#maritime history
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I'm just now discovering the American marine artist Robert Sticker (1922–2011), who painted a number of War of 1812 scenes—here's his take on USS Constitution vs. HMS Guerriere.
#age of sail#war of 1812#naval battle#robert sticker#uss constitution#hms guerriere#military history#napoleonic#marine art#maritime history#the sea#where were these in all my searches for gun crew images!
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I think the thing I like most about The Sea, as, like... a setting or a concept, is that in its vastness, its untameable nature, its unknown secrets, you have a lot of historically documented events that sound more like tales out of mythology and folklore.
Take, for instance, the fate of the Victory Expedition of 1829.
The Victory expedition was a private polar expedition led by veteran British explorer Captain John Ross. Twenty-three men set sail for the Canadian Arctic on the steamship Victory, but when the ship became trapped in the polar ice, there was no way to free it. The crew spent four years in the frozen north, surviving on rations from the wreck of a previous polar exploration ship.
Eventually, twenty survivors packed their belongings into small boats and hauled them over ice towards open water. And in that open water, there was a ship, the whaler Isabella of Hull.*
The Isabella's crew couldn't believe their eyes, because, as they told the Victory's survivors, "Captain Ross has been dead these two years."
And if that wasn't strange enough, the (very much alive) Captain Ross of the Victory had, on a previous Arctic expedition, been captain of the Isabella.
*Side note: the more I read about the Age of Sail, the more I realize that wherever official Explorers™ from a given Western nation go, their whalers have already beaten them there. Sometimes that's even the reason the explorers were sent.
#polar exploration#sea stories#arctic exploration#victory expedition#sir john ross#james clark ross#19th century#age of sail#nautical history#maritime history#naval history#survival story#maritime disasters#maritime#nautical#the terror#the terror amc#franklin expedition#(adjacent)#sources for this post are the RMG website and the Gillian Hutchinson Franklin Expedition book
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NEW STICKERS JUST DROPPED
Have at ’em
#stickers#nautical#scurvy#maritime history#sailors#shop update#sticker#lemons#vitamin c#old timey diseases#maritime
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wake up babe new scan of the Endurance dropped - and the detail is astonishing.
From the article linked above:
Perhaps most extraordinary of all is a flare gun that’s referenced in the journals the crew kept. The flare gun was fired by Frank Hurley, the expedition's photographer, as the ship that had been the crew’s home was lost to the ice. “Hurley gets this flare gun, and he fires the flare gun into the air with a massive detonator as a tribute to the ship,” explains Dr John Shears who led the expedition that found Endurance. "And then in the diary, he talks about putting it down on the deck. And there we are. We come back over 100 years later, and there's that flare gun, incredible.”
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Congrats old chap
[Microfilm Caird Library/original private collection]
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In the words of Lara Maiklem:
436 years after they sailed up the Channel, the Spanish Armada (one of them at least) finally arrived in London yesterday.
The Galeón Andalucía, a full size replica of a 17th century Spanish warship, will be docked at St Katherine Docks near Tower Bridge from September 24 to October 6 and you can visit while she’s there.
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A watercolour study in Procreate of 'Into the Night' by E. D. Walker for the 112ᵗʰ anniversary; time-lapses available here and here 💙
#rms titanic#art#my art#titanic#titanic anniversary#procreate#artists on tumblr#digital art#watercolour#digital painting#procreate art#e d walker#into the night#art study#maritime history#history#20th century#ships
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Franklin Expedition Service Records
I have finished transcribing the service records I used for my Franklin Careers project. You can find all the transcriptions on my Franklin Expedition page:
ADM 196/4/181. “Capt Sir John Franklin.”
ADM 196/4/220. “Com Jas. Fitzjames.”
ADM 196/4/373. “Lieut. Graham Gore.”
ADM 196/5/124. “Lieut. Edward Little.”
ADM 196/8/548. “John Smart Peddie.”
ADM 196/8/579. “Stephen Samuel Stanley.”
ADM 196/68/548. “Chas H. Osmer.”
Note that some of these are only officer service records. The midshipman service records are elsewhere.
These service records are all property of The National Archives, Kew, and were obtained from the digital service collection Royal Navy officers’ service records 1756-1931. Transcriptions published under the Open Government Licence (OGL) per The National Archives image reproduction guidelines.
#franklin expedition#maritime history#sir john franklin#james fitzjames#graham gore#edward little#john peddie#stephen stanley#charles osmer#polar exploration#naval history#royal navy history
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19th century ships surgeon's apothecary chest.
#age of sail#maritime history#history of medicine#museum#master and commander#stephen maturin#love it
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North Carolina Maritime Museum Library
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you've heard of draft dodging. get ready for militant draft rescuing
(from Stephen Taylor's "Sons of the Waves; A History of the Common Sailor 1740-1840", which I got from @genderqueer-klinger's folder, thank you mate)
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Coward from 1889 can't handle a butch lady ship in the Age of Steam.
#age of sail#age of steam#1880s#naval history#maritime history#described#imagine not swooning over the beauty of a pre-dreadnought battleship
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You're gonna need a bigger boat bookshelf.
#this isn't even all of them orz#shelfie#bookblr#bookshelf#nautical fiction#maritime history#age of sail#golden age of piracy#polar exploration#under the black flag#two years before the mast#the wager#moby dick#ahab's wife#master and commander#aubreyad#in the heart of the sea#treasure island#20000 leagues under the sea#twenty thousand leagues under the sea#nathaniel philbrick#edgar allan poe#herman melville#robert louis stevenson
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I’ve been meaning to repost this mini-essay I wrote for Global Maritime History back in 2015 for AGES and since today's dash is full of people lamenting the burden of Boat Knowledge this seems like the right time.
ONWARD FOR TALL SHIP ART TIPS!
I often get questions from people who are concerned that their illustrated boats aren’t going to be up to snuff, and the short answer is generally: don’t sweat it. If you’ve drawn a thing that has a hull in the water and sails in the air, you’re off to a great start, and if you consult a few handy reference images, you’re bound to end up with something that looks mostly ship-like.
HOWEVER. There are a couple things that often get lost in translation which—if you pay attention to them—can make the difference between a passable tall ship and a vessel that definitely looks like you know your baggywrinkle from your bunghole. Here’s two tips to get you started.
Flags in the Wind
Generally when we think of a thing that’s going fast, we imagine a flag streaming out in the wind behind it, right? Well, when it comes to square rig sailing, things aren’t always so simple. If the wind is coming up from behind a ship—or from the side—to push it forward, the flag may be flying in a direction you wouldn’t expect! How are the yards angled to catch the wind in the sails? What’s driving the vessel forward? Sailors often look to flags for a quick indicator of wind direction—use that thought process when drawing your ships.
Keep Your Shrouds Tight!
Those rope ladder-looking things sailors are always clambering up? They’re called shrouds, and they also form a large part of the tensioning system that keeps a ship’s masts stable and upright. Stays (lines that don’t move i.e. stay put) are arranged throughout the rig to maintain even aft-to-fore pull on the masts and prevent them from keeling over. Shrouds form the lateral component of that system, so here’s an important fact: they will not be saggy. No saggy shrouds. No saggy stays. In addition to making the mast unstable, it’d be a devil to climb in heavy weather.
Note: the ratlines (the “ladder rungs” of the shroud) can have slack in them—it’s the vertical lines that should be tight.
When the crew is “tuning the rig,” they’re putting slack in all the stays and then re-tensioning them to ensure that the whole operation is as stable as possible, so unless you’ve got a bunch of idiots running your fictional vessel, keep ’em tight.
And another thing…
I see a lot of people running their shrouds down to the deck, rather than alongside the vessel. Don’t do that! I mean, okay, sometimes shrouds do attach to chain plates on-deck, but most of your classic Golden Age of Sail vessels will have them running alongside to the channels. Also: they end in deadeyes to help with the tensioning of the line and to keep things stable, so don’t forget your deadeyes!
Honestly, these are the biggest things that I see artists flub when drawing tall ships, so if you can keep them in mind, you’ll be head and shoulders above the rest!
If you’re looking to go more in-depth with your research, I would recommend…
Seeing if you can find a modern replica of the type of ship you’re after and then centering your reference search around the name of that ship. I get far more extensive results when I’m searching for “Privateer Lynx” rather than “1700s topsail schooner.” Don’t discount the many photos tourists will have taken while visiting these ships!
Nose around on model ship-building forums. There is no greater boon to the modern nautical artist than these obsessive craftspeople, who will spend hundreds of hours replicating classic ships in minute detail—often photographing the whole process so you can actually see how the rig of a vessel is put together! God bless ’em.
And that’s all I’ve got! I hope you’ve enjoyed this brief foray into accurate tall ship representation. Fair winds and following seas!
#tall ships#boat stuff#maritime history#tall ship#maritime art#lucy bellwood#art tips#age of sail#personal work
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You know you’re in for a good doomed polar voyage when it opens with a map that looks like a fucking etch a sketch
#books#maps#polar exploration#cannot stop laughing at this route#maritime history#madhouse at the end of the earth
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Fitzjames' Midshipman journal
The original and my reproduction/full transcription. Another thing to try and get published one day. Just a journal full of tourism, operas, and nautical stuff in the Mediterranean (1833-34).
[Caird Library, National Maritime Museum Greenwich.]
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