#even if they don’t realize it

[pirateprincessjess]

I feel the need to periodically remind people that Idiocracy is a eugenics movie.

One of the things that eugenicists believe is that it is bad for society when the “wrong people” breed.

The entire premise of the movie is that “stupid people” kept having kids while “smart people” didn’t have kids, and it ruined society because stupid genes propagated while smart genes died out. This is eugenics propaganda.

I know people will read this and their response will be “actually it’s satire” but the movie isn’t satirizing eugenics. It’s satirizing anti-intellectualism, and consumerism, and it proposes eugenics as a solution.

When eugenics was first conceived, it was used as a way to justify inequality. The idea was that people who held privilege were able to do so because they were smarter and genetically superior to lazy and stupid people who don’t have privilege. Obviously this is bad and wrong, but it is also the core lesson of Idiocracy.

The movie literally ends with the main character becoming president and having “the smartest children in the world.” Because he and his wife have smarter genes than everyone else. The proposed solution for the things that Idiocracy is satirizing is for the smart people to have children that can be in charge of the world.

I know it’s fun to use this movie to dunk on anti-intellectualism and the MAGA movement, but we need to stop. When you quote and reference this movie you are spreading eugenics propaganda.

[the-one-and-only-aroace]

I’m sick and fucking tired of people acting like the election is something you can just ignore. I know trump can’t do nearly as much shit as he’s planning. It’s not what he’s going to do that scares me, it’s what his supporters want. I’m not just worried about abortion, or the state of democracy. I’m worried about the fact that my neighbors would support killing and robbing my family of their homes. His presidency is the will of the people, and it sure is the will of my community. Trump spent an entire portion of his campaign dehumanizing who can only be called my people. Republicans are not just people in the dumb hick south, they are people who smile at me and hold the door open for me. They are the people who teach me and who I gladly help. I and the people I care about are not just another headline for you to feel guilty over.

[eggs-can-draw]

komaeda anon:

kazuichi: i dont wanna be like my dad so ill just not have kids, this is the perfect plan!

also kazuichi: here you go kiibo, fresh oil for some of your joints— miu, you know you can't drink that, i have your juice boxes in the fridge

kazuichi:

kazuichi: Oh

SHAKES YOU ENDING THE CYCLE ENDING THE CYCLE WITHOUT EVEN REALIZING IT

[ghostvibesonly]

imogen’s development from “i’m not like homophobic 😃 i’m an ally 😌💅” to “i don’t think i’ve ever liked a boy” is absolutely 10/10 no notes, exactly where i was hoping her character would go

[remxedmoon]

y’know what? fuck you. *UNGRAYSCALES YOUR ISATS*

no wait come back there’s greyscale versions under the cut :(

[heartless-aro]

I see a lot of people in the aroace community on here talk about how we should have a pride gradient aroace tag, but I rarely see people bring up the possibility of other aspec pride gradient tags for identities of similar levels of specificity to aroace, like alloaro or alloace. As much as I would love to have an aroace colored tag, I think we’re setting our sights too low here.

[lemonlimestar]

*taking you by the shoulders* janet drake is dead and died before tim even officially became robin. lex luthor being involved in kon’s creation in any way was a badly executed retcon. cassie sandsmark is not and never will be the exasperated mom friend. bart allen is the same age as all of his friends and isn’t an innocent baby. can anyone hear me it’s so dark in here

[lygma-nygma]

Being a batfam fan is funny because people will make a post like “here’s my headcanon-“ and it’s just something that’s directly canon to the story then post about major canon events and get everything wrong.

[pixelaves]

oh i thought the “dev’s name is development” thing was a joke. no dale actually just sucks

[signanothername]

Dream’s room within Nightmare’s castle

This comic takes place after Nightmare’s theoretical death that I discussed before >:)

A bit of context under readmore

[hiyyihrts]

“For how long have you had feelings for him?”… Lord the way they keep making Eloise this non-observant clueless friend to everyone is crazy to me… especially continuously with Pen (and now Cressida also). She never fathomed that Pen could want to participate in ton events, want to be married, want to have even the bare minimum opportunity to be entertained by a man, and yet anytime Pen goes against anything Eloise always talked about she’s so surprised?? Maybe if you talked with your friends instead of at them we wouldn’t be running into this situation continuously El…

[sea-jello]

GRAHH REDRAW JUMPSCARE

@/marsipain's cyberpunk ninjago au!!! im sure we all know it okay time to yap if any morro enjoyers remember alll the way back in january 2023 i did something for this au and i think around a couple months ago i was like yk what ill do it again. cause the one back then really was not the vision like i tried my best but i just did not have the skill

LOOK AT THIS??? i did end up ditching the mic but i kept the stickers at least. not sure how i feel about them but they were too iconic to scrap. also the perspective kind of wasnt working out for me i didnt really get the fisheye look i was aiming for but we ball. i actually started the whole thing end of AUGUST and then i completely revamped it look at what i had before

its a vibe lowkey i like it but unfortunately it was again. not the vision wasn’t dramatic enough. i redid it last sunday and worked on it nonstop for days what was i on

PROCESS

[offkilterkeys]

The world isn’t ready for my alpha kid readings.

[canine-economy]

On Swansea’s (often understated) role in Mouthwashing

I say this as a big swansea fan but I don’t rlly understand why ppl are acting like he’s not also complicit in what happened to Anya? AUs where “Anya tells Swansea” and he jumps to violently defend her don’t make sense to me because canonically she does tell him, as he admits to Jimmy. But swansea represents another way of interacting with the capitalist heteropatriarchy that ALSO harms victims: holistic jadedness and resignation.

Swansea is across the board unkind to the Tulpar crew. We can’t forget that he calls anya a “so-called nurse”

and says this to Jimmy, which (if unintentionally) reiterates Jimmy’s own warped perception of Anya’s usefulness and competence. This allows Jimmy to feel justified in his imagination of the nurse’s inferiority. Swansea’s clear lack of respect for Jimmy does less to hurt Jimmy than his lack of respect for Anya harms Anya, because at the end of the day, Swansea’s attitude is contextualized by the violent culture it exists in and he does nothing to reconcile with that when Jimmy becomes the captain. His resignation can thus be weaponized even by Jimmy, a man who Swansea disrespects but whose power he doesn’t try to meaningfully jeopardize, because his across-the-board disdain punches people already marginalized by the environment twice as hard as it does those with power.

Swansea doesn’t position himself as an ally, he positions himself as willfully uninvolved in everything, an observer to the shitshow ride to hell. Just because he dislikes Jimmy doesn’t mean he aligns with Anya. He makes it clear that he’s not on her side, either. After a life of doing what he felt was expected of him, Swansea on the Tulpar looks out for Swansea and Swansea’s comfort. In trying to situate himself outside of the politics of it all as an older white man, he simply allows them to play out. The toxic culture keeps existing, playing out in the microcosm that is this freighter, and Swansea in all his experience recognizes that shit has hit the fan and elects to coast through it, even explicitly numbing himself to it by breaking his sobriety. It is, of course, hard to force yourself to be sober—to see clearly. But had Swansea forced himself to get involved sooner, he might have set a precedent for Daisuke to recognize Jimmy’s abuse, which could have saved Daisuke’s life as well as created a safe space for Anya. But Swansea’s inaction forces both victims to confront an abuser on their own, unable to reap benefits from his privilege and experience.

Jimmy is clearly intimidated by swansea in a way he is not by Anya, Daisuke, or a post-crash Curly (Swansea, for example, physically manifests as an aggressor in Jimmy’s “responsibility sequences”, and Jimmy ties Swansea up to avoid what he sees as the real possibility of pushback that he doesn’t conceive of Anya being able to do). Swansea has a power he does not act on or with until it is far, far too late. In fact, he acknowledges in his final monologue that he was dissatisfied with the discomfort with opening his eyes and living an exemplary “good man”s life. The best days of his life are ones in which he’s belligerently drunk—days in which he didn’t have to hold himself accountable. He regrets the life he spent performing for higher-ups and we watch him reject it by scorning Captain Jimmy, but he also doesn’t want to be held responsible for helping other people when it’s their turn to endure the expectations and violence from similar (if not the same) higher powers. Tragically, he possesses the hindsight to recognize that how he acted on the Tulpar consequently wasn’t what Daisuke needed out of a role model, leading to Daisuke becoming a victim. His hands-off approach to emotional engagement with his young male intern (another symptom of patriarchal gender norms) may have been to avoid Daisuke turning out miserable and jaded like himself, but it doesn’t actually indicate to an already-confused Daisuke what the dangers of that attitude are. Swansea never admits his own shortcomings in a tangible way which, had they come from a man with experience and prestige like himself, may have shifted that culture that failed Anya. She comes to him with the story not because he has situated himself as any earnest friend, but likely out of desperation on a ship Jimmy now controls.

When we allow “the machine” (Swansea’s own words) to beat us down to the point that we don’t find it productive to challenge unjust power dynamics, we become complicit. I think too many people get hung up on his disdain for Jimmy and Jimmy’s fear of Swansea as a marker of allyship with Anya, but the truth is that Swansea. Is a bad ally. He’s hardly one at all. His long stint in the demanding capitalist environment molded a perfectly complicit result out of him, as it aspires to do, even if Swansea bitterly recognizes that. Jimmy’s overt violence from a position of power is a different and much more brutal approach to abuse enabled by people who have been left too tired and bitter to care that he does it. A man who could’ve intimidated and even threatened Jimmy is too resigned to try until there is literally nobody but himself left to fight for, which is an attitude carefully cultivated among the lower rungs of hierarchies to keep the top safe. Swansea in particular seems very unhappy with the capitalistic, patriarchal expectations laid out for him as a father, husband, and laborer. This becomes particularly resonant when you realize the symbolism of his role as mechanic: a job that can be deeply unpersonal, tasked with keeping the ship (the machine, if you will) itself going while other roles are more focused on managing the humans inside of it (e.g. nurse, captain). His decision to just stop trying and spare himself the grief instead of questioning why those expectations exist and how they would hurt the others onboard only delays him being directly targeted by Jimmy and doesn’t interrupt the latter’s violence.

Not a single man in mouthwashing is innocent in Anya’s victimhood. This is a statement tentatively uninclusive of Daisuke, because I think the game very deliberately positions him outside of manhood through his youth and thus struggling with the concept of “fitting in” to the patriarchy. Curly, Jimmy, and Swansea all represent different failures that ultimately perpetuate Anya’s suffering and force her to defend herself and finally take her life into her own hands. A holistic analysis of rape culture in MW necessarily engages with all three of them. Only not being a friend and ally to rapists and other male abusers isn’t enough, and Swansea proves it.

[wackarat]

I saw the TF2 X Steven Universe AU from @lenny-link and i couldn’t rest until i brought a pyro and engineer fusion to the table until realizing it was done already though I didn’t see that until a little too late lmao, (It’s pretty cool though, check it out) anyways, here’s tourmaline.

[incorrect-upon-a-witchlight]

Frost: your man doesn’t have the mental strength to caramelize onions

Kremy: your man thinks it takes 5-10 minutes to caramelize onions

Gideon: who the fuck is caramelizing onions? Have y’all forgotten that apples exist!?

Kremy:

Kremy: Gid, do…do you think that caramelizing onions is putting caramel on onions!?

Frost: your man thinks caramelizing onions means putting caramel on your onions