I’m happy for you. But there’s one particular argument in defence of this choice that is really, really bothering me and I have to rant

The thing I keep seeing is “well all this other stuff has nothing to do with the main plot or Rook, so it should be cut” and that’s. Not a good way to tell stories in my opinion. Because here’s the thing: it’s not about the Big Overall Plot. It’s about the characters that live in this world, big and small

I’m going to use the example of Varric and Hawke cause I think it’s the easiest to explain quickly. Varric is a storyteller. That’s the defining trait of his character. He tells stories, and sometimes they’re true and sometimes they’re not and sometimes it’s something in between. In DA2 he tells you about his brother. In inquisition, he talks about hawke and there’s banter about several of the companions. Most of these are just little one liners that don’t “serve the overall plot” but they serve Varric’s character

And that matters

So if we take this character known for telling stories about people that have been in his life, well, he largely can’t do that now. How can he talk about Hawke, someone who can be a very close friend of his, without even their gender being a choice you can select? Or whether Varric should be saying ‘is’ or ‘was’ about them? How can he talk about the companions in DA2 or inquisition when a lot of them don’t have to be recruited or can die? Will he limit himself to only characters that are guaranteed to be a part of it and alive? Or is it that he and Rook will have such a shallow relationship that Varric, of all characters, never talks about his life and past exploits?

Or has Varric as a character changed so much that he doesn’t even want to tell stories anymore? That Hawke living or dying means nothing to him? That the friendships he built with people in 2 games mean nothing to him? That he’s become literally unrecognizable?

This is where the problem is. Sure, Rook maybe doesn’t care about these people they’ve never met. But do they care about Varric? What about if a companion mentions an old friend of theirs, talks about an experience they had that made them who they are - is that only okay if that experience isn’t from a previous game? Or are all the characters so flat that we never learn anything about their connections to others outside of Rook? Is this story SO focused on this player character and this plot that NOTHING else matters, even within the world, and there’s no depth to be found in any of the characters that feature in it?

Writing characters so that they only ever talk about things that “directly serve the plot” is how you get flat, unremarkable, boring, forgettable characters. And that’s not something I would have accused bioware of doing even if some instalments are stronger in this area than others. But it sounds like that’s what they’re doing here, at least with the past characters. Cause sure, maybe Morrigan is so closed off she’ll never mention her son and partner. That’s believable, even if iffy given that they’ve said she’s going to be more involved than we think. But Varric? VARRIC??? Never mentioning ANY of the people he used to spend time with and care about except Solas and maybe some of the inquisition characters that can’t die or not be recruited but also carefully skirting around what happened to them in the game? That’s literally not the same character

And I would expand this to like. A letter mentioning this or a codex mentioning that, or ambient dialogue about so and so - that makes the world feel deep and those random, unimportant NPCs feel richer by connecting them to the larger world. It’s not about “serving the plot”, it’s about making your world and characters deep enough that they feel real, lived in, and like something we can actually care about

[narugen]

on the parallels between mina and narumi as captains - putting their faith in ostracised troop members for the sake of the defense force

spoilers under cut

mina putting her faith in hoshina, recruiting him into her division despite all that’s been about him and his swordsmanship; how he’s doomed to fail with the changing times and inability to utilise firearms well

and it’s very evident with the latest arc that his growth is incredible, how he’s taken his captain’s words to heart and used the one chance nobody else thought to give him and proving his worth

her faith in him surely has only gotten stronger the moment he rose to vice-captain, and when she’s moments from getting attacked - hoshina is there to cut down attack like he swore to

similarly with narumi and kafka, he puts his trust in him (albeit on the condition that if kafka were to lose control, narumi will kill him) very similar to how isao put his faith in narumi despite everybody’s opinions

they carry the regret of isao’s death on their shoulders and narumi trains kafka, helping him get stronger when asked

and of course - as the person who’s been training with him, narumi too has faith in kafka and whilst on the verge of death knew he wouldn’t give up so easily

i love my captains so much … they couldn’t be more different yet so alike in their values

[teafiend]

[caitlynmeow]

ugh gonna try to conjure my dimitrescu hyperfixation back by watching some videos and hoping for the best

[olliepurples]

mdarc chapter 4 spoilers (tw negative)

i'm a couple of doors into the mystery labyrinth, and it's getting a little annoying having shinigami and yuma go "but how could this have happened? who could have done this?" when i literally knew it was yakou as soon as the game told me that the poison had a delay. this is so silly like "how could anyone have got past this, they would have died in thirty minutes!" ok! narrow your suspect pool to people who die in the next thirty minutes then! damn!!!

[sysig]

*chanting* Second pet, second pet, second pet! (Patreon)

[iamyounicorn]

hmm should I make a new fallen london character just to follow the smen story line....

[anthropwashere]

Man, I'm replaying Stormblood on a casual alt and the Lyse-Wuk Lamat comparisons absolutely SHIT on Lyse???

Like Stormblood was absolutely Lyse's Story but even at it's most egregious it didn't come anywhere near as In Your Face as Wuk's Story in Dawntrail?? Which is frickin' wild???

Like for real my biggest Stormblood Main Character Complaint is Lyse's first outfit design. Legit all I think about when she's on-screen is how unsupportive her white-ass bra is, and how likely she's dealing with wedgies with her white-ass booty shorts. Fucking for realsies, the rest of her OG outfit is great! But her "I'm 12 and unsure how to deal with puberty" undies-vibes drive me fuckin' nuts.

At least the recent graphic update saved Hien and Gosetsu's outfits? To the point that I'm probably gonna buy Hien's samurai outfit for my Xaela dude who hasn't even unlocked samurai??

Anyway outfit aside, Stormblood MSQ Lyse isn't HALF as frustrating as Dawntrail MSQ Wuk Lamat is, good christ can we stop shitting on Lyse for 5 dang minutes

[gus-dix]

tried playing wizard101. not for me, but i at least had fun creating my wizard and his moms! went for a scarecrow theme with jacob’s color palette

they all have different last names cause i imagine in this universe your first name is chosen by your parents at birth but the second is given (by who? dunno) when you start learning magic

do not erase the caption, use or rePOST my art (reblog ok)

[arovalentines]

but i'm not supposed to scratch

[ganymedesclock]

Out of curiosity, any thoughts on the anime Bleach?

I consumed a fairly good chunk of it when I was younger. It's since faded in my passions. I think Rolling Star by Yui is by far my favorite of the openings but a lot of them are very good.

I think the visuals are fairly stylish but it suffers the shonen problem- granted, I think a lot of this is in the format of how long running shonens are produced- of starting out with a bold exciting concept and then sort of petering out in weird directions the longer it goes on. In Bleach's case, I really loved the design and concept of the early hollows, but from the Soul Society arc onward, this entire fascinating afterlife concept boils down to Fashion Sword Boys Fightin' It Out.

Most of my residual fondness for it has me eyeing @gallusrostromegalus's An Elephant Is Warm And Mushy, because it seems to be taking a lot of the later series and injecting that sense of weird monsters and afterlife ramifications back into it.

[tomwambsmilk]

It's 100% true that the Roy siblings did not choose to be Logan's children and Tom and Greg and the old guard did choose to work for him so their relationships to Logan are fundamentally different, and the degree of culpability they bear for their own moral degradation is also wildly different. But workplace emotional abuse is also very real and omnipresent in the way Logan treats the people who work for him. And one of the impacts of workplace emotional abuse is creating an extreme attachment to the abuser and becoming less cognizant and even defensive of their abuse towards yourself and others, and in cases where the emotional abuse is institutionalized and systemic it can also create a strong aversion to leaving because your whole sense of personal identity becomes wrapped up in the organization and so being forced to leave can cause an intense psychological crisis. I don't think the situation of working for Logan is at all equivalent to being his child but I also think that it's a bit misguided to imply that Tom and Gerri and Frank and Karl are operating from a place of pure rationality without any undue psychological influences when they make the choice to stay with and support Logan

[sonknuxadow]

i think i do want amy and rouge to be in the next sonic movie, especially if its gonna be an sa2 adaptation, but i cant help but worry that if they try to introduce shadow AND rouge AND amy in the same movie then at least one of those characters (most likely amy. tbh.) isnt gonna get the amount of screentime and development that they deserve. especially considering in the game timeline amy was introduced much earlier and by sa2 was already an established character while rouge and shadow were the newcomers. and then theres also the human characters who are gonna be making the cast a lot bigger than it was in the game so more people to divide the screentime among. like what if amy is in sonic 3 and she gets like 5 minutes of screentime and her big moment with shadow is given to another character again

[navree]

no longer gonna have to see against my will absolutely dogshit dragon show takes that are the absolute pits of misogyny, racism, homophobia, classism, and inability to celebrate fact from fiction for at least two more years now