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silverskye13 · 8 months ago

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how did you get the confidence to write fanfiction? i always worry that i won't portray the characters properly so any ideas or wants to write fanfics that i have go away or i talk myself out of it :(

Well! First and foremost: Most people don't start writing,,,, anything with confidence. Let alone fanfic, where you know other people are going to be looking at it, with their own ideas of how the characters are supposed to act and feel influencing what they're coming to the story with. My first fanfic I was very insecure, which I feel like was evident, reading through the author's notes now. Apologies whenever something that required a lot of suspension of disbelief happened, a poll so readers could decide the ending so I wouldn't disappoint anybody, only to end in me writing and posting three different endings. Long justifications for why I chose certain things in the author's notes. The fic nowadays reads to me like a very rough apology.

"Hi I'm sorry I tried. Be kind I'm very scared."

But the thing about writing that fic was, it was the writerly equivalent of jumping into the deep end of the pool for the first time. After I bobbed back to the surface and realized a shark hadn't like, taken my legs off while I was down there, jumping in again got easier. And kept getting easier. And now I just write and post things.

There's kind of two schools of thought that I've seen people subscribe to, when it comes to taking the first leap. The one that's really popular around here on Tumblr is: Do it scared. It is simple and straightforward. You are scared. You will be scared. You probably never won't be scared. So do it scared. Write your thing, close your eyes and hit send [either to post it or to share it with one or two friends, or even just hitting the "save" button and not deleting it]. Get scared, do it, close your eyes, finish. When you open your eyes again and nothing terrible has happened, you can breathe a sigh of relief and do it scared again. It's a little nerve-wracking at first, but the idea is giving your mind the association of jumping and not falling. I did it and I didn't fail, therefore it is safe to do it again.

The other school of thought [the one I specifically subscribe to] is: Do it once. What you think or feel about it doesn't matter. What matters is you did it once. Maybe it will be hell, or it'll suck terribly. Maybe you're really excited! And it turns out great! Maybe its a wild ride of ups and downs, and by the end you need a few months to catch your breath and decide if it was worth it. Regardless: you did it once. Now you know, if you want to, you can do it again. Now you can decide if its worth doing again. For me, the euphoria of finishing a project always far outweighs the trouble getting there, so the step forward of "Do it once" is powerful for me. And that can be broken down too. "Write one chapter." "Draw one drawing." "Clean one room in the house." There is no pressure to continue if its really that terrible, but you at least get to decide if one was worth it [and a solid 9 times out of 10, one was worth it enough to do it more.]

Now, all that said, if what you're worried about is writing the characters right and nothing else -- don't worry too much. Most people care less about how true to life the characters are, and care a lot more about consistency in the story. An example from RnS: In canon, Helsknight is a cartoonish villain with one motivation, and that motivation is taking over hermitcraft Doofenschmirtz style. To date, no one has come into my inbox demanding I change him, because he's so OOC he's basically an OC at this point. What people have come into my inbox about though, is "Hey, you established X in this chapter, but he said Y in this chapter. Was there a reason for that?" which is them saying, "Why didn't you keep your character consistent?" If you tell your audience what the expectations are for the story and you stick with them, they will stop caring about OOC moments and characterizations, and will trust you're going somewhere with your writing. Suspension of disbelief, your powerful friend! They put the world on their shoulders and carry and everybody watches and claps.

If you're also worried about consistency, then start out with one shots! There's a lot less room for error, no large, sweeping character arcs to keep track of. And stringing a bunch of one-shots together can give you practice with character consistency and progression without committing to something massive and overarching. If you're truly worried about making the characters exactly like Canon [or the Canon in your head], I recommend making little lists of character traits, or important things you want to keep in mind. At that point you're scared of your own consistency, and you just need a framework to keep yourself consistent enough for yourself, if that makes sense?

Hopefully! This helps! Sorry I'm a little scattered today :'D

#answering asks #caramelcoatednightmares #writing advice #fanfic advice #longpost #the barking writer #im very sleepy and still thinking about soup #i think maybe i'm just very thirsty

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a-d-nox · 5 months ago

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my experience, given my 9h, one year post uni graduation

so as many people know who have been here for awhile my 9h... its a bit much...

for a long time, i have seen people say that pluto and/or chiron in the 9h would mean that you would drop out of college or what have you.

i am living proof that its not always the case.

my experience was the chiron placement giving me anxiety - i hated that i wasn't as great as i had expected i would be. i hated being a psych major (i feel like i have a decent ability to listen and advise others, but it just didn't feel right after 3 years in the major). my department then was shaky because the psychobio/pharm side was questionable at best; maybe one or two people would pass the tests the rest would fail and then it would be curved. the teaching style didn't work and their were no other professors or tutors available to help (WHICH IS INSANE). so i was feeling hopeless and anxious... and depressed... i couldn't see myself passing a test at the end of the term let alone going on to help others if i couldn't understand (which i connected with grades - it didn't matter how many mind maps i made on a topic) the material.

we can skip the dark crap that i went through during that time too because we have already talked about it-

so i healed myself (chiron can be wounded, but he was healer first foremost) by changing my major (pluto is the change).

yay english major - the venus there is really "a doing (learning) what i love" signifier in my opinion.

all this conjuncts my mc, so yes - i got my degree, awards, and lots of people knew what i went through by the end of it because i wrote about it in the school newspaper.

BUT ON TO THE REAL REASON I AM WRITING THIS.

what happened when i stopped being in a learning environment?

it's been a year. to be honest, the 9h chiron feeling is crawling back in. i am sure everyone notices that my posts are more sporadic and just less in general. i am mentally exhausted - i work an 8-5p corporate office job (not in my field). it's hard to not feel uninspired by the end of my day. i feel like i am becoming stunted.

my brain was a sword and without school and constant/consistent learning (especially in areas i am interested in), i feel my sword is without a whetstone.

not to be a complainer (but yes to complain) corporate america squeezes out your motivation, your creativity, and your drive if you are there long enough and if you are in the wrong spot long enough. in my situation, i feel like i try to ask questions and make change and i get rejected? so more stunting.

i feel like people would disagree, but with a 9h like i have (or if you have any of these objects singularly), you have to keep learning. you have to be in the right environment that allows you to continue to expand your being. you have to read outside of work, get certification, take classes, maybe even get more degrees.

personally, i feel like i am not as intelligent as i was a year ago - i'm tired and uninspired. i am tried of fighting for something different where closed mindedness exists. i never felt more free then i was when i was in a classroom.

to wrap this up, it doesn't matter how scary the house looks (chiron, pluto, etc). it needs your attention. if anything, you need to nurture it more. just because you didn't have the best experiences in the area doesn't mean you should ignore it - your "wounds", the "darkest" areas in your life still need your care. wounds heal and without the darkness we wouldn't know the beauty of the light.

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#astrology #astro community #astro placements #astro chart #natal chart #asteroid astrology #asteroid #astrology tumblr #greek mythology #chiron #astrology chart #natal astrology #astro notes #astro #astrology readings #astrology blog #asteroid2060 #9h

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jaggedcliffs · 2 months ago

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While Stoker's continuity and vampire lore can sometimes be rather inconsistent, May 16th gives us a solid introduction to three ways we see vampires enthrall victims across the story, and it remains pretty consistent throughout:

To start with, there's their voices, with almost the same comparison used between Jonathan with the Weird Sisters and Seward with Lucy:

May 16th: "They whispered together, and then they all three laughed—such a silvery, musical laugh, but as hard as though the sound never could have come through the softness of human lips. It was like the intolerable, tingling sweetness of water-glasses when played on by a cunning hand." September 29th: "There was something diabolically sweet in her tones—something of the tingling of glass when struck—which rang through the brains even of us who heard the words addressed to another. As for Arthur, he seemed under a spell; moving his hands from his face, he opened wide his arms."

Arthur had before hid his face with a groan when he watched vamp!Lucy throw the child to the ground, but he hears Lucy's tingling voice and can't resist. These two moments give us the one of most clear straightforward instances the vampires' voices hypnotizing their targets.

There's also the sight of the Weird Sisters, compared with Van Helsing at the end:

May 16th: "All three had brilliant white teeth that shone like pearls against the ruby of their voluptuous lips. There was something about them that made me uneasy, some longing and at the same time some deadly fear. I felt in my heart a wicked, burning desire that they would kiss me with those red lips." Nov. 5th: "She lay in her Vampire sleep, so full of life and voluptuous beauty that I shudder as though I have come to do murder.... There is some fascination, surely, when I am moved by the mere presence of such an one, even lying as she lay in a tomb fretted with age and heavy with the dust of centuries, though there be that horrid odour such as the lairs of the Count have had. Yes, I was moved—I, Van Helsing, with all my purpose and with my motive for hate—I was moved to a yearning for delay which seemed to paralyse my faculties and to clog my very soul. It may have been that the need of natural sleep, and the strange oppression of the air were beginning to overcome me. Certain it was that I was lapsing into sleep, the open-eyed sleep of one who yields to a sweet fascination"

Van Helsing writes so much...I even had to skip a whole paragraph. Anyway, the point is that Jonathan felt the that "burning desire" just when looking at them. For Van Helsing, even while the one vamp lady is asleep, the sight of her ~voluptuousness~ is enough to freeze him, no matter how many "maybes" and hypotheticals he couches it in. So it's made pretty clear just vampires can enthrall someone simply because someone looks at them.

Lastly, there's touch, which Jonathan only briefly mentions bit Mina outright states with Dracula (because I guess Dracula is just not ~voluptuous~ enough for the sight and sound enthrallment):

May 16th: "Then the skin of my throat began to tingle as one's flesh does when the hand that is to tickle it approaches nearer—nearer. I could feel the soft, shivering touch of the lips on the super-sensitive skin of my throat, and the hard dents of two sharp teeth, just touching and pausing there. I closed my eyes in a languorous ecstasy and waited—waited with beating heart." Oct. 3rd: "I was bewildered, and, strangely enough, I did not want to hinder him. I suppose it is a part of the horrible curse that such is, when his touch is on his victim."

For Jonathan, it's just an escalation of everything that's come before. For poor Mina, it seems Dracula only put the whammy on her once he started feeding. She gets spared the grisliness of a more in-depth description, which is for the best I think.

I don't really have much meta on these connections, just that it is made clear that there is some sort of hypnotism going on in each instance. Yet that hasn't stopped adaptions from telling us how much the characters are actually totally into it ¯\_(ツ)_/¯

#dracula #dracula daily #re: dracula #dracula spoilers #(up until near the end of the book)#jonathan harker #abraham van helsing #john seward #lucy westenra #mina harker #jagged posts about dracula #I actually meant to get this out way back on may 16th #alas

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thewriteadviceforwriters · 5 months ago

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Staying Motivated During Camp NaNoWriMo: A Writer's Guide to Success (As I Continue to Fail)

As a writer, you've likely heard of National Novel Writing Month (NaNoWriMo), the annual November challenge where participants aim to write a 50,000-word novel in just 30 days. But did you know that there's a more flexible version of this writing marathon called Camp NaNoWriMo? Held in April and July each year, Camp NaNoWriMo allows writers to set their own word count goals and work on any writing project they choose.

(Here's proof of me failing miserably to my writing goal 😭)

While Camp NaNoWriMo offers more freedom than its November counterpart, it can still be challenging to stay motivated throughout the month-long writing journey. As someone who's participated in multiple Camp NaNoWriMo sessions, I understand the ups and downs that come with this intensive writing experience. In this post, I'll share some tried-and-true strategies to help you stay motivated and reach your writing goals during Camp NaNoWriMo.

Set Realistic and Personalized Goals

One of the beauties of Camp NaNoWriMo is that you get to set your own goals. While this flexibility is fantastic, it's crucial to set realistic targets that challenge you without setting you up for failure. Consider your schedule, writing speed, and project type when determining your word count goal.

For instance, if you're working on a poetry collection, aiming for 50,000 words might not make sense. Instead, you could set a goal of writing 30 poems or spending 30 hours on your project. Remember, the goal is to make progress, not to burn yourself out.

Pro Tip: Break your monthly goal into daily or weekly targets. This makes the overall goal feel less daunting and gives you regular milestones to celebrate.

Create a Writing Schedule

Once you've set your goal, it's time to create a writing schedule that works for you. Consistency is key when it comes to making progress on your project. Try to allocate specific times each day for writing, even if it's just 30 minutes.

Consider your natural rhythms and responsibilities when crafting your schedule. Are you a morning person who can squeeze in an hour of writing before work? Or do you find your creativity peaks late at night after the kids are in bed? Whatever your situation, find pockets of time that you can dedicate to your writing.

Remember, it's okay if you can't write every single day. Life happens, and flexibility is important. The key is to have a general structure that you can fall back on.

Prepare Your Writing Space

Your environment can have a significant impact on your motivation and productivity. Before Camp NaNoWriMo begins, take some time to set up a comfortable and inspiring writing space. This could be a dedicated home office, a cozy corner of your living room, or even a favorite spot at your local coffee shop.

Ensure your writing area is clutter-free and equipped with everything you might need: your computer or notebook, reference materials, snacks, and a beverage of choice. Some writers find that having inspiring objects around them, like favorite books or meaningful trinkets, helps fuel their creativity.

Join a Writing Community

One of the most powerful aspects of Camp NaNoWriMo is the sense of community it fosters. Take advantage of this by joining a "cabin" - a small group of writers who can offer support, encouragement, and accountability throughout the month.

You can either join a random cabin or create one with friends. Engage with your cabin mates regularly, share your progress, and celebrate each other's successes. The camaraderie and shared experience can be incredibly motivating when the writing gets tough.

Beyond your cabin, participate in the wider Camp NaNoWriMo community through forums, social media, and local events (virtual or in-person). Surrounding yourself with other writers who are facing similar challenges can provide a much-needed boost of motivation.

Use Writing Prompts and Exercises

There will inevitably be days when the words just don't seem to flow. Instead of getting discouraged, have a arsenal of writing prompts and exercises ready to kickstart your creativity.

These can be simple character development exercises, dialogue prompts, or even free-writing sessions. The goal is to get your creative juices flowing and overcome any mental blocks you might be experiencing.

Pro Tip: Create a document or notebook filled with prompts and exercises before Camp NaNoWriMo begins. This way, you'll always have something to fall back on during tough writing days.

Reward Yourself for Milestones

Positive reinforcement can be a powerful motivator. Set up a system of rewards for reaching various milestones throughout the month. These can be small daily rewards, like a favorite snack after reaching your word count, or larger weekly rewards, such as a movie night or a long bath.

Don't forget to celebrate the big achievements too. Plan something special for when you reach your final Camp NaNoWriMo goal, whether it's buying a new book, treating yourself to a nice dinner, or simply taking a day off to relax and recharge.

Embrace the "Sprint" Mentality

Writing sprints - short, focused bursts of writing - can be incredibly effective during Camp NaNoWriMo. Not only do they help you make progress quickly, but they can also inject a sense of fun and urgency into your writing sessions.

Try setting a timer for 15-30 minutes and challenging yourself to write as much as possible during that time. Don't worry about editing or perfection; the goal is simply to get words on the page. You might be surprised at how much you can accomplish in these short, intense writing sessions.

Many writers find that alternating between sprints and short breaks helps maintain focus and prevents burnout. Experiment with different sprint lengths and break times to find what works best for you.

Keep a Progress Journal

Tracking your progress can be a great source of motivation. Consider keeping a journal where you record your daily word count, time spent writing, and any notable achievements or breakthroughs.

This journal can serve multiple purposes. First, it provides a visual representation of your progress, which can be encouraging on tough days. Second, it allows you to reflect on your writing process and identify patterns or areas for improvement. Lastly, it serves as a record of your Camp NaNoWriMo journey that you can look back on with pride.

Practice Self-Care

While Camp NaNoWriMo is an exciting challenge, it's important not to sacrifice your physical and mental well-being in pursuit of your writing goals. Remember to take care of yourself throughout the month.

This includes getting enough sleep, eating well, staying hydrated, and taking regular breaks to stretch and move your body. Don't forget to make time for other activities you enjoy, whether it's reading, spending time with loved ones, or pursuing other hobbies.

Taking care of yourself will not only help prevent burnout but will also keep your mind fresh and creative, ultimately benefiting your writing.

Embrace Imperfection

One of the biggest obstacles to motivation during Camp NaNoWriMo can be the pressure to write something "good." Remember, the goal of this challenge is to make progress on your project, not to produce a perfect, publication-ready manuscript.

Give yourself permission to write imperfectly. First drafts are meant to be messy, and that's okay. Focus on getting your ideas down on paper (or screen) and worry about refining them later. Some writers find it helpful to turn off their inner editor completely during the first draft, while others prefer to do light editing as they go. Find what works for you, but don't let the pursuit of perfection hinder your progress.

Have a Plan for When Motivation Dips

Even with all these strategies in place, there may be times when your motivation wanes. It's normal and happens to every writer at some point. The key is to have a plan for these moments.

This could involve reaching out to your cabin mates for encouragement, revisiting your favorite writing craft book for inspiration, or simply taking a short break to recharge. Sometimes, switching up your routine or writing environment can provide a fresh perspective and renewed motivation.

Remember why you started this journey in the first place. Reconnect with your passion for your story or project. Visualize how you'll feel when you reach your goal at the end of the month.

Reflect and Celebrate

As Camp NaNoWriMo draws to a close, take time to reflect on your journey. Regardless of whether you met your initial goal, you've likely made significant progress on your project and learned valuable lessons about your writing process.

Celebrate your achievements, no matter how small they may seem. Every word written is a step closer to completing your project. Be proud of the effort you've put in and the progress you've made.

Happy Writing! - Rin T.

Hey fellow writers! I'm super excited to share that I've just launched a Tumblr community. I'm inviting all of you to join my community. All you have to do is fill out this Google form, and I'll personally send you an invitation to join the Write Right Society on Tumblr! Can't wait to see your posts!

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championari · 1 year ago

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Alright. I said I would write this and I’m gonna stay true to my word.

I’ve been seeing a lot of takes since The Giggle has come out questioning the potency of 14’s ending. People have been citing multiple different times during the reboot era where the Doctor has “settled down” somewhere, from Darillium, the university in S10, to even Trenzalore. However, I think all of these comparisons are apples to oranges, completely missing the details of each instance and how The Giggle’s ending rebukes all of them.

So, because I cannot leave an inaccurate take alone, I’m going through every single one of these instances and explain why 14’s ending is different from them, in chronological order.

I’m gonna start with a weird one: S7EP4, The Power of Three. Because it provides a good example of all the things we’re going to be talking about.

Prior to this episode, long time fans already had a good idea that the Doctor…does not do well in monotonous environments, a truth that is consistent across multiple incarnations.

“I don’t do families.”

“Street corner, two in the morning, getting a taxi home. I’ve never had a life like that.”

“Here you are, Living a life, day after day. The one adventure I could never have.”

“Christmas dinner.” “I don’t do that sort of thing.”

“Oh god I had a terrible nightmare about you two!” [Talking about Amy and Rory having a normal life in Leadworth]

The entirety of The Lodger

“There’s a bigger, scarier adventure waiting for you in there.”

The Power of Three, spells this truth out in bold, montage style marker pen. The Doctor “needs to be busy”. Why, as Amy later asks?

Personally I think this answer varies slightly between regenerations, based on experiences and losses each face goes through. 9 couldn’t imagine a life of peace coming out of a war, a war that he had a major hand in. 10 continues that idea, with the added baggage of losing Rose. 11’s reasoning is a bit subtler: he says to Amy that he is running to things before they go, as if he now understands how short beautiful things last. He’s going from one thing to the next in avoidance of staying to watch things die.

“And what’s the alternative? Me standing over your grave?”

This doesn’t change by the end of the episode. The Doctor explicitly tells the Ponds that he’s only staying to watch the cubes, and once the threat is gone, he’s already out the door. He only stops because of a potential threat, an idea we will return to in the next example. He even accepts the idea of Amy and Rory wanting to stay behind: “things to do. Worlds to save. Swings to swing on. Look, I know. You both have lives here. beautiful, messy lives. That is what makes you so fabulously human. You don’t want to give them up. I understand.” The Doctor is saying, ‘I know you have lives here, and that I can’t always be a part of that. And that’s ok.’

This episode in my opinion is a perfect microcosm of The Doctor regarding this topic, spelling out explicitly why The Doctor can't ever settle down. The Doctor needs to have something to run to because they don't feel secure enough in any place to not allow their altruism outweigh their need to process their trauma. The only thing that could motivate the Doctor to stop, even just for a second, is the promise that their friend(s) will be there too. The next example is the worst-case scenario of this issue.

Trenzalore is an interesting case. When I first heard of it being counted, I immediately shut it down, because Trenzalore was a literal war zone (wars are obviously not a good place for mental health time). But in doing research, there is actually way more baggage contained in this period making it unsuitable for this argument than just that fact.

Trenzalore was set up to be the Doctor’s final resting place, where they would truly die. It wasn’t the first time a death prophecy had surrounded the Time Lord, and once again, just as with The End of Time, the thing that kills them is, what Davros would later call The Doctor's “greatest indulgence”: compassion. Tasha Leem warns 11 that she will burn the planet upon the possibility of the Time Lords returning, a warning the Doctor takes extremely seriously.

“This planet is protected.”

“Christmas has a new sheriff.”

For 300 years, 11 stayed true to his word. He fought long and hard, for the townspeople and his own. He was celebrated and was loved. But Clara returning with the TARDIS revealed how he really felt about all of it.

“Everyone gets stuck somewhere eventually.”

“But you didn’t have your TARDIS.” “Well, that made it easier to stay.”

There’s an unspoken sentiment in these words, echoing 11's philosophy in Power of Three: the Doctor will always want to leave, in this case, to understandably avoid his prophesied death. But he doesn’t, because “Every life I save is a victory”. Their compulsion to help, their innate capacity to help those in need. So often it’s been their greatest strength, but here it’s framed as destructive selflessness. 11 has become so wholly committed to helping others before himself that he’s willing to accept his own death.

Clara correctly calls this out: “What about your life? Just for once, After all this time, have you not earned the right to think about that?” The Doctor didn’t stay on Trenzalore for himself, he stayed for everyone besides himself. It’s only because Clara gave the Time Lords a proper verbal smackdown that the Doctor managed to survive. Had they not intervened, The Doctor would've suffered and died, once again to protect them, despite already saving them from annihilation in the previous episode, Day of The Doctor. Trenzalore wasn't The Doctor stopping, it was a century-long effort to keep satiating the bottomless survivor's guilt they still carried from The Time War.

Darillium is yet another case of looking like a time the Doctor settled down somewhere on the surface. But the details don’t match that conclusion. The entire thesis of 12 and River’s final conversation was about the fleeting nature of their situation.

“Times end, River, because they have to. Because there’s no such thing as happily ever after. It’s just a lie we tell ourselves because the truth is so hard.”

The Doctor says this, cries at hearing the Singing Towers, despite already knowing they have 24 years in a night. Because he knows it can’t last. There’s already a deadline on their moment of peace before it’s begun. Eventually River must go to The Library.

The final quote of the episode punctuates this: “And they lived happily ever after.” Fading away until “happily” remains. Because they didn’t have their “ever after” and they didn’t “live”, because a person can’t entirely experience life to the fullest with a clock hanging over their head.

While they got their moment of happiness, it was only a moment. 24 years is just a blink of an eye for a Time Lord, and sure enough, we see by the end of “The Return of Doctor Mysterio”, the next chronological episode, 12 is ready to leap back into the fray. Still the same overall Doctor he was before.

The University is an extension of this. We find out that the only reason he has stayed is to guard Missy in the vault. When 12 tries to mindwipe Bill (an eerie parallel to both Donna and Clara), he directly says: “I have no choice, I’m in disguise. I have promises to keep.” Just like with Trenzalore, The Doctor’s altruism has trapped him somewhere he doesn’t actually want to be. The second he hesitates, he immediately runs after Bill, inviting her into the TARDIS and sneaks off to the universe behind Nardole’s back.

So, now that we’ve gone through each past instance, what’s the connection? What’s the key issue(s) that prevented the Doctor from permanently stopping in any of these cases?

The (fear of) loss of their friends, and the Doctor’s own self-loathing. Either out of fear of the march of time, or the chains that their altruistic nature binds them to, The Doctor always runs away from the picket fence life.

Now, let’s look at 14 and how this ending departs from all other examples.

Wild Blue Yonder and The Giggle more prominently explains 14’s origins as a coping mechanism. The reason why 10’s face came back was to retreat to an incarnation that didn’t invoke the loss of The Ponds, Clara, and Bill. The second destruction of Gallifrey and the reveal of The Timeless Child. The Doctor’s avoidance of their trauma has now been made physical, just like how mental stress can often manifest as physical changes or ailments.

“We stand here now, on the edge of creation, a creation that I devastated, so yes I keep running, of course I keep running!! How am I supposed to look back on that?!”

Already this is a departure from the instances we’ve discussed, because by the very nature of having 10’s face again, it’s forcing the Doctor to ask why.

“It’s like I'm trying to tell myself something. Like I’m trying to make a point.”

But 14 chooses not to answer it, because answering it means accepting the truth: it’s too much. The trauma can’t be avoided anymore, because The Doctor would always be reminded of what they’re trying to avoid by looking in a reflection. 14 telling Shirley, “I don’t know who I am anymore.” Then asking Donna, “what am I? What am I now?” It’s not because he’s been given a blank slate and doesn’t know what to do with it, like other regeneration stories. In trying to run away again, to bury the trauma and pain, The Doctor has made it more visible than ever, and doesn’t know what to do with that.

Ironically, the Toymaker causing the bi-generation was the greatest gift he could’ve given the Doctor, because 15 was exactly who 14 needed to see. He’s happy, energetic, full of life and wonder, but also empathetic, understanding and open. He’s the only other person in the entire universe who The Doctor will listen to (well, one person, we’ll get to the other later), because he knows all of the trauma they went through, and yet, made it through ok.

“But you’re fine.”

“I’m fine, because you fix yourself.”

15 is leading by example, their own ‘ghost of Christmas future’ but positive. 14 now has an ideal self to strive towards, a face born from love and empathy. 14 doesn’t have to ground herself out of moral obligation, 15 will now protect the universe.

But that leaves one question: why Donna? Out of all of the people to settle down with, why her? That’s easy: because she gets it.

Donna, out of all of the companions the Doctor traveled with, understood the soul behind the legend, because she recognized someone fundamentally similar to herself. One of Donna’s signature character flaws is her horrendously low self esteem: “I’m nothing special.” no one ever listened to her (thanks Sylvia, for at least cleaning up your act later), so she covered up the silence with noise. She held onto whatever indisputable moments of genius she had to drown out the cacophony of voices shutting her up. Wild Blue Yonder explained this perfectly: Donna believes she is both brilliant and stupid at the same time.

She lives in two contradictory self images at once, and so does The Doctor. The genius and the idiot. The universe’s most fascinating person, and the person who would easily throw away their life for the betterment of others. She’s seen their blinding arrogance/rage (the Racnoss, Jenny) and their crippling self doubt/loneliness, and always met both with empathy and kindness.

“Doctor! You can stop now!”

“Cause sometimes I think you need someone to stop you.”

“It won’t stay like that. She’ll help you. We both will.”

“Is ‘alright’ special Time Lord code for ‘really not alright’ at all?” “Why?” “Cause I’m alright too.”

Donna shouldered the burden of destroying Pompeii, she silently hugged 10 after coming back from Midnight. All because she knew what all of that would feel like in her own life. She didn’t need to know the history of The Doctor and Davros, because she saw her best friend afraid and knew he would want comfort, because she would too.

Even if Dalek Caan manipulated the timelines to get Donna to him, That friendship was completely real to both of them. We saw what Donna was like without the Doctor in Forest of the Dead and Turn Left, and she always felt some level of unhappiness. 15 years removed from them and she still felt as if something was missing. In every future/reality, she always wanted them there. Same for the Doctor too. Within only a few episodes of losing her, 10 started to fall into becoming the “time lord victorious”. 12 looks the way he does because of Donna’s plea to adhere to his name, and save people. Even before 14 came into existence, the Doctor was willing to tell other people how important she was to them, on account of River recognizing Donna by her name: “you’re Donna, Donna Noble.”

Donna didn’t just travel with the Doctor and she wasn’t just friends with them. She completely understood them, their soulmate. Two halves of a greater whole, The DoctorDonna. 14 stayed because there was a more stable incarnation to take his place, and because his best friend would be there alongside him, helping and supporting him through and through. The Doctor stayed because, for the first time in their life, they felt safe. In where they would be staying, and what they would be leaving behind.

That's why 15 doubling the TARDIS was so significant. In giving 14 her own TARDIS, 15 is allowing his younger self to have what they always removed from the equation: free will. The Doctor can still go anywhere they want, which makes them even more motivated to stay and fix themself. 14 can feel safe staying with Donna, Wilf, Mel, Rose, Shaun, and Sylvia because the option to travel is still there.

And the truly amazing part of all of this is that the TARDIS knew it from the beginning. Was it a coincidence that very soon after 13 regenerated into 14, the TARDIS landed close to where Donna and Rose would be shopping?

“You didn’t always take me where I wanted to go.” “No, but I always took you where you needed to go.”

The TARDIS brought the Doctor home, and this time, they stayed. Because it was a place where they wanted and needed to be.

#doctor who #doctor who spoilers #fourteenth doctor #donna noble #dw meta #dw spoilers #doctor who meta #meta writing

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01zfan · 3 months ago

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haiiiii everyone. took a little bit of a break just because.

i don’t really wanna get into all of the accusations and anon hate so we are going to keep everything on an IF-YOU-KNOW-YOU-KNOW basis. i am going to be operating on the assumption that if you follow me you know how i feel about riize. people who are irrationally angry at me and the creative liberties i exercise as a writer will simply just be speaking into the void from here on out.

i want you guys to know i truly didn't take a break solely because of that. if anything i find the situation humorous because i've been having a ball on this account. the people who have been rocking with me from the start know my heart, the people that read my initial post and understand me (even if they don't necessarily agree, which is okay!) know my heart. that's good enough for me. outside voices are just that--OUTSIDE! no one is penetrating this peaceful community i have made for myself and hopefully others on this account.

what i do really really want to say is that being a writer for fandom is hard! this is the first time i’ve ever been a writer for a group so consistently (also ironically the first time i’ve been so busy in my offline life) so i want to say it requires effort. even though i love to write, i love riize, i love to fulfill commissions and requests, and i love to talk with you guys about riize, it does take work. if you have read my fics you can tell i don’t want them to be just straight smut. i like to give you guys stories. sometimes with a themes and hopefully always with a narrative. that's why i don't normally post blurbz...i personally don't like to just get out a quick horny scenario i need PLOT i need ANGST i need SOMETHING TO SINK MY TEETH INTO! part of the reason why i started this account was to hone my creative writing skills and build my chops so i am really story centric.

i take pride in what i put out so it takes work. i try to not be repetitive. i try to give you guys something new that really feels real and also true to the individual members of riize. so even though i am crazy (what writer isn't) and will always write (even if the audience is just me, myself, and i) it is nice when the work is acknowledged! even if it is work i love, it is still work. i know it is hard to imagine someone puts effort into fanfiction, especially as a reader, but i never try to write anything half-assed. maybe i'm burning myself out by writing stories constantly but who knows. what i do know is that feedback and comments and thoughts make me happy! i seriously kick my feet and go back and reread the comments and tags i get on fics constantly! knowing you guys take as much care in reading as much as i take in writing makes me feel so fulfilled. it's the reason i became a writer and it's motivation for me, even beyond this site but in real life too.

i am of course not obligating you guys to interact with me. my milestone post when i hit 1k followers i think i said something along the lines that i remember the people that like my posts often and that is still very much true heh. i recognize people in my notifications, all the years i spent on the internet makes usernames lock in my head like a steel trap. sometimes i post thinking to myself oh so-and-so is gonna love this.

i am rambling but all in all i have amassed a following more than what i expected and i have made a community on this account too. i hope that you guys as part of this community know i am a person behind this account. i like to be told nice things, i like to be judged fairly, i like to be talked to, i like to not be treated like a machine, i like to be respected. the relationship we have as writer and reader is a very beautiful one in my opinion. it's like we are feeding eachother we are not parasitic but mutualistic. bees and flowers. clownfish and sea anemones. humans and gut bacteria. you get the gist. lets just continue having a good time on this account together🫂

#this sappy post and its not even for a milestone #sorry for the rant you guys know i like to talk #you guys have more power as a reader than you will ever know like #talkingz

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scottfreed · 5 months ago

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Orion & Scott should be friends if not awkward step brothers. The forced antagonism is lame.

I had an argument with two people about the way I characterized Orion and Scott in a fic a while back, and I wanted to make a big post to compile my canon basis for writing them as somewhat distant brothers who respect and defend each other. I particularly had one fan continuously say Tom King's characterization is gospel and completely consistent, and I was an "abuse apologist" for writing them in a positive way. I wanted to pay particular attention to the question of succession since that's the main source of conflict for them in MM '17.

Orion and Scott have had numerous character interactions that have predominantly ranged from generally amicable to warm and familiar with key exceptions. (Rough recount incoming)

MM '74

Their first interaction Orion literally saves Scott's life so he and Barda can get married.

Dude is actually the one who called for the wedding in the first place. And he was playing the Bouncer. And look at him on Barda's side of the alter. He's totally the Maid of Honor:

Super Powers '86

(This was the first comic I ever read with both characters just to disclose my bias.)

Short but fun lesser known title! But there's some interesting world building happening. And Orion and Scott paling around in their co-rulers era:

They're buddies and its great. Also look and Orion's drip.

Look at this! The bois are co-ruling Apokolips for a brief stint. The exact opposite of Orion trying to "steal the throne form scott", He literally called him up to help him manage his own!

This is such a great expression of both their characters. Scott's survivors guilt for being able to escape the Hell of his upbringing and Orion's driving fear of ending up a tyrant like his father.

And look at this "interview":

We need to bring back authors doing make-believe interviews with fictional characters. Simply outstanding. The idea that in the face of nature and nurture they both gravitated to the light is honestly fascinating.

"(still hushed) Thank you, thank you, my friend..."

^^^ like... there are hurt/comfort fics that aren't as tender as this action adventure comic from 1986 😭😭😭

The New Gods Vol 3

But whoa what's this?

Bickering? I guess they do just inherently have an antagonistic relationship... except look what's actually being said.

Orion and Lightray aren't pissed because they think Orion is so great that he should be in charge of everything and Scott's in the way Ala Tom King. (It's because this writer didn't want to write for Scott in this title and the crappy answer for this is to make Scott an annoying "80s era pacifist" which is pretty shameful in the context of world-ending stakes tbh.)

But again, Orion's not miffed because he wants Scott gone. If anything, He want's Scott to be more involved in the fight against evil. He wants him to remember his roots. He wants him to be a part of New genesis. He want's him to take on more power and responsibility.

Plus, idk I'm projecting but it's almost giving: "hey the family misses you, please call/visit more" to me at least.

JLA/I ('90)

My heart is aching look at this! Called him his brother, gave a beautiful eulogy, joined the JLA in his memory. It's wild how the writing in this arc went wildly back and forth between quality and pure nonsense 😭

JLA ('98) - #24

This is how you do clunky exposition about who tf these characters even are showing up in this title all of a sudden.

Is it perfect? No.

But it's still a heart to heart desire to understand. Underline everyone's characters and central motivation. Boom. We're in and we're out. Back to the Justice League.

MM Vol 3 (1996)

Okay, so weirdly aggressive, right???

But, not quite, it was indicated that his reaction here was due to Darksied having just been resurrected and was influencing him.

But also take a closer look at what's being said! It wasn't a result of Orion being covetous of Scott's power or even wishing harm on him or anything.

Quite the opposite, in fact. He's telling him he needs to better protect his own life as future king, even if it means sacrificing others.

It's almost giving concern tbh.

Far be it from trying to kill Scott to steal NG from him, even in this ooc moment, he's chastising him to stay safe so he can come into his throne.

Jack Kirby's Fourth World (1997)

We get a fight and Scott gets over whelmed casue he's fucking around. Barda is lowkey laughing at him. But what does Orion do?

Dude Pops off. Pops off so hard everyone is concerned.

And then this happens:

Look! He struck Scott! Tom King is a genius! haters btfo.....

But wait. this was actually how it was revealed that Orion was possessed by DeSaad, because this was so wildly out of character for him!

Literally this action, that Orion-haters seem to think is like their mundane default character interaction, was so off-putting and out of character to all the other New Gods that they immediately knew something was very wrong. And it was. He was possessed!

lol gross...

But what about when he's back in his mind again? Well...

(idk who's serving more cunt in this tbh)

And here not for the last time we se Orion supporting the idea of Scott as the ruler of Apokolips.

Orion ('01)

(d...did scott do blackface in this cosplay??? lol)

This is the classic. We all know it. We all love it.

Look at Scott meddling in his life. You're fucking up pretty bad when the "god of freedom" has to step in to stop you.

Also the contrast between their actions when dealing with Sirius is better than any hackney fist fight or argument.

And how interesting is it that Scott's unwillingness to kill isn't treated as admirable and pure in contrast to Orion's evil-bad violence.

Nope. He was a kid. He wasn't strong enough yet to do what had to be done. And IIRC it was to do with what he'd just gone through with the emergence of the anti-life equation. But Orion was! And Orion was the one to finally put the poor soul out of him misery.

I like in particular the way they are portrayed as the "god of war" and the "god of freedom" and how the way this is explored isn't a black and white dichotomy. Scott recognizes Orion is absolutely needed to oppose Darkseid. And the way the two of them are working behind the scenes to protect and help each other repeatedly is so perfect.

And the way Orion decides not to kill Metron to protect scott not because it's wrong or whatever but because time travel could prevent anyone else from following the same bread crumbs and coming to the same conclusions is so funny.

But he was fully ready to kill Metron to save the weird little circus man.

But yeah I think its very telling that at the end of this character arc, Orion, in coming to terms with himself, must come to terms with Scott and their respective places in the world.

I just think it's cool that they each saved each other's life twice in this series. Scott prevented Orion form falling too far with his black racer gambit. And reminding him of his purpose. And Orion Saves Scott from the parademons and Metron.

I can only dream of the paradise we'd be living in if this characterization continued on into the future.

Cherish it. It's all down hill from here...

Death of the New Gods ('05)

Okay so this series isn't great, but at least it's consistent with how these two interreact with each other and kind of keeps to Simonson's continuity... kind of.

Orion aggressively defends Scott’s claim yet again. He looked like he was gonna deck Clark when he suggested Scott was not fit. I’m talking bolded, italicized and pt.18 font text when he first suggested it. "WHAT?" He "begrudgingly" admits Scott's not "currently" fit. But still declines that position for himself.

And the two of them discussing the fate of their people like this almost harkens back to '86 with the co-ruling.

This story is weird, with the worst interpretation of the Anti-Life Equation I've seen. And I'd argue both are ooc in general, but even in this slopy story there is no succession crisis. and they are working together:

(lol at his face here. The bois are trying to discuss their family business and clark is just standing there gobsmaked. rude tbh...)

And here is Orion saving his ass again for good measure:

I hit my picture limit, but Scott goes on to try to kill Orion and Clark later in this series.

Up to this point. Orion might have shoved Scott once or twice in weird circumstances but Scott was the only one who seemed to actually make an actual attempt on his life. Which is why the post reboot characterization is so freaking weird to me.

Tom Kings MM (2017)

(This is where it officially falls apart)

Cliché toxic masculinity abusive stepbrother who exists only to make Scott an even bigger victim. Steals the throne, is weirdly aggressive and abusive for no fucking reason. Tries to kill him in jealousy, etc, etc.

And unfortunately this has seemingly become Orion's standard characterization in the minds of most fans.

(Now, in those post-n52 reboot GL books (sorry tbh I don't feel like tracking them down rn) he's not AS bad as he was in the WW and Tom King MM, but he's still portrayed as being far less intelligent and articulate for some reason??? The idea that he's the dumb jock of the NG and not basically a warrior poet. It's better to go more himbo than violent monster I guess but it's still a far cry from his proper characterization.) I wonder if it had to do with his awful portrayal in that Wonder Woman run??? Idk.

... Jack Kirby didn't deserve this.

DCeased(?)

Ripping off Tom king directly. I'm not just saying that since I don't like the characterization. I'm saying this because they ripped this stupid fucking scene off beat-for-beat, Seriously, Tom King should sue this dude for plagiarism.

And like a game of telephone their characters keep getting mangled more and more. This is the writing equivalent of a bad photo copy of a bad photocopy.

I just gotta pray it stops here and we can get back to a normal dynamic for these two again. But this story's existence doesn't bode well.

MM (2021)

Orion and Shilo seem to be on good terms! He still doesn’t speak right but it’s still an improvement!

Buuuut, no relationship or character interaction with Scott and Barda's daughter at all??? Like that's the main antagonist (for some fucking reason) and they just say nothing to each other? ok sure why not at this point.

Like that's High Father's granddaughter!

Highfather is probably the cornerstone of Orion's identity. Even if you don't consider Scott and Orion to be brothers, she's still his family through HF.

Anyway, I just wanted to add at the end here that I find some of the fans (and writer's) continuous characterization of Scott as the loser wife guy and a massive victim all the time, and Orion the violent psycho, who is power-hungry and ambitious is lame and sucks.

And just to be a little biased. I think the dynamic from 50 years ago is better and more relevant to people today than the MM '17 version.

Think about it. There are more blended and mixed families than ever. Awkward and somewhat distant step-brother is so much more compelling and interesting than the chirst vs. anti-christ thing they keep doing.

“What Is It They’ve Sent Us?” “Hope.”

Barda '24

This book seems to be getting us back on track from what I've been able to see so far! I've been unable to get my hands on it yet but everything I've seen and heard about it is really exciting for me as a fan. I'm both excited and fearful to see what comes next!!!

#DC Comics #Orion #Scott Free #Mister Miracle #Lightray #Big Barda #q #complaining #long post #new gods #orion dc #dcu

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crooked-wasteland · 9 months ago

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How would you rank every HB episode from worst to best?

This took me some time to think on, but thank you for the ask.

So all the Helluva Boss episodes ranked worst to best (in my opinion):

The Circus

I have to place the season 2 premiere as the worst episode of the entire series, simply because it cemented the direction the story was going to go with all of the worst ideas floating to the top. The relationship mystery between Stolas and Blitz gets watered down to a childhood crush based on nothing. It is love at first sight, but then the writing performs gymnastics in order to justify Stolas’ attraction after the fact. It’s so painful in Seeing Stars and Oops how the writers really want us to believe that Stolas liked him as a person first and that is supposed to be shown in how Stolas thinks Blitz is funny when no one else does, but the series of events in the Circus will forever undermine that narrative. He finds Blitz funny because he is attracted to him. Not the other way around.

Aside from the issues with the overarching story, the entire structure of the episode fails. The idea of Chekhov’s Gun is one I believe holds merit as a fundamental tool. If you are going to introduce something like theft, acknowledge the danger of the event, repeatedly draw attention to the theft, and then just never mention any sort of natural conclusion to that plot point. If anything, Blitz returning to Stolas’ home 25 years later to do the exact same thing, necessitated a coming full circle moment of that particular plot point. The failure to identify even the most basic of narrative principles that was a solid through line of character, story and themes told me everything I needed to know about how the series was going to be handled.

Stolas’ song is a poorly-performed nonsensical word salad that I found lacked any cohesion to the character in the previous episode or the next. It’s an ugly song with maybe 2 decent verses where Stolas acknowledges that this was all playing pretend, but that eventually goes nowhere.

Additionally, Stella was officially ruined as a character, which ultimately ruined Stolas as a character. By not giving Stella depth, Stolas was also stripped of any depth or complexity. His reason for staying is dumbed down to “for the child”, and Stella’s motivation is thrown out the window in favor of “she’s awful and please don’t try to make her understandable, because then what if Stolas is held accountable for anything?” Stella is too important a character in Stolas’ story, to make her one dimensional is to make Stolas less interesting. Everything is interwoven in a story, pulling a thread in one place unravels the garment elsewhere.

In a single episode, it encompasses everything that is wrong with the series, past and future.

0/10

Seeing Stars

To be honest, I feel Seeing Stars is most people’s worst episode due to some sense of denial when the season premiered and expected the show to at least continue with some kind of coherent story/timeline. I don’t think it would be as hated if Medrano had tightened up the narrative and made Seeing Stars connect to Ozzie’s more.

However, I would still put it at number 2, even if it had. Mainly because Seeing Stars is the worst sense of characterization and dynamics I have ever seen. And when you are trying to sell a character-driven story, some kind of consistency is required. This episode cemented Loona as being an abusive, manipulative, and entitled “bitch” of a person. Octavia is written like she is 13, not 17. Blitz and Stolas have the darkest timeline where Stolas continues to sexualize Blitz after being told off in the last episode and seemingly acknowledging that he defined the dynamic without any input from Blitz. Then forces him on stage despite Blitz being on the verge of a panic attack. But most of all, it has Stolas and Blitz both completely forget why they are even in this situation, because they are supposed to be looking for Octavia.

There was no lesson Blitz needed to learn, if anything he needed to be instilled with more self esteem where possible. And Stolas already had this story arc done much better in Loo Loo Land. His character actively regresses to redo the exact plot thread, but worse. Much like The Circus, Seeing Stars set the stage for what we could look forward to in regards to the series from here on out, and the utter disrespect leveled at the original 6 episodes.

That’s not even counting how the episode is the exact same plot and story beats as Loo Loo Land, highlighting the extent of how creatively bankrupt the series is.

.5/10

Exes and Ohs

If it comes to personal most hated episode, it would be Exes and Ohs for me. The only reason it is number 3 and not number 1 is because it is a narrative cul-de-sac where the larger story is not affected by it at all.

However, it is still an objectively awful episode. Starting with the premise. The whole plot is a stolen South Park joke. It’s the Steal underpants episode, stretched out into something longer, and not nearly as funny. If you are wholesale ripping off another show, that’s plagiarism. This episode is creatively bankrupt, shouldn’t exist, has no purpose and serves no benefit. People try to argue that it has value due to Moxxie’s backstory, but what does it even serve? Sure, I know it now, but not a single character does. Millie doesn’t even find out. Even moreso, Millie’s entire connection to Chaz goes nowhere and is for nothing. We never know how, when or why she dated Chaz, it's shown she hates him, but she doesn’t even kill him. The whole episode would have ended exactly the same with Crim killing Chaz once he realized the shark demon was lying about having money.

It’s not good when the major complaints of the episode are actually what is saving it from being the worst episode.

2/10

Musical Special

The retconning of this episode, changing who Fizz was as a child to try and justify his uselessness in Oops retroactively is beyond frustrating. There is so much I could go on about in terms of character, but just focusing on this episode.

Mainly, the mildly perturbing extent Medrano goes to hetero-normalize her queer relationships. Every single relationship in the series is stereotypically designed as “Protector” and “Protected”. Stolas, Fizzarolli, and Moxxie are all characters who require constant support and protection from other factors in the plot.

Stolas needed to be protected from Striker. Moxxie needs to be protected from most things in his plots. Season 1 it was the fish monster, Striker, the agents, and finally Ozzie and Fizz. Season 2 we have him needing to be defended from his father and Chaz.

This episode it's all about Fizzarolli and him needing to be defended from his crippling low self-esteem that is only relevant to have him needing to be saved from something. The flashback serves to further retcon Fizz’s personality because a strong and confident performer doesn’t need to be saved from anyone, and in order to have the codependent romance where Fizz needs Ozzie, we need to fundamentally weaken him as a person. It’s a special episode, so the argument that it doesn’t need to exist is rather moot. Regardless, the characters and story are worse off for its addition to the narrative.

2/10

Queen Bee

Another special episode, so the argument of narrative value is once again disregarded. I dislike this episode for how one dimensional every female character is in this story. It highlights all the ongoing issues with misogynistic writing. Loona’s character is a wildly swinging pendulum from being antagonistic towards Blitz to being endeared with little motivation and ultimately being reduced to the caretaker of men. When she and Bee get into an argument, she only deescalates when she sees Tex be uncomfortable. The initial hostility itself is founded on nothing, Loona is immediately resentful of Bee because she’s attractive and people like her, specifically Tex. And her being sweet towards Blitz is entirely based on the fact that her relationship to him makes her look good due to his accomplishment of beating Beelzebub in a drink-off. It doesn’t read sincere, but rather she would look bad if she didn’t take care of him after identifying him as her “dad” when it suited her.

This entire episode works to assassinate Loona’s character and any hope of her being likable and growing. Everything about her motivation is purely selfish and consistently reinforced in big ways, so moving forward it will be very hard to realistically prove she does anything for not her own benefit.

The song was nice for about one minute, then it became unbearably repetitive.

1.5/10

Western Energy

This episode was altered and rewritten, which doesn’t inherently make it bad. It’s just that it was changed due to fans pointing out the glaring plot hole that is why Stella would want to kill Stolas when a divorce would benefit her more. Instead of critically assessing that question and focusing more on world building to create a logical justification for Stella’s actions, the writers shrug their shoulders and just can’t think of anything. It’s a special form of fridge horror as a writer to realize the major plot that was intended to push Blitz and Stolas closer together was so underdeveloped that when at all questioned resulted in the entire plot being unwritten. It’s transparently bad writing, but worse yet is that it is lazy.

This episode is what I use to show an example of how fans inject headcannon and plot into the series that the creators have no interest in spending the energy on. This isn’t James Cameron’s Avatar where there is a massively rich world around a lackluster story that has been crafted with such detail that it feels alive. Helluva Boss, and in extension Hazbin Hotel, have no world building and resort to the most superficial answers to any narrative roadblock at the expense of the characters and understanding their motivations. It shows resentment for not just the audience, but writing as an artform.

3/10

Ozzie's (with season 2 context)

I had to put Ozzie’s on the list twice due to this episode in specific having vastly different reads and reception before and after season 2 premiered. After The Circus, the episode loses all continuity with the original season. Stolas is pining and lovesick over Blitz, he doesn’t actually care about his wife and daughter leaving him. He just wishes more than anything to have his rugged peasant return his affections.

It is a plummet of quality and character in this episode that only comes to fruition with the understanding that Stolas has had an unreciprocated crush for two and a half decades.

With the context of season 2, Stolas doesn’t actually care about his daughter and how his affair, the marriage falling apart, their status, etc. affected her and his family. He only cares about the little boy he got a crush on, who his father rented out like a Lexus and then 25 years later Stolas demanded sex from. Stolas has a complete personality change and isn’t at all who he was the entire series to this point. Everything you thought mattered to him doesn’t, the ways we have come to expect this character to react to things is suddenly entirely different. His expectations are unexplainable and so far out to left field than what we previously established. This is one of the worst written episodes based on the major retconning of a keystone character and no effort being made to connect these changes in the narrative.

This was the warning shot we didn’t know we were given.

1/10

Spring Broken

Spring Broken to Unhappy Campers are the range of utterly ambivalence I have.

The song is poorly incorporated into the episode. Verosika isn’t ever fleshed out. Tex and Loona start off cute, and you can see a starting point of a dynamic between Loona and Blitz and you want her to treat him better while also recognizing that he infantalizes her constantly and doesn’t ever treat her like the adult she is. Could have been really good writing if it went anywhere. This episode establishes Loona abuses Blitz and does so intentionally because it gets her her way. It isn’t malicious, but immature and incredibly cruel, and there is a desire to see her become a better person and grow from this point.

Too bad.

4/10

C.H.E.R.U.B

I know this episode gets a ton of criticism for being a joke/filler episode that goes too long. And that is absolutely correct. However it is still better in that being filler, it is not seeking to be anything more than it is. It is just some dumb fun with a few jokes that come anywhere close to landing. But it doesn’t harm the characters or their stories, unlike the rest of the list up to this point

3/10

Oops

This episode is a hard one to place because I consider the first 7 of this list to be bad episodes. Then 8-12 are those that aren’t good with varying scales of enjoyment on my part. However I think Oops is neither good nor enjoyable. But it has some good story ideas that deserve some credit, regardless of how the writing and pacing consistently tries to undermine them.

The scene of Blitz and Fizzarolli in the alleyway is contrived and feels confused, but it does manage to land some points such as Fizz’s insecurity of being owned by his partner (too bad that goes nowhere and is immediately ignored in favor of Fizz NEEDS Ozzie, so essentially ownership is good actually) and Fizz hanging Blitz’s insecurity and guilt over his head.

The forced engagement, rapid fire pacing, and immediate resolution thoroughly dismantles any good points the episode started to set up. I have to admit the animation is pretty solid, people worked very hard on this for less pay than this quality deserves. But this episode struggles to find a place it belongs on my list because. It almost sees the light only to bury its head in the sand writing-wise.

2/10

Unhappy Campers

Unhappy Campers sits in the same pool with Oops and how it is objectively a terrible episode, but the portions involving Blitz and Barbie are genuinely interesting and I think relatively well done when compared to the rest of the season. Millie has some fun moments herself, though the whole portion of the episode surrounding her and Moxxie could have been cut and it would only serve to elevate the material overall. So even if she is the best part of the worst portion of the story, it still isn’t something I deem worth salvaging.

It would have been an excellent 5 minute episode.

2/10

Murder Family

It’s the first episode. It did well reintroducing the characters from the pilot. It had enough intrigue to see where it would go and how it would expand the world and characters. It. Was genuinely fun and impressive for a YouTube animation, with horror notes and black comedy. There was a sense of character that we could maybe get to know over time and see them struggle and change. It started off very superficial, which was fine.

The blank canvas of what could have been.

5/10

Ozzie's (Before season 2)

Having to remember Ozzie’s premiere after an entire season of thinking we were getting to know the characters, their dynamics, personality, wants, etc. So the personality change in Stolas is given more leeway as LooLooLand set up that he really wished he could find love and his wife and daughter leaving has changed his routine to the point he is in a depression. It even seems Stella took the staff with her in the separation and he’s genuinely all alone.

So him sitting in front of a television asking why nobody will love him makes sense and doesn’t feel out of character when given the room to rationalize and try to piece together the character from past instances. Additionally, him becoming overjoyed at Blitz calling him out is just as easy to rationalize away. I recall watching the episode and interpreting that Stolas was needy, desperate and earnest, not for Blitz, but just in general. And Blitz making himself available to Stolas is why Stolas tries so hard to make this pretend date legitimate. It also explains Blitz’s own utter disinterest in the scenario.

Ironically, looking back, Blitz feels like an Audience insert with how utterly confused and dismissive he is of Stolas’ targeted affection. He sees their relationship like the audience does: one of convenience and mutual benefit. Blitz calling Stolas out is him cashin in on this messed up coercive sex deal they have. Him calling Stolas out and using him for his own gains is only seen as fair in his eyes. And Stolas’ attempts to legitimize the date is a continuation of his own hedonistic selfishness. So when Stolas tries to leave Blitz or otherwise removes himself by covering his face, Blitz’s anger and resentment is valid. Because there’s a lot of confusion taking place at the moment, but Stolas is responsible for all of it and instead runs away.

The exact same escapist behavior that ended up with him in bed with Blitz in the first place.

This is all really compelling drama and without the codependent neediness of the second season, it ties together in what feels like a real season finale for the characters. Everything up to now was a prologue, an introduction of the world, characters and conflicts. Ozzie actually took the characters and faced them off against each other directly. Showing all of their worst traits and building more intrigue to Blitz’s past and his relationships. This was an episode of great potential when it was first released.

7/10

Loo Loo Land

I’ll be honest, the more I think on this episode the more I believe its placement is more out of pettiness than actual quality. While a song that made me invested at the time, You Will Be Okay is a poorly written musical song. Specifically in how it fails to actually build on the themes we were having presented. Because if you really listen to it, the song foreshadows how little Stolas actually cares about Octavia.

The only part of the song that builds character is the one when he speaks of how his marriage is cold and loveless and how “all [his] stories have been told, except for one.” Which one would think that untold story has something to do with Octavia. He’s singing the song for her, to her. He’s presumably alluding to the fact that she’s his only joy in life.

But the very next line is talking about Armageddon. Like the end of everything, the death of the universe, some heavenly judgement. That’s why everyone and their off brand YouTube clone was talking about Stolas dying at some point in the series. Because the song fails to adequately communicate the character and his feelings and how that wraps into the plot. It’s a pretty song to the ears, but fails as a musical.

Additionally, I feel I may still have such a soft spot for this episode in how it often contradicts the current direction the story has attempted to go. Details, dialogue, timeline discrepancies, all of that has continued to hinder the second season in trying to retcon the entire story to this lesser version of itself and Loo Loo land as an episode is just so tightly written that it has become a thorn.

All the portions with Blitz and RoboFizz are great. Great character, great foreshadowing (to nothing unfortunately), great pacing. Those scenes have some legitimately funny jokes. Stolas stole the show it seems, much to the series detriment, but the real stellar parts of the episode were for once the actual main character.

6/10

Truth Seekers

This episode would have been my favorite due to Blitz’s bad trip and the animation involved throughout. However, the fact that the show has entirely dropped the relevant and interesting portions of the episode, overused and abused Stolas’ demon design since this episode, and the animators have since been confirmed to not be paid fairly for the work they do, this gets to be number 2.

Like Loo Loo Land, Truth Seekers is a primary source of contradiction in the new direction the story has gone and a constant reminder of how little work has been put into the narrative. It’s one of the strongest episodes of the series as a whole, but it has been almost entirely retconned.

I have seen some mention of the agents returning to the story and if that does come to pass, this will be hilarious in trying to reconcile what parts of Truth Seekers is canon and what isn’t any longer. And the realization that all the best parts are the ones ending up on the cutting room floor.

7/10

Harvest Moon

Striker was an intimidating figure. Genuinely. There was a real sense of weight to this episode in the animation and visual storytelling. It’s a solid episode for what it is and far and above better than even Truth Seekers because it required Medrano and her staff to actually address the episode and make obvious efforts to retcon it. That is how solid an episode this is.

Stolas is not too creepy and dominating, but nor is he seen as the delicate princess who is always crying over some guy who doesn’t return his feelings. He is fun, and it starts the nudge towards maybe something a bit more amicable on Blitz’s end.

Millie absolutely deserved more time for her character seeing as they were staying with her family and she having an episode of standing by her husband and defending her choices in who she loves would have been far more engaging than Murder Family pt. 2, Moxxie lacks confidence and self esteem forever and always.

The song was so inconsequential. It was a funny segue with Striker basically upstaging Moxxie at every turn, but that doesn’t actually go anywhere when in regards to the plot overall.

And Stella putting a hit on her husband, to his face, was hilarious and would have been so interesting to have seen it played more than a joke. Like Stolas knows she wants to kill him, and he is just vaguely fine with that. Maybe thinking his letting her try to kill him would have her stay and not file for divorce. Have it been this macabre comedic sitcom where she’s always trying to kill him and hates his guts for being a subpar husband, but he takes it as some kind of tit-for-tat and plays along with it. She gets to send assassins after him, he gets to have sex with his rugged assassin imp. It’s a ridiculous level of absurdity that still allows for all the characters to be dimensional.

That got a little away from me there. Basically, this episode was the strongest overall. Animation wise, writing wise, story potential wise. This episode is the most solid Helluva Boss episode.

7.8/10

#helluva boss critical #helluva boss critique #vivienne medrano #vivziepop #helluva boss criticism #spindlehorse critical #spindlehorse criticism #helluva boss

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phoebehalliwell · 4 months ago

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not me spamming but uhhhhhhhh writer asks 12, 25, 35, 57, 76

(i can hope this will somehow further inspire continuation of the warren witches after august but i also get it lmao)

12. Do you outline your fics? If yes, how detailed are your outlines? How far do you stray from them?

it depends! usually my ficlets (like the ones for AUgust) are not outlined just bc they're so short i kind of just fuck around until the narrative comes together, but for the longer pieces (like the warren witches or w&s) there are definitely some stronger outlines. for things like the warren witches which is done in an episodic fashion, i actually have a separate doc full of just monster of the week type plots that i'll pick and choose from as needed (one's i've already used include the sihuanaba one and the selkie one, ones to be included are:

the sigbin one actually had been crossed out if anyone remembers the old version of the warren witches that actually made it to print (posting, i guess lol) in vace and virtue (the working title was "the sigbin is sigbout) but the updated version of it has not come out yet. so those would be my little outlines for small plots, for bigger plots those outlines usually live in my brain (for example, we're doing a reintroduction of the demon academy in warren witches bc i think it's slay, but that's gonna be just longer in general) and then of course most longer plotlines come in the form of relationships (viola + kat is an example, as is kat + laurel which kind of snuck up on me lol, pj + her boyfriend obvi will have some obstacles given that he is not in on the secret, and then the mystery max from the sihuanaba episode will def be making an appearance in ale's/melinda's/also effie's too ig uess bc she's there lives again. but these are technically less outlining per se and more dotting. a lot of this centers around singular dots, little points/moments i want to include, and plots are built around them. the only thing that i kind of give more concrete outlining, usually in the form of a small, unproofread text doc, is people backstories, esp those not involved in the family. so viola, for example, has her entire life written in a doc so i can keep going back to it and keeping kind of her actions/character/motivations consistant.

25. What’s your favorite part of the writing process (worldbuilding, brainstorming/outlining, writing, editing, etc)?

i would say probably brainstorming sits at number one for me these guys live in my brain and run around just constantly i already have a decent amount of "endgame" relationships picked. (chris and bianca, obvi, that shouldn't be a spoiler bc it's obvious i love them so so much), melinda's endgame is also pencilled in in my mind, as is tamora's and probably kat's, henry's "endgame" has also been picked even if they don't End Up together his main relationship is def sketched out in my mind. beyond ships i just love putting those motherfuckers in Situations. i want a bianca training chris type situation. i want a melinda attempting to date in college while being an empath situation. jumping over to warren and sheridan, i have their christmas planned out, as well as a narrative that spans from valentine's day to st. patricks day that is mainly poking at the bruises that define major relationship issues. i love situations!!

i would say my next fav after brainstorming would be not just writing but creating -- esp in regards to aesthetics. it helps me kind of hone in on a vibe for each character and allows me not only to understand them more but also to communicate said vibes to others. third favorite is getting comments/asks about them haha i loveeeee talking about them (which kind of circles back to the brainstorming part) but like the fact that these are guys who live in my brain but then they also get to exist in your brain!?!?!?? that's crazy!!! it makes me so happy <3

35. What’s your favorite fic you’ve posted?

probably a toss up between The Warren Witches and Warren & Sheridan, just because those are kind of two really big labors of love that I'm really proud of, but I am also really super fond of 2/14/2001 lol

57. How conscious are you about including symbolism or foreshadowing in your fics?

i try to stay conscious of it lol bc there's nothing more fun that seeing all the pieces come together and i really want to work to create that. usually this ties into the "outlining" concept, where, if i have a big moment i want to create, i'm going to try to sprinkle in little pieces here and there leading up to it. (so, like, spoilers for warren witches, but with viola as the twice blessed, when kat is able to locate the twice blessed with chris and wyatt via scrying, it actually is pointing at the cafe were viola works). i don't do too much symbolism lol (skill issue) but i feel like that is something i'd like to try to hone.

76. How do you deal with writing pressure, whether internal or external?

i mean like i definitely try to work within my "tides of creativity" (concept that writing/creating/all that is akin to breathing, you can't just keep exhaling. there are going to be periods where you can't create, and that's cause you need to "inhale": go out and experience new stuff, engage in new media, chat w new people). that and then i am like an adult in my 20s with like a job and responsibilities (i am moving again 😃🔫) so trying to work with the allotted amount of spoons i have a day can be a doozy as well. when i'm stuck i usually try to work with aesthetics/visuals because that can be a different muscle if the writing one is burnt out, and then i also try to write little blurbs that don't exist within anything really. a lot of these tend to just be conversations as i tend to be a very dialogue heavy writer, sometimes if i'm up to it i'll even go back through and add in descriptions to make it more of a proper story. past midnight (an ode to smoking outside the club) was actually written as one of these, i wrote it in early may during a creative block.

#i know i really want to get back into warren witches too lol #but that is by far my most difficult piece to write #just bc of the sheer amount of characters and plotlines and trying to have everything make sense and stay engaging #pacing and i have never been close friends lol #💌#ty so much for the questions!! these were super fun to answer <3333

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