#you didn't have to de me like this

[somewillwin]

woe, cute mc x seven song be upon ye

[ihateornithologists]

my friends (unfortunately) like lestat so this was inevitable i guess

[poorly-drawn-mdzs]

Smell Check [Easy: Failure]

MDZS Disco Elysium AU part 1 (part 2 - part 3)

[rosie-tyler]

Moulin Rouge AU

The story follows Moulin Rouge star performer, Daniel LaRusso, and an American writer, Johnny Lawrence, as they navigate through a tumultuous love affair. Little do they know about John Kreese's plan: set LaRusso up with a wealthy man, Terry Silver, to take revenge on Mr. Miyagi, Daniel's father.

[volivolition]

DAY 3: RHETORIC - You – against the atom, the charm and the spin. Where the whole world failed – matter failed to bend to human will; human will failed to get out of bed and tie its laces – you alone, single-handedly, will rebuild the dreams of the working class. You are The Last Communist.

[andi-o-geyser]

A compilation of my favourite Perc’ahlia lines because I’m such a sucker for them:

“She is my heart and my judgement and the future that I have chosen.” (Percy)

“Darling, take the mask off.” (Vex)

“Every time I thought I would sink, I would see your face- your face, the first time I truly lost control, and you told me to take off the mask.“ (Percy)

“You're a good person and you're not broken anymore. All right? We're filling each other's gaps. We'll be the glue.“ (Vex)

 “Never forget you’re my favourite.” (Percy)

“I’ve known a lot of people with money, and they are definitely not worth you.” (Percy)

“Nice shootin’, stud.” (Vex)

“You’ll have to amend that one name, just to be fair. It’s Lady Vex’ahlia. Lady Vex’ahlia, Baroness of the Third House of Whitestone and Grand Mistress of the Grey Hunt.” (Percy)

“My heart is someone else’s.” (Vex)

“I should have told you: it’s yours.” (Vex)

“There was a hole in my heart, and I truly believe the only reason I didn't perish from it was because you were holding my heart so tightly. I thank the gods I gave it to you. It is yours, forever and always.“ (Vex)

“I just scream, I scream.” (Vex)

“I need you here now, I need you here.” (Percy)

“You still have a little blood behind your ear.” (Vex)

“But I don’t want to be here if you’re not. Whitestone still needs you, darling. I still need you here.“ (Vex)

“You’re far too wonderful for an idiot.“ (Percy)

“He’s married, to me, and I will cut you.” (Vex)

“You have given me a future I had cheaply sold away.“ (Percy)

“You allowed me to be a part of the thing that you hold dearest. And I was so proud.“ (Vex)

“Vex, I heard you. It was the only thing I heard.” (Percy)

“Were you going to fight the Raven Queen for me?” (Vex)

“I promise to walk into the future with you. I promise to build a family with you. And I promise to always be here for an adventure with you.“ (Percy)

[guidingthulite]

what a polite young man! i sure hope he wasn't saying some untranslatable cursed pun that made his best friend react like that!

[zoennes]

25 NOVEMBER, 2019 ✦ MAANDAG, 20:02

[sharper-than-a-serpents-tooth]

the jewelry Athy stole likely belonged to the murdered concubines of the Ruby Palace and not once Athy feels bad about stealing from the dead

[scamera-writes]

the world looks better through your eyes

I’ve started staring out windows more often. Do you notice the casual biker? Do you notice the walker with their earbuds in? Do you notice the couple holding hands and pressing up to each other?

Sometimes I don’t, you can’t see everything. But when I do I am reminded of all the lives we lead Most of us will never interact with each other I will never know their names.

But I will see them. I will think about them. I will wonder what they plan on eating for dinner tonight I will wonder if they go home and call their mom Or maybe they open the door to a lovers arms

I am reminded that we live. I am reminded that we breathe. I am forever reminded that every day- We are surrounded by the mundane beautiful.

The world is beautiful in the smallest ways

I will enjoy myself until the end of time I will smile with my last breath The light in my eyes won’t leave If I have something to say about it

I don’t know what drives me to this passion Maybe it's the way I can see the stars at night Maybe it's the headlights on the freeway Maybe it’s the foliage around me as I walk Maybe it’s just how it’s supposed to be.

I can see that you see it too And when I hold your hand, When I press against your side, When we laugh like no one is watching, I’m aware of the fact that we are living:

In a world of stars, In a world of beauty, In a world of love.

And I’ve found it with you.

-the world looks better through your eyes (By me)

[longagoitwastuesday]

So so indebted to u for posting those lovely illustrations from Cyrano <333 & even more so for yr tags!! I'm completely in love w yr analysis, please feel free to ramble as long as u wish! Browsing through yr Cyrano de Bergerac tag has given me glimpses of so many adaptations & translations I'd never heard of before! I'll be watching the Solès version next, which I have only discovered today through u ^_^ As for translations, have u read many/all of them? I've only encountered the Renauld & Burgess translations in the wild, & I was curious to hear yr translation thoughts that they might guide my decision on which one I buy first (not necessarily Renauld or Burgess ofc). Have a splendid day & sorry for the likespam! 💙

Sorry for the delay. Don't mind the likespam, I'm glad you enjoyed my tags about Cyrano, and that they could contribute a bit to a further appreciation of the play. I loved it a lot, I got obsessed with it for months. It's always nice to know other people deeply love too that which is loved haha I hope you enjoy the Solès version, it may well be my favourite one!

About translations, I'm touched you're asking me, but I don't really know whether mine is the best opinion to ask. I have read... four or five English translations iirc, the ones I could find online, and I do (and especially did, back when I was reading them) have a lot of opinions about them. However, nor English nor French are my first languages (they are third and fourth respectively, so not even close). I just read and compare translations because that's one of my favourite things to do.

The fact is that no translation is perfect, of course. I barely remember Renauld's, but I think it was quite literal; that's good for understanding the basics of the text, concepts and characters, but form is subject, and there's always something that escapes too literal translations. Thomas and Guillemard's if I recall correctly is similar to Hooker's in cadence. It had some beautiful fragments, some I preferred over Hooker's, but overall I think to recall I liked Hooker's more. If memory serves, Hooker's was the most traditionally poetic and beautiful in my opinion. Burgess' is a whole different thing, with its perks and drawbacks.

Something noticeable in the other translations is that they are too... "epic". They do well the poetic, sorrowful, grief stricken, crushed by regrets aspects of Cyrano and the play in general, but they fall quite short in the funny and even pathetic aspects, and that too is key in Cyrano, both character and play. Given the characteristics of both languages, following the cadence of the French too literally, with those long verses, makes an English version sound far too solemn at times when the French text isn't. Thus Burgess changes the very cadence of the text, adapting it more to the English language. This translation is the one that best sets the different moods in the play, and as I said before form is subject, and that too is key: after all, the poetic aspect of Cyrano is as much true as his angry facet and his goofy one. If Cyrano isn't funny he isn't Cyrano, just as he wouldn't be Cyrano without his devotion to Roxane or his insecurities; Cyrano is who he is precisely because he has all these facets, because one side covers the other, because one trait is born from another, because one facet is used as weapon to protect the others, like a game of mirrors and smoke. We see them at different points through the play, often converging. Burgess' enhances that. He plays with the language itself in form and musicality, with words and absences, with truths masking other truths, with things stated but untold, much like Cyrano does. And the stage directions, poetic and with literary value in their own right in a way that reminded me of Valle Inclán and Oscar Wilde, interact with the text at times in an almost metatextual dimension that enhances that bond Cyrano has with words, giving them a sort of liminal air and strengthening that constant in the play: that words both conceal and unveil Cyrano, that in words he hides and words give him away.

But not all is good, at all. Unlike Hooker, Burgess reads to me as not entirely understanding every facet of the characters, and as if he didn't even like the play all that much, as if he had a bit of a disdainful attitude towards it, and found it too mushy. Which I can understand, but then why do you translate it? In my opinion the Burgess' translation does well bending English to transmit the different moods the French text does, and does pretty well understanding the more solemn, cool, funny, angry, poetic aspects of Cyrano, but less so his devotion, vulnerability, insecurities and his pathetism. It doesn't seem to get Roxane at all, how similar she is to Cyrano, nor why she has so many admirers. It does a very poor job at understanding Christian and his value, and writes him off as stupid imo. While I enjoyed the language aspect of the Burgess translation, I remember being quite angry at certain points reading it because of what it did to the characters and some changes he introduces. I think he did something very questionable with Le Bret and Castel-Jaloux, and I remember being incensed because of Roxane at times (for instance, she doesn't go to Arras in his version, which is a key scene to show just how much fire Roxane has, and that establishes several parallels with Cyrano, in attitude and words, but even in act since she does a bit what Cyrano later does with the nuns in the last act), and being very angry at several choices about Christian too. While not explicitly stated, I think the McAvoy production and the musical both follow this translation, because they too introduce these changes, and they make Christian as a character, and to an extent the entire play, not make sense.

For instance, once such change is that Christian is afraid that Roxane will be cultured (McAvoy's version has that infamous "shit"/"fuck" that I detest), when in the original French it's literally the opposite. He is not afraid she will be cultured, he is afraid she won't, because he does love and appreciate and admires those aspects of her, as he appreciates and admires them in Cyrano. That's key! Just as Cyrano longs to have what Christian has, Christian wants the same! That words escape him doesn't mean he doesn't understand or appreciate them. The dynamics make no sense without this aspect, and Burgess (and the productions that directly or indirectly follow him) constantly erases this core trait of Christian.

Another key moment of Christian Burgess butchers is the scene in Arras in which Christian discovers the truth. Burgess writes their discussion masterfully in form, it's both funny and poignant, but it falls short in concept: when Cyrano tells him the whole discussion about who does Roxane love and what will happen, what they'll do, is academic because they're both going to die, Christian states that dying is his role now. This destroys entirely the thing with Christian wanting Roxane to have the right to know, and the freedom to choose, or to refuse them both. As much as Cyrano proclaims his love for truth and not mincing words even in the face of authority, Cyrano is constantly drunk on lies and mirages, masks and metaphors. It's Christian who wants it all to end, the one who wants real things, the one who wants to risk his own happiness for the chance of his friend's, as well as for the woman he loves to stop living in a lie. That is a very interesting aspect of Christian, and another aspect in which he is written as both paralleling and contrasting Cyrano. It's interesting from a moral perspective and how that works with the characters, but it's also interesting from a conceptual point of view, both in text and metatextually: what they hold most dear, what they most want, what most fulfills them, what they most fear, their different approaches to life, but also metatextually another instance of that tears/blood motif and its ramifications constant through the whole text. Erasing that climatic decision and making him just simply suicidal erases those aspects of Christian and his place in the Christian/Cyrano/Roxane dynamic, all for plain superficial angst, that perhaps hits more in the moment, but holds less meaning.

Being more literal, and more solemn, Hooker's translation (or any of the others, but Hooker's seems to love the characters and understand them) doesn't make these conceptual mistakes. Now, would I not recommend reading Burgess' translation? I can't also say that. I had a lot of fun reading it, despite the occasional anger and indignation haha Would I recommend buying it? I recommend you give an eye to it first, if you're tempted and can initially only buy one.

You can read Burgess' translation entirely in archive.com. You can also find online the complete translations of Renauld, Hooker and Thomas and Guillemard. I also found a fifth one, iirc, but I can't recall it right now (I could give a look). You could read them before choosing, or read your favourite scenes and fragments in the different translations, and choose the one in which you like them better. That's often what I do.

Edit: I've checked to make sure and Roxane does appear in Arras in the translation. It's in the introduction in which it is stated that she doesn't appear in the production for which the translation was made. The conceptualisation of Roxane I criticise and that in my opinion is constant through the text does stay, though.

[tin-can-iron-man]

I just. I love my dad so much guys

[dimiclaudeblaigan]

If there is at least one thing I can credit FE for doing better than Tales in localization, it's not trying to actively go out of their way for an entire game to avoid subtext or direct text between two men that is romantic or implied romantic. Funny when it's so present that the attempt doesn't even work; infuriating that it was attempted to begin with.

So as much as I often have issues with some of FE's localizations, at least they have a leg up on loc Tales for that.

[nemo-of-house-hamartia]

the brain is rotting so much dear gods.

And Gale reminds me SO MUCH of Mathias.

The two of them would get along SO WELL, and be the bestest of friends.

Having a heart-to-heart and calling each other out when they run in path of self-destruction.

And also lend each other the same after-shave and haircare products, because both my darlings have a neat beard and leonine hairstyles to maintain.

[volivolition]

dude the TOP song you posted (truce) fucking kills me and the way you described the animatic is??? so good???? I'd bawl actually /pos

I need to know if there's any other TOP songs you relate to the furies/any DE character really, or any slower songs even if they aren't by TOP

OH AGREED ABSOLUTELY!! TRUCE MY BELOVED... and THANK YOU!! we are imagining animatics and crying together! /pos :'] <3

ooh!! well, i havent listened to a lot of TOP in a while, so i don't have many recommendations there unfortunately :'] but for other slow, soft songs, let's see... i'll put them under a cut with all my explanations, but ☀️ "See The Day" by The Altogether (Volition song!), 🍃 "Rounds" by The Oh Hellos (Shivers song!), 🦋 "Would You Be So Kind" by dodie (general skills song, Suggestion primarily!) are the best contenders!

Pretty sure you've seen it already, but from a different ask, i recommend "Almost (Sweet Music)" by Hozier! (and "Like Real People Do" if you want to cry and yearn with me, though my DE ideas for it are very loose hkjhg) these are slow ones i like hkjhg <3

"Goodbye" by The Altogether is a Harry and Dora song :0

"Soldier, Poet, King" by The Oh Hellos is one i specifically relate to Volition (my beloved protector/motivator/crownhead blorbo! [picks him up and wiggles him!!!]), but i would make one of those animation memes for it with every skill slotted into a "soldier" "poet" or "king" position.

☀️ "See the Day" is both another The Altogether song and another Volition song! a real "the worst is over. we made it through. we're going to survive this. it might not get easier yet, but we'll come out the other side and we'll be alive" song. it makes me cry hkjgh

🍃 "Rounds" by The Oh Hellos is a soft Shivers song, though the lyrics don't start until halfway in. ough my god listening to it makes my heart ache (/pos) <3 La Revacholiere singing to Harry in the wind. "Will you start when I end? Yeah, I'm long in the wind..."

"Northern Star" by Dom Fera, a song Harry would sing for karaoke and dedicate to Kim, and then they'd waltz a little clumsily on the dim, starlit sidewalk on their way home for the evening... <3

🦋 "Would You Be So Kind?" by dodie BUT SPECIFICALLY THIS VERSION, because i love everyone's crowded but earnest vibes. this one is led by Suggestion ("oooh you wanna fall in love with us so bad right? right???") and makes me grin, you GOTTA imagine all of the skills squished together in the front of Harry's brain all trying different tactics to get Kim to fall in love with them, (rhetoric: "I HAVE A QUESTION..." ency: "let's write a story! be in my book!") at 2:35, after all the skills singing together loudly, it's just Harry himself singing to Kim, with all the skills slowly backing him up. the ending is all of them fucking ECSTATIC celebrating when harry finally kisses kim hkjhg jesus this'd be so cute hold on i have to go plan this out i have so many thoughts hkjdh

"Seven" by Sleeping at Last would be a sweet Reaction Speed song (ironic that im adding react speed to a list of soft, slow songs though hkjgh) "I'm ready for whatever comes next!" <3 Reaction Speed is a fast, restless little fella who can't sit still for long, always loves moving, acting, doing. he's like the personification of a verb hkjhg <3 i would also accept an interpretation for echem <3

"Cosmos" by Jawbreaker Reunion is a song that The Furies recently suggested to me as a jean song and it's so right for that, very soft and i like it very much :'] (you should also ask The Furies if you want to, it's much more musically inclined than me, i feel hkjhg <3)

awuahg thank you for asking and for reading!! i appreciate it!! <33

oh and here's links to all of the songs in the tags: Come Together Now, Two, Four, Five, Six, Eight, Nine, RPG Animation Meme (<- homestuck lmao)