#working class man

[gingerbredman1989]

Painting, oil on canvas, circa 1895, muscular working-class man.

Google ImageFX

[gregor-samsung]

Inxeba [The Wound] (John Trengove - 2017)

[viatalium]

Jimmy Barnes

For the Working Class Man

[communistkenobi]

It’s so funny when liberals lecture communists about not knowing how anything works, that we need to grow up and face the real world etc, while publicly demonstrating that their political imagination is so deeply impoverished that they genuinely believe the only thing the leader of the most powerful country on the planet in all of human history can do is block a slightly more fascist guy from taking his place every four years

[normal-about-charcters]

These two pages work amazingly to show just how unfulfilling a "normal" life can be, as well as showing just how little either of them really know of whats "normal"

[bacchuschucklefuck]

dreaming abt sophomore year class swap bard!riz

[zitrovee]

College made me evil

i had a comic assignment for my creative writing class but im. not a comic writing guy. a funny one, to be worse. im not funny. thats what i made

portuguese cause i forgor im brazilian and made the comic in english and posted it and then i had to post it again in my actual language wtf

[valentimmy]

hors d’oeuvre 

[evidenceof]

"You tell them what you always tell them. That their sons died as heroes." "You really still believe that?"

LEWIS NIXON III EP 9 Why We Fight, EP 10 Points | Band of Brothers

[floating-goblin-art]

NOW THAT IT'S DONE, i can post this tattoo design I made a whiiiile back for @constantzeigarnik >:D i've been so excited to see it and it ended up gorgeous, thanks for working with me

[idk-bruh-20]

Irondad fic ideas #148

You know those homework assignments where you have to interview someone in your family and then write an essay about their responses? Fic where Peter's class is told to interview their dad / a father figure in their life. 

Peter decides to interview Tony. But, he doesn't want his class to accuse him of lying, and he definitely doesn't want Tony to know what the assignment is about. 

So for Tony, Peter makes it seem like the assignment is just to interview anyone. Then, he carefully chooses questions to ask that are domestic and personal enough to avoid any mention of superheroes, celebrities, or so on. The few details that do slip through he just leaves out of his final essay.

For the class problem, Peter solves it by referring to Tony in the essay exclusively as "dad"

Unfortunately for Peter, the teacher then announces a part 2 to the assignment. Right after collecting the essays, the teacher says they will now need to bring the people they interviewed to school for their presentations

Peter has pretty much decided to not even mention it to Tony and just say his dad is busy. But then Flash has to open his big mouth. 

He accuses Peter of just making his assignment up, loudly reminding the class that he's an orphan. Peter clarifies that this father figure thing is a new development, but now the teacher looks suspicious

Peter is going to have to ask Tony to come to his school. And he's going to have to explain why the class will be full of kids and their fathers

[meet-the-courier]

Brodie: Heavy liftin' comes with its aches n pains! Might as well alleviate some of it.

[moonsun2010]

attempting to learn animation

[sicc-nasti]

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--------- Lovely second piece I commissioned Iyel on Twitter for. Pleassse check out their art. They're truly stunning. RED VERSION

[mxtxfanatic]

Ever think about how the author of PIDW transmigrated into his most nothing character who only existed to push the protagonist on the “right” path to popularity before dying? Ever think about how he transmigrated into that character from their birth, completely deleting that person from existence, while his own existence as the creator of the world he now inhabits is so thoroughly erased that we readers only know his “real name” as the character’s name? How the only name he carries over from his first life is a shortened version of his innuendo pen name? As if his existence as a person is nothing next to being the author, which is only marginally less nothing by virtue of the job’s one purpose: to make sure a story is following the “right” path to popularity before dying to enshrine that fame/infamy amongst readers?

No? Just me? Ok…

[lactoseintolerentswag]

when they've got interpreting spiderman noir under a specific cultural lens at the function [picture of me going insane]

I cant help myself.. what can i say. And since you've mentioned some research going on behind the scenes.. do you have any fun interpretations? Or even anything fun about the 1800s!

OH HI

Hm. I don't have anything as fun as historical dancing, but I suppose this does give me the excuse (thabk u) to blab about Noir's childishness.

(wow putting this under the cut bc it got longer than I thought it would LMAO)

I think what a lot of people (including Noir's contemporary writers and yes even the spiderverse interpretation) fall for when trying to read Noir's character is the imitation of his idea of what an adult is, that he hides behind. Like Noir's persona is incredibly exaggerated. He's playing pretend. Look here, he's practicing.

A lot of his persona as Noir is imitation! Imitation of his uncle, of Urich, of the violence he's been exposed to. He's running around in his uncle's old uniform. Fundamentally misunderstanding WHY his uncle had been ashamed of it and his role in the war.

And then he goes ahead and steals Urich's alias because it sounds Cool (which is such a teenage thing to do jesus christ).

But like that imitation of The Adult isn't something that's limited to that exaggerated persona that Noir encapsulates. Peter himself is trying So Hard to be grown up and tough and responsible that it loops back around to him being a brat who would try the three guys in a trench coat trick. He even gets beat up for it when trying to defend his aunt. And I mean I've posted about him being a brat.

About how he looks at Urich as a Prime Example of what a strong and knowledgeable adult is (which is part of why he reacts so volatile in response to Urich showing he's not exactly as morally righteous as himself, he's wounded and let down). Whiskey? Whiskey sounds like someone Mature and Cool would drink, I'll have it too. And then proceeds to throw his drink at Osborn and laugh about it. The illusion was broken for me then.

But well it's not broken for everyone. I mean like obviously I poked at the contemporary writers, but I'm more talking about the other characters in the narrative. Mainly Urich and Felicia.

Urich taking Peter under his wing isn't entirely under the motivation to nurture Peter. I think it Becomes that, but he's really envious of that kid. He wants to see him lose that hope that he once had (ruh roh the opposite thing happened, being around the kid made YOU more hopeful Ben. Guess you gotta be good. Hope you don't die now).

Urich really is exposing him to an extremely harsh reality, and taking him places where adults are typically only allowed. He's letting Peter get a glimpse into what it's like, which will eventually enable Noir's tool of violence. All these tests will accumulate into what Peter thinks someone powerful and strong can be and do.

Then his problematic relationship with Felicia (writers I'm malleting you for this). He's clinging to her adulthood and the safety she represents, and he's young but she sees some adult strength in him. I mean she trusts him with the blackmail Urich gave her, which she really. Shouldn't, even if that's what Urich wanted.

Anyway, strength is something she's been consistently drawn to her in her partners. Strength to feel as her own. Even if it's to hers and others' detriment. There's also a part of Peter that's drawn to Felicia because Urich was. He's still honing in the good parts of Urich he wants to be.

I think the one person in the narrative who doesn't fall for it? Is Aunt May. You could argue it's just her being naturally motherly, but for someone who was about to be eaten alive she's pretty frank with Noir. I think she can see that that violence and exaggerated grittiness comes from someone inexperienced and young. Even if she can't consciously recognize the similarities between Noir's persona and Peter's protectiveness of her. I don't think she wants to see that. I actually have a short comic script about that, but it probably will never see the light of day.

Ugh he's like a cat puffing up to scare away a predator. It's fake!!!!! It's all fake!!!!!! He gets intimidated by JJ, he never ties his shoes, gets powers and then immediately guns to beat the shit out of Osborn, sings about the sandman when he's getting his face bashed in, crawls to Felicia all pathetic and sad, and he made a costume to run over roofs at night in.

And it's funny how he's forcing himself to grow up, but also really sad because all the things he's being exposed to is already forcing him to grow up. He's witnessing things no kid should ever see or experience.

Then there's the time period to consider. The aftermath of WWI, being in the midst of the Great Depression, and WWII just around the corner. He's faced incredible hardship and is going to continue to face so much hardship, and he's going to mature faster than he ever should have. It should have made him crash and burn Hard when he became an adult, and to me he still does because I'm ignoring everyone after ewaof LMAO.

As for my research on the 1800s NY that's for my own spider iteration run I'm working on, so not too related to Noir until I reach the 30's :3

Hope that was satisfying!!