#Alan Gerry

[thepastisalreadywritten]

—

Charles Lewis Tiffany (February 15, 1812 – February 18, 1902) was an American businessman and jeweler who founded New York City's Tiffany & Co. in 1837.

Known for his jewelry expertise, Tiffany created the country's first retail catalog and introduced the English standard of sterling silver in imported jewelry in 1851.

Louis Comfort Tiffany (February 18, 1848 – January 17, 1933) was an American artist and designer who worked in the decorative arts and is best known for his work in stained glass.

He is associated with the��art nouveau and aesthetic art movements. 

[djkerr]

Succession BTS photos

📷 cred @christophernorr2001 via IG

[its-fucking-tangerine]

petition to bring back succession sundays but it’s just all of us rewatching it to get the magic back. who’s with me *looks around an empty room*

[sunsetmoonlight]

I’M LOVING THIS PHOTOBOOTH PICTURES OF THE SUCCESSION CAST SO VERY MUCH

[atomic-chronoscaph]

Thunderbirds (1965)

[carsthatnevermadeitetc]

Foster's Car, 1970. From the Gerry and Silvia Anderson sci-fi TV series U.F.O. which set was in 1980. Paul Foster (seen from behind) was a pilot for S.H.A.D.O. (Supreme Headquarters of the Alien Defence Organisation). The character was played by singer turned actor Michael Billington. The woman with the car is S.H.A.D.O. Colonel Virginia Lake played by British actress Wanda Ventham who is the mother of actor Benedict Cumberbatch. The car was based on a Ford Zephyr Mk IV chassis powered by a Cortina 1600 engine, built by Alan Mann Racing.

[evilhorse]

Doctor Fate will not live through the night!

(All-Star Comics #62)

[andichoseyou]

"I'm telling you this because I know it, okay? We're nothing."

Succession—Season 4 (2023)

[butterflykisses86]

So if you want to die a lil bit more.. the roy kids reaction to the worsties home video in the finale was the actors genuine reaction because it was the first time they saw it.

So Roman looking so enamored by Gerri, was Kieran's actual reaction to Gerri's limerick.

[lockscreensfyo]

SUCCESSION

[kryptonbabe]

The absence of the superego psychological structure in JSA bronze age comics, an observation

One thing that makes reading the JSA revival run from 1976 such an interesting experience is just how much of their inner thoughts they are willing to share with each other. The members of this team will express the most intense feelings of despair, anger and every other emotion without thinking twice, it makes for a very intense reading experience. These people are on the edge and they will let you know about their intrusive thoughts, deep feelings and desires, the drama is always through the roof, and I didn't even include Power Girl's exchanges with Superman and Wildcat (I'm saving these for another post)

In Freudian psychology we have:

(...) the id is the impulsive part of your personality that is driven by pleasure and repulsed by pain, the superego is the judgmental and morally correct part of your personality, and the ego is the conscious part of your personality that mediates between the id and the superego and makes decisions.

And I can only think of the challenge the JSA team of this time would present for these definitions, because they seem unburdened by the superego aspect of their mind, just saying what their id demands, particularly when it comes to sharing their feelings. And that is not to say these characters don't have interesting inner lives, it's just that they're very transparent about their feelings and it's absolutely appealing to witness such a dynamic

This particular style of writing reminds me of what Chris Claremont was also doing with the Uncanny X-Men at Marvel (All-Star Comics revival and Claremont's X-Men were published only 6 months apart), which might just be an example of how the writing trends of superhero comic books were changing with the times. The difference is: the X-men heroes were younger and less experienced while the JSA characters are jaded, they share a common history of decades with each other and their foes, this leaves a lot of room for drama and conflict (not to put these books against each other they're just different and I love both). Honestly I'm a melodrama fan, I have an appreciation for this soap opera style of comic book narrative and I'm glad there's so much good material to get into. There's a reason why the JSA characters are still popular to this day

From All-Star Comics (1976 revival), collected in Only legends live forever TPB (2019). Written by: Gerry Conway & Paul Levitz. Art by Keith Giffen & Wally Wood

[fcbformulaeri]

I don't even know how to express how I'm feeling about succession ending tonight. This show came to me in one of my lowest moments and I now have to let it go. THANK YOU, for joining this amazing cast, I'll never forget them 🤍

[scenesandscreens]

Highlander (1986)

Director - Russell Mulcahy, Cinematography - Gerry Fisher

"There can be only one!"

[tanuki26]

Remember the titans

idk if anyone remember this movie but it’s one of my favorites and i just rewatched it and WHY IS NOBODY TALKING ABOUT SHERYL AND NICKYS FRIENDSHIP like u have ANY idea of the potencial the have????!!!! like imagine more sleepovers in each other house and nicky starting to tolerate football and sheryl not playing with dolls but dressing them as football players and when they get to high school like being bff and sheryl being cheerleader and sheryl idk coaching the football team and supporting each other and AAAA best friendship ever

[rassilon-imprimatur]

Batman #348 (”Shadow Play”)

Detective Comics #592 (“The Fear”)

Batman: Shadow of the Bat #2 (The Last Arkham)

[denimbex1986]

'Irish actors claim they have been treated like the poor relations in the film industry for decades despite big government tax breaks for major studios.

LA-based actor Alan Smyth revealed that Colin Farrell, Ruth Negga and Cillian Murphy have signed a petition for fair and equal pay for native performers and crew.

Over 2,500 people have added their signatures online.

It says the Irish diaspora in the US and worldwide strongly support the efforts of Irish Actors Equity, which is in talks with several government ministers to secure a guarantee “that Irish performers will not be subject to lesser terms and conditions regarding their intellectual property rights than international performers in similar roles”.

“This, unfortunately, has been the case for many years,” it states.

The petition is still open as Irish Equity plans to hold a solidarity rally with the striking SAG-AFTRA union and the Writers Guild of America today.

Smyth, who is from Dundalk, has first-hand experience of the set-up on both sides of the Atlantic. He has reaped the benefits of the American system where actors traditionally got residual cheques whenever their performances are aired.

The threat now, he says, is that the so-called “streamer” networks are imposing drastic cuts to the value of the residuals.

Hence, the strikes.

“It’s a lot worse in Ireland,” said the actor, who has starred in a number of big TV dramas, including CSI: NY and Criminal Minds.

“The system in Ireland is that the Irish cast and crew for the most part, unless it’s Colin or Cillian, are put on buyout contracts so don’t get residual payments.

“The awful thing about it is the Irish Government gives tax breaks to film and TV productions. Within the productions, the Irish cast and crew are paid far less than anyone brought over from England or the US. It’s 100pc discriminatory.

“Colin, Cillian and Ruth Negga have got behind the petition. They know how hard it is until you get to a point where you’re doing really, really well. I can really see how hurtful it is in Ireland.”

Actor Gerry O’Brien lodged a cheque for $800 (€735) yesterday for his role as an Irish man in Pirates of the Caribbean years ago. The payment covers just a quarter of the year.

He got a US contract for the job, rather than the typical Irish buyout one.

In contrast, he has earned just €54 in residuals in the last 20 years here. That was for an RTÉ TV series.

O’Brien said Equity wants a contract for Irish actors like that on offer to their British counterparts. The coveted UK contract sets out minimum pay rates, residual arrangements and other terms and conditions.

Irish production companies offer the buyout contracts on behalf of the major international studios when they are in town, he says.

A Dublin-based actor (27) did not want to be named for fear he would be “blacklisted” when going for jobs.

He has been following the Hollywood strike very closely.

“It shines a light on just how unfair the industry is,” he said.

“Those at the top are earning incredible amounts of money and profit. In a large part, it is due to those at the bottom scraping a living.

“I graduated from drama school in 2017. Last year, I made the most money I ever made working as an actor and that was €14,000. Obviously that is not sustainable.

“If you work on an Irish film, you get paid for the day of work and never see another penny. I routinely sign off my rights for €600 or €700 a day.

“I’m delighted that Cillian Murphy and Colm Meaney are coming out in support of small fry actors like myself.”

Actor Owen Roe has won many theatre awards during his career and his film appearances including Breakfast on Pluto, Intermission, Wide Open Spaces and Michael Collins.

He said actors here are “not prepared to go on strike” but it is an opportunity to inform younger ones of their rights.

“It’s far more competitive as well . There is AI and all those things. The whole buyout situation is not good for us.”

He was glad to see Cillian Murphy and other stars walk out of the Oppenheimer premiere in support of their US union.

“They don’t have to financially, I’d imagine,” he said. “It gives confidence to people who feel they are being exploited.

“I think it will be interesting to see what happens in America. If the whole thing of buyouts and residuals gets sorted. The attitude that we’re cheaper is offensive,” he said.'