#DO YOU UNDERSTAND MY THOUGHT PROCESS EVERYONE?

[inthedayswhenlandswerefew]

Cannibals [Chapter 3: Mist and Bricks]

Series summary: You are his sister, his lover, his betrothed despite everyone else’s protests; you have always belonged to Aemond and believe you always will. But on the night he returns from Storm’s End with horrifying news, the trajectories of your lives are irrevocably changed. Will the war of succession make your bond permanent, or destroy the twisted and fanatical love you share?

Chapter warnings: Language, a tiny bit of sexual content (18+ readers only), violence, bodily injury, dragons being weapons of mass destruction, King's Landing gets some visitors, Larys gets alarming news, Alicent gets an idea, Red gets a shock.

Word count: 7.2k

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There is a chilly steel-grey mist on Blackwater Bay, and another in your skull, your thoughts slow and muddled, the past bleeding into the present. It’s weeks later, the longest you’ve ever been away from Aemond, and the pebbles on the shore needle your shins through your velvet gown the color of cinnabar as you kneel to claw seashells from the muck. Helaena is here with you, and while you haven’t told her your plans for your next mosaic, she somehow knows what color shells to drop into your basket: dark green like Vhagar’s scales, shimmering white like Aemond’s hair. Sometimes there are still creatures hunkered inside, and Helaena can never bring herself to pry them out. She passes the doomed crabs and snails to you for a swift exhumation that you deliver with your bare hands, and then you wash the vacated shells in the surf. Mother and a flock of maids are playing with Jaehaera and Maelor farther down the beach. You can’t go near them, or Maelor will start screaming.

Grandsire comes plodding down the stone steps carved into the cliffside, carrying a plate laden with lemon cakes and slices of fresh bread slathered with butter and blackberry jam. “Helaena, you must eat,” he says.

“I’m not hungry.”

“Helaena, please.” And his voice is gentle in a way it has never been with you. “My gods, why are you wrist-deep in wet sand?”

“We’re collecting shells.”

Grandsire gives you a familiar look: disapproval, frustration. The he turns back to Helaena. “I can’t watch you disappear. You must eat something, I’m not leaving until you do.”

“You like blackberry jam,” you encourage her. But she flinches away when Grandsire offers her the plate, and suddenly you understand, you feel the thought as if it is your own. “It’s the color,” you tell him. “The jam, it’s like…” Like blood, like gore. Like the night Jaehaerys died.

“Oh.” Grandsire is quiet for a moment, remembering. “The lemon cakes, then.”

Helaena reluctantly rinses her hands in the seawater, takes a single lemon cake from the plate, and sits on a nearby rock to nibble on it, gazing blankly out over the inlet. You attended Jaehaerys’ funeral procession in her stead—an act of mercy, of penance, while Helaena spent that day sobbing in the Dragonpit, clinging to Dreamfyre, a pale blue century-old monster with infinite patience. The people of King’s Landing saw the dead prince, his head crudely stitched back onto his tiny body, and howled for vengeance. They burned white-haired effigies of Rhaenyra and Daemon. They gave rare autumn flowers to you and Mother. It’s always strange when you leave the Red Keep to interact with the smallfolk. They call you by your real name, something your family seldom does; they seem to believe you are righteous and wise. Perhaps they even pity you: no husband, no children, no dragon.

Mother has left Jaehaera and Maelor with the maids and is venturing closer. “Are there any new letters?” From Criston or Aemond, or even Daeron in the Reach. The Hightower army has been delayed there, cutting through the treasonous soldiers of House Rowan and House Caswell, Tessarion burning them alive in their armor.

“Ravens,” Helaena says thoughtfully from her rock, and no one knows why.

Grandsire shakes his head. No letters today. Butterwell, Stokeworth, and Rosby have bent the knee; the defiant lords of the Crownlands are being put to death. By now the Green forces will be marching on House Staunton at Rook’s Rest. When Aemond does write, you are not mentioned. With each passing day you find yourself thinking: Has he forgotten me? Does he truly love me? Perhaps this is not so irrational a question. Aemond has never used the word love to describe what you are to each other.

Grandsire frowns at you. You gaze mournfully back. He snaps: “And what’s wrong with you?”

Mother’s reply is hushed and sympathetic. “She’s lonely, Father.”

“Lonely?! She still has us here. Don’t we matter? No, I suppose not, she prefers arrogant fools who imperil the realm with their self-obsession. Perhaps she’d like us more if we wore silver wigs and eyepatches.”

Mother is distressed. “Father, please.”

He waves an irritated hand at you. “I better not find out you’ve been keeping the cats away from your chambers again.” Grandsire had a hundred cats brought to the Red Keep to do the tasks the dead ratcatchers left unattended.

“They scare my babies,” you say.

“Your vermin, you mean. Revolting creatures. Flying pestilence.”

You rise from the sand and pick up your basket, now full of shells. Your head is beginning to ache. Maester Orwyle removed your stitches this morning, but the wound in your chest still pains you more or less constantly, a gnawing sensation like an animal chewing on your ribcage.

“Where are you going?” Grandsire demands. You don’t answer him as you ascend the stone staircase, the waves growling behind you and gulls squawking in the foggy air.

In your chambers, you leave the basket of seashells on the floor and call for wine. The maids fetch it and you drink straight from the pitcher, staring at the little wooden figurines on your dresser until they turn blurry. Among them is Vermithor. You recall what Aegon said when he gave it to you years ago, when you were so stung by the dragon’s rejection: You might not have the real Bronze Fury, but you can keep this one.

Your bats are beginning to scrabble out of their roost and vanish through the window. As the sun sets and the room spins, you crawl into bed and lie there in the darkness clutching pillows, your pulse thudding just above your left eye. You doze in and out of consciousness. Aemond told you to think of him when you are here, and you do whether you want to or not: Aemond spilling red wine down your bare chest and then licking you clean; you straddling his lap and stroking him as he reads myths aloud to you in gloomy alcoves of the library, dust motes wheeling in the air, grinning victoriously when you make him lose his focus; the five game pieces racing around the wooden board, Aegon’s green snake, Helaena’s yellow butterfly, Aemond’s blue wolf, your red bat, Daeron’s purple shadowcat before he was sent away to Oldtown and the rest of you never played again.

Then something hits you, not like a vision but like knuckles that could crack teeth, and you are besieged by what Aemond is seeing in the Crownlands. There is flesh, horribly and ruinously burned, sheets of it sloughing off as Aemond peels away scraps of charred fabric, and the smell of it—like blackened pork, oily and stomach-turning—is in your nostrils, and you can feel the calamitous heat rising off the man who must be dying. You can feel Aemond’s terror, disbelief, desperation; you can feel his tears on the right side of your face.

Dragonfire??

The dreamscape abruptly disappears like a candle blown out. Your head throbs, your eyes are squeezed shut as you whimper into your pillows. Your fingertips go instinctively to the scar on your chest.

Who was burned? Criston? Gwayne?

But now the dire portents are here in your room, and they are real: the ringing of bells, smoke, shrieking, scorched flesh.

You open your eyes, and your bats are soaring back inside through the open window; but they have been turned to comets. They are on fire, squealing as their fur is singed off and the fragile membranes of their wings melted from their bones, herding around their roost as they try in vain to seek shelter inside. The dark blue velvet cover has been engulfed in flames.

“No!” you scream, bolting off the bed.

Your door is thrown open and Mother rushes in, dragging Jaehaera behind her. Helaena waits in the doorway holding little Maelor in her arms. He hasn’t seen you yet, but he is already wailing. The horror is back. When will it end?

“We have to go!” Mother shouts, grabbing your hand and pulling you away from your bats. You know you can’t save them, and yet you are compelled to. They are pieces of you, pieces of Aemond. They are burning to death in the house you built for them.

“What’s happening—?!” And then you hear the screeches of dragons, not Vhagar or Sunfyre or Dreamfyre or Tessarion. Through the window, you see an inferno bloom in the night sky. You get a firelit glimpse of a beast you do not recognize: dark, angular, very large and covered with jagged spines. People are screaming. Rooftops are ablaze.

A wild dragon? Claimed by who?

“We’ll go to the beach,” Mother says frantically. She’s thinking of the escape hatch in Aemond’s bedchamber, the only secret passageway in Maegor’s Holdfast. The king known as “the Cruel” wanted no spies or assassins in his walls. But one door was enough for Daemon’s executioners to kill Jaehaerys. “Helaena will try to get to Dreamfyre.”

But you won’t be able to fly away with the rest of them. Dreamfyre would sooner reduce you to ashes than let you touch her.

Mother knows this. She tells you, low and fierce, her coppery hair like glowing embers: “I won’t leave you. You and I will find another way out of King’s Landing.”

“You should escape on Dreamfyre if you have the chance.”

“Never,” she says. And then again: “Never.”

In the hallway, Grandsire has arrived, panicked and urging everyone towards Aemond’s bedchamber. He wheezes, breathless from his sprint through the castle: “I saw Syrax and Caraxes, and Vermax too I think, or maybe Moondancer, a small dragon…but who is the other one? It’s not Meleys. It’s a hideous creature, it looks deformed.”

“I don’t know,” Mother says. Hordes of yowling cats careen past your bare feet.

“Could Rhaenyra be finding new riders?” And Grandsire, a man who is afraid of very little, is petrified down to his bones by this.

I should have a dragon, you think, forlorn. I should be able to help fight this war. And instead I am worthless.

“I don’t know, Father,” Mother says again, and you follow her through the threshold and into Aemond’s abandoned bedchamber, illuminated only by the moonlight that streams in through the windows. You have not been in here since Jaehaerys died; the stone floor is still stained with his blood. Helaena begins sobbing, clutching Maelor closer to her chest. Downstairs, you can hear swords clanging and men groaning as they die.

You hurry to the hidden door and ram it with your shoulder, but as the passageway opens, you see red-orange torchlight approaching through the blackness like fire boiling up in the throat of a dragon. Rhaenyra’s soldiers are already here. You try to close the door, but now knights in armor are forcing their way inside the room. And Grandsire, who has never liked you, pulls you away from the breach and puts himself between you and the intruders.

“The hallway, back to the hallway!” he booms, giving you a shove, and that is the only place left to go. You, Mother, Jaehaera, Helaena, Maelor, and Grandsire flee from Aemond’s bloodstained bedchamber. But your captors have climbed the Grand Staircase—the place where you once waited for Aemond to return from Storm’s End, so convinced that he would not fail you—and now they are here.

Under the torches carried by her guards, Rhaenyra alternates between firelight and shadows. Daemon marches beside her, his face severe, his sword Dark Sister drawn. Mother pushes you, Jaehaera, and Helaena, still carrying Maelor, against the cold stone wall. Grandsire stands in front of Mother. Jace is walking behind Rhaenyra and Daemon, you notice, dressed in red and black, his cloak billowing behind him. The last time you saw Jace, you were smirking when Aemond shoved him off his feet at the last dinner King Viserys ever attended. Now you are trembling with thunderstruck terror.

Rhaenyra is supposed to be bedbound on Dragonstone. Daemon is supposed to be in the Riverlands.

Daemon points at you with the tip of his blade. “You should have that one executed,” he says to Rhaenyra. “Isn’t she Aemond’s whore?”

“They were never married,” Mother tells him, her dark eyes huge and reflecting the torchlight, her arm thrown in front of you.

“I didn’t say wife, I said whore.”

“Daemon,” Rhaenyra warns, and she studies you, Helaena, Grandsire, Mother. Her blue eyes are sharp like fractured glass, edges that glide effortlessly through arteries and veins; there is a queenlike composure in her face, but beneath that wrath, wrath, wrath. After a moment, she says to her guards: “Take the adults to the dungeons.”

Mother and Helaena are shouting and protesting, trying to stop the guards that rip Jaehaera and Maelor out of their grasps. Grandsire is attempting to negotiate. Rhaenyra and Daemon ignore them, continuing on down the hallway, taking possession of the rage-red castle where they first fell into their peculiar, destructive breed of love.

As he passes by, Jace glowers at you and you glare back, and when he reaches for the hilt of his sword you bare your teeth at him; but before Jace can draw his blade—to threaten you, to frighten you, to spill your blood the way Aemond spilled Luke’s—the guards have dragged you away.

~~~~~~~~~~

Your head is very bad now. The pain is almost impossible to think through; you are sick with it, retching into a wooden bucket until there is nothing left to expel. If Aemond was here, he would be holding you, murmuring to you in High Valyrian, pressing a cloth soaked with cold water to your forehead. But Mother is here instead, and she is doing the best she can.

It’s the next day, cold grey light tumbling in through cracks in the walls. You are imprisoned on the second level of the dungeons, reserved for highborn captives; you and Mother are in one cell, Helaena and Grandsire in another on the other side of the aisle. Helaena has been weeping constantly, worrying for her children. Grandsire and Mother try to console her as you lie pitifully on the floor, wishing the pain would knock you unconscious. You need Orwyle and his milk of the poppy. The guards have brought bread and water, but nothing else.

There is a creaking sound from several cells away, and then a slow shuffling accompanied by the tapping of a cane. Mother keeps one hand on your shoulder as she cranes her neck to see her visitor. Grandsire and Helaena move to the front of their cell, their fingers gripping the rusted iron bars.

Larys Strong appears, his hands resting on the handle his cane. Unlike Maegor’s Holdfast—the residence of the royal family—the other buildings of the Red Keep are rife with secret passageways, a latticework of corridors that one unfamiliar with their paths could get lost in forever. Surely Daemon and his confederates are in the process of searching them, but it is a task that could take a week.

“Lord Larys,” Mother says, relieved. “They have not found you.”

“Not yet, Your Grace,” he replies docilely. “Though I’m sure it will not take much longer.”

“Can you retrieve some milk of the poppy?” For you, she means.

“I will try.” Then he stalls, as if he does not wish to share what he has heard through his clandestine chain of whispers. “Something has happened at Rook’s Rest.”

Mother’s brow furrows. “Where?”

“The seat of House Staunton,” you tell her from where you lie on the floor, remembering it from the maps in Aemond’s bedchamber. He would tell you things, show you things, sometimes kindly, sometimes tauntingly, sometimes as he undressed you. He would quiz you and if you got an answer wrong, he would put your clothes back on.

“In the Crownlands?” Mother says to Larys, alarmed. “Is Aegon alright?”

Larys takes a moment to decide how to proceed. “The castle was captured without much difficulty, but a maester there must have gotten a raven out, because Dragonstone received word of the attack and was summoned to defend Rook’s Rest and retake it from the Greens. It is located very close to Dragonstone, and thus cannot be allowed to fall into the hands of the enemy.”

Larys pauses and looks at his audience. Grandsire asks: “So who answered the message?”

“It seems that Rhaenyra, Daemon, and Jacaerys were already preparing for an invasion of King’s Landing and were elsewhere,” Larys says. “The other dragon, the large brown one, is called Sheepstealer and is ridden by a peasant girl that Daemon found. There are rumors that he has grown somewhat…attached to her.”

Mother grimaces, tugging on the seven-pointed star necklace she never takes off. “He’s a beast.”

“The girl is a Targaryen bastard?” Grandsire says, confounded. “Whose? She’s not a child of Viserys, surely. Where the hell did she come from?”

Larys is apologetic. “I could not tell you, my lord. If I discover anything else concerning her origins, I shall share what I learn. She is known as Nettles.”

“Nettles?” Grandsire snorts.

Larys continues: “When the raven reached Dragonstone, Baela received the letter. It appears she was told that Sunfyre was the only dragon guarding Rook’s Rest at the time, and that Vhagar was away feeding. She must have thought she could best the king, or at least chase him away from the castle.”

“An understandable error,” Grandsire says, and you scowl at him between fruitless retches into your bucket. The thrumming in your skull is like blows from a hammer, rhythmic and disorienting. Your face is hot with fever; it radiates off of you in waves. Mother rubs your back—although somewhat cautiously, as if she is afraid that barbs might split through your skin to prick her—and offers you sips of water.

“Baela left Dragonstone, likely without permission. Rhaenys followed her on Meleys, but Moondancer was faster.”

“Meleys?” Mother says, startled. “Meleys was there too?”

Larys nods solemnly. “Aegon and Sunfyre attacked Moondancer and broke her neck high in the air. Baela perished when her dragon fell to the earth.”

“Daemon’s daughter,” Mother exhales, wondering what the retribution will be. “Jace’s betrothed.”

“And one of Rhaenys’ only two trueborn grandchildren,” Larys says. “When she arrived at Rook’s Rest and saw Moondancer’s carcass smoldering just outside the castle walls, she pursued the king before he could retreat. And Sunfyre…he was no match for a dragon as large as Meleys.”

“Aegon, he’s…?” Mother cannot bring herself to speak the words aloud. Tears gleam in her eyes. “Is he…is there no hope…?”

The ruined flesh, charred and raw, you remember from your horrifying glimpse into Aemond’s mind. It wasn’t Criston or Gwayne. It was Aegon.

“He was burned,” you whisper, and Mother stares at you.

“Aemond returned on Vhagar, and they slayed Rhaenys and her mount. But not before the king and his dragon were engulfed in Meleys’ flames.”

“He’s dead?” Grandsire says, emotion you’ve never heard before in his voice.

No, you think. Not yet.

“Aegon and Sunfyre are both gravely wounded,” Larys replies. “It is uncertain whether either will survive. The Blacks received the news just before their assault on King’s Landing.”

“Where is Aegon now?” Mother says.

“I’m not sure, Your Grace. He was still at Rook’s Rest last I heard, but they might move the king elsewhere to keep him hidden. I would imagine Aemond and Sir Criston Cole are requisitioning maesters from nearby houses to treat him.”

“Burns,” Mother sobs. “He must be suffering terribly, the pain…the disfigurement…”

Grandsire drums his fingers on the bars of his cell, his rings clinking against the rusted steel. His expression is remote, somber, resigned. “So we have two dragons capable of combat, one of which is young and small and pinned down by battles in the Reach, the other is on the far side of the Crownlands and trapped there while Aemond tries to keep our king alive. And Rhaenyra is here in the capital with Syrax, Caraxes, Vermax, and this new dragon Sheepstealer, larger than any of her others, and her faction seeks vengeance for not one but three royal deaths.”

In reply, Larys Strong only bows his head. Mother swipes tears from her cheeks and tucks your hair behind your ears as strands escape your braid.

“Well,” Grandsire sighs. “I believe we might be losing this war.”

There is the distant noise of a door’s hinges creaking, and Larys hobbles out of sight, retreating to the secret passageway he previously emerged from. A minute passes, and then footsteps echo down the corridor. Daemon strides into view, swinging Dark Sister in his right hand, and you are suddenly reminded so much of Aemond’s mannerisms that the absence of him guts you all over again, vital parts of you excavated like the organs of a slaughtered animal. Daemon is accompanied by several guards and a group of noblemen who you assume are members of Rhaenyra’s council. You recognize among them a tall man with short grey hair, Lord Bartimos Celtigar.

Daemon says: “Princess Helaena, the queen has taken your tiny, traitorous children to ward. Perhaps one day you will see them again. Perhaps not.” She gazes out from her cell vacantly, her face bloodless with shock and fear. Then Daemon turns to Grandsire. “Otto Hightower, you orchestrated an unlawful rebellion and therefore you will be put to death.”

Grandsire gapes at him. “What? When?”

“Oh, immediately.” Daemon steps back and the guards unlock the cell, seize Grandsire, knock him over and drag him wriggling on his belly into the corridor. Mother pleads for his life. Helaena shrieks and claws for him, trying to keep him with her. The guards fling her roughly away and slam the door of her cell shut before she can escape.

“No, no, do not mourn me!” Grandsire is bellowing as he is hauled away. “I am an old man, I have lived a good life, do not think of me, think of the living and what you can still do for them!”

“Father!” Mother wails, reaching through the bars of her cell though she knows she will never touch him again.

“I am ready to see your mother, Alicent,” Grandsire says; and then he is gone. The men of Rhaenyra’s council begin to file out of the dungeon.

“You followed us across the Narrow Sea, Lord Celtigar!” you shout after him, crawling across the floor and pressing your face against the bars of your cell. “House Targaryen saved you from the Doom, and now you rip it down from within by aiding a usurper. We will not forget your treason when the war is won. We will visit you on Claw Isle and bring with us fire and blood. And you will have no defenses. You are no dragonrider.”

“Neither are you, princess,” he says cooly, and leaves you in your prison.

Daemon is the only man still standing in the aisle. He peers down at you with shadowy deep-set eyes and twirls his Valyrian steel sword again. He grins, humorless, hungry, burning up inside with fury. “Perhaps I’ll be back soon.”

Mother yanks you away from the bars, and you can see what she’s thinking etched into the desperate lines of her face: How can I save her?

“I’m going to behead your father now,” Daemon tells Mother, then sweeps down the corridor. There is the sound of a heavy door closing when he reaches the end of the hall.

“Do not speak to them,” Mother hisses to you, and you are in too much pain to respond. Now you can hear men jeering out in the courtyard of the Red Keep. Daemon is listing Grandsire’s crimes. Crows are cawing.

He’s going to die too? you think dizzily. When does this end, how do we stop it?

The door at the end of the hallway opens again, and Mother stands and places herself in front of you; but it is not Daemon this time, relishing his chance to drag another Green to their death. It is Rhaenyra and Jace. The Blacks’ queen stops at your cell, her son a few paces behind her. He looks at you with heartbreak, with hatred, and of course he does; one of your brothers murdered Luke, the other killed Baela. And he does not believe you to be blameless like Helaena. You are a very different sort of woman.

“Alicent, your degenerate son’s insurrection is over,” Rhaenyra says. “I have taken the city and—”

“Jace needs to strengthen his claim,” Mother interrupts. Outside, men are cheering; Grandsire’s head has been struck from his shoulders. In her cell across the aisle, Helaena sinks to the floor and sobs quietly into her palms.

Rhaenyra studies Mother, incredulous. “What did you say?”

“There have always been people who doubted his parentage, as you well know,” Mother says, and you can see her hands are trembling; but her voice is steady. “And there are many who favor my line. They fear Daemon’s recklessness, and perhaps yours as well.”

“You speak so boldly for a woman who stands behind bars.”

Mother is unflinching. “Perhaps you imagine that you will kill every last Green, and all of our loyalists throughout the Seven Kingdoms, millions of people, and therefore you will have no use for bricks upon which to build a lasting peace. But I think that would be a mistake.”

“And you wish to help me?” Rhaenyra mocks.

“I wish to safeguard what is left of my family.”

The woman who calls herself queen considers this. Surely the same hope lives in her ribcage as well, the same catastrophic fear that it will prove impossible.

“One way or another, the war will be won,” Mother says. “And whichever side triumphs will have the other at their mercy.”

“I will have you at my mercy, yes.”

“Aemond and Vhagar are still out there. Underestimate them at your peril.”

“And what is your suggestion?” Rhaenyra demands. “To bolster Jace’s claim, to save your own skins?”

“Baela is gone and he is unspoken for. You once offered to unite our bloodlines by marrying Helaena to Jace. Perhaps if I had accepted that, I could have spared us this torment. I was wrong to dismiss your proposal so swiftly, Rhaenyra. I did not give you the respect you deserved. And I have reconsidered.”

Rhaenyra is puzzled. “Helaena is already married. Unless you have proof that Aegon is dead, which would be welcome.”

“No. I have another daughter.”

Both you and Jace begin to object at once; your mothers silence you with fearsome glares.

Rhaenyra is aghast; her sharp blue eyes dart to where you are slumped on the floor of your cell and then back to Mother. “This is a sickening insult.”

Mother seems calm, measured. It cannot be easy for her. “Willingly marrying my daughter to Jace is accepting his legitimacy. She is a Green, and very close in age to your son, and from what I have heard of Jace’s temperament I believe them to be well-matched.”

“I don’t,” Jace says.

Rhaenyra shakes her head in disbelief; but is there a ripple of uncertainty across her regal face? Yes, you think there is. “Aemond has already bedded her.”

“And who has said this?” Mother asks. “Daemon, who hates my family and has no mind for strategy or alliances? Rhaenys and the Sea Snake, who hungered for the Iron Throne all their lives and saw a chance for their descendants to possess it through Baela?”

Rhaenyra is looking at you again. “I’ve seen the way they watch each other. The way they move.” The dinner, she means. The night that Viserys died.

“She is a maiden,” Mother insists, but she gives you a transient sideways glance. Are you? “They had a flirtation, yes, as is so common for siblings of your foreign house, but nothing more. I would never have allowed fornication or the use of moon tea to disguise its consequences under my roof. They are grievous sins. You know me. You know my devotion to my faith.”

“She will submit to a maester’s examination to make sure?”

“Did you, Rhaenyra? Before you and Laenor Velaryon were wed?”

Rhaenyra raises an eyebrow. And you have the sense—vague and dreadful—that perhaps it is dawning upon her that taking something Aemond holds dear might have its advantages. “What do you want in return?”

“We have both lost innocent people,” Mother says. “There has been enough bloodshed. It must stop somewhere, or all the Targaryens will be dead and their dragons too, and this dynasty will vanish from the earth, and our ambitions will be for nothing. If you do indeed win the war, I want my surviving children and grandchildren spared. And my brother Gwayne, and Sir Criston Cole.”

“I cannot give you Aemond.”

“If you swear that you’ll pardon him, we shall do the same for Daemon if it is our armies that triumph.”

Now the hope is unmistakable on Rhaenyra’s face. “And my remaining sons will be allowed to live? All of them?” Even Daemon’s?

“Yes.”

She muses on this. “You make tempting promises, Alicent. But I don’t have any conviction that Aemond will heed you if Aegon dies and he is made regent until Maelor is grown. I don’t believe you can control him.”

“He’ll listen to his sister,” Mother swears. “He will not do anything that would bring her despair. And if she is married to Jace, she will come to love his family as her own. All the more so if they have children together.”

“She might not be trustworthy,” Rhaenyra says.

“She is of no threat to you. She is untrained with the sword, she rides no dragon. And you have her mother, sister, niece, and nephew held captive. She would not endanger us.”

“You have great confidence in her. Your hopes for survival are in her hands.”

“She is spirited, but she is clever, and she loves deeply and enduringly. She will do whatever is required to protect her own.” Now Mother’s voice breaks. “I want her sent away.”

“Mother, no—”

“Far from the war, far from Daemon,” she says, ignoring you.

Rhaenyra is nodding. “Somewhere secluded and peaceful…all the better for her to quickly give Jace an heir. The Riverlands, yes? Perhaps House Footly of Tumbleton.”

“No, not far enough. The Westerlands.”

“The North,” Rhaenyra counters.

“The Stormlands.”

“The Vale,” Rhaenyra says. “There will be no battles there, winter has already begun in the mountains and the roads are treacherous. She will be tucked away in obscurity until the war is won.”

“The Vale,” Mother agrees. She looks down at you and smiles, soft and sad and merciful. At last, after eighteen years, she has saved you.

Jace is whispering furiously to Rhaenyra, but she holds up a hand to stop him. He is exasperated. The supposed queen tells Alicent: “I shall think on this tonight.”

“She needs Maester Orwyle,” Mother says, kneeling beside you. “She is ill, she gets headaches. This place is bad for her. It’s the cold and the dampness. And the fear.”

“I’ll consider that,” Rhaenyra quips, and then she leaves, the hem of her black gown displacing dust on the floor of the aisle. Jace gives you one final glance—seething, appalled—and stalks after her. At the end of the hallway, he slams the heavy wooden door.

“I won’t do it,” you snarl, sick in body and soul. “I won’t, I won’t. I don’t care what you say.”

“We are in a fucking dungeon,” Mother says, grabbing and shaking you, and you’ve never heard her curse before. “Do you want to try to save your brothers’ lives? Or do you want to surrender to the destruction of our house? If you care for Aemond, as I know you do, you will give him a chance if he and Criston cannot win on the battlefield. You will earn Jace’s affection and convince him to spare us.”

You look at her, weak, stunned, at war with yourself. Jace can’t touch me. Only Aemond.

She asks you something; it takes great effort. “You are still…you haven’t…you’re a virgin, aren’t you?”

You hesitate. “In the literal sense.”

“In the…? Never mind, stop, I don’t want to hear any more.” Mother takes a deep breath. “Good. Then we haven’t lied to them. Jace might be able to tell. Sometimes there are…signs. Pain, blood.”

“He’s a bastard,” you hiss.

“He’s Rhaenyra’s son, and so he is a Targaryen and a dragonrider. And if Jace’s side wins, he will one day sit the Iron Throne. He can be proud, but no one says he is cruel. I don’t believe he would harm you. Your brothers are warriors, but you’ve never killed anyone.” Then she goes soft and hushed, and she cups your face with her gentle hands. “I know you’ve always thought you would marry Aemond.”

“Mother, I love him.”

“My darling, my brave girl, what you and Aemond have is…” She shakes her head, her large dark eyes grim and glistening. “It’s strange, and violent, and obsessive and profane and…and…unnatural.”

You are defiant. “If we had grown up in a true Targaryen court, we would have been expected to be this way. We would have married years ago, and no one would have condemned us for acting exactly like what we are. We aren’t First Men or Andals. We are the blood of the dragon.”

“It’s an affliction that brings nothing but sin and suffering.”

“You wed Aegon to Helaena!”

“And it has been a source of tremendous sorrow for them both,” Mother says, and now she is weeping again. “I should have stopped their marriage. But I was young, and I had already refused Rhaenyra’s offer of a match with Jace, and Viserys was so adamant, and I thought…maybe…maybe it’s not an offense to the gods. Maybe it’s just something I don’t understand. It was my husband’s custom, and so I deferred to him, as I had been taught to. But I was wrong. It’s too late for me to undo the pain I’ve caused Aegon and Helaena. It’s too late for me to mend Aemond’s eye or his soul. I can’t spare Daeron from the horrors of war. But I can still save you.”

“I belong with Aemond.” I belong to him.

“You don’t know better. You never had a choice.”

“I’m not you, Mother,” you say. “I’m not a Hightower or a Lannister or a Baratheon. I’m not like them, and I don’t want to be. I want to be Visenya.”

“You’re not going to be anyone if Daemon convinces Rhaenyra to have your head hacked off your shoulders.” Her vast eyes, dark like the mouth of a well, plead for you to understand. This is not a punishment; it is tenderness, it is compassion. “I would do anything to save you and Helaena and your brothers. Anything. You marrying Jace unites the realm. It provides a cornerstone around which to build a peaceful resolution. He will protect your kin. When the battles are past, we can negotiate a divided Westeros, or a line of succession, or exile to Essos or banishment to the Wall, or anything else that will preserve the lives of the people we love. And if Aemond can still win somehow…” She shrugs, and you know whatever affection she once had for Rhaenyra is dead now. “Then he can do whatever he wants with the Blacks who are left.”

I don’t want them to die. Aemond, Aegon, Criston, Daeron, Mother, Helaena, Jaehaera, Maelor.

Mother asks: “Will you do it?”

Aemond, Aemond, Aemond.

Again, desperately: “Will you do it?”

And you cannot look at her when you answer. “Yes.”

~~~~~~~~~~

Maester Orwyle appears an hour later to dose you with enough milk of the poppy to kill the pain in your skull, and when you sleep it is deep and dark and dreamless. Rhaenyra, Daemon, and Jace arrive at first light, dreary grey dawn trickling into the dungeon. You know what she has decided. Both Daemon and Jace are scowling, and you think, somehow knowing that it is true: The more they try to dissuade her, the more convinced she is. She feels the need to remind them that she alone was Viserys’ heir, that she is a queen in her own right.

“Just marry him to Rhaena!” Daemon is ranting.

“Rhaena brings nothing to our cause that we do not have already. And she will always feel second to Baela. She knows Jace loved her sister. It is perverse.” Then Rhaenyra collects herself and asks Mother: “She consents?”

“She does.”

Rhaenyra turns to Jace. His reply is toneless. “I will do as you bid me to, Your Grace.”

“She will be in the keeping of House Corbray until the war is over,” Rhaenyra says, nodding to you. “They are an honorable but old and modest house, and of little strategic importance. No one beyond who is absolutely necessary will know where she is, for her own safety and that of the children she bears. Jace will fly her to Heart’s Home.”

House Corbray. You remember their banner, Aemond once taught it to you: three black ravens, three red hearts. You have a memory of being in the library with his lips on your throat, his fingers skating up the inside of your thigh, whispering for you to keep quiet as maesters stock books on the other side of the shelf.

“She cannot ride a dragon,” Mother says.

“Sure she can, if he puts her on Vermax.”

“No, you don’t understand,” Mother insists. “Dragons hate her. She cannot go near them. They will attack her, they will kill her. She and Jace will have to travel by ship.”

Rhaenyra is taken aback by this. Daemon scoffs: “What the fuck kind of Targaryen repels dragons?”

“The kind that will never be able to fly to battle against us,” Rhaenyra mutters, and you think: She is angry with him. He has done something, he has displeased her somehow. And you wonder about the girl who rides Sheepstealer.

Your eyes drift to Jace, you cannot stop them. He stares back from beneath dark curls, his gaze hard like the cold stony earth of the Vale, his fingers tapping on the hilt of his sword.

~~~~~~~~~~

It’s the very first time.

You are at your vanity, and you are supposed to be getting ready for dinner: choosing your earrings and bracelets, combing out your hair before you braid it, a silver river that shimmers like moonlight in the mirror’s reflection. You have bathed, and steam still clings warm and dewy on your skin. You wear a silk robe the color of ripe cherries and nothing underneath it. Candles flicker, cool evening air breathes in through the windows…and your mind is wandering.

For years, you have felt episodic pangs of longing, an indistinct need, a deep untouchable hunger, and you have never found a way to satisfy it. It waxes like a moon growing full and then wanes into nothingness, but it always reappears again, and tonight you are feeling restless, occasionally shifting on the cushion of your chair, seeking the pressure that gives you a taste—and only a morsel, a nibble, a drag of the tongue—of what fulfillment might feel like. Lately, when you are like this, you find yourself thinking of Aemond. He has never spoken of it directly, but you have noticed the way his eye catches on your chest and your hips, how his hands linger when he grabs or shoves or embraces you. You can’t stop wondering what it would taste like to kiss him. You can’t stop imagining which positions he would fuck you in, remembering the lustful figures on the tapestries that hang from the walls of Aegon’s bedchamber.

Your hand settles in your lap, and there—over the glossy blood-colored silk of your robe—presses down tentatively. You sigh, you writhe, you picture Aemond forcing your thighs apart and gazing transfixed at the rare pieces of you he’s never seen.

How do I satiate this craving, how do I make it go away?

Your bedchamber door opens and Aemond stands in the threshold, black leather and silver hair. “Are you ready yet—?” Then his eye drops to where you snatch your hand out of your lap, not quickly enough to escape him noticing. There is a stretch of silence that seems very long. Then Aemond’s scarred forehead furrows and he asks: “What were you doing?”

You consider lies; they dangle in front of you by the dozen, so many ways to deflect or deny or even to disparage him, those prickly games of wordplay. But when you speak, it is not just the truth. It is an invitation. “Thinking of you.”

And Aemond steps into your bedchamber and shuts the door behind him. He crosses the room, kneels in front of you, reaches beneath your robe to hook his arms under your thighs and yanks you halfway out of the chair. You yelp in exhilarated shock as he buries his face between your legs, and then your fingers knot in his hair, and then you are pushing him closer, shaking, awestruck.

Is he really here? Is this finally happening?

You cannot stay quiet when the pinpoint ecstasy opens, blooms, drags you to places you never knew existed. It is something too powerful to be found in the world of mortals. It is bloodmagic, it is shade of the evening, a poison so sweet you’d let it ruin you.

Afterwards—collapsed and gasping on the stone floor, your robe open and your body laid bare for him, flesh that he has claimed irrevocably, bones he owns like a dragon or a blade—you say: “What was that?”

“You had a climax,” Aemond murmurs. “It’s easier for a man, but they are possible for women too.” He smooths your hair back from your face; it is unbound and wild, spilling all around you. You think vaguely: He wants me even when I don’t look like Visenya? He ghosts his thumb across your lips and then kisses you, and it is nothing but warmth, desire, the shared minerals your blood is built of, undying affinity like the celestial kinship of stars in the same constellation. “You can always ask me to take care of you, and I’ll do it. I’m the only one who is allowed to. No one else, not ever.”

This is no sacrifice. You have never wanted another man, and now you know you never will. “Teach me how to satisfy you,” you say, smiling. “I want to see you helpless too.”

Before you dress and leave your bedchamber, you erase as much of the evidence as you can, washing your skin clean and taming your hair into a tidy braid; but still, Mother frowns worriedly at you and Aemond all through dinner.

[lolashifts]

SHIFTING ISN'T SPECIAL

please bare with me on this one bc it might be a bit longer than i expected (and excuse my very bad title-naming skills 😭)

in this essay i will try to put down in words exactly what i realised today as i started my first day into reprogramming my mind, something that i’m doing while following reya singh’s method. what is that?

shifting IS easy.

yes, i know everybody says it, but it’s the truth and i’m not telling you this as someone who shifts regularly to her drs, because i don’t (yet!). however, it did just click in my mind why people always say it and mean it. and i feel incredibly stupid for not understanding it waaay earlier than just now, 4 years into my journey.

now, let me walk you through the thought process behind this.

in reya’s 4-day method for reprogramming your mind, she instructs to write a list of your beliefs and non-beliefs. this may sound really silly and kinda useless at first - believe me, i woke up this morning thinking “what exactly am i supposed to do after that?” - but there’s a valid reason for it, which is to help you delete from your mind the idea that shifting is like a superpower that’s simply not for everyone and very hard to reach, when that is not the case at all!

in my own beliefs list, i’ve written “i am capable of shifting” right in between “i can speak english”, “i can write and read” and “i can eat --” (and some other things like “i can’t eat gluten”, bc i have celiac disease, “i can dream”, we all do! and “i can lucid dream”). you see where i’m going with this? i’m putting shifting in the same category as things we all normally do, that we sometimes don’t even think about doing since they’re such a natural activity. to this list i could add “i can breathe”, because we do it automatically, without even realising unless we focus on it. the same can be said for drinking or eating really, if you’re angry or thirsty you just go and get whatever pleases you the most and not dwell on it.

in the non-beliefs list, i’ve written obvious things like santa and the easter bunny (which isn’t common here in italy tbf but yeah) and sentences like “i can’t swim”, “i can’t draw”, “i can’t eat strawberries” and in between them also “i don’t fear shifting”. here, the point is that all these listed beliefs are stuff i know for a fact to be false: i can swim perfectly, i am an artist and i love strawberries + i’m not allergic to them or anything. by placing shifting there, i'm stating that just like i KNOW i can swim or whatever, i also KNOW i'm not scared of shifting.

you’re literally gaslighting your subconscious mind into believing what is real for a fact and what isn’t.

after writing down this list, which can be done on paper just like on your preferred device, i reread everything twice explaining to myself why i chose these things and why they are beliefs or not. that’s how i realised that shifting is easy. when people talk about it “clicking” they weren’t lying!

shifting isn’t special, this is what the list thing tries to prove you. it’s not special because, just like breathing and eating and reading, we do it subconsciously everyday. take your own first language: you speak it naturally without having to doubt it, and if you know a second language well enough like i know english for instance (my mother-tongue is italian) then you can even start talking to yourself and think in that language without having to search up translations.

what’s the difference with shifting then?

the difference is that shifting hasn’t been taught to us in the same way as a language has been, all throughout school. the same thing goes for reading and writing: we read and write naturally because we’ve been taught how to when we were young and it’s now engraved in our brains, just like with learning our first language, which is something we normally do thanks to our teachers, our families and the people around us, of course. this doesn’t happen with shifting in most cases, as we all know, which means it’s normal for it to take a bit to grasp as a concept and existing thing/activity. it’s natural, most of us human beings just don’t know about it, nor that we’re capable of doing it.

this is why i said it’s not special: just like breathing, everybody can do it (and so do you)!

going back to the non-beliefs list; i should also add that as a society we usually are taught what to believe in from a young age, and specifically what is believed to be a fantasy, a dream, or something real. as grown-ups, though, we have the right to believe in whatever we want, like shifting. as a realistic person, i understand that some people may have a hard time believing something as great as shifting could be true, because it genuinely doesn’t sound like it! so yes, this is also a factor that can and does make it harder for someone to trust their guts and expect to wake up somewhere that’s only fictional here.

shifting clicks for everybody at different times, but i hope this post will help some of you here understand it better and know that what more experienced shifters say always has a meaning, you just need the time to properly reflect on it to get it!

when it clicked for me a few hours ago i felt a huge rush of adrenaline and happiness bc yes, i can actually shift. i’m just overcomplicating it for no reason and so many of you are doing the same!

it’s okay though, we’ll all get there <3

(psa: if you saw any grammar mistakes or anything NO YOU DIDN'T and also please don't mind if this rant doesn't sound logical, i tried my best to explain myself like i wanted to 🥲)

[animalistic00]

Hey!!! Here’s another breakdown of my thoughts I told you it was coming!!!! I just needed time to process because OMG🤯

Cleo’s post of SpongeBobs brain on fire and the mini hims panicking is a MOOD. She didn’t have to call out reader like that though, lmao even though it’s true and definitely how everyone reading it myself included was feeling. The reader then commenting; “help me” only for Cleo to post a SpongeBob and Patrick reaction pic IS EVERYTHING. Pope’s comment makes it even ten times better and more hilarious. AND THE AUDACITY OF JJ TO COMMENT 😂 like you did this brother.

NOW THE TEXTS🤯😭 I needed a whole ass warning for these. Died and came back to life, like you were so wrong (BUT SO RIGHT) for this. I had to take another pause while writing this because BABES this is so phenomenally OUTSTANDING words can’t describe it but I’m going to try my absolute best.

JJ immediately coming to reader and being like “we should wait.” STAWP 😭✋I can’t that’s so unbelievably sweet and thoughtful. Like you can tell, YOU WRITE/SHOW him caring for the reader so freaking well. Him also being like, “this isn’t the best time” you can tell he’s not only so deeply in love with her, but he cares about her so much. Like don’t get me wrong; I definitely get the vibe he absolutely loves her and has loved her romantically for ages; but I also get and feel that he loves and cares for her platonically so hard too. Like yes he wants to date reader, but that’s his best friend first and foremost and it just shows; YOU SHOW IT SO AMAZINGLY.

Him reassuring her😭 he’s so perfect STOP I want him. I want them to end up together. (BUT THEN YOU COME OUT SWINGING WITH RAFE AND IT AINT FAIR)

Okay; this is also another thing and I know I’m gonna repeat myself (I do that a lot) but you actually write him so well. Him being like ; “good or bad; wait no don’t answer that.” Is SOOOOOO- I have so many thoughts. JJ is such a reckless individual but he’s also extremely selfless and loyal to those he cares for and you portray that perfectly. Like poor baby definitely wants to know what reader is thinking and feeling, but he understands that this isn’t a good time and she needs time. SO being the selfless individual he is he’s like we’ll wait until YOUR ready. LIKE PLEASE; this is amazing and perfect. Indescribable. Him being like; “you need to think and I need to prepare myself.” Is so sweet and sad; like I know poor baby is preparing himself for the worst and rejection and how he’ll be able to keep reader in his life. Because let’s be honest he won’t want to lose her😭

THE PLANS BE HAD TO ASK HER OUT 😭☠️ four years ago, then the summer, and then after the season. Mans was trying and that’s actually really cute too and it’s totally in character for him to have plans but then BE IMPULSIVE AND IGNORE THEM

The line; “I always have plans when it comes to you.” I NEED TO SAY NOTHING ELSE.

Him still offering to have the conversation after everything has calmed down and the reader is ready is just MWAH. No words needed, it explains itself. Before he tells her that until then, they’re best friends and he cares about her being happy. That, that’s all he cares about. He’s so perfect LIKE I CANT. CAN I HAVE HIM? PLEASE??!?

Also the ma’am✋😍

Then them immediately talking about pranking Pope is HILARIOUS and actually such a great detail and addition. It shows how close they are as best friends and even though with all the drama and feelings in the mix they will be BEST FRIENDS first.

P4L

The instagram POST🥰 Besties fr. Sarah calling them trouble makers or finders is so real; CUZ THEY BOTH. Also I love Cleo so much. Her comment is nothing short of amazing, and I stand our wife. AND THEN POOR POPE😭😂 I love and LIVE for their and this dynamic.

The gingerbread houses post from Cleo, are amazing and I can’t. Her house, as it should be💅, WAS STUNNING!!! I have no idea what JJ was doing but GOOD LORD, he um…tried? Bless his heart, let’s keep him out on the football field. NOW CLEO COMPLIMENTING RAFE?!? 👀 his house does look good, but I know wifey still mad on readers behalf so I was SURPRISED when I saw that. Not only that, Rafe hanging out with everyone. Like reader is one powerful woman 🗣️💅 she’s keeping EVERYONE in line. (Rafe’s house was good fr though) I don’t even have words for John B’s house. LIKE HOW DID JJ DO BETTER?!? Also Rafe legit admitting that he tried so hard so he’d be invited back is so cute and sad.

Readers Christmas post is adorable. AND POOR TOPPER, like please this man is struggling for his life. Someone please update this mans, he’s so lost and I love it. Rafe needs to talk to him for real. Like please. (At the same time I love him being so lost and it should definitely continue on for a bit hehe 😈) Cleo was definitely right about crazy crowd choice because whew, again talk about readers power.

Now I’m not gonna lie, I’m a bit confused on the letter one. Is Rafe posting a picture of a letter the reader wrote (that was my first guess) or is he posting a pic of one he wrote to her? AGAIN TOPPER in the comments confused😂 Rafe telling him to “shut up,” was wrong of him.

THE PIC OF RAFE AND JJ. The POWER reader holds should be feared by all. Also the photo is actually so funny, (and I wanna know the story in real life) but even better I wanna know the story behind the picture in this AU. Like what was JJ doing with all those glasses MUCH LESS ON HIS FACE? How did reader get these two to agree to go out to dinner with her, and much less them staying civil for HER 🥰🤭😩 and this time Pope in the comments being confused is hilarious.

Now the texts between reader and Rafe…I can’t 😭 gonna have to break it down just like the JJ ones.

Rafe starting off the text with thanking reader and saying how he’s missed her is so sad. Like he obviously is still head over heels for her and is so glad for ANY crumb he gets.

POLYAMOROUS?!?? Please. Please. I beg because I cannot choose for the life of me and I don’t want there to be a choice. But her being like; “JJ had fun.” Is such a big deal even if it was her, it’s the fact that it was also her and them. Like you know they secretly enjoyed each others company. That or I’d like to at least see reader remain close friends with whoever doesn’t “win” and actually for Rafe and JJ to become close. Just for everyone to eventually become close and besties 😭 (FEED MY DELULU PLEASE?🙏)

Rafe saying we should give JJ a chance FLABBERGASTED ME. Still leaves me flabbergasted when I read it. Was not expecting that from him, but it honestly shows how much he’s grown and matured from before. And how serious he is about being our friend first and foremost. As he says. Which leads me to the; “because I’m your friend. I told you I would be the best friend you've ever had. Your friend would want you to be happy. And I think you need to give him a chance.” Like I can’t with him. That’s- it’s indescribable. That’s so selfless and truly shows how much he cares for the reader. I’d honestly immediately fold if someone told me this 😂☠️ poor reader cuz I could never. Why do they both have to be so sickly sweet and selfless?

I canttttttttttt; YOUR PAYING FOR MY THERAPY. Rafe being like as your ex, I know what I want, what you mean to mean, who my true love is, and what not. Is UGHHHHH and then him being like you deserve to figure out what you want and who you love and I’m here for whatever you choose. ☠️ I both love and hate that. I hate making choices so I’m like “NOOO, AHHHHH” but it is so sweet.

I apologize (LIES) I actually don’t; no but this is so long. I just had so many thoughts and feelings that I wanted to get out and share with you especially since you seemed to enjoy my last post. In case you’re confused I’m posting/rebloging this on my reblog account. I’m animalistic0, anywho I love your work so much this story is the best. Absolutely OBSESSED. Thank you for sharing, and creating this artwork.

Kildare University- Sophomore Year: 9

Synopsis: A Social Media AU in which you find yourself at Kildare University along with your friends. Starting over at a new school shouldn't be difficult. Well, except for the fact that your ex-boyfriend is the quarterback, and you are the drum major. Add in a little bit of drama, a lot of friendship, an ex who can't seem to let you go, and a best friend who has been in love with you since you were kids and well? Welcome to KU!

Pairings: Past!Rafe x Reader, JJ x Reader, Rafe x Reader

Masterlist

Taglist:

@akobx @onelonelybitch @the-universe-and-karma @beeskisses @frankoceanluvr11 @ivy-34 @rafecameronsloverrrrr @k-k0129 @asyouwish-fromcabin3 @xoxo-ada @aariahnaa @strawberryforks @urbrunettebombshell @whatisoutside @spenceatiny18 @animalistic0

[riddles-n-games]

Hey guys, I've been seeing another rift going on in the fandom regarding TGG and TIG characters, so I've decided to make a statement that can hopefully make things more cohesive.

I understand that not everyone likes the new spin-off and honestly, I'm considering just stopping after GU. Personally, I don't have anything against the characters of TGG but my problem is that they sound too much like our old mains. However, that's not their fault. It's the author's. There's nothing wrong with JLB wanting to expand the TIG universe but it is problematic when you are repeating the same character arcs of the old characters that are also present and interacting with these new mains. The problem that we face is the fact while even in The Naturals there are similar characters, they are divided by different series. However, that is not going on here with TIG and TGG. TGG is a continuation of TIG and our TIG characters are still present. Heck, one of our old mains is a player and a love interest here to one of the new mains. And therein lies the issue. When you have a connected series, it's important to have distinguished characters with different voices, not carbon copies.

What I expected for TGG characters was that she would move from the character tropes we've seen already in the series and come up with new ones. I mean, come on, she's a psychology major, we bring that up so often but what's the point when she keeps going in circles and never brings up anything new? I pointed a lot of this out pre-read because I already correctly guessed where this was going within just a few pages of reveal. Don't get me wrong, if she wanted to, she could do it but it doesn't feel like she has new plans or plots. Be honest with yourselves and don't just praise because she's your favorite author. You can be a reader, a fan, and a respectful critic all at the same time. Don't lower your expectations just because they can't deliver every time.

The trouble is that when you go back to TFG, in the acknowledgments, she herself wrote she wasn't sure there was going to be a third book. And now look, suddenly two books were announced a month or two after she released the last book of the trilogy which introduced our mains and not the most fashionably. I do believe she had ideas but I don't think they were the best fleshed out. You have to realize that just reading TGG, how many of you recognized the obvious plots, the romantic subplots, the character arcs, and even the semi-hidden plots just getting to the halfway point? And how many of you said, hey, wait a minute, we've had this plotline before? You did, didn't you? I want to give Jennifer the benefit of the doubt but I truly think she is in over her head because I don't believe she quite thought that this is how long the series would go.

In fact, I think that she is making more trouble for herself in trying multi POV for this new series when really I think it should have just been Gray taking over. It would have allowed us to see how he's grown especially after the heartache and mental health issues he's had to go through to get here. It felt like the obvious next step, even the summary for TGG made it sound like that. However, the only thing that seems new to me is the hypersexual atmosphere which also makes no sense to me because teens may go through attraction but that doesn't mean they're horny all the time and anyone who's gone through puberty can attest to that. So I ask again, like one reviewer on Goodreads put, were the romantic moments in the room with us? 12 hours is not love or romance, it's lust, that's it. Couldn't summarize it clearer. If she wanted to make it better, it could have been that she made the book stretch over a series of weeks which is why I wonder what the heck will happen to any character development if this book series is done in like 3 days?

As I said, a lot of things feel very repetitive, the plot, word choice, thought processes, quotes and sayings, etc. We are in a loop. She's in a loop. I think that the best thing JLB could have done is leave TIG alone for a few years after TFG, make a new series or whatever works outside this series she wanted to, give herself time to truly see if she has new stories to tell for TIG by writing a spin-off and then come back to give us that content. Because it's really telling how forced things have been in the last two books, even here with GU and I really think this empire is toppling. As they say, quality over quantity and thoughtful than full of thoughts that are just a variation of one another. That's what makes me think more and more she should have left it at TFG.

Thank you for reading and I hope this gives a new perspective that can help you see some things more clearly.

[opal-kitty333]

So, I like Horror Sans, and being a nerd, I've been thinking about him a lot during my recovery with brain damage. A lot of people treat his wounds like brain damage, giving him memory problems, chronic headaches/migraines, speaking difficulties, fugue states, just issues collecting his thoughts. All understandable and reasonable symptoms, but there's something about just what truly horrific, completely life altering, brain damage to such an extent can do to a person that hasn't been explored very much. Yes, he doesn’t technically have a brain, but considering someone with head trauma like him would be in a comatose like start for weeks to a month, we can choke up him taking that hit like he did and being able to walk and talk to that. Plus, we can take inspiration from real injury and science and have wiggle room for it to not be 100% accurate. Anyway-

This is Phineas Gage.

It is one of the earliest extreme cases of brain damage where the patient survived while psychology as a scientific practice was getting on it's feet. If you've taken a psychology class, you've heard of him. He was a railroad worker foreman who had a rod blown through his skull in an accident, destroy most of his frontal lobe.

If you don’t know what the frontal lobe is it's where your ability to reason and make decisions, the ability to control your muscles voluntarily, and your ability to process knew information and recall old information. It's well known for being the part of your brain that inputs logic, the part gives you the ability to remember what happened last time you picked a fight with someone, so instead you choose to walk away despite how much your want to punch them for being a prick.

As I stated before, this man was a foreman, well known for keeping a level head, being responsible, and hard working. After the injury, that completely changed. Everyone agreed he was barely recognizable as himself. He was impulsive, prone to extreme mood swings, impatient, making massive plans only to almost immediately abandon them, and generally seemed to have no control over his desires or ability to distinguish between a want or a need.

Now, let's look at Horror.

I'd say it's safe to say his frontal lobe but also part of his parietal lobe would be utterly fucked. Your parietal lobe controls your ability to process sensory information (mostly touch) and to understand not only where you and your body is, but to process the world around you. You see a massive enough tent, some clowns running around, the right music, and your parietal lobe is what does the work to label that as a circus.

To have these two structures damaged, or the closest equivalent in a monster, would radically alter Sans' personality, his ability to move, his understanding of the context around him, and connect with others.

He'd become rather self centered on his own desires and beliefs, struggling to even have the patients let alone the want to give other people the time of day. His actions would be impulsive, made on his emotions in the present moment and with little concerns other than the immediate consequences. He'd be prone to loud outbursts, not just rage, but any other emotions like sadness or glee with little ability to realize how he's acting may be overblown or inappropriate. Not only could his ability to put his thoughts into words be a struggle, but his ability to say those words could be affected as well. He'd be very present focused, with pass relations or responsibility mattering little as he keeps marching to the beat of his own drum.

That is, if he could march. He'd not only struggle to know where his limbs are or what he's touching, but his sense of balance would be awful. He'd likely have a constant wobble, having to go slowly and potentially hold onto or lean on things if he wanted to move quickly. God forbid how much he'd bump into furniture or trip and struggle actually grab onto something to catch himself. It's entirely possible he'd have difficulty reading and writing or confusing his left and right regularly. He'd need more time to process a situation and could very easily misidentify what's actually going on could likely lead to him acting even more unpredictable as the world around him is so much more dangerous and he's struggling to fully understand what everyone is doing and trying to keep two steps ahead of everyone around him.

But here's the thing. The brain is also incredibly adaptable in ways your wouldn't believe. Phineas Gage slowly recovered over time. He died twelve years after the incident from epilepsy but over time he slowly regaining his social skills and general functionality. He picked up a job as a stage coach four years after the indecent even. He was never quite the same person he was before, but he wasn't doomed to be what he first was after the indecent.

Imagine what this kind of thing could mean for Sans. Not only would the betrayal cut deep enough and the world falling apart put him through trauma that would shred the soul, but people he trust literally damaged his ability to think logically and control his impulses. Of course he's going to lash out, focus on doing anything he can to survive with little respect for what anyone else thinks. Even forcing his brother to do things and refusing to listen to him unless given no other option. All while he thinks the biggest problems after the indecent is how much his head hurts, how his memory is shot, that it's harder or even down right painful to think, and how he's struggling to cling to his independence while never having the patience or resources to give himself the ability to heal. He doesn't even realize how much he's changed. If you point it out Sans would likely get defensive and aggressive, or brush it off as everyone underground being awful people out to eat each other alive.

But then he gets out to the surface. He gets stable food, a safe place to live. His brother is recovering and as the years pass his mind can finally start pulling itself together and healing, finally. Sans begins to regain his ability to think critically on his own actions and others, his emotional outburst and vindictive behavior start to wind down and fade. He's able to think and start sifting through all the shit he remembers.

The guilt of what he did, the people he hurt for no reason other than pettiness. The stupid decisions he made that hurt himself and/or Papyrus in the long run. All the hindsight he has now. Imagine how much he would bury those memories and thoughts. Justifying everything he could and insisting he had reasons, or that it's just how it was and that everyone was as awful and cruel he was. Or just accepting that what Undyne had done to him and the famine after had ruined him, broken and rotted all the good he had and left him vile and malicious. That he'll never have a chance to truly be who he was before.

[johanna-swann]

Sorry if this feels vent-y but I am kinda done with the ppl that keep blaming Buck for the break up and absolving Tommy completely. I get so many saw him breaking up with Buck to be OOC but to go as far as to claim that it's Buck's fault for moving too fast when it's clearly about Tommy's insecurity is a bit fucked up. I have yet to see a person talking about how it was Tommy who fucked things up, if it was someone else acting out based on insecurity they would have been eviscerated and rightfully blamed but not Tommy ig he's a perfect angel who even if he hurt others it's not his fault for being fragile and insecure.

Well, personally I blame the writers for the break-up, but maybe that's just me.

Jokes aside, the simple answer is that everyone probably has their own personal opinion on this. Depending on your personal point of view, your own experiences with past relationships and so on, you will sympathise with one character more than the other or maybe with both of them equally. It's not a "Team Buck or Team Tommy" situation, we have two men here who both care about each other very much, but who also both bring issues to the table which the other one doesn't know about. It's not a cut and dried case, there's plenty of blame to go around. I have a lot more thoughts about this and I will take this as an excuse to rant, so settle in and buckle up.

The thing about Buck is that we see his thought process. We know which steps he went through, we know his train of thought, we know he's serious about Tommy. So it's easy for us to empathise and understand his journey up to the actual break-up. It's also easy for us to pick up familiar patterns though. Like Buck jumping all in all at once and putting his foot in his mouth a little in the process.

Because Buck definitely shouldn't have dropped "I want you to move in with me" on Tommy like that. As far as we know they've never talked about this topic before, they haven't exchanged "I love you"s yet, Buck doesn't even know if he loves Tommy. In my opinion he should've approached the subject very differently. He could've said: "I've been thinking about the future and I think we should talk about maybe living together in the not so far future." Have an open conversation about it instead of presenting Tommy with a fait accompli. At the very least he should've phrased it as a question, not as an "I want you to do x" statement. Not at this point in the relationship.

But all in all Buck's words and actions are somewhat relatable or at least comprehensible and show that he wants a future with Tommy.

On the other side of the break-up we have Tommy. The only piece of information about his dating history we have is Abby - a relationship that was never quite real, that he probably still feels ashamed about a little and that happened, what, 9 years earlier? At least 9 years. (The timeline is not lining the time as it should, somebody please check if Tim Minear knows how a calendar works.)

My point is: We don't know what Tommy is looking for in a relationship. We don't know if he's been hurt by a serious romantic relationship before. We don't know what he wants for his future in the long run. All the things that made us root for Buck and for this relationship to succeed - we know none of that about Tommy. But we do know that he thinks Buck has the power to break his heart. We know he already likes (loves?) Buck so much that he's terrified what this will do to him if he lets it continue. He'd rather turn tail and run than risk getting hurt by Buck. At least this way he's in control of the situation.

[This is very much the reason they broke up. Buck's mistake was a stupid mistake, but fixable. Tommy ended the relationship and ran. You can't fix something that's already over with someone who's no longer there. But I digress.]

A lot of what we get from their canon dialogue and overall relationship still doesn't add up. If Tommy thought he was just Buck's starter boyfriend, then why did he give Buck a second chance in the first place? If he thought this was never going to get serious, why did he agree to go to his sister's wedding with Buck after only one failed date? If he was afraid of liking Buck too much and getting his heart broken, why did he stick around for 6 months? 6 months is a very long time for a relationship you think will never go anywhere anyway.

It doesn't make sense and even throughout the scene where Tommy very abruptly dumps Buck they framed Tommy as a considerate guy with a big heart who truly cares about Buck. So we assume that there must be a reason. That something must've happened to Tommy at some point which makes him believe that this sort of relationship is not something he can have and that he can't trust this happiness.

If Tommy had a healthy sense of self-worth to go with his genuine feelings for Buck, he probably would've said something like: "Slow down, let's talk this through before we make any decisions." He wouldn't have run. And that absolutely was Tommy's mistake. Yes, Buck was a little over-eager upon discovering that he really can see a future with Tommy, but it was Tommy's responsibility to communicate his thoughts, feelings, needs and doubts. Instead he came up with some half-baked excuse and bailed.

TL;DR: They both made a mistake here. While Buck's mistake was relatively harmless in nature and not the one that put the final nail in the coffin, his mistake was definitely the more stupid one though. Buck fell back into an old pattern and thoughtlessly made a huge jump while just assuming Tommy would jump with him. His mistake was fixable and they could've probably talked this out, but Buck was a little reckless here and didn't really consider Tommy's side. He was too caught up in his own enthusiasm which, again, understandable. But still a little inconsiderate tbh.

Tommy's mistake came from a place of deep seated hurt. Yes, his mistake had the bigger impact, but it's the kind of mistake you empathise with instead of roll your eyes at. He was a coward, but he was a hurt coward.

We've all been there at some point, probably. Maybe not in the context of a relationship, but I've been a hurt coward almost every day of my life, self-sabotage is my second middle name. I feel for Tommy here. And I also feel for Buck of course, he barely even registered what was happening and then Tommy was already out the door. But when we break it down to the mistakes they made Buck's mistake gave me "not again you idiot" vibes and Tommy's mistake gave me "I'm so sorry, who hurt you?" vibes.

[lordelmelloi2]

It's normal for teens to be attracted to other teens, hell it's normal for teens to find adults attractive, but I do think that like. The phenomenon I witnessed in the circles I saw here on tumblr and twitter where we had *Grown Men, Women, And Everyone in-Between Or Neither Or Otherwise*, people who are adults, constantly talking about how bad Castoria needed to get fucked or how much of a sex pervert she was ... I don't know how anyone can witness anyone talking like that about a teenager and not be like, WTF? It was fucked up because so much of LB6 is strictly about Castoria's trauma and neglect, how she only could rely on Ector, and how her supports have been ripped away from her, and how she's expected to do this grand act without a chance to live humanely or experience life or love... and people just wouldn't shut up about sex or petplay or fucking whatever. And she's like just a teenager. She's 16. But people kept acting like she had absolutely insane raging hormones, and projecting their own sexuality onto her, and the shit ppl wrote and drew was like... bro is she not like in dire need of some happiness that doesn't assume sex fixes everything about her? Or rather, do you idiots really think sex just cures you and everything you ever went through? Is sex the end goal of happiness for yall? It just felt demented as fuck. Like, who cares? But also why is it any of their business?

That's what drives me nuts and people talk about it seriously when it's like, American media, like I read conversations discussing how weird it is that tv runners and filmmakers love hyperfocusing in on teenage sexuality & sexualizing teenagers, how burdensome that for teens they can't enjoy media meant for their age group without *somebody* joyfully writing or trying to depict how much Sex they're having or how Sexy they are... I'm not even asexual, I just think this is a patriarchal problem that a ton of people just decided didn't matter anymore. Like it's ok to sexualize teen girls because they're teenagers. And if they're anime it's doubly okay because otaku don't care about that stuff. "Buh its Fikshon. Its make believe its pretend" type excuses made by people who think you don't passively absorb messages about how you should be acting, how you should talk, or look, or behave, depending on the positive connotation and depiction of anything in media. Like we're already aware we are slaves to advertising. Im getting ahead of myself here so let me like recap my thoughts:

- I think a ton of adults have this assumption that fictionality means 1) No teens will see it and internalize Sex = Value, 2) No adults will internalize that it's ok to treat teens like this and start behaving strangely towards teenagers

- "oh well then we should never depict teenage sexuality" How about this: Teenage sexuality has rarely been depicted with the dignity that allows teens to process real emotions about it rather than simply existing as spectacle and entertainment for pedophilic, boundary-lacking, disrespectful adults. And teens know this.

- Castoria is just so blatantly a little girl that needs like guidance and support and real ways of treating her like a person first that when I see people jump to speculating her sex life or talk about fulfilling her through sex I just want to strangle them. It is mostly adults that I have witnessed doing this and very rarely teens.

- I don't trust these adults because I think they have implicit bias directed towards being disrespectful of the boundary between adults and teenagers, they likely don't understand that that boundary is about respect, it's about treating those younger and less experienced than you with dignity and not forcing expectations onto them, they don't understand that negating that boundary is predation. A teenager is not your emotional equal. Or rather, they shouldn't be -- and if they are, and you're an adult, you need to understand your own maturity being on par with a teenager's doesn't mean you have the right to make adult expectations of a teenager. & I think that last bit as a principle applies to Many, Many things, not just sexual abuse dynamics

- I think if people try to strawman and say "well we can never talk about sex ed then" are also stupid because any sex educator will tell you there are clear cut boundary respectful ways that you can advise minors on sex ed and health that are able to answer their questions Without being disrespectful towards the minors involved or prying or treating them as equals to you.

- The older I get the more I realize the sheer and utter gap between a 16-17 yo and Any person above like. TWENTY years old and I start getting angrier and angrier the more instances I see of people talking about teens, fictional teens, teenagers in media, ETC. like they're sex symbols instead of like. Just. Kids. They're kids. They are literally kids that are growing up. My god. You do not really start to understand until you hit like 25 on average, I think, how absolutely batshit insane it is for ppl to be fantasizing about teenagers. & Quite frankly. I find it all starkly antifeminist and properly aligned with fascist ideals to be obsessed with this kind of thing as a virtue of sexual ""liberation"" or whatever people are saying these days. What exactly is liberatory about this and who does it benefit? In what way? What kind of ideas and power does this align with in our current political climate?

Asides from her being 16 years old it does make me insane when people talk about how bad they wanna fuck Castoria or how bad they need her to get fucked or something. I think these people are just straight up deranged. Maybe its bc I have kids but like theres noooo fucking way anyone who looks at Castoria and is fantasizing about anything sexual wrt her isn't a predator in some way bc how the fuck do you look at a sheltered, emotionally neglected 16 yr old like that and start immediately thinking about sex. She should be doing a nature walk field study and like playing basketball with her friends and going to hot topic not doing whatever the hell these weirdos think she should be doing lmfao

[thatuselesshuman]

Okay ik ik that the whole point behind 'Kim Dokja will be killed by the one he loves most' was that the story killed him but WHAT IF-

Kim Dokja is Yoo Joonghyuk's sponsor. The Demon King of Salvation is Yoo Jonghyuk's sponsor. Yoo Joonghyuk killed his sponsor.

Kim Dokja truly was killed by the one he loved the most, wasn't he?

Post edit: IM A NOVEL READER Y'ALL I'VE FINISHED THE NOVEL 😭😭

[dykedvonte]

Honestly I see Jimmy's refusal to put Curly out of his misery less about his weird feelings of envy or his delusions but the fact Curly is all but stated to be a shield to Jimmy from his actions and people seeing the worst in him.

The only characters that Jimmy really interacts with one on one before the crash are Curly and Anya, two individuals he has wildly different relationships with. It's likely that Curly really did most of the talking between them as the pilots and the rest of the crew as staff. They didn't know of Jimmy's more reprehensible behaviors cause they never really had the chance to and Jimmy is subconsciously aware. If they had disliked him more than Anya would have told Swansea earlier or even Daisuke when things got really bad.

It's why he takes the immediate opportunity to blame Curly; He's the shield. He's saved Jimmy's ass more times than he can count and more times than Jimmy would ever admit. Even when he can't really do it anymore, he mentally shields himself from his own faults by putting Curly between them. Letting Curly die puts too much on him because he doesn't know how to function without a safety net.

In the end Curly only lives because Jimmy needs the idea that Curly will inevitably make things better to stay alive, meaning Curly has to live, no matter how much it pains him to do so.

[sieglinde-freud]

missing the maribelle/tharja family unit today. i think maribelle would be elated to have a daughter. she meets noire for the first time and she goes “do you play chess? violin? ride? drink tea?” and noire goes “no but im really good at throwing up in a bucket” and maribelles like “oh!!!! okay!!!!” i think she finds noire’s talisman persona charming. chrom is like “um maribelle can you please go get your daughter… she’s terrorizing the camp” and she goes “shes harmless! why do you hate women?” and he never speaks on it again. i think tharja needs a kid that will beef with her and i think brady is 100% the guy to do it. i think she looks at him and goes “what is your problem” and he flips her off. she tries to curse him but he spins his staff ninja style deflecting them back at her. he serves tea to his moms but he spits in tharjas and she knows it. and then she drinks it because it pisses him off. brady could come to love her at some point but it will not be easy and it will not come without a lot of work and a lot of arguing and i think i need some more parent/child conflict in this game. awakening gets one f bomb and its hidden in the random tharja brady PC support where he just goes “FUCK YOU” Tharja and Brady attained support level B.

[s1xseasonsandamov1e]

i love when people pretend that not liking taylor swift is some crazy controversial thing like bitch you know damn well

[echothelover]

The thing about relating too much to Juri is it can and will make you a Shiori apologist

[crossbackpoke-check]

Dysprosium, Mary Soon Lee

dysprosium, AN 66, is a silvery-white rare earth metal. its name is derived from the greek dysprositos, meaning “hard to get at”, owing to the difficulty in separating and isolating this rare earth element. dysprosium is used to measure neutron flux, to fuel reactors, and to activate phosphors. terfenol-d is a magnetorestrictive alloy, meaning that it changes shape when a magnetic field is applied, and is used to manufacture underwater acoustic systems.

jason “robo” robertson, dallas stars #21 for @simmyfrobby’s nhl periodic table poems <3

[ant-diary]

I think I have maybe decided to tell someone I no longer want to be friends with them, but I'm wondering if I should give it a few more days before I commit to it

[rubysparx]

Every day I say ten thousand words on whatever topic has popped into my brain and then I’m like “man maybe I should post this to the internet maybe people would like this perspective” and then I go and ask if people wanna hear my thoughts and people go “yeah!” And smash like button. Then I never post those thoughts o7

[platonic-qpr-selfshipping]

not so simp on main but

claude looking at me while trying to decide which part of my face to kiss but i suddenly go "you have pretty eyes" and he loses it. he cant do it. how dare i attack him like that. the king of almyra himself. meanwhile helios seeing him look away and take a step back like ??? "did you just see a spider or something????"