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Väinö Hämäläinen (Finnish, 1876-1940), Lake Landscape, 1932. Oil on canvas, 74 x 61 cm.

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Lovers with Cupid and Death (Hans Thoma, 1876)

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A Woman in Rose, John White Alexander, 1900

Oil on canvas 40 x 22 ½ in. (101.60 x 57.15 cm) Carnegie Museum of Art, Pittsburgh, PA, USA

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Albert-Ernest Carrier-Belleuse, 1824-1887

Venus and Cupid, n/d, terracotta, 51x60 cm

Private Collection

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Ralph PEACOCK 1800s

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The Edge of Night - Stanislav Aleksandrovich Brusilov

Russian , b. 1976 -

Oil on canvas

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Julius LeBlanc Stewart

“Nude in an Interior, 1914

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Adolf Heinrich Claus Hansen - A mandolin player in an Interior

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Gustaaf Vanaise (Belgian, 1854-1902) De bacchante, n.d. Koninklijke Musea voor Schone Kunsten in Brussels, Belgium

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Charles Courtney Curran (American, 1861-1942)

Hollyhocks and Sunlight

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The Goddess Svetlookaya (Athena) by Boris Olshansky (2009)

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Jean Paul Laurens, The Cadaver Synod

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Georges Achille-Fould (French, 1868-1951): Portrait of an actress (via AWARE Women Artists)

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Symposium - Akseli Gallen-Kallela (1894)

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Alphonse Mucha ֍ Au Quartier Latin (1898)

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Elizabeth Vaughan Okie (1894). William McGregor Paxton (American, 1869-1941). Oil on canvas. Boston Athenæum. The Athenæum’s portrait is Paxton’s earliest image of Elizabeth Vaughan Okie, Paxton’s future wife and artist in her own right, and may have been painted specifically for her. With its vibrant colors and loose handling of paint, it is a good example of the rather free, Impressionist style in which Paxton worked in his early years, before he turned to a more hard-edged, linear style. Most of Paxton’s early paintings were destroyed in a studio fire, making this a rare survivor from that period of his professional life.

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Gustave Vanaise