#yes I dig this lol?

[magicomens]

Strap in folks, we're gonna have a minisode!!!

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[kelocitta]

There is currently a rather large discussion ongoing about the RW fandom behavior, drama, etc. I am not going to talk about the specifics of whats happened for a number of reasons. But what I do want to say is that if at any point you've harassed people over it, whether that be through anon asks or public posts- you did nothing but damage the ability for people to correctly process what is happening. You contributed nothing but harm to an already delicate situation. It does not matter what "side" you were on and I will not tolerate further interaction with me or my work if I found out you did such. If you let your personal hate for anyone boil over into threats, wishes for long term harm and petty comments meant to contribute nothing but slander or mental distress for the individuals involved who were already distressed (or acting irrationally) you did nothing but make it harder for people to process their emotions, thoughts and behaviors constructively. Regardless of who you think was in the right, who fucked up, whatever. It doesn't matter if they deserved it, or earned it, or if its an eye for an eye. Its difficult enough as it is to think clearly when presented with any kind of stressful situation and heckling people does nothing but make it worse and harder for them to explain themself in any capacity. I don't want you anywhere near me if you think that is an acceptable way to act.

[pettyprocrastination]

whoever this beloved anon was I am so touched by your kindness! You definitely didn’t have to do this but I am so happy you enjoy this idea and I will happily expand upon it for you!

this is just a collection of word vomit bullet points for the time being but I will happily answer any and all questions about this pair!!

warnings: violence, angst, child death (Sarah Miller), foul language, the same warnings that apply to tlou, reader is Sarah's mom and described as having similar features to her. 

So the general Idea is that you and Joel are happily married before the outbreak. 

You had been Sarah's mother, his high school sweetheart he got pregnant when neither of you were old enough to have any reaction to the pregnancy test other than a fucking panic attack in one another’s arms. but you made it work 

you both worked but made time for one another and your sweet girl, going to museums every other weekend and joel insisting on swooping you off for a date every now and then 

nothing special. He knows you’re more of a diner gal than anything too fancy that makes you both feel out of place. 

On his birthday in 2003, you had planned to tell him that you were pregnant again. But the memories of your own fears of motherhood from all those years ago begin to swirl through your head again and you get cold feel. deciding to tell him the morning after

it is his birthday afterall, you want to focus on him. 

but when you’re woken up in the middle of the night because tommy needs to get bailed out, Joel kisses you sweetly one last time before promising he’ll be back and you can’t shake the feeling that something bad is happening. 

its you that shakes sarah awake that night. shouting at her to put on her shoes when she’s still rubbing the sleep from her eyes because you’ve been listening to the radio for the past two hours, calling joel again and again and again praying for him to fucking pick up but to no avail. 

Sarah, bless your little girl’s bleeding heart is the one who insists you check on the adler’s against your better suspicions and when you find the eldest looming over her daughter, blood and sinew dripping from her mouth, you grab your daughter hand and burst into a full sprint until something slams into your back and sends you tumbling onto their front lawn

its how joel finds you, struggling to keep the once sweet old woman, whose now nothing more than dead eyes and gnashing teeth straining to snap at your pulse point as you push against her while sarah shrieks before your husband runs forward and cracks her skull with a wrench. 

there’s hardly a moment of pause, just enough for him to pull you up and into his arms before he’s ushering you both into the car with an urgency. 

when the truck crashes, you get separated from them. Perhaps at Tommy’s side when the flames rise and create a wall, separating you from your husband, or maybe pulled into the mob of chaos when trying to escape from those already infected-

all joel knows is that you promise you’ll find him: just get sarah to safety and you’ll meet him at the river

Poor thing is already so frightened, held in her father’s arms with tears streaming down her face insisting they can’t leave you they just can’t but her father kisses her forehead and reassures her its going to be okay 

“we just need to be brave, okay babygirl? Your mama’s real tough, she’s gonna be alright.” 

he isn’t sure if he’s saying it to his daughter or himself. 

but when he comes to the river you aren’t there. Only a soldier who points a gun at the scared little girl in his arms and then he loses everything

its when the light is gone from his daughter’s eyes that he realizes. His voice cracked and raw from sobbing that he looks around to see his brother with drawn in shoulders and tears in his eyes but his wife is nowhere to be found. 

Tommy says you got lost in the chaos. Everything was so loud, so sudden that he turned around and suddenly you weren’t there. 

Joel wants to go back but its Tommy that stops him, that dulls the red in his vision to a sad faded pink because his brother points at the orange horizon not too far from them, so much of the city is already in flames. 

“We’re gonna find her, but not there.” 

So Joel searches. for the first year spent in the world post-outbreak its all he did. 

He became a smuggler because of it. 

Information came at a price and he needed to be able to fucking pay it, whether it be in blood or ration cards. He was willing to do anything to find you or any thin thread that lead your way. 

But it’s Tommy that asks him to give up. Not in those words of course. 

The youngest Miller knows better than to say something so cruel that would make his brother, the only person he has in this world turn on him. 

But his voice is worried when he asks him one night in Boston when he hasn’t even had the chance to wash the blood from his knuckles 

“You think she would have wanted this for you?” 

the fight that followed his words was brutal. Vicious insults and scarred fists slamming against each brother until they're both too tired and bloody to continue. Each leaning against a wall for support and Tommy’s wavering voice breaking the silence. 

“I don’t know where she is, Joel. But I do know you're gonna get yourself killed if you keep lookin’ for her.” 

All he can do is nod. 

It’s a few days later when he meets Tess. Who has heard plenty of stories about the elder miller’s brutality and wants him to put that muscle to good use for some extra profit. 

It begins his new life. One that empty and cold but one he can live. 

Until of course, Ellie comes along. The sweet and incredibly opinionated girl that makes him become something akin to the man he thought died twenty years ago. 

its when he’s traveling with Ellie, that it happens. When a warm familiarity has settled between the two because so much blood and pain has been shared he can’t help but see her as something close, something bright even though all he can force himself to utter in her reference is “cargo” 

when theyre traveling through the woods as Ellie chatters away, probing his memory about a movie that may or may not have existed thirty years ago because her descriptions of the plot are incredibly odd he hears a voice shout for them to stop and finds himself staring at a man- no, a boy- pointing a gun at them. 

Ellie stills, but Joel can see enough to know that from the lanky figure and dimpled face that he’s young. Maybe twenty, twenty-two at the oldest, but his eyes dart from Joel to Ellie with a pinprick of fear that allows Joel the time to charge forward and slam him to the ground before wrestling the gun from his hands. 

He has enough to time to tuck it under the stranger’s chin before he hears the sound of the safety being turned off and finds himself looking up and seeing a gun just inches from his face. 

Joel’s head whips around when Ellie’s voice calls out his name in fear, he turns to see another stranger holding her a gun point, shoulders drawn back and a shadow cast over their face by the had obstructing their identity. 

“You hurt one of mine, I hurt one of yours. That a fair deal?” 

Its takes him a moment to recognize you. It’s been so long since he’s heard your voice, the sweet tease when you would poke at him each time he woke up late despite the fact that you reminded him to set his alarm the night before, the times you’d chide him with a harsh “Joel Miller!” whispered in public anytime he was able to grab you a bit too passionately to be appropriate in public but the laughter in your voice let him know you were never truly mad at him. You didn’t know how to be. 

But that sweetness is buried under a cold rasp that cuts through the air as you point a rifle at the scared little girl in front of you.

“You think I won’t?” You’re older now, skin covered in scars from a life he didn’t know you got the chance to live and your eyes are cold as they regard your husband. “Put the gun down and get the fuck off of him, I won’t repeat myself.” 

Joel mumbles your name in awe. The woman he loved, the woman he mourned the one he fought so hard to find stands before him like some sort of hallucination and suddenly the world feels like its spinning until you bark orders at him again. 

“You’ve got five seconds Joel, make a fucking choice before I make it for you.” 

He looks down and realizes the boy under him, the one with the bleeding nose and snarling face has your eyes and his dimples. 

“One.” 

The one above him has Sarah’s hair. Soft brown curls that shine under the sun. 

“Two”

Wait. No, they both do.

“Three.” 

Twins. Jesus fucking Christ you had twins. 

“Four.” 

Joel holds the rifle up above his head and the one boy standing snatches it from his grasp, tossing it to the ground and kicking it far from his reach. He slowly stands, allowing your son- dear god your son- to scramble to his feet. 

Your voice softens just for a moment. “You okay, Duke?” 

Blood stains the bottom half of his face from where Joel slammed his fist into the boy’s nose just moments before, but he nods nonetheless. 

Now, they both stand on one side of you and he can see the resemblance clear as day the same way he would whenever Sarah was by your side.

When you order him to hand over his bag, he does so without question before telling Ellie to do the same. 

She watches him with wide eyes, her hands still up in the air but gaping at her companion as if he had grown a second head. 

“Joel!” “Just do it, alright?”

He doesn’t miss the way you watch their interaction with narrowed eyes until she tosses her bag to you and you slowly lower your gun. 

“Now, you want to tell me what the fuck you think you’re doin’ at my home?” 

[astranauticus]

inspired by this post by tumblr user @orphiclovers. the lines are direct quotes from the novel but the scene itself isnt a redraw of any specific novel scene, i just really wanted to draw black coat 1863 x white coat 1864 HSY lol

[leverage-ot3]

okay I’ve seen a lot of posts about sterling just being crowley and. guys. the implications just hear me out 😭😭😭

bending lore slightly here BUT let’s say crowley’s body was once inhabited by a human and crowley is possessing the body (maybe he kills the initial inhabitant bc he doesn’t care)

but he still has the guy’s memories. he doesn’t bother keeping up appearances with his ‘ex wife’ because he is too busy building up his hell empire. BUT for some reason he can’t quite identify, he still feels something towards his ‘daughter’. he lets the divorce happen and doesn’t feel the need (or desire) to fight for custody, but he can never quite forget her, to cast her out of his mind for good

some hijinks ensue with the leverage team. it’s mostly because even a grind culture demon wants some off time every once in a while, and for him the insurance investigator stuff is more of a hobby. interacting with the leverage crew is very low stakes for him, and honestly, quite amusing. they aren’t on his level power-wise, but that ford character gives him the mental exercise he hasn’t experienced in, well, he can’t even remember

he can feel their frustration and anger when they learn he has become employed by interpol and feeds off it. it’s great, and relaxing in a way he is never able to achieve while conducting hell-related business

one year he gets wind that olivia is in a really bad situation associated with his ‘ex wife’s’ new husband. he’s selling vital hardware to terrorists, and while that might actually be the kind of chaos he would normally support or be entertained by as the king of hell, something feels wrong about letting olivia stay anywhere near that man

he calls upon the body’s adversaries. he wouldn’t admit it, even under duress, BUT he feels slightly fond of them. nate for the three dimensional chess they play, sophie for her ability to charm and disguise, parker for her chaos and slightly unsettling nature (it’s the autism swag and being bad with human interaction but he doesn’t know that lol), hardison for his unapologetic intelligence and eliot for his hardened violent past and take-no-shit persona (he’s fun to tease)

they perform exactly as he expected, right into his carefully crafted plan. and then olivia is under his care and things get more complicated. he keeps her FAR, FAR away from anything related to the supernatural (heh). no one can find out about her, ESPECIALLY not those imbecile hunter brothers (if for nothing else than the embarrassment in revealing he has a weak spot)

not sure how to work it into this post but I also want to add that somewhere along the way he develops feelings for nate and sophie. the frame up job is near and dear to my heart and you can’t convince me that isn’t fighting as flirting behavior. his interpol persona is more of a side hustle so to speak, but he finds it fun (relaxing, even) to fill that role. there aren’t any obligations of other demons, bothersome hunters, or anything like that. nate and sophie are low stakes, except, they aren’t, really. they make him feel things he can’t ever really remember feeling. his heart beats fast when sophie sat in his lap and cradled his face, his hands sweat when nate gives him that certain smug look. he’s exasperated by the way they can run circles around him like no one else has ever before. they annoy him and get under his skin in a way no one else can and it’s infuriating. but also not, at the same time. maybe he likes it

and then the long goodbye job happens

hear me out and suspend your belief here for a second, because I can’t remember if crowley supernaturally knows when ppl die/are dead or not.

so nate is in interpol custody and the interviewer is obviously out of her depth. (most people are, when it comes to nathan ford.) he walks in and pours the man a drink, but he’s fuming. somewhere along the way he came to care about the team. hell and suffering is literally in his (official) job description, but he can admit (only to himself) that he admires what they do. it’s not for him, not anything close to where his passions and interests lie, but he respects their drive and purpose. he is also aware enough to acknowledge that they are a family, a group of misfits that never belonged quite anywhere except to each other.

and nate fucking blew it up, ruined it, because his vice is being so obsessed with the end game that he is apparently willing to let his team, his family, the people that anchor him to reality, die because the ends supposedly justify the means.

not this time. not to sterling crowley

he is enraged. he can admit within the confines of his mind that he cares for nate, for sophie, even for the other three (though nate and sophie have somehow made it a hierarchy where they are more important to him. which he will dissect later in private. maybe.)

nate let them die, he let sophie die, and for what? the black book? hell below, crowley would have made things easier somehow, if he knew that this was where nate’s sights had lied. he would have prevented this somehow. he wants to have prevented this. he doesn’t want any of them dead and is too afraid to check and verify because that would make it real. the idea of sophie (or any of them) somehow making it to hell instead of heaven would probably break something in him he might not be able to reapir fully.

he yells at nate- he’s angry. hellfire burning in his heart because everything is ruined. the deaths aside (however hard it is to set them aside in his mind), nate will not recover from this, not ever. this will be the start of the end, he is sure. a miserable, guilt-ridden existence where he drinks himself to death and nothing will save him. it plays out in crowley’s mind in a thousand different ways that are beyond painful to conceptualize, even in theory.

the story starts to unravel and there is a game afoot. a solemn, miserable, infuriating game because the con is still in session because parker is alive and in the building- which sets another fire alight in his chest. ‘parker even know you got hardison killed?’ he rages for her grief when she finds out. he knows it will double when she finds out eliot has perished, too, because he isn’t fucking blind.

but nate is a brilliant man, lest he forget too quickly. they are all alive, and somehow still the entire crew slips through his fingers. he’s not even angry (he never would have been- he doesn’t actually try too hard to catch them. it’s about the game, not the consequences). he lets them keep the black book because he’s fucking exhausted and honestly, they more than earned it.

‘now we’re even. tell sophie to drive carefully’. they will never be even, not really. crowley would never admit or agree that being human is the superior state of being, but that have made him feel human in a way he doesn’t actually mind. they keep him on his toes and match him in a way unique to them, they remind him that there are other things than the realm of hell. not necessarily bigger than hell, but maybe just as important in a different sense.

watching the van drive away, something inside him settles. when he walked into the interrogation room that day he thought this was the beginning of the end. it’s not the end at all, not an end to anything. it’s a continuation of their story. maybe, he thinks, a beginning to a new era in it

[gen4grl]

i bought leaks, butter, bananas and bean jam jelly!

[machabre]

still gotta be one of my favorite Lobo 'fits

[what-even-is-sleep]

thinking about Bodkin again bc I mean,,, ALL THE SYMBOLISM OHHHHHGH. i NEED some tumblr film analysis hobbyists to watch this show and tell me all the themes n such

[soft-toyfriend]

[monstrous-woof]

day 1 and we got 2567 words! not a bad start

[thispit-thelame]

tfw your fortress planning gets thrown off by an adamantine spike

[palukoo]

I know I’ve made other posts talking about or alluding to this but like. obviously there are like the old hollywood movies in the sort of dyke subtext canon (all about eve, rebecca, johnny guitar, etc) but like. there are so many movies that like 10 people have seen but I have such a clear gay vision or interpretation for it. most of them aren’t even GOOD. and yet!!

like the great lie is the one that haunts me the most (or the women but I think that one is kind of different for me perhaps bc I’ve already talked about it here a lot or perhaps bc I think of it as being more well known and watched than I think it actually is? actually it’s probably that I think it is an overall good and well executed and entertaining movie which isn’t really true of most of these tbh). but I also think a lot about like when ladies meet, or old acquaintance, or sadie mckee, or the shining hour, or the model and the marriage broker, or a woman’s secret, or the bigamist, or craig’s wife, or born to be bad, or separate tables, or even dark victory to a degree. others too certainly those are just the ones that come to mind. for half of these it’s not even like oh these women are gay together it’s just like hey I think she’s a lesbian. and I’m right. but my genius will never be fully appreciated in my day unfortunately.

[istherewifiinhell]

LIKE. lets reframe the question. yes you can kill me for being too aro to live if you wish but fucking LISTEN FIRST. if you are not currently in a relationship. maybe your life is good maybe your life is not so good. maybe you want one but cant get one do to circumstances. maybe you only kinda of think about wanting one but your like. eh. i can do without for now. you know. but. OH MY GOD! the REST of my LIFE. NOOOO ROMANCE?

and yes. no to be clear, if its a thing you want. you would be missing out on that experience. THAT ONE. POSSIBLE EXPERIENCE. okay. now is there also a fruit youve never eaten? a hobby youve never tried? does that youve never eaten a fucking. i dunno. pawpaw. mean a strawberry is less delicious? does never going ice skating mean you never experience the joy of rock climbing?

when someone phrases a question like. ITS THE REST OF YOUR LIFE!!! RAHHH!!! You suddenly get the urge to. what? count you joys objectively? qualitate and calculate every aspect every missed chance and moment?? the question was not. would you be MORE happy. it wasnt, would you linger on the possiblity of a missed intimacy and closeness. a form of sharing a life for a while or for an age that you might enrich all parties. it was. do you think you would be happy.

do you think YOUD NEVER EXPERIENCE HAPPINESS. do you think your feelings would be constricted through a tube of NO ROMANCE. do you think one loss, one ache, one feeling of regret, MEANS YOU NEVER FEEL ANYTHING ELSE? You would never see a sunset? youd never eat a delicious and emotionally significant meal? Youd never cry with someone out of joy or grief or anything else an feel comfort? GET A GRIP!!!!!!!!!!!!!!!

[berozka]

So me and my gf finished Succession While it was still fresh we made our LPS cast lists

This one being mine

And hers

as you can see we are a bit indicisive, so along with final picks we have the other potential choices

[iangallagherisadeadman]

i hate the plot of svetlana and her father/husband, but i saw it as an opportunity to reflect upon her character, her little milkovich child, her relationship with fatherhood, mickey and his involvement in yevgenys life.

obs. I'm NOT saying in any way that I believe Mickey has the obligation to raise Yevgeny as he didn't choose to engage in the sexual relation that led to Yev's conception.

svetlana and fatherhood

what was all of that about stevlana and her dad? i finished shameless and i still dont totally get it. was she really married? i believe so cause none of her other marriages were legal. how did that happened? what is her dad like? when she married her russian husband? just everything seemed rushed and i wish he had more info about it.

either way, I remember she said once to mickey that she named their kid after her father and hes like "didnt the bastard fucking sold you as a sex slave for like 300 dollars" (which I think is really nice cause that means she shared with him that information voluntarily) to which she responded something like "yes but still he had some good in him". later she says to kev that she supported her father and all that cause she owned him for taking care of her until she was like idk nine years old and could take care of herself and i remember seeing someone here saying it is probably because in russia is really common for the father to abandon his children so the fact he stuck around means a lot to her.

it all makes me believe that the image of a father is of importance for svetlana. doesn't that means that she would want mickey to be involved in their childrens life then? i mean he was for a while as she forced him to until his boyfriend kidnapped her children and babys father went to jail and then she held back and i understand it i totally do but now that they have all growned up and gallavich is a somewhat resonable couple with somewhat legal jobs and somewhat living an honest life wouldn't she want them in her and more specifically her childrens life again?

svetlana and mickey

noel once said in an interview for s5 that he believes that in some ways Svetlana is perfect for Mickey cause shes strong where hes not and she complements him, and i believe that too. at the beginning every time shes onscreen she looks scared as shit truly frightened but as the episodes go on and they interact more it seems like she can perceive how small and frightened mickey is under all that bad boy facade and she grows upon him and then they get in a fighting-friendly-respect-disrespect relation in which they recognize each other somehow, and than that went sideways after the whole yev kidnap. mickey probably thought he was wrong thinking he could ever play family, that he could ever be any different and be something other than a fucked up in the kids life, that hes not up to being a parent and that theyre better off without him and make them go away; he chooses to take care of ian instead of his family by s5 end when he said svetlana could leave if she wasn't accepting ian coming back to their house after kidnap episode.

fact is svetlana and mickey found themselves in challenging situations simultaneously. svet was an undocumented immigrant who resorted to prostitution as her only means of survival, while mickey grappled with complex issues involving his love life, sexuality, and the pressure to conform to his fathers expectations, leading a life he didnt desire. despite these difficulties they shared the experience of becoming parents at a young age which significantly altered the course of their lives and their relationship. they were both the source of pain and the potential for each other's salvation. their relationship was fraught with difficulties as mickey treated svet poorly, refusing to acknowledge her as his wife despite her longing for the american dream through marriage and family, which she quite fought for at the beginning when she seemed to hope he would eventually love her (she was gentle and submissive and played perfect little wife). instead, he agreed to fulfill a fatherly role, and they supported each other superficially, lacking a deeper connection. for mickey, lana was an instrument to appease his father while simultaneously being a painful remark of everything he wasnt and didnt want to be, all while introducing complications into his relationship with Ian.

even with all the differences they faced, they had a lot in common, as they both were young and trying to survive, living lifes they didnt choose, the whole respect for their piece of shit fathers that they shared, the fact theyre both queer, how they dont trust others and try not to rely on no one and solve things with their hands and they both have bad manners and dirty mouths and take aggressive approaches to solve their problems and are always scheming and find hard to change their nature. they have a lot in common and they got to find that out while living together and fighting each other, trying with effort to shape one another so they would comply to play the role and accommodate to the life each was expecting to build. svetlana made mickey take off the nazi posters he had as is stated in s3 finale and would threaten and blackmail him into doing what she wanted during s4, and he would do his best to fight her by trying to scare her with threats and make her submissive holding her in an inferior place by diminishing her and calling her names in s4 until they grow to a somewhat peaceful relation in s5 even including ian.

them as a throuple happy family worked for a while and i mean i doubt she has anyone even as close as a colleage in her life right now she doesnt trust easily and v and kev are out of scene and she is married to that rich guy etc. so having a friendly relation with mick again seems like doable? desirable even maybe for her? at that time by s5 they were both dealing with illegal jobs and svet was raising her kid barely by herself and mick was using A LOT of drugs like pills and drinking and cocaine and crack i think and still they made it work for a while so only imagine what they could do now that theyre both at their best.

after s11

also, she is married to that rich dude but its a fact that hes not going to live longer and i know my girl is smart svet did her thing secured that bag stole and gained and got what she could but the plot said that the marriage was under the regime of separation of property meaning she isnt going to get any goods after her hushbands death and probably is not going to have contact with her husbands family cause theyre not close so not only she will have freedom but she will be lonely right. until she finds her a wife at least.

I know the importance of family isnt for the milkovichs what it is for the gallaghers and that yev came as result of an abuse relation, but mick didnt seem to take that on the child once he was born and he was taking care of him, he didnt seem to resent him or hate him or see terry and be hurt by it. i mean he does process trauma in such unexpected unexplained ways that i cant really vision how he trully feels about yev, other than how he rejected fatherhood in s4 and his comments with ian in s11 about not believing he can be a good parent, but s5 in the police station theres a lot of "hes a good kid" from the officer and mickey holding and kissing yev only to take care of ian as debbie hold yev on the passager seat in the way home that was made on purpose and i perceive it as he likes yev but hes afraid to break him. idk if there could ever be the same feeling that lip has with fred, of wanting to be a better father for him than he ever had. thats probably not micks thing. but i can see him at some point wanting to know about yev, and who he became, what is he like, and bonding with him, even more so cause hes not bad with kids they would hit it right away. probably a more friendly bond than father son tho. as for ian, there is that deleted scene of him visioning him mick svet and yev as a happy family and even thought he was maniac i think that came from the heart hes good with kids and he wants a family with mick and he lived a nice life with svetlana and he said to fiona he loves yev.

headcanons

there is the fact that svetlana probably never talk about mick and never went to see him anymore onscreen cause mick might probably not be babys dad but i like to think yev really is a milkovich just because they reproduce like fucking rabbits and i think thats really funny. also the beggining of s6 makes it clear he had done jobs from inside jail before so that he could get commissary money and svet could raise yev with her share, so s6e1 states they somewhat worked together which leads to suppose svetlana and mickey hold a friendly relationship even after they fight cause ian kidnapped yev and mick kind of kicked her out their house, AND since she asks ian to accompany her in the visit shes ok with him too it seems. ALSO not only i think is reasonable to assume they kept in contact for a while when he was inside and only got some distance as she was building her life with her relationship with kev and v and the allibi and he started getting involved in dangerous stuff with the mexicans (since in theory she visited him with divorce papers), i truly believe they only cut off contact completely when he told her he was leaving for mexico cause i mean he told terry i truly believe he told her too.

like i know a lot of people want galladads but i just see it as unresonable they came out of jail theyre traumatized and never done therapy ian fucking stole a baby and that baby was under micks supervision they fucking suck thats the true!! and i would kind like to see them taking responsibility for yev and bonding somewhat. just imagine what kind of parenting that kid would have hes probably unhinged since his parents are freaks. also i think that the more your parents control a kid the more they want to be a rebel (karen-like) and since he was raised by horrible people he is probably the opposite, really calm and mature for his age etc kind of like liam. hes also probably smart since he had a good education and speaks a lot of languages like svet, and aggressive but not fist like? i can vision it, mick telling him about what he was up to when he had yevs age and them playing videogames and mick like spitting on the floor or idk trying to teach him how to fillet a fish and yev totally disgusted by it cause hes a rich little motherfucker and then yev enthusiastically trying to explain the last robotic ethics article he read and is really excited about and making science fiction comparisons so that mick can understand it. OH ALSO also i believe yev is really into the fact hes half russian and knows a lot about its culture and all and wants mick to know more about ukraines and eat their food and know their history and learn their langague and that makes mick PISSED i just know it.

#!: ☆ other posts of mine include: shameless hot takes ; shameless x arctic monkeys ; gallavich x this velvet glove ; shameless moodboards ; shameless playlists ; saddest character ending: karen

[savage-rhi]

Clouds Dream 1, 2 & 3.