#historial facial reconstruction
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So, I saw this image on Facebook, and it was supposedly showing what Queen Nefertiti would have looked like in real life:
Now, I thought this AI generated garbage was just truly terrible on a number of levels; first off, she looks wayyyyyy too modern - her makeup is very “Hollywood glamour”, she looks airbrushed and de-aged, and as far as I’m aware, Ancient Egyptians didn’t have mascara, glitter-based eyeshadows and lip gloss. Secondly, her features are exceptionally whitewashed in every sense - this is pretty standard for AI as racial bias is prevalent in feeding AI algorithms, but I genuinely thought a depiction of such a known individual would not exhibit such euro-centric features. Thirdly, the outfit was massively desaturated and didn’t take pigment loss into consideration, and while I *do* like the look of the neck attire, it's not at all accurate (plus, again, AI confusion on the detailing is evident).
So, this inspired me to alter the image on the left to be more accurate based off the sculpture’s features. I looked into Ancient Egyptian makeup and looked at references for kohl eyeliner and clay-based facial pigment (rouge was used on cheeks, charcoal-based powder/paste was used to darken and elongate eyebrows), and I looked at pre-existing images of Nefertiti, both her mummy and other reconstructions. While doing this, I found photos of a 3D scanned sculpture made by scientists at the University of Bristol and chose to collage the neck jewellery over the painting (and edited the lighting and shadows as best as I could).
Something I see a lot of in facial recreations of mummies is maintaining the elongated and skinny facial features as seen on preserved bodies - however, fat, muscle and cartilage shrink/disappear post mortem, regardless of preservation quality; Queen Nefertiti had art created of her in life, and these pieces are invaluable to developing an accurate portrayal of her, whether stylistic or realistic in nature.
And hey, while I don't think my adjustments are perfect (especially the neck area), I *do* believe it is a huge improvement to the original image I chose to work on top of.
I really liked working on this project for the last few days, and I think I may continue to work on it further to perfect it. But, until then, I hope you enjoy!
Remember, likes don't help artists but reblogs do!
#Nefertiti#Queen Nefertiti#Ancient Egypt#Facial Reconstruction#art#artist#digital artist#historical#history#historical figure#ancient egyptians#artistic interpretation#historial facial reconstruction#Neferneferuaten#Queen Neferneferuaten Nefertiti#illustration#digital art#digital illustration
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John Shaw Torrington🩵 An attempt at a facial reconstruction.. I did this in 2020 and for some reason was very hesitant/shy(??) about posting it. To be fair, not much “reconstruction” was necessary since he was in remarkable shape at the time of his exhumation (and I assume he still looks fabulous thanks to that good ol’ permafrost treatment🧊).
Now some thoughts… because I’ve never articulated this online before..💭
I’ve had a fixation on him since I was 14 (I’m 29 now) and have attempted many times over the years to draw him in a more…well, alive state..
and I’ll just say it straight up; I think he has a beautiful, ethereal face. I’ve always thought that, even when I was a kid. If he looks that way in death, I can only imagine what that beauty was like when he was among the living. I tried to capture that in this drawing..
Anyway.. I could ramble on…
This, I think, is the most presentable drawing out of all the attempts I’ve done in the 15 years I’ve ‘known’ him— though it certainly won’t be the last. 🩵
I’m planning on doing similar portraits of Hartnell and Braine… I expect Braine will be difficult because he was not in good shape compared to the other Beechey boys..
** I’m overwhelmed by the positive responses this piece got! Tysm everyone!🥲🙏 It really makes me so happy to see JT get so much love— and I’m sure it warms his heart as well 🩵
#drawing#John Shaw Torrington#digital art#john torrington#beechey island boys#beechey boys#franklin expedition#Victorian#history#arctic exploration#northwest passage#sacred to the memory#the franklin expedition#john geiger#Owen beattie#frozen in time#buried in ice#mummy#ice mummy#facial reconstruction#portrait#my draws#artwork#painting#digital painting#digital drawing#art#my art#the terror#the terror amc
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'The Winterton Lady' Romano-British Burial and Facial Reconstruction, North Lincolnshire Museum, Scunthorpe
#prehistory#prehistoric#Romano-British#burial#facial reconstruction#archaeology#ancient history#ancient living#ancient cultures#sarcophagus#Lincolnshire#relic#skeleton
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Facial reconstruction of the Ptolemaic Egyptian Queen Cleopatra VII (r. 51-30 BCE). This artistic representation of Cleopatra is primarily based on a bust from the Berlin Altes Museum, widely agreed to depict Cleopatra. In addition to the Berlin portrait, the features in this reconstruction are based upon contemporary coin portraits and a bust from the British Museum which may depict Cleopatra.
#cleopatra#cleopatra vii#history#ancient egypt#egypt#ptolemaic egypt#ptolemies#ptolemaic dynasty#ancient history#facial reconstruction
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So apparently Swedish and Polish facial reconstructionists decided to try to recreate the famous Incan "Ice Maiden" mummy dubbed "Juanita".
Truthfully, I feel like these European reconstructionists ( do not know how to re-create Andean facial features and the results ended up... terribly uncanny. So down below, with the use of photoshop, I edited the bust with more Andean Indigenous Peruvian facial features to honor the "Ice Maiden".
My version:
I made her brows straighter and longer, got rid of the cleft chin, gave her a down-turned mouth, broader lips (not small), I made her lips a little larger too and I made her nose longer/bigger and wider around the nasal Ala. I also broadened her nostrils a tad
and I made her under-eyes more puffy
I widened her bone structure
I emphasized her sideburns
My version (on top):
original (white euros created) below:
I hope that in the future, more Andean/Indigenous Peruvian facial reconstructionists have opportunities to work on revealing the faces of their kin and ancestors. We needed more andean people involved in her reconstruction.
Let me know what you think of my edits down below too!
I hope you enjoy them!
the original article can be read here:
#I took the artistic liberty to remove her cleft chin all together because i never see andeans like myself with clefts#i love a more down turned lip/mouth shape#archaeology#indigenous peruvians#native peruvian#inca#inca girl#ice maiden#facial reconstruction#my photoshops#andean history#andean pride#native south american#mujer andina#ndn tumblr#andean culture#andean textiles#andean indigenous#indigenous women#andina#andean#bipoc#indigena#pre columbian#andes#warmi#we need more ndns in science
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Forensic facial reconstructions of Nicholas II (Skeleton 4), Alexandra Feodorovna (Skeleton 7), Olga Nikolaevna (Skeleton 3), Tatiana Nikolaevna (based on the conclusion that she was Skeleton 5), Anastasia Nikolaevna (based on the conclusion that she was Skeleton 6), Eugene Botkin (Skeleton 2), Anna Demidova (Skeleton 1), and Aloise Trupp (Skeleton 9).
#history#imperial russia#romanovs#olga nikolaevna#tatiana nikolaevna#anastasia nikolaevna#anastasia romanov#otma#romanov sisters#nicholas ii#tsar nicholas ii#alexandra feodorovna#forensics#facial reconstruction#eugene botkin#anna demidova#aloise trupp#romanov#romanov family#russian royalty
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youtube
Historical Figures Recreated And Brought To Life (V1)
19 January 2023
Featured in this video:
Akhenaten, Nefertiti, King Henry VIII, Joan of Arc, Anne Boleyn, Anne of Cleves, Catherine Parr, Rembrandt, Mozart, George Washington, Marie Antoinette, Elizabeth I, Julius Caesar, Catherine The Great, Abraham Lincoln, Frederick Douglass, Mark Twain, Isaac Newton, and more...
#historical figures#AI#Youtube#artificial intelligence#digital art#face reconstruction#facial modifications#AI technique#facial motion#colorization#history#art#technology
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Further to yesterday's article...
#science#science communication#scicomm#stem#science education#science blog#biology#Archaeology#history#Anthropology#forensic anthropology#facial reconstruction
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Do you consider brachycephalism in cats as serious as in dogs? I'm in veterinary medicine but I don't encounter many brachy kitties and would love to hear your thoughts on it.
Brachycephaly is a problem.
Schlueter et al (2009) categorized brachycephalic head shapes into four categories randing from mild to severe.
Moderate brachycephaly is where we begin to really see problems and profound or severe brachycephalic cats are going to have a real issue.
The British Shorthair (left) is a breed where mild brachycephaly is part of the standard compared to an Exotic Shorthair (right) where profound - severe brachycephaly is desireable.
On the left with have a British Shorthair, in the center an Exotic Shorthair and on the right a Persian.
One of the problems we see with brachycephalic breeds is stenotic nares, which are narrow nostrils. You can’t even make out the nares on the Persian shown above and, as one may expect, this affects how much air they move through them.
We can see similar obstructive effects in cats with nasopharyngeal polyps, masses or reconstruction due to scarring from chronic rhinosinusitis problems.
Due to their inability to breath normally through their nose these cats tend to be heat and exercise intolerant and can run into trouble more quickly during high stress events.
Stenotic nares can be surgically corrected but I don’t think this is as common in cats as it is in dogs, at least I haven’t encountered many cats who’ve undergone the procedure. I don’t know if it’s not as necessary, if cats don’t respond as well or if cat owners are less likely to seek treatment.
Or maybe it is as common and my lack of experience is the outlier.
Brachycephaly is also associated with malocclusion and dental disease, chronic epiphora, facial dermatitis related to the chronic tearing and ocular issues such as conreal sequestrum or entropion related to the protruding eye structure.
I know globe proptopsis is a problem in some brachycephalic dog breeds like pugs but I haven’t heard of this specifically happening in brachycephalic cat breeds.
Exotics and Persians are obviously the worst when it comes to brachycephaly in cats but the Bombay and (American) Burmese are also offenders.
There are other breeds which don’t call for a brachycephalic head shape (or even default it) or call for only a mild version but certain breeders are selecting for extreme typeing anyways because even though their cats might not win any shows they can sell them as designer variants for more.
On the left we have a Sphynx and in the right we have a Devon Rex both with an extreme head type contradictory to the breed standard.
So yes, unfortunately the brachycephalic head type is a problem in cats. Some try to argue that brachycephalic animals often live long lives which means the abnormal structure isn’t a problem… but longevity is only one measure of a breeds ethical soundness, quality of life and history are also important in my opinon.
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Sebastian Stan Appreciates Taking Things 'A Little Less Seriously'
The actor caught up with L'OFFICIEL at the CFDA Fashion Awards to discuss wearing Thom Browne and his transformative roles in A Different Man and The Apprentice.
by Carrie Wittmer
Sebastian Stan in Thom Browne for the CFDA Awards 2024
Photography: Ryan Lowry Stylist: Michael Fisher Grooming: Amy Komorowski
On camera and off, Sebastian Stan is always aware of what he is wearing, whether he's suited up as the Winter Soldier in Captain America or sporting jeans and a T-shirt on a day off. The actor— who stars in and is winning over buzz for his transformative performances in A Different Man and The Apprentice—represented Thom Browne at the 2024 CFDA Fashion Awards on October 28 in New York City at the American Museum of Natural History. For the event, Stan wore a full Thom Browne look: a classic ticket pocket tuxedo with self-tipping in black, 3-ply mohair; a knit vest in black cashmere; a classic button-up shirt in white oxford; a necktie in black silk faille; and penny loafers in black patent leather.
In A Different Man, Stan plays an aspiring actor with neurofibromatosis who has facial reconstructive surgery that dramatically alters his appearance. In The Apprentice, Stan plays former President Donald Trump in a film that follows his rise to power, focusing on his mentor-mentee relationship with lawyer Roy Cohn, portrayed by Jeremy Strong from Succession. Stan received critical acclaim for his performances in both films, and is now a likely contender for the upcoming awards season.
At the CFDAs, Stan told L’OFFICIEL about his look for the night, his connection to Thom Browne, and how clothing and costumes impact his performances. Read on for the interview.
Sebastian Stan in Thom Browne for the CFDA Awards 2024
Sebastian Stan in Thom Browne for the CFDA Awards 2024
Sebastian Stan in Thom Browne for the CFDA Awards 2024
L’O: Tell me about your look for the CFDA awards.
Sebastian Stan: Thom Browne’s take on black tie-not traditional, polished in a new way and comfortable while being structured. I appreciate taking things a little less seriously, especially during awards season. I love my straight tie and knit vest—less serious, but certainly not less appropriate.
L'O: How would you describe your off-duty style? What do you wear on a day off?
SS: Jeans and a tee shirt.
L’O: What character that you’ve played is most likely to wear Thom Browne?
SS: Carter Baizen would wear the hell out of a Thom Browne suit.
Sebastian Stan in Thom Browne for the CFDA Awards 2024
Sebastian Stan in Thom Browne for the CFDA Awards 2024
L’O: Your roles in A Different Man and The Apprentice are very physical performances... and so is Bucky Barnes. How do you approach creating a character’s physicality?
SS: It all actually starts from the inside out. Muscles have memory. We wear our pains, our pride, our truth: the ones we project and the ones we keep hidden from the world. It all depends on what’s driving somebody…The need for love, the need to be heard, the need to prove, the need to hide, etc. Everything influences how you move and you walk. Obviously when you’re playing real people the clues are already there to study. Like an instrument. With something like A Different Man, there’s a backstory and the prosthetics influenced everything. Similar with Bucky Barnes. His past is always in his body.
L’O: How do clothes and costumes enhance your performance?
SS: I love costumes because they speak for themselves. When you walk in a room immediately people look at you and what you’re wearing tells a story. The choices one makes in terms of portraying themselves to the world are very revealing. So costumes are a big piece of the character before any words are even said. They also influence the way you walk. I’m particular about shoes. What kind of shoes a character wears. Sneakers make you walk a certain way boots a totally different way. Maybe you stand up taller as a result and so on. Same with clothes. A suit affects everything. So does a pair of jeans you’ve lived in for a decade.
Sebastian Stan in Thom Browne for the CFDA Awards 2024
Sebastian Stan in Thom Browne for the CFDA Awards 2024
#Sebastian Stan#L’officiel#L'OFFICIEL#L'OFFICIEL Magazine#Photoshoot#CFDA Awards#CFDA#Awards#mrs-stans
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I've read your post about Sidney Beldam (what a man!) and it fascinated me enough to buy (quite impulsively) The Facemaker. Long story short, thanks to you and Lindsey Fitzharris I'm in my history-of-medicine-nerd-era and in gayly-interested-in-WWI-period; and The Facemaker might be one of my favourite books I've read this year. The stories of soldiers! The photographs! The work of Gillies! And reading that he performed the first known phalloplasty on a trans man was a very pleasant surprise, you know.
As an ask without an ask wouldn't be technically an ask, here I ask: Do you have any academic paper or book "with plot" recommendations? Either something similar to The Facemaker or just something about or set during the era?
Ahh I’m glad it’s been so inspiring! Ah hell yes Gillies was on that king shit doing the phalloplasty, really set the bar for transgender medical care of the 20th century!
I’ve got (a lot) more info than you’ve wanted if you don’t mind (I really can’t help myself), WWI and thereabouts is a great place to look if you’re getting into medicine history cos that’s when a lot of rapid change happened due to the war as well as the Edwardians’ newfound fight against germs and with the influenza pandemic towards the end of the Great War. My area at the moment for 1900-1920s medicine is plastic and reconstructive surgery, amputations, shellshock and PTSD, post-war rehabilitation, and the general RAMC. So I’ve got some recs for medicine and treatment for the body and mind around the war!
For academic books with a bit more narrative/soldier accounts as you asked:
Wounded by Emily Mayhew. I’ll admit I’ve not picked it up just yet but I do own it and it goes a lot off soldier’s stories
Forgotten Lunatics of the Great War by Peter Barham. Fantastic read about the stigma of “lunacy” and the psychological hardships men faced returning home including fighting for pensions due to lost limbs and shell shock.
Breakdown: the crisis of shellshock on the Somme, 1916 by Taylor Downing. While I don’t agree with this author’s personal views on the war, it does give soldier accounts looking at how the military alone viewed and responded to shell shock which can be helpful to understand in contrast to the civilian post-war response, especially since PTSD and shell shock are two different conditions and the former wasn’t widely understood almost until the 21st century.
Medicine in the First World War Europe: soldiers, medics, pacifists by Fiona Reid. Cannot remember the exact nature of this book cos I can’t remember if I own it but if I remember right it does have more of a personal accounts type telling.
Testament of Youth by Vera Brittain. Not 100% a medical read but a famous memoir written by feminist and pacifist Vera Brittain about her time before the war and during such as a VAD nurse
Two more clinical book reccs if you’re into the how and why of wounds and such:
Faces from the Front by Andrew Bamji. Very good look into the treatment of facial injuries with plastic surgery, it is at times a bit graphic as there are plenty of photos
War Surgery 1914-18 edited by Thomas Scotland and Steven Heys. Great look into injuries and their pathology, approachable read with clearly defined figures and not just massive walls of text along with an extensive bibliography. I recommend this as well for anyone writing WWI fiction because this tells you how wounds ACTUALLY happened and presented themselves
Purely fictional but with medical themes in nature (off the top of my head):
The Regeneration Trilogy by Pat Barker. Quite well known, but depicts the psychological effects of WWI on various characters. If you want queer themes, you’ll like this.
Johnny Got His Gun by Dalton Trumbo. American anti-war novel about a soldier who horrifically looses his arms, legs, face, hearing, and sight during the war and is confined to a secluded hospital bed at the mercy of doctors and nurses who don’t know what to do for him.
A Month in the Country by J. L. Carr. More queer themes! Tells the story about two WWI vets doing archeological work at a church in the English countryside and their lasting battle with shell shock.
I’ve also got a list of a handful of academic type sources slowly collected over the past months for various medical WWI things. These are only the ones I remembered to save, but I know there were certainly several more:
Website on the detailed RAMC evacuation
Pay to access source on prosthetic limbs in Britain via JSTOR
bibliography for First World War medicine as a kind of jumping off point for more academic papers and medical books
Academic paper reflecting on Britain’s response and treatment of shellshock
Good short article on the care of veterans for work and housing post-war
Continuously updating catalogue containing medical records that detail quite interesting stories like a bombardier receiving hypnotherapy to cure shell shock, hyperlink at the bottom to search database
REALLY good site on the RAMC duties at casualty clearing, advanced dressing, and regimental aid
WIP article on Gillies, Sidcup, and patients written by person whose friend was the granddaughter of Sidney Beldam
Academic article on facially disfigured men reclaiming agency and visibility
Short article on soldiers and disability struggles after the war
Masculinity, Stigma and Facial and Psychological Injuries of the First World War thesis paper
Erskine Hospital records that show the hospital, rehabilitation, and patients as well as limb making. Full collection is held at the University of Glasgow
Relationships between medical care and masculinity
Also off the top of my head, if you’re ever in Edinburgh for whatever reason, you might really enjoy the Surgeon’s Hall Museums as there are thousands of artefacts on display such as antique medical equipment, Victorian dentistry items, 17th century skeletons, and 20th century prosthetics. Literally it is floor to ceiling in the main gallery with jarred organs, body parts, bones, and even most remarkably the preserved upper half of the face, moustache and all, of a WWI soldier which is probably one of—if not the—most fascinating and haunting thing I’ve ever seen at a museum imo. It can be a bit of a shock to the system if you’ve never been to that sort of thing before so take care when going. I’ve been about three times and there’s still a couple items that make me go a bit light headed to look at!
Anyway I know it’s a lot but I hope something in there could be more of help to you! Cheers x
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Franklin Expedition Geneology research, or: Do you want to know if YOUR blorbo was cannibalized?
In order to do Y-chromosome based or mtDNA-based DNA testing you need a continous line of male or female descendents (or relatives) and that's, like, really hard to figure out even with merticulous record-keeping by churches. I'm focusing on those who are are theorized to be one of the existing, discovered bodies, especially those that have been collected and whose DNA was already extracted. This means:
-Le Vesconte Point body, theorized to be Edward Couch or Robert Orme Sargent due to facial reconstruction.
-"Peglar Papers" body, which got lost (???) after british soldiers who found it in the 70s gave it to a museum; thankfully a new excavation found a singular foot bone. Theorized to be William Gibson or Thomas Armitage
"Holding Out Hope" Tier (no body):
-Two Grave Bay body, reburied and haven't been re-discovered yet. Thought to that of a Marine. I was doing Tozer's lineage b/c him having a ton of siblings made it easier, but someone beat me to it and is thinking about contacting the university of Waterloo to see if we can get another Fitzjames breakthrough. With Tozer off the list I'm moving on to Healey and Hedges, since both have a good starting point w/ marriages.
-The Starvation Cove Cutlery Carving Crew, whose silverware (originally the officers' until they carved their initials on them) made it pretty far. This includes William Wentzell, Cornelius Hickey, possibly Richard Wall, and several sets of initials that could've belonged to multiple crew members (i.e "WG".) I'm hoping that at least some of the bone fragments get recovered from there.
"Just In Case" Tier:
-Tenatively ientified body of Goodsir, who I'm like 90% sure is actually him this time but I that tiny chance that it isn't nags at me
-"Irving" grave, 70% sure.
I'm more interested in researching the crew than the officers tbh, largely as the latter was already taken by many enthusiasts (I know someone's doing Des Voeux rn.) This is a hugely collaborative effort and I have a lot of people to thank for this, including the Franklin Expedition facebook, the descendents of FE's personnel, and various hobby geneologists who have done their work before me! If anyone right now has ANY information of Thomas Armitage's genetic history, his descendents (he had at least five kids, which helps) or anything of the sort, please tell me!
#edward couch#cornelius hickey#harry goodsir#solomon tozer#joseph healey#william hedges#robert sargent#william gibson#john irving#richard wall#franklin expedition#archaeology#polar exploration#the terror#the terror amc#henry peglar#William Wentzell#thomas armitage#le vesconte point#starvation cove#hms terror#hms erebus#history
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Is Beckett meant to be a poc (in vtmb)? I think so based on his facial features and his skin being a light shade of brown. But he was born in Britain during the 1700s-1600s which makes being non-white a lot less likely (though there were poc even back then).
This is an interesting question, @chinesegal! Thank you for your patience with me answering it. I was traveling, but now I'm back!
When I look at Beckett in Bloodlines, I interpret him as a white British man. But a lot can change depending on what mods one uses to make the game work. For example, this Beckett...
...looks much less pale than this Beckett:
One must also factor in Bloodlines' poor lighting. As any visual artist trying to figure out Sebastian LaCroix's hair color will tell you, the lighting in VTMB is a terrible, mercurial beast. The dingy lighting certainly aides the grimy, uncertain atmosphere, but poor fan artists struggle.
The last sticky point I can think of is how all the Kindred characters are supposed to have a "deathly pallor," especially if they have lower Humanity. Deathly pallor can muck up skin tone wonderfully. I think Strauss would be the best example. He's an older Kindred (LA by Night states he was at the Convention of Thorns in 1493) and made a gargoyle (which involves torture), so he's definitely on the lower end of the Humanity scale. According to VtM's lore, Strauss has trouble maintaining a lively, human appearance. Some fans interpret him as white and often point to his white voice actor, Jim Ward. Others remark on Strauss' resemblance to Morpheus from The Matrix Trilogy, cite the deathly pallor lore, and interpret him as a Black man with graying skin. As in, Strauss looks closer to what a Black man's corpse would look like. The deathly pallor factor allows for this interpretation, and in the gap can nicely fit Cuthbert Beckett. He's an Elder Kindred and has had periods of low Humanity. Maybe he's brown and has been through the wringer.
VtM has a tenuous relationship with history, but if you want to check in with it, real life history doesn't obstruct an interpretation of Beckett as Black or brown. British people have had black or brown skin since forever, as you referenced. The oldest Englishman, Mesolithic era Cheddar man's skin is possibly darker than the reconstruction suggests. Ya gotta remember that white skin came to be because people weren't getting enough Vitamin D. If Beckett is descended from the indigenous Celtic Britons (unlikely but possible), his ancestors might not have been malnourished and lived somewhere the sun could penetrate the mists of Avalon.
So like, given all the above, you can definitely argue that Beckett's a Black or brown British guy. Whatever floats your boat.
That wasn't exactly your question, however. You asked if Beckett's meant to be a person of color or white. This implies you want to know the devs' original intention with the game, which I guess at being Beckett as a white man.
Beckett has been described as white in past White Wolf publications. Or rather, not described, because white is default skin tone in so many works, very unfortunately. In the Victorian Trilogy, much is made of Halim Bey, Theo Bell, and Hesha Ruhadze's black skin, but Beckett's skin tone gets no comment. He's "a long-haired man" with a "wolfish grin one might imagine on a privateer from a past age," (The Wounded King, pg 123-125). Someone describes him as "a pauper's version of Buffalo Bill Cody," (197). When his lover Emma disrobes him, the text notes "his feline pupil slits [and] amber irises," (pg 204). Special attention is paid to Beckett's hands: "dark hair, slick like sable covered the back of his hand, fading to a more human-seeming growth on his forearms" and "His fingers were longer than a man's should be, and the nails were hard and thick like a dog's," (ibid). In Year of the Scarab Trilogy's Land of the Dead, he describes himself with "lean, muscular physique [with] round smoked glasses [hinting] at a pretty boy slumming," (pg 101). By the absence of skin tone description, by the unfortunate reality that white skin is seen as default and therefore unworthy of comment, we can infer that Beckett is white. That's to say nothing of the Vampire: the Masquerade - Beckett comic, which depicts him as white. I wouldn't give the VTMB developers the grace or credit to suddenly deter from this character history.
After all, these are the same devs that failed to come up with a story with Chinese people that wasn't Yellow Peril drivel, created a white PC with "locs," declined to brown Nines' skin, and made Skelter imply that Black Americans make up their own oppression. Just like, all of Chinatown is hard for Chinese and Japanese players to get through. Even by 2004 standards, it's real shitty. With these other missteps, it's hard to imagine they'd have the creativity to re-design Beckett as brown or Black. I think they meant him to be interpreted as white.
But you don't have to! Death to the authors! In your fan art, fan casts, picrew, fanfic, chronicles etc, he can be brown, Black, indigenous, or whatever ethnicity bees your knees. You create the Beckett reality in your Beckett-loving head.
Thank you again for the ask, and I hope the essay made the wait worth it!
#ask#text post#chinesegal#cuthbert beckett#beckett#vtm#gangrel#my vtm nonsense#vampire the masquerade bloodlines#vtmb#wod#world of darkness#clan gangrel
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What did Alexander Hamilton actually look like?
I've spent a lot of time looking at portraits of Hamilton, from the awful (that's an opinion) portrait by Charles William Peale to modern-day facial reconstructions, looking for constant features and repeated descriptions that can help us get as close as possible to knowing how Alexander's face really looked. So, I found myself writing these discoveries down in a Google doc with links to all of the cited portraits and busts and some descriptions. So I wanted to share.
Descriptions
This part features the collection of descriptions from publius-esquire on tumblr, whose account has been deactivated, plus a few I’ve gotten from my own research.
He was under middle size; thin in person, but remarkably erect and dignified in his deportment. His hair was turned back from his forehead, powdered, and collected in a club behind. His complexion was exceedingly fair, and varying from this only by the almost feminine rosiness of his cheeks. His might be considered, as to figure and color, an uncommonly handsome face. When at rest, it had rather a severe and thoughtful expression; but when engaged in conversation, it easily assumed an attractive smile. (William Sullivan)
Although I read with tranquility and suffered to pass without animadversion in silent contempt the base insinuations of vanity and a hundred lies besides published in a pamphlet against me by an insolent coxcomb who rarely dined in good company, where there was good wine, without getting silly and vaporing about his administration like a young girl about her brilliants and trinkets, yet I lose all patience when I think of a bastard brat of a Scotch pedlar daring to threaten to undeceive the world in their judgment of Washington by writing an history of his battles and campaigns. (John Adams)
Hamilton had no more gratitude than a Cat. If you give a hungry famished Cat a slice of meat, she will not accept it as a Gift; she will snatch at it by Force, and express in her countenance and air, that she is under no obligation to you; that she got it by her own cunning and activity, and that you are a fool for giving it to her. (John Adams)
…Yet, in the lapse of days, how insignificant appears the effigy of Burr beside this symmetrical, almost girlish engine of thought, intercourse and public science. (G.W.P. Custis, Katherine Baxter’s Godchild of Washington)
In the intercourse of these martial youths [Hamilton and Laurens], who have been styled “the Knights of the Revolution,” there was a deep fondness of friendship, which approached the tenderness of feminine attachment. (John Church Hamilton, Life of Alexander Hamilton)
…On his return, his friend said, “Well, you have seen Hamilton—you have seen the great man.” “I cannot tell you about his greatness,” the Divine answered, “but he was as playful as a kitten.” (John Church Hamilton, Life of Alexander Hamilton)
Even though he never liked to think of himself as handsome, other people couldn’t help but notice his dashing looks. [...] [his eyes were] deep azure, eminently beautiful, without the slightest trace of hardness or severity.” (Fisher Ames, Martha Brockenbrough’s Alexander Hamilton: Revolutionary) \
Portraits
John Trumbull, 1792, Alexander Hamilton
Another John Trumbull 1792 painting called Alexander Hamilton
John Trumbull, 1805 (post-mortem): The Midnight Appointments: Alexander Hamilton
Charles William Peale, early 1790s: Alexander Hamilton
Constantino Brumidi, published in 1904: Alexander Hamilton, head-and-shoulder portrait
Hamilton’s portrait in the 10-dollar bill, John Trumbull’s 1805 painting
1773 portrait of Alexander Hamilton, when he was either 16 or 18
The features we can see are persistent that Hamiton is always in a ¾ angle except for the last one, which is still made when he was young: the features I keep in my interpretation are his nose, his jawline (softer in John Trumbull’s portraits from 1792 as Hamilton grew older), and his smug grin, including mostly the arched eyebrows and the subtle smile in the corners of his lips.
Busts
Bust of Alexander Hamilton, 1794, by Giuseppe Ceracchi
His head looks like an egg and that’s so funny.
Now seriously, busts are some of the most accurate representations we have in the modern day. This one was made while Hamilton was alive, so more so; if we ignore his egghead, this is one of the most influential pieces on my own interpretation of Alexander Hamilton’s face.
...
So, I sketched my own head-shoulders portrait + side profile portrait + 3/4 portrait. I am going to redraw them and paint them properly, but these are quick drawings I'll use as references for the final one:
I am super aware these are in no way a revolutionary masterpiece, but it's my attempt: to be fair, this is a history account, not an art one. But yeah! This was a dive through every source I could find, and of course, the credit for most of the descriptions goes to publius-esquire as I mentioned earlier.
#amrev fandom#historical alexander hamilton#historical hamilton#alexander hamilton#my art#historic#history#research
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one of my favorite things is when you watch a documentary about English history and the host is all "we wanted to see what this legendary beauty/handsome king looked like when they were alive... so we paid for a state-of-the-art facial reconstruction" and they hype it up the whole program and then at the end they're like "and now, it's time to unveil the timeless face that captivated a kingdom"
and it's like the most bland or frankly busted redneck-looking white person with either ZERO chin or FAR TOO MUCH chin and the announcer is all "we've brought them back to life... this Helen of Troy of the 1500s..." trying not to sound disappointed as this dead-eyed reconstruction stares out at us, an absolutely lipless testament to the horrors of marrying your cousin
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