#Historical Figures Art

[digitalwizardboka]

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[maked-artyshenanigans]

So, I saw this image on Facebook, and it was supposedly showing what Queen Nefertiti would have looked like in real life:

Now, I thought this AI generated garbage was just truly terrible on a number of levels; first off, she looks wayyyyyy too modern - her makeup is very “Hollywood glamour”, she looks airbrushed and de-aged, and as far as I’m aware, Ancient Egyptians didn’t have mascara, glitter-based eyeshadows and lip gloss. Secondly, her features are exceptionally whitewashed in every sense - this is pretty standard for AI as racial bias is prevalent in feeding AI algorithms, but I genuinely thought a depiction of such a known individual would not exhibit such euro-centric features. Thirdly, the outfit was massively desaturated and didn’t take pigment loss into consideration, and while I *do* like the look of the neck attire, it's not at all accurate (plus, again, AI confusion on the detailing is evident).

So, this inspired me to alter the image on the left to be more accurate based off the sculpture’s features. I looked into Ancient Egyptian makeup and looked at references for kohl eyeliner and clay-based facial pigment (rouge was used on cheeks, charcoal-based powder/paste was used to darken and elongate eyebrows), and I looked at pre-existing images of Nefertiti, both her mummy and other reconstructions. While doing this, I found photos of a 3D scanned sculpture made by scientists at the University of Bristol and chose to collage the neck jewellery over the painting (and edited the lighting and shadows as best as I could).

Something I see a lot of in facial recreations of mummies is maintaining the elongated and skinny facial features as seen on preserved bodies - however, fat, muscle and cartilage shrink/disappear post mortem, regardless of preservation quality; Queen Nefertiti had art created of her in life, and these pieces are invaluable to developing an accurate portrayal of her, whether stylistic or realistic in nature.

And hey, while I don't think my adjustments are perfect (especially the neck area), I *do* believe it is a huge improvement to the original image I chose to work on top of.

I really liked working on this project for the last few days, and I think I may continue to work on it further to perfect it. But, until then, I hope you enjoy!

Remember, likes don't help artists but reblogs do!

[historicalshroe]

[destalva25]

Mama i'm in love with those criminals🔥🔥

.

(Parody from Barbie Movie)

[galactic-rhea]

First. || Second

Empire strikes back

Ah yes, finally I made the next part of this awful thing. I lost a lot of energy for it after i lost the work of several pannels and had to start from zero, but hey, here it is.... :]

[meboii27]

Che

[lukashaa]

Patho fanart of varying quality

[spectralish]

lil bobby oppy with the bestie🌸

[baudouinette]

The Leper Saint

another art that I abandoned (June) and just finished up. the little face veil was supposed to be more opaque so that it would actually serve its purpose (lol) but I spent too much time on the face to just cover it up so much ❤️‍🩹

reblogs very welcome but no reposts without permission please! (bad experience. iykyk)

-atomnolly/baudouinette on Pinterest

[om0000]

no context for. any of these

[theorahsart]

Incorruptible pt 45

I like to think that when they got along, Brissot and Camille sang Revolution Songs together (they're not drunk, they're just...Brissot and Camille together in a room).

Also, the song is VERY loosely translated from this song, made in 1791. Robespierre was featured in songs as far back as that! Because the song seems to pursue rhyming over other elements, I also chose rhyming over a more direct translation.

Another also: thank you @anotherhumaninthisworld for several posts and links, which helped me figure out Brissot more easily, alongside discovering that he's like *ridiculously* short lol

[chessalbaneze]

Late night sketch of Mozart from memory, because I love him. One would think I’d draw him more, as obsessed with him as I am. I used his own painted reference of the deformity in his left ear. Apparently he also had a little earring? It’s cute.

Mozart knew he was not particularly attractive so he made up for this by taking fastidious care of his appearance, being funny, and often placing his talent on display before himself.

[destalva25]

🩵💙 HAPPY BIRTHDAY KARL MARX 💙🩵

[carnivalcarriondiscarded]

second batch of outfit requests!

pattern collage / showfit / clownfit for @koifsssh & candy cardigan Eddie for @jazzzzzzhands <3

[jennicatzies]

Be gay. Run for presidency.

Buncha jeffmads doodles that have accumulated over the past week.....

Extra under the cut

I was on autopilot and when I regained full consciousness I find this on the canvas.

[city-of-ladies]

Genmei (661-721) was Japan's fourth empress regnant. She was Empress Jitō's half-sister and her match in terms of ambition and political skills. Her rule was characterized by a development of culture and innovations. 

Ruling after her son

Like Jitō (645-703), Genmei was the daughter of Emperor Tenji but was born from a different mother. Jitō was both her half-sister and mother-in-law since Genmei had married the empress’ son, Prince Kusakabe (662-689). She had a son with him, Emperor Monmu (683-707). 

Kusakabe died early and never reigned, which led to Jitō's enthronement. The empress was then succeeded by her grandson Monmu. The latter’s reign was short. In his last will, he called for his mother to succeed him in accordance with the “immutable law” of her father Tenji. Genmei accepted. 

Steadfast and ambitious 

Genmei was made from the same mold as her half-sister. She proved to be a fearless sovereign, undeterred by military crises. 

She pursued Jitō's policies, strengthening the central administration and keeping the power in imperial hands. Among her decisions were the proscription of runaway peasants and the restriction of private ownership of mountain and field properties by the nobility and Buddhist temples. 

Another of her achievements was transferring the capital at Heijō-kyō (Nara) in 710, turning it into an unprecedented cultural and political center. Her rule saw many innovations. Among them were the first attempt to replace the barter system with the Wadō copper coins, new techniques for making brocade twills and dyeing and the settlement of experimental dairy farmers.

A protector of culture

Genmei sponsored many cultural projects. The first was the Kojiki, written in 712 it told Japan’s history from mythological origins to the current rulers. In its preface, the editor Ō no Yasumaro praised the empress:

“Her Imperial Majesty…illumines the univers…Ruling in the Purple Pavillion, her virtue extends to the limit of the horses’ hoof-prints…It must be saif that her fame is greater than that of Emperor Yü and her virtue surpasses that of Emperor Tang (legendary emperors of China)”.

In 713, she ordered the local governments to collect local legends and oral traditions as well as information about the soil, weather, products and geological and zoological features. Those local gazetteers (Fudoki) were an invaluable source of Japan’s ancient tradition.

Several of Genmei’s poems are included in the Man'yōshū anthology, including a reply by one of the court ladies. 

Listen to the sounds of the warriors' elbow-guards;

Our captain must be ranging the shields to drill the troops.

– Genmei Tennō

Reply:

Be not concerned, O my Sovereign;

Am I not here,

I, whom the ancestral gods endowed with life,

Next of kin to yourself

– Minabe-hime

From mother to daughter 

Genmei abdicated in 715 and passed the throne to her daughter, empress Genshō (680-748) instead of her sickly grandson prince Obito. This was an unprecedented situation, making the Nara period the pinnacle of female monarchy in Japan. 

Genmei would oversee state affairs until she died in 721. Before her death, she shaved her head and became a nun, becoming the first Japanese monarch to take Buddhist vows and establishing a long tradition.

Feel free to check out my Ko-Fi if you like what I do! Your support would be greatly appreciated.

Further reading

Shillony Ben-Ami, Enigma of the Emperors Sacred Subservience in Japanese History

Tsurumi Patricia E., “Japan’s early female emperors”

Aoki Michiko Y., "Jitō Tennō, the female sovereign",in: Mulhern Chieko Irie (ed.), Heroic with grace legendary women of Japan