#While Mantis talks like Joe-schmo off the street because he *was* a streetfighter and an ordinary guy
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Someone needs to do an analysis on the way the Kung Fu Panda movies use old-fashioned vs. modern language ("Panda we meet at last"/"Hey how's it going") and old-fashioned vs. modern settings (forbidden-city-esque palaces/modern-ish Chinese restaurant) to indicate class differences in their characters, and how those class differences create underlying tensions and misunderstandings.
#This is neither a criticism nor a compliment of that artistic choice#I just think it's really interesting#Like even looking at the Five:#Tigress talks in an older style than the others because she was mainly raised at the Jade Palace#While Mantis talks like Joe-schmo off the street because he *was* a streetfighter and an ordinary guy#Shifu and even Tai Lung talk like they're from an old-fashioned novel or kung fu movie#Po talks like a modern guy you'd meet working in a twenty-first century family restaurant#Part of Tigress's initial disdain for him in the first movie is clearly because she considers him to be low-class/a commoner#(And therefore an intruder into the world of the Jade Palace and the rest of the Kung Fu masters which appears to be semi-noble).#Shen looks genuinely off-put and disgusted when he has to respond to Po's greeting with a “...hey.”#And when Po wants to appear more legitimate as a warrior he adopts a more “legendary”/old-fashioned way of speaking.#In the aesthetic language of KFP old fashioned=noble/upper class and modern=common/lower class.#This translates entirely naturally—I think especially to an American audience—but it is wild once you notice it#Because you realize: “Hang on—shouldn't *all* these characters be talking like they're living in the medieval era?”#“And what does it mean that they're not? What is the movie attempting to convey with this—probably entirely subconscious—artistic choice?”#kung fu panda
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