#(long story lmao)

[galaxyhanart]

don’t mind me i’m just having a hajime hinata moment (and subsequently an izuru moment)

[townbully-hatzroy]

Incredibly real, I hate throwing up 😖 emetophobia is the worst

Roy just nods in agreedment because of the first half.

[wasabi-gumdrop]

local ladies man’s signature move totally useless against autistic monster enthusiast. more on Kabru’s fumble era at 6

[frogersonlydotcom]

I had an appointment earlier today and my therapist just told me I may have be experiencing hallucinations, when the internet went out and we disconnected.

I don’t know how to feel about ending a conversation on that note. I didn’t even get to the part where I thought I accidentally converted to Buddhism!(long story)

[sasssydaddy123]

Forever thinking about the time I got to see Chairlift live in a tiny club down some alley in Hollywood and now Caroline is selling our arenas around the world 😭 like I literally can't believe it I'm so incredibly proud of her and I'm happy to say that I've been there since the beginning

[sweetearthandnorthernsky]

hm. many thoughts.

[chio-chan2artbox]

Step Forward - Part 3 They are going on a date!!! Part 1, Part 2, Part 3, Part 4 Check out my tags for fun facts XD

Kofi

[ascesabo]

the great irony of early one piece antagonists believing zoro was the actual captain and using luffy as a puppet ... oda really threw us a bone and curb-stomped it right in our faces. yes, zoro could be a captain in his own right. yes, zoro could match luffy in strength. yes, zoro knows this perfectly well. and you know what? he chose luffy two years ago, and he will continue to choose luffy again and again. roronoa zoro, the pirate hunter, who followed a wannabe pirate with a nonexistent crew on a whim because luffy brought him his swords and made a half-assed attempt at a bargain. zoro, who made a vow to never lose again on both his and luffy's honor. zoro, who told luffy he'd make him commit harakiri if he got in the way of zoro's goal, only to turn around and be willing to sacrifice his dream if it means that luffy reaches his. zoro, who stood in place and took luffy's pain and told a warlord to take his head instead of luffy's, who got down on his knees before his supposed rival and begged mihawk to mentor him so that he could return strong enough to protect his captain. zoro, who has conqueror's haki- a natural born leader- but chooses to stay at the right hand of a man he has deemed greater than himself.

and the thing that luffy fears most? being alone. being rejected. being left behind. and what should have been his foil- the pirate hunter to his pirate king, the nonbeliever to his divine, the king of hell to his sun god- instead becomes his first and most devout follower; the one who demands to follow him to hell and back. oughhhggg i'm sick to my stomach

[firefistacesfreckles]

i'd read several people saying that this chapter sucked and that the end was bullshit so i was a little scared at what had happened but...

i literally don't understand how someone could be upset by this...?? i feel like this outcome has been heavily implied throughout the entire arc. like, just a few chapters ago, bonney used a technique very similar to one of luffy's. are we reading the same manga? lol

and from a storytelling standpoint, it's just so poetic. both of bonney's parents suffered and ultimately died (we still need confirmation on kuma, tho) at the hands of the WG. she, herself, fell terminally ill because of saturn's human experimentation. she carried a lot of unresolved trauma, and now that she's met luffy, she's starting to overcome it all. kuma told her that nika would free her, and it's happening!! how could anyone complain about this?

and to say that this undermines luffy's journey and efforts to awaken his df... please. we still don't know if she's gonna have a quarter of luffy's power if anything at all. stop assuming things just off of one panel. time will tell. for now, i very much like this concept, and i'm excited to see what oda will do with this in the future. he's never disappointed me, so far, when it comes to the story. i don't see why he would now.

[bizarrelittlemew]

calling it right now that season 3 starts like this

[novicedraws]

Art dump : Evil! Lao edition

[doctorsiren]

I saw an interesting post a while back that said “Capcom made us [Miles and Diego/Godot] only have like two(?) interactions because they knew we would be unstoppable with a brother dynamic” and tbh it stuck with me bc it was intriguing.

So yeah that potential brotherhood, but that Godot/Diego AU I made (that I still need a name for)

Also I bet Gregory Edgeworth would have smelled like a bit like coffee, and so Diego just reminds Miles of that comforting presence 😭 (the von Karma estate was a tea household, so he didn’t smell much coffee after DL-6 and didn’t realize how much he missed it/reminded him of his father)

[wigglebox]

That’s the power oooooooof love! [x]

[rainia]

why would I obsess over a goddamn dnd podcast that goes on perpetual hiatus with no sign of return dudeeee I should never have trusted those white boys

[thankstothe]

One liners the sequel

[bonefall]

Hey, what makes a character a 'plot device but not a character'? And how do you not do that? I'm trying to do it on purpose but also I need to still make them interesting because it's on purpose, yknow?

A good skill to pick up is to learn to criticise criticism itself. A "plot device" is simply a thing that moves the plot along, it's a neutral literary analysis term! Usually, when people are angry that "a character has been used as a plot device," it doesn't mean they hate plot devices. It means they're gesturing at something deeper.

Runningwind and Bumble are equally plot devices in their deaths. They are both killed by the antagonist to escalate political tension. Runningwind is rarely "accused" of just being a plot device, and yet, we're talking about Bumble for the same thing.

So, why?

Well, Runningwind is just a background character, but in life, he was a part of the community. He was characterized as impatient but responsible. Yet, he wasn't SO important that he died with a bunch of unresolved plot threads.

He is mostly an extension of the entity of ThunderClan. His killing by Tigerstar, and the fear and paranoia that settles on the group after this, feel like a progression of the story insteas of something forced.

Bumble, on the other hand...

Is hated immediately by Gray Wing, when she's established as Turtle Tail's friend. Bumble's abuse at Tom the Wifebeater's hands invites even MORE investment. The rejection is shocking and upsetting. There's a story there about our main characters being imperfect; jealous, bigoted, and judgemental.

But, she is simply killed off. Everything they set up for this character is gone with little personalized fanfare. It's not a tragedy with a lesson about cruelty, or something anyone regrets.

It's just... plot. Gray Wing whinging that no one will like his shitty brother now that his body count is 2.

More than that, in the discussion of women in particular, "Fridging" was coined to give a name to the way women characters often don't get their stories told at all. There is a CULTURAL trend of female characters facing disproportionate violence, for the sake of advancing male plots.

Bumble has a lot going for her. Petal had a lot going for her. Turtle Tail had a lot going for her. Bright Stream had a lot going for her. When they died, they took their potential with them.

It's not always wrong to kill off a character of high potential, mind you. In Gurren Lagann, Kamina's death is sudden and shocking, leaving a massive hole in the hearts of the cast that never heals. Grappling with that loss, but also letting his memory fuel them, is a major theme of that story.

All that to say... there's no formula for avoiding it. You've gotta identify what the deeper issue is, in your specific narrative.

I can't say for certain what that will look like for your story, but here's some things I keep in mind;

When you make characters who exist to die, make sure they're people before you axe them.

Ask yourself; what about them does the cast miss?

If they just miss them because they were (pre-existing relationship), go back to the drawing board.

Fluttering Bird as an example. Who was she? Dead sister. Why do they miss her? Dead sister. No traits until after her death.

Runningwind was short-tempered and helpful. Kamina was a valuable leader who made people believe in a brighter future. Swiftpaw was fiesty and desperate to prove himself. The better characterized, the more profound the loss usually is.

If this is a female character who is dying just to serve the plot, be aware of cultural bias and tropes. How is the gender ratio looking in your cast? Is this happening disproportionately with your girls?

Note how Quiet Rain's litter had both a boy and a girl, but the girl was chosen to be "weaker" and wither away.

And how most of the time in DOTC, whenever a man had to be upset, a girl would get killed for it.

If you ever feel like the character on the chopping block is NOT a full character, ask yourself why it needs to be a character at all. You don't need to spend narrative time building out someone when a literal object of high value might suffice.

"My sister died when I swore to protect her and I can't face my family" = Old. Tired. Ive seen this.

"I lost my heirloom sword when I swore to protect it and I can't face my family." = Fascinating. Why was the sword so valuable? Will they really not take you back? How did you lose it?

When you do kill off "high value" characters, try to make sure you're not leaving too many plot threads hanging. Or at least make a point of how they will never get closure.