#work :-( ugh

[certifiedwerewolf]

ARGH

[aeterna-auroral-avenger]

I can tell this is gonna be one of those days where it's gonna be a struggle to focus on work.

[heilos]

I don't want you to feel like you're nothing

[froglover7789]

finally watching house md in order instead of whatever random episodes my friends force me to watch and. wow. the mouse bites meme is. so accurate? why is wilson just Always There. "I too am in this episode!" YES DIVA WE KNOW WHY DO YOU KEEP SHOWING UP DONT YOU HAVE THINGS TO DO????

[pirateprincessjess]

I feel the need to periodically remind people that Idiocracy is a eugenics movie.

One of the things that eugenicists believe is that it is bad for society when the “wrong people” breed.

The entire premise of the movie is that “stupid people” kept having kids while “smart people” didn’t have kids, and it ruined society because stupid genes propagated while smart genes died out. This is eugenics propaganda.

I know people will read this and their response will be “actually it’s satire” but the movie isn’t satirizing eugenics. It’s satirizing anti-intellectualism, and consumerism, and it proposes eugenics as a solution.

When eugenics was first conceived, it was used as a way to justify inequality. The idea was that people who held privilege were able to do so because they were smarter and genetically superior to lazy and stupid people who don’t have privilege. Obviously this is bad and wrong, but it is also the core lesson of Idiocracy.

The movie literally ends with the main character becoming president and having “the smartest children in the world.” Because he and his wife have smarter genes than everyone else. The proposed solution for the things that Idiocracy is satirizing is for the smart people to have children that can be in charge of the world.

I know it’s fun to use this movie to dunk on anti-intellectualism and the MAGA movement, but we need to stop. When you quote and reference this movie you are spreading eugenics propaganda.

[hunxi-after-hours]

"If rest becomes a form of recovery from work, as is the case today, it loses its specific ontological value. It no longer represents an independent, higher form of existence and degenerates into a derivative of work. Today's compulsion of production perpetuates work and thus eliminates that sacred silence. Life becomes entirely profane, desecrated."

—Han Byung-Chul, The Disappearance of Rituals (trans. Daniel Steuer)

[galaghiel]

Both Jack and Maddie stared at him, speechless. Silence blanketed the lab, everything but Danny’s strangled crying, his hand pressed over the muzzle as if to hide it. No- to hold it still, to still the dozen wicked barbs that were digging into his tongue, probably ripping it with each sob.

a little sketch of @liketolaugh-writes amazing one-shot fanfic that you can read here

[tsukinoshinjiu]

I'm finally finished moving!! Things are still messy, but at least I can finally draw again. It's a relief! Celebrating my arrival with a brown eyed king 💞✨What do you think he's looking at? 👀

[kaysdenofchaos]

Quick little fan art for @qoldenskies Caged Lung on ao3 <333

Love can be suffocating. That’s how it’s supposed to be, right?

[madbalalaika]

[paimt]

its just supervised phone calls like

in the wise words of stan himself: give me money

[ruleofheart]

desperately needing best friend! ellie who is just so much better at handling horror than you are.

it starts with ellie slyly handing you a ticket to an upcoming horror fest; fright frenzy. you’re not one for actual horror attractions– it almost takes too much to get you to sit through an entire movie. so, as you the eye the ticket with worry, ellie interjects.

“we’re going,” she declares, leaving no room for argument. “dina and jesse, too. next friday.”

“next friday?! it’s only september!”

it’s how you end up in line for a haunted house, your eyes lost in a daze as you try to put on a calm front.

see, ellie is someone who can appreciate a good scare. she’s grown to think that most jumpscares are pretty cheap, save for the creative ones that actually get her to say, “that was sick.”

she’s someone who doesn’t even flinch at elaborate costumes, usually complimenting the actors and asking for a selfie with the zombie with amazing sfx makeup.

she’s someone, and probably the only one, who sees through your little front. with dina and jesse too caught up in their own conversation (behaving like those abysmal couples in line), she nudges your shoulder, pulling you out of your internal hype session.

“hey. you can hold my hand, if you want.” it’s soft, but with a hint of a knowing smile.

and once you get inside; oh, you take her offer and run with it. you end up pressed into her side, her arm wrapped around you. your eyes tucked away in the crevice of her shoulder as she dips down to talk you through it (sheesh!). her voice is low, and it would probably drive you crazy if it weren’t for the guttural screams and sound effects erupting at every corner.

since ellie is handling herself just fine, she whispers to you as she sees the jumpscares ahead of time.

“clown coming up. god, he looks so corny.”

“hey, hey; you’re doing so good, it’s almost over.”

and when the lights flash a little too much, her hands come up to cover your eyes, her sweet words filtering into your ear. ugh, you could almost die.

and it’s the way that she bites back a smile when she drives you home. the way you try to subtly tell her, i don’t wanna sleep alone tonight. the way she nonchalantly offers for you to stay over at hers, promising to keep a comedy movie on until you fall asleep.

you end up sleeping in ellie’s bed, your whole body trying to wrap around and snuggle into her arm as she looks down at you, her heart skipping curiously.

[hansoeii]

fem presenting loki!

[theoldkyokodied]

One wedding and three funerals

Background paintings under the cut

[cattamouche]

I think scara is a sloppy kisser...

he can be so, so impatient and even more emotional. all it takes is your addictive smile and a warm welcome-home-hug after a particularly long day of work and his feelings start to spill over so quick at the reminder that hes so fortunate to have somebody to come back home to. someone who loves and accepts him even with all his flaws, who has stuck with him through thick and thin. his person, who does so much for him every day, just because you love him. of all people, you love him. and he gets so emotional over the fact. he wants to feel all of you, grabbing at every inch of your body he can reach and holding on so tightly as if you're moments away from disappearing. he gets so overwhelmed he forgets he's the only one who doesn't need to breathe, and you're left pushing his face away despite his attempts at chasing your lips just to catch your breath because my god is he relentless. now you're suddenly pressed against the wall, forehead to forehead and panting in your living room, his silent apology at the realization that he once again got too carried away is to just stare. admire the way your eyebrows crease and your eyes are half lidded, mesmerized by the way he singlehandedly got your chest to rise up and down at such a fast pace he almost begins to mimic it. but all he does is watch, impatiently so, waiting for you to catch your breath and give him the greenlight to keep going.

[carebeardean]

Charles has always left Edwin little notes slipped between the pages of his favorite books, in his science equipment, places he knows Edwin loves. Just silly things—post its that say “hi Edwin :)”. doodles of Edwin with his nose stuck in a book. reminders to stock up on wolfsbane. but.

Then, post canon, Edwin tentatively starts dating people. And it’s ridiculous, because Edwin’s right there, all the time, but Charles..misses him a bit. And his heads a mess, and he can’t sort out what the hell he’s feeling most of the time, and whenever he tries to say any of it out loud it comes out rubbish.

So. He writes down some of the shit he can’t say right, and because he’s a coward, hides them so he doesn’t have to see Edwin’s face when he reads them.

then Edwin starts writing back.

Neat lilac blue little envelopes appear in Charles coat pockets. In his bag. Once, in his shoe? Some nights, Edwin will clear his throat and mention something from a letter, offhand, like they’re just picking up conversation, and Charles can pretend they are. That they always have talked about the basement, the belt, the nameless fear that chokes him every time Edwin walks out the door with someone else on his arm.

Sometimes he can’t. The words get stuck in his throat. Edwin’s not mad, he’s maddeningly, stubbornly kind about it, which is worse.

Some nights they trade. A secret for a secret. Charles learns about the novels Edwin used to hide under his mattress, about all the lonely years before Charles got there. About Simon.

Meanwhile, Edwin is losing his mind, because Charles has accidentally stumbled onto what was a fucking courting ritual in his time. Love letters were something engaged couples treasured for years, kept and reread over and over. (Edwin does. keep them in a special box, will take one out and trace the words, tuck it in his breast pocket for courage).

Edwin would rather have to reattach a limb again than lose Charles trust, all the dark and beautiful things he shares with Edwin only. He knows—knows Charles doesn’t mean to make him fall more in love with him.