#why didn't they think i was gonna see??

[lilyimmsim]

ughhhh it is so frustrating having friends who don't respect boundaries and are constantly in your relationship oh my goodness i want to scream

[sanshinexx]

After Angband, Maedhros had a complicated relationship with his hair for a long while. The thing he once used to cherish and carry with pride, inherited from the mother he had left behind, was now tainted with memories of unwanted attention and derogatory touch.

After his rescue, it had to be cut short for the sake of his recovery, and he could never quite figure out whether he was more hurt or relieved by the act. It was Fingon, during those times filled with anxiety and doubt and shame, who helped him learn to accept his own appearance again– from the stump of his right arm and the scars littered across his freckled body to the locks of copper hair, ever so slowly regrowing to their former glory.

And little by little, the lingering memories of malevolent hands harshly yanking at his scalp were replaced by the feeling of tender hands carefully braiding familiar golden ribbons into his hair, once again beloved.

[bucket-puns]

Jubilation.

SOPHIE BAYBEY. WHAT THE ACTUAL FUCK. OKAY LAST BLSMP FANART FOR REAL. SOPHIE ACTIVATED A SLEEPER AGENT.

[stop-breaking-my-heart-telltale]

Y'know, it's unfortunate more people don't compare Louis and Violet in good faith.

Like, when I do see people compare them, it's usually through the lens of one is good, and the other bad. One is more canon than the other, and here's why. One is objectively better for Clementine, and the other is less impactful, worse written, didn't have chemistry with her, insert several insults here, etc.

I don't think it's inherently bad to express why you might not like one of them, or why you prefer one over the other. That's fine, that's a matter of opinion. It only gets to me when it becomes hostile, or passive aggressive... but even then, I've learned to just roll my eyes and move on. Some people make it very clear that they're not worth having a discussion with.

However, I wish I could read more nuanced comparisons of the two that didn't default to the "and that's why this one is better." At least some are kind enough to tack on a "for my Clementine" at the end.

You know how it goes: Louis is cute and he makes Clementine laugh, whereas Violet's boring, her love is shallow, she's still not over Minerva and she's using Clementine as a rebound. Violentine's a bad ship because Violet's actually a traitor, and they're practically the same person and that's bad.

Violet's loyal and reliable, whereas Louis is annoying, he never takes anything serious, he's a traitor for his vote, and he's nothing but a distraction. Clouis is a bad ship because how could any Clementine possibly like him after he voted her and AJ out? That's bad!

That's always the conclusion, right? One good, one bad.

This is incredibly limiting and it drives me nuts.

They're foils. They contrast one another, highlight each other's strengths and flaws, in such an interesting way that it makes Clementine's choice between them all the more meaningful.

One is not good and the other bad, they're different, and I think that's worth exploring.

Let's start with a common argument: Violet is the more impactful option due to her connection to Minerva.

Now, to be fair, I can understand why someone on Team Violet would believe this. Yes, it's true that the confrontation with Minerva is more impactful for a violentine shipper who has more investment in Violet as a character. Louis doesn't have as strong of a connection to her.

However, what they're failing to recognize is that Minerva isn't the only ghost to haunt this narrative. Violet may have Minerva, yes, but Louis has Marlon... and that doesn't just go away once Marlon's dead.

Violet's route has Minerva as her ex-girlfriend, and her bond with Tenn that all comes to a head on the bridge. Louis' route has Marlon's death and how that specifically impacts his relationship with AJ and Clementine, and the slow burn of forgiveness on all sides.

Marlon and Minerva are also reflective of Clementine's worst outcomes.

Clementine and Marlon were tied together through Brody's blood splattered on their hands and faces. They both killed a part of Brody, but only one of them lies about who killed her first.

After Marlon dies, Clementine gradually replaces him throughout the game; Rosie is her dog now, she uses his bow [which Louis gave her], she becomes the leader. Clementine gets them to fight back, and when three of her people are captured, she doesn't cut her losses. She does what Marlon couldn't; "we're getting them back."

When she chooses Louis, he does for her what he never did for Marlon: he steps up.

Clementine proves she won't become Marlon just as she proves she won't become Minerva.

After getting James to agree to help them, Clementine and AJ talk about what to do if she ever gets bit. AJ says he'd want her to bite him, too. He repeats this sentiment after she's actually bitten, telling her he wants to stay and they could turn together, peacefully.

When Minerva confronts them on the bridge, she's dying... and she wants Tenn to die with her. She doesn't care who she has to kill in the process. She's more monster than human at this point, and most times, she succeeds.

They're both bitten. Clementine could've become a monster like Minerva in the end. She could've killed AJ, and they could've become walkers together. But she didn't. Minerva wanted Tenn to die for her, and Clementine wanted AJ to live for her.

Also, I should mention she has Minerva's axe. She carries the key weapons associated with Marlon and Minerva throughout different points in the game, further solidifying these connections. She uses Marlon's bow to save her friends, and she uses Minerva's axe to save AJ, who in turn uses it to save her.

What's also so interesting about this is how Marlon's alive in episode one, and Minerva is thought to be dead. Louis has his best friend, and Violet's lost hers. But, at the end of the episode, Marlon's dead and Minerva's revealed to be alive.

Marlon becomes the ghost, and Minerva becomes the monster. Clementine becomes to Louis and Violet what Marlon and Minerva never could... how does that not drive anyone else insane?

So, no. One is not objectively better, or more impactful, because of a connection to Marlon or Minerva. They're different. It just depends on which storyline you personally find more compelling.

Actually, let's talk about that a little more.

In my opinion, the most intriguing point of comparison between Louis and Violet stems from their perceptions of survival, and how that impacts Clementine.

An argument I see made against violentine is that Violet's boring because she and Clementine are too similar. This usually comes from clouis shippers who prefer the "opposites attract" dynamic Clementine and Louis have.

On the flip side, there's the counter argument that Louis is reckless, that he doesn't take survival as seriously as he should and Clementine wouldn't want him because of that.

These are interesting to me because I get where they're coming from... but they ultimately miss the point.

The other day, I replayed TFS. Except this time, I did something a little bit differently. I played my usual clouis route, but then I had the violentine route pulled up on my laptop so that I could watch these scenes, comparing them side by side… and something occurred to me. 

Louis is about challenging Clementine's perception of survival, and Violet is about validating it.

Louis challenges Clementine from the very moment we meet him—he’s playing music. His initial philosophy on survival butts heads with Clementine’s. The fact that hunting with him and Aasim challenges your perception of “your choices have consequences.” These games have conditioned the player to think along the lines of, “Yeah, Louis is more fun… but if I don’t hunt with Aasim, we won’t have any food.”

Except that’s just it. I hate to say it, Aasim, but in the grand scheme of things… hunting with you doesn’t matter. It's actually less rewarding. You know why? Because in the next section, we get food from the train station. It would’ve been more beneficial to spend time with Louis over hunting, hence how he challenges you.  

This then primes you for the choice between choosing to follow Louis or follow Violet. I know people complain about how this is presented with Violet doing something productive [checking the walls] and Louis playing piano… but that’s the point. If you’re going through with Louis’ full route, you need to meet him at his level, and in turn, he will meet you at yours. You need to accept the challenge, the idea that Clementine isn’t entirely right about the way she’s gone about survival.

Oh, and do I even need to mention the vote? The debate over Louis’ vote is exhausting. Often times, people tell on themselves in how they talk about it. It’s not actually about the fact that he voted against them. If it was, these people would have a bigger bone with pick with Mitch, Willy, Ruby, and Omar… and yet Louis is the one who takes all the blame as if he’s the only one personally kicking them out. 

Louis is reacting to the death of his best friend, and the complicated feelings that come with it being caused by AJ. He wants accountability, even if he knows something's wrong. You can either agree with him that it was murder, and set AJ on the path of atonement… or, you can double down and tell him to fuck off, AJ was justified. 

But here’s the thing… the vote adds to the appeal of Louis’ route. To someone who hates him, or at the very least is critical of his vote, that sounds mad or delusional.

Except it’s really not.

Ever heard of a thing called tension? Because there’s a lot of it in ep2 between clouis + AJ and it’s fantastic.

Yes, Louis voting them out is problematic because we need a problem to solve. We need something to feed the tension between him and Clementine. He stepped in front of a gun held by his best friend in order to protect her, forever changing their relationship… only for that to seemingly be taken away from us the moment AJ shoots Marlon. 

Yes, Louis’ route is about being challenged, but it’s also about challenging him. That he’s able to forgive them, that he’s able to question his own survival philosophy and understand theirs, that he’s able to apologize and actually change for the better… that right there is what makes clouis so damn good. 

He becomes hardened whereas Clementine softens. By the end of the game, they’re on a similar level now without neglecting their differences, and they can move forward together. 

That’s what makes Louis’ route appealing… and it’s also what makes it unappealing to people who prefer Violet. 

By contrast, Violet’s already on Clementine’s level when it comes to this perception of survival. She validates that Clementine’s on the right path.

They have other similarities in the way that they’re both female, queer, they both have a kid they look after, they’re not always great with other people, etc. 

People who prefer Louis might consider this boring, but I think to Team Violet, it’s comforting. It’s comforting to have a partner who takes this as seriously as you do, who wants to get shit done. They’re playing Clementine with a similar attitude, and don’t believe it needs to be challenged. It’s comforting to feel validated on something you already firmly believe in. 

We also see this if we compare the hunting and fishing scenes. You have to make an effort to choose Louis by choosing to neglect hunting, but the game makes you fish with Violet no matter what.

Violet’s prioritizing fishing because they need food. That’s what they’ve set out to do, so let’s do it. The game is letting you know that’s the case, and if you value that, continue pursuing her. 

While fishing, they discuss why things are weird with her and Brody. Violet doesn’t take well to Clementine’s blunt, “Because you make it weird. Brody tries and you just make fun of her."

That’s understandable because I think she already kind of knows why and is looking to have her feelings validated. She prefers it when Clementine suggests that it’s because Brody never said sorry for what happened to the twins. 

There’s also comfort and validation in the way Violet sides with Clementine and AJ after Marlon’s death. She votes for them to stay, vocalizing how much she disapproves of the results. There’s this feeling that I recognize from a lot of the sapphic romance I read; “it’s you and me against the world, I’ll always have your back, even if you’re in the wrong, I’ll fight for you.”

In our case, it’s violentine + AJ against the rest of Ericson, save Tenn and Aasim. Violet validates that AJ was justified because Marlon was a liar and murderer, claiming that AJ and Clementine did nothing wrong. Violet fights to keep them. 

The tension between violentine in ep2 is different because instead of one pushing the other away, they’re being forced apart by the vote and there’s nothing they can do about it. That tension is somewhat released when Clementine comes back and they’re reunited, working out a plan to best defend the school. 

It’s also why Violet’s presented as doing something productive when you follow her instead of Louis, and why she asks if you want to hang out after checking the defenses. 

All that being said, allow me to reiterate that one is not good and the other bad, they're different. These concepts of challenge and change/validation and comfort exist on a neutral road as diverging paths. It’s up to the player to pick what path they prefer, but that doesn’t mean the other path isn’t worth acknowledging or analyzing. 

I should also mention that they’re not exclusive; there is overlap with validation being present in Louis’ route and challenges in Violet’s. They’re just more present in episodes 3 and 4 after we’ve made our decision. 

There are several more examples of how this all fits together, buuuuut–

Ya’ll wanna compare some allegories?

Those familiar with my content might already know where I’m going with this as I’ve made a post about Louis and the piano in the past. 

You see, I believe that there are allegories for Louis and Violet’s hearts present in their routes: Louis’ piano, and Violet’s pin. 

I already have a thorough, in-depth analysis of Louis and the piano that you can read, so all I’ll say about it is that on the night of the raid, he asked Clementine to carve a piece of herself into his heart so that no matter what, their initials will be immortalized together in its wood…

And that makes me fucking feral. 

But I'm also so normal about it.

As for Violet, her heart is the star gazing pin she gives to Clementine. She gives it to her so she’ll always remember that night… but she doesn’t give it to her until after Clementine’s saved her, and that fascinates me in the context of it being allegory. 

Louis asks Clementine to carve herself into his heart right before the raid, cementing that from that moment on, he is utterly devoted to her. I believe this is part of the reason why Louis is still happy to see her if he’s the one who’s captured. Yes, yes, he’s also incredibly traumatized from having his tongue cut out and he’d be happy to see anyone, yada yada… but listen, if you romance Louis and he’s captured, his heart remains with her—that piano with their intitals is on full display. When he sees her, he’s still so devoted to her that he refuses to accept that it’s at all her fault. Even when she says it is, he shakes his head... and he so easily accepts her when they’re together in the end. From the moment Clementine puts knife to wood, he’s hers. 

Now, look… you might think I’m going somewhere not great with this but hear me out. 

I think after Clementine’s gone star gazing with her, Violet is fully ready to give her heart to her. Y’know, give her the pin. But, think about what Violet said about how people have left, but Clementine came back. Plus, with the impending raid to think about, maybe Violet should keep the pin until the right moment. 

I believe a key difference between her and Louis is that Violet needs one last thing to solidify that Clementine’s the one. 

Louis gives her his heart prior to the raid because of everything that’s already gone down between them following Marlon’s death. Violet needs to know that Clementine’s willing to fight for her the way she fought before. When Clementine saves her from the raiders, it’s solidified. Even after she sees Minerva again, it changes nothing.

It’s also worth noting that the pin is something Clementine wears. Like the piano carving, it’s a piece on display for everyone to see, to let them know whose heart Clementine has.

Violet literally handed Clementine her heart as a means of saying, “I’m yours. I’m devoted to you.” 

This is why romanced/captured Violet is devastating, and is why she behaves the way she does in the cells. She was so ready to give her heart away and then nope, sorry, Vi! You get knocked unconscious by raiders instead! 

If anything, you kind of deserve to be told to fuck off if you romanced her and then let her get captured. Just sayin’. 

Look, I have a lot of complicated feelings about the captured violentine route, mostly with Violet being as forgiving as she is after her eyes are burned—yes, yes, I know, her eyes are burned and Minerva messed with her head so of course now she’s not hostile, yada, yada. 

But I think it’s rather telling that you don’t get the pin in this route. Sure, Violet’s willing to forgive and possibly pursue this romance in the future… but she’s not ready to hand over her heart, not truly. Not after everything that’s happened. 

And if you want to get extra angsty about it, imagine that Violet made the pin right after they parted ways, but before the raiders came. Meaning that if she’s captured, it’s possibly still sitting somewhere, abandoned. 

Mmhmmm, very normal about this. I feel normal. My normalness about this continues... normally. I'm not losing my shit thinking about that. Nope. Why would I? I wouldn't! So normal.

Okay just let me talk about their reactions to Tenn's death and then I'll shut up.

This makes me want to gnaw my own foot off, I can barely handle it.

AJ shoots Tenn on the bridge because Clementine trusted him to make the hard calls. This saves Louis or Violet's life.

When Louis jumps across, he's completely silent as he watches Tenn die... and then he's pissed; "What the fuck?! How could you just shoot him like that?!"

AJ explains himself, that he did it for him, and Louis is so upset that he forces AJ to look at what he's done, to watch the walkers eat Tenn; "Tenn's dead. He's dead! Do you realize that?! Look! [...] He's... he's gone, because of you. Just fucking gone."

If Clementine says AJ saved his life, Louis says, "So what, we just cut him loose? Gun him down like he was nothing?"

If Clementine says nothing, Louis says, "Tenn was just a little boy!"

The reason Louis responds this way is because in this moment, he just relived Marlon's death all over again, but worse. So, SO much worse!

When Violet jumps across, she breaks down, begging, "Oh, my God! Oh, my God! No, no! No, no, no..." as she watches Tenn die... and then says to AJ, "No! What the fuck?! How could you do that?!"

AJ explains himself, that he did it for her, and Violet is faaaar from okay; "For me? I can't... Tenn is gone! That soft little boy who liked to draw, he's gone, because of you!"

If Clementine says AJ saved her life, Violet says, "You think that's okay?! Just gunning down one of our own?!"

And there it is.

Louis is hardened in this situation because he already went through this... Violet hasn't, not with AJ. She softened up throughout her route due to her relationships to him and Clementine... but this is the moment where she realizes that maybe AJ wasn't as justified as she believed, and this is the consequence.

This leads us to the ending where AJ asks if they're still mad about him killing Tenn, and I just... I'm biting my foot right now because the script has flipped.

Louis is forgiving and understanding. He's soft, he's sympathetic, he shakes AJ's hand to let him know that all is forgiven and they're okay; "I... AJ, I guess it's like... You saw something I didn't. About the situation, I mean. Minnie and the walkers and Tenn, it's just all this chaos in my head when I think back on it. [...] Clem says you saved my life? Well, then, that's exactly what you did. And how can I stay mad at anyone for doing that?"

Or, alternatively, "He was your friend, AJ. I know you are hurting just as much as I am."

As for Violet? She's understanding, too... but she's not quite ready to forgive yet; "The thing you said on the bridge...that he was messing up all the time. It wasn't something new, you know. Tenn got himself or other people into trouble all the time, long before you guys got here. He was always so lost. He lived in a world that just...isn't there, you know? And that's why I tried to look after him. But when I was pulling him away from the walkers, and Minnie, I could also see...he just wasn't there anymore."

"So you're mad, but sad."

"Can I be that for a while?"

And it's completely understandable that she's hurting and struggling with how she feels about AJ moving forward! She wants to be okay, she wants to forgive him, she just needs time.

Now, because I'm forever bitter, but I'm gonna mention this as well: whenever I see someone point at Violet's scene and say, "See!? This is how LOUIS should've acted in ep2!" like... they're telling on themselves again. Not just that they don't understand Louis as a character or his route, but that they don't fully grasp Violet's part in this either. Or time frames, for that matter.

Let me put it to you in simple terms... they react the same.

After Marlon and Tenn die, they're upset. They're pissed. They blame AJ and yell at him. After they've had time to process what happened [Louis after the two week time skip, Violet after time passes between the bridge and the ending] they share the same, "I'm still upset about Marlon/Tenn. Can I be that for a while and still be your friend?" sentiment.

The difference is that Louis is treated poorly for it because of the vote, and because we feel it first hand for longer... Violet got to grieve off screen and come back after she's sorted herself out.

It's a disservice to both of their characters because it's rooted in that same mentality that I criticized at the beginning: "This is why one is better than the other."

Do I need to say it again? I'm gonna say it again.

One is not good and the other bad. They're different.

There are so many fun discussions that could come from putting Louis and Violet side by side, and examining them. I haven't even covered the different ways they're introduced, or compared their ep3 dates to see what it says about them and the overall narratives! What about the cell scenes!? How they react when Dorian's about the cut off their fingers! The way they approach James upon meeting him!

That last one in particular is especially funny! They're all under stress about blending in with a herd of walkers to infiltrate a boat to save their friends, and yet Louis easily saunters up to the guy wearing walker skins with a smile, and makes him laugh by saying, "Functional and fashionable. I'll take two."

Violet approaches James like he's an injured wild animal that's going to bite her, and bless her heart, she tries with, "I, uh… hey. Hey there, James. Sorry about Willy." Then James gives her this judgmental side-eye, like buddy? She's not the weirdo here.

There is so much potential to dissect here, and I want to see people do it... but I want them to do it fairly, in good faith.

I want to get away from the idea of comparing them to "prove" which is better because there is no objective better. There isn't! That's a waste of time!

I'm so done with The Debate™; it's unhelpful, it's annoying, and it's boring as shit. I've heard it all before, and you probably have, too.

I want to put Louis and Violet under a microscope and study them with the thought process of, "one does this and the other does that... what does it mean!? what does it say about the narrative!? Oh my god, they have the same opinion on this thing, WRITE THAT DOWN!"

So yeah, that's my ramble for the night.

I'm gonna go replay TFS for further research.

[gomzdrawfr]

OC doodle with the 141 - tw: alcohol, small mention of death

Honest Feelings

[kacievvbbbb]

Ty Lee becoming a kyoshi warrior made no sense to me. If anything it feels like a regression. Don't get me wrong I think she'd fit in well with them and I love suki/ty lee but realistically at the start of the season we hear Ty Lee proclaim that her trauma of growing up with six identical sisters is what drove her to the circus and it was kind of dismissed. and then we never really get any closure on this the time we see her she betrays Azula and is imprisoned and then after that the last time we see her she is part of the group in full garb after befriending them off screen.

she joined the one group where a huge recruitment is looking like everyone else. Why?

And the thing is this totally could have worked her coming to terms with her identity even tho she looks like everyone else she is still Ty Lee and she has a lot to contribute by simply being her (and also like how she taught them chi blocking) and so the idea of becoming another "faceless" girl doesn't scare her as much because she knows that to the people that matter they know who she is.

But like the way its done just feels like they needed a nice little fun way to wrap up ty lee's story but it also makes it feel like Ty Lee is incapable of standing on her own, if its not the circus its azula and mai if not them the kyoshi warriors. She's never just on her own being Ty lee she is always playing fidde to some group.

I think it would have been better if the ending had ty lee instead of having already joined the kyoshi warriors had instead been separated from mai and anyone she knew in prison and had had to for the first time get by on her own merits as a person not what she could do for other people. (a bit like what Suki does in Suki alone) and then a little moment between her and Suki where they reconcile Ty Lee tells her how she wants to help rebuild the word after the devastation of the fire nation and Suki's like "it's not exactly rebuilding the word but maybe you can teach me and my girls that chi blocking you do, it's impressive." and Ty lee could smile and agree. Not exactly an invitation to join but a way for her to carve out her own niche and make a mark in a safe space. It could also tie into the chi blockers that we see in LoK of Ty lee decides she likes teaching and decides to teach more non-benders how to protect themselves since the Kyoshi Warriors is pretty sacred and has traditions that not everybody can adhere too.

I just think making her a kyoshi warrior came out of nowhere and not that ut couldn't work at all but it would have needed more time to breathe. I would say have Suki introduce the fact that the kyoshi warriors are going to stay as Zuko's security detail for a while and Ty Lee's knowledge of the palace and Chi blocking skills would be an amazing hep to them so she starts of working with them and maybe int he comiucs we can see that she joined them (but I doubt they had decided this little plot line when the series actually ended)

[idkplzhalp]

Miss Pauling and GLaDOS have the same genre of sapphic situationship but in reverse. Like Pauling with Admin and GLaDOS with Chell. Employee chasing boss vs boss chasing employee (???) (Lower ranked person chasing person in power vs person in power chasing person who opposes them). Okay Valve... I see you..

I keep ChellDOS/AdminPauling one-sided therefore I think the two gays in despair should simply Get Over it and kiss with each other instead. When you think about it, Pauling and GLaDOS/Caroline are very close to the romantic types of the other one. Pauling mimics Chell (athletic, determined, independent, doesnt conform to those they dislike) and GLaDOS mimics Admin (older, has big plans that matter to nothing else, putting up this aggressive or condescending personality to manipulate or defend) -though these are basic similarities, not necessarily why one would like the other. Oh also the designs are vaguely similar? Almost??? like Chell and Pauling I've seen drawn similarly while Caroline and pre-australium Admin are exactly the same but Admin got more flare.

they need to SAVE EACHOTHER😭😭 Like outside of their situations I think they'd be nice to each other, especially having similar-ish interests or at least neither gaf when people die on the job (as they caused it). They'd be normal together and the good endings to their toxic yuri. Or whatever.

[virsancte]

trouble in.. paradise?

you may not want to be here my friend.

[valzhangism]

i know i said i was happy about how mel's story went, but the more i think about it the less i'm sure about that. this is very much connected to how the themes of classism and wealth disappeared in s2, but mel in the beginning was the epitome of piltover. she wanted to advance piltover to prove herself to her mother. to "put piltover—" and by extension herself, "—on the map."

she wanted wealth just to have it. and i'm not blaming her for anything that happened, especially with hextech! she, just like jayce and viktor, could not have known what it would lead to. i mean yeah heimerdinger said so but who the hell listens to heimerdinger? but anyway i think mel changed throughout s1, much in thanks to jayce. by the end she's become more cognisant of the mistreatment of zaunites. she's the first to vote for their peace. she was a good person all along but now she knows how to act on it. it's also seen more in s2 act 1. when she covers her painting with gold, it's symbolic—she won't act according to what her mother might think. she won't let her desire for approval dictate her anymore.

so somehow i wish those themes were. continued, somehow? like again they were dropped not just with mel but the whole show and it makes her story a off to me. there's no meaningful commentary on war or classism or how her ideology stands opposite to her mother's. like some people have said, it feels like she doesn't have much agency, even if she is really cool. and that to me is a shame because agency felt like her thing. "to shape your own destiny" as she says to jayce in s1. i know her collaborating with the black rose (but not fully joining them) and learning magic is supposed to represent becoming independent from her mother, taking her own path, but some other aspects of her character were thrown away... the more i think about it the more i'm thinking they kind of #girlboss-ed her a little bit. maybe to sell another champion. i can't help but feel like even though i enjoyed seeing her on screen, the payoff didn't feel proportionally satisfying compared to her setup in s1.

[front-facing-pokemon]

[corpocyborg]

(so... uh... how far into dai do you have to get before it starts being good?)

[rmbunnie]

I am alone on this barren earth (Jason Todd liker and Mia Dearden liker who honestly thinks issues 69-72 of the 2001 Green Arrow run are fun and good and would really like to talk about them beyond "Jason Todd was ooc and irredeemable there because he was trauma-dumping on Mia but also everything he said was fake and made up and he was manipulating her to become his sidekick and he blew up her school in retaliation because she didn't so really we should ignore the whole comic as bad writing /or agree he should just be read as an sadistic sidekick killer" (None of which is true and over half of which is directly stated to be false in the comic's text) but all people ever have to say about the comic is weird wrong takes about the three pages in which the gym fight happens ripped out of the very interesting and fun surrounding context)

[genjyoandgojyoandhakkai]

So anyway here's my Rookanis baby that I'm working on right now and it might be ugly but I don't want to hear about it if you hate it (and please tell me if you actually like it)

**

Lucanis sighed, staring into the fire. His first night in the Lighthouse, and he already felt overwhelmed by everyone discussing his condition. A lifetime of constant choices and conversations just like this one stretched out in front of him, marching awkwardly into his future, along with the unwanted attention it brought.

Mierda. He sniffed. It wasn’t like he was sick or something. “Es un jodido demonio,” he snarled into the quiet of the kitchen. His voice echoed off the pots and pans hanging nearby.

Yes, a demon, came the mocking reply in his mind. Lucanis’ demon. WE MADE A DEAL. Blood and death and vengeance we are owed, and Rook will help us.

“You are not mine,” Lucanis corrected. “We are just stuck together until I complete our deal, then I will find a way to be rid of you.”

Sarcastic laughter seemed to come from the shadowed wolf statues bracketing the fireplace. The silence stretched out, his mind filling in the things that Spite didn’t even need to say at this point. After a year together, there were times when Lucanis’ inner voice was even more derisive and spiteful than Spite, and the demon sipped at the sweet nectar of his negative thoughts without the need to goad him.

~~~~~~

Rook stared into the murky darkness of the aquarium. The meditation chamber was peaceful to her; the fish (or whatever they were) swirling in random patterns, the sound of the water endlessly murmuring, the low light of the chamber easier on her eyes than candlelight. Her elven lamp turned idly next to the window, and lazily cast deeper blue glints on her rogue’s kit placed opposite.

She sighed. Lucanis would probably hate this room. After the awe-inspiring and terrifying Ossuary, she understood how lack of natural light and the susurrus of water would weigh on his already heavy mind.

Why did it matter so much, suddenly?

The moment she laid eyes on him, she felt it - the beginnings of a connection, a thread of possibility that sizzled along her nerves. He was so graceful, so strong, so fierce and well-groomed. The smoke and purple wings, his air of quiet competence, even the ridiculous crow-skull buttons on his overly fussy shirt sang of a man whose life had dark purpose. It was so far from the freewheeling life of a Lord of Fortune it was almost laughable.

Sure, she had discipline, and a goal in her life even before this...veil guarding business started, but gold and glory only sometimes brought death. Lucanis’ life as an assassin guaranteed he ended every story he started. Perhaps she was reading him wrong, but his eyes hinted at shadows her curiosity longed to explore.

[ancha-aus]

Gifted Drabble - NewAgeAU - Understanding

Hey @spotaus !! As promised :3 I got a little something for you!

Your drabble got me thinking and made me consider something. (also i am so sorry if i got the ages wrong. I really tried)

As always. Feel free to use whatever you want from it or just ignore what doesn't fit <3 I am just having fun and it is meant as a gift for you <3 (also to motivate you to keep writing more about it!)

*------------------------*

Nightmare gets off his horse as he stares at the castle.

Well. His castle now.

He is still not quite used to that. Refering to it with his castle instead of his mother's.

Even after almost 12 months. He still doesn't expect to see himself in the mirror. or maybe the problem is that he expects his old self. The young teen.

The weakling. The failure.

No focus.

He isn't that anymore. He now has the magic. He is the new powerful leader of his land. And he will make this work. Even if he still has no idea what he is doing.

No. He needs to get back and make sure no one tried to rebel against him. That no one tried to hurt Ccino while he was gone.

Nightmare gets off the horse and someone rushes over to take the horse. Nightmare stares at this person and figures out quickly it is the stablehand who has been taking care of the horses.

Nightmare looks over his shoulder and motions the new people to follow him. The set of brothers, the dog monster. and Killer.

Nightmare walks into the castle as he speaks "Some of the other servants will take you to your chambers to rest and clean up. Tomorrow the three of you will join some of my other staff to see what is needed and where you fit. Killer. You will-"

"My liege."

Nightmare blinks and looks over.

Ccino has appeared out of one of the servant secret passages and walks straight towards him. Nightmare can see, and feel, when Ccino takes in the new people and just who they are.

Ccino's face turns a bit harder and Nightmare can feel the annoyance and frustration in the air "My liege!" Ccino smiles brightly as he speaks "Have you eben succesfull in finding a possible knight?"

Killer chuckles behind him and mutters "someone is in trouble~"

Nightmare knows Killer is being sarcastic. But if only Killer knew how right he was.

Nightmare however could never be worried or afraid off Ccino. For him? Maybe. But never because of him. He gives a tiny nod. The only amount of respect their places and ranks allow them when others are near "Ccino." He waves into the direction of the new arrivals "These people will join my workers." He looks at the four new arrivals "This. Is Ccino. He is head of the house." a title that will never pass away from him. Not as long as Nightmare is in charge.

Ccino nods "Pleasure." he looks back at Nightmare "My liege. If you have the time. There is a matter we need to discuss."

Oh yeah. Nightmare is very much in trouble.

Nightmare's voice is still calm as he speaks "Very well. I will meet you in my study after i made sure they go to their chambers."

Ccino feels unamused but he nods with a bow before he leaves the hall with a quick turn.

Nightmare turns back to his new... servants? He never quite liked that word but it works. He turns to his servants and feel his tentacles slowly rise from their position on the ground. They slowly start to idle again as he makes sure the new people learn where their rooms are and where to get food.

He brings Killer to a room more seperate from the others. Beyond the guard positions. Just because Nightmare wants to give him a chance and the fact he doesn't fear him is refreshing doesn't make Nightmare forget how dangerous Killer is.

Fuck this was a mistake.

What if Killer hurts people here?

What if he hurts Ccino?

Killer looks around his room before lounging on the bed "So what is the deal with the other skeleton?" he grins and wiggles his eye brows "Little secret going on there?"

Ngihtmare needs a moment as he wonders what Killer could mean. Then it sinks in and Nightmare feels his tentacles all spasm as he shudders "No." the answer is final and harsh. Killer actually looks surprised.

Nightmare holds his sight and speaks slowly "I will only repeat this once and remember this well. I don't like having to repeat myself." he holds Killer's gaze "Ccino is head of the house. He will remain head of the house. Nothing anyone can say or do will change this." he holds his gaze before straightening himself again as he moves towards the door "Tomorrow we will start training."

Kilelr sputters "We?!"

Nightmare stops and shoots him a look "Obviously. How am I to keep track of your skills and promise if i don't oversee the training myself?" and he leaves the room.

He hurries back through th castle towards his study. Sinking in and out of shadows as his mind, body and soul all know where he wishes to go.

He stops by his study and enters it.

Ccino is already in there. Studying the old masks in the special glass casing.

Nightmare closes the door and Ccino turns to him with a glare "What were you thinking?"

Nightmare gets taken back to a year or two prior. When he was still small. When he had cut himself to practise for the ritual. He hadn't been able to sleep and had been nervous about the apple ritual already. He had wanted to practise his part. to perform a blood oath to promise loyalty until death to his twin.

Ccino had caught him with a knife out.

Nightmare blinks back into the here and now as Ccino looks at him expecting with his arms crossed.

Nightmare blinks as he looks to the side for a moment. How is it that even wiht him being taller than Ccino he still feels small compared to him? "They were innocent."

Ccino looks unimpressed as he crosses his arms "Now with less lies."

Nightmare blinks and shoot his traitorous tendrils a look. No doubt they did something to give his little slight lie away. Ccino jsut raises a brow as he taps his foot.

Nightmare speaks again "Most of them were innocent. I didnt want them to get hang for something they did not do."

Ccino hums as he waits "And the murderer?"

Nightmare looks at Ccino "how did you know?"

Ccino sighs but has a small smile on his face. an old fond feeling as ccino looks at him and the tiny part of nightmare that had been stressed relaxes. Ccino just keeps looking slightly amused "There is a reason i told you to get out more. you only hear so many things from people in the castle nightmare. You need to go out to hear everything from everyone. I know who he is because i go to the market sometimes."

nightmare gives aslow nod as he looks away. So Ccino knows that nightmare brought a serial killer home. great.

Ccino sighs and sits on the couch for visitors and Nightmare joins him instead of sitting in his own chair.

Ccino looks at him "Just... tell me what happened. Why did you decide this?"

Ngihtmare looks at his hands. again slightly shocked to see the goop. It never stains anything yet it feels like a reminder. It is dirty. it isn't the holy light the powers promised. it is weird and looks diseased which is fitting for him. someone who betrayed everyone. who betrayed his twin. He may have gone it to protect dream. But even dream doesn't see this.

Where does that leave him?

Ccino's hand rubs his cheek and Nightmare shakes himself out of it. Ccino looks so worried as he rubs his skull "Hey... it is okay... i am not mad at you. I am worried about you. I am sorry if it seemed like i was mad."

Nightmare knows ccino isn't mad at him. Not like that at least. Nightmare can feel that. But he likes that ccino still tells him as much too.

Nightmare sighs as he leans into the gentle hold and touch. Ccino had always been one of the few to hold him. As his and Dream's babysitter it had been his job. But Ccino had always truly cared about them both. The moment that Nightmare could feel emotions he had been shocked by that.

That Ccino held no hatred for him. Not even a little bit. He enver blamed either Nightmare or Dream for his situation.

Nightmare speaks softly "The... kngihts you picked out. they were amazing. They showed much promise and would have made fine warriors."

Ccino hums as he keeps rubbing his skull "But?"

Nightmare sighs "They hated me. Even if with time they would eventually grow loyal and accept their place. They would forever hold resentment towards me for making them come."

Ccino hums and nods "I get it. It were only options Ngihtmare. there will be more people who fit the job."

Nightmare feels another part of him relax. knowing that Ccino still understands him "Killer wasn't afraid."

Ccino hums questioning.

Nightmare speaks slowly "He wasn't afraid. Not of me. Not of his situation. He stood up when near me. He didn't cower and he didn't hide." he sighs as he leans into the hug. He shouldn't need these anymore. He is an adult now and not that awkward young teen anymore. Nightmare shouldn't still count this much on the other "He saw me and didn't hate me. He knew who i was and didn't hate me. It was... new."

Ccino still feels unsure but he holds him still "And that gave you hope? That maybe if soemone didn't start with that hatred they could maybe become truly loyal?"

Ngihtmare shrugs. He isn't quite sure. he didn't think that far ahead. He just didn't want to lose another person who didn't hate him.

Ccino sighs as he keeps rubbing his skull and the back of his neck "I won't say i trust him. Because i don't. And I worry about you. I am scared he will end up hurting you."

Nightmare rolls his eyes as he answers "I have yet to even lose a fight and i had almost no training." all because of his tentacles and his newfoudn power.

Ccino just holds him tighter "There are more ways someone can hurt you Nightmare."

Nightmare feels the fear of before return. THe idea that somoene would kill Ccino. "If... if him being here makes you feel unsafe i will return him to the guards."

Ccino laughs and shakes his skull "Ngihtmare I am fine. I am not scared for me."

Nightmare keeps holding him as he feels himself start to shake. fears he had been trying to ignore and push away return to the front of his mind "Waht if they realise just how important you are? What if they try to hurt you to hurt me? What if they kill you to hurt me? Ccino maybe it is better if you hide." hide... hide away... out of sight out of mind.

Ccino just rubs his neck "It is okay Nightmare. It is okay. They don't know. and even if they have an idea your reputation adn the past of this country will just make them think I am someone who will be used as sacrifice last. That i will be punished last or least."

Nightmare shakes as he keeps holding the one person who remained "What if they hurt you because of me?"

Ccino is so calm and sure "then it would be on them. Not you. You don't want others to hurt me. It wouldn't be your fualt Nightmare and I will never see it as your fault. It is okay."

Ngihtmare still feels unsure. He made it obviously clear to Killer that Ccino is improtant. Killer is smart and Nightmare has no idea what he could be planning.

Another thought enters his mind. Somethign he had found early on in his ruling.

A very very damning piece of paper. a slave contract.

Nightmare speaks softly "I am sorry you are stuck here..."

Ccino shrugs as he keeps rubbing his back "Not your fault."

Nightmare shakes as he holds him "I.... I can undo it... I can give you back your freedom..."

Ccino had been taken from his home. Sold to the castle with a very clear purpose. First to be a babysitter. and later... well... Drema had been planning to be all powerful and go from young teen to adult in just one ritual. There is a reason Ccino's age had been only 6 years older than them.

Ccino had been suposed to be Dream's from the very start.

Ccino hums "A nice thought. Not that i thought about that contract in a long time. It hardly matters nowadays. Not like I can just leave."

Nightmare feels his grip tighten and his tendrils curl around them. He doesn't want to let go of the one person who cared. The one person he could count on to help him. To give a single shit about Nightmare. But... but how long will it take before Ccino starts hating him? If Nightmare keeps him here?

Nightmare holds him close "I... I can get you a horse... I can give you gold..." He will just use some of the treasury. Ccino deserves it. "I can send some guards with you on your way. You could go wherever you want. Back to your family."

Ccino locks both his arms around his skull and hums softly. an old lullaby and Nightmare stops. The amount of memories almost hurt. It was always Ccino who held him on bad nights. Or when he was sad. Or when everyone pushed him aside again.

Ccino speaks sfotly "Nightmare. When I say i can't leave i don't mean i physically can't leave. It means i don't want to. I decided a while ago i want to stay here Nightmare."

Nightmare shakes but refuses to let go "What... what about your family?" Ccino's fmaily have to love him. Ccino is so amazing. There is no way he isn't missed dearly after he was stolen from them.

Ccino sighs sadly "Nightmare... They have been killed a long time ago. The day i was taken the guards made sure i knew there was nothing to return to. even if i ran." Ngihtmare feels himself freeze. why... why had he thought?

Ccino rubs his skull "It hurt a lot but i accepted a long time ago Nightmare. I accepted that you two were my family now... and well... now it is just you. and it is okay. I am okay with that. I will always support you Nightmare." he grins "You may be older now but i like to think i am still the older brother."

Nightmare feels aprt of himself break as he just sinks fully into Ccino's hold "please don't also leave me." it is weak. it is pathetic. He should be stronger than this. He should have been prepared for this.

Ccino just covers his skull wiht his body and holds him "I am not going anywhere Nightmare. I will be by your side. I swear on my soul."

Nightmare relaxes and lets himself enjoy the comfort he should not need this badly. He enjoys it and can't help but let his eyes slide around the room. His sight finds the masks and remembers.

The masks are the highest honour. only shared with those most special.

He thinks something catlike will fit his older brother.

[sherlock-is-ace]

.

[that-spider-fan-over-there]

BNHA 428: This chapter made me annoyed and yet it was still somewhat better than I expected?

Himichako. I like it, it's a good ship- not one I'm crazy about, but the vision is compelling. I mean, the loved girl on hard times who admires honesty but represses her feelings + hunger motifs, and the formerly wealthy and rejected girl who's honest to herself but masks her sadness from others + drinking motifs? Being so similar at their core from selfishness, bleeding love, admiration and imitation? Yeah, why not, sign me up, it looks fun.

(plus Ochako needed a subplot that would shy away from Izuku because oh boi her writing is messy-)

Then the ending annoucement happened and I immediately went "oh no" when I remembered that tidbit. But. Yesterday, I remembered this page from 424, which in hindsight makes sense:

Shoto moving forward and choosing to not dwell on his past anymore, because he wants to know the man he wants to become alongside his family of choice.

Spinner feeling so much grief for Tomura inside his room, his extra Quirks add up to it. Further gut points as it was all because of AFO, but the wrong person is getting the blame.

Ochako looking lost and dissatisfied, not really saying anything about Himiko's status; then her hidden injury which left a scar that'll never go away, nothing can change that.

And then, well, a sky with a chance to fight for a "bright future". Which is the most ambiguous you can get for anything, really, sequel or not.

(sidenote: is it me or the panel where she's touching her stab wound looks like a tangent line?)

Okay so, I went into the chapter, with Pikahlua's translations. It was A Chapter alright-

If it wasn't the antepenultimate chapter, the "filler" would've been welcomed. But I guess it means we should focus on the smaller details, I guess? Like that 1st year saying Izuku filled him with courage and Izuku immediately thinking of Spinner's pain? Yeah he hates himself and that people call him a hero, when he considers himself a murderer, and will never forgive himself for failing Tenko, therapy for him and everyone in Class 2-A please- yeah it was a fun detail. Also the throb of hiding your pain of "defeating" someone you wanted to save but in the end everything is miserable but everyone else is happy and you don't wanna be a bother. Fun.

Also I wasn't the one to point the out, but looking at the uniform (U.A. uniform blazer for boys + the tie with a dot for girls), the student who's a Izuku fan is probably trans/gnc, which I appreciate a lot :D (Damn Izuku attracts so many queer people I wonder if that's a sign- /hj)

Also, I guess Class A stating "[Bakugou], Midoriya and Todoroki were at the heart of it all" then focusing on Ochako is good foreshadowing on how her own battle wasn't fully recorded? It's like saying in the end her fight didn't matter, but the other ones went "well", so she's trying (and slowly failing) to keep her sadness at bay because, well, everyone's happy, so who cares? Another "throb".

I thought since the Todoroki family issues are out in the open, didn't they record the whole thing? Then I re-read it, they only saw the family stopping Touya from exploding. So they didn't see Shoto trying to talk to Touya, which means none of the LoV were humanized. Fuck's sake.

After that, I get focusing on the first years and civilians wanting to help and all, but it feels like a repeat of everything seconds before Jakku, so I assume it's a way for them to pretend things are normal? But not-quite-quoting Katsuki (<- which I will point out for my sake is very much alive and well and- oh boi LFtR will kill me) and Edgeshot here because it made me smile:

"Will you...go back to the way you were?" "I plan to attain something greater than what I was originally!"

So, yeah I suppose he'll be fine eventually. (Best J. really loving Edgeshot even as a worm, honestly, goals)

Again with Izuku remembering saying "[He'll] bring it all back" and apologizing for "not keeping his promise" and others telling him to not blame himself and they can reconstruct as many times as it takes. Again, gave me a little smile, but not for long-

Finally, Ochako pretending things are fine. Hello there, Sports Festival/Provisional License!Ochako I missed you- /hj (I miss the dorms era in general, actually.)

So... *sigh* Full disclosure: I wasn't looking forward to Himichako as we were getting 5/10 pages for the "conclusions" in the previous two, I thought Ochako would be off about Himiko being depressed about the League. But since she's MIA, red flags are now red herrings, and it's better than the dead outcome. If Ochako got another person dying in her arms that'd just break her character.

A blood transfusion takes hours, she couldn't been doing that for more than 20min, if it was gonna kill anyone it'd be Ochako. Either Himiko ran away or got arrested, and Ochako feels guilty because she doesn't know if she's dead or not. Not great, but until I see a corpse she ain't dead. Besides: Touya, Shoto, Edgeshot, Katsuki, Toshinori, Ochako herself, all physically hurt unlike her, and yet they live.

And then we have Izuku showing up. I'm upset he used OFA embers for this, but eh, it's Izuku, do I expect anything else?

Rolling with the assumption Himiko died (like our POV characters), Izuku would need to face his own failure in Ochako- Failed to save two people like she failed Himiko, but it'd be so. Empty. Ochako was true to herself, while Izuku gave nothing but "I want to save that crying kid" while fighting Tenko. The most they can do is bond with "failing" and "this isn't what we fought for". This is not really a moment where he can be a shoulder to cry on, it'd come across as hypocritical /neg.

The only way it could make sense it without being shallow on Mr. Control = Repress Your Heart's part (as he didn't open up to the two people who died in "his watch") is Ochako telling how Himiko loved yet seeing him repressing this part of his is idiotic? She likes people who are true to themselves, which Izuku hasn't been for ages, leading to him realizing something. I thought it'd be through a DvsK3 but. I'll take it, two chapters left, I just want his thoughts (and for them to talk but that can happen in the last one).

They only recorded Shoto stopping Touya from being a suicidal bomb, Ochako floating a bunch of Twice!Himiko clones and Izuku entering a coccon, popping out armless, getting them back, punching Tenko to death. The "I want to save [them]" wasn't registered, it makes sense they're (well, Izuku and Ochako mostly) weirded out about this, dissatisfied like most readers are (sidenote: why when it comes to the trio either Ochako or Shoto get sidelined? So much could tie their stories together and yet-)

It's still a tough pill. I'm not a villain stan, just wondering if those fights were for nothing- the humanity of Tenko and Himiko? Can't be proved for anyone else, since they weren't recorded.

And I don't know if anyone saw the same thing, but those "city lights" look like the bubbles from Ochako's awakening, maybe we'll get a Blackwhip or Entrance Exam callback? Maybe it's what the tagline meant by "hidden feelings", since she unlocked it to reach Himiko and doesn't think anyone would understand why. I hope it's just a nice visual though.

If Himiko is truly dead though... You know, I headcannoned the characters were telling the story through confessionals/recordings to register it to the world so they'd learn from that, but I guess the interviews Aizawa was talking about seemed more likely, which. Well it's something, but I thought it'd be everyone instead of just Class A. Idk. The idea the LoV didn't change anything, or that they did change things but don't get to see it, is bitter.

So uh. Yeah, those are my thoughts. I'm not sure how to feel about it, on one hand I want Izuku to finally open up but on the other, it feels like it'll be at Himiko and Ochako's expense by involving him in something that's theirs now. And there's a chance we'll get the "nothing is fine" from Ochako- god I'm fearing the discourse next week already :DDDD

... Man, and this is a bad timing to be in the fandom, considering the LFtR episode airs this Saturday (which will be yesterday by the time this post goes up and I'll be crying about that instead-), so uh. Yeah, this fandom will be emotionally devastated for two reasons XD

Okay, so I'll try ending this on a more optimistic note: I think Himiko is alive, and Ochako just doesn't know it, which is why we're getting 0 confirmation and a breakdown. Izuku's confrontation with her can make or break this plot, but as long as 1) we acknowledge the emotional, different stakes between the Himichako fight and Tenko vs. Izuku one and 2) it doesn't end in a confession (and let's be real, it won't), then we're probably good (sadly, if you disregard the LoV status). I still think it's an ass pull for the camera battery to go out though.

But no matter how this goes: C'mon, two chapters left now, this one was wasted on the first years, smh, let this sequel hopium be a reality I wanna know who's the 425 guy, not the poor first year who's gonna replace Shindo Yo in fanfics- /hj