#why must we live in interesting times

[tunneldweller]

[image description: "you just die #fear is the mind killer, boomers have... a lot of fear #a lot of fear and hurt that they don't examine or know how to examine and it bleeds through #something something 'it all traces back to trauma' #it... we talk about this a lot" end ID]

I mean, we knew, but it's nice to hear so succinctly

[hanzajesthanza]

~a vampire at dawn~

excuse the quick sketch, for this post is less about the art and more about the idea behind it... i have this headcanon from when geralt's company was trekking with the beekeepers through the wilderness:

although they were initially very grateful to have three meals a day prepared for them, they quickly got sick of having honeyed porridge served for all three of them. "Everything was sticky from the honey, even the young women." milva began to get nauseous at mealtimes, and cahir, usually ravenous at mealtimes as befits a strapping young lad such as he, even turned down a few bowls.

regis, however, was quite happy with it.

because, as is mentioned later in the book, about saovine traditions: "The spirits of the dead (...) should be given honey and groats, all sprinkled with vodka…" i imagine some confusing night where he went into a villager's hut to drink blood, but, it was around saovine, so they were even expecting someone like him to arrive and to even be looking for such a thing. prepared for such a situation, they handed him some kasza with honey. he didn't really know what to do with it, but they instructed him on how to eat... it was surprisingly pretty good, so he started pulling this on all the other villages, like hey i;m "undead" (whatever that means) do you have any "porridge" with "honey." yeah also put a little vodka on it while you're at it.

so honeyed groats turned out to be the first human food he ate, and over time, became like a comfort food to him. now he has it without the vodka though

[sskk-manifesto]

Ep 5!!!

[pokeology]

I’m terribly sorry but you can not seriously think that Magcargo is hotter than the sun

I really should just burn my degree now that everyone is an expert all of the sudden.

[quietwingsinthesky]

another fact about millie: worst hostage in the entire world because she is insufferable about it. the minute she knows you Need her for something, she is going to start pushing what she’s allowed to do and say. girl who thrives with a gun to her head because she knows you need her alive and can’t pull the trigger.

[novelconcepts]

I'm so bewildered by any time loop media where the protagonist doesn't at least try to tell someone what's going on. Literally anyone. Just once. You're gonna live it again, dude! They won't remember! Who cares if they think you're mental, you're just gonna fast-forward to your do-over point anyway!

[archaeren]

How I learned to write smarter, not harder

(aka, how to write when you're hella ADHD lol)

A reader commented on my current long fic asking how I write so well. I replied with an essay of my honestly pretty non-standard writing advice (that they probably didn't actually want lol) Now I'm gonna share it with you guys and hopefully there's a few of you out there who will benefit from my past mistakes and find some useful advice in here. XD Since I started doing this stuff, which are all pretty easy changes to absorb into your process if you want to try them, I now almost never get writer's block.

The text of the original reply is indented, and I've added some additional commentary to expand upon and clarify some of the concepts.

As for writing well, I usually attribute it to the fact that I spent roughly four years in my late teens/early 20s writing text roleplay with a friend for hours every single day. Aside from the constant practice that provided, having a live audience immediately reacting to everything I wrote made me think a lot about how to make as many sentences as possible have maximum impact so that I could get that kind of fun reaction. (Which is another reason why comments like yours are so valuable to fanfic writers! <3) The other factors that have improved my writing are thus: 1. Writing nonlinearly. I used to write a whole story in order, from the first sentence onward. If there was a part I was excited to write, I slogged through everything to get there, thinking that it would be my reward once I finished everything that led up to that. It never worked. XD It was miserable. By the time I got to the part I wanted to write, I had beaten the scene to death in my head imagining all the ways I could write it, and it a) no longer interested me and b) could not live up to my expectations because I couldn't remember all my ideas I'd had for writing it. The scene came out mediocre and so did everything leading up to it. Since then, I learned through working on VN writing (I co-own a game studio and we have some visual novels that I write for) that I don't have to write linearly. If I'm inspired to write a scene, I just write it immediately. It usually comes out pretty good even in a first draft! But then I also have it for if I get more ideas for that scene later, and I can just edit them in. The scenes come out MUCH stronger because of this. And you know what else I discovered? Those scenes I slogged through before weren't scenes I had no inspiration for, I just didn't have any inspiration for them in that moment! I can't tell you how many times there was a scene I had no interest in writing, and then a week later I'd get struck by the perfect inspiration for it! Those are scenes I would have done a very mediocre job on, and now they can be some of the most powerful scenes because I gave them time to marinate. Inspiration isn't always linear, so writing doesn't have to be either!

Some people are the type that joyfully write linearly. I have a friend like this--she picks up the characters and just continues playing out the next scene. Her story progresses through the entire day-by-day lives of the characters; it never timeskips more than a few hours. She started writing and posting just eight months ago, she's about an eighth of the way through her planned fic timeline, and the content she has so far posted to AO3 for it is already 450,000 words long. But most of us are normal humans. We're not, for the most part, wired to create linearly. We consume linearly, we experience linearly, so we assume we must also create linearly. But actually, a lot of us really suffer from trying to force ourselves to create this way, and we might not even realize it. If you're the kind of person who thinks you need to carrot-on-a-stick yourself into writing by saving the fun part for when you finally write everything that happens before it: Stop. You're probably not a linear writer. You're making yourself suffer for no reason and your writing is probably suffering for it. At least give nonlinear writing a try before you assume you can't write if you're not baiting or forcing yourself into it!! Remember: Writing is fun. You do this because it's fun, because it's your hobby. If you're miserable 80% of the time you're doing it, you're probably doing it wrong!

2. Rereading my own work. I used to hate reading my own work. I wouldn't even edit it usually. I would write it and slap it online and try not to look at it again. XD Writing nonlinearly forced me to start rereading because I needed to make sure scenes connected together naturally and it also made it easier to get into the headspace of the story to keep writing and fill in the blanks and get new inspiration. Doing this built the editing process into my writing process--I would read a scene to get back in the headspace, dislike what I had written, and just clean it up on the fly. I still never ever sit down to 'edit' my work. I just reread it to prep for writing and it ends up editing itself. Many many scenes in this fic I have read probably a dozen times or more! (And now, I can actually reread my own work for enjoyment!) Another thing I found from doing this that it became easy to see patterns and themes in my work and strengthen them. Foreshadowing became easy. Setting up for jokes or plot points became easy. I didn't have to plan out my story in advance or write an outline, because the scenes themselves because a sort of living outline on their own. (Yes, despite all the foreshadowing and recurring thematic elements and secret hidden meanings sprinkled throughout this story, it actually never had an outline or a plan for any of that. It's all a natural byproduct of writing nonlinearly and rereading.)

Unpopular writing opinion time: You don't need to make a detailed outline.

Some people thrive on having an outline and planning out every detail before they sit down to write. But I know for a lot of us, we don't know how to write an outline or how to use it once we've written it. The idea of making one is daunting, and the advice that it's the only way to write or beat writer's block is demoralizing. So let me explain how I approach "outlining" which isn't really outlining at all.

I write in a Notion table, where every scene is a separate table entry and the scene is written in the page inside that entry. I do this because it makes writing nonlinearly VASTLY more intuitive and straightforward than writing in a single document. (If you're familiar with Notion, this probably makes perfect sense to you. If you're not, imagine something a little like a more contained Google Sheets, but every row has a title cell that opens into a unique Google Doc when you click on it. And it's not as slow and clunky as the Google suite lol) (Edit from the future: I answered an ask with more explanation on how I use Notion for non-linear writing here.) When I sit down to begin a new fic idea, I make a quick entry in the table for every scene I already know I'll want or need, with the entries titled with a couple words or a sentence that describes what will be in that scene so I'll remember it later. Basically, it's the most absolute bare-bones skeleton of what I vaguely know will probably happen in the story.

Then I start writing, wherever I want in the list. As I write, ideas for new scenes and new connections and themes will emerge over time, and I'll just slot them in between the original entries wherever they naturally fit, rearranging as necessary, so that I won't forget about them later when I'm ready to write them. As an example, my current long fic started with a list of roughly 35 scenes that I knew I wanted or needed, for a fic that will probably be around 100k words (which I didn't know at the time haha). As of this writing, it has expanded to 129 scenes. And since I write them directly in the page entries for the table, the fic is actually its own outline, without any additional effort on my part. As I said in the comment reply--a living outline!

This also made it easier to let go of the notion that I had to write something exactly right the first time. (People always say you should do this, but how many of us do? It's harder than it sounds! I didn't want to commit to editing later! I didn't want to reread my work! XD) I know I'm going to edit it naturally anyway, so I can feel okay giving myself permission to just write it approximately right and I can fix it later. And what I found from that was that sometimes what I believed was kind of meh when I wrote it was actually totally fine when I read it later! Sometimes the internal critic is actually wrong. 3. Marinating in the headspace of the story. For the first two months I worked on [fic], I did not consume any media other than [fandom the fic is in]. I didn't watch, read, or play anything else. Not even mobile games. (And there wasn't really much fan content for [fandom] to consume either. Still isn't, really. XD) This basically forced me to treat writing my story as my only source of entertainment, and kept me from getting distracted or inspired to write other ideas and abandon this one.

As an aside, I don't think this is a necessary step for writing, but if you really want to be productive in a short burst, I do highly recommend going on a media consumption hiatus. Not forever, obviously! Consuming media is a valuable tool for new inspiration, and reading other's work (both good and bad, as long as you think critically to identify the differences!) is an invaluable resource for improving your writing.

When I write, I usually lay down, close my eyes, and play the scene I'm interested in writing in my head. I even take a ten-minute nap now and then during this process. (I find being in a state of partial drowsiness, but not outright sleepiness, makes writing easier and better. Sleep helps the brain process and make connections!) Then I roll over to the laptop next to me and type up whatever I felt like worked for the scene. This may mean I write half a sentence at a time between intervals of closed-eye-time XD

People always say if you're stuck, you need to outline.

What they actually mean by that (whether they realize it or not) is that if you're stuck, you need to brainstorm. You need to marinate. You don't need to plan what you're doing, you just need to give yourself time to think about it!

What's another framing for brainstorming for your fic? Fantasizing about it! Planning is work, but fantasizing isn't.

You're already fantasizing about it, right? That's why you're writing it. Just direct that effort toward the scenes you're trying to write next! Close your eyes, lay back, and fantasize what the characters do and how they react.

And then quickly note down your inspirations so you don't forget, haha.

And if a scene is so boring to you that even fantasizing about it sucks--it's probably a bad scene.

If it's boring to write, it's going to be boring to read. Ask yourself why you wanted that scene. Is it even necessary? Can you cut it? Can you replace it with a different scene that serves the same purpose but approaches the problem from a different angle? If you can't remove the troublesome scene, what can you change about it that would make it interesting or exciting for you to write?

And I can't write sitting up to save my damn life. It's like my brain just stops working if I have to sit in a chair and stare at a computer screen. I need to be able to lie down, even if I don't use it! Talking walks and swinging in a hammock are also fantastic places to get scene ideas worked out, because the rhythmic motion also helps our brain process. It's just a little harder to work on a laptop in those scenarios. XD

In conclusion: Writing nonlinearly is an amazing tool for kicking writer's block to the curb. There's almost always some scene you'll want to write. If there isn't, you need to re-read or marinate.

Or you need to use the bathroom, eat something, or sleep. XD Seriously, if you're that stuck, assess your current physical condition. You might just be unable to focus because you're uncomfortable and you haven't realized it yet.

Anyway! I hope that was helpful, or at least interesting! XD Sorry again for the text wall. (I think this is the longest comment reply I've ever written!)

And same to you guys on tumblr--I hope this was helpful or at least interesting. XD Reblogs appreciated if so! (Maybe it'll help someone else!)

[chronicbitchsyndrome]

i have been in community with profoundly developmentally disabled peers and peers with brain damage my whole life, bc i had a childhood diagnosis. i have also been leftist my whole life; my mother was a marxist and raised me that way, and while their politics were absolute dogshit, they were lefty dogshit.

my entire life, i have seen leftist educators throw mentally disabled people away as "lost causes" because they couldn't engage with the material the way it was being presented. leftist outreach and education does, genuinely, have a massive lack of accessible material. to be blunt, people are not interested in retrofitting their leftist outreach to be accessible to people who learn best through episodes of sesame street.

as in, i have repeatedly faced outright laughter and cruelty over the idea that this could be a priority. or even something that we consider doing at all.

"people who are that mentally disabled don't need to know about these things," the kindest interpretation goes. ("people who are that mentally disabled don't interact with the world, anyway, they're all in institutions or monitored 24/7 by their parents," the uncharitable underlying assumptions go. "they wouldn't be a worker who needs a union. or a library attendee. or a member of the community garden. or a volunteer at the food bank. or or or")

the people i have seen this hurt the worst, over and over again, are profoundly mentally disabled people of color whose lack of access to accessible antiracist education is causing real danger in their lives. institutionalized disabled people of color who have learned racist ideology and behaviors from white authority, whether they were adopted by white families or incarcerated in care institutions run by white staff. who are treated lower than garbage by leftist educators, who view them as "lost causes," as unworthy of time and effort and attention, as deserving of their abuses because they... what... internalized the abuses that make up every aspect of their lives since birth?

i see people saying things in this conversation like "disability isn't an excuse for racism or transphobia or whatever, people have the obligation to improve themselves." oh, believe me, i have seen again and again how many privileged disabled people utilize their disabilities to punch down on others, try to escape accountability for their punching down by citing disability. but individual weaponization of identity is just that: weaponization of identity.

the power structures at play are what they are. it is a noble and admirable goal to want leftist outreach and education to be more accessible to all. if that is truly your goal, you must eventually reckon with the existence of people who do, actually, really need it presented in a picture book. or an episode of bluey. or a conversation where you only use examples of people they know in real life, using things that happened to them personally. the existence of people who cannot grasp forms of abstract reasoning, who need information presented as rules, or as guidelines, or as categories. the idea that yes, fully grown adults who need daniel tiger to explain racism to them are human beings who not only deserve access to that very thing, but who also deserve to be a part of leftist spaces and benefit from leftist organizing. are people for whom it might be INTEGRAL they get to be a part of leftism. are victims of racism themselves and suffering without access to antiracist spaces and community and support.

and you will need to reckon with the abject cruelty of your peers who laugh and mock the very idea of this. you need to reckon with the fact that a lot of people you respect, a lot of leftists doing genuinely good work, will respond to this by making fun of the people you're serving, even outright telling you their violent fantasies about these people. that is the experience of organizing in leftist spaces for profoundly disabled people. that is why so many of us burn out so fast. there IS a structural problem with mentally disabled people being seen as disposable and not a part of community. and it is EXTREMELY present in leftist organizing and outreach efforts.

[saritawolff]

Phew. This one took, uh… a bit longer than expected due to other projects both irl and art-wise, but it’s finally here. The long-awaited domestic animal infographic! Unfortunately, I didn’t have enough space to cover every single domestic animal (I’m so sorry, reindeer and koi, my beloveds) but I tried to include as many of the “major ones” as possible.

I made this chart in response to a lot of the misunderstandings I hear concerning domestic animals, so I hope it’s helpful!

Further information I didn’t have any room to add or expand on:

🐈 “Breed” and “species” are not synonyms! Breeds are specific to domesticated animals. A Bengal Tiger is a species of tiger. A Siamese is a breed of domestic cat.

🐀 Different colors are also not what makes a breed. A breed is determined by having genetics that are unique to that breed. So a “bluenose pitbull” is not a different breed from a “rednose pitbull”, but an American Pitbull Terrier is a different breed from an American Bully! Animals that have been domesticated for longer tend to have more seperate breeds as these differing genetics have had time to develop.

🐕 It takes hundreds of generations for an animal to become domesticated. While the “domesticated fox experiment” had interesting results, there were not enough generations involved for the foxes to become truly domesticated and their differences from wild foxes were more due to epigenetics (heritable traits that do not change the DNA sequence but rather activate or deactivate parts of it; owed to the specific circumstances of its parents’ behavior and environment.)

🐎 Wild animals that are raised in human care are not domesticated, but they can be considered “tamed.” This means that they still have all their wild instincts, but are less inclined to attack or be frightened of humans. A wild animal that lives in the wild but near human settlements and is less afraid of humans is considered “habituated.” Tamed and habituated animals are not any less dangerous than wild animals, and should still be treated with the same respect. Foxes, otters, raccoons, servals, caracals, bush babies, opossums, owls, monkeys, alligators, and other wild animals can be tamed or habituated, but they have not undergone hundreds of generations of domestication, so they are not domesticated animals.

🐄 Also, as seen above, these animals have all been domesticated for a reason, be it food, transport, pest control, or otherwise, at a time when less practical options existed. There is no benefit to domesticating other species in the modern day, so if you’ve got a hankering for keeping a wild animal as a pet, instead try to find the domestic equivalent of that wild animal! There are several dog breeds that look and behave like wolves or foxes, pigeons and chickens can make great pet birds and have hundreds of colorful fancy breeds, rats can be just as intelligent and social as a small monkey (and less expensive and dangerous to boot,) and ferrets are pretty darn close to minks and otters! There’s no need to keep a wolf in a house when our ancestors have already spent 20,000+ years to make them house-compatible.

🐖 This was stated in the infographic, but I feel like I must again reiterate that domestic animals do not belong in the wild, and often become invasive when feral. Their genetics have been specifically altered in such a way that they depend on humans for optimal health. We are their habitat. This is why you only really see feral pigeons in cities, and feral cats around settlements. They are specifically adapted to live with humans, so they stay even when unwanted. However, this does not mean they should live in a way that doesn’t put their health and comfort as a top priority! If we are their world, it is our duty to make it as good as possible. Please research any pet you get before bringing them home!

[tossawary]

One of my personal nitpicks for historical fantasy is a lack of servants, staff, subordinates, and... idk... subjects? Like, their absence is not... a total dealbreaker for me, depending on the situations the characters are in and whether or not I can just assume that other people are there in the background... but so many of the protagonists in historical fantasy stuff are higher-ranking (very often royalty), and/or have busy jobs, and/or have enormous houses that would necessitate having at least part-time staff.

Like, girl, you should have a maid! WHERE is your chaperone?! WHO is driving this carriage?! Where are your footmen? Are you trying to imply that a WEALTHY DUCHESS is taking a CAB?! You know that you probably have tenants, right? Where is your steward?! Where is your lawyer? Your accountant?! (Like, yeah, you're not going to have your lawyer living in your house, but you HAVE one, right???)

Or, man, you're supposed to be a military commander and you don't even have a single secretary?! Where is your SQUIRE?! (In the spirit of historical fiction, I am jumping wildly across time periods with every sentence here.) Man, I know you aren't looking after your own boots. Where are your GUARDS?! Who set up this tent for you?! Who is looking after your horse?! Who is making and carrying the incredibly valuable maps people are recklessly stabbing daggers into?!

SOMEONE has to be scrubbing these floors and delivering the mail and cooking the meals and doing laundry, and they're probably all DIFFERENT people! My dentist has at least three different receptionists and we can't even get ONE for our court wizard here? A sorcerer's apprentice to take notes? Someone like Sherlock Holmes could get away with just having a housekeeper and taking taxis, sure, but your character is supposed to be a KING?! Why is he answering his own front door? He's going to get assassinated. His SERVANTS should have SERVANTS.

Like, yes, I understand that a lot of servants in certain places at certain times were supposed to make their labor invisible, but there have always been servants who still had to interact directly with the masters of the house?! Yeah, there are potentially really messy ethics here, class divisions are bullshit, but I don't think that completely ignoring the reality that humans have ALWAYS been doing work for other humans is better than just including some well-paid and well-treated servants and employees? Because a complete absence of them, especially where logically for the worldbuilding there MUST be servants (and probably exploited servants, or worse, for some particular worldbuilds to work), often makes me think that your main characters just don't care enough to notice the "lower class" people or know their names.

Also, even Frodo Baggins had a gardener and Samwise Gamgee might be the best damn character in the story?! Sam saved the world?! Servants are PEOPLE. Servants are often the funniest and most interesting characters, tbh, with the most to say about a society and its workings (yes, Discworld is a very good book series, highly recommend), and also the joke of some romantic scene being carefully orchestrated by a stage crew of servants frantically diving into bushes to stay out of sight never gets old to me. Teamwork makes the dream work!

I don't want to gatekeep historical fiction, especially not historical fantasy, because the worlds don't necessarily have to conform to our own and may have magic and characters are often in very unique circumstances, but... sometimes I pick up a story and it's like... "Author, please tell me that you know there is a difference between a butler and a valet?!"

[rafeandonlyrafe]

gold ring

words: 1.3k

warnings: brief suspicion of cheating, established relationship, soft!rafe, proposal, fluffy

“rafe!” you groan out, tired of hearing his phone constantly dinging for the past ten minutes. 

when rafe doesn't answer, you slap your laptop closed, frown on your face as you head up the stairs, muttering to yourself about him interrupting your work that he KNOWS is important.

“rafe!” you shout, entering his bedroom. you can finally hear the spray of the shower, explaining why he was letting his phone go off.

you grab it from his bedside table, yanking the charger free as you go to silence it, but upon trying to stop the dinging, you skim over the notifications.

you don't believe it at first. it must be some kind of mistake, you're sure.

you click on the name of rafes ex girlfriend, opening up the text message thread.

rafe: when can we meet?

ex: whenever works for you 🥺

ex: i miss you a lot btw

ex: this friday at 6pm? we can meet at the country club like we always used to. maybe get dinner? can't wait to see you xxx

you frown at the messages, quickly locking the phone and setting it down when you hear the shower turn off.

rafe steps out with just a towel wrapped around his waist.

“hey princess.” he smiles. “how's the essay going?”

“fine.” your tone is cold, surprising rafe. “your phone was ringing so i silenced it.”

you walk out of the room without another word, needing to return to your homework, but when you sit back down at what has become your desk, you can't concentrate on the words on the screen, your anger bubbling over.

you want to confront rafe, but you need time to breathe otherwise the entire conversation will be unintelligible as you simply sob.

you head upstairs, grabbing your backpack and slinging it over your shoulder as rafe emerges from the closet, fully dressed.

“where you going babe? got study group?” he questions, glancing at the clock on the wall, realizing there's no way study group would be meeting this late.

“going home.” you mumble, making sure everything you usually leave at rafes is stuffed in your bag.

“you are home?” rafe questions, his expression turning sad when he sees you're not joking.

“no, im not rafe.” you sigh. “i want to sleep in my own bed tonight.”

truth is, you've practically moved into tanneyhill since you started dating rafe, but technically you still live at your parents house, only a few doors down from rafes.

“is everything alright?” rafe asks, trying to reach out for you. “what did i do wrong?”

you can't help it anymore, his obvious disrespect for your relationship, something you put years of work into only for him to go back to his ex girlfriend.

“how about you ask your ex?” you question, tears streaming down your cheeks.

“my ex? what are you talking about?” rafe asks, again trying to hold you by your shoulders, but you take a step back before his palms can land on you.

rafe: ive asked you a million times to give that ring back. you never should have taken it in the first place. it was my grandmother's and now it belongs to y/n, not you.

“i saw your texts, rafe. when can we meet? are you fucking kidding me!?” you shout the last sentence.

“baby, wait.” he says softly, grabbing his phone. he opens up the messages, scrolling up so you can see the full context.

ex: i don't know where it is 

rafe: bullshit. give it back or ill call the cops

ex: fine. 

rafe: when can we meet?

“see, baby?” rafe places a soft hand on your shoulder. “i was just trying to get my shit back. i have no interest in my ex at all. i love you.”

“oh, rafe!” you coo out, throwing your arms around his shoulders. “im so sorry i doubted you.”

“it's okay, id also be pissed if you were texting your ex. i didn't tell you just because i wanted to keep it a surprise.”

“keep what a surprise?” you furrow your brows together.

“what do you?- ohhh.” rafe finally catches on, letting out a chuckle. “i see what you're doing.”

you giggle, rising to your tiptoes to press a kiss to rafes soft lips. 

“now let's get back to work on that essay, yeah?” rafe says. “i can help you.”

“and what do you know about microbiology that could possibly help me?” you snicker.

rafe rolls his eyes dramatically. “fine, but i can at least be there for moral support.”

--

you've been expecting it for months now, wondering when rafe will pop the question. you know he got the ring back, and while he's taken you on romantic dates and moonlit walks on the beach, you're not sure when he will actually drop to one knee.

“what are you thinking for your nails this week?” your girlfriend asks.

originally, you were doing all white and plain, but recently for summer you've been branching out to bright colors again.

“why, is there a certain color i should get?” you raise your eyebrow at her. 

“well i was gonna get a sparkly white, maybe we could match.” she shrugs. it's no discredit to your friend, but her acting isn't good enough to fool you, and you're sure that rafe asked her to make sure you get something appropriate and properly bridal.

you of course get simple nails that you hope will compliment a silver ring on your finger.

you look at the calendar hanging on the wall, reading through your events for the upcoming week, trying to figure out when rafe may ask the question.

you ultimately give up on trying to figure it out as you head further into the house, calling out for rafe. 

“baby? where are you?” you shout, surprised when you don't get a response. you head up to your bedroom, figuring he must be in the shower, but the bathroom door is wide open when you enter.

you almost miss it, so set on finding rafe, but the dress laying on the edge of the bed ends up catching your attention.

put this on and meet me outside.

you recognize rafes handwriting instantly. you set the paper to the side and look at the dress. its a soft light pink material, nearly white.

you are quick to undress and put on the flowy dress, admiring yourself in the mirror before touching up your hair and makeup next. rafe knows how you like to prepare for big events in your life.

your steps are slow, or at least you attempt to keep them slow, as you want to cherish this moment. your eyes light up with the glow of the backyard, string lights hanging from every tree, and on the edge of the sand, is rafe.

“oh.” you cover your mouth, feeling tears well up in your eyes. this has to be the moment. you run to him, arms wrapping around his shoulders as he spins you.

“baby, i haven’t even asked yet.” rafe chuckles, setting you down.

“and i’m already saying yes.” you giggle, although it’s no secret to rafe what your answer would be.

“still-” rafe places his hands on your hips, stilling you before he drops down onto one knee, pulling a box out of his pocket. he flips open the lid to reveal the most stunning ring you’ve ever seen, it’s exactly what you envisioned and somehow so much more.

“you’ve made me happier than i ever thought possible. you fixed all my broken pieces and made me whole again. there’s no one else i’d rather spend forever with.”

rafe looks up at you, tears brimming in his eyes, overwhelmed with the emotion of the moment. “will you marry me?”

“yes!” you squeal, falling to your knees alongside rafe and pressing your lips against his. “yes, yes. a million times yes.”

sfw tags: @winterrrnight @cameronswiftie @ladyinbl00d @ethanthequeefqueen @drewsephrry @wearemadeofstardust0

[comicaurora]

So uhh. If you feel like talking about it. As someone who lives in the US, how are you being kind to yourself on this upsetting morning <3

Checked in with my loved ones first and foremost.

It's interesting. The vibe I've been getting from my circle is very different from 2016. Much less… dread and horror at a realignment of the understanding of what can and can't happen here, now, in this place and day and age. More "fuck, guys. again? whatever. enjoy your consequences, maybe you'll manage to learn something this time."

Frustration and anger is not the most positive feeling, or even the most fair one to express, but it is a protective one. It hurts a lot less than most alternatives.

And it's quite a shift. It was earthshattering back then. How could this have been allowed to happen? Why couldn't it be stopped? Why couldn't we stop it? Why couldn't I stop it? Why couldn't everyone see what this meant? Why couldn't I make them understand? Did they really not care? What did that mean about humanity as a whole? Were we so thoughtless? How could anyone be trusted?

It seems… much less earthshattering to see it happen twice. Disappointing, sure. Frustrating. But nowhere near as devastating as the first time I saw it unfold. We already knew it could happen. I've already had time to digest the implications. Now I'm just freshly disappointed.

It also feels less indicative of Crushing Truths Of Reality this time. We've seen shit get bad. We've also seen shit get better from here! We know both outcomes are possible, even inevitable. We know hoping for a better future is always worthwhile. This isn't the apocalypse. It's an unremarkably bad turn of events brought on by unremarkably self-centered well-documented human impulses. It's utterly mundane in its unpleasantness. It doesn't need to be dignified with despair.

A democratic election, no matter the outcome or the side we're on, makes us all acutely aware of how outnumbered we are by people whose worldviews and priorities are demonstrably incomprehensible to us. And the first time you get outnumbered, it's a shock. Defeat is haunting. It didn't matter how badly you wanted it; by the very function of democracy, you do not have the power to override greater numbers. (insert electoral college caveat here)

The second time through, I find myself focusing on a different facet that has dramatically reduced the amount of spiralling I'm doing. I don't expect this to work for everyone, but for me specifically, it helped to crystallize a few thoughts:

You don't have the power to control anyone else. You don't. You can't share your worldview and your revelations with them. You can't make them think or understand anything. You can lay it all out for them, but you can't make them listen, and you can't make it click. A mentor can't make their student learn a lesson; that's why teaching is so complicated and hard. An active choice must be made by the person to enable themselves to understand, and they must put the pieces together in their own mind before it makes sense to them, and the pieces must have been presented in a way that makes sense to them in the first place. Lead a horse to water, can't make them drink.

These elections highlight a disconnect in what different groups of people care about; and no matter how clearly you explain yourself or how passionately you perform, caring cannot be forced on someone. Understanding and connection cannot be forced. You cannot make anything or anyone matter to someone. They have to choose to see how it matters in order to internalize it. If they choose not to, that is not your failing. You couldn't have made them do it by just Explaining Better. They are not your responsibility. They make their own choices. You can't reach inside their head and connect the dots for them.

I'm a storyteller. I make stories and put them out into the world. I hope people get something good out of them, but I have no control over what that something is. I want people to be thoughtful and kind and compassionate and hopeful and see themselves reflected in stranges, no matter their differences. I can craft stories that I hope encourage this. But that is the extent of my ability and the extent of my responsibility. I control no-one's actions but my own, and so while I am not having the best day, I am at least content that I am doing what I can, and I am not shattering myself against impossibilities trying to control the things I can't.

Sometimes, people make decisions that I think are really bad. I can't make that not happen. All I can do is try to make decisions that will result in things I think are good. Today, that means checking in on people, and not assigning too much dramatic narrative weight to an ultimately mundane set of unremarkable bad decisions outside of my control. We'll take life as it comes and help each other out when and how we can. Everything else is out of our hands.

[thesophistiicate]

the good life essentials: the ultimate guide to getting what you want 💭

for so long i always felt a sense of struggle when it came to my achievements. i could reach my goals but it always felt so hard, and it usually came paired with periods of burn out and malaise. then i found out why: i was often neglecting foundational needs, living in chaos and not taking proper care of myself, and trying to zoom straight to big-picture achievements.

below is my ultimate guide to 'the good life'. the more balance you can achieve in each category, the easier and more pleasurable it becomes to reach your goals. you will still have to stretch yourself and explore beyond your limits... but it should feel relatively nice because you are supported by a nourishing lifestyle.

you deserve a beautiful, healthy, passion-filled life. here's how you get it:

01. your foundation: the essentials

physical health: create nourishing routines for sleep, exercise, and nutrition. your literal energy starts here, so if you’re trying to bring positive energy to your life and achieve success, you need foundational energy.

mental and emotional health: build resilience and develop strategies for coping with pressure and stress. take care of your mental health always, not just when you’re already spinning out.

financial stability: learn to manage your money wisely. budgeting, saving, and debt management are a must.

02. your core: connections + fulfilment

your home: whether you have just a bed, a room, an apartment, or a whole house, create a safe, comforting space to recharge and feel grounded.

strong relationships: surround yourself with supportive and meaningful connections - so much about ourselves is defined by those we are close with so choose wisely.

meaningful work: follow your sense of purpose and find work or projects that bring a sense of fulfilment and satisfaction to your life. remember that it may not always be paid work. if you have no idea, just keep trying things and follow what interests you, while working on the next stage.

03. your growth: personal development

personal growth: invest into self improvement, developing new skills, growing your knowledge and learning as much as possible.

spiritual fulfilment: find purpose, whether through spirituality, self-reflection, or a connection to something bigger.

creativity & self-expression: explore creative outlets and express your true self to find a grounding sense of joy and authenticity.

04. your larger contribution: beyond the self

community & contribution: give back, volunteer, or participate in community initiatives to connect with a greater sense of purpose and life-giving connection.

legacy & impact: define the mark you want to leave on the world, through family, work, or contributions to society. think deeply about what you wish to leave behind and tailor your life to this goal.

05. your enrichment: quality of life enhancers

play & leisure: make time for joy, hobbies, and relaxation for rejuvenation, calm, and passion. if your day to day work isn't your passion, it's so essential to find passion here.

time in nature: regularly connect with the outdoors for grounding and mental clarity.

[haveihitanerve]

Four Times the Batkids Forget They're Adopted, and The One Time Damian Forgets He Isn't

It had started off as a joke, as most things do, and Dick meant nothing behind it, really. It was amusing to him, actually, to tell his coworkers things about Batman and pass it off as his father. “Oh my dad? Yeah hes not big on talking. He loves showing me he cares though.” (this was, of course, in reference to Batman doing three back flips and a kick split when Nightwing had patrolled with him the other day, a classic Nightwing move) But it soon…went deeper. Dick stopped making jokes out of it, and actually began listing things about Bruce. About his Dad. It didn't help that his police friends were actually interested. “So did you and the old man do anything fun over the weekend?” Dick thought back to how he had wanted to surprise Bruce by stopping by for dinner and instead had ended up in the sewer eating granola bars on a stakeout for killer croc, who had escaped. Again. “Oh yeah we had a picnic.” Dick nodded, smiling at Randy. “Yeah. He’s, he’s kinda bad at remembering when to eat a meal on time and all that.” Dick laughed. “Its something I share too. Must be genetics.” He rolled his eyes. Randy laughed, clapping a hand on his shoulder. “I hear you. My old man smoked all the live long day. I try to keep it down, but that addiction gene is just strong eh?” Dick chuckled. “Yeah I guess.” His phone buzzed in his pocket and he waved to Randy, turning to tug it out. It was one, simple message from Babs. “Ur adopted genius. What genes.” 

Jason didn't even know how they had gotten on the topic. But here they were. “Yes. I got my mothers hair, of course, but I get my temper from my father.” Artemis was saying. “I have parents.” Bizarro grunted. Roy laughed, smacking him on the shoulder. “Well you certainly didn't get Kal’s looks buddy. But you do have his killer hair.” Starfire laughed. “That is true. I, for one, share my parents hair and have my fathers powers. But truly the best gene I was given were my mothers eyes.” They all turned to Jason. “What about you?” Roy asked. Jason scratched the back of his neck. “Uh, I used to have my dads eyes but um after the pit y'know,” He waved to his now green eyes. “And actually I have my dads dark black hair, and he’s graying early too, which might be why my white streak is so prominent.” They nodded in agreement. “But yeah, hes actually a little taller than me so maybe I’ll still grow a few inches but uh yeah. I don't… remember my mother enough to talk about her.” “Dang man. I wish we could meet your dad.” Roy murmured, laying a comforting hand on Jason’s shoulder. “Then we could really compare. I mean-” He laughed. “You sound like his carbon copy.” Jason frowned at his friend. “What do you mean? You’ve met Bruce?” They stared at him. “Jason,” Artemis began slowly. “Aren't you adopted?” 

Tim hunched over the information form, eyes straining to read the small print. His hand reached up to stifle a yawn and he settled for a sigh instead. It was late, but Tim needed to get the form done before he went to bed, otherwise everything would be far too stressful in the morning. He reached over and grabbed his coffee mug, a dark black cup that had a red R painted on it poorly. Bruce had made it for him a few years ago when he had first become Red Robin. He sipped it, staring down at the medical form. “Gods I hate having to do this.” He muttered, but reluctantly grabbed the thick medical binder Alfred had obligingly gotten for him when he had asked for medical records of the family. Tim did not under any circumstances, want to have to sit at the doctors office the next day and somehow lie his way through all the medical questions relating to his family history. He didn't have the time nor patience for it, and it was crucial he was given proper medical advice what with his missing spleen. “Any history of heart issues Bruce?” Tim muttered, flipping back past Martha and Thomas to Bruce’s great great great grandfather. “Nope, guess not.” Tim was halfway through the form when he realized the blood coursing through his veins wasn't Bruce’s. 

Steph rubbed a hand across her belly, staring at the monitor. “Your baby looks good Ms. Brown. They’re at the proper stage. Due in about two months. We’ll see you back here for your next check up.” “thank you doctor.” Steph murmured, sliding off the bed and dressing quickly before hurrying out to her car. The car door slammed shut behind her and she breathed, pressing her forehead to the steering wheel. Her phone buzzed. She lifted it and pressed it to her ear, hitting accept. “Hello?” “hey Steph.” Bruce’s voice vibrated through the phone. “How was your doctors appointment?” Steph gave a bitter laugh. “Everything looks good. The baby will come in about two months.” “Thats good. Thats real good.” Steph nodded, eyes closed. “You doing okay Stephanie?” Bruce asked, voice soft. “I don't know.” her voice broke and she squeezed her eyes shut, fighting tears. “I just- I’m so scared Bruce. So scared.” Bruce hummed comfortingly through the phone. “I know Steph. Its scary. And parenting, its hard.” Steph coughed out a watery chuckle. “Was that a hit?” She muttered, rubbing a hand over her face. Bruce chuckled. “No. Baby it wasn't. And just think, you’ll get to see all the firsts I didn't get with you. Their first steps. Their first wave. You might even get to hear them say mama before i kidnap- i mean adopt him or her.” Steph laughed again, and it sounded less watery. “Yeah. Well, when do kids start walking?” She asked in interest, sniffing and sitting up straight again. Bruce hummed. “Well i started walking almost immediately, but Im special.” Steph laughed. “Of course.” “alfred said i first started talking when I was around thirteen months old, and Talia said Damian was walking by ten, but she could have been lying.” Steph nodded. “Tell me more.” She whispered. Bruce obliged, happy to distract her. “Oh and whats probably going to be your favorite, babies, or at least I did, start laughing at around four months.” “laughing?” Steph gasped. “Oh Brucie!!! Thats too funny! Little chubby baby you, the future batman, laughing!” She cooed. She could almost feel his eye roll through the phone and stifled her laugh. “So yeah..” Bruce finished. “You should expect your kiddo to start walking around then. And laughing probably sooner. I would have if you'd be in my life at that time.” Steph was quiet. “Thank you B.” He hummed. “Anytime Steph. I’ll always be here to help you.” “Wait wait wait-” a new voice joined in the background of Bruce. “Are you guys serious right now?” Steph identified it as Jason. “What?” Bruce asked puzzled. “B, Stephs adopted. Her kid is as likely to walk at the same time you did as when she did!” 

“Damian?” “Go away Drake.” Damian called back, riffling through the papers. “Dami?” Tim poked his head into his younger brothers room. “Oh hey kiddo. Whatcha doing?” “I am busy Timothy.” Damian countered in annoyance, shoving the box back under his bed and moving to his desk. “What are you looking for?” Tim asked puzzled. Damian ignored him. “Dami.” “Go away Timothy.” Tim crossed his arms, leaning against the doorframe. “Come on Baby Bird. Tell me.” Damian shook his head, covering the blush on his cheeks by poking behind the desk. “Damian.” Tim’s hand was suddenly on his back. Damian jumped. Tim held up his hands in surrender. “Just tell me. I’m sure I can help you find it.” Damian sighed in acceptance, cheeks pink. “I have.. Lost my adoption papers.” He muttered, staring at the floor. But Tim didn't laugh or ridicule him. In fact, when he looked up, his brother seemed thoughtful. “Well i know me and dick and jason have them hung over our beds…” His gaze drifted to the very clearly empty space above Damians bed. “I know.” Damian jerked his head in a nod. “That is why I wished to find it.” Tim nodded in understanding. “Well, lets go look in the den. Thats where Alfred keeps all the legal stuff.” Damian trailed after his brother to the living room and watched as he opened the cabinet and pulled out three boxes. “You look through this one, I’ll search these two.” Tim ordered. Damian nodded, accepting the box. It was where Alfred found them, two hours later, broom in hand. “My dear sirs, what are you doing?” The butler asked in bafflement. “Looking for Damians adoption record.” Tim answered, nose still in some papers. Alfred looked at them. “Master Tim. Master Damian.” The two boys looked up. “Yes Alfred?” Tim asked. Alfred's face was fond and utterly confused. “Master Damian is not adopted. He is Master Bruce’s blood son.” 

@nonepizzawithleftglitter @zombiewithaflowercrown

you asked and you shall recieve!

[devil-in-hiding]

On The Run

pt 4

Ghost was silent as you disinfected his hand, watching with interest as you dab the cotton against the wounds. “You really don’t have to do this, I deserved it for being so rough with ya.” He mutters after some time, and you wave him off.

“You did deserve it, but I still don’t want it getting infected and you don’t seem the type to take care of it.” You huff, grabbing the bandage off the bathroom counter.

He watches you, tracking your movements as you gingerly wrap his hand. “There. We can check on that in a day or two.” You announce, patting his cheek and you bite back a smile at the indignant scoff he makes, batting your hand away.

“Oh so you and Price can grab me but I can’t touch?” You roll your eyes, cleaning up the small mess you made as Ghost flexes his hand, looking at the bandage with an unreadable look in his eye.

“Did I wrap it too tight? I’m sorry, let me-“

“It’s fine little bird, thank you.” His voice is soft, his eyes locked on the white wrap. He blinks when you gently slip your palm into his, squeezing gently.

“Why don’t you get some sleep? I can tell you need it.” Your voice is barely a whisper, and you smile when you feel him squeeze your hand ever so slightly in return, but makes no move to stand. His eyes are tired, and there’s a strand of hair sticking out from the eye hole and you pause.

“Would you… would you be more comfortable with that off? I can wash it for you.” You offer, wincing only slightly when his grip tightens.

“Don’t wanna scare ya anymore than I have.” He states bluntly, making you frown. “How is your face going to scare me?” You ask, raising a brow as you cautiously reach for the edge of the ski mask. You anticipate him grabbing your wrist, but not the flicker of panic that flashes in his eyes and you back off, guilt settling low in your stomach.

“I’m sorry. You don’t have to, I just thought you’d be more comfortable with it off…” You apologize, lowering your gaze. You go to pull your hand back, clearly having overstepped, but he stops you, pulling your hand back to his lap and he glares at the ground.

“It ain’t pretty.” Is all he offers after a moment, and you tilt your head. “Doesn’t mean you’re gonna scare me Ghost.” You soothe, trying to get him to look at you. A few hours ago you would have laughed seeing this guy acting so small, but now you just want to help them feel… safe. How funny.

As though he’s reading your thoughts, his eyes lift to meet yours, and you can see a million different questions dancing there. “You ever looked into the face of a monster?” He asks, and that takes you back, and he watches the way your eyebrows furrow.

“I don’t-“

“I have done some awful fuckin things little bird. Monsterous things. Things that keep me awake at night, I’m a-“

“That doesn’t make you a monster.” You hiss, and he narrows his eyes, ready to bark back but you cut him off. “Do you view your team as monsters? Do you deem them any less human because of the lives they’ve taken? Is Price a monster?” You snap, and his mouth slams shut, teeth clacking and you see his nostrils flare. Price must be a sensitive nerve.

“He told me. He told me what the four of you have done. He told me all the awful fucking things you four had to witness first hand. The things you did to keep those who needed protecting safe and I want to do that for you!”

His eyes widen behind the mask, and the silence hangs heavy in the air.

You search his eyes for a moment, before slowly reaching back towards the hem of the mask.

“You don’t scare me Ghost. Maybe a few hours ago but not now.”

“How can you be so sure?” He whispers, gripping your wrists but his touch is gentle, hands shaking.

“Do you feel bad about holding that knife to my throat?” You ask, and his eyes flash, and he tugs you closer by your wrists. “More than anything. We… I was just… scared.” His voice is small, eyes shining with unshed tears as you slowly pull the ski mask up and off, and he shrinks back as you look over his features.

He’s waiting for it, waiting for the gasp, the look of disgust.

But you only hum, brushing a strand of hair away from his eyes before gently tracing one of the scars littered along his cheek.

“Now where is that monster you were telling me about, hm?” You tease softly, and his lip trembles as you softly cup his cheek.

“I don’t see any monsters here, just a man who desperately needs some sleep.” He tries to fight back the tears, but his cheeks are hot and sticky and he struggles to suck in a breath.

He freezes when he feels you tug him forward, just for his head to land on your chest, a hand in his hair, grounding.

Comforting.

“You guys are safe here. I promise.” You whisper, the only answer you receive is Ghost fisting the back of your hoodie as he buries his face deeper into your chest to muffle his sobs.

“Absolute fuckin idiot.” He chokes out, and you raise a brow, running a hand through his hair. “Who?”

“Who ever fuckin’ divorces a walkin’ fuckin’ dream.” He spits, yanking at your hoodie like a pouting child, cheeks shining with tears and you can’t help it, you giggle, loud and bright.

“So you’ve said.” You laugh, and he shakes his head. “Should ‘ave his ass kicked.” He mutters, and you have to bite back the sharp reply waiting at the tip of your tongue, instead just tilting his head back so you could meet his gaze.

“You need to rest. Let’s get you to bed.” You order, and he blinks at you, before the hint of a smile tugs at the corner of his lips. “Inviting me to bed already little bird? Cheeky.” He grins, and it’s a little crooked, and it makes your heart stutter, a shy smile fighting its way to your face.

“The hell the two of you doin’ in here?” Price gripes, and you jump, Ghost tugging you closer instinctively. “Bonding.” He mumbles, resting his cheek against your chest and you glance over your shoulder. Price stares at the two of you, brow raised, but when his eyes settle on the man wrapped around you, you can physically see him soften, an easy smile spreading across his face.

“Gonna stop wearing that damn thing then?” He asks, crossing his arms as he leans against the door frame, and Ghost shrugs. “Thinkin’ about it.” He admits softly, propping his chin on your chest so he can gaze up at you. It’s oddly intimate, and it has your heart racing, giving him one last timid smile before tapping his cheek.

“Bed. Now.”

“Oh she’s a bossy one.” Price chuckles, and you shoo him off. “Both of you, bed!” You laugh, cheeks warm as you step away from Ghost, who you swear whines at the loss of you in his arms.

The three of you shuffle out of the bathroom, and you glance around. “Didn’t have the heart to wake ‘em. Gaz is just about crushing the poor lad but they’re both out like a light.” Price explains, and you nod. “Well, I’ll leave some blanket for them.” You decide, grabbing one of the bigger fur blankets from the closet, and when you stand straight, you’re sandwiched between the two of them, and your breath catches.

“What are you two doing?” You squeak, just to feel two pairs of lips brushing your cheeks.

“Thank you pretty. For everything.” Price mutters, voice low and tired.

“Can’t tell you how much it means to us, really. We’ll repay you anyway we can.” Ghost continues, a rough hand caressing your cheek and you swallow down a whimper, nodding.

“Of course. I’m glad I can help.”

“Don’t deserve it. Don’t deserve you.” Ghost whispers, and your heart slams in your chest. “I-I better get to my room.” You stutter, stepping away from them on shaking legs.

“Goodnight pretty.” Price hums, already tugging Ghost towards the large mattress as you close the door, clutching the blanket to your chest as you dash down the hallway.

Ghost allows himself to lead towards the bed, laughing when Price pushes him back, eyes bright.

“You know I love seein’ you out of that damn mask.” He breathes, crawling over his lover as Ghost gazes up at him, brown eyes tired but brighter than Price has seen them in ages.

“You sure this isn’t about you droolin’ all over our host?” He muses, reaching up to card his fingers through Price’s hair, who catches his wrist, pressing a kiss to his palm.

“Like you weren’t in bloody heaven bein’ buried between those tits.” He chuckles, lowering himself next to Ghost, who curls into his side, resting his head on his shoulder. The mattress sinks under the weight, and it’s not lumpy or stabbing his side with springs as he relaxes, sinking against Price and the fresh blankets surrounding him.

“She’s nice.” He murmurs, eyes fluttering as exhaustion sinks into his bones. Price snorts at that, pressing a kiss to Ghost’s temple as he feels his own fatigue winning its war.

“A god damn angel.” He huffs, dropping his head back as he caresses the skin at Ghost’s hip.

“Get some sleep love.” Price hums, letting his eyes drift shut, listening to the way Ghost’s breathing evens out. It’s been a long time since they’ve been able to sleep like this, wrapped around each other and Price swallows the rising lump in his throat as he settles in, tugging his man as close as he can before finally letting exhaustion take over, drifting into a dreamless sleep, finally.

[anarchist-rat-swarm]

Got an interesting take on eldritch horror for all you writers out there. It's a bit of a roundabout schlep to reach the actual idea, but writers tend to be readers so I hold you'll stick with me til we get there.

So, consider a 2D creature. Little flat dude, living on the ground. No concept of "up" or "down." He's 2D, he just doesn't parse the concepts and can't perceive them anyways.

He sees you. What he actually sees is just the 2D cross section of you where you intersect with his 2D world, which is probably your footprints. So, as far as he can tell, you are a pair of footprints that are.... apparently one being? He doesn't get how it works exactly, but it's not too far out there, so he just kind of accepts that, yes, humans are The Two That Are One. Spooky. They always seem to use the singular to refer to the pair of themselves, and only differentiate between themselves as Left or Right. But other paired instances of The Two That Are One are, in fact, separate entities. So they're only in sets of two, unless accompanied by a companion called "Cane," which they are sometimes, or even a pair of companions called "Crutches." When Crutches are present, sometimes one of The Two That Are One will be missing entirely. It's a little confusing.

But wait, what now? They disappear and reappear in sequence, teleporting in turns. He never sees them just move like a 2D being, always the stop-start teleporting. Apparently this strange power is called "walking," and its accomplished by The Two That Are One moving through an unseen dimension called "Up," through a process called "lifting" themselves and re-entering the real world farther away in the direction they wanted to go. He can accept the idea of unseen dimensions, and he vaguely gets the idea that one of The Two That Are One must remain anchored in the real world to prevent something called "falling," which is some kind of uncontrolled movement through the unperceivable dimension of "Down." Which is the same dimension as "Up," but...... backwards? Reversed? He's not really clear, but "Falling Down" is presumably bad, so The Two That Are One keep one of themselves here in the real world to prevent it.

Except if they do something called "jumping." Which consists of gathering up their power to hurl themselves through the Up dimension together to reappear together somewhere else in the real world. He isn't sure why they Walk instead of Jump, since it seems better to take both of The Two That Are One together at the same time, but okay.

Okay, what the hell, they can Walk through impenetrable barriers like the great wall of Sidewalk Chalk? How do they go through that? What? They went "Over?" The hell is "Over?" Like 'around' but through the unseen dimension of Up? But they couldn't Walk through the barrier of Wall. Why could they go "Over" Sidewalk Chalk but not Wall?

And they can't go between the four small obstacles of Refrigerator Feet. The area between them is safe from The Two That Are One, for the four Refrigerator Feet are connected to each other in the strange and eldritch dimension of Up. The barriers are too powerful to be moved by The Two That Are One, and it (they?) cannot enter the real world where it is blocked by such powerful forces.

Got all that?

Okay, now consider a 4 dimensional elder god and how we 3D entities would perceive them.