#European Media

[fictionalcrisis]

I started watching "Unit One" solely because of Mads Mikkelsen. I was on a mission to watch everything he ever acted/ appeared on. (I still am).

However, I'm extremely picky about serieses. Then again, HEU led me to places that I wouldn't have visited with a gun so I was like fuck it, let's start watching a wholeass series cause MADS MIKKELSEN LOOKED HOT AF IN IT.

Now oh boy... Little did I know that I'd end up enjoying Unit One SO much! It's an amazing show and now ik why it's called a Danish classic! All the actors in it did an AMAZING job and goddamn European men are HOT.

I've developed a massive crush on Lars Brygmann

I've known him from "Riders of justice" but I wasn't prepared for THIS ^

I'm so grateful that I decided to watch Mads Mikkelsen's Danish stuff. It has been such a crazy ride. I've only 7 eps left of this show and I'm definitely gonna miss Allan, La Cour , Ingrid and Gabby :")

Now about Mads, (Can't help it)

I've always loved exploring media that are not "Hollywood". Being born in South Asia, I grew up with Bollywood and Anime so I always knew that there are AMAZING stuff out there that are being made all over the world. I just didn't have any source which I could follow when it came to native European media. Then Hannibal happened along with MADS MIKKELSEN. Mads always carries a piece of his root everywhere he goes and that is what makes him SO EXTREMELY charming to me. I love his accent, his non Hollywood teeth, his god like body structure and how fucking original this man is. Getting to explore his Danish films and Serieses made me fall for this man even harder than before. He's one of a kind.

Bonus: LARS MIKKELSEN. I need to thank the Mikkelsen parents atp 🙏. I'm a slut for these brothers.

[ericartem]

Why Media Feeds on Negativity, and Why We Keep Coming Back for More

Why Media Feeds on Negativity, and Why We Keep Coming Back for More #Americanmedia #artem #attentioneconomy

Content 18+ Humanity’s story has been shaped by its ancient need to survive, to recognize danger before it strikes, and to respond with speed and ferocity. For thousands of years, survival meant focusing on threats—the rustling in the bush, the growl of a predator, the looming storm. Today, we don’t live on savannas, and most of us don’t worry about tigers or imminent storms in our backyards. But…

[beescake]

Is it just me or is your solkat giving Good Omens vibes? specifically the way you draw them

goddamn

you're exactly right actually hshajha i did indeed have an old headcanon about this

i think it's cool how homestuck and good omens have had some overlapping fans even in the past!!

the dvkt fic mentioned is To Defy Gods and Devils by amaranthinecanicular (2013) - it was written before the tv show (2019) so i found it quite fun that the author wrote it based on their book perception of gomens

tho i did say slkt so. solkat omens!

[throway444]

[3liza]

i just wanted to know what using a distaff was like and god help me I started laughing as soon as I saw + heard this wonderful man. i think I'm in love with him. Italy is a real place; you can go there

[workersolidarity]

🇬🇧🇮🇱 🚨

BBC PIECE REFUSES TO ACKNOWLEDGE "ISRAEL" RESPONSIBLE FOR MURDER OF FOREIGN AID WORKERS

📹 Footage from a BBC piece covering the deaths of 7 foreign aid workers with the World Central Kitchen (WCK) in an Israeli airstrike refuses to mention "Israel" as the party responsible for the slaughter.

The piece dances around ever mentioning the party responsible for the airstrike, instead discussing the "deaths" of the 7 foreign aid workers in "an airstrike". Even though Palestinian resistance forces do not possess such capabilities.

The piece even mentions how WCK coordinated its movements with the "IDF" (Israeli occupation forces [IOF]) but fails to connect the coordination with the murderous airstrike itself, choosing to avoid any mention of Zionist responsibility for the murder of the aid workers, which included British, Australian and Polish nationals, along with a dual U.S.-Canadian citizen and one Palestinian.

#source

@WorkerSolidarityNews

[hydrangea-shelters]

Elisabeth das Musical stamps (deviant art style). Because i haven't seen a lot of european musical stamps.

Elisabeth logo (to show off your fandom)

Der Tod (2005)

Der Tod (hungarian)

Der Tod again (Takarazuka)

The OG Der Tod

Elisabeth

Todolf????

and we have Elisabeth and Der Tod

feel free to use it to your personal page, carrd, neocities, strawpage, toyhouse, sheezy, deviantart, etc. No need to credit when using the stamps (like putting html embeds and stuff) but linking any of my pages is appreciated when reposted, reblog, or reupload on different places.

[thesleeptokenarchive]

Social Media Update: March 7 2020

Each time we battle, The blood and the fury takes us a little higher. Photographic imagery courtesy of Simon Kallas Photography

From the Babymetal headliner O2 Academy Brixton, London, England July 2 2019

[FB | X]

[all-the-pretty-stars-shine]

When you want to talk about different options, but get talked down constantly and then being blocked for calling them out

[zero-zoxx-international]

Erinnerungen an den Sommer (Memories of the Summer), 2025 by J.G.Wind

[mostlyvoid-partiallyflowers]

The most recent episode of Interview with a Vampire let's us see Lestat's side of the story and see how it compares to Louis' accounting of their relationship. As a result, it reaffirms just how unreliable of a narrator Louis is, but it also further illuminates elements of his character that the director and writers have been playing with since the beginning of the show.

There's this part in the episode where Lestat turns to Louis and apologizes and it's framed with Lestat turned to Louis on one side and Claudia on his other side. They're the angel and devil on Louis' shoulders, but who is the angel and who is the devil? And as my friend said, Armand and Daniel are placed into that same dynamic with Louis later on. We are being asked to decide who to trust, who's telling the truth, who's the good guy, but the fact of unreliability robs us of that decision.

This whole story is about Louis, he's the protagonist, though not the narrator, and he is constantly being pulled in two directions, no matter when or where he is in his story. He's a mind split in two, divided by nature and circumstance. He's vampire and human, owner and owned, father and child, angel and devil. He's both telling the story and being told the story. His history is a story he tells himself, and as we've seen, sometimes that story is not whole.

Louis is the angel who saved Claudia from the fire but he's also the devil who sentenced her to an life of endless torment, the adult trapped in the body of a child. He's the angel who rescued Lestat from his grief and also the devil who abandoned him, who couldn't love him, could only kill and leave him.

He's pulled in two directions, internally and externally at all times and so it's no wonder that he feels the need to confess, first to the priest, then Daniel, and then Daniel again.

He's desperate to be heard, a Black man with power in Jim Crow America who's controlled by his position as someone with a seat at the table but one who will never be considered equal. He doesn't belong to the Black community or the white community, he can't. He acts as a go-between, a bridge, one who is pushed and pulled until he can't take it anymore. He's a fledgling child to an undead father, he's a young queer man discovering his sexual identity with an infinitely experienced partner. He's confessing because he wants to be absolved, that human part of him that was raised Catholic, that child who believed, he wants to be saved. He wants to be seen.

Louis wants to attain a forever life that is morally pure, but he can't. He's been soiled by sin, by "the devil," as he calls Lestat, and he can never be clean again. Deep down, I think he knows this, but he can't stop trying to repent. He tries to self-flagellate by staying with Lestat and then tries to repent by killing him, but can't actually follow through. He follows Claudia to Europe to try and assuage his guilt. He sets himself on fire, attempts to burn himself at the stake, to purify his body, rid himself of the dark gift.

Louis is a man endlessly trying to account for the pain he has caused and he ultimately fails, over and over again, because he can't get rid of what he is. A monster. He's an endlessly hungry monster. He's hungry for love, for respect, for power, for forgiveness, for death. He's a hole that can never be filled. He can never truly acquire any of those things because he will always be punishing himself for wanting and needing them in the first place. He will never truly believe he deserves them and as a result, can't accept them if they are ever offered. He can never be absolved for he has damned himself by accepting the dark gift and thus has tainted himself past the point of saving.

[celluloidrainbow]

ANOTHER COUNTRY (1984) dir. Marek Kanievska Elderly former soviet spy Guy Burgess is being interviewed by an American journalist about how his life ended up on the path it did. In relaying his story, he focuses on the transition into his senior year at a prestigious boys school in Britain in the 1930s, his desire to climb the student hierarchy, his friendships, his first love, and his developing life beliefs. Based on the play by Julian Mitchell. (link in title)

[winwintea]

Belladonna! four ↬ is he gay?

prev ↤ belladonna! ↦ next

SUMMARY ↬ you've been tasked with visting and inspecting the grand rose theatre, a theatre that's been plagued with mysteries over the years. all seems well, until a string of murders follows your visit. as you further investigate, you find yourself falling for huang renjun, the beautiful male lead, and your mystery murderer who leaves you love notes and clues about who they could potentially be. will you be smart enough to be a step ahead of the killer? or will you find yourself caught within their trap?

TAG LIST ↬ @aquaphoenixz @lyvhie @nerdsungie @nanaxwi @itsashley127 @layuhsblog @syatchy @p-d1ddy @galacticskz @neocrashed @multifandomania @lotties-readings @odxrilove @clockwork--fandoms @hyuckies18

[relaxedstyles]

[political-us]

In Germany, activist groups have filed a lawsuit against X, alleging violations of European law by withholding data necessary to monitor online disinformation ahead of the national election on February 23. The lawsuit emphasizes the platform's role in ensuring transparency and accountability, especially during critical democratic processes.

[millionsofbooks]

something about the tiktok ban that i haven't really seen people here talking about is the experience of tiktok users not from the usa, which was, as far as i can tell, on the whole, very positive. it was actually really nice to, for a short period of time, be on a major social media network and able to interact with people across the world without usamericans constantly inserting themselves into every conversation.

usamericans kind of take over people's fyp regardless of where you're from. this is partly to do with the fact that the creators fund is only available to usamericans so most of the shitty content farms are from the us. then there's also the cultural aspect of the fact that being a citizen of the most powerful empire in the world is a significant privilege, and also a privilege that 99% of usamericans are seemingly unable to acknowledge, plus the us centrism and exceptionalism, plus the constant need to cast themselves as the underdog, and, well. it's annoying.

so, like. everything of what i've seen (which is not to say that other opinions don't exist, just that i haven't seen them) is that it was really nice when the usamericans were gone, and it kind of sucks that they're back.