#working class fashion
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#pauline black#style icon#the selector#two tone#styles not for sale#working class styles#working class fashion
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if you haven’t at least tried sewing or crocheting or knitting your own clothes, you really should. even if it’s just one time and you never do it again, i really think everyone should do it at least once
learning how to crochet was what finally made me grasp the abject horror of the fast fashion industry and realize just how laborious and time consuming it is. i have to take a few days off a week so my back/wrists don’t get sore — and i get to do this as a leisure activity in the comfort of my own home, rather than in a sweatshop. it takes dozens of hours to produce a single item. there is just something about trying it yourself that makes you realize just how little the people making our clothes are being paid for retailers to be able to sell clothes at such obscenely low prices.
i understood in the abstract that people were earning literal slave wages to make my clothes, but that concept wasn’t real to me in a way i could understand until i spent 14 hours making something that i myself wouldn’t have even been willing to pay more than $10-20 for if i saw it in a store.
i have not bought any new clothes since learning how to crochet. every time i see clothes at a store (especially obviously handmade items like crochet), and i look at the price tag i feel genuinely sick to my stomach.
i’m not saying everyone needs to make their own clothes in order to be against fast fashion, but what i am saying is if hearing about the conditions and wages secondhand has not been enough to make you stop buying it, if you find yourself becoming desensitized to the suffering of the people who make your things, you should try making something yourself.
you need to see firsthand how physically and mentally demanding it can be and imagine how much worse it would be if you were forced to sit in a sweatshop for 16 hours a day doing it nonstop, earning pennies an hour to do so. you need to spend weeks laboring over something only for it to turn out looking like shit so you realize just how much wisdom and technical skill goes into these supposedly “unskilled” and undervalued jobs. if the abstract concept isn’t enough to get through to you, then you need to get hands on.
#abolish fast fashion#fast fashion#shein#temu#h&m#sustainability#sustainable fashion#sustainable living#diy fashion#sewing#knitting#crochet#anti consumerism#anti capitalism#working class solidarity#sweatshops#ethical fashion#labor rights#star’s posts
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Someone needs to do an analysis on the way the Kung Fu Panda movies use old-fashioned vs. modern language ("Panda we meet at last"/"Hey how's it going") and old-fashioned vs. modern settings (forbidden-city-esque palaces/modern-ish Chinese restaurant) to indicate class differences in their characters, and how those class differences create underlying tensions and misunderstandings.
#This is neither a criticism nor a compliment of that artistic choice#I just think it's really interesting#Like even looking at the Five:#Tigress talks in an older style than the others because she was mainly raised at the Jade Palace#While Mantis talks like Joe-schmo off the street because he *was* a streetfighter and an ordinary guy#Shifu and even Tai Lung talk like they're from an old-fashioned novel or kung fu movie#Po talks like a modern guy you'd meet working in a twenty-first century family restaurant#Part of Tigress's initial disdain for him in the first movie is clearly because she considers him to be low-class/a commoner#(And therefore an intruder into the world of the Jade Palace and the rest of the Kung Fu masters which appears to be semi-noble).#Shen looks genuinely off-put and disgusted when he has to respond to Po's greeting with a “...hey.”#And when Po wants to appear more legitimate as a warrior he adopts a more “legendary”/old-fashioned way of speaking.#In the aesthetic language of KFP old fashioned=noble/upper class and modern=common/lower class.#This translates entirely naturally—I think especially to an American audience—but it is wild once you notice it#Because you realize: “Hang on—shouldn't *all* these characters be talking like they're living in the medieval era?”#“And what does it mean that they're not? What is the movie attempting to convey with this—probably entirely subconscious—artistic choice?”#kung fu panda
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and! barbarian!fig! its her
#fantasy high#dimension 20#figueroth faeth#fh class quangle#if u look at the junior year design and think tifa lockhart: yeag#I already thought the cleric!gorgug junior year design kinda is very aerith so. lol#but! I do feel like these designs maybe portray the clearest arc out of all of them so far. I like that#some of it came from a bit of necessity which is really fun that mirrors the actual play format thats cool#(necessity being freshman year riz is pretty much a huge block of red flannel lmao. kinda stole figs canon color coding for a bit)#(and he's got the owlbear jacket from taping the games in sophomore year... so I cant give fig the big red blocking until#junior year lmao. coincidentally this forced me to be a bit more dynamic with her concept which is great)#her second pair of shoes very sonic tho. I kinda enjoy that lol#tbh I really love that canon gorgug is like in a pair of chucks 24/7 that is SO funny for a barbarian I hope to keep the energy going#with class swap fig I think a barbarian who wears like collector sneakers is awesome. the foot support is so important to their work#the general idea of a hyperfem girlypop barbarian still ticks for me tbh. idk enough abt the zeitgeist to know if thats passé now or not#but doing Fashion on ur job of bodily tearing ur opponent apart with the least flourish possible is just a hit for me#her knee brace is from like an injury back in her cheer days that she got by overexercising in hope of being good enough that#the team couldn't let her go. the team then used that same injury as a pretext to let her go#I think abt her arc tbh... fig's thing in canon junior year abt the point of her rebelling. I feel like a lot of it can also apply to rage#both knocking things over and holding onto things don't like. make anything new. destruction without at least a glimpse of a vision#of the after is ultimately a cynical defeatist point of view... strategic barbarianism for fig babeyy#yay! once again its time for me to Fucking Sleep. but hopefully I can hammer out a proper ref for riz and gorgug both in the#following week inbetween doing my job. its that time of da year lads (<- fully seasonal worker)
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I watch a fun IG reel of a maid getting dressed in 1790 vs. 1890. it's great! both maids are in practical, period-typical outfits with a few simple aesthetic touches because Humans Like Looking Good regardless of social class. you can tell they are maids because they put clearly functional aprons on, and the 1890s one is wearing a uniform-style cap. also the caption says they are. love it
I scroll down
the top comment: "but what did POOR women wear? you only ever show rich people's clothes!"
#dress history#fashion history#historical costuming#perhaps...working women...had nicer clothes than you realize?#perchance they...did NOT go about in rags?#shocking to even consider I know!#also if they're not being educational historical costumers don't owe you working-class ensembles in their fun personal hobby#but that's another conversation#(I'm a normal person 24/7! let me be a countess for a while!)
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Tbh I think the fast fashion conversation should involve poor ppl but not in any way in the form of shaming but more like: “you are being taken advantage of by large corporations that have women and children enslaved to make crappy clothes in excessive amounts that have literal lead that will damage ur body in serious ways that ur pressured to buy via influencers that form a parasocial relationship with you and don’t care about you to overconsume them in large amounts that won’t last and have to be thrown away at some point and all that ends up fucking the environment. Plus, the cycle of consumerism is damaging to ur finances to keep u in poverty and mental health of always wanting more but never satisfied.”
I am saying right now you don’t need to throw out fast fashion items you currently own, if they fall apart, they can be repurposed. I am also saying I’ve been guilty of shopping fast fashion but am also making a commitment to eliminate fast fashion purchases and mindset in my life. The root cause of these fast fashion corpos to keep doing what they do is purely based on you buying from them and you, the consumer in this capitalist world, have the power to change that. Obviously there’s little you can do to avoid big oil or buying things made with prison labor without serious direct action but the fashion industry is one that is by design meant to be maintained by mindless consumerism and overconsumption.
If you are poor, please do whatever within ur means to avoid fast fashion, whether it’s buying from thrift stores other than goodwill and just buying less clothes and focusing on more important things in ur life. A better tomorrow is still possible if you allow it.
#mine#gothgoth#deathrock#punk fashion#sustainable fashion#sustainability#trad goth#goth fashion#slow fashion#fuck fast fashion#punk#goth#anarcho punk#anarchism#anarchy#anarchist art#anarchist#anarchopunk#anarchofeminism#leftist theory#punk culture#goth culture#punk rock#counterculture#boycott divest sanction#boycott#working class#diy or die#diy#diy culture
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A Sailor Smoking a Pipe, by Luke Clennell (1781-1840, Scottish).
#age of sail#sailors#historical men's fashion#maritime history#luke clennell#working class history#the capstan just faintly sketched in#i love him your honor
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A typical day in the Garment District, this one on October 8, 1952, a bustling hub of fashion and manufacturing. The workers who cut, sewed, and pushed endless racks and hand-trucks around the midtown neighborhood were “the living embodiment of New York’s working-class economy, whose sweat and long hours draped the shoulders of the rest of the country,” The New York Times reported in 2012. A stretch of 7th Avenue, between 26th and 42nd Streets, was officially designated “Fashion Avenue” in 1972.
Photo: Sam Falk for the NY Times via Times Instagram
#vintage New York#1950s#Sam Falk#7th Ave.#Seventh Ave.#Garment District#Oct. 8#8 Oct.#1950s New York#Fashion Ave.#working class#vintage NYC
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Mairon/Sauron (Tolkien) Cosplayer + edits: me Photo credit: justanotherneko_photography Wig: Arda Wigs (Grace, in “Fire Orange”) Contacts: Uniqso (Sweety Crazy Red Demon Eye) Ears: Aradani Costumes (Sun Elf Ears) Fangs: Scarecrow (Classic Deluxe Fangs) Dagger: antique, bought at a bazaar Clothes are my own.
Happy Halloween from your friendly neighborhood necromancer 🦇
#mairon#sauron#silmarillion#tolkien#cosplay#hira cosplays mairon#fashionably late due to being out all day due to work errands sword class etc#left at 7am and just got home like. half an hour ago. at. 10:45pm T_T#but i've been sitting on these for a year waiting for halloween to come round again so i can post them lmao i'm not missing it XD#(hands stunk for a good long while after this but it was so worth it; this was so much fun)
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h-how do you ever finish any of your work? genuine question because you seem to be productive despite your agreste syndrome and I need to learn your ways. but also how do you ever finish any of your work
unclear. last night i stayed up and finished a report worth 25% of my grade at about 5am, arrived on time for my 9am lecture, and spent about half of it zoned out while thinking about seventeen year old emilie agreste. and i was one of the most active participants in the class discussion
#in some ways it IS the move to go to grad school right out of undergrad#because your body can still sort of operate like a college kid#i’m on about 3ish hours of sleep rn and this morning it felt SO over but now i’ve eaten something and we’re so back#i also don’t really do caffeine. except sometimes i’ll go get one of those panera death lemonades#i might be able to snag a short nap before work#but anyway about seventeen year old emilie. i was thinking abt how she was in that movie solitude and adrien said she was seventeen#WAIT. NO. HE SAID SHE WAS SEVENTEEN IN THAT PHOTO ON HIS DESKTOP NOT IN THE MOVIE#well. okay whatever i’m gonna tell you what i was thinking about anyway#OKAY i’m back i just checked the wikipedia page and then i watched the end of gorizilla. to make sure i’m not lying. because i’m normal.#anyway i was thinking about the solitude film and how it’s super rare and old and obscure and whatever. and how apparently#emilie wrote it herself and andre produced it#and i’m thinking about how gabe was discovered by audrey and that’s how he got his start in the fashion industry#so now i’m like?? did gabe and emilie first meet on the set of solitude? because gabe was designing costumes or whatever?#and that’s how audrey found him? have people already thought about this??#also i just checked and it doesn’t say emilie’s last name in the credits and also it’s ‘graham films’ with the twin rings logo m#so i’m assuming she’s still emilie graham de vanily at that point#anyway it comes back to seventeen year old emilie because i started imagining seventeen year old runaway emilie having her new life in pari#after escaping her british nobility life#and the first thing she does is write and star in an original movie. of course.#and she meets this repressed bisexual punk upstart costume designer who is so the opposite of everyone she’s ever known#and he’s immediately so unhealthily obsessed with her. which she appreciates.#and then they proceed to have the most toxic doomed evil relationship of all time#also she gets cheated because once gabe gets money he represses himself SO hard that he is now exactly like all the people emilie grew up w#but at least he’s still obsessed with her#this is what i was thinking about during class today. i don’t know how i get anything done either.#ml#anna rambles#asks
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ballerina marinette lives rent free in my head
#mari going to uni to be a fashion designer#taking up gynastics in her free time#then attending one (1) ballet class and fallung in love#taking up ballet and droping gynastics#mari performing on stage as a ballerina and her friends coming to support her#adrien cheering the loudest in the crowd#:(#miraculous ladybug#marinette dupain cheng#ladybug#adrien agreste#adrienette#love square#omg adrien privately taking up ballet as well and helping her practice as chat noir#chat noir becoming her practice partner bc they’ve always worked beautifully together#her coach or whatever tf their called in ballet watchibg chat noir and mari dance flawlessly#the coach (?) telling them that they have to dance together in the performance bc it was just so beautiful#shennanigans as chat noir tries to come up with an excuse as to why he cant but the coach (?) wont hear any of it#now adrien has to come up with an excuse as to why he cant come watch but he wont be able to stand the sullen expression on mari’s face#so he has to find a way to be there as both adrien and chat noir#adrien sitting in the seats until its mari’s turn and then sneaking out to show up back stage as chat#calming a worried mari who thought he wasnt gonna show and then them both swinging on stage together#giving the performance of a life time#and then chat leaving for adrien to reappear#alya conplaining that he missed chat noir but its okay bc she got it all on tape#adrien complimenting mari after the show and then chat finding her later that night to compliment her again#is it obvious i prefer marichat?? LMFAOOO#marichat
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Hi! So I’m doing a personal art project on fashion in the 1890s, and I am struggling. Like a lot. I created a Pinterest board of a bunch of 1890s dresses, problem is I’m having a hard time identifying the uses for some of them. I know that a Walking dress is a type of Day Dress but how exactly would one differentiate the two? What exactly would be the physical differences between a Walking dress and a Day dress?
And did everyone have walking dresses? Or was the more of an ‘upper class’ sort of thing?
I understand the struggle. It was quite hard to parse out at first for me too since the Victorian dress etiquette was pretty complex. Fortunately I have made a post about that specifically for 1890s. If it doesn't answer all your question or you want me to specify something, feel free to sent another ask! I used examples from different years of the decade to make it more applicable to the whole decade but it should be remembered that there was changes to the silhouette thorough the decade and every type of dress would be adapted to the shifts in the fashionable silhouette.
Though as I point out in the post it focuses on the upper class. For the working class and to some extent middle glass it was a little different. The working class did not participate in the high society events, but many middle classes could at least to some of them, and working class women worked outside of the house too, while married middle class women generally didn't. Young unmarried middle class women did often work, for example as secretaries and shop assistants in respectable establishments. Working women didn't spend their days receiving guests at tea parties or attending them, so they didn't have tea dresses, nor did they generally have evening gowns which would be required in formal high society events. They might have a dinner dress though if they were well off, which was the least formal of evening gowns. Middle class women would generally have these. Working class and the casual middle class day dress resembled much more the walking dress of the upper classes than their other day dresses. They would have a church dress that would be a little fancier day dress for church and usually even fancier day dress for formal functions, like weddings.
Here's working class women in their work attires that were practical day dresses and aprons usually.
And here's middle class women in fairly similar dresses.
Different types of day dresses
Maybe I should expand more on the differences in day dresses and how walking dress relates, since while I talk about day dress and walking dress separately in the linked post, I don't fully explain the whole day dress thing since I did need to simplify. Day dress was not a specific dress, but quite a broad category of dresses that were used in different situations thorough the day. They are quite hard to differentiate sometimes, mostly because they weren't really that strictly different from one another. To understand why one dress was used in one situation, we need to understand the dresses in the casual to formal scale. Usually casual is looser, more practical, less elaborate and more covering but has shorter hem and the opposite apply to more formal.
When staying at home, people would be in their most casual clothing, but the level of formality would rise when receiving guests. Leaving home would require higher level of formality, but how high would depend on what you were going to do and who would see you doing it. This is why visiting gown is more formal than the dress the hostess would receive their visitor in. Close family members and friends could be casually received outside specific events during the day and a casual house dress or tea dress was acceptable for that. Afternoon tea was an important social event for upper and middle class women, and it would be slightly more formal occasion, but still for family and friends and therefore somewhat casual. Visiting dress were on the formal end of the afternoon dresses, but more casual versions of it could be used to go see a close friend or family member in a more casual way. Carriage dress was worn for open carriage rides, which were social events for the upper class. There they would be seen prominently by their whole community while they socialized in the carriage among their peers. Carriage dress was therefore very formal and elaborate, often had a trail and usually had a cloak as the wind might get cold. Promenade dress was for walks in a park. This was different from an actual walk, as the upper class people would go to a park to be seen and to socialize. Promenade dress was then somewhat formal, though less than most visiting dresses or carriage dress.
Here's first an example of a quite elaborate visiting dress from 1894-95 and then carriage dresses, first image from 1894, second from 1891.
Walking dress was the least formal of the dresses an upper class person might wear outside the house (excluding sports dresses). It was used by upper class people for city walks and traveling, but as I said earlier the practical day dresses of middle and working class were very similar to it. It was practical and simple. It had shorter hem, it was made from sturdy materials, often wool and it was usually tailored. Dress Reform Movement, which was a moment among the first wave feminists, advocated among other things for tailoring in women's clothing, arguing it was more practical. The trend begun in 1880s and it's really most prominent in walking dresses and sports wear of 1890s. Which it why the walking dress typically has a lot of elements from men's fashion. Unlike the other day dresses, which were rarely tailored and had usually just the skirt and the bodice, the walking dress had a skirt, shirtwaist, tailored jacket and sometimes a waistcoat and a tie or bow. Sometimes a walking dress is hard to distinguish from a promenade dress. Promenade dress was more elaborate and while it usually had a shorter hem than for example carriage dress, it wasn't as short as for a walking dress and it might even involve a bit of trail. The things is promenade dress and walking dress probably had a lot of overlap.
Here's fashion plates showing promenade dress styles, first from 1896, second from 1898, both conveniently showing an elaborate dress and a tailored look that's easy to get mixed with a walking dress, and possibly would have been used as such in some cases.
Here's walking dresses shown in a picture from 1899 (note the early photoshop to make the waist smaller), a fashion plate from 1896 and a painting from 1897. Really the main difference is the hem of the skirt to the promenade dresses of tailored style.
Shirtwaist
I will mention on it's own shirtwaist too, since it highlights a lot of the class differences and how they showed. The shirtwaist, or blouse waist or sleeve shift, is a hard garment to pinpoint as it was used for many different purposes by different people. It was one of the first garments to be mass-produced and therefore very affordable. It was also loose and unfitted by nature and so easy to move in. For these reasons it was used with a practical skirt by working class and middle class women as casual wear. The outfit was sometimes used with a jacket similar in style to those of walking dresses, making it practically indistinguishable from a walking dress. Here's for example pictures of working women class women wearing shirtwaists at work and at town shopping (the other picture could be of middle class women too).
As tailored styles influenced by men's fashion became popular, so became shirtwaists. At the same time sports were becoming popular and sportswear was highly influenced by this tailored trend. Shirtwaist being light and loose was perfect for sports and was used by upper and middle classes for tennis, golf and cycling for example. (I'm working on a post about the history of tennis ensemble where I go deeper into this.) Because of it's very casual nature, it was not considered suitable for the upper classes in most situations outside sports. As seen above it was part of the walking dress for the upper class, but in that situation it was used under a jacket. Young fashionable progressive women, who were often called the New Woman, started using it in their morning dresses and then even casual day dresses.
Here's first a picture of tennis ensemble from latter half of 1890s, a picture of young women from 1898 and a fashion plate from 1898.
I have a pinterest board of primary source examples for Victorian fashion, where I've made a rough divide between different periods of the era and different types of dresses inside every period. It's not fully organized yet and at least for now the types of dresses are divided very roughly into day dresses, evening dresses, sports ensembles and toilette. Toilette is a vague enough term so I used it here to include basically any dress used exclusively at home. The categories are maybe not granular enough to be helpful for you here, but I'm linking it here in hopes it would be of some help.
#answers#historical fashion#history#fashion history#victorian fashion#dress history#1890s fashion#victorian day dress#1890s day dress#day dress#working class dress#anon
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redraw of a character assignment I had last year
#i don’t remember if I ever posted the original on here but I hope not cause that shit looks ass lol#it was probably one of my least favorite drawings I did for that class even though it was so simple and I had a solid idea for it#it’s definitely an improvement but there’s definitely stuff here I need to work on#like contrast and better lighting and backgrounds and all that#but I’m happy with how it came out <3#she’s a trans woman drag queen btw#very 80s 90s winter fashion inspired#I think I leaned too heavy on that for the original tho#art#digital art#my art 🦷#digital painting#drag queen#trans woman
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hate feeling like no one will take me seriously in academia !!! hate feeling like i will never ever fit in !!!!!
#like . i had a good time at the presentation !!!#i knew what i was talking about and i communicated it well#but like. i can just /tell/ the other people did not take me seriously#not even bc im 17 like. they just see a woman ? with short green hair and colorful clothing and assume i dont know what im talking abt#even if people dont say it i know its true.#and i told my mom this and she was like 'well you just have to break the stereotype'#I DONT WANT TO. i dont want there to be a stereotype for me to have to break#i dont want to have to work at getting taken seriously when there are white men with boring fashion sense who know the same or even#less than i do getting treated with way more respect!!!#im tired of it already. i want to do research and be in academia but i dont know if i can do it.#and this is beyond just academia whenever im at a Smart People Thing whether its scioly or nhs or even most of my advanced classes#im visibly Different. and i dont feel like im standing out i feel like i never fit in in the first place#boycritter et al
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theres a lot wrong with kryptonian society and culture but i gotta say they did at least one thing right and its the capes. everyone just wears capes, all the time. we could learn from them
#rimi talks#of course the abhorrent treatment of their working class is another issue entirely but hey#i do find it fun that at least kandor in new krypton stuff is not particularly like. sexist at least#which is a low bar but i mean with comics inventing societies i just kind of expect them to go AND HERE. THEY TREAT WOMEN LIKE SHIT#ofc the gendered names (women taking their father's name as their surname when men don't) is... hmm#but i can work on it. i can fix that. i think it'd be fun to lean into kryptonians with different takes on gender anyway.#BUT that's all off topic my point is. capes? fashionable. wish that were us
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