#wish she were different

[brendonsspider]

I am applying for emotional degradee and my main skill is blaming myself for my mom's transphobia because according to my brain "I didn't explain it gently enough" and "got too mad"

thanks dude

[sheikfangirl]

A bitter sweet memory ❤️

Pre-Calamity flashback panel from my Zelink comic. Work in progress.

[cubbihue]

Does Chloe still exist in ur au?

She does! I've kept core parts of her personality, but retconned massive chunks of her history with Timmy.

Chloe never got fairies, and never shared them with Timmy. But she was his neighbor! They used to play a lot as children, but one day, Chloe wasn't allowed back at the Turner's house.

As a grownup, Chloe's a social worker! She's usually the Go-To person selected by the state to handle difficult public cases involving children. As in: cases involving celebrities, important figures, or the such where the child's identity is at risk to the public. She's an expert at keeping their life secret and away from social media.

Bitties Series: [Start] > [Previous] > [Next]

[blighted-elf]

Dragon Age: The Veilguard - Adaar / Adaari

[raticalshoez]

i'm having hyperfixation drought so i did what i did best and created a crossover episode

[beargyufairy]

He didn't even take any drugs

He would rain all day

Couldn't wait for his sun to shine

And you made it shine

There when he cried, you saved his life

[adaedellta]

Epic the musical soulmate au

Where nothing changes but all the words make you a lot sadder

I’ve been on a soulmates AU kick recently and thinking about the Ithaca Saga so imagine a first words tattooed on your body trope with young Odysseus and Penelope and he’s a little intuitive having heard of Penelope and thinking she’s so cool then he sees her and gets this feeling she’s the one

Maybe it’s an Athena’s pupil thing maybe they’re such a perfect match for each other that he can feel it in his bones but he has this almost tangible cord pulling him towards her

But he’s there tryna wingman for Menelaus, talks to Tyndareus abt the oath idea and when the king responds well he maybe quietly implies he’s set his sights on Penelope, and maybe Helen and Penelope are somewhere nearby just close enough to hear Odysseus’ pitch but not so close they hear his goals(I can’t find a solid source online for their first meeting so I’m making stuff up) and after, penelope is intrigued by him and he’s somewhere close and she comments something like “he chooses his words well” to Helen. and he’s like stupid smart, trying to impress her, even his subconscious is focused on her and he hears and says something like “it’d take a fool to be insolent in your presence” to her

and it clicks in her head immediately that those are her words and without any shock or question she just says “you’re mine”

And they’re so sickeningly in love, they call back to their words often, he’ll say “I’d be a fool to___” and she’ll repeat “you’re mine” and almost never call him his name favoring lovey nicknames like “my love” and “my dear”

And when he goes off to war she says “you’ll come home to me, you’re mine” and he says “It’d take a fool not to return to your presence”

Then things go south, but through his journey it’s all he thinks, that he has a promise to keep. When he loses his crew, when he faces and befriends Circe, hears his fallen brethren and family in the underworld, the sirens song having an almost “I’m yours” tone as opposed to “you’re mine”, he evades Scylla, he makes Zeus’ choice, all thinking “it would take a fool not to return to your presence”

And calypso, she doesn’t have the words of a soulmate. it’s a fate confined to humanity, from when Zeus split mortals in two and forced their souls to be forever reaching to connect the puzzle til they finally unite. But she knows what they are. And just like her using his sleep-spoken trauma against him, calling back to his dead friends and family, she repeats “you’re mine” in love in paradise even dipping into “my dear” and “my love” despite his unending denial of her affections. It puts even more emphasis on his already rightful aggression and pain at what should only be said by Penelope

Then “I plan to put an end to all the foolishness” in dangerous he already wasn’t going to let anything stop him but now he’s willing to do straight up anything (and he does) to get home. He has a firm belief. he would rather be savage and merciless than be foolish because in his eyes there is nothing worse.

And when he becomes monstrous, how will he sleep at night??? “NEXT TO HIS WIFE” we all say in unison.

That’s not even mentioning Penelope, she spent 10 years pushing back the suitors, because Odysseus is coming home, she knows her husband, he is no fool. He will come back to her. She will not let anything go, and she will keep what is hers. The suitors all having an approach of having her turning their already flat chances into the negatives, especially Antinous’ threats in hold them down all having a message of taking from her where to be with Penelope is to give her all of yourself so she can do the same in turn.

And he absolutely fucks shit up, the suitors and their threats, the harm they’ve dealt to his family, the way they continue to try nothing but take what’s Penelope’s, what’s his. Their foolishness will not be tolerated. The actions they’ve taken to his wife, to his son, the greatest creation their love has ever made, they didn’t stand a chance against the guy who just fought god and won.

And then what everyone has been waiting on for the entire musical the absolute masterpiece that is would you fall in love with me again will never not be heart wrenching. He’s not just asking her if she could look past all he did, fall in love with the man he’s become. He doesn’t know if he still deserves her, if he’s too far gone to be worthy, He’s asking “am I still yours”

And she’s as cunning as ever, even after every year they spent apart she will always know exactly how to push his buttons, how to set him off, how to force him to convey his desperation for her, and hell she’s from Sparta of course she’s gonna be into him after all that. The second he turns his back in shame she’s probably twirling her hair and fanning her face knowing what he did all to keep his promise and return to her. And she gives him the reassurance that he needs, tricks him into proving that no measure of distance and time could ever take away or change what they have, and for the first time in 20 years he hears her say “you’re mine” and it shatters any apprehensions and self doubt because he’s still Penelopes.

And overall it changes literally nothing about the plot or the storyline and only serves to make things a hundred percent more sad and angsty

and I’ve had this eating away at my brain all through a piercing appointment and shopping with my mom and sibling all day I can finally rest now that it’s escaped my head

[lunarin64art]

That feeling when he can't stand to see you that way, no matter what you do, no matter what you say😩😭💔

[stop-breaking-my-heart-telltale]

Y'know, it's unfortunate more people don't compare Louis and Violet in good faith.

Like, when I do see people compare them, it's usually through the lens of one is good, and the other bad. One is more canon than the other, and here's why. One is objectively better for Clementine, and the other is less impactful, worse written, didn't have chemistry with her, insert several insults here, etc.

I don't think it's inherently bad to express why you might not like one of them, or why you prefer one over the other. That's fine, that's a matter of opinion. It only gets to me when it becomes hostile, or passive aggressive... but even then, I've learned to just roll my eyes and move on. Some people make it very clear that they're not worth having a discussion with.

However, I wish I could read more nuanced comparisons of the two that didn't default to the "and that's why this one is better." At least some are kind enough to tack on a "for my Clementine" at the end.

You know how it goes: Louis is cute and he makes Clementine laugh, whereas Violet's boring, her love is shallow, she's still not over Minerva and she's using Clementine as a rebound. Violentine's a bad ship because Violet's actually a traitor, and they're practically the same person and that's bad.

Violet's loyal and reliable, whereas Louis is annoying, he never takes anything serious, he's a traitor for his vote, and he's nothing but a distraction. Clouis is a bad ship because how could any Clementine possibly like him after he voted her and AJ out? That's bad!

That's always the conclusion, right? One good, one bad.

This is incredibly limiting and it drives me nuts.

They're foils. They contrast one another, highlight each other's strengths and flaws, in such an interesting way that it makes Clementine's choice between them all the more meaningful.

One is not good and the other bad, they're different, and I think that's worth exploring.

Let's start with a common argument: Violet is the more impactful option due to her connection to Minerva.

Now, to be fair, I can understand why someone on Team Violet would believe this. Yes, it's true that the confrontation with Minerva is more impactful for a violentine shipper who has more investment in Violet as a character. Louis doesn't have as strong of a connection to her.

However, what they're failing to recognize is that Minerva isn't the only ghost to haunt this narrative. Violet may have Minerva, yes, but Louis has Marlon... and that doesn't just go away once Marlon's dead.

Violet's route has Minerva as her ex-girlfriend, and her bond with Tenn that all comes to a head on the bridge. Louis' route has Marlon's death and how that specifically impacts his relationship with AJ and Clementine, and the slow burn of forgiveness on all sides.

Marlon and Minerva are also reflective of Clementine's worst outcomes.

Clementine and Marlon were tied together through Brody's blood splattered on their hands and faces. They both killed a part of Brody, but only one of them lies about who killed her first.

After Marlon dies, Clementine gradually replaces him throughout the game; Rosie is her dog now, she uses his bow [which Louis gave her], she becomes the leader. Clementine gets them to fight back, and when three of her people are captured, she doesn't cut her losses. She does what Marlon couldn't; "we're getting them back."

When she chooses Louis, he does for her what he never did for Marlon: he steps up.

Clementine proves she won't become Marlon just as she proves she won't become Minerva.

After getting James to agree to help them, Clementine and AJ talk about what to do if she ever gets bit. AJ says he'd want her to bite him, too. He repeats this sentiment after she's actually bitten, telling her he wants to stay and they could turn together, peacefully.

When Minerva confronts them on the bridge, she's dying... and she wants Tenn to die with her. She doesn't care who she has to kill in the process. She's more monster than human at this point, and most times, she succeeds.

They're both bitten. Clementine could've become a monster like Minerva in the end. She could've killed AJ, and they could've become walkers together. But she didn't. Minerva wanted Tenn to die for her, and Clementine wanted AJ to live for her.

Also, I should mention she has Minerva's axe. She carries the key weapons associated with Marlon and Minerva throughout different points in the game, further solidifying these connections. She uses Marlon's bow to save her friends, and she uses Minerva's axe to save AJ, who in turn uses it to save her.

What's also so interesting about this is how Marlon's alive in episode one, and Minerva is thought to be dead. Louis has his best friend, and Violet's lost hers. But, at the end of the episode, Marlon's dead and Minerva's revealed to be alive.

Marlon becomes the ghost, and Minerva becomes the monster. Clementine becomes to Louis and Violet what Marlon and Minerva never could... how does that not drive anyone else insane?

So, no. One is not objectively better, or more impactful, because of a connection to Marlon or Minerva. They're different. It just depends on which storyline you personally find more compelling.

Actually, let's talk about that a little more.

In my opinion, the most intriguing point of comparison between Louis and Violet stems from their perceptions of survival, and how that impacts Clementine.

An argument I see made against violentine is that Violet's boring because she and Clementine are too similar. This usually comes from clouis shippers who prefer the "opposites attract" dynamic Clementine and Louis have.

On the flip side, there's the counter argument that Louis is reckless, that he doesn't take survival as seriously as he should and Clementine wouldn't want him because of that.

These are interesting to me because I get where they're coming from... but they ultimately miss the point.

The other day, I replayed TFS. Except this time, I did something a little bit differently. I played my usual clouis route, but then I had the violentine route pulled up on my laptop so that I could watch these scenes, comparing them side by side… and something occurred to me. 

Louis is about challenging Clementine's perception of survival, and Violet is about validating it.

Louis challenges Clementine from the very moment we meet him—he’s playing music. His initial philosophy on survival butts heads with Clementine’s. The fact that hunting with him and Aasim challenges your perception of “your choices have consequences.” These games have conditioned the player to think along the lines of, “Yeah, Louis is more fun… but if I don’t hunt with Aasim, we won’t have any food.”

Except that’s just it. I hate to say it, Aasim, but in the grand scheme of things… hunting with you doesn’t matter. It's actually less rewarding. You know why? Because in the next section, we get food from the train station. It would’ve been more beneficial to spend time with Louis over hunting, hence how he challenges you.  

This then primes you for the choice between choosing to follow Louis or follow Violet. I know people complain about how this is presented with Violet doing something productive [checking the walls] and Louis playing piano… but that’s the point. If you’re going through with Louis’ full route, you need to meet him at his level, and in turn, he will meet you at yours. You need to accept the challenge, the idea that Clementine isn’t entirely right about the way she’s gone about survival.

Oh, and do I even need to mention the vote? The debate over Louis’ vote is exhausting. Often times, people tell on themselves in how they talk about it. It’s not actually about the fact that he voted against them. If it was, these people would have a bigger bone with pick with Mitch, Willy, Ruby, and Omar… and yet Louis is the one who takes all the blame as if he’s the only one personally kicking them out. 

Louis is reacting to the death of his best friend, and the complicated feelings that come with it being caused by AJ. He wants accountability, even if he knows something's wrong. You can either agree with him that it was murder, and set AJ on the path of atonement… or, you can double down and tell him to fuck off, AJ was justified. 

But here’s the thing… the vote adds to the appeal of Louis’ route. To someone who hates him, or at the very least is critical of his vote, that sounds mad or delusional.

Except it’s really not.

Ever heard of a thing called tension? Because there’s a lot of it in ep2 between clouis + AJ and it’s fantastic.

Yes, Louis voting them out is problematic because we need a problem to solve. We need something to feed the tension between him and Clementine. He stepped in front of a gun held by his best friend in order to protect her, forever changing their relationship… only for that to seemingly be taken away from us the moment AJ shoots Marlon. 

Yes, Louis’ route is about being challenged, but it’s also about challenging him. That he’s able to forgive them, that he’s able to question his own survival philosophy and understand theirs, that he’s able to apologize and actually change for the better… that right there is what makes clouis so damn good. 

He becomes hardened whereas Clementine softens. By the end of the game, they’re on a similar level now without neglecting their differences, and they can move forward together. 

That’s what makes Louis’ route appealing… and it’s also what makes it unappealing to people who prefer Violet. 

By contrast, Violet’s already on Clementine’s level when it comes to this perception of survival. She validates that Clementine’s on the right path.

They have other similarities in the way that they’re both female, queer, they both have a kid they look after, they’re not always great with other people, etc. 

People who prefer Louis might consider this boring, but I think to Team Violet, it’s comforting. It’s comforting to have a partner who takes this as seriously as you do, who wants to get shit done. They’re playing Clementine with a similar attitude, and don’t believe it needs to be challenged. It’s comforting to feel validated on something you already firmly believe in. 

We also see this if we compare the hunting and fishing scenes. You have to make an effort to choose Louis by choosing to neglect hunting, but the game makes you fish with Violet no matter what.

Violet’s prioritizing fishing because they need food. That’s what they’ve set out to do, so let’s do it. The game is letting you know that’s the case, and if you value that, continue pursuing her. 

While fishing, they discuss why things are weird with her and Brody. Violet doesn’t take well to Clementine’s blunt, “Because you make it weird. Brody tries and you just make fun of her."

That’s understandable because I think she already kind of knows why and is looking to have her feelings validated. She prefers it when Clementine suggests that it’s because Brody never said sorry for what happened to the twins. 

There’s also comfort and validation in the way Violet sides with Clementine and AJ after Marlon’s death. She votes for them to stay, vocalizing how much she disapproves of the results. There’s this feeling that I recognize from a lot of the sapphic romance I read; “it’s you and me against the world, I’ll always have your back, even if you’re in the wrong, I’ll fight for you.”

In our case, it’s violentine + AJ against the rest of Ericson, save Tenn and Aasim. Violet validates that AJ was justified because Marlon was a liar and murderer, claiming that AJ and Clementine did nothing wrong. Violet fights to keep them. 

The tension between violentine in ep2 is different because instead of one pushing the other away, they’re being forced apart by the vote and there’s nothing they can do about it. That tension is somewhat released when Clementine comes back and they’re reunited, working out a plan to best defend the school. 

It’s also why Violet’s presented as doing something productive when you follow her instead of Louis, and why she asks if you want to hang out after checking the defenses. 

All that being said, allow me to reiterate that one is not good and the other bad, they're different. These concepts of challenge and change/validation and comfort exist on a neutral road as diverging paths. It’s up to the player to pick what path they prefer, but that doesn’t mean the other path isn’t worth acknowledging or analyzing. 

I should also mention that they’re not exclusive; there is overlap with validation being present in Louis’ route and challenges in Violet’s. They’re just more present in episodes 3 and 4 after we’ve made our decision. 

There are several more examples of how this all fits together, buuuuut–

Ya’ll wanna compare some allegories?

Those familiar with my content might already know where I’m going with this as I’ve made a post about Louis and the piano in the past. 

You see, I believe that there are allegories for Louis and Violet’s hearts present in their routes: Louis’ piano, and Violet’s pin. 

I already have a thorough, in-depth analysis of Louis and the piano that you can read, so all I’ll say about it is that on the night of the raid, he asked Clementine to carve a piece of herself into his heart so that no matter what, their initials will be immortalized together in its wood…

And that makes me fucking feral. 

But I'm also so normal about it.

As for Violet, her heart is the star gazing pin she gives to Clementine. She gives it to her so she’ll always remember that night… but she doesn’t give it to her until after Clementine’s saved her, and that fascinates me in the context of it being allegory. 

Louis asks Clementine to carve herself into his heart right before the raid, cementing that from that moment on, he is utterly devoted to her. I believe this is part of the reason why Louis is still happy to see her if he’s the one who’s captured. Yes, yes, he’s also incredibly traumatized from having his tongue cut out and he’d be happy to see anyone, yada yada… but listen, if you romance Louis and he’s captured, his heart remains with her—that piano with their intitals is on full display. When he sees her, he’s still so devoted to her that he refuses to accept that it’s at all her fault. Even when she says it is, he shakes his head... and he so easily accepts her when they’re together in the end. From the moment Clementine puts knife to wood, he’s hers. 

Now, look… you might think I’m going somewhere not great with this but hear me out. 

I think after Clementine’s gone star gazing with her, Violet is fully ready to give her heart to her. Y’know, give her the pin. But, think about what Violet said about how people have left, but Clementine came back. Plus, with the impending raid to think about, maybe Violet should keep the pin until the right moment. 

I believe a key difference between her and Louis is that Violet needs one last thing to solidify that Clementine’s the one. 

Louis gives her his heart prior to the raid because of everything that’s already gone down between them following Marlon’s death. Violet needs to know that Clementine’s willing to fight for her the way she fought before. When Clementine saves her from the raiders, it’s solidified. Even after she sees Minerva again, it changes nothing.

It’s also worth noting that the pin is something Clementine wears. Like the piano carving, it’s a piece on display for everyone to see, to let them know whose heart Clementine has.

Violet literally handed Clementine her heart as a means of saying, “I’m yours. I’m devoted to you.” 

This is why romanced/captured Violet is devastating, and is why she behaves the way she does in the cells. She was so ready to give her heart away and then nope, sorry, Vi! You get knocked unconscious by raiders instead! 

If anything, you kind of deserve to be told to fuck off if you romanced her and then let her get captured. Just sayin’. 

Look, I have a lot of complicated feelings about the captured violentine route, mostly with Violet being as forgiving as she is after her eyes are burned—yes, yes, I know, her eyes are burned and Minerva messed with her head so of course now she’s not hostile, yada, yada. 

But I think it’s rather telling that you don’t get the pin in this route. Sure, Violet’s willing to forgive and possibly pursue this romance in the future… but she’s not ready to hand over her heart, not truly. Not after everything that’s happened. 

And if you want to get extra angsty about it, imagine that Violet made the pin right after they parted ways, but before the raiders came. Meaning that if she’s captured, it’s possibly still sitting somewhere, abandoned. 

Mmhmmm, very normal about this. I feel normal. My normalness about this continues... normally. I'm not losing my shit thinking about that. Nope. Why would I? I wouldn't! So normal.

Okay just let me talk about their reactions to Tenn's death and then I'll shut up.

This makes me want to gnaw my own foot off, I can barely handle it.

AJ shoots Tenn on the bridge because Clementine trusted him to make the hard calls. This saves Louis or Violet's life.

When Louis jumps across, he's completely silent as he watches Tenn die... and then he's pissed; "What the fuck?! How could you just shoot him like that?!"

AJ explains himself, that he did it for him, and Louis is so upset that he forces AJ to look at what he's done, to watch the walkers eat Tenn; "Tenn's dead. He's dead! Do you realize that?! Look! [...] He's... he's gone, because of you. Just fucking gone."

If Clementine says AJ saved his life, Louis says, "So what, we just cut him loose? Gun him down like he was nothing?"

If Clementine says nothing, Louis says, "Tenn was just a little boy!"

The reason Louis responds this way is because in this moment, he just relived Marlon's death all over again, but worse. So, SO much worse!

When Violet jumps across, she breaks down, begging, "Oh, my God! Oh, my God! No, no! No, no, no..." as she watches Tenn die... and then says to AJ, "No! What the fuck?! How could you do that?!"

AJ explains himself, that he did it for her, and Violet is faaaar from okay; "For me? I can't... Tenn is gone! That soft little boy who liked to draw, he's gone, because of you!"

If Clementine says AJ saved her life, Violet says, "You think that's okay?! Just gunning down one of our own?!"

And there it is.

Louis is hardened in this situation because he already went through this... Violet hasn't, not with AJ. She softened up throughout her route due to her relationships to him and Clementine... but this is the moment where she realizes that maybe AJ wasn't as justified as she believed, and this is the consequence.

This leads us to the ending where AJ asks if they're still mad about him killing Tenn, and I just... I'm biting my foot right now because the script has flipped.

Louis is forgiving and understanding. He's soft, he's sympathetic, he shakes AJ's hand to let him know that all is forgiven and they're okay; "I... AJ, I guess it's like... You saw something I didn't. About the situation, I mean. Minnie and the walkers and Tenn, it's just all this chaos in my head when I think back on it. [...] Clem says you saved my life? Well, then, that's exactly what you did. And how can I stay mad at anyone for doing that?"

Or, alternatively, "He was your friend, AJ. I know you are hurting just as much as I am."

As for Violet? She's understanding, too... but she's not quite ready to forgive yet; "The thing you said on the bridge...that he was messing up all the time. It wasn't something new, you know. Tenn got himself or other people into trouble all the time, long before you guys got here. He was always so lost. He lived in a world that just...isn't there, you know? And that's why I tried to look after him. But when I was pulling him away from the walkers, and Minnie, I could also see...he just wasn't there anymore."

"So you're mad, but sad."

"Can I be that for a while?"

And it's completely understandable that she's hurting and struggling with how she feels about AJ moving forward! She wants to be okay, she wants to forgive him, she just needs time.

Now, because I'm forever bitter, but I'm gonna mention this as well: whenever I see someone point at Violet's scene and say, "See!? This is how LOUIS should've acted in ep2!" like... they're telling on themselves again. Not just that they don't understand Louis as a character or his route, but that they don't fully grasp Violet's part in this either. Or time frames, for that matter.

Let me put it to you in simple terms... they react the same.

After Marlon and Tenn die, they're upset. They're pissed. They blame AJ and yell at him. After they've had time to process what happened [Louis after the two week time skip, Violet after time passes between the bridge and the ending] they share the same, "I'm still upset about Marlon/Tenn. Can I be that for a while and still be your friend?" sentiment.

The difference is that Louis is treated poorly for it because of the vote, and because we feel it first hand for longer... Violet got to grieve off screen and come back after she's sorted herself out.

It's a disservice to both of their characters because it's rooted in that same mentality that I criticized at the beginning: "This is why one is better than the other."

Do I need to say it again? I'm gonna say it again.

One is not good and the other bad. They're different.

There are so many fun discussions that could come from putting Louis and Violet side by side, and examining them. I haven't even covered the different ways they're introduced, or compared their ep3 dates to see what it says about them and the overall narratives! What about the cell scenes!? How they react when Dorian's about the cut off their fingers! The way they approach James upon meeting him!

That last one in particular is especially funny! They're all under stress about blending in with a herd of walkers to infiltrate a boat to save their friends, and yet Louis easily saunters up to the guy wearing walker skins with a smile, and makes him laugh by saying, "Functional and fashionable. I'll take two."

Violet approaches James like he's an injured wild animal that's going to bite her, and bless her heart, she tries with, "I, uh… hey. Hey there, James. Sorry about Willy." Then James gives her this judgmental side-eye, like buddy? She's not the weirdo here.

There is so much potential to dissect here, and I want to see people do it... but I want them to do it fairly, in good faith.

I want to get away from the idea of comparing them to "prove" which is better because there is no objective better. There isn't! That's a waste of time!

I'm so done with The Debate™; it's unhelpful, it's annoying, and it's boring as shit. I've heard it all before, and you probably have, too.

I want to put Louis and Violet under a microscope and study them with the thought process of, "one does this and the other does that... what does it mean!? what does it say about the narrative!? Oh my god, they have the same opinion on this thing, WRITE THAT DOWN!"

So yeah, that's my ramble for the night.

I'm gonna go replay TFS for further research.

[mohntilyet]

let me be clear i like veilguard but it does suck that no one disapproves anymore outside of like. three choices. i want to be fighting for my life earning approval back again someone has GOT to hate my ass. i should be careful about party composition and companion reactions again. i miss tactically taking fenris out of the party before i'm nice to merrill like those were the days

[sskk-manifesto]

Bungou Stray Dogs: Dead Apple and how “ability users” (opposite to “normal people”) learning to accept themselves through the acceptance of their own abilities is a queer metaphor of acceptance of own's sexual orientation and gender: an essay by me

[epicfirestormer]

Guess who's playing Steamworld Heist 2 and isn't being normal about it

[arseniy-arsenicum33]

Have you guys ever heard about this game "Slay The Princess"?

I sure have... It's been constantly spinning in my mind for a couple of months...

So I've tried to make something in Hero Forge about it... Here are my attempts at slaying modeling Chapter 2 Princesses...

Bonus: Hero Forge doesn't allow more than two figures on one base, so there is no way I could model The Stranger... So here is five of her fragments:

And also Tower lifting the chin of a raven that was used to determine Her hand position... He was so charming to me, I've decided to show you... Not Long, but a Little Quiet...

All models are free to use in your DnD campaigns, and will be available through links in my Google Doc... Once I finish compiling it... I also need to acknowledge, that I'm not the first person doing this... That honor, as far as I'm aware, goes to @imafuckingnerdineveryway and their two sets of models: Long Quiet and Shifting Mound Adversary and Damsel Which were partial inspiration for starting this project... Check them out! More people should engage with Hero Forge as an art program!

[front-facing-pokemon]

[kingofattolia]

another note from the extended editions: what is the Aragorn/Eowyn dynamic? watching the theatrical cut it always seemed like a painfully unrequited crush. the extended edition scenes though... either I am crazy or or he DOES like her

[findafight]

The urge to write an S1 au where Steve is pursuing Barb instead of Nancy and Barb is like this fuckin guy but is, admittedly, charmed by his goofiness he only seems to show when they're alone or with just Nancy and/or Tommy/Carol. And she does like him, quite a bit. She plays it coy but Nancy is there giving her side eyes like girrrllll you just made out with school heartthrob, little bit of a slut, Steve Harrington? He's giving you dopey smiles in the hall?? Was that a flirty little finger wave I saw? And Barb is going shut up Nancy it's not like me to go around making out with boys or whatever he's just cute and kind okay he's bitchy too tho it's fun to flirt I guess and Nancy is like you are also bitchy? Seems like a good match to meeee? And Barb is like FINE okay we made out under the bleachers and I touched his butt. It was so much fun.

And the hangout happens etc but Nancy is like okayyy baaaarb I'm gonna ;) head out now ;) you okay here? And Barb is like Nancy for the love of fuck I am going to make out with him and he might even take his shirt off I will call you when I get home but Nancy goes it might be a bit late to call...maybe try in the morning;) and Barb kinda wants to die a little bit because her best friend is sorta living vicariously through her and it's embarrassing to have a crush but also. It's fun and exciting to have a sort of boyfriend who's clearly super into you but also backs off when you tell him to and lets your intense best friend come to what you are realizing may have been a casual double date, so she waves to Nancy and heads upstairs.

They sleep together and it's nice and she even got him to help her take her bra off while she felt him up under his shirt and she's pretty proud of how smooth she was. But she does have to go home, so she nudges him awake and he kisses her again and she tells him she's heading home but is also stealing his sweatshirt. He gives her a lazy smile and asks if he's picking her up for school tomorrow and she's like nu uh I'll see you AT school bucko. And he gives her a little pout but says goodnight and she starts walking the few blocks to her car.

She never makes it.

The next day at school Nancy is like Steve. Where is Barb. And he's like Nancy. Where is Barb. And both go ???? WHERE IS BARB!!

Cue them both kinda freaking out, and then finding out Jonathan took pictures of the backyard and had at some point looped around and taken a picture of Barb fiddling with her Keys with Something in the background. Steve still smashed his camera because what the fuck Jonathan, the picture he took was like. Ten seconds before her bra came off? But now they're all stuck together because they've gotta find Barb and Will.

Idk what else I just think Steve/Barb is an under used ship but it's cute.