#“oh my god im so sorry are you ok?”

[vvitchy-succubus]

.

[danandfuckingjonlmao]

dnp are so much worse than we could ever be. they bully us for being like omg they touched and then sit there screaming and giggling and kicking their feet because omg dan helped phil sort his fringe out in 2015 that’s soooo sweet!1!!1!!!!! 😭😭😭 omg did you see how they communicated without words?? 😱 they are so in tune with each other they have such a powerful connection 🥹🥰😆 so cute how dan was looking out for phil soulmate shit fr 🥺 let’s watch it again 😝😍🤣😵🤭🫨 like shut the fuck up?? fucking phannies?? you’re so embarrassing??

[heartorbit]

bugs when you lift up a rock

[beeduoo]

i really like that one tiktok

[evelynpr]

Might be a hot take as a bkdk and tgck truther here, but I find izuocha endlessly fascinating, beautiful, but also tearfully tragic.

I see their love for each other as something representative of their innocence and naivety when they only knew so little about who they were, and what was to come.

I think the main barrier of their relationship is that its rooted in how they see each other very idealistically, specifically that they're attached to the image of their Best Heroic Selves, and not the deeply selfish, destructive, freaky, and egotistical parts of them. To each other, they need to keep fulfilling that image or else that same person they looked up to would almost die in front of them, and that would be too cruel. Although that hero is still there, that same person they looked up to is not the same now because of...well...everything.

Izuku had barely even talked to girls when he first met her. She was Izuku's first ever real friend (Sorry Kats, everyone and him knows he was terrible), so he saved her in that entrance exam even if it was so dangerous. She gave a new meaning to his derogatory nickname just by being a friend that believed in him. After that, she saved him several more times (Blackwhip and Megaphone are the biggest samples iirc). It makes perfect sense that she is Deku's hero.

Ochako hardly knew what it meant to be a hero when she first got into UA. Just by reaching out to some kid tripping, she made a new friend who would then save her in that exam, then save him again in return. This boy then became someone who was always working so hard to save everyone in trouble, and she realized she wanted to be just like him too. "I want to save people"

But...Deku changes. The weight of One for All is on his shoulders and he needs someone to carry this burden with him. He continues to want to save other people at the expense of himself, still not letting his true selfishness and ego ever show- and it only grows more and more unbearable.

Then...Ochako fell in love with Himiko. Truly, relentlessly, selfishly and devotedly in love with a girl who then dies giving her blood to her- the greatest expression of love Himiko could ever give.

Not that they can't love each other because of this happening (and...so many other things oh god), I'm honestly not sure how to explain it- But them ending up together after losing that innocence and naivety? After Ochako will forever grieve the girl who showed her love in its most beautiful and ugly form? After Izuku changed so fundamentally as a person that the butterflies of a nice girl talking to you doesn't exist anymore? After that simple image of being a hero and being in love has completely changed for them both?

Even so, I believe they still love each other. There is no label I know of that can properly describe them though. They are each other's image of being a hero when it comes to saving people. Aside from Shoto, no one else can grasp the grief of the person you tried to save dying in your hands. They would no doubt try to cope with these losses together, and just try to get better together...but so much has changed. They've changed. The world changed. What are they now? Who are they now?

"What happened...to us?"

[slamrink]

Nothing to see here just steph stealing glances of klay like he’s afraid he’s going to get caught 😃😃 (via namxsj on twitter )

[technicalknockout]

a bunch of loosely pko related art. can you tell i love him a lot

(more under cut)

[xxplastic-cubexx]

if i had a nickel every time magneto, charles, and amelia were all featured on a cover that framed them as having a wack love triangle then im sure im missing more than just these two but im still baffled i naturally found two so easily anyway

[deoidesign]

Hello! I just discovered your blog and I immediately became captivated by your webcomic, but I'm unsure where to read all of it. I know it's on Webtoons, but I can see it hasn't been updated for a while, and you still post about it.

Are your physical novels just prints of the webcomic? Are they a continuation? Is the story complete? Thanks in advance!

Hi there!

Glad you found me and are enjoying my comic!

It's only on webtoons, and the story is not complete yet! We're 2/3 of the way through right now. It's currently on hiatus, and it's scheduled to come back in about 2 months!

I'll explain why it's been so long if you're curious, but also for my followers who might also be wondering about it under the cut. Sorry, it's pretty much just me complaining haha

I took a month off I took 2 months to get the books printed I took a month to prepare my next comic and I took 2 months to write the rest of the series (I knew the character arcs I wanted, but not the time periods or mysteries!!!) I've been working on actual episodes since then

I had to take some time off because of some pretty extreme burnout due to the sheer amount of work it was to draw over 800 pages and write 6 complete stories in a year and a half... I was getting sick almost weekly due to the overwork, it was really really bad honestly. I was having to work 60+ hours every week just to keep up...

The nature of the comic itself is also difficult... Each of the arcs is a complete, self contained story which can be read (ideally) without context, and my arcs need to be about 10-13 episodes each... And since I have an exact number of episodes to work with, it's even harder.

It takes a ton of planning and a ton of refinement, and working week to week with no breaks I was forced to put out second or even first drafts, so I just wasn't happy with the work I was doing... And to do that for the rest of the series? I wouldn't be proud of the work I did.

Plus... To be entirely honest, webtoon has treated me quite badly IN MY OPINION... They deprioritized me before I launched (I had to beg for more promotion, I'm not exaggerating), they outright denied me the opportunity to even ask for a raise, I don't make any money on fast pass and they pay me less than my partner makes working at trader joes. My first editor left me completely hanging, my second editor (who I loved) was fired... And they told me I wouldn't get a third season before my first season even finished. So it was just repeatedly completely demoralizing.

I'm sorry it has taken so long, it'll have been 10 months by the time I come back. But I realized... I won't get promotion either way. I won't get more episodes either way. I won't get more money either way. So to finish everything, to make it feel good, to make it something I'm proud of, I chose to take longer to make it better.

I am fully aware I will lose a significant amount of my readership for this and it might genuinely affect my career moving forward. But it's what I had to do! So I'm sticking to my guns on it, and I'm confident long term it'll be worth it. It never could have been this good if I didn't take this much time.

[mandiemegatron]

Okay but, Law angst based on "when I was your man" by Bruno mars

I can't handle the pain you enjoy putting me in😭😭😭😭😭😭

👀 you're not wrong though.

How about a taste of that? 😈

This is NOT part of an official part two for (you make me do) too much labour, but if you want to believe that it is, then go for it bc I am not sure if or when I'll get to writing it.

Enjoy, my lovely lil tangerines !!! I love you sm !!! 🤭💖💋

Written while listening to When I Was Your Man by Bruno Mars.

It was like being punched in the gut.

With a knife.

That was on fire.

He hadn't even been looking for you this time, having been entirely focused on actually refueling the ship and making sure every crew member came back with what they were supposed to.

Shaking fingers held the clipboard that marked down the wares that came onto the ship. He'd first heard that ugly, unruly laughter from a certain redheaded, knowing that Eustass Kid must have also been refueling at the same port.

He lazily looked around and spotted him, not fifty feet away. He was talking to his masked crew mate, Law vaguely remembers his name is Killer, ironically enough, and goes back to his clipboard.

Law idly wondered if Eustass was following him.

But how?

He had no way of knowing which way the Heart Pirates were going next, unless-

Law froze in his spot when he heard another familiar laugh, and he couldn't fight the way his body immediately went into an anxious state, his wide eyes watching in utter shock as you came out from beside Kid's massive form.

His eye twitched as Kid leaned down and pulled you into a kiss, resentment and fury clinging to his entire body at the audacity you and Kid held.

In that instance, everything fell into place for Law. Why he was suddenly always seeing Kid's ugly ship show its face everytime Law docked somewhere, why he felt like Kid was chasing him or following him -

It was you.

This whole time... it had been you.

"Boss! Did you see-"

"I saw."

Shachi and Penguin flinched at the venom dripping from Law's mouth, watching with worried expressions as their Captian burned holes into the back of your head.

For the first time in months, since you'd ran off from the Tang, you slowly turned and froze with wide eyes as you took in your ex-captain. You'd recognize that stupid, spotted hat anywhere.

Your gaze stuck with his, almost as if something was trying to pull you together. You could feel the anger, the sadness and the rage that fell off Law like a bitter waterfall, covering the entirety of your senses in a thick sludge.

It'd been the first time in months that you'd seen him.

You hated the way your heart ached to go to him.

"... Oi."

You broke your gaze from Law to stare back up at Kid, a set frown etched into his lipsticked mouth. There was uncertainty in his eyes as he nearly snarled out,

"... You're mine now. He can't have you back."

You flashed your lover a warm, loving grin and clung to him, holding his slightly larger face in your hands as you replied,

"I'm yours. I'm not going anywhere."

Kid's eyes softened slightly before he glared darkly at Law, the other captain suddenly standing a little taller at the challenge. They glared each other down until Kid looked away as you tugged on his opened shirt.

"Come on, let get out of here," you murmured, desperate to get away from this uncomfortable and fucked up situation.

You jumped slightly when Killer placed a warm, heavy hand on your shoulder, the other coming in front of you to give you a small bouquet of pretty weeds. A slight grin came over your face as you looked up at your masked lover and friend, the man giving you one in return that you couldn't see, but you knew was there.

He led you away by taking one of your hands into his, bringing the back of it up to his mask in a faux kiss as a sign of adoration, just as Eustass Kid turned back to Law, a wicked grin on his face as he mouthed something Law can't understand.

He points at Law, gives him the middle finger, then points at the sky before turning away with a loud cackle, following after his best friend and love.

Law then stiffens, knowing exactly what Kid meant.

"You... fucked... up."

Law turns away as Kid's loud voice echos over him, his heart gripped in a tight, metal hand as he hears Kid ask you,

"Apparently, they're throwin' a party here tonight... we gonna dance our asses off or what?!"

His heart breaks as he hears you reply happily,

"Ooh, you gunna take me dancing?! Thank you, baby!"

Law roughly slaps the clipboard into one of the crewmans stomachs, ignoring the over-exaggerated "Oof!" that Shachi gives. Law begins to turn, walking back towards the ship when Shachi suddenly calls out,

" ... How many times did she ask you to take her out?"

Law freezes in his spot, his eyes wide and dark as he stares down at his best friend and crewman.

"... what did you say...?"

"How many times... did she ask you to take her out? Or to bring her something that reminded you of her?"

Law's face contorts into one of raw fury, mouth snapping open to roar at Shachi's insolence when suddenly Ikkaku speaks up,

"All she wanted was you, Captain. And you made it clear that you didn't want her."

Law's head audibly snaps to the side, his dark gaze looming over Ikkaku as she continues,

"Just be happy for her. She's alive and clearly happier with them. Stop acting like the victim."

The anger and bitterness in Law grows as he snaps out,

"She's a traitor. She doesn't deserve to be happy with anyone!"

Ikkaku shouts back,

"Why?! Because she didn't want to keep having her heart broken by the man she loved?! Get OVER yourself!"

Law steps back slightly at her words, his chest heaving as pain and hurt take over the anger.

"I..."

Ikkaku cuts him off with a sharp, raised hand.

"You are not the victim here. Stop acting like your actions don't have consequences just because you're a pirate Captain."

Law falls silent, his face half covered by the wide rim of his hat. He hated that Ikkaku had a point, but he wouldn't tell her that.

"... make sure everyone gets back to the ship."

Shachi and Ikkaku give a tight salute, small frowns on both their faces as they watch their Captain walk back into the Tang.

They share a look with each other before going back to their duties, Shachi's shaded eyes watching you, Kid, and Killer until you were gone from his vision.

[mamawasatesttube]

are there any precrisis comics where lana lang has an actual personality other than "pining after clark forever" (and im not rly interested in rebirth just giving her sharon vance's powers 💀) because for the love of god i am so tired of triangle era lana. man

[bedforddanes75]

smh back related Filth here...

this isnt good enough for me to post on ao3 have it here instead. 18+ and stuff. ok anyway dont tell me if this sucks just leave and dont ever speak again

back fic? george doesnt wanna think and matty likes georges back. no im not projecting what do you mean. warning (technically) Unfinished and bad and idk man just read and again if u dislike (and i find out about it) then DIE im comign to get you. listne to pink floyd and chiiiillll the fuck out IM SO STRESSED i hate posting so much i cant stop speaking im trying to soften the blow (no blowjobs happen) but like i dont know Girl someone get me a gun I REALLY WANT A GUN oh my god OKok ko koko kok ok kok ok ok ok ok juts GO there its'heere

He gets George laid on his front, face pressed right into the pillows and chest fighting to expand under his weight. George keeps making these quiet, almost pathetic noises, whimper-esque, and delicate, and Matty can tell he’s fighting not to grind into the mattress.

“You can make yourself feel good, darling. Go on.”

George responds immediately with the shaky movement of his hips, and a relieved moan, goosebumps rising.

There’s nothing between them now, George already stretched out and far gone, his only thoughts being of Matty and Matty and Matty and Matty. Who is Matty to deny him that pleasure? He’s in awe at how someone can be so beautiful, staring at George’s back like it’s the sun, and it might as well be, because he’s radiating heat like a fire, so desperate to be touched and to feel good that the only outlet is there. George moves his hips slowly at first, and he’s so overwhelmed he thinks he might come just from that, the friction from the sheets more than enough for him.

But he wants Matty.

Matty runs a cold finger down the length of his spine, reverent and appreciative, and George shivers, the motion pulling another quiet noise from him. It’s silent, bar their breathing, and the rustling of sheets, but Matty’s heart is beating so fast that he doesn’t even notice. George isn’t trying to speak, not trying to beg for anything, because he knows if he tries, all that’ll come out is something garbled and stupid, but he doesn’t care, because Matty isn’t making him do any of that today, he just touches and pleases and makes him feel like he’s in heaven.

It isn’t long before Matty’s leaning down over him, letting himself press against George from behind, and whispering things down his neck.

“You want me to make you come? Want me to fuck you, darling?” And George might just cry. He does want it, but he just cannot form the words. Matty doesn’t make him, but when he doesn’t make any move to get off and start properly touching George, George knows that he won’t do anything until he does. He usually forces George to speak when they do it like this, makes him blush and whine and George lets him and loves it, but this time, he’s letting George do things in his own time, pressure all gone, (except in his groin.)

He’s got his hands on George’s waist, now leaning back just to admire him, and George can’t wait any longer. He tries to speak, just the word please, but it doesn’t come out right, and he’s just so desperate that he can’t think to correct himself.

“Just let me look at you a bit, you’re so gorgeous.” Matty doesn’t sound like he’s aware of the fact he exists anymore, so wrapped up in how beautiful George is that time and space no longer accept him as a being, he is simply a conscience left to its own devices, floating around and latching onto this angelic figure beneath where he should be. “Pretty,” he breathes, “So pretty,” again. He’s still drawing lines on George with his nails, like he’s tracing the muscles and all the marks made over the years.

George tries to keep his breathing steady, content with where he is but simultaneously needing more like he needs air, like it’s his only source of life, and he doesn’t know what to do with himself. He doesn’t mind, really, he’s just happy to be touched, because every contact with Matty feels better than anything he’s ever taken, and he can’t imagine feeling any better than this. There’s static in his head, only just about covering the words he needs to make Matty do anything, and he wishes it wasn’t there, but he loves it so, so much.

“Do you want me to fuck you?” Matty whispers eventually, after years and seconds and days and hours and George can’t reply. He wants it more than anything, but he’s so focussed on trying to figure out how to express that, that he can’t do it. A nod is all he can muster up, but he knows that Matty won’t let him just do that, he needs words, proper, full words. Then, there it is, “I need you to tell me, sweet. Words.”

He’s moved further down George’s body by now, and George didn’t even realise it was happening, but he’s pressing kisses to the dimples at the base of George’s spine, so he can’t complain. Not one bit.

Then, he moves drastically lower, kisses the very top of the line between his legs, just where the fat of his [ass] starts to rise, where his thighs turn from muscle to something soft, and he just leaves his face there for a while. He’s got his chin pressed into the middle of George’s thighs, and his hands still all over his back. That makes him speak.

“Please,” he manages, and Matty seems shocked at it.

“‘Please’ what? Need you to use words.”

George can’t, and he almost feels like crying, so desperate it’s making him shake, but he tries again.

All he can do is say, “You,” like a prayer, again, again, and Matty breathes something shaky in return. But he still doesn’t make any effort to move, just strokes the back of one of George’s arms. “Please, Matty.” It feels like they’re the only words he knows, now, really.

“Just need you to tell me what you want. I’ll do it, just tell me.”

Matty was always careful not to push boundaries and to be extra nice when George got like this, he wouldn’t push anyway, but he treats George like an ornament when he’s like this. George loves it. He likes being told he’s beautiful and being allowed to not think and just feel and feel and feel. It’s nice. It’s the best.

“You. Matty. Please.” Maybe they are the only words he knows, and he doesn’t care – they’re the only words that are important.

If Matty couldn’t understand it from that, he doesn’t know what he could’ve, but, that’s a useless thought, because he’s nodding against George, whispering “Okay.”

“Tell me if you want me to do anything else. Anything you want, sweet. Do anything. Squeeze my hand if you want me to stop.”

George nods.

He has to wait a while, Matty making sure he won't hurt George if he goes too fast, slicking himself up, but then Matty pushes into him gently, gripping George’s hand tightly to keep himself under control, and all of a sudden, it’s all worth it. He’s glad Matty doesn’t have a clear view of his face, then, because he’s bright red, sweating, and he just knows he looks an absolute state. But none of that matters at the moment, because Matty is inside him, and still, and he feels so good, so good, so, so, so, so, so good.

If he thought he couldn’t speak before, that was nothing. He can’t even see, completely taken by the feeling of Matty inside him and touching his back and touching his hair and touching him and touching. Matty is the embodiment of pleasure.

“Feels so good, darling,” Matty breathes, and he must’ve leant down, because George can feel his breath on the back of his neck. He blushes at the praise.

He can’t breathe properly with the pillows covering his face, but he doesn’t have the energy to move, and even the littlest of movements make him completely lose coherency, because Matty’s pressed right up against that spot, and he can’t take it.

Matty thrusts after a while, holding George’s hand and making sure he’s okay every few seconds, but when he does, George sees stars. He’s clearly holding back, because he keeps twitching inside George, and George only wishes he could speak more so he could tell Matty to do what he needs, to take as much as he wants, but, alas, he can’t, and he just settles on letting Matty do what he’s doing now.

The feel of Matty inside him is something he‘ll never get used to, it’s all consuming, feels like he’s turning into a star and becoming something otherworldly and living and dying all at the same time. He can’t word how amazing it is, like knowing he’s safe and letting Matty do whatever he needs, because he knows it’ll be good, and he trusts him.

He, eventually, does start to move properly, but only after multiple weak noises from George, desperate and pleading for anything. Matty grabs his hips, suddenly energised and no longer having the patience to be as gentle as he was, and George loves it. He’ll take whatever Matty gives with an open mouth and a chest left wide open, ribs all snapped to get inside, and this is like a knife made of solid pleasure, because there’s that tiny bit of pain, but it’s covered up by the heat that rushes all down his limbs, right down to his fingers, every single time Matty hits that spot inside him, and then everything is all okay.

Soon enough, Matty’s got his nails in the soft, weak skin of the space just below George’s v-line, digging into the flesh and wanting to claw him apart simply because it’s the only possible way to express how intense everything he’s feeling is. George lets the pain bloom and he whimpers into the bed.

“You okay?” Matty asks, and he nods, enthusiastic and truthful and just wanting more.

That’s all he needs, and he seems to lose some amount of his self control, because he starts fucking into George harder, one hand going back to his waist to keep steady, and the other going to his hair. He doesn’t pull just yet, but George wouldn’t complain if he did, taken by the pleasure. Matty’s nails are pressing slightly, and he welcomes the sting.

The sweet, soft, gentle Matty is almost fully gone now, and he’s changed back into something like what he usually is in just a few minutes, and it’s making George sick with want. He’s tightening his grip on George’s hair more and more by the minute, and by now, it’s starting to sting.

George doesn’t think anything’s going to change after that, just thinks Matty’s going to make him come like this, and he has no reason to think anything else. That is, until Matty yanks George’s head towards himself by the hair, and George can’t help the moan he lets out. It’s loud and undignified, but Matty likes it all the same, apparently, because he holds tighter, and keeps his head there for a second. George thinks he might come just from that, the feel of Matty in his hair, tugging.

Heat ripples from his scalp, and it’s not helped by Matty starting to speak. “Fucking back, so beautiful. Perfect. It’s so pretty, fuck.” He keeps speaking until he finally unthreads his fingers from George’s hair, but George can still feel the ghost of his palm. He fixes his grip properly onto his hips and waist instead.

He’s definitely digging his nails into that pale flesh, and it wouldn’t shock George if, when he moves, there’s skin left beneath them. He’s being gentler than normal, which George is grateful for, because he knows that if Matty did anything that was any more intense than pulling his hair, he’d be coming within a minute of him sinking inside.

He can feel heat building in his stomach, and, all of a sudden, he’s overly aware of the sheets rubbing against himself, hard against them, and he whimpers, eyes squeezing. Matty’s starting to stroke his hair, and ramble.

“You feel so fucking good, Jesus Christ. Fuck, George.” He’s digging his thumb into a space near one of the dimples on George’s back now, almost like he wants it to bruise so he’s got proof of it, like the proof isn’t George’s very existence.

George gets closer a lot sooner than he’d like to, but he just can’t help it, because Matty is telling him how good he feels and how well he’s doing over and over again, and there’s so much happening, like the feel of Matty hitting just where he needs every time and the feel of himself against fabric and the image of what he must look like in his head. It’s all too much. Almost.

He doesn’t realise he’s crying until Matty slows down, taps him, asks if he’s okay, and he just nods, nods like it’s keeping him alive, manages to turn his head enough to the side to say “Please, please, Matty, please,” and then his eyes roll back.

He’s so close, whining and whimpering nonsense and trying to form words to warn Matty, failing, but not caring, because he’s blinded by how good it feels, and Matty isn’t letting up, in fact, he’s fucking him harder, pulling George’s hips into his own with every thrust, determined to make him come.

It doesn’t take long before he’s right on the edge, just needing a tiny bit more, and then Matty fists a hand into his hair once more, and he’s gone. The combination of Matty fucking him so good, with the sharp pain on his scalp, is better than anything he could’ve imagined, and he cries out as he comes, over and over, moaning into the pillows and clenching his fists, begging with completely incoherent noises. Matty keeps moving for a bit, and George doesn’t have the mind to protest, nor does he want to, he’d rather lie in the afterglow and be only half aware of how overstimulated he’s becoming.

He doesn’t really notice when Matty comes, and he doesn’t notice virtually anything else for a while after, either, just lets himself be moved around as Matty tries his best to clean him, trying to manoeuvre him into some position easier to clean from, and not doing very well, because…well, the size of George.

sorry ending Shit possibly all shit but whatever i wrote most of it. enjoy life

[heartorbit]

revstar emu save me

[beeduoo]

originnssssss who remembers origins i Loved origins

[volfoss]

it is beyond infuriating how anne rice seems to insist on marius being a positive force in anyone's life ever. like she can't fully commit to exploring the fact he groomed armand and has repeatedly taken away his consent for what marius thinks is best (take the end of TVA as an example) and just kind of flatly puts it in the narrative. there's not really much interest in how these horrific events make marius come across as the worst because EVERYONE loves him. for gods sake, lestat learns from armand exactly what marius did to him in TVL and then proceeds to go find marius and be super friendly to him in the same fucking book. even armand and pandora, two of the people who have MORE than enough right to hate him, do not. it doesnt feel like shes trying to explore the toxicity of the abusive dynamic he traps them in, it just is there. and like yeah ofc the toxic vampire romance series but i think that this should be handled with more care. and it is not ever really framed in a way that she is interested in exploring how marius should easily be one of the most horrific characters in this series because it kind of feels like sa/rape/grooming/other things of that sort are just put there to further plot and not to really get the respect that they deserve in a medium.

[opikiquu]

im going to be so annoying all week