#Help me this is taking long

[lonndoodles]

HEAD CANON: What if walking mushrooms sat on decaying corpses to get their nutrients. A useful tactic when they roam dungeon areas that aren't their typical environments and can't provide them food so this is how they adapt 👀 hufhufhfuf

alternatively:

[hinamie]

unconditionally

[sharkylad]

Thinking about the fact that Mabel and Dipper didn't know they had two great uncles.

Yeah they are 12 and at 12 I had a shotty understanding of my family tree- But really? Nobody brought up their great uncle? Stanley? Especially since they'll be staying with his twin brother, Stanford?

Shermie never went to Stan's fake funeral, which to me means the twos relationship was strained on some level. If Shermie is older that means his view of Stan was poisoned in some way, that even as kids they weren't close. If the Shermie is younger then he never even got to meet Stan and all he knew about him was how he failed his family. Hell, people probably barely mentioned Stanley TO Shermie.

The fact that Stan had become a black stain upon the Pines family name makes me so vividly upset. Stanley faked his death and the family just- seemingly decided to strike him from the record. To pretend he didn't existed to spare themselves the sadness and shame.

Stanford and Shermie Pines. The only children worth mentioning of Filbrick and Caryn Pines.

It was never Stanford that was lost to the world. It was Stanley, ever since he had to leave New Jersy- it was always him that had to be struck from the record. Change his name, change his state, change his affiliations, destroy the remains of ghost that was Stanley Pines. Kill him so the family doesn't bring him up, doesn't ask questions, stops asking "Stanford" about his twin.

I just keep thinking about the fact that since the day he made one single mistake all the way up until Ford walks out of that machine- Stanley Pines was killed and did not exist. And Stan himself had no one to blame, he had to play the part in his own demise- He is the only one who ever knew Stanley was alive and has been for decades.

He lives in the multitudes of every personality he's ever taken, all in the hope that he himself can stop being Stanley Pines.

[poorly-drawn-mdzs]

An unbothered queen has entered, and subsequently left.

[First] Prev <–-> Next

[stevebabey]

Dustin denotes his plan as a stroke of genius. Steve calls it fucking crazy.

It is crazy — going down to the police station and giving a completely faux alibi for Eddie is crazy.

But then, Steve recalls the handcuffs on the hospital bed, keeping him strapped in even though Eddie’s hardly in a state for escape, all bandages and wires. Steve remembers the fitful sleeps he’s witnessed when visiting, remembers Eddie’s ashamed whisper of fear that one of the officers would smother him in his sleep if no one stayed with him.

Steve remembers the bats. Remembers all the other shit Eddie got dragged through.

And if Steve can lessen that blow… well, then maybe he is crazy for going through with the plan.

There’s no prepping Eddie for it, of course, considering he’s being guarded around the clock. Steve thinks it’s ridiculous considering how feeble he feels just looking at Eddie. When he— when they had gotten him out, there was a moment where he was more blood than boy. Just jagged skin held together by Steve’s hands and sheer will.

He shivers involuntarily. This is crazy, Steve thinks, shifting a bit in the chair out the front of Eddie’s room, waiting for the discussion across the hall to meet its end. It’s crazy, but he’s already done it now.

Sharp footsteps sound across the hallway and Steve’s head yanks up. His heart beats too fast and he presses his palms down into his jeans to wipe them, standing up quickly.

“So?” He asks, eyes darting between Chief Powell and Deputy Callahan.

“That’s quite the alibi you’ve provided, Mr Harrington.” There’s a cool expression on Chief Powell’s face, giving away nothing. “One that not many would be so willing to give.”

Steve swallows. Presses down the panic tied to the implications of what he’s told them— him and Eddie. Him and Eddie together.

“We’d like to question Mr Munson a little as well, get everything settled. You know,” He makes a little gesture with his hand. “Make sure your stories line up.”

A new strain of panic jolts in Steve’s stomach and he hopes it doesn’t show on his face. Glancing over his shoulder, he peers between the blinds and tries to find Eddie’s face. He can only see the hospital bed, stark white sheets and hundreds of tubes. Steve tries to remember that he anticipated this, he prepared for this.

“Now?” He asks, turning back to face the officers. He tries to appear like his uneasiness comes from concern, instead of panic. “He’s just had another dose of morphine, I’m not sure how up to questions he’ll be.”

Chief Powell narrows his eyes. Steve silently begs him to take the bait — he doesn’t want to defer the questioning, he just needs a little more wiggle room in case Eddie is slow on the uptake. He’s a performer though. Steve hopes that’ll be enough to convince them.

“Now is best.”

Steve nods, his face grave. “I understand. Just… if he’s a bit slow, give him time to find his answers. He doesn’t know that I’ve… told you.”

Steve’s hand presses down on the handle to the room and the door opens with a hiss. He enters the room, his eyes landing on the officer posted by the door first before they travel onto the bed, to Eddie.

The chair beside the bed is empty for now which means Wayne must be off getting some food. Good, Steve thinks. This will be easiest with a smaller audience to convince.

Eddie’s eyes are closed, resting as best he can, but at the new noise they peek open. The ripple of happy emotion will help their case immensely but Steve delights in the fact that that reaction is genuine. Eddie is happy to see him.

“Big boy!” He rasps as a greeting. He waves one hand up, wires sticking out of it and the handcuff on it clinks uncomfortably, and he begins a spiel. “Welcome back to my humble—”

He cuts himself off when he sees there are other visitors today besides Steve. The heart monitor jumps and Eddie’s hand drops, eyes back onto Steve in an instant.

“What’s going on?”

Steve strides to his side, his hand reaching out to curl his fingers around Eddie’s limp hand. His skin is cool to touch, fingers icy. Surprise jumps onto Eddie’s face but his fingers tighten their grip, holding his hand too. Steve sits down in the seat beside the bed and lets the real nerves of the situation make his voice tremble when he speaks.

“I— I had to tell them, Eddie. About your real alibi.”

To his credit, Eddie only lets confusion wash over his face for a moment before it turns to some mixture of anger and sadness. A furrow forms between his brows, his grip on Steve’s hand tightening, and Steve doesn’t think he’s acting at all when he says, “You didn’t.”

Huh. Maybe he’s figured it out after all, Steve thinks.

Steve nods solemnly, letting his thumb wander over the back of Eddie’s hand. He remembers what it’s like to dote on girls, on Nancy, and find it’s not nearly as hard to bring it all out for Eddie either.

“I had to,” He murmurs, reaching a hand out to brush back some of Eddie’s hair. The heart monitor spikes again and Eddie’s cheeks glow pink.

Behind them, Chief Powell clears his throat and Steve jumps, remembering himself and what he’s trying to accomplish here.

“Excuse us, Mr. Munson, we have a few questions for you.”

There’s a moment where they let their words register and Eddie takes a deep breath, squeezing Steve’s hand and giving a little nod. Chief Powell continues.

“Mr. Harrington here has come forward with a statement that would place you elsewhere than the scene of the crime at the time of Miss Cunningham’s murder. Can you recall where you were that night?”

The mention of Chrissy’s name makes Eddie flinch and Steve’s glad he’s already holding his hand so he can squeeze it gently. Eddie’s gaze drops to their intertwined hands and stares hard for a moment. Shuffling puzzle pieces into place.

Steve leans down, presses a soft kiss to his bruised knuckles, and says “Tell them the truth.”

Eddie inhales sharply, steeling his nerves and turns his attention back to the officers. “I was with Steve. We were… we were at his house.”

Chief Powell nods, scratching words down in his notepad. He hums in a way that tells Eddie to keep going.

“We were…” Eddie trails off and looks to Steve, trying to follow the story already planted. Steve nods, hoping it comes off like he’s trying to be comforting boyfriend, instead of a subtle nudge.

“…Kissing.”

Steve resists the urge to snort at the absurdity of the whole situation. This whole thing is so convoluted and it’s twisted that Eddie’s even been accused but Steve’s putting his fuckin’ reputation on the line and Eddie says they’ve been kissing?

He doesn’t even need to turn around to know some eyebrows have raised behind him.

“Kissing?” Steve hears Chief Powell repeat. “Just… kissing?”

Eddie’s attention snaps forward again and Steve can see him piece together the snappy persona, the Freak, the scary dog privileges that come with being an outsider. He straightens up a bit, shoulders squaring but Steve can feel the quake in his hand.

“I’m sorry, did you want a play by play of the whole act, Chief Powell? I can go into detail if you want, who took who’s pants off first, yanno, but I didn’t peg you for that kinda guy.”

Steve can’t miss this reaction, turning his head to watch both officers shuffle uncomfortably on the spot. Chief Powell tries to keep his power, eyes narrowing, but it’s hard to maintain when Steve dots another quick kiss across Eddie’s knuckle.

“Very well.” He seems to land on. “We’ll be back to collect a formal statement later—”

Eddie gives a faint squeak, his hand grasping Steves that much tighter.

“—but I’m happy to have the guard and cuffs removed from your room for now.”

A sigh so large escapes Eddie that his chest deflates a good couple inches and Steve feels his own shoulders relax a bit. Chief Powell steps forward, key retrieved from his belt and Steve winces seeing the ring of irritated skin around Eddie’s wrist. No doubt caused from the thrashing of night terrors.

He releases Eddie’s hand long enough for it to be freed, scooping it back up in his as soon as he can, properly this time. All fingers intertwined, palm to palm. Eddie eyes their hands again and Steve pretends to not hear the jump in the heart monitor.

The officers leave, including the one holding post, the door sliding shut with a gentle click and Steve holds himself still— unsure of how to start explaining what he had sprung on Eddie. He feels bad, dropping him in the deep end, even if it was for his own good.

“Eddie—” He starts.

“Hug me.” Eddie hisses out the corner of his mouth. When Steve doesn’t react, he says it again, fiercer - it doesn’t match the way he’s smiling so sweetly at Steve. “Hug. Me.”

Steve does as he’s told, shooting up onto his feet and hesitating only for a moment before Eddie’s arms are creeping around his waist — he leans over and tries to keep his weight off him. Eddie’s frazzled curls tickle at his cheek and Steve just burrows his face in further.

There’s a faint whisper into his ear. “They were watching still.”

Steve pulls back a bit, not to check over his shoulder, but to see Eddie’s face. He’s serious, eyes skirting the window behind them but the moment Steve pulls back, his eyes shift down and he softens.

“And now… kiss me too?” He says. His tone conveys that he knows he’s being far too cheeky. Steve’s wonders if the officers are still watching. Wonders if he’d still kiss him even if they weren’t. He casts a glance over his shoulder and is met with a empty window, the officers retreating down the hall.

He turns back to Eddie with an incredulous expression. “What? Getting you off murder charges not good enough for you?”

Eddie’s face shutters for a moment, as though every emotion to do with Steve’s sacrifice floods him at once. There’s a burst of gratitude when he doesn’t mention it — doesn’t mention everything Steve might be giving up for Eddie, everything that might crumble should the details of the case become public.

He chooses the joke again. Eddie always does.

“Yes, but remember, we’re madly in love,” Eddie sings, brows wiggling about on his face and making Steve snort. “So feel free to kiss me anytime you feel like it.”

Steve snorts. “Duly noted, Munson.”

Eddie throws his head back softly against his pillow and pretends to wail in pain. “Munson? That’s all I am to you? That’s how you treat your boyfriend?”

Steve can’t help but grin a little at the theatrics and finds himself thinking that of all the people to be stuck pretending he’s dating, at least with Eddie, it’ll be enjoyable. Well, at least interesting. It will certainly be an experience.

“You have no idea how I treat my boyfriends, baby.” Steve says, voice low, just to see if he can get Eddie’s heart monitor to jump again. It does, a steady beeping as the BPM climbs up a few numbers.

Steve can feel the blush on Eddie’s cheeks, he’s so close, and it’s so nice to see colour on his face — such a stark comparison to the paleness of- well, of older memories.

Steve grins. Despite every nerve that feels singed beneath his skin, overworked from all his anxiety — despite considering every potential backlash that faces both them outside this room, outside the hospital, Steve searches within himself.

He can’t find one single ounce of regret.

next part.

[zecoritheweirdone]

wanna preface this by saying that i am. So normal. anyway i just spent the last week redrawing scenes from mystery skulls animated but as that hermitcraft au i posted about a couple times. you guys should watch msa it is. so so good.

[notes-app-psychologist]

in the last 3 days I have watched all of good omens seasons 1 and 2

I don't know what I'm meant to do with myself

the kiss. the KISS. and Crowley's voice. and he PUTS HIS GLASSES BACK ON AFTER HAVING THEM OFF THE WHOLE CONFESSION. he was being VULNERABLE. the WHOLE SHOW he keeps them on. keeps himself guarded. and he lets down the defenses because if he doesn't he'll never get the chance to. and because he hopes his angel will listen. that he'll understand and trust

and Aziraphale doesn't bother to bring anything with him to heaven. not a single one of his prized books he's collected. because all on earth that he wants to bring along he can't

jesus christ. a major Gay Ppl Real moment tonight lads. they kissed. right on the mouth. in front of my very eyes. and I knew. I KNEW OKAY. I'd seen gif sets and screenshots and the like for a long while. ineffable husbands is a modern superwholock. you can't be in my spheres and not know who they are. I watched 2 seasons of the build up. the looks and the shielding each other with their wings and the desperation and the devotion. but then they did it. last several minutes of the season's finale and there it is. they really did it.

I need a spiritual scream. just a nice loud screech as loud as my theatre trained lungs can make. but that would be unfair to everyone else in this university housing so I canne

but. I am losing it. i am LOSING. IT. god their acting. the EXPRESSIONS. the HAND touching the LIPS because Crowley finally fucking kissed him after SIX THOUSAND BLOODY YEARS

I'm going to go insane. I have assignments. what am I meant to do in 30 hours? grab my professor by the shoulders? say "hey man, I know you told us we needed to bring these in today but I actually watched Good Omens over the weekend?" that he'll understand why I had to lay face down on the floor instead? that work and school are irrelevant when there's literally Media. Gay Ppl Real? Gay Ppl Real, Micheal?

[clownowo]

🤨

bonus:

[deadsetobsessions]

There’s a child wandering the streets of Crime Alley. Unfortunately, this is nothing new for the area, riddled with crime and homelessness as it is. However, Red Hood and Nightwing are vigilantes and helping lost looking children is firmly in their job description. Plus, Crime Alley is Red Hood’s. He protects what’s his. With a single shared look, the brothers swung down to the child clad in just a white dress and some thin flats completely unsuitable for Gotham’s worsening weather. Hell it’s be unsuitable for the general poor weather.

“Hey, kiddo.”

The girl’s head swung to lock gazes with the duo, eyes blinking blue- and green? Red Hood allowed his brother- he worked so hard to beat down the pit madness in order for Nightwing to even remain near- to take the lead.

“Oh. There you are.” She said, turning to face them fully. The kid’s face filled with relief.

Nightwing blinked.

“You were looking for us?” His soft voice saved for children firmed into something more serious, more concerned.

“Mmhm. I was looking for Red Hood, but you’re a good bonus.”

“And why were you looking for me, kid?” Red Hood interjects. He knows Dickolas is clocking the same things he is: the kid’s white whispy hair, pale face, and… Lazarus green eyes? It’s more solid now, that she’s looking at Jason.

Dick straightened, eyes going heavy as he looks at this wisp of a girl. He’s fiercely protective of Jason and they’re both equally wary of the League of Assassins. Still, the two of them couldn’t help but let their guard down a bit because this was still a child they’re talking to.

“Because… um. Did you know you’ve died?”

Hood stiffened, hand going towards his guns. Granted, they’re rubber bullets, but the kid clocks that immediately. She threw her hands up in the universal gesture of “I’m unarmed and mean no harm.”

“I- well, to put it frankly, you kind of… stink?”

“What.”

“Ugh, I’m totally messing this up!”

“Why don’t you start again?” Dick said, shifting into a subtler fighting stance. He kept his voice light, but Jason saw the way his hands inched towards the scrims sticks. Distantly, Jason thought it was hilarious that this tiny kid could evoke that kind of response. Looking into Lazarus green eyes though, he couldn’t find the humor anywhere. The worst thing, though, is that the pit quieted. The rage the bubbled incessantly underneath his skin calmed. Jason did not like feeling bereft of the rage, not when he didn’t know why it was gone. He had just gained control of it, minimally, and to have that control be unnecessary left the vigilantes off kilter.

“Right, okay, sorry. Um, did you, uh, die and wake up surrounded by glowing green stuff?”

Before Jason could reply ��yes, and why the hell do you know that?’, the kid continued with, “Because me too!”

She did jazz hands as Jason’s and Dick’s brains short circuited. Jason thought he even heard a little “yay!”

“What.” Jason sputtered out. His stomach and heart clenched as he thought about how young the kid looked. Fuck.

“Yeah. So, anyways-”

“Don’t speed past that like you didn’t say what you just said!” Dick interrupted, hand tugging at his hair in distress. His body language slipped from battle ready to extremely distressed. “You died?”

“You were- you were dipped in the Lazarus pits?!” Jason felt the need to address that specific point.

“I mean, it’s not that important? The important thing is- wait, what’s a Lazarus pit?”

Jason froze again. She didn’t know what they were?

“It’s… the glowing green stuff.” Dick answered her.

“Oh. Is that what you were dipped in?” She tilted her head at Jason. He nodded, wariness climbing. “Oh. Well, I mean, that’s not we call it. But the stuff you were dipped in, it’s rank. Contaminated.”

Jason thinks back to the burning, drowning green. The agony he felt as it slipped into his mouth and nose and his very being.

“It was bubbling.” He said. The girl grimaced. Jason had no idea why he was being so honest with this kid.

“Gross. Anyways, I can, like, help you with that?”

“With what?” Dick asked, eyes darting from the girl to Jason.

The girl groaned. “Okay, so I guess you guys are kind of new. Uh, the contaminated green stuff,” she points at Jason’s chest. “That’s making you angry, right? Leaving you in the backseat of your head as your body breaks whatever got you angry to begin with and you have no control over it?”

“…The pit madness.” Jason mumbled, feeling numb. “Yeah.”

“…Right. I can help you clear that out,” she pauses, fidgeting. “If… If you help me talk to Batman? It’s kind of… urgent.”

“Batman?”

“Why?”

“Uh. There’s kind of… a whole mad scientist thing going on and like… experimentation and dissections… you know?” The kid waved her arms around, distressed.

Dick and Jason unfortunately did know.

“Cave?” Jason grumbled.

“Cave.”

“Okay, we’ll bring you to the cave. Then you tell us everything.”

“Really?”

She looked up at them hopefully, and Jason could see the moment Dickolas melted. Not that Jason could say anything, since he was already taking off his jacket and bundling the kid in it.

“Um.”

“Who the hell let you walk around Gotham like that?” He scowled down at her, not that she could see it with the red helmet in the way. Dick looked at him carefully, eyes roving over the oddly relaxed state his little wing was in.

The kid shrugged. Jason sighs.

“What’s your name?” Dick asked. Scooping her up, the blue and black clad raised his free arm to grapple away. Jason follows him, heading towards the motorcycles they’ve got parked nearby.

“Dani. With an I.”

“Nice to meet you, Dani. I’m Nightwing. This is my… this is Red Hood.”

“Okay. Cool.”



[bloobydabloob]

Holy shit I love your Dirk interpretations, it's so true and I could talk about this shit forever. I feel like another part of his character that people seem to forget (along with Roxy for some reason) is that he's from the future in solitude in an apocalyptic wasteland. I just see that part of his character always removed which is disappointing because I feel like that's a pretty big part, especially regarding his themes around technology, his brother's theme of Time, his own isolation, and how he plays in the vastness of the universe and spacetime.

Art I drew related to the subject because I like to respond to asks with art.

But absolutely. I certainly understand where the lack of discussion over his isolation + upbringing comes from, considering a majority of the fanbase that I have seen builds their ideas based on their own version of postcanon. I’m not entirely sure how that would be fixed, but certainly even in the somewhat recent past I would see a lot more content regarding his upbringing both literally and symbolically. I don’t have much to add regarding the things you’ve mentioned, because they just are what they are. Dirk being confined to a singular room left to him by a father figure he never met, in a future where the only other person left on the planet is someone he cannot pursue a relationship of because of himself, with purely 3 robots to keep him companion, one being an exact replica of his own brain who is *also* trapped inside a pair of glasses, is about as literal as it gets to me.

The contrast to me involving the flooded, organic world in comparison to the little speckle of Dirk’s apartment packed with the dude and his technics is not only a representation of his isolation and entrapment within himself, but also of his lack of control. I think his obsession with & themes of control are a direct product in the case of Dirk specifically *of* this kind of upbringing. His themes of technology are also related to his themes around control. So much of his character is actually revolved around this to me like so much. Dirk is so deeply disconnected from humanity in every way and so much of his character + symbolism is based around that.

It doesn’t even have to be about the symbolism or anything though. It’s just pretty *interesting* in the literal sense that he lives in the middle of the ocean in the future. There’s not only a lot to theorise on to do with his young life there, but on how it might affect him in the way he acts for the rest of his life. The latter part is probably what I see mentioned the most by people talking about Dirk regarding this, I’m surprised I don’t see more discussion on the former too though. I really ought to actually talk more about Homestuck stuff on here. I will do it myself.

Roxy & Dirk’s relationship is largely ignored though because there is a narrative a certain demographic spreads that Dirk resented and blamed Roxy for her interest in him, and thus too many people believe that their relationship was or would continue to be an abusive one. Realistically, I believe it’s important to acknowledge that the way Roxy treated Dirk regarding his homosexuality wasn’t right while still acknowledging the obvious amount of respect and admiration Dirk had for Roxy. I mean we have a huge piece of dialogue from their post trickster mode conversations on the quest beds from Dirk purely stating how he feels about Roxy that people completely ignore somehow. I think this usually happens to characters that are women though. I know everyone says it, but it is true. Jane gets the exact same treatment of boiling her down to solely her negative aspects. The things I see completely mischaracterising both of them are horrific.

I mean how much more explicit can it get that their relationship is obviously very important to Dirk? But I digress. I think the best or I should say “most interesting” interpretations of their relationship usually come from DirkRoxy shippers actually.

I would be interested to hear about Dirk’s relation to his brother’s theme of time though. I don’t have any thoughts on this and I don’t recall ever hearing anyone talk about it before. If you or anyone else would be willing to enlighten me I’d be thrilled.

[blindmagdalena]

Guilty Pleasures ( chapter two )

18+ 3.8k homelander x plus size f!reader. workplace harassment, stalking, voyeurism, masturbation, lite humiliation kink, lite somnophilia, breaking & entering, petty theft, sublander flavored. nebulously takes place post s1. part 2/4. AO3 link. | Chapter Directory

Homelander is the most powerful man in the world, and all he wants is to be yours.

After spending the majority of your evening and the following morning anticipating being fired, walking into work the next day feels like traversing a thinly frozen lake, each step webbing out in precarious cracks.

Clearly you’re not the only one who thinks so: you clock a handful of surprised looks from coworkers who’d attended the meeting and took note of the tension between you and Vought’s golden boy.

Maybe they’d taken bets on whether or not you’d be coming in this morning.

There’s no sign of Homelander on your way in. Not that you were expecting him–yesterday was the first time you actually saw him in person–but you still find yourself on the lookout. It’s hard to say whether you’re anticipating or dreading him. Part of you is still expecting to open your door and find a letter on your desk politely informing you that they’ve determined you aren’t a good “culture fit” for the company, and that your probation has been terminated.

After all, who in their right mind would take your side over Homelander’s?

You push open your office door, and sure enough, there is a letter waiting for you, but not in the way you expected. You stand in the doorway, staring in quiet incomprehension. The envelope, crisp and bright white, is propped up in a bed of rich red roses sitting in a pretty vase upon your desk. You glance behind you before you step inside, closing the door behind you, and approach the desk cautiously. You pluck the paper out of the bouquet, taking a moment to smell the flowers–they smell as good as they look–before you carefully rip open the envelope, tearing the small american flag sticker that sealed it.

Inside, there’s only one word on the folded piece of paper, scrawled in surprisingly elegant handwriting.

Truce?

You can’t help the incredulous little bark of laughter you give at that. It’s not even an apology. It’s a demand that he expects a gratuitous bundle of flowers will help you swallow, like taking medicine with a spoonful of sugar.

“You’re ridiculous,” you say quietly to the letter, setting it down on your desk. You give the roses one last sniff, testing one of the soft petals between your fingers. You wonder if what you said actually got through to him.

Homelander has no real reason to smooth things over with you: you’re no one. He’s posed no risk to himself by coming after you. He could no doubt have you fired by complaining that your marketing tactics don’t align with his brand. It’s hard to imagine Vought denies him much.

Yet he is apparently negotiating peace. It’s not nearly enough, but it is a start.

Or maybe it’s just more than you expected.

You sit, idly tapping the letter against your desk. You’d be lying to yourself if you said you didn’t still think him handsome. Homelander wasn’t the first man to ogle your tits while you gave a presentation, but he was certainly the first to fluster you like that when he did. His sly smile had made you want to slap him, but there was a questionable little part of you that thought about kissing it better afterwards.

Taking in a steadying breath, you slip the letter into your desk drawer and adjust the flowers to the side, admiring them a moment before you pull out your laptop.

If Homelander can behave himself enough to let you do your job without public humiliation, you can afford a truce. You don’t need to forgive or condone him to be civil, or even to continue having your own private fantasies. A little guilty pleasure now and again never hurt anyone.

You can’t know that Homelander is observing you throughout this internal conversation, watching through several layers of steel and concrete, his parted lips curving into a slow smile as you accept his offering. You can’t know that you haven’t just acknowledged a truce, but an invitation.

No, you can’t possibly know what’s to come.

Two days later, you diligently change the water that the roses in your office sit in. They’re doing well, the crimson buds having unfurled into a splay of velvety petals. You pinch one between your thumb and forefinger and stroke it absently. Homelander has continued to be a scarcity, but that doesn’t mean you haven’t seen him. Quite the opposite: you spend most of your working hours either looking at or thinking about his face to the point where it’s starting to follow you home each day.

That’s what you tell yourself when you think of him outside of work hours, anyways.

It’s been long enough now that you wonder if the flowers were the end of it. He was simply covering his ass with a half hearted gesture that slightly resembled an apology so that you could both comfortably drop the subject. That was entirely fine by you so long as he actually did improve his behavior.

A familiarly brisk knock at your door catapults your heart up against the cage of your ribs like a spooked hare. It’s the exact same beat, you’re sure of it. You stay quiet, half expecting to be barged in upon, but when nothing happens, you move from your desk and open the door yourself, intentionally blocking it with your body.

Sure enough, Homelander stands tall on the other side. He flashes his signature smile while your eyes narrow suspiciously. “Can I help you?”

“I think I’m the one who can help you,” he says brightly, that spread of teeth downright wolfish. He lifts a handful of papers that have been stapled at the corner, gesturing for you to take it.

Still wary, you take them from him and shift, wedging your foot to keep the door firmly in place while you flip through the pages. Your brows furrow as you recognize chunks of your own presentation. Understanding dawns when you realize that he’s annotated them.

“You read my presentation,” you say, unable to mask your surprise.

“Obviously. It’s my image on the line, right? Got some notes for you, but I have to say: y’mostly nailed it,” he says, reaching out to rest a gloved hand on the doorway.

“Mostly?” You echo, quirking an eyebrow at him as you look up from the pages.

“Yeah, mostly. Again, I have some minor notes,” he says, wiggling his other hand in a vague gesture. “But I figure I owe you praise on a job mostly well done.”

You’ve got to be kidding me.

Crossing your arms, you abandon your stern foothold on the door in order to shift your weight, your incredulity showing in every inch of your body language.  “What you owe me is an apology.”

Homelander’s grin softens into a smile that’s no less challenging. “Looks to me like you’ve already been enjoying my apology,” he says, leaning slightly to gaze past you, to the bundle of roses sitting prettily on your desk.

You briefly glance over your shoulder, but your expression remains impassive. Unimpressed. “That? That isn’t an apology. An apology would include the words I’m sorry.”

He scoffs a dismissive laugh, swaying back to look away, but you persist.

“I’m serious,” you say, luring his ocean blue gaze back to yours. “I want you to say to me ‘I’m sorry for the way I behaved during your presentation. It won’t happen again.’ “

The two of you hold each other’s gaze with all the magnitude of two gunmen in a duel, hands steady over your proverbial pistols. 

To your surprise, Homelander does not fire back. He raises a dainty white flag.

“I’m sorry for the way I behaved during your presentation,” he says, words slow and measured. You watch his tongue flash over his bottom lip, wetting it attractively. You fight to not let your eyes linger on it. “It won’t happen again.”

You swallow, suddenly finding thought and speech an impossible task. You weren’t prepared for such raw, ready obedience from him, nor the intensity in his gaze that follows it. He reminds you of a charmed snake–docile so long as he is transfixed.

“Good,” you say, the word half a sigh. Homelander’s lips part and he breathes in like he’s caught wind of something particularly delicious smelling. “I accept your apology, and I appreciate that you took the time to do this,” you say, gesturing with the documents in your hand. “I’ll go over them and get back to you.”

He reaches out, bracing his hand on your office door. You half expect him to push it open, but he merely holds it there. “We could go over them together,” he suggests slyly.

“No,” you say, clearly disarming him. He looks as though he’s forgotten the meaning of the word. “I’m in the middle of another project at the moment.”

The leather of his gloves creaks faintly in your ear as he flexes his grip on the edge of the door. While what you’ve said is true, it’s also serving as a test. Words and flowers are pretty things, but only actions always speak the truth.

“At the moment,” he repeats, gears visibly turning in his eyes. “So… Later?” He extrapolates, displaying an uncharacteristic tentativeness alongside his obvious displeasure at the taste of rejection. You even see a glimmer of hope in the mess of his expression.. 

He did pass the test. You suppose you can reward him for that.

“Another time,” you say, giving your door an exploratory push. He relents, his hands sliding down the length of it before falling away as he takes a half-step back. “How about tomorrow on my lunch break? 1:00 o'clock sharp.”

He splits into a smile that looks more genuine than any of his you’ve seen before. “Aaalrighty-roo. Sounds gooood to meeeee,” he says, drawing out his vowels more the closer he gets to actually having to leave. At your silent, amused stare, he claps his gloved hands together with a muffled thump! and takes a few more steps backwards. “Yooooou’ll see me… tomorrow.”

Your smile pinches along with your brows. What a strange way to phrase it. “See you then,” you say, watching as his face is eclipsed by your closing door. You wait a beat and then let out a thin thread of breath from your pursed lips, resting your weight on the door.

Looking down at the papers in your hand, you push off from the door and head to your desk, flipping through them.

Such a strange man, you think, carrying the notes to your desk. You set them down next to the vase of roses and try not to think too much about the unconscious smile your lips keep settling into for the rest of the day.

Homelander’s got you hook, line and sinker. He’s certain of it. He lingers on the other side of your door just long enough to watch you through it while you settle, a charmed smile set on your lips. He can already imagine how those lips would feel against his own, how they’d taste. He swallows thickly and looks around before he departs, already plotting his next move.

The two of you have a date tomorrow, and in order to be at the top of his game, he’s going to have to do a little additional research. Knowing your work was a good first step. The next one will be learning about you.

Following you home is the easy part. It ultimately feels chivalrous to do so once he realizes you walk home even at this time of year, when the sun sets long before the work day ends. He drifts above you, cocking his head curiously. No wonder you walk. The streets are packed as tightly as sardine cans, and your apartment garage isn’t much better. The claustrophobia of it all serves as a stark contrast to the openness of Vought tower.

The interior of your apartment provides an even sharper juxtaposition to his penthouse. It’s tidy, but the comparatively low ceilings and minimal floor space still make it look cramped. Somehow, you simultaneously have too much and yet not much at all, the confinement of a downtown apartment making what minimal affects you do own seem crowded together.

That only becomes more apparent once he’s inside, slipped in through your balcony after sleep has taken you. Why would you bother to lock your balcony when you live on the 8th floor? It works out perfectly for him.

In all fairness, your living room feels cozier once he’s standing in the center of it. Your walls are lined with an assortment of art pieces and photographs, and the shelves are well stocked with books and knick-knacks. You have a decent film collection displayed on your media console, and he can’t help but snoop through it, bending at the waist, examining through the rows. He cocks his head.

Odd. You’d think an employee of Vought would have at least a few VCU films. He runs his index finger along the spines, slightly adjusting them flush as he goes. Pursing his lips, he straightens up and looks at the closed cabinets on either side. The left one yields an untidy assortment of electronic odds and ends, cords and the like. Nothing of much interest other than an indication that while you like to keep up appearances, you aren’t quite as together as you’d like people to think. 

It’s on the right side, however, he finds what he’s really looking for.

“Bingo,” he whispers, smiling to himself as he scopes out your little hidden collection of Vought hero flicks. Specifically, his films. He’s less interested in the handful of others you own (Queen Maeve: Her Majesty, Black Noir: Insurrection, Lamplighter: The Bright World, etc) and more so in the fact that you have nearly his entire catalog tucked away. 

Nearly. You’re missing his eighteen part miniseries, Homelander: Brightest Night.

At least that gives him something to gift you.

Closing the cabinet, he meanders about the rest of your apartment. You have some plants in varying states of decay, with only a few cacti looking to be in decent shape. Either your work keeps you too busy to properly mind them, or you just like the idea of them more than the reality. It tells him that you’re looking–and failing–to fill a void in your life. You want to feel less alone in your home, you want to nurture something. You just haven’t found the right something yet.

Striding into your kitchen, arms folded behind his back, he peers through the cheap wood veneer of your fiberboard cupboards, unveiling an unusually broad assortment of mugs. There doesn’t seem to be any particular theme: holidays, locales, characters, and a menagerie of patterns. 

He hums softly, pivoting out of the kitchen and down the hall, his steps preternaturally light. He listens for the beat of your heart as he draws near, tunes it in alongside the shallow cadence of your breath. Deep asleep. Good.

The walls are lined with pictures of you and others. Friends or family, he can’t say, but you look to have an abundance of both. He rarely sees himself in photos that aren’t promotional material. He pauses to straighten a picture frame, and finds himself so viciously jealous of the man sharing the frame with you–his lips pressed to your cheek, your laughing smile so genuine he can nearly hear it–that he almost knocks it to the ground.

Running his tongue along his teeth, he continues on.

Your bedroom door is open. He slips in silently, pausing just through the doorway. Your bed's a queen, too big for just you. You’re sprawled comfortably amidst pillows, limbs splayed in just such a way that he can easily imagine fitting himself in the empty spaces between them. He can smell the lingering burn of the candle you’d lit when you got home. He picks it up off your dresser, reading the label: Cup ‘o Joe. 

Eugh. He never cared for coffee, and the artificial sweetness surrounding the note is cloying. Your perfume, on the other hand, he doesn’t mind. He notices the bottle alongside a few other of your things and puts the candle down in favor of that, popping the cap off. The smell hits him before he sprays it: vanilla first, then amber and something more woodsy. It’s less impressive by itself than it had been on you.

Still, it’s yours. You chose it for yourself.

Slipping off one of his gloves, he lightly sprays into the inside of it before he sets the bottle back down, recapping it. It won’t be the same, but he’s driven by the compulsion to spirit away any little pieces of you that he can. Just enough to satiate himself until he can have you properly.

That’s when he sees your blouse from today in a careless heap at the top of your laundry basket next to your dresser. Licking his lips, he tests the feel of the garment between his bare fingers. He’s always been sensitive to fabrics, and while the blend of this one is fairly cheap, it’s been worn and washed enough that it’s soft against his skin. He grabs a handful of it and lifts it to his mouth, brushing it along his lips, under his nose, and he deeply inhales your lingering scent mixing with the fresh pump of perfume.

He bites back a moan, screwing his eyes shut. His cock gives a dull little throb. Fuck, the spell you’ve cast on him makes him ache just for the smell of you, makes him salivate. He swallows it back, letting out a rough little breath as he reluctantly puts the shirt back down. Under it, he spies a little flash of something black and lacy. His stomach clenches, and he’s reaching for it before he can stop himself, fishing the black panties out of the heap and twisting the fabric between his fingers.

Fuck, fuck, fuck.

He can’t afford to overindulge. He won’t be able to control himself if he does, but he also can’t bring himself to put the little slip of fabric back down. He imagines he can almost taste where your sweet cunt had been pressed to it. Christ, he’s practically drooling. Out of sheer impulse, he yanks down the zipper of his pants with a quiet hiss of metal against metal and hastily pushes your underwear into his cup, biting down hard on his lip. He grinds once against his hand, savoring the feel of the fabric against his cock.

He’ll enjoy them far more than you’ll miss them.

Zipping himself back up, he carefully pulls open your top dresser drawer. He curiously pushes the contents around, mindful not to overly disturb, and his knuckles bump something solid. He shifts one of your bras–another near painful pang of arousal at the reminder of your breasts–aside and finds, to his delight, what any good marketing department would describe as  “a large purple massage wand.”

A vibrator. He chews his bottom lip briefly, turning it over in his grip. An exciting find on all fronts. It’s smooth and decently hefty, good quality. You deserve even better. You might be capable of indulging yourself with this, but he could make you scream. You’ll never need a silly little toy again. Not when you have him.

Homelander moves to put it back in the drawer, but–

“Fuck!” He hisses when the button catches on his finger, and suddenly the damn thing is buzzing.

Shut up, shut up, shut up, he chants mentally, jabbing at the buttons in an attempt to silence it, but pressing the same ones only makes the accursed device louder. In a frantic move, he grips the neck and squeezes. There’s a soft crunch beneath the silicone, and as abruptly as it had begun, the buzzing ends. His heart is thudding heavily in his chest. He listens to the silence, to you.

He looks over his shoulder. No movement. Your breaths remain shallow.

Christ.

So much for leaving no trace. He slips the busted toy back amidst your underthings and snatches his glove off of your dresser, tucking it under his arm. He hones his attention on you as he approaches your bed, assuring himself that you really are still asleep. He stands there for a while, admiring the part of your lips and the haphazard splay of your pajamas and where they cling to your body.

No bra.

His bare hand flexes. Being so close is too much of a temptation. He wets his lips with a quick slide of his tongue and bends down. He ghosts his fingers just over your cheek, not quite daring to touch. He can smell the faint remnants of your toothpaste on your breath, your shampoo, and beneath it all, you. It's intoxicating, it's…

Your brows furrow slightly in your sleep and you make a soft noise, interrupting his thoughts. He wonders if you’re dreaming–dreaming of him, perhaps. He’d like to think so. He’d like to think that you’re just as affected by him wanting you as he is, and that’s the real reason you invited him to lunch. He saw it in your eyes when he echoed your words, the thrill that went through you. He could have gone to his knees for you in that moment and had you in giving himself to you.

Desperate for just a taste, he kisses ever so gently between your brows, his own breaths matching the cadence of yours. Divine. You're divine. So effortlessly perfect and so aware of your own power. How could he not want every part of you?

He means to leave it there, to walk away with nothing but the slight salt of your brow on his lips, but the pull is too great. He's greedy, drunk on the smell and the taste of you, on the feel of your panties pressed up against his cock, and he can't stop himself from sampling your lips against his.

It’s the barest hint of touch, and yet the contact lances electricity through him like he’s been struck by a bolt of lightning. Your lips are soft, soft, soft. He knew they would be. Everything about you is so fucking soft. It takes everything in him to pull away, standing back to his full height.

He's aching, yearning so intensely he could rip the covers away and take you just like this, shake you awake, declare himself and have you. Would you scream, or would you have that same look of affronted understanding of him? You see him in a way few are ever brave–or stupid–enough to dare.

Not yet.

He won’t spoil the game. He agreed to play by your terms. As far as you’re concerned, he’ll do precisely that. You’ll be none the wiser in regards to his little reconnaissance mission–anything could have happened to your vibrator–and the two of you can play your little game as if you stand on equal footing.

Sucking in a silent breath, Homelander leaves alone, but not empty handed.

He’ll make very good use of his little trophy tonight.

( chapter three )

[hinamie]

sidelong

[majimaisms]

hes being very normal about saejima being in prison

[royaltea000]

Certified DILF chaser

[ashleys-doodle-corner]

Act 3 (But why did they look so...?)

We finally got to the comic that actually made me think about this AU in the first place. After I was mulling around the idea of Loop looking like Siffrin the whole time, I realised that the conversation of "who or what do you think I am?" doesn't apply anymore. But you know what would?

The question of why Loop is even here in the first place. Because while it's nice to have another you around to help you out of the loops, isn't it weird that they're even here? Who sent them?

... and what was with their response?

[redysetdare]

Reminder that if you are going to be reporting the bots in the asexual tag and you are on mobile: make sure to go to the bots blog and report them. reporting the post will likely only get the post removed but not the bot, allowing them to continue posting in the tag. you need to go to their blog and report the blog so that tumblr will look at the blog itself and take it down. also on mobile you have to block and report separately. reporting on mobile (at least on my device) does not seem to block the bot as well, so by going to their blog you can report them and then block them afterwards.