#Colour theory

[tofupixel]

⭐ Pixel Art Fundamentals - Hue Shifting

This technique is not uniquely specific to pixel art, but it's a very common term to hear when starting out watching those "dos and don'ts" videos. So what is hue shifting?

Hue shifting basically means to change the hue when making your shade darker or lighter. In this context, 'hue' = colour!

You may hear 'you need to hue shift more' when getting feedback on your art, but what does that mean really? Here are some examples:

We can see even with just a bit of hue shifting, we have quite a different vibe for each drawing. In warm / daylight settings, no hue shifting can sometimes look a bit muddy or grey.

If we swap the image to grayscale, you can see that they look much the same:

As long as the hue shifted colours have a brightness that makes sense, they usually will work. You can get quite wacky with it.

But is hue shifting always good? Not necessarily.

Below is some of my art where I intentionally didn't hue-shift at all. You can see it gives them an uncanny, digital, or photographic kind of look. As always, techniques are about your intention, or personal style.

I recommend trying different hue shifting methods! I especially love to use a cool blue or teal for the lighter shades.

Thanks for reading and I hope this helped a little! Have fun with it!!

⭐ Read my full pixel art guide here!

[omar-rudeberg]

ok but the way they've been on again off again for three seasons specifically shrouded in the colours of the swedish flag - showing us the monarchy has intruded on their relationship. even the good, even the private, and always, always the bad and the ugly.

💙💛

makes this white flag moment of surrender even more powerful. they're stripped of this blue and gold brushed over them by society, colourless and allowed to create their own existence - together, a blank slate. themselves, again and only - forever.

🤍🤍

[th3d0nutl0rd]

Phan vs jedas RPF polls Suez canal glup shitto horse plinko live slug reaction I like your shoelaces do you like the colour of the sky Goncharov 1973 eeby deeby vanilla extract Nov 5th ides of march Tumblr TV summon crabs sexymen blorbo from my shows destielputinelection twitter downfall children's hospital colour theory sonadow generations ourgoodshadows no seriously imagine it car covered in hammers porn banned tramp stamps bug race muppet handjob corporate manufactured yaoi superhell

[fogdraws]

Small wip I'm working on of my favourite old victorian men, based on some photos I saw on Pinterest yesterday.

Big problem tho, I think there's something very wrong with the colours (it always is, with me, hard to pick them) so I thought I'd ask for y'all's help before I render It?

[jabberwick]

I am head over heels for your art!!! What's your process in making art? Like what do you like to utilize to make your paintings pop?

-some newbie that likes a lot of colors

Hey Anon! I made this for you. Some thoughts on colour luminosity and saturation!

Here is the high resolution version for ease of reading

[mof17]

Cleo!

Just felt like drawing a Cleo today (I was trying to advance my art by using colour palattes)

I used a generator and it gave me 5/6 colours (I had to add the darkest shade because I needed contrast, spare me)

[rot-decay-erosion]

colour theory or smth like that

I got bored and angry so I made this <3

[brothermayihavesome0ats]

Criminal Minds S01E01 - a scene analysis/things I noticed

(The text in the images is the same, I just worried you can't read my handwriting)

1. In the beginning scene where Gideon is asked to return to the BAU, the way the characters are positioned is representative of their power dynamic or role within the BAU at that point as well as representing the dilemma within the scene

- Reid is in the background since he is the youngest and least experienced, also the least in focus atp. He's also positioned in front of a map, which could be foreshadowing for his ample ability of geographical profiling

- Morgan is in front of Reid but still behind Hotch and Gideon

- At first, Gideon is positioned as the main focus with the camera showing him debating returning to the BAU for the first time since the Boston incident. As Hotch tells him that “the order came from the director” the camera focus switches as in the team “came back into focus” as Gideon realizes he has to come back.

- The camera then focuses on Hotch since he is the leader of the team. This shows that now that Gideons dilemma isn't the only thing in focus, the team has dynamics and roles which are also a large aspect of the show

2. In this scene with the family of the unsub, although the family isn't centered they are very clearly the focus of attention due to the clear blue colour tint around them. This suggests the grief they are in after finding out their family member committed a crime. The family is surrounded by green tints as well, showing their grief is surrounded by the unsubs world (explanation in next observation)

- In the next scene if you look at the family portrait you will see that everyone in the family except the unsub is in blue, showing that the entire family was affected by his actions in their grief but also that he stands out from them.

- When Elle comes in from the left in the next frame, her red outfit is a contrast to the blue. She is from the outside world, an outsider to the family's grief.

3. The general lighting in this scene shows an outside world (the warmer lights in the hallway) and the inside world of the unsub, with the darker green colors. In the frame pictured, the unsub is looking away from the outside world.

- Gideon is wearing red to contrast the green

- The family portrait shows how the unsub is an outsider with the rest of the family positioned in a tight triangle and him in the bottom right corner, also wearing different colors from the rest of the family

- The family photo is centered in this scene, showing a clear contrast between them surrounding the unsub versus him now being all alone

- The table in front of him is empty, showing he has no future in front of him. In a few seconds Gideon places his book in front of him, showing that the only future now is the BAUs work

- There is a chair facing backwards behind the unsub. This is like an interrogation, so the two chairs are for the two unsubs. But because the team doesn't know this yet, the chair faces away from Gideon, the interrogator.

4. Following the train of thought about the colors, we can see that the car the unsub used to lure the women into is red. The contact with the outside world is red, and in the scene where we see him kidnap a victim we can see he is wearing a green jacket as he locks the girl in the red car, showing that she is being locked away by the inside world of the unsub.

5. In this scene with Hotch interrogating the unsub, he is centered as he walks into the interrogation room to show his importance.

6. In the scene at the very end of the episode, the unsub is once again shown in green lighting. His truck is shown in red, while Gideon is also in green. This shows how Gideon Has stepped into the inner world of the unsub, and is looking out on the outside world from within as he realizes who he's talking to.

Colour contrast throughout the episode:

[intervex]

What Pride Flags Mean, Part 1: Gender and Attraction

Welcome to the latest installment of my autistic hyperfixation on flags! I wanted to figure out a common language of Colour X means Thing Y. Like how pink is consistently used for feminine.

Having a common language for flag meanings matters because it improves cognitive accessibility of flags. ♿️💙

But I didn't want to be prescriptive about what colours should mean what. Just because I think Thing X should go with Colour Y doesn't mean everybody else would.

So this turned into a descriptive, empirical project. I gathered a data set of 2060 pride flag colour choices to figure out what are the most common colour-meaning combinations. Some of the results:

And here are the abstract modifiers: these are modifiers that were generally shared between the genders and the attractions. For example, black is used to indicate having no gender as well as having no attraction.

Click here for tables with okLCH values, hex values, definitions, and notes - I've put a more detailed write-up on my Wikimedia Commons userpage. (Mediawiki supports sortable tables and Tumblr does not.)

METHODS-AT-A-GLANCE

To make the figures above, I assembled a data set of pride flag colours. It contains 2060 colour choices from 624 pride flags, representing 1587 unique colours. Click here for a detailed description of how I gathered and tagged the pride flag colours and tagged them.

For each tag, I converted every colour to okLCH colour space and computed a median colour. OkLCH colour space is an alternative to RGB/hex and HSL/HSV. Unlike RGB/hex and HSL/HSV, okLCH is a perceptual colour space, meaning that it is actually based on human colour perception. 🌈

In okLCH space, a colour has three values:

- Lightness (0-100%): how light the colour is. 100% is pure white.

- Chroma (0-0.37+): how vibrant the colour is. 0 is monochromatic. 0.37 is currently the most vibrant things can get with current computer monitor technologies. But as computer monitor technologies improve to allow for even more vibrant colours, higher chroma values will be unlocked.

- Hue (0-360°): where on the colour wheel the colour goes - 0° is pink and 180° is teal, and colours are actually 180° opposite from their perceptual complements.

The important thing to know is that okLCH Hue is not the same Hue from HSV/HSL - the values are different! (HSL and HSV are a hot mess and do not align with human colour perception!)

You can learn more about okLCH through my little write up, which was heavily influenced by these helpful articles by Geoff Graham, Lea Verou, and Keith J Grant.

You can play with an okLCH colour picker and converter at oklch.com

🌈

MORE RESULTS: COLOUR DISTRIBUTIONS

Back when I started tagging my data, I divided my data into five main chunks: Gender qualities (e.g. masculine, androgynous), Attraction (e.g. platonic, sexual), Values (e.g. community, joy), Disability (e.g. Deaf, blind), and Other.

I'll talk about Disability and Values in future posts! But for an alternate view of the data, here are the full distributions of the colours that were placed in each tag.

They come in three parts: tags I created for Gender, tags for Attraction, and tags from Other. The abstract modifiers are spread between the first two, though their contents transcend Gender and Attraction.

Some distributions have a lot more variance within them than others. Generally speaking, major attraction types tended to have the least variance: sensual attraction is really consistently orange, platonic is really consistently yellow, etc.

Variance and size do not correlate. Many of the smaller tags are quite internally consistent. I don't have a ton of tags in "current gender" but they're all the same dark purple. Xenine/xenogender has a whole bunch of entries, and there's a really big spread from blue to yellow.

Some tags, like intersex as well as kink/fetish show there are a small number of different colours that are very consistently used. Whereas other tags like masculine show a very smooth range - in this case from cyan to purple.

Overall I'm pretty satisfied with how things wound up! 🥳 It makes sense to me that an umbrella term like xenogender would have a lot of variance. What honestly makes me happiest is just how many tags wound up 180 or 90 degrees from their opposites/complements. 🤩

Not everything lined up nicely (the opposite of drag is .... neuroqueer? awkward.) 🤨 Some things lined up in hilarious ways, like how initially I had the opposite of kink/fetish being Christian (amazing.)

But as a whole, there's a lot of structure and logic to where things landed! I hope this makes sense for other people and can help inform both flag making as well as flag interpreting (e.g. writing alt-text for existing flags). 🌈

I'm hoping to post the Disability and Values analyses in the coming days! If you want to learn more, my detailed notes along with tables etc are over on my Wikimedia Commons userspace. 💜

Everything here is Creative Commons Sharealike 4.0, which means you're free to reuse and build on my visualizations, tables, etc. Enjoy!

[laboratoryrats]

Toastyglow: “local colors!!!! relative hues!!!! listen I love a good adjustment layer they are so helpful especially when you need to work fast. but I also love picking special colors myself so here is a crash course in that–as I understand it, anyway.”

Source: Twitter toastyglow

[z0mbi-dog]

data collection 2: electric boogaloo

[tofupixel]

how tofu colour

[prylc]

For the glowy effect I just used the same colour of the light and bounce light and just used an airbrush over it ^^

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You ask, I deliver 👀👀✨ @an4mations

Remember that this is just my own personal take/discovery and that it might not be 100% accurate! I'm still learning after all ^^

-

For people new to art and might not know what the diff terms mean...

Hue -> Colour (basically the original colours like red, orange, etc.)

Value -> How dark or light something is

-

[danandfuckingjonlmao]

can a brave soul with a m&g ticket PLEASE tell dan that the word monochrome means one colour and not achromatic colours (white, black, and grey). please. i’m begging you.

[coco9728]

Colour Theory

This is just me looking at colour theory and trying to see if there is any sense in the colours chosen for Thunderbirds and Thunderbirds are go.

Here we have the coloured sashes from tos....Scotty with the blue sash on blue uniform hmmm...also Jeff's gold sash I think is from an old add comercial...please comment if u now what it's called...Being the father and leader and founder of thunderbirds I can kind of see why Jeff's sash is gold...wait! Is that gold or bronze?....though I do like the tones of their colours...They give me relaxed feels...Is that supposed to help calm the rescuee in a situation?...Also poor Alan with the white sash....imagine trying to keep that clean....Ok...I personally can see no logic in their colours overall...

Moving on...

I noticed that if you squint your eyes...then if you mix Scott and Virgil together (Blue and Green)...the you kind of get kayos colour...then if you mix Alan and Scott together you get Grandma....and then I think John and Alan make brains...

Though take into account a lot of people (including me) see Scott's signature colour as blue...but his sash is grey/silver?!...and so is Jeff's...

Also Penelopes just Penelope...Pink!...you go girl!...

Again...I don't see too much logic...

And finally as a bonus I decided to look at the Thunderbirds (the vehicles)...

I noticed that they all consist of one major colour and two minor colours...haha success some logic here yay!

The colour red is the only colour to be featured on every TB...

TB1, 2, 3 and 4's main colours all match their pilots sash colour (e.g. Virgil Green, TB2 green)...that is except for John and Kayos vehicles...hmmm...

TBS and TB3's colours are kind of reversed...

TB5 is the only thunderbird that features a bronze colour...

Ok I'm done now!

I don't know if I learnt anything or if this was a waste of time but...

Meh.

Please comment on your thoughts!

I'd love to see what other people think!

[stagefoureddiediaz]

I will just be over here screaming until the end of time (and not just because this is a beautiful shot!)

I am trying not to read into this set too much - because it was clearly filmed during the s7 filming (its Eddies old living room rug - hes changed to a striped one now!)- but man is it hard!! Also that red Persian rug is very heavily tied to Eddie‘s wife and his girlfriends.

It’s very interesting to note that that red Persian rug first appears when Shannon comes back and has now left the moment Marisol has gone and the moment Eddie vocalised to Kim his internal struggles and unresolved feelings around Shannon and her request for a divorce. The thing is Persian rugs are very tied to the concept of status and history and they’re quite symbolic, particularly in western culture, of family and familial expectations (I need to write a matter on the history of the Persian rug and it’s meaning in western Society but that will have to wait till hiatus but basically they were expensive and therefore handed down through the family and became attached to the concept of upholding family values) so there is this idea that Eddie‘s Persian rug is about him conforming to society and familial expectations i.e. marriage before children and being a family - divorce being a bad thing, as well as heteronormativity.

The fact it’s now been changed to stripes - which are heavily connected to the Buckley-Diaz family dynamic, and specifically to Chris, and the concept of change being brought about by struggle or danger. A few examples of this or the fact that Chris is wearing stripes at the beach when Shannon tells Eddie she thinks she’s pregnant, we also see Chris and stripes during the tsunami, Chris‘s room is heavily striped with rug bedding and curtains, he’s wearing stripes in the lead up to Eddie‘s breakdown in season five. We also see him in stripes in the build up to the shooting. With the connection to the Buckley-Diaz dynamic - these are all moments that ultimately strengthen the bond - making the family unit stronger. So Eddie striped rug is suggesting to me that the Buckley-Diaz family unit will become even stronger when they get through this current arc (I mean that’s saying Buddie Canon very loudly to me but I’m a clown so take or leave that as you wish!)

Hello gut stuff still being up on Eddies fridge I desperately need to know if it’s actually still there in s8 filming time!

Plus boxing gloves hanging on the wall above the yoga mat - I see you reference to fighting and to finding inner calm. Eddie fighting - fighting to get Chris to talk to him - to tell him things - to be open with him. Fighting to be a father. But doing it in a calm and measured way - moving through the sequence like one does in yoga.

But its actually the sitting on the coffee table of it all that I am screaming the most loudly about - that is a choice - its a place we see him sit when he talks to Chris when things are serious - think when Chris is playing video games late at night and Eddie finds him and they talk, think when Eddie spills hot chocolate over the gingerbread house and Chris throws the house to the ground - both times Eddie sits on the table - he’s also sat on that same table when he asks Buck to try and talk Chris out of leaving (wearing the same shirt I might add!!). So this Eddie sitting on the table is very much connected to difficult parental moments for Eddie - moments when he is super respectful of Chris (hell even the Marisol phone call at the end of s6 plays into this theme - Chris being included in Eddies potential romantic relationship from the start - the lesson learnt from the Ana of it all and showing Eddie is holding open dialogue with Chris), of Chris’s wishes. It’s indicative of the idea that Eddie will be patient with Chris, but he will eventually win out - and that they will be stronger for it as father and son.

Interestingly Bobby also sits on that coffee table - when he talks to Eddie in the aftermath of him smashing up his room - when Bobby is doing a similar thing to Eddie as Eddie does with Chris - supportive but strong and firm right down to the use of same maroon/burgundy for the ‘parents’ shirt.

Right Eddie house screaming done - now on to screaming about Chris on my next post!