#you see this when moffat takes over

[thenotoriousscuttlecliff]

Moffat hate brain rot has gotten so bad people are now going "Ugh, he included original characters and giving them prominent roles in the plot, what a hack".

That's how much of the show works. There's only every two or three main characters and the setting changes every week so of course you have to add original characters and, yeah, they will likely be heavily involved in the story of that episode, often because they have more personal stakes than the Doctor and companion. And there are some cases where it is essential to create an original character to drive the story like 'Blink' where the main actors were only available for a limited time. This is just really standard stuff for writing TV. I honestly can't count the number of Next Gen episodes where a guest character would get a lot of focus.

[cryptidjeepers]

Guys i feel like im losing my mind everytime someone says that moffat would've wrote the 13th doctor better. Or just genuine shitting on her writing. That man couldnt string 5 series of a show together in a way that was memorable. His plotlines were redundant on top of redundancy and we literally all hated him for years. The 12th doctor had the worst viewing ratings of nuwho and yall wanna pretend that chibnall fucked over doctor who. I think 13 had the weakest episodes but i really enjoyed her overarching plot. I like that he took a risk with the canon and fucked around a bit. I genuinely think some of Those Fans are like stuck in 2013 with their nostalgia glasses on. I genuinely do not get it.

[bloodstained-ballgowns]

i just rewatched ‘the woman who fell to earth’ a couple of days ago for the first time since it aired back in 2018 and the more i think about it, the more i like it.

thirteen is the only doctor for whom i feel a tangible, rose-tinted nostalgia. she wasn’t my first doctor, but she was the first doctor i watched live, the first doctor that i spent an actual extended period of time with over the episode rollout. her intro episode has middling parts (as can be expected with most episodes of Who) but there’s also so much good that i really want to highlight.

first of all, there are some really great character dynamics set up here. much more interesting than i remember, tbh. ryan is a guy who loves mechanics but is stuck in a warehouse job he hates, a guy who obviously wants to connect to people, a guy who by the end of the episode has lost both his mother and grandmother in the space of a couple of years and the step-grandfather he didn’t really want is all he has left (minus his absent father). that’s interesting.

yaz has a keen sense of justice and this raw, intense yearning to help people, to do something worthwhile, something more - the way she has chosen to express that is through law enforcement, but it’s not quite giving her the satisfaction she wants. that’s interesting.

graham’s experience with cancer means that he constantly feels like he’s living on borrowed time. meeting grace gave him purpose, gave him family, gave him the will to fight when he fought it was all but over, but now grace is gone. he and ryan aren’t related, but they’re family, and now they’ve got to figure out how to care for each other without the very lynchpin that brought them together. once again with feeling: interesting!

“i’m just a traveller. sometimes i see things that need fixing. i do what i can.” i like that they circle back to the ‘just some guy’ portrayal of the doctor here, both because it’s the one i’m partial to and because it feeds particularly well into the whole ‘the doctor is an unreliable narrator’ aspect, especially in the wake of the increased deification in the moffat era. it's a nice set up, even if it gets completely overhauled circa series 12/13. in fact, having thirteen keep this as a persistent attitude throughout the Timeless Child of it all could have been really effective re: her reticence with her companions and refusal to address or deal with her past.

the scene where thirteen builds her sonic screwdriver might be one of my favourite sequences in nuwho. i love that it’s a hybrid of alien tech and sheffield steel. i also love that they highlight the ‘mad inventor’ side of the doctor here (her teleportation circuit is based around a microwave?) and wish that they had carried it forward more. it would have been the perfect basis for her to bond with ryan over. jodie also pulls off the humour of the episode well, considering the significant shift from moffat dialogue.

i enjoy thirteen's outfit: the vibrancy of it as mirroring her childish excitability, but also as another part of the mask - if i dress all colourful then maybe i can ignore/outrun/masquerade my great capacity for darkness! etc etc. the shopping trip with yaz and ryan is a bit shoe-horned in at the end but it's cute that she finds it in a charity shop. (back in 2018 i bought a t-shirt with a couple of stripes across the chest solely because it remotely resembled the one she wore lol. nerd from a young age, me.) jodie also looks soo hot in capaldi's outfit though so a spin on the traditional suit would also have been appreciated.

some miscellaneous points: i like that she tells Karl off (“you had no right to do that”) right after saving him. i like that she gets it wrong at first and makes it clear that she’s working on the fly. she’s following her instinct, and that instinct is to help people. doctor who has been beautiful before but the cinematography takes such a huge step this era. “it’s been a long time since i bought women’s clothes” i am choosing to believe this is about river thank you and good night.

[roxannepolice]

I have a hot thoschei take: I don’t think most of doctor who tumblr is ready to confront the idea that Missy allowing the Doctor to “fix” her was almost more a form of self-harm for her than anything else. Which makes the confrontation between her and the Master even more upsetting to me than if it was a simple ‘Missy good, old Master bad and sabotages her goodness.’

It’s more like looking on your future self and seeing her restrain herself further and further in ways you’d rather die than do, in ways that are slowly erasing what makes you/her yourself/herself. and when you realize that she will happily push you into this fate, too, (and has the audacity to preach about it), how else can you react but cut her loose.

And it also makes Missy and Twelve more interesting to me, because you can’t really argue the Doctor doesn’t know that he’s contributing to this. He locked her in a box. He knows her far too well to really believe she’d want to live so long in confinement, but he does it anyway. I don’t even think it’s that divorced from love or a need for them to come to an understanding; the Doctor just wants it to be completely on his terms and for the first time ever, that control is entirely possible and he doesn’t even have to feel guilty about it because she’s letting him.

Anon, I'm kissing your brain. And wish I could transplant it into Moffat's head.

I suppose my own brain is a bit too of a "they are characters in a text, serving a purpose to the point made by the author, not self-aware people making choices" bitch to really view it this way. But I absolutely agree this whole situation was much more effed up than fandom gives it credit for. I mean, the basic message of the vault arc is "here's the fool-proof way to develop empathy: a human lifetime of solitary confinment! Let's just ditch all those resocialisation programs in prisons and put all violent criminals in solitary boxes with only psychologists visting them! :DDDD".

Yeah, ok, that last point was a bit over the top in social engineering area even as far as fan bashing is concerned. And, tbh, I think a positive side of the vault arc is the not-sure-if-intended idea that it in fact wasn't decades of solitary confinment with Twelve coming to banter through a locked door only actual interaction with Bill that had Missy introspect, but wtv, it all just needed to go tragic in the end. I think the really unawarely messed up part here is this underlying insistence on. well, basically writing the Master as Darth Vader. There's still good in you, I can feel it!, as in just go back to being a child that I will be idealising in the penultimate episode, which frankly sounds to me the extact same as GO2 Aziraphale asking Crowley to just go back to being angels only even nicer :) (sth sth angelhood as a metaphor of pre-selfaware childhood when you can't even tell yourself apart from other people and especially God-the-Parent). Basically, the big idea being the Master's villainy isn't a result of conscious choices of a hundreds year old eldritch horror only not hearing the music whatever that means.

Of course, it was backwards engineered, in a "ah, but what if there really, really, reeeaaaallly wasn't any other way for the Master to survive than as the Doctor's prisoner?" way, which could work considering how survival focussed the character is (like, surely that wouldn't be worse than becoming a cat? or a 90s effects goo snake? or a man eating emo electroskeleton? or a tooth?)... but then we have a "yeah, but there's like an evil past that does value their independence (and evilhood) over survival, ain't that tragic?" ending.

Basically, I think the problem is not so much Missy accepting being the Doctor's prisoner, as not trying to escape even freaking once? Like, if we started off with her being dishonest about the whole teach me to be good :((( and then easing into living like this, this might have been an interesting idea? But yeah, as we are, you're right, it just. Comes off as trying to amputate a limb that got caught in a mousetrap rather than snares...

[nipuni]

Doctor Who status report! Writing these I'm realizing I only ever feel compelled to share my opinions on media when they are positive lmao makes for rather boring commentary probably!! but I only care to share the things I love, I would be a lousy critic 😆

We are half way through S7 and I can say now that S6 was a big improvement from S5 for us! It was really fun! we have been rating every episode and keeping season average scores and S5 was the lowest we ranked so far out of all but it was still enjoyable honestly! Someone in the comments in one of my reports mentioned that each doctor's first season is usually their worst one and I'm also noticing this! I think Ten's first season was his lowest ranked out of his three for us too even though all his run was super high. Matt seems more comfortable in his doctor's portrayal by now and he is also more goofy which I personally always love 🥰

S6's arc had us terrified and puzzled the whole time it was very engaging!! and some of the episodes were devastating like "The girl who waited" and just everything about River Song always, The Silence creatures are so unnerving and cool and it had a ton of really classic episodes with great concepts. We were kind of disappointed with "the doctor's wife" episode though I'm a bit mad about it because I feel it had some great ideas but the way some elements were handled ruined it for us (mainly the Tardis's whole characterization and the Doctor's reactions to the situation felt so flat and out of character it was weird) so much wasted potential! but overall it was a great season!

Then S7 so far we watched up to "The bells of saint john" and our favourite has been "The angels take Manhattan" we love the concept of the Weeping angels and this one was terrifying and back to their original lore! and the ending was so unexpected! We also met Clara and I love her too honestly I'm terrible at rating companions because I love them all I think they all bring something new and special to the story I end up loving everyone 😭 We have seven episodes left with Eleven ahhhh time to suffer another regeneration soon!!

About the writing I think as we watched we grew more used to the differences and they became less jarring, though when I think back to the RTD era I feel I loved it because of the writing while now I sometimes I feel that I love it despite the writing, if that makes any sense? I still do love it but it feels like wrestling with Moffat a bit! lmao. He gets a bit repetitive and too on the nose and ..weird about women and overly grandiose at times still but now we know to expect it 🤣

Also another unrelated observation but we feel that Eleven seems younger than Ten in many ways. I know their personalities are supposed to change and they are not necessarily linear but it's something curious we both noticed! And Eleven is such a clingy soft little man!! baby!! very cute!! I love him I'm excited to see how the change to Twelve is going to feel!! I have no idea what to expect from Twelve I'm so curious!!

We are consuming this series so fast and we don't want it to end!! 😭 I have such a gigantic backlog of art I want to make about it by now, I keep thinking of ideas as I go and I don't have the time to draw them yet because of work!! AAAAA the moment I meet the last of my current deadlines it's over for you all!!

Anyway that was very long I'll go make dinner and watch some more 🥰 I hope you all have a good night and a great start of the week!

[terastalungrad]

The biggest thing Doctor Who fandom gets wrong is the assumption that Doctor Who works the same as Star Trek, or Star Wars, or Marvel comics.

You see this when people ask whether something's "canon", or when they refer to the Doctor Who "extended universe".

But the show's too old and too strange to work in this way.

By now, Doctor Who's spinoff media are more similar to other big franchises. But until the show's 2005 return, the spinoffs carried greater weight in a lot of ways.

From the late 70s, the writers and artists working on Doctor Who comics were more prestigious in their fields than the writers and directors working on the TV show. Even before this year's adaptation, The Star Beast was already a stronger influence on the Russell T Davies version of the show than anything shown on TV the same year.

Before the mid-80s, Doctor Who wasn't available on VHS. And since the UK didn't syndicate the show like the US did for Star Trek, most of the show was unavailable in the present day.

For most people, then, the definitive versions of Doctor Who stories were novelisations. The books are a stronger influence on the Moffat era than the TV serials were.

When the show ended in 1989, the books continued - now telling original stories (known as the New Adventures). Writers from the show moved into this medium. Unrestrained by the limitations of the TV show, these novels became hugely influential.

This can be counterintuitive for a Star Wars fan, where the films take precedence over novels, or for a superehero comics fan, used to a strictly-defined canon that determines what "counts".

[timeagainreviews]

Doctor Who isn't Dead Yet

Last month “Furiosa: A Mad Max Saga,” made headlines for having the lowest box office numbers on Memorial Day weekend. This is in spite of also being number one at the box office, just beating out “The Garfield Movie.” The movie was a certified flop, which is a shame because it’s stupendous (seriously, watch it sometime if you haven’t.)  I saw it a week after its release and already it had been relegated to the smallest theatre in the complex with only two screenings on a Friday. This small theatre had maybe eight people in attendance. To look at it, you would have to agree with those who say cinema is dying. It’s ironic then that Sutekh’s gift of death is what appears to have breathed a lot of life into my local cinema over the weekend.

To celebrate the Doctor Who season one finale, the BBC opted to show it in theatres across the UK. The screening began at eleven o’clock with “The Legend of Ruby Sunday,” and followed into midnight with “Empire of Death.” As we arrived, I saw many happy Whovians in cosplay buzzing with excited energy. The lobby was full of people in Tom Baker scarves and blue TARDIS t-shirts chattering away about their fan theories while they loaded up on snacks. The person dressed like the Fourteenth Doctor sitting in front of me was bouncing in their seat so much that I kept getting glimpses of David Tennant hair in my periphery. Needless to say, people were very excited. I don’t know if it was the fact that it was nearly 1 AM, but I did not see that same energy on the way out. So what happened?

It’s no secret that the overall fan reaction to RTD’s finale episode is one of being very underwhelmed. I even used that exact word to my friends on the way out of the theatre. I chose that word carefully. I didn’t want to imply that I hated it, because I didn’t. But after an entire season of build-up, I expected certain conditions to have been met. I’ve mentioned in the past that one of the benefits of this new midnight release schedule is that I often watch the episodes more than once. I find this helpful because the second viewing always allows me the opportunity to view the story divorced from my own expectations. But I have to ask- were my expectations so unfounded to begin with? Where did they come from if not the show itself?

Recently in an interview, Russell T Davies stated that he has been writing Doctor Who in such a way that it would generate a buzz on the internet. If people were talking about it, then maybe people would start watching it. While I am sure this method can increase engagement, it also has its shortcomings. Trickling information is all well in good, but when is it not enough? There is a point where teasing becomes more tedious than tantalising. Just look at Steven Moffat and Trenzalore- a concept that got so dragged out that by the time we finally got there, it was hard to care. Another downside is that it also raises people’s expectations to such a degree that it can be hard to meet said expectations.

Had this episode been written by Steven Moffat, we wouldn’t have picked up right back where we had left off. We’d have probably begun the episode on Agua Santina with the Doctor receiving the spoon from the kind woman. But this is more of a classic Doctor Who-style episode where the cliffhanger continues along. Last week I had guessed that Sutekh was a sort of trinity of Susan Triad, his jackal aspect, and Ruby Sunday. But as we learn in this story, not only is Ruby not related to Sutekh, but Susan Triad is no more Sutekh than Harriet Argbinger. That is not to say that she is any less dangerous in this moment. She holds out her hand to spread the dust of death which quickly begins to envelop London, then the world, and eventually, the universe, or at least the places where the Doctor has visited.

I rather liked the getaway scene with the Doctor and Mel. It was great to see Mel taking control of the situation. The Doctor almost feels like the companion following her away from danger. Her “Come on, cowboy!” line was so good. Once again, I really like what they’re doing with Mel in this season. The fact that she could have been this person in classic Doctor Who really annoys me that she wasn’t. While I grew to appreciate classic Mel in her own right, I’ll take modern-day UNIT Mel over screaming Mel any day. Bonnie Langford is coming here to Glasgow Film and Comic Con in August and I fully expect her line to be longer than when I saw her in 2015. She has been a highlight of this season and I fully did not expect to love her return as much as I have.

As the dust spreads through London, UNIT is still reacting to the presence of Sutekh wrapped around the TARDIS. Last week my friend said to me about Morris’ segway “How much do you want to bet that thing shoots lasers?” And sure enough, it shoots something. The UNIT team unload holy hell on Sutekh and Harriet, but nothing lands. Before getting in a little reference to her father, Kate Lethbridge-Stewart and her team are reduced to dust. Even the Vlinx’s head pops off, so not even robots are safe. Once again, the RTD2 era has borrowed from the Marvel Cinematic Universe. As Sutekh’s dust of death spread across the globe causing people to disintegrate, I leaned over to my wife and said “Mister Stark, I don’t feel so good,” in reference to the Thanos snap. Whatever. Marvel doesn’t own disintegration.

We see Mrs Flood and Cherry get swept up in the dust. Before she dies, Mrs Flood delivers some cryptic words that lead me to think she’s more than just a Time Lord but something far more powerful. However, she’s not so powerful as to avoid Sutekh’s gift. It’s hard to say just what is happening there, so I am not even going to attempt it. The Doctor and Mel find their way through the dust back to UNIT HQ where Ruby is still standing in the time window. Last week I mentioned that the memory of a TARDIS could become the Memory TARDIS from “Tales of the TARDIS,” and boy was I right. I love being right, especially after being wrong all season. I still want someone to be the Rani. At this point, they’re just messing with me.

Before we move along, I do want to call out an aspect of the dust scene that bothers me, and that’s Carla. Last week we saw Ruby tell Carla that she needed to either help or get out of the way. Historically, this would be where someone like Jackie Tyler would find some way to be helpful. I half expected a moment where it feels like all is lost until Carla comes out of nowhere like Ric Flair with a steel chair, saving our heroes from certain doom. It could have even been a self-sacrifice moment where she is still turned to dust. It would have been tragic and fuelled the Doctor and Ruby’s resolve. Instead, we see her in a cab on her way home after having witnessed her daughter's memories invoke the devil. What was even the point of her saying “Well, if your mother's part of it then, Ruby, you can tell her your mother is too,” if they do nothing with it? It felt so out of character for her to up and leave Ruby behind like that, and I feel like that lies solely at Davies’ feet.

It’s funny to me that in the lead-up to “Empire of Death,” people were saying “I hope they explain how Sutekh escaped the time vortex.” Mostly because it hardly matters, but also because they rarely explain how the Master or Davros escape death time and time again. Why is Sutekh any different? What is funny is that Sutekh escapes dying of old age in the time vortex by hitching a ride through the time vortex for thousands of years. Instead of dying, this just makes him stronger. He goes from an Osiran to a full-blown Titan. Sutekh reveals to the Doctor that Susan Triad was an aspect of the Doctor’s granddaughter who he had learned about while integrating himself with the TARDIS. He peppers these aspects of Susan throughout the universe wherever the Doctor lands. However, other than sharing a name, I don’t understand what Susan Triad has to do with Susan Foreman. They’re both brilliant and kind, but is this implying that Susan Triad is what the Doctor’s granddaughter might regenerate into? It’s a bit confusing.

After using Ruby’s memory to fully materialise the Memory TARDIS, the Doctor and his two companions escape Sutekh’s grasp, but even the Doctor senses that maybe Sutekh is keeping them alive. The visual of Sutekh sitting atop the TARDIS in his silent empire of death is an arresting one. I appreciated the sound design allowing the audience to really feel that silence. No music. No people. Nothing. Though on a scientific level, it does strike me as a bit odd that the entire universe is now dead. The Doctor may have had thousands of adventures across time and space, but I have to imagine there are countless planets out there which remained untouched by Sutekh’s dust. But I’m willing to suspend disbelief in this instance. 

After tying the Memory TARDIS together with intelligent rope, the Doctor, Ruby, and Mel, drift aimlessly in the Memory TARDIS. It’s uncertain how long they travel this way, but they manage to fit a costume change for the Doctor and an entire episode of “Tales of the TARDIS,” in there. Carrying a television screen still linked with the time window, we learn that the time window is still obeying Ruby’s commands as it had last week. Originally I had suspected this was because she was some sort of aspect of Sutekh, but as we have now learned, it’s simply Sutekh aiding Ruby’s search for her mother. After using the screen to explain to Ruby who and what Sutekh is, the screen also begins to show the Doctor and Ruby a way forward in the form of Roger ap Gwilliam. Meanwhile, Mel is being tracked by Sutekh through the dead cells in her body.

The scene on Agua Santina with the Doctor and the Kind Woman played by Sian Clifford was one of the strongest moments in the episode for me. We had watched the death wave spread across the earth, but this was a way to see how it affected people on an individual basis. Because the death wave happened at multiple points in time, we were able to see how it manifests from multiple angles. Having established the analogous relationship between time and memory, we can see how memory may begin to fade before life. People may still exist, but they won’t remember the name of their birth city because the person who would have named it died before they were able. But even more chilling is how the death wave doesn’t just travel up through bloodlines, but backwards as well. There’s an undeniable cruelty to making a woman have to experience losing her child before experiencing the same fate. It’s evil for evil’s sake and proof that Sutekh isn’t just an arbiter of death, but a demon as well.

The Kind Woman gifts the Doctor a spoon which he promises her he will use to save the universe. Fans of the Twelfth Doctor will have gotten excited by this promise as we’ve seen what the Doctor can do with a spoon. Instead, the Doctor uses it for metal, and possibly not even for metal, but for the memories within the metal. I found this all very weird as they literally showed Mel holding the Thirteenth Doctor’s sonic screwdriver which is not only made of metal, but several spoons. Was there really nothing on the Memory TARDIS with enough memory to jam into that TV screen? It’s a weird series of events punctuated by yet another weird occurrence when the Memory TARDIS gifts the Doctor with a whistle like we’re supposed to know why it’s significant. Nothing in the history of Doctor Who has been controlled by a whistle other than K9. Yet the Doctor puts it around his neck like it makes total sense and isn’t just some non-sequitur moment.

I said last week that I was waiting for “Empire of Death,” before I could fully know how I felt about “The Legend of Ruby Sunday.” Sometimes, a follow-up episode can enrich the experience of a previous story, while other times it can sully it a bit. You can imagine then my surprise when the episode that was sullied wasn’t “The Legend of Ruby Sunday,” but rather “73 Yards,” instead. My takeaway from “73 Yards,” was that the Doctor stepped on the fairy ring, releasing Mad Jack and setting the events of the story into motion. Ruby would then use the semper distans woman to scare away Roger ap Gwilliam and then again to save the Doctor. The Doctor doesn’t stand on the fairy circle, and Mad Jack never escapes. So if Roger ap Gwilliam still exists in the future, what was the point of any of of “73 Yards”? This doesn’t feel “wibbly wobbly, timey wimey,” as much as it feels “wibbly wobbly, shitty witty.” It just feels messy.

The Doctor tells Ruby and Mel that in 2046, DNA cataloguing became compulsory to anyone living in the UK. It feels on brand with Roger ap Gwilliam’s xenophobic platform, so no problems there. Meanwhile, Mel is being used like a spy, but the Doctor has been wary of her since she started appearing exhausted on the Memory TARDIS. The Doctor takes a blood sample from Ruby but just as they get a match on the DNA database, Evil Mel takes the wheel and transports them back to UNIT HQ leaving the Memory TARDIS behind. Finally, Sutekh has the information he needs to learn the name of Ruby’s mother. He will now learn how this unknown person has been able to thwart his gift of death and avoid detection.

What happens next is probably the weakest part of the entire episode. The Doctor and Ruby manage to fool Sutekh into thinking they are about to tell him Ruby’s mother’s identity, but it’s only so Ruby can get close enough to slap some intelligent rope around his collar. Why this feels weak to me is that it means somehow the Doctor and Ruby managed to squirrel away intelligent rope before exiting the Memory TARDIS. This means they would have had to do this without Mel noticing. And while I get that it’s intelligent rope, they basically pull it out of their asses because it’s nowhere to be seen. The fact that intelligent rope is a McGuffin that’s a callback to a pair of gloves many of us will have forgotten since the Christmas episode makes this moment all the weaker. The Doctor then uses his whistle in yet another McGuffin moment that allows him to control the TARDIS and shoot Harriet out the door. With the TARDIS finally back in the Doctor’s control, it’s time to take doggo for walkies!

The Doctor drags Sutekh through the Time Vortex bringing death to death, which causes life. Miraculously, if not luckily, people who we had watched die to the dust are now alive again. Colonel Chidozie is back. The Vlinx’s head is reattached somehow. And Cherry whose final memory of Mrs Flood was of her being cryptic and creepy is so happy to be alive again that she’s hugging the creepy old freak regardless. Cool. Not weird at all. Just people acting like real people. I don’t understand Cherry. She thinks the Doctor is trouble, but Mrs Flood is totally normal. What is it with these last two episodes and getting both Carla and Cherry’s characters so wrong? What gives, Russell?

The Doctor then does the right thing and cuts the intelligent rope, causing Sutekh to burn away in the Time Vortex. I guess this time it’s deadly because he’s not integrated with the TARDIS. That’s my best bet. I’m also willing to bet that the reason it snowed around Ruby and played Christmas music in her presence was due to Sutekh’s influence. He wanted to know the answer so badly that the memory manifested around her any time she got close to it. This is just speculation on my behalf, but it makes enough sense.

Speaking of Ruby’s birth mother (and not her real mother as they kept calling her) UNIT is able to find out who Ruby’s mother is, and she’s just some lady. I know some people were mad about this and I guess I can see why. There was so much emphasis on who her mother was that for it to be nobody special must have been a disappointment. Personally, I thought it was the least interesting mystery of the entire season. I get that she wanted to know who her birth mother was, but I was never emotionally invested in the storyline. The only thing that made it sort of interesting was the idea that there was a reason it was a big deal. You can’t feign surprise when audiences expect something to be big when it’s you who told us to feel that way. 

What I find strangest about Ruby’s mother is the way she points at the sign that says Ruby Road. First of all, why the hell was she standing like that? As body language goes, she looks less like she’s naming her child, and more like she’s marking the Doctor for death. Furthermore, why is she dressed like she’s about to hitch a ride on Shai-Hulud? But even weirder is how Ruby even ended up with the name Ruby. Ruby says “I always thought I was called Ruby because the social workers chose it or the paramedics or whatever. But, no, it was her.” But literally the only person who would have seen her pointing was the Doctor, and he left immediately after. So it really was the social workers who chose it or the paramedics or whatever. It feels less like she was pointing to name Ruby, and more like she was pointing to get the internet rumour mill buzzing. It worked, but at what cost?

Ruby finally meets her birth mother in a coffee shop. She’s a nice woman named Louise Miller who looks a lot like Lucie Miller, but I’ve learned my lesson this season with getting my hopes up. While Ruby and Louise embrace for the first time, the Doctor looks on remembering the granddaughter he left behind. Divorced from the hype, I’m fine with Ruby’s mum being nobody special. While I wasn’t a huge fan of Rian Johnson’s “The Last Jedi,” one aspect I really enjoyed was that Rey’s parents were just a couple of nobodies. It reinforced the idea that a Jedi can come from anywhere. Ruby doesn’t have to be anyone special for us to care about her. Unfortunately, so much of her story was tied up in this because ultimately, it did hurt her character development. I’d like to think that this is all part of the growing pains in finding a new equilibrium of fan excitement and good storytelling.

The Doctor knows he and Ruby must part ways. She has a whole new chapter of her life to explore and he would only get in the way. I mentioned after “Rogue” that Ruby was reminding the Doctor to embrace his human side, and here it is all over again. She has reminded him of the importance of family. He lets Ruby go because he can see that her need for a place to belong is greater than his need to have a travelling companion. Even if Ruby can’t see it right away, the Doctor is right. Their time together has come to an end. While Ruby has left the TARDIS, you do get the impression that we’ll see her again. There have been rumours that Millie Gibson has filmed some of season two, so don’t be surprised if we do see more of Ruby Sunday.

On a second viewing, I liked this episode a lot more than the first time. Like I said, divorced from my own expectations, I could see the episode for what it is. But the audience’s underwhelmed reaction is partly the fault of Davies’ machinations to get the internet talking about Doctor Who. He spends an entire season talking about the Doctor’s granddaughter Susan, but the only time we see Carole Ann Ford is in a flashback of her face with zero dialogue. We’re led to believe Mrs Flood is going to be something, but every time we feel like she is about to reveal some more information, she gives us more of the same tired bullshit she’s been doing since the first time we saw her. It begins to feel like television done in the same model as live service games. Keep subscribing. Stick around for additional content. Things trickle out over a gruelling pace. They gave us answers, but it feels like they could have given us more. Who was the Boss the Meep referred to? Is it the same Boss as the one giving Rogue so much paperwork? Will Susan actually appear at some point? Who is Mrs Flood and why is she always dressing like the Doctor’s companions? Instead, we learned who Ruby’s birth mother was, which, as I said, was the least interesting mystery of them all.

I do hope that these are just Davies and Co. finding their footing. The previous first season with Christopher Eccleston had a lot of experimentation as well. I somewhat wish that they had waited to see fan reactions before filming so much of season two. It might have done them some good to see people’s reactions to some of their big changes. I’m as rainy day a fan as rainy day fans get and even I felt they missed the mark on occasion. I think in trying to court a younger audience they lost a little of the essence of what made the show so appealing in the first place. Good writing and unique situations are the bedrock of Doctor Who. It doesn’t need to be Star Wars or Marvel. The fact that Doctor Who isn’t those things is why I love it so much. I can’t be alone in that.

The Christmas special is next. Followed by season two. After that, who knows? While Doctor Who has been number five in streaming drama, it hasn’t quite done the numbers Disney and Davies were hoping for. The show haemorrhaged viewers during the Chibnall era and even more when culture war pissants cried foul over trans actors and Davros redesigns. But it’s also just a symptom of the times we live in. Television is changing. People prefer short-form videos in portrait mode. The glut of streaming services is pushing away consumers while AI threatens to replace writers and artists alike. I’m reminded of Alan Moore when he said “I believe that our culture is turning to steam.” It’s important now more than ever that we continue consuming art made by real people. Regardless of whether you felt underwhelmed with the finale, keep watching Doctor Who. Show it to your friends. Host watch parties. Go see it when they play it in the theatres. Rewatch it when you’re feeling blue. Keep making fan art. Keep writing fanfic. Keep voicing your reactions, good and bad. Get over petty fandom squabbles. Because there may come a day soon when there is no new Doctor Who to get upset over.

[fan-kingdoms]

god i wish we had gotten more of twelve with river song. he just meshes so well with her and since their time streams are finally (almost) synced up you don’t feel the imbalance of maturity/knowledge that you get in a lot of eleven’s time with her, and less general timeline “where are they right now what the fuck is happening” fuckery to sort through. just a husband and wife who have lived so much together and know it’s coming to an end very soon so they have to relish it (even if river doesn’t have the knowledge of her own death the way the doctor does, she knows it’s almost over because her diary is running out of pages). and i love watching this older, less theatrical, more rough-around-the-edges doctor with her because it develops their dynamic and the passage of time for the doctor so well. he's not eleven, trying to hide the pain and damage anymore. he doesn't spin off lies and deflections. he wears the hurt and is comfortable in it, and river is there to bring the joy and wonder out. they just have a more mature, beautiful relationship to me.

more thoughts and elaboration under the cut bc i care for your dash <3

twelve and river were such a delight to watch because (this is getting into hot take territory here sorry) once capaldi took over from matt smith, the show basically gave up on the whole “the doctor is very attractive and all the women want him” narrative that it pushed for eleven. of course it was there with ten but i think it got Egregious with eleven. moffat really wanted us to believe matt smith was the hottest man in the universe (and he’s not unattractive! i admit i thought he was attractive when i first watched doctor who years and years ago! the writing was just over the top with it!) twelve is not some young whimsical prettyboy anymore— he’s abrasive, blunt, and old. the show doesn’t treat him like he’s supposed to be attractive, which makes him and river’s relationship feel so real.

first off i want to point out that river is still very much attracted to the doctor in his new body which was so exciting for me because how often to we get to see romance and desire and (sexually) intimate relationships in people past the age of 35??? hardly ever! how often do we see a beautiful woman expressing desire for a man that’s not young or conventionally handsome NOT because she has ulterior motives or we’re supposed to believe he’s actually the sexiest man alive but because she simply loves him? how often do we see relationships where no matter how much change they go through, even when one of them has turned into an entirely different person (figuratively or literally), the love stays steady and unchanged? especially when these changes involve aging? there isn’t nearly enough. and seeing it is kind of healing for me, just a reminder that you can have love and intimacy and passion even when you’re not “young and beautiful” anymore

twelve and river’s relationship is just charged with so much shared experience and trust and i wish we had gotten to see more of it. in conclusion i want a special that recaps the 24 years on darillium thank you and goodbye

[oceanwithinsblog]

every day that passes we're getting closer and closer to the final episodes of doctor who s14 (or s1, whatever) (i'm also in denial WTH does it mean that this season is almost over ????)

so before i forget (and before the last two episodes drop) i NEED to vent a bit about this season. the following are just my personal opinions (which might change after watching the season finale), please bear with me ^^

first of all - i am so glad doctor who is back !!! i must admit that my doctor who drought lasted for around 5 months as i got introduced to the show back in late summer 2023 and did a speed run of all nuwho seasons between september and november 2023. i got super excited for the december specials !! and i was even more surprised and thrilled when i found out a new season of dw was premiering in may 2024 !! i know i've been lucky to wait for so little to get immersed in a new dw season but i truly, truly missed it and i enjoyed every episode of s14 <3 now i'm sad to think that this is about to end, but it felt so good to finally see the doctor back in action and to get through each week thinking that one of my favorite characters/storylines/universes was gonna be there for me on the weekend <3 i love dw so much <3

#2 idk about you but i fell so easily for ncuti as the doctor and millie as ruby/the companion TT they're both so good, i really appreciated their acting this season and i would also say that it's probably one the (few) things that positively shocked me this time around. i guess it was a bit unfair for me to think that ruby wasn't my cup of tea after watching just 'the church on ruby road' ep because she totally surprised me this season. she's so great! millie's acting is on point, so captivating and funny to watch throughout the show. i can't wait to find out more about her character fr! well, what's to say about ncuti as the doctor .. ohmy oh my .. i don't think i've ever seen a doctor so confident, so flirtatious, so proud in themselves .. ncuti's doctor exudes charisma and i'm so here for it. that's absolutely not to say that the doctor's worries, traums etc. magically disappear (they're still very present and influence their every move), but what i loved the most about his acting is that he goes all the way into it. fifteen may become one of my favorite doctors ngl (say hi to eleven and ten) and i am so looking forward to where they're gonna take us next <3

#3 as for writing, i feel that something's missing ... don't get me wrong, i love rtd's cool nice funny episodes and seeing the doctor face a range of diverse situations (even the most unthinkable ones, e.g. space babies) is just priceless.. but there's some kind of void in it, too. now that i think about it, maybe it's not the writing itself but the length of the season - having less than 10 episodes doesn't really give us much time and space to properly explore the dynamics between characters, strengthen their relationships and make them grow both individually and as a whole. besides, i admit that i'm a bit biased, but i loved (most of) moffat's writing for the seasons he was a showrunner of and i personally would love to see ncuti bringing to life more stories written by moffat (yes..i know he wrote 'boom' for s14). basically, i miss 'old' nuwho seasons of 18+ episodes where we could get even more affectionate to the characters and the adventures that defined their journey through the multiverse T___T

before i move on to my last point, may i also add (storyline-wise) that i wished the episodes were more interconnected with each other? not necessarily with the narration, even just with easter eggs ^^" idk maybe moffat got me used to have high expectations lol (i'm still eager to find out who the lady appearing in all episodes is !!!! may this dw finale give us all the answers we need)

#4 i would have never thought i would write this (mainly because i would have never thought there could come a time when these gadget weren't going to be used as much) BUT I DEARLY MISS THE TARDIS AND THE SCREWDRIVER WHAT HAPPENED TO THEM ?!?!?! i loved previous doctors goofing around with their sonic screwdrivers and running in the tardis allowing us (the audience) to find out more and more about the endless number of rooms in it ... why does it seem like fourteen doesn't love their tools ?? why don't they show them more throughout the season ?? this is like classic items that can't miss in the episodes so WERE IS THAT SILLY GOOFY STUFF ?? also, as much as i enjoy fourteen and ruby going on adventures in different time periods etc. why aren't they EVER showed inside the TARDIS travelling and waiting to get to their destination ?? i'm just very nostalgic (i took this very personally, i'm sorry i'm just angry at rtd)

well - i guess that's it! if you've read this far, thank you for reading me <3 let me know what you think about it and what you're expecting for the next couple episodes of s14 <3

ps. i'm very hopeful that rogue will be a recurring character <3

pps. ncuti gave the queers the most fruity doctor ever (no shade to all previous doctors, you've served and delivered and we love u immensiely) <33

[casasupernovas]

There is this one lady on Doctor Who Reddit who lectures everyone who likes Moffat Who (she’s a self proclaimed feminist with an English degree who regularly tells anyone fond of Eleven and Twelve that they’re media illiterate misogynists who only like shiny images and not good writing) who recently said that the ‘this is me getting out’ scene is Martha behaving poorly because she feels entitled in a incel-esque manner to the Doctor reciprocating her feelings even though he set clear boundaries and was clearly grieving. Post got about 400 upvotes.

Except the fact that he didn’t set those boundaries is the entire bloody point! He *likes* that she’s into him! He uses the fact she’s emotionally dependent on him to make her endure some terrible things to help him! I don’t see how anyone can miss this, it is not a subtle arc. Ten is even kind enough to sum it up to Donna when he tells how how he ruined Martha’s life. We’re not meant to think it was all stupid Martha’s stupid fault for being stupidly annoyed that this boy on the playground didn’t like her back.

Martha can't win either way. Her leaving him is selfish. She was supposed to make him happy at her expense. Martha being an incel is not an uncommon perspective I have heard and it continues to be an incredibly embarassing take that let's us know that whoever thinks it has the IQ of a gnat. But what can I expect of someone who critiques Moffat's era so harshly. The RTD era was also incredibly misognystic at times but Moffat has a lot of nuance and depth in his writing that these people love to gloss over. These people only think this of her because she's black also, let's call it what it is. The pushy sexually aggressive black woman who doesn't understand consent either is also a trope across media. I personally tend not to go on Doctor Who reddit because so many of the 'hot takes' are just like that. But again, it let's me know that the Doctor/Martha dynamic makes a lot of people uncomfortable because it makes you look at it from her perspective. When we are in Martha's shoes...it's not a lot of fun. And rather than really face the truth of it, they lash out and blame her. It MUST be her fault. Because if it's not....it forces you to critically examine the Doctor. But he's the hero. It forces you to acknowledge some flaws. And some flaws are more acceptable than others.

But as we can see...not everyone has the range to do this.

[oblivionbladetd]

Lily and the Wonderful World of False Equivalency!

I've been stewing on this a while, and when focusing specifically on her self-appointed career, it's probably one of the worst things she does. (Because peeping at the larger whole has us gazing down the barrel of sexual abuse, grooming, and several other vile things Lily has perpetuated over the years.) But before this, context.

HBomberguy has two videos, one about Fallout 3, the other about Sherlock, both about how they are garbage. Now, this might come as a shock to some that he doesn't bring up other properties in his take downs. In the Fallout 3 video, he doesn't talk about anything other than Fallouts 1-3. In Sherlock, he does branch out, but only into Moffat's other projects and the original Sherlock Holmes story's. Both videos are very tightly focused and worth the watch for it.

Now, those who have had the major lapse in judgment that I had in 2016 watch the infamous Steven Universe video and probably remember that nearly 30 minute long diatribe about Kotor... The comparison doesn't really work on many levels, but the big one the little problems all lead to is that Star Wars: Knights of the Old Republic is a rated T role-playing game that will have infinitely less restrictions compared a primarily children focused show on a major television network. Leave light sith, dark jedi, gems being tools, and anything about the diamonds at the damn door. despite passing similarities, they are vastly different beasts in execution.

Then more recently we had her compare Laios and his quest to save his sister to an episode of Digimon where Tai is upset his sister got sick and there isn't more he can do to help her. Leave alone questions of morale, preparedness, and general dispositions. Lily Orchard compared the entirety of what will be a 30+ episode adult anime that already existed as a near 100 chapter Manga to just 1 episode of Digimon. Are you out of your fucking mind woman??? I hate to break it to you but Tai doesn't explain why he's upset just because he's at wits end! HE DOES IT FOR THE BENEFIT OF THE SINGLE DIGIT AGE CHILDREN THE SHOW IS MADE FOR!!!

It's such a shitty way to bolster weak points because it leaves no room for nuance. Kotor and SU both involve space colonization, but that's about where the comparison ends. Any nuance from there on out can just be explained by how vastly different they are and the vastly different circumstances of their creation. Steven talks the diamonds down for many reasons, but key amongst it all is that it's a children's show. Like how being a light side sith can have nuance for many reasons, but key amongst it all being the expectation that you aren't a child and are fully aware of the consequences of your actions and the actions made around you.

It can't be anything other than shallow mud slinging because the only way it works at all is by that single vague thread. By this logic, I can say, oh let's see... "Anything about creating personas to strike fear into certain people is the same." And it doesn't sound like I don't have a point until you are tasked with acknowledging that the SAW movies, Persona 5, and Scooby-Doo have no meaningful differences. Sure you can pontificate a bit on it, but I'd raise you the fact that the rpg elements of Saw are dogshit. The fact that anybody gives Lily a pass on this let, leave alone her general hostility or the mountains of evidence of just how vile of a person she is, it's as laughable as it is depressing.

She's a terrible critic, a garbage writer, and a truly despicable person. And this has been one of many snippets of exactly why.

[biscuits-of-bagend]

Rankings and ratings stress me a bit so here's my quickfire thoughts on each episode of New New Who, including the specials because why not:

-

The Star Beast - A fun romp! I love that RTD has no truck with subtlety. Queer kids, you are welcome in all of time and space 💙💙

Wild Blue Yonder - not sure I found it quite as scary as they were going for but I loved the concept and the captain

The Giggle - Take a flipping bow NPH! From some the TV stuff would feel patronising but for some reason I trust RTD

The Church on Ruby Road - Goblins!! Would have liked more goblins. Terrified of singing that song somewhere inappropriate by accident

Space Babies - See problem, fix problem, be kind. Absolutely loved this. Also cool stuff about stories and identity!

The Devil's Chord - Bit messy but this episode just had such high charisma. Loved the song again and freaking Johannes Radebe cameo!

Boom - Tense as hell. Still find Moffat a wee bit Edgy but he made some great points about the military industrial complex and the Doctor was stuck on a landmine when he was a bit simplistic about faith so I'll let him off with that

73 Yards - Also super tense! Maybe doesn't quite hold up to logical scrutiny but in the moment I was so in it and am confident I would be again

Dot and Bubble - I feel kind of grateful for being shown how many racial microaggressions I can miss as a white person, was also very funny

Rogue - I've never enjoyed Doctor romance so much in my entire life. Rogue rediscovered life and purpose and became a fucking hero💙💙💖

The Legend of Ruby Sunday/Empire of Death - aww RTD you big softie you 🥲 Plot threads trailing all over the place but I am so here for where he went with it

-

Can't wait for Christmas! Until then I've got Classics to get back to. They've been up on iPlayer since November and I've only made it to Season 5 😂

[the-oracle-of-the-lost]

okok i finished Joy to the World here are my thoughts (spoilers under the cute)

i will admit to be being biased towards liking Moffat's style of writing, particularly his Christmas specials which are almost all dear episodes to me in one way or another so as much as i think dw desperately needs new writers, i was excited he was writing this vs RTD.

and i wasn't let down! it was a good episode and had all the great marks of a Christmas special being a little cheesy & over-sentimental while still maintaining a plot with the Time Hotel being a super cool setting that definitely should be used in the future

turning That Weird Hotel Door into an episode plot is the most Doctor Who plot we've had in a longgggg time.

something i've been a little critical of dw in recent years has been how it's dealt with one-off characters and how it either seems like one-off characters get ALL the focus of an episode (and almost none on the main characters) or one-off characters only exist to give some expository dialogue and then stand around like cardboard cut-outs and i'm so pleased that this episode had three new one-off characters (Joy, Trev, & Anita) who were all memorable (i mean seriously. i remembered their names without even trying which i almost never do) and had clear arcs while the Doctor also had some very strong & clear characterization regarding his loneliness carrying on from last season.

speaking of the Doctor – that scene with the two Doctors getting stuck in the loop and the young Doctor taking out their frustrations on their older self was so good in terms of writing and acting. plus seeing it from both the younger & older Doctor's perspective.... ouch. Ncuti Gatwa you deserve the world.

there was an excellent mix of comedy and drama. a few moments (jokes and drama) fell a little flat for me but there was plenty of good stuff to make up for it.

the whole scene with the Doctor trying to make Joy angry to break the briefcase's control was predictable but still a classic. her getting angry about her mom dying on Christmas during covid when she couldn't even visit and the hypocrisy of the government for partygate was great tbh. i've been quite passively interested with how recent media has or hasn't been incorporating the pandemic into the world and i thought this was quite a good way to do it for Doctor Who with someone expressing rightful grief and anger over something so many people prefer not to even talk about. (on a personal note – i was watching the episode with my mom who worked on covid units during 2020 and saw a lot of her patients die alone and have last conversations through ipads and the grief that caused and she at least was quite affected and touched by the episode including that. okay sorry for the downer, back to fun stuff.)

the Doctor buying TARDIS merch online to decorate his room was such a fun little way to add to the fourth wall arc of the last season. i'm still a little unsure of where it's going and if the ending will deliver but the gags do please me.

the running theme with Villengard has me kinda 50-50. on one hand i love to expressly make weapons manufacturers into clear villains! on the other, i feel like the episode never really got into how Villengard wasn't going to exploit the Joy-Star as was their original plan (and really what their original plan was about other than a vague "creating infinite energy"). but as this is the second time Villengard has popped up as the villain behind an episode, i feel hopeful that we'll explore more of their villainy in the future.

that said.... creating a new star for infinite energy.... you mean like Gallifrey.... you mean like the Eye of Harmony right. (i don't really have anything to talk about but just rotating the parallels to the EU idea of one of Gallifrey's suns being artificially constructed.)

i'm also kinda eh on the last stinger of the Joy-Star being at Jesus's birth. it wasn't explicit (just a location & time stamp at the end) so i think i'm good with it and it's kind of a funny bit, but i am always a bit wary of weaving in aspects of actual religions to Doctor Who & shows like it because it can often be handled poorly. that said i'm not religious in the slightest so i don't really think i can be the one to judge that.

the one thing i didn't love so much about the episode, and i think i noticed it more because i did a double feature watch with The Church on Ruby Road but... there's something in the way other characters interact with the Doctor that just feels a bit same-y. like with Trev, Joy, and Anita (and Ruby in The Church on Ruby Road) – they all never really questioned the Doctor (particularly Anita. and like. i do love characters who simply Roll With It but this was a little too much) and all had the "wow this is the most wonderful man i've ever met" expression on their face after 5 minutes of knowing this guy. and. i get it. that's part and parcel with most of new who and it's wonderful that Ncuti Gatwa, a Black man, can have those moments of being the cool amazing hero that everyone loves but... eh i personally prefer Doctors who can take awhile to warm up to and the constant "i've known this guy for 10 seconds and i'm going to risk my life for him" can be a bit grating for me. but again it's nothing that wasn't constantly done during Ten's era so it's not the worst thing, just not my personal tastes.

the ending was too cheesy for me i'm sorry. i like the bittersweetness of Joy dying to turn into a star but the over-emotional goodbye with her floating up into the sky without really having a solid plot reason for what's happening. i thought the Earth was going to explode and then 30 seconds later, Joy basically says "oh don't worry, i took care of it" like??? sorry i know this is extremely soft scifi but i need a little more explanation. her pointing out the Doctor's loneliness was welcome as was the montage of people looking at her star but. i need a little more.

um. i'm probably forgetting some other stuff but this is already so long at this point that i'm going to stop and watch Husbands of River Song and cry.

all in all – nice episode! definitely one of the better Fifteen episodes for me. a few moments i thought were a little too cheesy or annoying but plenty of great stuff in between. i'd give it an 8/10.

[variousqueerthings]

TOP THINGS I'M EXCITED FOR IN THE NEW RTD RUN

getting the obvious out of the way, ncuti gatwa

but more specifically, ncuti gatwa is going in with such an exciting awareness of what he got out of doctor who and how that will inform his take

and both he and millie gibson are firmly taking doctor who into the next generation. I don't know a lot about her (and youknow, I'm getting older, so she seems awfully young, but that's really all I know and isn't enough to form an opinion on -- but susan vibes? hoping she won't be a rose!repeat, but I really really don't think that's the intention here), but gatwa is also next!gen whovian (like me), which is very fun. it's a nerdy show, I like it when nerds are involved

the wardrobe is looking so goooood. three also had quite an extensive repertoire especially, and this feels quite closely aligned with that campness (not specifically the exact style ofc, new doctor, but Vibes)

the other obvious out of the way, dtennant and catherine tate

specifically that there's a lot of potential in the 60th anniversary to properly wrap up ten's and donna's arcs in a way that organically interacts with the previous ending they had. some really fun potential to play with theme and genre in that, I'm a sucker for recontextualisation, and for dtennant having a bad time (but then maybe at the end... an okay time?)

I hope this will also more effectively merge the rtd run with moffat's and chibnall's. they did do a bit more of that as they went along, but I think they both went too hard on the reset button (especially moffat). we did then get some more... what I'll call continuity, but it took a bit (look, I know, the continuity is madness on this show, but I like to know it's the same story at least, and not totally excise what came before)

also donna has a kid now, played by yasmin finney. I'm excited for all of that, the fact that she's called rose, casting yasmin finney, another form of bringing it into the present, rather than it being all about the past, the fact that she's teased in the trailer, but there's so much more to see

speaking of casting -- camp and queerness! so many of the casting announcements have been queer actors, and you know rtd loves queering shit up, and he's got soooo much more freedom to do so now than he did in 2005. It won't just be in the casting, it'll be in the stories and the character-writing

references to classic!who and other dw!materials, as always, and of course rtd loves that. I just like how much of nu!who is having fun with classic!who. and updating it of course

I said it before but. I like watching dtennant be upset. he does it very well. perhaps even tears who knows...

EDIT: CONSIDERING THE NEW THEME SONG REVEAL ALSO FORGOT TO SAY MURRAY GOLD'S MUSIC!!!

some things I'm hoping for:

that the continuity of the last series won't be severed, especially in regards to the various regenerations that have been since ten

similarly that ten's arc interacts both with how they died/what happened with donna, and that they've been other bodies since then and so there has been growth and change, but what does that mean to a multi-lifed being?

that ruby and the doctor won't have a romantic will-they-won't-they and that generally the doctor continues to be a character through which those sorts of things can be interrogated (perhaps more deliberately now than in the past....)

that there will be some more ideas about gender, as has been increasingly played with over the last few years

that ncuti gatwa being black influences the kinds of stories being told in regards to what kind of history and future is important

that rose's part in the specials is important (I mean, even the fact that she's donna's kid is already important, but on her own as well -- that she gets something cool to do)!

that UNIT won't be toooo involved. I'm currently watching three from the start and I remember that UNIT does a lot in that one, and that's fine, I get that there's precedent. but also they're not my favourite part of DW, generally the doctor being associated with Institutions of a military nature. makes sense for three, who's relatively trapped on earth, and I like the way it's one of humanity's ways of reacting to alien life both in classic and nu!who, but never trust military. anyway, UNIT's fine for the specials, also ties in previous seasons with kate, but hoping won't be so much in ncuti gatwa's arcs. or that there's more conflict involved with them being involved

that new writers are brought onboard, especially women, black writers, and millennials

that it'll still be sincere. that it won't suffer from irony poisoning and over-reliance on references (don't think the latter is so much the issue), and that the bigger budget won't erode its ability to tell deeply personal intimate person stories, which has been an issue over the last few years and could be a problem in future. this isn't the show of massive explosions and michael by action, it's the show or a bunch of nerds who want to see practical effect aliens and cry about them

[wutheringheightsfilm]

I love Moffat's Doctor Who it's the best version of Doctor Who for me but we have honestly just outgrown old white nepo showrunners overall (plus poor Moffat had just the longest run because they couldn't find a replacement when he wanted to leave like twice honestly god bless him, he was writing for Who on his mother's deathbed man has done enough). RTD coming back was a necessary evil and I am okay with that if it revives the show but the wilderness years writers need to GO AWAY. I'm rooting for Juno Dawson, Kate Herron or Sarah Dollard of writers that have been on the show before to take over. But like anyone but Rusty, Moffat and Chinballs. I can enjoy Moffat coming back for one-offs though. As much as I personally disagree with the 'he's only good at one off's' take because he's really really a good showrunner to me and also wrote two of my favorite shows, he's good when he's gotten some sleep and time to work.

I mean absolutely we have outgrown old white nepo showrunners overall, I completely agree and literally the only reason (other than having written a couple of episodes before) Moffat got the job was because his mother in law is/was very high up in the BBC and that sort of attitude really needs to go. BBC shows have suffered a LOT for being very insular, and I'm also rooting for Juno Dawson, Kate Herron, and/or Sarah Dollard! They've written really really good episodes so far and I want to see more of their work!!

I'm glad you like Moffat's showrunning... I don't, and most of his showrunning of Doctor Who is not my favorite (I really, really liked Peter Capaldi's seasons but not how he handled Clara completely, and sorry to the masses but Matt Smith's seasons are my least favorite), so I'm sorry anon lol. I'm glad you get joy out of it though!

If that other favorite show of yours happens to be Sherlock, I think you're very brave.

[gleedyke]

Here comes my two cents on anti-Neil Gaiman posting that I hope comes across civilly and that if you choose to interact with you are also polite about.

Everyone has the right to like/dislike a creator and to separately like/dislike their work. I happen to like this particular creator quite a bit, and I do notice that not everyone GOmens posting does, which again, of course, is fine. Disagree with choices made, that's healthy, but the way I keep seeing "us (fandom) vs him" mentality on any type of post feels bad. This isn't a defense of him; I don't fucking know him, nor does he need that. I'm actually quite happy when I hear folks say they simply don't follow/interact with him if they dislike him. That's great energy, but the rest of us seeing it all over is less great. Thought some reminders posted into the void would help lighten up the energy around here, or at least get it off my chest lol.

1. I've been properly queerbaited by media. This is not fucking that. Take a deep breath and heal with me.

2. A lot of vitriol towards Neil, and frankly Michael and David too, seems to be about being straight men creating this. Have we still not learned to mind our business on this front. You don't know them, we don't know them, but everything we've ever seen from them proves they're on our side. You wanna be mad at a straight man for actually fumbling the bag Steven Moffat is right th- sorry I forgot this isn't about him I tried not to bring up Sherlock in point 1 I really did. ANYWAY. I'm not implying anything, but I have learned to mind your business a little when telling someone why they can't create something queer. That's all.

3. This is his story, and it's not over. It took so long for him to get an adaptation made that he actually wanted to do, and he's doing it. I point y'all to Percy Jackson (I know there's some overlap in demographics here) and how much better the new series is just because Rick Riordan is more involved in adapting it. Having an author of the original work handling the adaptation this thoroughly is a gift regardless of how you feel about him. Additionally, he's writing the rest of the story that he and Terry Pratchett didn't tell. In Terry's honor. For himself. For all the people with beat up original copies. For all the people who have just joined because they realized there is something magical here. But above all it's still his. Take a deep breath and remember this is a love story, and if you still are not content in the end there's always AO3 my friends.

TL;DR vent away on your Tumblr if you don't like Neil Gaiman, nobody is gonna like everyone and certainly nobody's perfect. But before spreading negativity against him on every corner of the GOmens tags, I encourage you to remember how essential he is to the work regardless of your opinion. And remember that those who do like him and his work are also doing so with the best of intentions. Aren't we all. Peace and love this new year. Wait and see. Etc.