#would love to see a spin off of it

[kiwisandpearls]

it seems kinda odd to be how iffy some people feel about Becky’s crush on Loid.

like I get it I really do but kids in real life get puppy love crushes on the adults in their lives all the time. It isn’t really a problem it’s just something that happens, it only becomes a problem with the adult reciprocates those feelings, and Loid clearly isn’t lol.

[kacievvbbbb]

I love this last snippet of all of them together with their groups. If this chapter did anything it was make me want a slice-of-life spin-off where we see these three idiots solving the stupidest low-level curse cases and somehow still fucking it up.

That truly would be my jujutsu kaisen

[applestorms]

actually. @moonlarked you wanted someone to talk about near & light as parallels? cuz uh...

ok SO, my big hot take on near is something like this: one of the most common criticisms i see about near is that he is simply too apathetic/bored/uncaring/etc, and that because he is not as emotionally invested as L, his win against light doesn't feel nearly (lol) as satisfying as it could've been. this is a view that often frustrates me, but for a very particular reason— namely, while i think it is somewhat accurate in content, i think it misses a lot of important context (and also misses a lot of the importance of light's character arc, but we'll get to that much later).

one of the most important things to remember about the wammy's kids is that, whether they like it or not, each and every one of them is defined almost entirely through their relationship to L. this is perhaps more obvious in the case of characters like BB and mello, who are very Aware of this shadow being cast upon them and react in very overt, emotional ways (e.g. becoming a literal serial killer out of seemingly pure spite & desire to be noticed, idolizing him but in a very emotionally complicated, kinda detached sorta way, etc), but it is true for Every wammy's kid, purely because of how the house itself functions. these kids are being raised to be L's successor— the greatest (and second greatest, and third greatest) detective on the planet. this is the ultimate goal hanging over every one of their heads, and it places a constant pressure on every kid there.

oftentimes, i think (perhaps both out of story and in it, as well?) people get so caught up in comparing near to L that they forget he also falls under this umbrella— only, for near, his position is slightly different because he actually somewhat succeeds at the task? like, yeah, L never gets the chance to officially call near his successor, but between the fact that he's constantly called the #1 kid at wammy's and that he. literally does actually end up becoming the new L after kira, i think it's always been pretty clear what his path was going to be.

going back to my starting point, this is one of the main ways that near makes a really good parallel to light in my mind, specifically the light that we see right at the start of the series. in both cases, near and pre-DN light, we see a kid who has succeeded at everything they've been handed, and more notably, we see a kid who is bored out of his fucking mind looking at the prospects of what he's got.

in the case of light, this is maybe a little more realistic/easy to understand— light does well in academics, he does well in sports, he does well with people. he is likely to follow in his father's footsteps with something criminal justice/police/law related, but even if he diverges from that path it likely won't be too big of a deal, as he has shown himself to be capable in enough areas that he's likely to succeed no matter what. by all measurable standards, light's doing pretty good at the start of the series. and yet— there is something so distinctly and inherently Bland about his life before he gets the DN. i've said before that light wouldn't call the DN a curse even if he wanted to, but i think in that moment when he's telling ryuk he disagrees w/ his father after visiting him in the hospital, when he says, "I've never once considered finding that notebook and gaining this power a misfortune. In fact, it's made me happier than I've ever been." (ch.22) he's still getting at something real and truthful.

again, going back to my equating of boredom with depression in this series— light's life is pretty good by all measurable standards. he has a family who loves him, presumably more than enough money to get by with a pretty cushy lifestyle, and does well, honestly better than well, in every single system he is presented with. but even so, he's still unhappy. there is something in his soul that has not yet been satisfied. he's bored of the world, bored of his place in it, how easy it all is. what the DN really offers him is a challenge, entertainment— just the same as L, and just the same as ryuk.

near similarly suffers from this kind of boredom, though it is perhaps less overtly stated than in the case of light, L, and ryuk, and less easy to catch as it is not as realistic/common. again: near basically ends up the winner of wammy's house. he is the one to take the title of L, he's declared the smartest, bestest kid at wammy's, and he gets all the power and privilege that comes with such a title. but still— he's so. fucking. bored. much to the embarrassment of mello, this shit was never really a challenge to him. it's pretty obvious that near isn't really even all that attached to the title of L— don't forget that his first real introduction to the story involves him explicitly saying that he'd be just fine working with mello as essentially co-L successors. and this is a viewpoint that he holds onto until the very end of the series, actually, claiming that he was only able to best light due to mello's sacrifice. near doesn't really give a fuck about the rat race he's been slotted into, though it's perhaps for that exact reason that he ends up winning it anyway, and getting all the responsibility that comes along.

that being said, i think there are still two main differences between light and near:

light fucks up.

near never gets past his boredom.

in the case of this first point, i do not mean to say that near never ever makes any move/judgement that could be considered a mistake— mello killing the entire SPK is the first thing that comes to mind, which i see as blood on near's hands for the same reason that L takes at least some responsibility for lind l. tailor. rather, i mean that near never makes a such a monumental fuck-up that he has to overturn his entire worldview just to account for it in the same way that light does when he accidentally kills two people w/ the DN the first time.

it's like, if you've ever known (or been) the kind of kid who always got perfect grades in school, straights A's for K-12, only to reach college and suddenly bomb their first test and have an existential crisis as their only real achievement in life is crushed into dust, then you know light yagami. only for light, it's on a whole 'nother scale, because not only does he fucking oopsie daisy kill two people, but he kills in such a context that he can mentally manipulate it back into seeming heroic. i hate to say that suffering causes character development because that's terrible advice (it's how you react to terrible circumstances that matters, imho) but to some degree, yeah, having conflicts/hard times in life is just necessary to figure shit out sometimes. near (and L, oh goddd i need to write about L properly sometime) has so many things smoothed over and handed to him, and on top of that, he's a super genius very rarely fucks anything up, at least according to base logic. he doesn't even really consider the morality of anything he's doing until light straight up asks him in a desperate bid to keep talking at the end, it's all just logic and factors to consider.

this all leads to my second point, which is that near never really gets the chance to overcome his boredom in the same way as the others. ryuk at least gets his entertainment for a couple years, and light and L (and mello) get so invested in each other and their game that it literally kills them, but near just kinda. keeps going. he keeps being L, he keeps solving cases, he does the duty he was given and enjoys his toys... and that's it. he lies around, the only one left to live, never even taking credit for the end of KIRA, never gets another haircut, and keeps the title going. what a life, for a kid who dragged a god back down to earth.

sidenote1: toys

am i reading too into things? maybe. near's toys hold a lot of significance throughout the story in more specific ways, most notably the finger puppets he uses at the very end of the story while tracking different people's/kira's actions, though you could probably read some kind of meaning into every toy he has and the ways in which he plays with them. what i want to look at here though is more the general reasoning behind playing with them in the first place— a desire for a childhood he didn't get to have? a love of games more generally? (could track with him seeing the KIRA case, or really all detective work, as just another game.) you could also read into his toys as another source for near's apathy/detachment from reality, literally breaking every notable person around him down into a doll by the end of the story, speaking a lot to how alienated he is from the world (again, very similar to both L and light, there). i don't have much more of a point to make here, just wanted to add this in somewhere since it's one of his most striking visual character traits.

sidenote2: light's arc

going back to my point at the start of this post... light's character arc.

uhh. near winning is a good thing, actually. and i don't just mean that as a moral claim— DN itself as a story isn't really concerned with trying to answer any moral questions about good or evil or the justice system, so it makes sense & is fair to me that it doesn't try all that hard to answer anything along those lines by the very end of the story. what i mean to say here is that near winning is a good thing on the level of the character arc, specifically as an end to light's arc.

i made a post a while back while mid-manga reread talking through some of the reasons why L's death can feel kind of unsatisfying/paint the second half of the story in a less interesting light (hah) for a lot of viewers, with the main point i ended up on being that L wasn't really able to win because he never really had all that clear of a win state in the first place. i still kiiind of agree with this point, though i think there's a lot more i could add to that post... anyways. point is, i bring up that post because it touches on a similar thing to what i want to talk about here: light's character arc being a tragedy.

this is more speculation on my part, but i think another part of the reason why people get turned off to DN post-L death is not just the fact that L isn't really a playable character in the game anymore, but the fact that light's character arc takes such a dramatic twist after the timeskip. i talked about this a little bit in my little ramble on light & titles (which a lot of you liked, apparently!! ty for all the lovely comments on there, i love reading what you guys have to say ^w^), but light's character arc in DN is a tragedy to me, full-stop.

tragedies to me are cyclical— revolutionary, if you will. since all stories necessitate some kind of something to take place, a tragedy to me is all about a character beginning in one point, then continually getting hit by Event, after Thing, after Event, only to end up in essentially the exact same place that they started. any character changes or development that seem to happen throughout the story are ultimately nullified by the end— the main subject does not truly grow, does not truly reflect on their actions or traumas, does not move on. two steps forward is two steps back. even ending up in a position worse than they started is sometimes better than a true tragedy, in my mind, as at least then there is some chance they may still reflect or change or grow in the future, leaving the hope that they may still overcome this new circumstance later on. a true tragedy ends in nothing meaningful ever getting the chance to truly change, at least in the case of the main subject of the story.

light's character arc in the first half of the story is an upward, underdog kind of story. yes, light has the power of a shinigami, of a supernatural force that the rest of the world doesn't even know exists— but part of the real appeal of his conflict with L is how powerful L feels in comparison, having the wealth and respect and title to command a world's worth of forces against him. fuck, even taking down naomi misora feels like an incredible hurdle overcome, a teenager managing to charm and yap and flutter his eyelashes out of a shitty situation he was only just lucky enough to stumble across in the first place, to stop someone who could've ruined his entire plan with a few words. killing L was always going to be light's greatest accomplishment when it comes to his rise to godhood, not only because of L's great power but the comparative position of light at the time that he did so— not yet an adult, not even really out of school, perhaps barely out of his parents' house.

in contrast, light's arc for the second half of the story is a downward spiral. we see all of the consequences light has been miraculously avoiding smack into him like meteors in this half, his ever-growing ego torn to shreds as he's yanked back down to earth. and in comparison to the anime, the manga really beats this point into you, dedicating the entire second half of the story to light's fall from grace as he loses his mind and loses his humanity. like, while i do kind of prefer the manga ending to the anime, i have to admit that light's death there is fucking brutal. light goes through pages, chapters, purely dedicated to near tearing him a new asshole, only end the story bloody and delirious and crawling on his knees begging a god of death to fix everything— all just to die the exact same death as everyone else he's killed. i mean, look at these fucking pages (ch.107):

(that last fucking picture of him. clawing at the sky. it always fucking gets to me.)

it hurts to read this shit!! we spend the entire first half of the story watching this dude's rise to glory, the entire time stuck inside of his head, emotionally connecting with him even if we don't really mean to or disagree with his actions or question his morality. watching his fall back down, especially after all of that, is fucking painful— an in no way does near make the process any easier. if anything, his blunt, snarky bitchery, saying all the quiet parts out loud, calling light out for being a terrible replacement L and pointing and laughing at his failures to his face, only shoves more salt in the wound, only proves just how human he has been all this time, how meaningless any of his supposed "rise to power" ever really was. light got his fifteen seconds of fame, sure— but near is armed and ready to make sure that's all he'd ever get, that the name Light Yagami would never even be associated with the position he held for so long. six years was all he got— and it was all he was ever going to get, because light yagami did not do this for humanity, he did it for himself. all near did was collect the debt that L prescribed. he fulfilled his duty as told— nothing more, and nothing less.

i just have to wonder... is this why people hate him? because he has no sympathy for the fall? maybe. i don't know.

either way, i don't think i could ever really hate him. it's a big responsibility, being the only one left behind. but near has always been the one to hold such weights on his shoulders.

[fantasticalleigh]

putting my thoughts down from tags i added to the last post here bc i need them to have their own space but--

i wondered why drew looked so damn tortured on RAW when he beat punk and destroyed the bracelet and after seeing that photo of Drew in near tears the over analyzing really kicked off

so drew Claymore'd Punk off the commentator's table and knelt on the ground after but instead of looking smug or laughing he just looked. idk. broken. and then when he's picking Punk up and they're in the ring and he's stalking around Claymoring him again and again there's that one moment where Drew turns his head away and scrunches up his face like he's in pain.

Why is he reacting like that to his own actions? Normally whenever Drew beats Punk he's a gloating, sadistic, grade-A asshole but on Monday he did look heartbroken. Punk was celebrating being finished with Drew Mcintyre after Bash in Berlin, practically having a party in the ring that he's now able to set his sights on a new opponent and Drew just can't bear that so he came out and did what he did.

Yeah, it's about pride. It's about payback. It's about respect. But (I think) Drew really expects Punk to match the intensity of his obsession with this feud. Every week he's out there demanding Punk's undivided attention:

-luring him out of the ring to chase him around the stadium when Punk is too focused on Seth

-learning his opening routine/mannerisms to the letter to mock him. using all of Punk's history against him like a weapon/insult to provoke an emotional reaction.

-taking his bracelet and kissing it to taunt him every chance he gets

-"look me in the eye when you speak to me" "you complete me/you're my muse/this is divine intervention" "it will never be over" etc. etc. etc.

-risking being fired and even arrested by crashing out on live tv multiple times demanding that Punk come see him/fight him

And Punk responds. He followed Drew to Glasgow just to fuck him out of a win in his own home country (no i will not rephrase that thank you very much). He waited underneath the ring to leap out on an unsuspecting Drew during his segment to whip him with a strap. He ruined Drew's MITB cash-in and beat him with a chair and then the title belt. He falls to Drew's bait again and again but recovers quickly. To Punk it's just another Monday with his unhinged, annoying coworker who he's got another match with. Even if it's a personal rivalry Punk refuses to see it in the same light as Drew does.

TBH I get real Batman & The Joker vibes from them both where Drew (the Joker) wants more and more out of Punk (Batman), and Punk just won't give it. And that breaks Drew's heart because, well, he's a great big dummy deep in love/denial and doesn't realize it yet. Despite his hatred of Punk, Drew feels/senses this is a great /special rivalry and doesn't want to let go.

Deep down he's gotta be thinking of Punk as a worthy adversary even if he'd have to be forced to admit it out loud and through bloodied teeth. Why else keep the feud alive at this point? At the beginning he tried to establish himself as the IT guy. "I'm your leader now, kid." So if he was THAT guy, couldn't he have walked away at any point? Drew could have been the one to drop Punk and focus his sights anywhere else. But now we know he just can't let go of things. He's still fixated on 2020. He's still fixated on his history with Punk. He gave Punk that power (unwillingly) to ruin him, it's his own fault but he's powerless to stop it at this point.

So when Punk's out there talking about setting his sights on someone new, Drew can't bear it, and that pushes him to destroy the bracelet. If I can't have it, you can't either. There's a real poetry in Drew forcing Punk to swallow those beads (and totally not a sexual connotation behind it, no way ;) ;;;;) ). The bracelet was a really interesting motif in the feud, and I loved its symbolism, but I'm glad it's gone. I keep seeing people comment on social media about the feud being stale by now (I disagree) and the expectation is that it will end at Bad Blood in a Hell in a Cell match. I'm sadly leaning this way too, but now that Drew destroyed the bracelet the feud can have a fresh breath of air and go down a new line if they write it right. Selfishly, I don't want it to end any time soon. It's my favorite story line right now in the WWE.

[crystalpallette]

I finally got a full lineup of these losers(affectionate)

(a ppq fanseries of mine, the royal advisors)

[pray4jensen]

if there's ever a season 2 of the winchesters, i need an episode where lata decides to summon dean and his magical monster-crushing impala and cas shows up too because apparently when the summoning happened, cas must've been gripping dean tight because he got flung through time and space too.

so the kids are like hey who's this, and dean rubs the back of his neck and says it's a friend.

so they're on the case and they're mid-battle when john's thrown straight through a chain-link fence and mary gets a nice face-to-face with a concrete pillar. so when they finally get out of there, lata brings out the first aid kit, except dean grabs it and rushes over to cas because cas just fell onto paper at that very moment and he's got a devastating 1/8 inch cut to his pinky (it's not even bleeding).

cue carlos looking at them with a very strange expression on his face and the heteronormative viewers watching the show laugh and giggle because haha look how funny it is that dean's mother-henning cas when john and mary are personally on their death beds.

anyway, because the rest of the gang was too busy dealing with life-threatening injuries, it's only carlos who notices the weirdness and for the rest of the episode, the camera keeps cutting back to his face every time dean and cas are together.

they head to a diner and lata accidentally drops her entire burger onto the floor. but cas still feels hungry after devouring a platter of fries so when the waitress comes up and lata's about to reorder because she's literally starving, dean butts in and orders cas an eight-course meal. lata throws him a dirty look but carlos once again has a strange strange expression on his face.

and it's like this the entire day. the monster traps them into a meat locker and cas reports feeling chilly so dean immediately takes the jacket off his body and wraps him up and he's already stripping down to his birthday suit to offer cas his body heat. meanwhile john's hemorrhaging on the floor and his temperature is plummeting and mary and lata are freaking out and carlos...oh boy, carlos. he can't even help. he just stares at dean.

finally, after several more instances of dean's cas-induced incompetence, even the others have noticed, so when they get to the motel room for the night, mary angrily lets them know that actually, they don't need dean's help because clearly dean's more preoccupied with his friendship with cas than the literal monster chasing them.

so dean shrugs and says suit yourself and as soon as they're gone, carlos, who's been having a mental breakdown all day, is like they are so not just friends. mary and john, like the heteronormative viewers watching the episode, are like what and they're confused but lata, the realization dawning on her face, says oh my god and starts looking faint.

so john and mary head to the window and to their shock, dean and cas are parked outside, making out in the impala. as it so happens, the monster they've been hunting is out there, creeping closer, except dean (with his tongue still shoved down cas' throat) picks up his gun and shoots once, the monster instantly bursting into a ball of dust, and john and mary just look on incredulously.

anyway, once they recover, they turn back and say um yeah so those two are definitely not straight and carlos just throws up his hands and looks into the camera like it's the office and the episode abruptly ends there.

but, even as the end credits play, you can see still hear the sounds of dean and cas making out though before it slowly turns into suggestive moaning.

[thatgoddamngingerundercut]

Agust D 'Haegeum' MV

[the-apocalypse-is-upon-us]

Mukuro Ikusaba,they could never make me hate you

[nintendont2502]

You know at this point most of the fandom already kinda hates/is apathetic towards HS2,, I think they should just get funky with it. Make the *wildest* shit happen.

Davekat ectobaby? Yeah sure why not. John ascending to his ult self and then de-ascending through pure narrative freedom? Fucking go for it. Turn Jane into a troll and make davebot sollux and aradia date and fucking end earth c with another round of sburb its homestuck^2 who really cares its trickster time part 2 baybeee

[theonethatyaks93]

OH MY GOD!!! 💖 And I thought Pinky was the only one that could rock this look! I was soooo wrong!😊 (From April 1999, issue 44 of the Animaniacs comics)

[cawcawwitch]

Just finished dndads s2 finale and feeling very normal about all the characters

[hall0wedwyrm]

Basically, TLDR i saw a fake screenshot on TikTok showing Amy in the Knuckles series and it got me thinking about how she... doesn't quite fit in the movieverse yet...

So here is my long rant about why it would be bad for her to join in Movie 3 and she should be saved for a future installment.

to preface: I DO NOT HATE AMY OR HAVE ANYTHING AGAINST HER. I think shes wonderful and shes literally a main character so shes very important obviously.

First, the elephant in the room. Shadow the Hedgehog. One of, if not THE most, complex character in the Sonic franchise, let alone in the main expanded cast. Having to introduce, and illude to, aspects of Shadow’s backstory (his relationship with Maria and Gerald, The ARK, how he was made, and the fallout) and his future (returning with amnesia in his next appearance, potentially introducing the Black Arms and some of the Heroes and Shad05 story beats that are important who he becomes) in about an hour and a half to 2 hours. I just don’t see how it would be a good idea to introduce a core member of Sonic’s friends into the movie series when she could be introduced later so that Shadow has more of a time to shine, and Amy can too later on.

Historically, Amy’s talk to Shadow to remind him of his promise to Maria has been filled in by another character when the plot called for it. In Sonic X, during its own adaptation of SA2, Chris spoke to Shadow to try and help him remember his real purpose and talk sense into him. While it didn't exactly work out, it shows that this role could be interchangable in SEGA’s eyes. I propose a similar story, using Tom’s niece Jojo. Being a character who is around Maria’s age and doesn’t have a complete character behind her as of now, this could be a more meaningful way for Shadow to realise his purpose and remember his promise. Hearing the words from someone who is like Maria (a young girl who cares about Earth) would be more impactful to him. I can see any human character taking up this role though, but Jojo would be the best candidate, due to her simiarities to Maria.

However, while not introducing another new character could be good for not overcrowding the movie with new arcs and introductions involving them, I could see this working for one character; Rouge the Bat. She was introduced along with Shadow in SA2, which is immediately a good sign, as their plots intertwine with each other. They both work with Eggman, until they turn the focus on saving the world. Rouge is one of Shadow’s closest companions going forward, and has her own arc too. She is the one who frees Shadow in Heroes, and rekindles their friendship there.

Rouge also could connect back to the previous movie. Being a jewel thief at heart, she goes after the Master Emerald, but in Movieverse its destroyed and the Chaos Emeralds are retrieved from it. She is established as being the Rival to Knuckles, and this could help him fill a new purpose on Earth (cos lets be honest… he didn’t really do that in his show-) of becoming a protector of the Chaos Emeralds instead or something. The main part of SA2 is about the Chaos Emeralds so this makes sense. Refinding the Emeralds or going to the right spot to use them and such but thats besides the point.

Another huge loss of introducing Amy in Sonic 3 is missing out on how she was introduced in the franchise. In Sonic CD, she was introduced along side another key character in the franchise; Metal Sonic. She saw a blue hero coming to help her, believing it to be Sonic, but turned out to be Metal instead. Having Amy navigate the trio around and give them the lore would make a lot of sense, given the way that others were introduced in the second installment.

Its also appropriate for this introduction too, since Metal Sonic is the perfect equal to Sonic, compared to Shadow's unintentional equal. After Eggman's failure of using Shadow, creating Metal is the next best thing. Whatever the story is with Metal, whether its faithful to Sonic CD or is twisted to fit the Movieverse story.

Now... I think introducing Amy could also mess up a lot of aspects of what the movieverse has set up for the stories of the characters. I 100% know that they will try and pull off a romance for Sonic and Amy, since its one of her main character arcs and for the longest time and its kind of (??) the main romance of the franchise. BUT according to the Sonic Dream Team character profiles, and the ending of Frontiers, she's drifted away from that interest in him... so to go back to that would be a really weird choice. I know its a different universe, but if SEGA is trying to steer away from that, then why would they go back on it?

PLUS I think it would be a huge detriment to both of their characters. Movie Sonic is much different to the Sonic's of the past, as he has all of the charms of Modern Sonic (his quick wit and charming personality) but hes younger and less experienced and jumps head first without thinking because he doesn't know what to actually do. He was thrown into the role of the hero in the first movie because the place he grew up was being threatened and he refused to run away. Amy being introduced as solely 'the love interest' also does a disservice to her character. She's strong willed, and unafraid to stand up to Eggman and any other wrong doer. She's also rather hot headed but still kind and cares for those who matter. (this is also part of a larger discussion i wrote about how in canon Sonic and Amy wouldn't work out because they want different things and are very different people but thats for a different day and/or if anyone is interested). Sonic immediately switching to a head-over-heels guy would be a complete ruin of his character built up, while also immediately destroying Amy's.

Another problem is that there isn't a focus on romance of any kind in the story so far, and introducing it could mess up what they have going. The Movie's are clearly about familial love and growing up and filling the boots of a hero. It is not a story of romance in any way. The first movie was friendship, the second was about family bonds and making new friends, and the third is most likely about trust or learning to trust again (Shadow has to trust Sonic to save the world). It'll also be a huge moment for Sonic's character; Meeting someone who is not just against him and Knuckles and Tails, but against the world itself, someone who is so hellbent on revenge for the one he lost, and how hes going to over come that WHILE meeting his new love interest... is a huuuuge task to pull off and the two stories don't really mix imo. Plus even in SA2 the extent of the romance is just 'Amy mistaking Shadow for Sonic and then she thinks its awkward and gets embarrassed and thats how they meet for the first time'.

So yeah this could be done much better if it's something thats going to happen, and it would be better left for a 4th or separate installment. Having a mini romance arc along with the Metal Sonic stuff works better because the introduction of a potential romance was worked more into Sonic CD than anything.

Im still gonna be pissed off if they do a romance, because Sonic the Hedgehog has never been about romance... but its also a multimillion kids film franchise and its bound to happen, especially when its the main male and main female character. Just know i won't enjoy it lol.

IF they do Amy... I want tarot cards AND the Piko Piko Hammer and if you take either of them away i will be causing problems (on purpose). If you give her the original outfit +11 points and if you make up an outfit whatever as long as it works and its cute (I'm partial to Dungarees myself).

anyway yeah id like to see other opinions on this... maybe some other ways it could work out? or how else she could be introduced? or maybe even of she could be in Sonic 3 but idk what they would do for her to make her not get sidelined or overtake the plot...?

[skepticalcatfrog]

At a certain point I become convinced that Netflix is going to announce a renewal and I'm not going to get to see it myself, I'm just going to hear it from someone online

[kakusu-shipping]

Wait actually while we're talking about Koro-Sensei's self inserts I wanna take a moment to go back to one of my favorite Koro-Sensei and I co-op S/Is that I've been thinking about recently for Someone I Think is Cool is putting the media on my Dashboard reasons; Soul Eater.

I only ever really watched the anime like maybe two times and neither was recent, but I always thought it was weird how BIG the Meister Academy was, and yet we only actively met like. Two teachers? One of whom was the Headmaster. So Koro-Sensei and I decided to fill in some Teacher Rolls!

He's the Weapon (a combat knife) and I'm the Meister, and we both have very unique (probably non-canon complaint) quirks. I'm a Meister who eats souls like a Weapon, he's a Weapon and a Witch's soul fused together, which has a lot of strange effects, one of which giving him the ability to split into multiple weapons at once, up to 8 to be exact, though they get a little weaker the more he is at a time.

Also, because he's a witch, there's a rumor that taking his soul would count to the Witch's soul required for graduation. Because of this, many of the students have tried their hand at killing him. Of course they've all failed so far. He thinks it's fun and welcomes the challenge, so long as no one disturbs classes to take a swing at him.

My S/I is not very expressive and usually has his eyes covered. Apparently a lot of the kids find him creepy due to how rarely he talks and the way he just stares off into space. Truthfully, he's just kind of a space cadet, he's trailed off in thought in the middle of his lectures multiple times. His natural smile is a very rare sight, and incredibly freaky.

Mostly the two of them exist because Koro and I both like the world of Soul Eater, but weren't interested enough in anyone to build off of them for S/Is... So we built off eachother!

[watzuu-lmk]

Stableboys duo oh how i miss you so......

[sunlightfeeling]

brb giving all my worldly possessions to momochan