"but I wouldn't spoil the endings"
SAYS WHO?
[[Uhmm... Blood! And.. uhm.... Totally friendly Cosprout which doesn't include angst right below]]
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Okay, so... This was the 3rd ending I came up with (which most likely won't happen)... I'm zorry redzania for ruining Cosprout in this au but angst is in my vlood 😔
This would happen if Cosmo triggers sprout a few too many times (commits scarf death)
Totally not inspired by "There's something about Amy/Crazy Amy" teehee
+a version with less blood!1!1!1
I'm also thinking of making an askblog for Sprout's World once my AU gets popular, but I'm still kinda unsure on it
Ehe... Incase y'all are curious of the other two endings (why am I treating this like some game in progress???), I'll just say that Cosmo/Sprout cannot be alive at the same time :3
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Thinking about how Aegon and Aemond are jealous of each other and are longing to be in each other's shoes - Aegon wants to be the second son so he can have freedom of action, and Aemond wants to be the firstborn so he can fully embrace his potential as a family protector and fulfill the "duty and sacrifice" thing that Alicent has been so thoroughly hammering into him since he was a child.
What catches my eye this season is that they are straight up mirroring each other. Aegon is an insecure, stiff-necked boy in a man's body, because of how new and fresh it all is for him, he's euphoric from everyone's love and support. He is king, he is on top, everyone obeys/should obey him. It is on this euphoria that he takes on the royal duties; everything is easy and not that difficult for him so far. He's completely clueless about governance, doesn't know how to deal with the small council members (the same scene with Tyland the pony is cute, but it's pretty damn insensitive to Tyland and everyone else present), disdainfully calls Aemond a hound while drinking with his buddies, etc. But what is striking is that he is desperate for love and recognition, and therefore tries to earn it with exorbitant generosity. He sincerely tries to please his subjects by distributing the last reserves in the treasury, appoints his friends to the post of royal guards and goes to brothels with them, just to feel like he belongs somewhere and earn the status of the Magnanimous.
With the death of Jaehaerys it is even more difficult for him, he finds himself completely isolated from the rest of the family and lives through his grief by his own, making more and more questionable decisions and undermining his authority in the eyes of others. It is this isolation from his family that exacerbates the situation, since it is successfully exploited by Larys, who's whispering lies about Alicent's and Aemond's plotting against him. Aegon is impulsive and angry, he wants to play by his own rules while being terribly insecure and afraid of making a mistake. The last straw for him is the conversation with Alicent, who with a careless word pushed him into making a fatal mistake so he rushed into battle to do something, release emotional tension, and to prove himself.
Another very interesting detail of his character is his rejection of Targaryenism. He doesn't like Valyrian culture, language, traditions (incest in particular), even rejects the external attributes of typical Targaryen image, e.g. (long hair) and wears an emphasized sloppy hairstyle (yes, I consider it as a protest against the system). Ironically, his closest creature is his dragon, the very symbol of the Targaryens.
Similarly to Aegon, Aemond is also a complex, insecure boy who nevertheless, has managed to build a flawless at first glance image of an unmoving statue. Because of the attitudes instilled in him from childhood, he is very focused on his heritage and very protective of what Aegon despises so much - about Valyrian culture, language, traditions. Who knows, maybe for that the gods rewarded him with Vhagar out of all dragons? Aemond clearly knows what he wants, knows how to present himself and is not afraid of making mistakes, simply because he believes it's impossible for him to make any. Like Aegon, he is crushed by the weight of responsibility (including for the war that was started by his mistake; yes, I think he felt pity not for Luke, but for himself), just like Aegon he is isolated from the rest of the family, he longs for love like Aegon does, but contrary to the latter he rigidly denies himself that need. The only thing he has are the visits to the Madame and milk of the poppy. Soon he denies himself even this, decides not to show his true nature to anyone and to become a lone wolf. He is still as impulsive and angry as his brother, but knows how to twist it all out in cold disdain and sophisticated mockery. He has everything calculated - he will be able to show himself from the best side, to earn recognition and get Alicent's love back. But there's one flaw - when things don't go according to plan, he gets lost and unravels his ire upon everything and everyone he can reach. And in the end, just like Aegon, in Rook's Rest he does what he does to relieve the tension and get something done, regardless of the consequences.
And their whole tragedy lies in just that. They essentially want the same thing, which is their mother's love and validation. They're yin and yang, two forces dependent on each other, destroying each other in the process of self-destruction.
Thinking about how they are so similar and yet so different at the same time, two sides of the same coin, who will never realize it because of their pride and rage.
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