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Two Finches, 1880s
By Beatrice Whistler
#art#painting#fine art#classical art#english art#english artist#english painter#british art#british artist#oil painting#19th century art#birds#european art#1800s#british painter#nature
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Chilvaric Love
Artist : William Dacres Adams (1864-1951)
#williiam dacres adams#english artist#english art#english painter#horse#cheval#étalon#destrier#coursier#black horse#chivalry#knight#chilvaric love#love#lady#dame#noble dame#maid#maiden
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J.M.W. Turner, Snow Storm - Steamboat off a Harbour's Mouth, 1842
J.M.W. Turner, Peace - Burial at Sea, 1842
#jmw turner#english art#english artist#english painter#English painting#aesthetic#beauty#nature#landscape aesthetic#landscape art#landscape#landscape painting#english landscape#landscape painter#art aesthetic#art on tumblr#art history#aesthetictumblr#tumblraesthetic#tumblrpic#tumblrpictures#tumblr art
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The Soul's Prison
Artist: Evelyn De Morgan (English, 1855-1919)
Style: Romanticism
Genre: Symbolic Painting
Medium: Oil in Glycerine on Canvas
Date: 1888
Description:
When a study for this work was exhibited in 1889, a quotation attributed to St. Augustine of Hippo was attached to it "illuminate, oh illuminated my blind soul that sitteth in darkness and the Shadow of Death". The Soul sits in its prison (the body) awaiting its release into the light beyond the prison window - the release of death. This echoes the painter's Spiritualist belief, that the body is merely an earthly shell, an encumbrance, which the spirit longs to cast off in death, to move into the sun of the spirit-spheres.
#evelyn de morgan#symbolic painting#19th century art#english painter#romanticism#quotation#woman#prison#bench
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Circe Invidiosa, 1892, John William Waterhouse (1883-1917)
#circe invidiosa#john william waterhouse#pre-raphaelite#english painter#the myth of circe#mythology#mythological painting
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Jessica Hayllar (British/English, 1858-1940) • Fresh from the Greenhouse • 1885
#art#fine art#painting#art history#jessica hayllar#woman artist#english painter#british artist#realism#oil painting#paintings of interiors#paintings of domestic interiors#interior with figure#the painted room art blog#art blogs on tumblr#art lovers on tumblr
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Naomi and Ruth
Artist: Evelyn De Morgan (English, 1855–1919)
Date: 1887
Medium: Oil on Canvas
Naomi and Ruth
The story of Naomi appears in the Bible in the book of Ruth. Naomi lived during the time of the judges. She was the wife of a man named Elimelech, and they lived in Bethlehem with their two sons, Mahlon and Kilion. Naomi’s life illustrates the power of God to bring something good out of bitter circumstances.
When a famine hits Judea, Elimelech and Naomi and their two boys relocate to Moab (Ruth 1:1). There, Mahlon and Kilion marry two Moabite women, Orpah and Ruth. After about ten years, tragedy strikes. Elimelech dies, and both of Naomi’s sons also die, leaving Naomi, Ruth, and Orpah widows (Ruth 1:3–5). Naomi, hearing that the famine in Judea was over, decides to return home (Ruth 1:6). Orpah stays in Moab, but Ruth chooses to move to the land of Israel with Naomi. The book of Ruth is the story of Naomi and Ruth returning to Bethlehem and how Ruth married a man named Boaz and bore a son, Obed, who became the grandfather of David and the ancestor of Jesus Christ.
The name Naomi means “sweet, pleasant,” which gives us an idea of Naomi’s basic character. We see her giving her blessing to Ruth and Orpah when she tells them to return to their mothers’ homes so that they might find new husbands: she kisses them and asks that the Lord deal kindly with them (Ruth 1:8–14). But her heartache in Moab was more than Naomi could bear. When she and Ruth arrive in Bethlehem, the women of the town greet Naomi by name, but she cries, “Don’t call me Naomi... Call me Mara, because the Almighty has made my life very bitter. I went away full, but the Lord has brought me back empty. Why call me Naomi? The Lord has afflicted me; the Almighty has brought misfortune upon me” (Ruth 1:20–21). The name Mara means “bitter.” The cup of affliction is a bitter cup, but Naomi understood that the affliction came from the God who is sovereign in all things. Little did she know that from this bitter sorrow great blessings would come to her, her descendants, and the world through Jesus Christ.
Ruth meets a local landowner, Boaz, who is very kind to her. Naomi again recognizes the providence of God in providing a kinsman-redeemer for Ruth. Naomi declares that the Lord “has not stopped showing his kindness to the living and the dead" (Ruth 2:20) Seeing God’s hand in these events, Naomi encourages Ruth to go to Boaz as he slept in the threshing floor in order to request that he redeem her and her property. Naomi’s concern was for Ruth’s future, that Ruth would gain a husband and provider.
Naomi’s bitterness is turned to joy. In the end, she gains a son-in-law who would provide for both her and Ruth. She also becomes a grandmother to Ruth’s son, Obed. Then the women of Bethlehem say to Naomi, “Praise be to the Lord, who this day has not left you without a guardian-redeemer. May he become famous throughout Israel! He will renew your life and sustain you in your old age. For your daughter-in-law, who loves you and who is better to you than seven sons, has given him birth” (Ruth 4:14–15). Naomi was no longer Mara. Her life again became sweet and pleasant, blessed by God.
#naomi#ruth#landscape#women#book of ruth#old testament#christian art#christianity#bible story#emily de morgan#english painter#european#19th century painting
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Self-Portrait as a Distressed Poet, 1858. Augustus Leopold Egg.
#dark aesthetic#dark#dark art#dark academia#darkest academia#angst#writting#dark painting#english painter#book writing#poetry writing#english art#painting#mental distress#writers block#aestheticism#aesthetic
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Le Pandemonium
(John Martin, 1841)
#paintings#art#painting#classic art#academic art#traditional media#19th century art#pandemonium#apocalyptic#john martin#english painter#pintura#louvre collections#luv вдохновляемся
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A Devonshire lane by Henry John Yeend King
#Henry John Yeend King#genre painting#genre art#landscape#victorian art#victorian era#english painter#19th century art#art#art history#painting#oil painting#oil on canvas#english countryside
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Girl with a Parrot - Dod Proctor
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The Three Graces, 1830
By Edmund Thomas Parris
#art#painting#fine art#classical art#british art#british painter#oil painting#british artist#beauty#grace#women#aesthetic#english art#english painter#19th century art#european art
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Arctic Encounter
Artist : Arthur Wardle (1864-1949)
#arthur wardle#english painter#english art#english artist#bear#water nymph#sea nymph#mermaid#sirène#nymphe des eaux#sirena#white bear#ours#ours blanc#arctique#arctic#sea#ocean#mer#red hair#polar bear#ours polaire#green#vert
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Gerald Leslie Brockhurst, (1890-1978) The War Widow, c. 1923
#gerald brockhurst#portrait art#portraiture#portrait painting#portraits#english art#english painting#english painter#english artist#british painter#british artist#british art#war#modern art#art history#aesthetictumblr#tumblraesthetic#tumblrpic#tumblrpictures#tumblr art#aesthetic#beauty#tumblrstyle
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In St. Mark's
Artist: Frederic Leighton (English, 1830–1896)
Date: Unknown Date
Medium: Oil on Canvas
#venice#nineteen century#frederic leighton#english painter#european#italy#mother#child#dove#st. mark#motherly#motherhood#baby#venetto
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~ James Archibald Stuart-Wortley, The Hon. Elizabeth Evelyn Harbord, Lady Hastings (1880) (detail)
via wikimedia commons
#james archibald stuart-wortley#painting#fine art#art history#art detail#english art#english artist#english painting#english painter#british art#british artist#british painting#british painter#victorian art#victorian era#victorian painting#portrait#portrait painting#19th century art#19th century painting#1880s art#1880s#1880#romantic aesthetic#rose aesthetic#roses#floral#e
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