#House of Culture

[aviel]

House of Culture in Helsinki by Alvar Aalto

[vintage-ukraine]

House of Culture in Horodyshche, Cherkasy Region, 1975

[biggest-gaudiest-patronuses]

the fact that shakespeare was a playwright is sometimes so funny to me. just the concept of the "greatest writer of the English language" being a random 450-year-old entertainer, a 16th cent pop cultural sensation (thanks in large part to puns & dirty jokes & verbiage & a long-running appeal to commoners). and his work was made to be watched not read, but in the classroom teachers just hand us his scripts and say "that's literature"

just...imagine it's 2450 A.D. and English Lit students are regularly going into 100k debt writing postdoc theses on The Simpsons screenplays. the original animation hasn't even been preserved, it's literally just scripts and the occasional SDH subtitles.txt. they've been republished more times than the Bible

[uncleclaudius]

The gorgeous Bird Mosaic from the so-called House of the Birds in Italica, Spain, features 35 different species of birds.

[parsabad]

Akhavan House/ Kashan/ Iran

Photography: abolfazl sadr

[finelythreadedsky]

it's so great that in greek tragedy there are only three paradigms for a woman leaving her house (her wedding, her funeral, and maenadic rites) and they're all kind of the same thing also

[blueiscoool]

Tiny House with Elaborate Frescoes Unearthed at Pompeii

Archaeologists have uncovered a tiny house in Pompeii that is filled with elaborate – and sometimes erotic – frescoes, further revealing the ornate way in which Romans decorated their homes.

Situated in the central district of the ancient city, the house is smaller than normal and unusually lacks the open central courtyard – known as an atrium – that is typical of Roman architecture, the Archaeological Park of Pompeii, which oversees the site, said in a statement Thursday.

This change could have occurred due to shifting trends in Roman - and particularly Pompeian - society, during the first century AD, archaeologists said.

Pompeii was destroyed by the eruption of Mount Vesuvius in AD 79 when its buildings and thousands of inhabitants were buried beneath layers of ash and pumice. This coating perfectly preserved the city for millennia, making it one of the most important archaeological sites in the world as it offers an unprecedented insight into Roman daily life.

This latest discovery spotlights the ornate decorations that rich Romans enjoyed in their homes – several frescoes depict mythical scenes and others are decorated with plant and animal motifs on a white background.

One small square painting set against a blue-painted wall depicts intercourse between a satyr and a nymph, while another shows Hippolytus, son of the mythical Greek king Theseus, and his stepmother Phaedra who fell in love with him before killing herself when he rejected her in disgust.

One fresco likely portrays the Judgement of Paris, though it has been damaged by previous excavations, and another shows Venus, the goddess of love, and Adonis, her mortal lover.

Erotic and elaborate frescoes like this have been uncovered in Pompeii before. One house covered in erotic frescoes reopened to the public in January 2023 after being closed for 20 years while another fresco depicting an erotic scene from the Greek myth “Leda and the Swan” was uncovered in 2018.

Elsewhere in this newly excavated house, the last ritual offerings left before the eruption still remain at the household shrine, known as a lararium.

“We have archaeologists, restorers, archaeobotanists here to understand exactly how the ritual of the last sacrifice was carried out before the eruption,” said Gabriel Zuchtriegel, the park’s director, in a statement. “There are still the burnt remains of this ritual, there is the knife that was used.”

This excavation, Zuchtriegel added, “takes place under the eyes of the public” who can access the site on suspended walkways and watch archaeologists working.

By Issy Ronald and Sharon Braithwaite.

[alejaolch]

winter in the museum

Poland, Sądecki Ethnographic Park January 2024

[helaenarts]

Aegon, Visenya and Rhaenys marriage ceremony on Dragonstone beach, 6 BC

I like to imagine that in this marriage they were all equal and Rhaenys and Visenya were were as married to each other as they were to Aegon 🤭

!!!!! I Hope yall will enjoy this piece as much as i enjoyed drawing it !!

This is my take on Valyrian fashion preconquest already a bit tainted by westerosi culture !

[ryllen]

no, but pinecones is really beautiful isn't it ?

[manicpixiemidgirl]

Y'know, I think you and a lot of people mistake House for being homophobic, racist, sexist, and transphobic (maybe a little more credit to that one, but if the show was being made in more modern day we might see otherwise). None of them remotely realize,

He's being edgy.

He's purposefully getting a rise out of people because he likes getting people angry at him.

If you listen to what he says when he ACTUALLY means what he's saying, he's actually progressive, especially for the time. He calls the HIV guy's dad a bigot because he thought he hated his son for being gay. He told the football player "you won't need to play sports now to get a good career" when his skin started to discolor to white. He literally said "white, skinny, pretty people make all the rules in society" at one point. All of his actions prove that he believes women are just as capable as men are, if not more so in some cases, especially with Thirteen and Amber. He's FIERCLEY pro choice and doesn't even try to hide it or pretend otherwise.

And while he definitely has some pretty terrible stuff going on with intersex/trans people, the show frames him in a bad way for doing so.

House is a horrendous person in a lot of ways, but he's not ACTUALLY a bigot. He just likes to pretend to be because he hates it when people like him and tries to push them away.

[uncanny-tranny]

I think it's incredibly important to remind folks on testosterone or folks who want to reverse patterned baldness about their options, but man, does it sometimes suck wondering how much of our insecurities about our hair stem from backwards beliefs that to strive towards beauty is not only preferable but "makes you good."

As someone with a rather masculinized body pre-medical transition, patterned baldness has always seemed neutral. Hair is incredibly important (hell, much of my own energy is spent on my hair because I like it), but the pressure to have hair, to have hair the "right way" is something that I absolutely loathe.

I'm not here to judge people who don't want patterned hair loss or baldness, I'm here to say that those traits will never make you lesser. Not only is it neutral, but it is also just as worthy and beautiful.

[inthehouseoffinwe]

Thingol, Luthien, and Dior’s claim to the silmaril bugs the living daylights outta me and I’m gonna break down why. This goes a bit beyond ownership laws.

Starting with basics. What are the silmarils? Gems created by Fëanor that hold the light of the Two Trees. Who in Beleriand saw the light of the trees and no doubt misses it like a limb? Are here in part to avenge their destruction? The Noldor.

The Sindar never went to Valinor. They might find the gems beautiful but that’s it. There’s no cultural or emotional connection to them beyond ‘pretty stone, look how awesome our princess was.’ There’s no appreciation for what they hold. No understanding that this stone is one of the *last* things that holds the ancient light of the Trees.

The Noldor meanwhile not only saw the Light, they had entire festivals surrounding it. Grew their entire culture, their lives, under and around it. Now the trees are destroyed, their king killed defending these jewels. And this last beacon of hope, a piece of the home they can never return to, a piece of light that will never come back, is being kept by people who can’t even begin to understand the significance of what they keep.

Now imagine being the sons of the one who made this jewel from a culture of people who value craft above all else.

Not only is it light, it’s the result of years of toil and experimentation of your father, the one who managed to do what no one had ever even thought of. Fëanor’s sons would have been the first to see these jewels, probably saw him make prototypes, work equations whilst they worked on their own crafts. Provided what relief they could to his ever working mind and inadvertently gave him ideas that helped solve problems he encountered along the way. Suddenly it’s not only a key part of their culture, it’s something core to their family.

Then Fëanor is killed and in many ways it’s the most important thing they have left of their father. Now it’s a source of memory too, for someone doomed to the Halls for eternity. Who they’ll likely never see again unless they’re killed.

Now from what I’ve heard, Tolkien says the Fëanorions lost their right to the Silmarils when they killed for them. Which makes no sense considering the Silmarils were *created* by Fëanor. Yes the light was created by the Valar, but what, you’re gonna say ‘I created electricity so that lightbulb you made is actually mine.’ That’s not how it works. Fëanor made the casing for the stones and figured out how to hold the light, without aid from the Valar. It doesn’t matter what actions they take, the right to the Silmarils remain theirs and theirs alone. The jewels hold no power of their own, they’re literally objects. Healing objects at most. Morals do not dictate their ownership, hallowed or not.

Tolkien going on to say the right of Doriath’s Silmaril actually goes to Beren and Luthien for taking it from Morgoth gives me frankly coloniser vibes.

‘Oh this thing I stole was originally stolen from you? Too bad. I took it so it’s mine now. Don’t care how important it is to you, your entire culture, and your people.’

Get where I’m coming from?

All in all the whole situation gives me Bad Vibes and I really don’t like the attitude the Sindar have to the Silmaril. In terms of Elwing, I can partly forgive her purely based on trauma response. Fine. Doesn’t make it right, but I understand. But that never would’ve been a problem if her father, grandmother, or great grandfather had the sense to acknowledge the silmaril was never theirs to keep. Don’t like the Fëanorions, (too bad) at least give it back to the Noldor.

[the-daily-dreamer]

So like a critical component of understanding team green and Alicent’s motivation for pushing their claim is completely lost on this fandom because of the fact that it’s so irrelevant nowadays that we wouldn’t even consider it.

But like…for most of human history marriages, especially aristocratic marriages, were binding social contracts that were meant to provide benefits and incentives to both parties. The woman would perform her wifely duties of bearing heirs (sons), child rearing, emotional (and physical - sometimes against her will unfortunately) support, and generally running the household in domestic affairs. And in exchange for these labors and quite frankly difficult and at times harmful tasks the woman was provided with safety from the outside world, all her needs being taken care of, and her children being the heirs. And a woman’s son being the heir means consistent protection into her old age when her often much older husband eventually died.

There was a purpose to marriage outside of love and ambition. But because we are privileged enough to live in a more modern society where marriage is a personal contract for which the technicalities can be selected by both individuals to ensure security and happiness, we cannot really even consider that once upon a time in the not so distant past there was a clear purpose. The man got sons/heirs and the woman got sons/protectors to care for her in her old age.

So when Alicent pushes for her son she has a plethora of reasons: believing in tradition, protecting the lives of her children who have competing claims, consolidation of suffering, etc. But she has one very clear and very reasonable reason that nobody acknowledges. She delivered on her part of the bargain and contract and she wants to collect what she is owed. She produced the sons, she gave the emotional and physical support (against her genuine will), she reared the children, she ran the household domestically and the entire kingdom. She did “everything expected of her forever upholding the kingdom, the family, and the law”. And now it’s time for her to collect her dues now that her much, much older husband is dead. To have her son be king and to be taken care of into her old age.

That is the contract she agreed to. That is the contract almost every woman in history agreed to. I give you a son and I get comfort and security when you (the husband) die and my son becomes the heir.

So I can go on and on about the personal, psychological reasoning that Alicent has that are all perfectly valid. But I don’t have to because at the end of the day she did her part of this marital obligation and contract and she deserves to receive her rewards.

[letsduneit]

teeth blackening in house harkonnen

i was really intrigued by the practice of teeth blackening in harkonnen culture in dune part two, specifically because i recognized it as a historical japanese cultural practice. so here's a breakdown on what teeth blackening looked like in real world japanese culture, my thoughts on why denis villeneuve chose to bring this into harkonnen culture in particular, and the gendered implications of feyd rautha being the only male harkonnen shown with blackened teeth.

ohaguro, which translates to "black teeth," is a custom born in japan that reached peak popularity between the 10th and 19th centuries (it's first documented in writing in the tale of genji from the 11th century). this practice involved blackening teeth with a solution called kanemizu, which translates to "black water" and consists of iron shavings dissolved in vinegar and then combined with tannins to create a black liquid. the dye was re-applied daily or every other day to avoid the dulling or graying of the color.

ohaguro was originally practiced exclusively by member of the aristrocracy, mainly by married women, but also some men. ohaguro was commonly practiced when nobility came of age or when women were married. the practice only died out in the 19th century, largely as a result of western beauty ideals being enforced in japanese society through colonialism.

there are a few different reasons why ohaguro was thought to have achieved such popularity within the upper class. deep black was seen as a very beautiful color, and objects that were black were thought to be beautiful. the dye also possibly served to prevent tooth decay.

we see black as a dominant color in various aspects of harkonnen cutlure, including (but not limited) to the armor, ceremonial markings, and clothing of the upper class:

and i think this nudges us further towards this idea of black as a color of beauty, and the idea that teeth blackening was almost like a form of makeup that was seen to make someone more beautiful within upper class social circles.

considering that ohaguro originated with and remained most popular with noble women in japan, it's also very gender that feyd is the only harkonnen man we see with blackened teeth- his uncle the baron and his brother rabban aren't shown with blackened teeth. and the only others we see with blackened teeth are feyd's harpies, who are women.

tldr feyd rautha has black teeth because he's giedi prime's prettiest boy. also he's never beating the femboy allegations like this

[thepeacefulgarden]