#why did I spend so much time on the background for This particular comic and not any of my more wholesome ones gjkfld

[krysmcscience]

It’s finally done, guys – five whole pages of Narilamb AU comic AND MORE be upon you! (If you have trouble reading any of the text, view the full-size! These pages are huge!)

Yeesh, this took forever. <:)

There’s probably a ton of inconsistencies and anatomy/perspective wonkeries, but this was mostly just comic practice, so Oh Hekkin Well, Lol <:D

(Yes, I am aware the Gateway’s door isn’t present in the Afterlife, and the actual way in is just a pentagram portal. Yes, I put the door in there anyway because Artistic License, i.e. it felt more impactful for there to be a prison door of sorts to walk through to freedom, rather than just a bland boring portal on the ground. 😠)

anyway, i hate backgrounds so much lmao

Alternate ending and a buttload of bonus art under the cut, followed by goofy AU rambles and headcanon stuff:

I’m calling it the Revival AU. It’s not all that creative a title, and someone else has probably used it already, but I am too lazy to really care, LOL

Alternate ending page, which you will Definitely need to view the full-size for, Whoopsie Daisy:

The alternate ending was actually the first ending I finished things off with, because I had a brief badbrain moment where I forgot the emotional beat I initially wanted the comic to end on, and I tend to write comedy, anyway. I later remembered and drew out the proper ending, but I preserved and finished this one, too, because it still makes me giggle.

They had to go back for the followers off-screen in the AU’s real ending. And by ‘they’ I mean just the Lamb, because they weren’t about to ask three newly freed cats to go back into what used to be their prison. The Lamb DID spend some time watching Narinder and the bois enjoying the outdoors first, though:

In other news, here’s the Lamb and me making fun of my anatomy-drawing ‘skills’:

Meanwhile, if you’re wondering why the Lamb is just a-okay with how things went down vis a vis Their Murder, this bonus comic should answer at least some of your questions:

Ah, yes, also this is how they get engaged outside of the alternate ending. Forgot to mention that bit. XD (I already refuse to believe that Narinder is capable of flirting normally, so why would his initial marriage proposal be any better???)

Oh, and before any of them get a chance to actually head back to the cult grounds, there is one potential problem:

And by ‘problem’ I mean something Narinder intends to ignore for At Minimum a thousand years. Cuz he’s a petty bitch like that. :D

what do you mean i drew the lamb too tall compared to the background? clearly they’re standing on top of baal and aym lmao, why else would you think those two aren’t in this one??? (aym and baal got way too excited about finally being outside, you see, and their silly modes are nothing to sneeze at)

And, speaking of heading back to the cult grounds, I’m sure y’all would love to know how the Lamb’s followers felt about the brand new change in management:

It all went better than expected. <:D Tiny ramble now, feel free to skip down to the next comic.

Before you ask, no, the Lamb does not have any actual powers anymore, other than the immortality Narinder definitely grants them. The Red Crown just thinks it’s funny to suggest otherwise, and Narinder does nothing to discourage this. Also, the Lamb and Narinder aren’t actually married here yet, but, uh. Pretty safe to say that particular ritual directly follows the events of this comic. XD

Given how quickly he mellows out in canon, Narinder probably chills out a lot in this AU once he’s in charge of the cult, too, if only because 1.) He’s finally free, and 2.) He’s equally smitten with and distracted by the Lamb. He’s definitely in charge at least 95% of the time, though, because the Lamb never actually wanted to be a cult leader and, now that their time as a vessel is done, they just want to be a normal(ish) sheep who’s wholly devoted to their hot new divine husband.

Some followers do still have some valid concerns about these two being together, though, which I’m sure at least a few of you might share…

Unfortunately for any such concerns, the Lamb is a bonafide masochist in this AU. :D

They’re also 100% a sub, obviously

Anyone at all: Your relationship is problematic and potentially toxic

The Lamb: fuck yeah it is, it’s so hot~ OuO

Here’s just the last panel, made transparent for whatever nefarious purposes y’all might have for it:

Additional exchange Narinder and the Lamb have at some point, probably after the Lamb does a fatal whoopsie while out on a mission trip or in response to things getting a little too sadistic in the bedroom, ahaha:

Look, there is a very important distinction between life and death, and if you don’t understand that, then you’re probably not worthy of being the God of Death, anyway. (At least, according to Narinder, and ONLY Narinder.)

Last but not least, have these shittens:

~Such creative naming conventions I have utilized, lololol~ :D Anyway, there's a few deets on them in the rambles down below.

The rest is all ramble, so before I get to that, I’ll just say – likes and especially reblogs are very much appreciated!!! :D If you happen to really really REALLY like my stuff, meanwhile, I do have a link in my bio to my ko-fi page, where I’m accepting commissions and donations if you’re especially generous… ÓuÒ

Now, BE FREE IF YOU AIN’T DOWN FOR READING MY GOOFY RAMBLES

First ramble is re: Baal’s question of ‘Did it really work?’, since I didn’t feel like expanding on it in the comic proper, and it’s arguably pretty vague? He doesn’t ask because he doubts Narinder or his capabilities, exactly, but because neither Baal nor Aym have ever actually seen their god at full power before (he’s still technically not at full power here, either). It’s not expressly stated how soon the brothers were brought to Narinder after his imprisonment, but whether it was early on or after a length of time for Shamura to (somewhat) recover from his attack, he must have already been weakened, since I have no doubts that there was a huge battle that accompanied the Bishops working together to trap him. So, between that fight with all four of his siblings, sharing his power with a variety of vessels over time, and being chained immobile for a thousand years, he must have been severely weakened by the time he lent the Red Crown out to the Lamb, which would have only weakened him further.

I like to think this is how the Lamb is able to defeat him if they refuse to be sacrificed, despite how it took all four Bishops working together to subdue and chain Narinder in the first place.

All that aside, the three cats have been trapped in the Afterlife for so long that Baal also wanted verbal reassurance that they are all, indeed, actually able to leave it now – something that I headcanon isn’t possible without a significant amount of power (i.e. the Red Crown’s cooperation with its bearer/vessel).

(On a semi-related note, I don’t headcanon Aym and Baal as twins. I like sweetheart big bro Baal and snarky little goth bro Aym too much to have them be that close in age.)

Ah, teeny thing: If you noticed I switched up the art style for Narinder on the second page, that was intentional. It's sort of a visual indicator that there has been a Big Change for him - that being, how much power he has after sacrificing the Lamb. As for why I changed up his arms in the grass rollin' pic, I don't really subscribe to the notion that his arms are spooky bones because they're horrifically injured (beyond chain-chafing scars, that is), but rather just because he's the Bishop of Death, so he can change how normal-to-spooky they look at will. At some point I might doodle out how I imagine his appearance to range between least to most eldritch... 🤔

Next ramble, regarding Narinder’s feelings towards the Lamb...he was initially too focused on being freed from his imprisonment to form any real attachment to them. They were a tool for his use, first and foremost, but he did notice their intense devotion towards him. It was impossible not to notice, because the Lamb was always very happy to see him, even if it was because they died during a crusade (yet again). He wasn’t originally planning to revive them once he was freed, either, because he saw no real point to it – after all, they were already dead when they first met him, just as any other mortal would be when meeting him in the Afterlife, so death has very little real consequence in his eyes. But, once the chains were off, and it really sank in that he stood to lose the most devoted follower he’s ever had, he decided…why put their soul to rest for good or leave them stuck in the Afterlife when he could just as easily revive them again? And why not reward them for their hard work, anyway? Not only would it cost him nothing by comparison, but the future devotion that could come of it would surely make up for his (bare minimum) effort in reviving them.

He wasn’t expecting to get a full dose of that devotion and a smiling face so soon after killing them, though~ :3c (because the Lamb is a bonafide freak, and not-so-secretly into the fucked up power dynamics going on here, lol)

I should mention here that I am firmly of the belief that any non-god/vessel who crosses through the Gateway and into the Afterlife just straight up dies. So, Aym and Baal? Also straight up dead, from the second Shamura brought them through. Their souls were just never put to rest so that Narinder could have some company – if only according to Shamura. Narinder kept the two around mostly out of bewilderment, because honestly, who are these kittens, and what is Shamura’s game here, anyway??? They never even explained anything, they just tossed these kittens into the Afterlife and LEFT!!! At any rate, Aym and Baal being dead is how I explain why their souls apparently become lost in the void if they’re killed, along with the added complications required to revive the two because of it.

So, with those deets in mind, and given a bit of time, if Narinder hadn’t chosen to revive the Lamb, and also hadn’t chosen to put their soul to rest, they still would have woken up at some point, despite being as straight up dead as Aym and Baal. Who, don’t worry, were also properly revived while Narinder was waiting for the Lamb to wake up. Because I am also firmly of the belief that, first, the dead cannot leave the Afterlife without the use of a ritual/relic (and can't stay in the living world for long regardless), and second, dead followers’ devotion isn’t anywhere near as potent as that of the living, given how much more the living stand to lose.

Final ramble, regarding the Lamb’s feelings towards Narinder, and why they’re so devoted to him…

Well, you don’t spend most of your life on the run with your steadily-dwindling herd, trying to evade the ongoing genocide of your species, without becoming a little fucked up in the head. Maybe a lot fucked up in the head. Life is suffering, so might as well have fun with it, right? Maybe start finding death and pain to be kind of hilarious, even a little bit hot, once everyone you know and love is dead and gone, leaving you all alone? And maybe after that, there’s something comforting in how, despite the cold, cruel uncertainties of life, at least you can always count on the inevitability of death, patiently waiting for you until your very last breath? Who knows. Either way, as soon as the Lamb was killed, and they learned that the literal God of Death was offering them a second chance at life and vengeance via effective immortality, they were 100% ride-or-die-devoted all at once. Turns out death is kinder than life – go figure. (Of course, it helps that Narinder is 100% their type.)

They weren’t put off by Narinder’s thinly-veiled sadism or manipulations, either – they’re not too different in those regards, albeit opting for vastly different methods. It’s a very ‘two sides of the same coin’ sort of deal. In order to stay alive once they were made the last of their kind, the Lamb had no qualms with using others to their advantage, and that did not change once they were revived and expected to run a cult. They didn’t care for the position of authority, though – being a sheep and all, they’re much more of a follower than a leader, and thus greatly appreciated Narinder’s need for control. With how they had to keep on their toes for so long, the Lamb was also pretty good at reading people by the time they died, so they could recognize that a lot of Narinder’s posturing was just that – posturing. Dude’s 95% bluster and only 5% bite. He could obviously be vicious when he wanted or needed to (the Bishops' injuries were clear proof of that), but underneath his outer layer of cruelty was a generous layer of tsundere, and underneath all THAT was a soft squishy middle sibling velcro cat in desperate need of attention and affection.

(Which, for the record, he Did Not feel comfortable getting from Aym and Baal – Narinder still has no idea why the fuck Shamura sent them to him, beyond acting as keepers at best or trying to sabotage his attempts to escape at worst. Which, he thought HE sabotaged in turn, by guiding the kittens into being his devoted disciples instead. He thought he was very clever for it. ‘I outsmarted Shamura!’ he thought, despite that there was never anything there to outsmart. ‘What do you mean, Shamura sent your kittens to me for company?’ he demands of Forneus later. It may or may not lead him to pull Shamura out of Purgatory just so he can shake them and scream about how they should have Fucking Explained that!!!)

But, getting back on track as to why the Lamb was so willing to be sacrificed, I cannot stress this enough – if you pay even a minimal amount of attention to what he’s saying, Narinder is REALLY NOT SUBTLE about his intentions. ‘Death is of little consequence.’ ‘Followers are for you to use to your advantage.’ ‘Sacrifice a follower to absorb more power.’ So, yeah, the Lamb knew exactly what would be expected of them once the other Bishops were dead. They knew Narinder would expect them to die for him one last time. But, after all, death is of little consequence (not to mention hot), so when the time came, they wanted to see him freed, even if it meant oblivion for them in the end.

He’d given them a second life, and the ability to avenge their kin, and they felt indebted to him for that – so, while they were still pretty glum about the possibility that they might not get to see him free of his chains, nothing beyond their devotion and debt to him mattered. They never wanted all the drama and expectations that came with the Red Crown’s power, anyway, so, better for Narinder to have it back so that he could deal with it. What he did with the Lamb afterward would be up to him, and seeing as he was their god, they’d accept his decision gladly.

Were they in love with him by that point? Oh, obsessively so, but only in the devotional sense – romance was nowhere on their mind nor radar. That is, until he unexpectedly revived them again, told them he still needed them, and then offered down his hand to help them up.

The Lamb fell HARD for him in that moment. :3c

And now, a tiny shitten ramble. Lu and Li are twins, because sheep tend to have those a lot, and are conceived not long after the Lamb and Narinder’s marriage ceremony. Lu is the minutes older one, but Li is much more mature. I have put no further thought into these two, other than that they are utter menaces, birthed by the Lamb, cling hard to both their parents but especially Narinder (who spoils them rotten), and they are both genderfluid, using whichever pronouns/names they feel like at any given time. They are also both intersex, same as the Lamb, who was initially infertile up until Something Something Vague Magic, which I have also put no further thought into ¯\_(シ)_/¯

oh, and before anyone tries to suggest i headcanon this AU’s lamb as trending more female due to them giving birth or whatever, no, no, a thousand times no, they might have a vag, but they've also got a dick, and even if it's not as big as they'd like, they still know how to use it

Finally, the very tentative name for the Lamb in this AU is Yazdi, which is really just another name for the Baluchi breed of sheep XD (Not that the Lamb is this specific breed, I just didn’t like any of the other sheep-related names I found, ahaha...)

THAT’S ALL FOR NOW (collapses into an exhausted pile of goopy limbs)

[sineala]

Do you know of any Captain America comic where Cap thinks about or does go back to his original time, but then decides he doesn't belong there anymore and comes back (or decides not to go back at all idk)? Is that a thing, or did I make it up in my head? I figured you might know, but if you don't sorry to bug you!

You are thinking of a real comic! The comic you are probably thinking of Mark Waid's five-issue miniseries Captain America: Man Out of Time, which is a modern retelling of Steve's origin story. Man Out of Time is probably my favorite Cap comic, specifically because of the decision Steve makes.

So there's him getting frozen and found by the Avengers in Avengers #4, but the retelling also covers a few more of the issues after that. In particular, it goes up through Avengers #8, which is the first appearance of Kang the Conqueror. (Though, technically, of course, he says he's also a couple other villains who have already appeared. Kang's gonna Kang.)

What actually happens in Avengers #8 is a fairly standard supervillain fight -- the Avengers fight him, mostly get captured and taken to his spaceship, get rescued, then punch him some more. They destroy some of his weapons and reflect others, and then he gets in his spaceship and retreats, zooming away. So that's canon. Just so you know what canonically happens. Nothing that happens in Man Out of Time is technically 616 canon. But that doesn't mean it's not a good story.

So this isn't how it goes in Man Out of Time's version of Avengers #8. At all.

I was going to make this a much longer post with many more panels but the very very short summary of the miniseries is that this is a version of Steve's early days in the future focusing heavily on his alienation from modern society -- he spends almost all of Avengers #4 convinced he's dreaming and he's going to wake up any minute.

He must be dreaming. Why are the Dodgers in Los Angeles?

When he finally accepts that it's real, he immediately wants to find someone who will send him back so he can try to save Bucky.

Reed Richards has a time machine, so Steve does possess the capability to go back.

Tony takes Steve on a date to the Smithsonian (as well as a private Radiohead concert and apparently Steve likes Radiohead?) and tries to sell him one last time on the wonders of the future, like how we have space travel now and less sexism and less racism and way fewer vaccine-preventable diseases and God I liked this book so much better when I thought people would all want to be vaccinated against diseases that could kill them.

Anyway. Steve can't be convinced; he still wants to go back to the forties. Eventually the president has to tell him he can't go back because he knows too much about the future.

Steve's not happy.

I was going to say that Mark Waid did not have to go this hard but I think maybe he did.

So Steve has to stay and he's miserable and then he starts to hate a lot of things about the future that are still bad. He finds out human trafficking exists. He finds out the designated-hitter rule exists. These things are not really comparable but he's upset about both of them. He finds out about domestic terrorism. The Vietnam War. MLK's assassination. This wasn't what he thought he was fighting for.

(The events of Avengers #5-7 happen in the background.)

And that's when we get to Avengers #8 and Kang. Kang captures the team. And Kang sends Steve back in time. To 1945. To V-J Day. So this is after Bucky is gone, but still, this is Steve's home, right? He should be happy. And for a bit, he is. He's a returning soldier, just like all the other GIs. A hot dog costs a nickel, like it ought to.

And then things start to fall apart. He goes to a Dodgers game, the Brooklyn Dodgers, as they obviously ought to be. I don't know why so much of Steve's personal betrayal by the future and also the past is about baseball, but, yeah, it is. So he watches the game and he starts talking to the kid and his father sitting next to him and the kid's a big Dodgers fan, right? Loves baseball. So Steve asks him if he wants to play for the Dodgers when he grows up.

Relevant information: the kid's black.

(Other relevant information, if you're not a baseball fan: Jackie Robinson, the first black man to play in major-league baseball, started playing for the Dodgers in 1947. He was in the minor leagues in 1946. But this story is set in 1945.)

So naturally the father would like Steve to stop lying about how his son could ever play for the Dodgers because obviously integrated baseball is a fantasy.

Steve is starting to suspect that maybe the past isn't as great as he remembered.

(Incidentally, a nice development in actual baseball news a couple years ago is that Baseball Reference, the big baseball stats organization, finally integrated... their data. All of the Negro Leagues statistics are now listed as major league, so a lot of good players are finally getting the recognition they deserve.)

Anyway. Steve can't find most of the people he knew in the war but then runs into a GI he knew, who wants to talk to him about how great life is now. He's not feeling it.

He realizes it's because he left the Avengers. He couldn't save Bucky. But he can still save the Avengers from Kang. He needs to help them. That's where he needs to be.

Luckily, he has his identicard still on him! And he can leave them a message!

He tells Rick when and where he is, and Reed comes and picks him up in his time machine.

And then he and the Avengers kick Kang's ass.

The miniseries then ends with Steve going to the Grand Canyon, where Bucky said he always wanted to visit. So Steve draws Bucky. But Steve knows now that he can't live in the past. It's tempting, he says. But it's where fossils come from.

So he lies there. He goes through his CDs. He sets aside Bing Crosby. And he listens to Radiohead. Because he lives in the future now.

So, yeah.

I love this miniseries and it really shaped how I view Steve as a character and I love that he got the chance to make this decision and he made it and I really didn't like Avengers: Endgame.

(There is another universe where Steve faces a similar decision. This is probably not the issue you were thinking of, but Marvel Adventures Avengers #37 has a plot where the Invaders -- who seem to be some kind of combination of the Invaders and the All-Winners Squad, and also it's the 50s -- come to the present and offer Steve a chance to come back. Steve seems to be seriously considering it but before he can decide whether to use the doll that will send him back to the past, Wolverine destroys it because the future needs him here and Steve's like, yeah, you're probably right. So he's still in the future but... he didn't actually get to decide that.)

I hope Man Out of Time is the comic you're thinking of! If you like Steve at all, you should read it. It's the best.

[love-fireflysong]

God, so I've been playing the Assassin's Creed Rogue remaster recently (mostly cause I haven't played it since I beat to original back in like 2016 lol) and I keep getting constantly reminded that while this one and Black Flag are nowhere near my fav AC games, they certainly did shine in one particular aspect for me: the modern day conflict that constantly runs in the background.

I know it's such a controversial opinion, but honestly one of my fav parts of the series has always been the modern day war between the Templar and Assassin orders. Like I love it so much you have no idea. I always get so excited in the older games when you got shunted out of the animus and got to wander around and talk to your companions and read emails or found little voice files that hint towards all the other shit that's taking place while you have your little adventure in the past. I'm obsessed with it frankly. It's why I love the comics so much but have read so little of the novelizations: the latter spends absolutely no time delving into that clusterfuck. (The game novelizations that is, the novels based in the AC world are another thing entirely and I've enjoyed each of them immensely).

Like I need you to understand, I was fucking *devastated* when they removed it almost entirely from Unity and Syndicate, it was only the fact that I still got *some* hints from the databases and whatever video footage they showed that placated me. And yeah I know they made an extremely minor return in Origins, Odyssey, and Valhalla, but only being able to explore like two or three time with basically no new information honestly means that I wonder why they were even included sometimes. That coupled with the fact that they removed the database entries *entirely* was pretty much a kick in the teeth for me. Sure they have the discovery tours now but that's really not the same thing. The history nerd in me loved loved LOVED anytime I went somewhere new and I got that ping of a new entry to read.

But I digress.

And I get it. I really do. Some people absolutely *hated* the modern day story line while the select few like me adore every scrap of information we can get for it. Hell, fucking Ubisoft's even come out and said that it's literally impossible for them to please everyone. One side will complain about being outside of the animus for a even a single moment while my camp will complain about there not being nearly enough of it. There is legitimately no middle ground to reach for our two camps. And I get that. That's why they made the choice that they're starting to move all of the modern conflict to online so those of us who do love it can seek it out on our own time, while the other can ignore it entirely.

It just sucks for me that while the newer games have a much more polished gameplay and are admittedly funner to play, it's the older ones that have, in my opinion, the best overarching story lines and beats.

[keatulie]

learning with snufkin

[art]

Creator Spotlight: @min-play​

I’m Min! I’m an animator and storyboard  rti t who also posts comics and fan art online. So far, I have worked on the Rise of the Teenage Mutant Ninja Turtles and LEGO Monkie Kid. I run on AAA batteries.

Check out our interview with Min below!

How did you get your start in animation and storyboarding?

Fanart! My hyperfixations kept me drawing and posting online since I was around 16. Later I dropped my Computer Science degree to study animation. After graduating, I worked as an In-between Animator, Key Animator, and Storyboard Artist. My fanart of a couple funny skeletons played a big role in getting hired.

What do you wish you knew when you first started out creating content that you know now?

It’s ok to make mistakes. All the flaws in a drawing make it look much more interesting. Also, it’s a lot more fun than spending ages perfecting one line.

Have you ever had an art block? If so, how did you overcome it?

I always get 3 different flavors of art block (that I remember):

Art block from perfectionism

Sometimes there’s this self-enforced pressure that what you make has to be of a certain standard. Gotta loosen up and forgive yourself for not meeting an imaginary quality. Do it for the fun of it. Instead of thinking’ needs to be better,’ think ‘eh good enough lol.’ It’s cool to strive for improvement! Just don’t do it to the point it becomes self-deprecating.

Art block from burnout

Art hibernation! It’s ok to take breaks. Not every waking moment needs to be productive. Treat yourself to something yummy, hang out with people you’re comfortable with, or pick up a new anime series. Take the time to get some well-deserved rest.

Art block while drawing as a full-time job

WELL DANG.

Switch your ‘drive.’ If you’re running off on passion or interest as a motivator for work, that’s great! I do too! But also, it’s finicky. Set up routines for when that high runs out. I have a ‘Do task’ mode where I play a song or a movie I already watched on loop in the background (sometimes for weeks on end). I don’t know why but it helps me concentrate. Last week, it was the movie Cars.

These are personal methods and may not work for everyone, but I hope it helps!

What are 3 things you can’t live without as a creator?

Music + Noise-canceling headphones + Big blanket = Comfort force field

What is a medium that you have always been intrigued by but would never use yourself?

Does blacksmithing count as a medium? I’d like to try it out at least once, though.

How do you want to evolve as a creator?

To connect with other creators more. Especially writers. They are so powerful.

Warm tones or cool tones?

Cool tones! Especially this one particular blend of blue and green.

Who on Tumblr inspires you and why?

So maaaanyy. At the top of my head, though: @northpen​. I am obsessed with their vivid-imagery writing style, and immaculate characterizations. Their character banters always have me in a gigglefit. They have this fic I binged in one sitting and left me crying and empty in a good way.

Thank you for such amazing answers, Min! You can check out more of Min’s creations over at @min-play​!

[chichiraion]

Akko HCs 'cause why not...

I'm procastinating stuff I really shouldn't but y'all deal with me.

Anyways, some general Akko HCs, I also have a very very specific background for her so mind that.

Oh right, I'm also adding stuff from a previous post of mine.

This is long Af too. Seriously this is LONG.

(If anyone knows how to put this under a cut I would be forever grateful)

--------------------------

She was part of her school track club

While good at English she actually never was part of the English club at school, she however studied by herself and with her dad's help

She really likes baseball, her favourite team is the Saitama Seibu Lions.

She lives in the Chiba Prefecture. (This was confirmed apparently)

While she mostly likes pop music (Kpop, Jpop, English Pop, etc etc) she also has a nick for Rap and more Indie-like music.

She has undiagnosed Adhd, she was called quite the problematic child at school back in Japan.

She figedts a lot, she also has some toys to help her with that. (Like a chewing necklake, puffer ball and a fidget pen). Finnelan once confiscated them and Chariot had to step up so she could get them back, the other teachers don't mind it too much.

She is fan of rythm games and she's pretty good at her, while some of her faves are in the style of Dancerush Stardom she's also pretty good at playing Taiko and Pc Games like Muse Dash and Osu!.

She also prefers Sonic over Mario.

Likes Visual Novels too and can get very inmersed into them, just don't let her alone to play one that lasts 60+ hrs.

She likes dancing and sports, she would practice some in her free time. (Usually weekends) However is there's one particular thing she did spend the most time at was probably Parkour.

Loves anime and American comic books, specially superheroes as such one of her favourite anime/manga genres is the shounen.

She also likes magical girls for obvious reasons.

She adores animals, her black cat is actually called Jiji, like Kiki's cat. Can't have a dog because her apartment is small but she would love one.

She used to spend a lot of time with the neighborhood animals, she has a pretty good read on a lot of them.

She has an easyness when it comes to picking up languages.

Used to work at a convenience store for a part-time job, even tho her school didn't allowed it.

While not having many friends she had a couple of regular pals back in Japan and they're still in contact.

She likes vtubers too.

She has a bike and loves to ride it, it's prone to accidents.

When excited she tends to speak Japanglish (Japanese/English mixed)

Akko is decently versed when it comes to modern technology (ie daily life stuff like Pc, Phones, etc) she also has rgb cat headphones.

Likes to doodle on her notebooks, specially stuff related to animals and magic. She's pretty decent at it.

She's not really good at singing but that doesn't stop her from going to the karaoke.

She's very street-smart. She's goos at travelling too and has quite the spacial awareness.

Her favourite type of magic is metamorphosis, sound mimicking and illusion.

She can speak at double tempo if she gets excited enough (God save you is she starts rambling like that)

She has lots of scars from her endeavours, she's not really too careful even when hurt and others have to step in and make her slow down.

Regarding her scars she has lots of bandaids with different colours and designs she loves to use.

She doesn't look like it but she's quite strong, can easily carry any of the other girls around.

She really likes swimming too.

Her room is quite a mess but she always ends up cleaning it eventually.

She has a lot of shorts, t-shorts and jackets, when it's too cold she usually uses jeans, also her foot wear to-go are sneakers.

Tends to like colorful clothing.

Not really fond of makeup, she says it feels weird.

Has tried Ice Skating and Snowboarding, it hurt. She's good at gymnastics tho.

She really likes Ghibli and Disney movies, good lord does she know a good amount if not almost eveyr single song from the golden age...

She's a pretty decent cook, she would most of the time had to make herself some food.

Akko is very physical focused when it comes to affection.

She doesn't get sick usually, until she does and she gets to be bedridden with fever for like 2 or 3 days.

Akko knows some piano, while not the best she can actually give her friends a small show.

Akko can't handle milk very well, also don't give her alcohol, she can't digest it.

---------------

More... personal? Hcs and more specific fan-story of mine.

Personally I Hc her as Panromantic Ace but you do you.

While divorce is not as common in Japan as other countries Akko's parents are actually divorced.

She lives with her dad in Chiba Prefecture, her mom lives in Tokyo with a new family.

At the time of the divorce her mother wasn't really prepared to take care of Akko and as such her father got custody.

Akko's mother got her life back on track eventually and remarried, she has a son now.

Akko loves her stepbrother and they have a good relationship, they would spend time at eachothers house (Like summer)

They have roughly 5yrs of difference (Her lil' bro is around 10)

He's way calmer than Akko but also anxious, they help each other with it.

They share interests in manga/anime and games, as such they tend to go to the arcade to play games, they also like to go to the Karaoke.

She has a kind of a strained relationship with her mom, they love each other but they don't really know how to act around each other. They're awkward around each other but was worse when they first met again after ebing separated.

Akko's mom didn't re-enter her life until she was aroun 10yrs old, she left when Akko was about 4-5yrs old.

Akko's dad works a lot, he's usually not at home a lot of times.

He loves his daughter dearly and it's always there trying to cheer her on.

Convincing her mom to let her go to Luna Nova was a bit difficult as she wasn't sure what to think but eventually both parents signed all the necessary papers.

Akko's hair colour is closer to that of her dad while she gets her red eyes from her mom, her stepbro has a darker hair like her mom but has dark blue eyes like his dad, however both have facial features more closer to their mom that their respective fathers.

---------------------------------

Aaaand I think that's it for now lol

I did say it was long...

[jungkxook]

—demon-etized. (m)

⟶ pairing: namjoon x reader

⟶ analytics: youtuber!namjoon / ghost-hunters au / smut

⟶ words: 6,260

⟶ rating: 18+

⟶ warnings: idiot ghost hunter bts, ghosts making namjoon horny ig?, slight exhibitionism, fondling, fingering, standing sex, unprotected sex, creampie

⟶ description: in this episode of unsolved, namjoon and the boys risk their lives by spending overnight in an abandoned and supposedly haunted asylum in the hopes of finding some ghouls — but the boys are pretty certain the real reason for the spooky moaning isn’t allowed to go on youtube. ***warning: very scary!!!***

⟶ pinned comment: this is part of the not clickbait series!

“Well, this has been fun. Let’s go home now.”

You were starting to think this was a very stupid idea ━ but stupid would be an understatement. The looming asylum standing before you with nothing but the darkened midnight sky in the foreground acts as a foreboding omen that you’ve seen one too many times in pretty much any horror movie. The creepy abandoned estate offering itself up as a seemingly perfect and totally innocent means of adventure for a group of friends only to end in murder or a demon possession should have been enough to scare you all away. Fortunately, you’re not the only somewhat sane person (and you say that very loosely because you did, after all, agree to come with the boys), because you’re both startled yet thoroughly relieved to hear the worried statement coming from a very tense-looking Jimin.

It really was a stupid idea. Spending overnight (which, really, just translates to a few hours and a clickbait-y title for the video) in a supposedly haunted and derelict asylum from the early 1900s offered all sorts of problems that weren’t just supernatural. Squatters, creepy cult members, and risking getting whatever sorts of diseases are riddling the walls of the ancient dwelling were starting to get to you. But it was Namjoon’s idea to come here for his next video upload especially when considering the fact that for the entire month of October he and his group of YouTuber friends host a fan favourite ghost-hunting series titled Unsolved ━ and, whatever Namjoon usually suggests, the boys usually tag along with, no matter how daring or how stupid it may be.

“We literally just got here,” Hoseok retorts as he hops out of one of the two cars you and your friends had shared on the way here. It was a three hour drive from the city with the estate being much larger than you expected it to be, four main buildings sprawling out amongst empty fields. At least the stories of its creepy atmosphere are all the same. Was it the cool autumn breeze sending chills down your spine or something else entirely? The moment you stepped foot out of the car and gazed upon the asylum, it was almost as if you could feel something watching you. But that was definitely just you imagining things. “Don’t be a pussy, Jimin. What’s the worst a ghost is gonna do to you? Rattle some chains? Ooooh, spooky.”

“Okay, first of all,” Jimin rounds on the older boy almost immediately, “vaginas are the strongest muscles in female anatomy, so I’m not being a pussy. Let’s get it right, okay? I’m being a little bitch, and I embrace it. Second of all, if a ghost does rattle some chains near me, I will definitely be booking it back to the car and leaving all of you stranded here.”

From beside you, Yoongi snorts amusedly. He’s the resident non-believer amongst your group of friends so you always wonder why he even bothers to come to these things. He says it’s to help filming, but you think he’s banking on maybe one day seeing a ghost even despite all that charade of hostility. Even now, he’s already filming for the vlog, getting shots of the building but also mostly just Jimin and Hoseok’s banter in the background. “If a ghost does anything tonight, I’ll be genuinely surprised.”

“Something is going to happen tonight. I can feel it,” Jungkook says confidently. He’d been huddled over the opened side door of one of the cars with Namjoon and Jin, sifting through their high-tech equipment that you’re certain they just bought off of Amazon or something. “This place is one of the most haunted places near us. Have you even heard the stories? Apparently there are two most popular ghost sightings. One is some girl━”

“Is she hot?” Taehyung asks.

“She’s dead,” Jungkook deadpans. “Also, pretty sure she was eleven when she died from tuberculosis. Anyway, she’s more of a benevolent ghost. They say you can hear her laughing sometimes. There’s a lot of activity in one of the kids’ rooms. And the other sighting is less friendly. They just call it a shadow man because it’s hard to see its face, but you can always see an outline of a person walking by in one of their treatment buildings. There’s even been physical attacks, with one person saying they got scratched by an invisible force.”

Jimin visibly winces. “Sounds very much like a demon than a ghost to me.”

“Sick!” Hoseok exclaims. You’re worried to find that the group’s morale (aside from yours and Jimin’s) isn’t any less vivacious than when Jungkook started his story. “This is gonna be awesome.”

But you can’t help but to roll your eyes, your feigned boredom really just a weak attempt at hiding your own fright. “Oh, shut up. That’s such bullshit.”

“Is it?” Jungkook quirks a brow, challenging you.  

“Well, whatever happens, we’re gonna catch it.” This confident statement comes from Namjoon. After he hands out the pieces of tech to the rest of his friends, he glances upward at the asylum with a mischievous twinkle in his eyes. “Come on. Let’s find us some ghosties.”

As the group begins to follow Namjoon towards the nearest building, Taehyung can be heard wolfishly quipping aloud, “Time to rock and roll, ghoul boys! And, er, girl.”

“Don’t call us that,” Yoongi grumbles.

It’s comforting to hear the rest of the group erupt into fits of entertained laughter, but any banter is quick to subside as you walk up to the building. You’re relieved when Jimin decides to hang back with you and doesn’t seem to protest when you start to cling to his arm as you’re all ushered through the main entrance of the building and into utter darkness only broken apart by the dim glow of your flashlights. If you weren’t already so frightened, maybe some of it would be comical, like the way the front doors creak open so very slowly in suspense.

Under Jimin’s breath, you can hear him mumbling in chagrin, “We should have gotten holy water.”

As your eyes adjust to the darkness within, you’re able to make out that the inside is just as horrifying as it was on the outside. Dust and debris hang heavy in the air and on the ground, and almost every inch of any surface within the building is covered in graffiti works of art. 

“Oh, fuck that,” Jin scoffs. “We only just stepped foot into here and this place is already giving me goosebumps.”

“Aw, sweet, bro! Check this out!” Hoseok says abruptly, startling almost all of you. He’s standing a bit further off down one hall, beckoning the rest of the group to follow. As you approach him, you can make out what sort of graffiti marking on the ground has suddenly grabbed his attention. “Who wants to lay on the pentagram with me?”

“No one,” You retort.

“I will!” Jungkook says at once, much to your dismay.

Yoongi lets out an audible strained sigh. “If any of you fucks get possessed and kill me, I’m never gonna forgive any of you. Just letting you know ahead of time.”

“Yeah, what are you gonna do?” Hoseok asks. “Come back and haunt us?”

“No, I’ll be dead. Ghosts aren’t real,” Yoongi says. “But I will still be very angry.”

“Noted.”

Before Jungkook or Hoseok can haggle Yoongi into filming them laying on the pentagram drawing and potentially offering their souls up to whatever demon lays waiting beneath it for their souls, the group is moving on. You explore the first bottom half of the building together in a tense silence before making your way up the dilapidated stairs to one of the treatment rooms that Jungkook makes certain to point out is where the infamous shadow figure is often seen. Taehyung decides to suggest, “Should we try the spirit box?”

You almost groan aloud. You fucking hate that thing, for obvious reasons. 

Whether or not you believe in it, the loud gurgling noise is always unsettling and you’re already on edge. Still, you sit back with Jimin as the rest of the boys nod in agreement and fiddle with the piece of tech until it’s been turned on. You’re immediately met with a cacophony of crackling radio static so deafening that your instinctual reaction is to cover your ears. You refrain miraculously, but you still cower in one corner with Jimin as the boys listen intently to the noise.

“Is anyone here?” Namjoon calls out to no one in particular. “If you are, can you give us a sign? Move a chair or say something or push Yoongi━”

“What the━?” Yoongi gawks. “Why me?”

“‘Cause you said you don’t believe in them.”

Yoongi clamps his mouth shut, and nods in a way that admits Namjoon has a point. At that moment, there’s a pique in the static, a jumble of inaudible words that almost sounds humanlike.

“What was that?” Hoseok asks. “Sounded like… It almost sounded like it said ‘leave.’”

“Leave?” Jimin squeaks. “Think we should take that as a sign, guys.”

“Nah, I definitely heard Steve, not leave,” Yoongi says.

Jungkook frowns. “Who the hell is Steve?”

“Maybe that’s his name,” Yoongi suggests nonchalantly. “Be nice.”

After a handful of minutes of even more strained silence, the boys are only able to discern certain words that you’re positive don’t have anything to do with the asylum or ghosts. At long last, they shut the machine off and the room is once more plunged into a formidable silence so dense that you almost miss the spirit box. But almost as soon as the piece of tech has been silenced, does Jimin cry out in pure anguish. “What the fuck was that?”

The boys instantly round on their startled friend who is now cowering behind you. The colour has all but drained from his face, eyes wide in a frenzied panic.

“What’s wrong?” Namjoon asks.

Jimin looks hysterical as he shoves a pointed finger in the direction of the wall opposite the room in the corridor. “I swear on my life I just saw something move out of the corner of my eye over there. Like a-a person o-or something. Looked like a shadow. I don’t know! I thought it was one of you guys━”

“Stop it, Jimin.” Your voice treads on apprehension as you look over at the alarmed boy. “You’re scaring me.”

“Yeah, ease up, Jimin,” Namjoon says, though he seems more entertained than anything. “I’d prefer if you didn’t throw my girlfriend headfirst towards a demon or ghost or whatever it is you saw.”

“Joon.” His name rolls off your tongue in a scolding moan as you rub wearily at your eyes. His words do little to help console you, and you’re certain it fairs even worse for poor Jimin.

“I’m sorry. I just━” Jimin pulls you tighter in front of him. “I swear I saw something. Holy shit.”

Jungkook’s the first one outside the room, his own camera in his hands as he goes to investigate. As the rest of the boys file outside in the corridor, you drag Jimin along with you, favouring not to be alone in any part of the building. You can hardly see anything, let alone a shadow. 

Jungkook turns back around at long last, a devious grin on his face as he finds Jimin’s wandering crazed stare. “Maybe it was the shadow man. Told you he exists.”

“I don’t care what it was. My heart almost fell out of my ass,” Jimin gasps. He clutches at his chest over his heart, for added emphasis. “Let’s get out of here.”

You aren’t quite sure if the boys believe him, but you do notice how quick they are to move on from the room and corridor. A palpable tension hangs heavy in the air that makes you realize perhaps the boys are starting to lose their cool under pressure. 

As you reconvene below on the main floor of the building, Namjoon pipes up. “Let’s split up. See if we can find anything on our own.”

“Okay, Scooby Doo,” Jin snorts. “You do know that this is how every horror movie begins, right? There’s power in numbers.”

“Yeah. Which is what we’ll all be saying when this video reaches trending on YouTube with a million views,” Namjoon says, matter-of-fact. “Which we can only do if we get some interesting content. So, let’s split up into pairs of two. We’ll meet back here in an hour.”

“We could just fake it,” Jimin suggests desperately. “Like every big YouTuber does. The magic of editing, guys.” But no one seems to be listening anymore as the group begins to splinter off. Yoongi and Jungkook decide to venture back upstairs in pursuit of the elusive and supposed shadow man, while Hoseok and Taehyung wander outside. Lost and dumbfounded, Jimin gawks around at his retreating friends, calling out in one last effort, “Anyone? …No? Okay, cool.”

He nearly lets out a yelp when Jin clasps a hand on the boy’s shoulder in a reassuring manner. “You’ll be okay, Jimin. C’mon, let’s go.”

Finally alone with Namjoon, he offers up his outstretched hand to you. You take it at once, gripping his palm a little tighter than necessary as he pulls you towards him. 

“You doing okay?” he asks. 

“Yeah,” You lie, even though you know he can see right through it. 

You’re content to find that he at least keeps your hand in his even as he tugs you along with him to explore the rest of the asylum. You decide to leave the building you’re both in and wander to another one where you stumble upon Hoseok and Taehyung on the main floor briefly. Then, making your way upstairs, you find nothing out of the ordinary but empty rooms that you suspect were once upon a time sleeping quarters for the patients. It’s less frightening than the other buildings, though still a little unnerving the longer you stay to explore. You climb the stairs until you’re on the third landing and inspect almost every room to find nothing. 

At some point, you let out a wavering sigh. Namjoon is busy waving around an EMF reader in a room. It’s empty aside from a dusty cot and a broken wardrobe, amongst a few other oddities covered in a thick layer of cobwebs and dirt. You could have sworn you’ve heard footsteps in almost every room you’ve entered that wasn’t either yours or Namjoons, and the strange sensation that you’re being followed hasn’t been able to shake from you. “Joon? Can we go back now? I’m starting to get a little spooked.”

Namjoon comes to a halt at once, turning around to face you. He gives your palm a comforting squeeze. “Hey, you’re okay. There’s nothing to be scared of. I don’t mean to sound like Yoongi but I highly doubt we have to worry about any ghosts.”

“Well, what do you think Jimin saw?”

“Who knows?” Namjoon shrugs. “It was probably just his imagination. Your mind plays tricks on you in the dark, doesn’t it? Here, let’s talk about something else to distract you.”

“Like?”

A moment of silence passes between the two of you as Namjoon considers another thought. You don’t even realize the smug smirk unfurling on his face until it’s too late. “Well… I had an idea earlier. Just a passing thought, really, but I bet it’d be fun anyway.”

“What was it?”

“We could probably have a quickie in one of these rooms and the boys would never know any different.”

You nearly choke at this, sputtering for air as you reach out to flick Namjoon’s shoulder. “You’re unbelievable.”

“Am I wrong?”

“No,” You admit sheepishly. He places his hands on your hips then, pulling you delicately towards him in a manner that makes it hard to focus now. “But I don’t know how I feel about ghosts watching us. Also, the couple that has sex in any horror movie usually ends up dying first.”

Namjoon shakes his head at you, albeit a little amused at your worrisome thoughts. “Nothing’s gonna hurt you. At least not while I’m here.”

“Coming from the man who tripped going up the stairs at your dorm the other day,” You point out tauntingly. The distant reminder and the sound of his abrupt laughter is enough to momentarily soothe your hammering heart. 

Namjoon gasps, feigning a look of mock hurt. “What’s that supposed to mean!”

“Means I love you very much but I don’t know how well you’d fair against ghosts or demons.”

“Ahh, I see how it is.” 

He sounds mildly offended and pokes his fingers at your sides but, in the ensuing scuffle to flee from his grasp, the both of you trip and fumble until you’re pressed up against the nearest wall, the sound of your snickers like music to his ears. He comes colliding against your front, hands digging into your hips. He leans forward to kiss your lips slowly, feeling you smile against him. A delightful chuckle bubbles at your mouth and he parts from you in the next moment wiggling his brows suggestively while a teasing smirk stretches at his face so wide, his dimples start to poke through.

“Wanna?” he asks. 

It’s a simple question, weighing heavy with dirty implications ━ and honestly? You’re kind of into it. Or maybe that’s just because he returns to kissing at your lips, only this time at the corners of your mouth, then the underside of your jaw. Tantalizing motions that seem to make your head spin violently. Your head lolls back against the wall behind you as he droops his head to your neck, lips meeting with the soft flesh of your throat to suck a delicate blossoming hickey there.

“Okay,” You rasp, “so maybe we can spare some time for this.”

“Ah, so now you’re interested.” His voice is huskier now, muffled by the way he busies himself by nipping at the same spot on your throat. He hears your breath hitch, feels the way you part your legs just slightly enough to have him sink further against you. He marvels at your decision in the morning to throw on a skirt and a pair of thick wool tights. At the time, you had said it was because the weather wasn’t too brisk outside just yet; now, he was thanking you silently for unknowingly picking just the right outfit for the occasion. 

“Namjoon…” Your voice is strained now, a mix between a plea and a whine and he grunts against your neck.

It takes Namjoon a moment to rack his brain, realizing that he finds it hard to even form a proper sentence anymore. “Don’t even need to feel my dick in you. Just wanna get you off, baby. Can I?”

You’re already practically drooling. “Think the boys will notice if we’re gone a little longer?” 

“Who cares?” Namjoon quips. “Jimin’ll probably think we got possessed and lost in the demon world or something.”

You giggle, though your voice splinters off into a soft moan as he continues to nip and suck at your neck. His hand falls to your thighs then, fingers brushing upward faintly until he meets the short hem of your skirt before disappearing beneath it. His hand comes to grasp at the delicate curve of your ass, his palm hot and firm against your soft flesh. 

He groans into your neck. “Been dying all night to touch you.”

“Then don’t stop.”

If the way his hardening cock now forms against your inner thigh any inclination, you don’t think he has plans on doing so. Instead, you watch as he lifts his free hand to your mouth, fingers tapping at your lips in a wordless motion. “Open up.”

You do as you’re told, lips parting just enough to wrap around his two fingers. He gazes at you with hooded eyes as you suck at his digits, tongue laving against the sturdy form in your mouth until his fingers are coated thick with your saliva. His other hand, still attached to the rump of your ass, moves like water over your skin to your thigh once more, nudging you aside just enough, pinching delicately at the skin there; he pulls his fingers from your mouth then, then lets the same hand venture under your skirt in a similar fashion. He wastes no time in pushing aside the material of your panties, pressing his digits at your core, watchful eyes staying fixated on yours if only to watch your every expression. His dampened fingers slide over your folds, spreading them open, running across them, admiring the way your stickiness already forms between your legs. 

“Joon…” You cling to him tighter, both to steady yourself against the sudden ministrations and to shield yourself more from view, though you’re certain there’s a slim chance the boys will come across you and Namjoon like this. You hope.

Namjoon’s fingers slip past your folds then, slow and steady as he feels the tight constricting walls of your cunt. You throb around him, thinking only of his cock, imagining the girth of it fitting snug deep within you. The similar stretch of your walls, the fluid motion of his length burrowing in and out of you, wrecking you into shambles. Now, Namjoon wriggles his fingers upward, scratching at a spot within you that has you writhing against him, the slick wetness of your arousal sufficiently coating his fingers. His thumb finds your clit then, running small circles against the small bundle of nerves.

“So wet,” Namjoon moans, resting his forehead against yours. He notes the way your teeth sink into your lower lip, and pulls his free hand out from under your skirt to tap his fingers against your chin. “Gonna moan for me, baby? Let the boys hear you? Maybe wake the dead?”

“You’re such a brat,” You simper through a shuddering breath, and if you weren’t so consumed by him then maybe you would have laughed at the joke he manages to squeeze in at the last moment. But he’s not wrong. What’s the point in keeping silent in an abandoned building that you’re positive only you and your friends are currently occupying? How much longer do you expect to keep quiet, when the way he’s making you feel begins to slowly burn at your insides? 

He curls his fingers deep in you, and your jaw unhinges in a silent gap. You wonder how long you can last, face burning with every passing second as he fingers you closer and closer to your high. Your hips jut outward to meet his hand with every motion, grinding against his knuckles in a desperate need to get off. You’re shameless about it too, fingers gripping his shirt tightly, brows scrunched together in hardened dedication. 

“Such a pretty little mess,” Namjoon hums. “Want you to cum on my hand, baby girl.”

“Fuck, Namjoon━” You whimper now, head lulling back as he twists his fingers further in you. 

But, as soon as you do so, the echoing sound of footsteps has your eyes darting to the darkened corridor. You make out the sound of oblivious chatter, and the familiar voices of Taehyung and Hoseok echoing from somewhere down below. They must be two floors down, though you can hear them screaming at nothing in particular, except for a string of profanities that meet your ears.

“Jesus, fuck!” That definitely sounds like Taehyung, voice shrill with worry. 

“Chill!” There’s Hoseok, but you think he was also screaming moments ago with Taehyung. “It’s just a spider.”

“I don’t care! Get it off of me!”

“Bunch of dumbasses,” Namjoon shakes his head rigidly, a fleeting grin forming on his face that is quick to fade as he curls his fingers upwards further into you. And, while your attention is somewhat fixated on the boys, you find yourself treading a fine line of not giving a fuck as Namjoon’s fingers stay buried deep within your cunt. Still, Namjoon can sense the slight urgency in your demeanor when your hands wind around his neck to tug at his hair, as if to gesture to the strangers that he already knows are nearby. 

“It’s okay,” he murmurs reassuringly, voice low enough for only you to hear. “You’re doing so good, love.”

He slows his fingers almost to a halt as you burrow your face in the crook of his neck. Your walls continue to clench around his fingers, and he adds a third finger to stretch you out just enough in a teasing leisure manner. He does it on purpose too, this much you know for certain, as he pinches playfully at your waist. It’s lewd, the idea of him fingering you out in public like this but the emboldened adrenaline coursing through your veins doesn’t want him to stop. By now, your high overwhelms everything else, causing you to writhe against Namjoon as he cradles you to him. You cum moments later, your orgasm overcoming you before you can sense it, trembling beneath his hands as he continues to finger you through it. Warm, wet arousal leaks from your core, coats his fingers all over as a punctuating whimper of his name tumbles from your lips.

“That’s it, baby,” he says gently. “Let everyone hear how dirty you are. Let it all out.”

Your thighs shake, squeezing shut around his hand, and all he can do is rub soothing circles into your hips with his free hand. He waits for your breath to steady, as the coil in your belly loosens, instead taking the time to admire you to your fullest, drunken hooded eyes glazed over in that perfect expression he loves.

“Want your cock in me now, Joon,” You whine breathlessly. The whining persistence in your voice excites Namjoon, only amplified tenfold by the way you begin nipping and sucking at his neck. 

“Now?” he asks.

“Now.”

Almost instantly, there’s a noticeable shift in his expression, a shit-eating smirk tugging at his mouth. You smother the rest of it before it can become too smug, folding your lips over his. Still, he hums through your eager kissing, “Yeah? Gonna let me fuck you like this, love? Take you raw against this wall, right here, right now?”

“Yes, please,” You mewl. Growing restless, you beg silently, “Namjoon.”

“Better make it quick then, hm?” 

You can only nod, still in a daze from the orgasm that still courses through your veins. Namjoon’s quick to oblige, pulling his hands from your heat and wiping your slick wetness off on his thigh. Clumsy hands between the both of you fumble to undo the button of his jeans, hastily undoing them just enough to free his straining cock from within. He wedges himself between your legs, hiking your skirt farther up your thighs, and he hurries to free his length from its confinements, wild locks spilling out onto his forehead and into your own line of sight. You push his hair up and away from his face, though your fingers grip suddenly at the roots of his locks when he grips your thigh and hoists it up to his hip, and then pushes himself into you at once, the tip of his warm cock easily coaxed by your already wet walls. He moans into your neck but muffles it halfheartedly by kissing along your throat.

“Easy there, boy,” You snicker, though your own words are a weak drunken slur, drowning out into a muffled whimper as he thrusts himself into you all the way. His hips meet yours roughly, grinding against you as your walls stretch around his throbbing cock.

“I’m needy,” he whines. “Just wanna feel you around me.”

He wastes no time in moving again, pulling his hips back only to thrust into you, adopting a steady fluid pace in such a way that has your head lolling back against the wall, and your mouth popping open in a silent moan as you shift beneath him. The wall of the building behind you is rough and jagged but you don’t feel it, not with the way he continues to thrust into you. His fingers dig into the flesh of your thigh, stretching you apart in such a way that has him pummeling his length into your core just right. 

“Fuck,” he grunts into your neck. Impatient hands move to yank your shirt up to your chest, pulling your bra down just enough for your breasts to pop out. He moves to leave a wet trail of kisses to your breasts, catching one of your nipples between his teeth and sucking harshly at it. The new sensation has your own walls clenching around him, and he almost comes undone then. Against your chest, you can hear him murmur breathlessly, “You feel so fucking good, baby.”

“Mmm,” You tug harshly at the roots of his hair. An unabashedly loud moan nearly tumbles from your lips before you can bite it back. Elsewhere, you can hear the sound of faint footsteps once more in the far distance, Taehyung and Hoseok much closer this time (quite possibly on the same floor as you, but the opposite end), but you don’t seem to care much anymore about the potentiality of being caught. “Fuck, Namjoon━”

“You like being fucked like this?” he rasps. “Out in public, for anyone to see?”

You feebly muster a nod, lips parting in a silent moan safe for the sound of your hot panting in his ear. Hurried yet deep shuddering strokes, he fucks into you again and again until your head is spinning. Every thrust sends a jolt up your spine and, still riddled by your first high, your body is quick to turn into shambles beneath him. Your hands flail outward to grasp onto every inch of his body, hands slithering beneath the material of his shirt, fingernails to dig crescent shapes into his torso, then snaking downward to grasp at his bum, pulling him in closer each time he rolls his hips into yours.

“Joon…” Your voice is an exhausted moan when it meets his ear. He almost doesn’t hear it, instead too caught up in the way your panting breaths mingle with the crude wetness of his cock delving past your folds each time. Somewhere, once more, in the distance even closer this time is the sound of footsteps once more. The thought of someone walking in one you like this━Namjoon wedged between your thighs, drilling his leaking cock into your wet cunt and tearing you to utter shambles━does something chaotically good to you. “Not gonna last.”

“Me neither,” he gasps. “Don’t care. Just wanna cum. Just wanna feel you cum around me.”

His thrusts begin to tread into sloppy territory, fervently itching to get both of you off. You reach your second high first, tumbling towards it with open arms. You can’t contain yourself, the tempting moan dancing upon the tip of your tongue, burning in your throat as your orgasm twists at your belly. “Fuck, baby, I’m gonna━” 

But your voice splinters off into a delicious sounding whimper. Wary of being caught by your wandering friends when you’re both so close to being undone (because, really, the idea of someone else hearing you whimper because of how good his cock is exhilarates him), Namjoon’s hand clamps over your lips and you welcome it graciously, favouring the idea of his fingers poking into your mouth so that you have something to distract your moaning. It still comes, broken and inaudible, smothered by Namjoon’s hand, as your tongue lavs around his digits. 

Now, you’re truly a sight to behold, making Namjoon’s length twitch amongst your walls. Exhausted, fucked out eyes gawk at him, too weak to carry on, instead jutting your hips forward to meet his with each thrust. 

“Shit,” he whines. “Fuckin’ hell, Y/N━”

He comes moments later, frantic slaps of his own hips having him spilling his seed sloppily into your already wet cunt. The abrupt sensation as your own walls clenching so impossibly tight around him, he feels as if he can’t move, though it’s not as if he immediately plans to. Instead, after a few more rocky thrusts into you to ride out both of your highs, he collapses against your chest and you smooth your fingers delicately through his hair. 

It’s a miracle when you both manage to finally pry themselves off of one another. As Namjoon hurries to tuck himself back into his jeans, you fidget with your bra and shirt, and then the hem of your skirt, tugging it as low as it can go. His cum is still warm and sticky between your legs, slowly beginning to run down your inner thighs. 

You catch him looking at some point and ask curiously, “What?”

“Nothing,” he says innocently. “Just wondering how you still manage to look so beautiful even after having my cum fucked in you.”

You roll your eyes as you reach out to ruffle his messy hair in an attempt to tame the damage you’ve caused. He smiles wide at the effort anyway. 

“Decent?” he asks.

“Good enough,” You say. “Now, let’s find the boys before anyone notices we were gone for too long.”

And this, he doesn’t disagree with.

Later, when you and Namjoon have regrouped with the rest of the boys back by the cars parked outside the asylum, everyone looks a little more on edge than when you left them. Except for maybe you and Namjoon. You wonder if the boys notice, judging by the way you and Namjoon keep giggling amongst yourselves.

“So,” Jungkook says, “did you guys find anything?”

“Nothing,” Jin admits. “Just freaked out Jimin a little bit more.”

The boy in question can be seen scowling to himself, arms folded over his chest. “All I gotta say is screw this place.”

Hoseok looks indifferent as he reviews a recording on the camera in his hands. When he speaks, his voice is a casual drawl. “Dunno. Thought we heard some suspiciously loud moaning from one part of that building that I’m almost positive Namjoon and Y/N were exploring.”

At this, Taehyung bursts out into wolfish laughter, only prompted further by your sudden horrified expression that you try to play off nonchalantly and fail miserably at doing. So they had heard you two after all? “Ha! They sure were exploring something.”

While the rest of the boys look either intrigued or rightfully confused, Namjoon shakes his head defiantly. “Nah, I don’t know what you’re talking about.”

“Yeah, sure.”

Resisting the urge to hide behind your hands, you bite your tongue and try to sift through your brain for something else to discuss. Over the childish giggling sounding from Taehyung and Hoseok, you ask, “Well, did you guys find anything? Thought we heard you exploring the third floor.”

“Third floor?” Hoseok echoes, dumbfounded. “We didn’t get that far.”

“But I could have sworn I heard you guys.”

Hoseok’s brows knit together. He exchanges a look with Taehyung, then returns his stare to you. “You probably heard Tae screaming like a lunatic because a spider was on him. We were only in there long enough to try the spirit box out again, but that was on the second floor. Then the spider thing happened. Then, we left.”

Now, this is alarming. You gap at the boys as your mind tries to piece together the puzzles of this dilemma. Had you heard the boys, or perhaps something else entirely? Or maybe it was just your imagination. Namjoon did say your mind plays tricks on you ━ but the sound of footsteps had been so vivid. 

Even Namjoon looks stupefied, gawking at Hoseok. “Wait, you’re not joking, are you?”

“No,” Taehyung shakes his head. “We were filming the whole time. We can show you. Are you guys joking?”

“No,” You promise. “We were━ Erm━ We got distracted. We weren’t really paying much attention but━”

You’re fortunate when Yoongi decides to speak up, interrupting your embarrassed stammering. “So then what did you guys hear…?

A beat of silence passes amongst your group of friends. One-by-one, you each turn to look up at the haunting asylum still standing behind you, the night blurring its shape into one incomprehensible monstrosity. Okay, so maybe the ghost stories about this place are true. A shiver runs down your spine. 

Then━

“So does that mean the ghost is a Peeping Tom or━?” Jungkook asks. You wonder if you should be concerned by his serious tone.

The boys howl with laughter at the thought, though you’re still admittedly a little shaken up by the idea of a ghost watching you and Namjoon bone. Maybe you asked for it, what with deciding to have a quickie in a haunted asylum. 

“I don’t know, but can we please get out of here?” You press thinly. “Jimin was right. Screw this place.”

If the boys are as deeply unsettled by yours and Namjoon’s sudden revelation, you don’t know. You all manage to pack up your belongings and clamber in the cars in record timing, speeding away from the asylum unscathed. And if you really did just witness a ghost encounter, then you suppose it isn’t all that bad. 

At the very least, Namjoon’s video does make it to the trending page.

⟶ All rights reserved to © jungkxook. I do not allow reposting, translating, or any sort of modifying and reuploading of my work.

⟶ Feedback is always appreciated!

[mp100fanworkstranslation]

God Help the Girl -Part 1/2-

By Rubato This book was published in 2017. Currently out of print.

Chapter 1: The Guard

Good Morning

Every day is the same. A black and gray world.

This same man is always amongst the morning crowd, his hair is unusual. An interesting shiny brass in the morning sunlight.

I only started seeing him in April of this year, so I suspect he’s new. His eyes are always dull. The dead-eyed look of a souless job. Not that different from me really. 

Guard: Good Morning

Very few ever respond when I greet them at the door. 

Reigen: Good Morning

But this man would always looks at me and replies. 

7:39 and 17 seconds. Guard looks at watch as Reigen swipes his card key.

I don’t know when it started, but I came to look forward to seeing him every morning. Something interesting to look forward to in this otherwise dull job. 

Guard looks at staff key card records. The man who entered the building at 7:39:17

Found it. Reigen Arataka. Don’t know what the Kanji is for his name.

I’ve been a very reserved person since I was little. I’m not a very emotional. I’ve never really held an interest in anything in particular, or taken an interest in anyone. 

Gotten in plenty of fights as a student. I never start them, I was always just called in to help finish them. I don’t like violence, I don’t hate it either. I just go with the flow. 

After highschool, I drifted around from one job to another, often ended up working with some shady dangerous types. 

Even then, it was more of the same. A largely empty person in a mostly dull life.  I don’t expect anything to change. That’s my life I guess.

I’ve been working at this office for god-knows-how-long when I first saw this guy. 

-Lunchtime-

Older Guard: Hey

Guard: How are you?

Older Guard: So uh, I’m sorry to ask, but could you take over my night shift tonight?

Guard: sure

Older Guard: What?! Really?! Thank you! That’ll really help me. So, I’ll take your morning shift tomorrow then.

Guard: No, you don’t need to, I can work my own shift.

Older Guard: Um....well... 

He’s walking around the office at night and notices that one of the rooms still has the light on.

Guard: I’m sorry, but I need you to leave so I can lock up. 

There’s a guy collappsed over his desk. Guard: Oh... Oh god....

He imagines a news paper headline “Karoshi: Employee dies during the night”

(Japanese office workers occasionally die at work. This is common enough that it has it’s own term “Karoshi” People will spend days at the office, working nonstop, chasing deadlines until their bodies give out. )

Upon closer look the guy is breathing.

Guard: He’s asleep

Touches hair Guard: I touched it.

Reigen: nnnnnngh

Guard: Sir, the building is closed.

Reigen: OH NO I FELL ASLEEP! I..Im so sorry, Give me a minute, I need to gather my things.

Guard: Uh, take you time. It’s fine. 

Reigen is escorted to the elevator by security. While they’re waiting for the elevator, Reigen asks: Hey, I see you every morning at the door. 

Guard: ah yes

Reigen: So are you gonna be there tomorrow morning too?

Guard: Yes

Reigen: Wow you work really hard

Guard: yeah Well, alright, I need to move on and check the next floor. I’ll leave you here. 

Reigen: Thank you. Sorry for the trouble.

Guard: You haven’t been looking well recently, don’t overwork yourself. 

Reigen: Thank you. It’ll all be over tomorrow, and I’ll finally have a chance to rest.

Guard: ?

Reigen: I���ll be leaving now, thank you. 

Reigen walks out. The caption on the guard says he’s very happy, even though his face has a flat expression. 

Didn’t think I’d get to interact with him more. Maybe it’s worth staying at this job a little longer. Just think about it that’s all.

As the guard is thinking this, the background comic images show Reigen sticking his resignation letter into his bag.

Guard: Good Morning

Reigen: Thanks for your help last night.

Guard: GOOD MORNING

Reigen: You don’t have to yell. 

Guard: I hope you got some good rest. Reigen: I left just in time to catch the very last bus last night. You saved me. 

Guard: that’s good. 

Reigen: Actually, today I’m...(he gets interrupted)

Coworker: Reigen! I was looking for you!

Reigen: Sen...Senpai!

Coworker: I can’t find the data report you were supposed to transfer over. I hope you didn’t shred it. 

The guard tips his hat at him as Reigen is pulled away

Guard: Alright, I’m headed out

Older Guard: Okay, thanks again for covering my shift

He leaves. A while later Reigen comes by.

Reigen: Hey

Reigen: Where’s the other guard? the guy that’s at the door every morning....

Older guard: Oh, he finished his shift and went home. 

Reigen: I see. I’m sorry but could you please......

Guard: Didn’t sleep last night. Guess I’ll go home and take a nap. 

His phone rings. 

Ah... hello?

Yes, it’s me. It’s been a while. Do you have a minute?

Sure 

I have a job for you

Yeah?

It’s a security contractor for a facility on the outskirts of the city.  It’s some kind of government thing or some kind of corporate research lab.  I don’t have a lot of details, but either way, you’d need security clearance. 

We just need some discreet people that wont open their mouths. I think it’s a good fit for you. 

I’m sorry, but I’m busy with my current job. 

Is that so? Well the pay for this position is very nice. I can pull some strings andf offer you a cash advance if you were to accept. Please think about it. 

He hangs up

Thinks: Nah, I’m good, I’m looking forward to seeing him again. 

-The Next Day-

Employee: Oh god I’m late!

Guard thinks: I didn’t see Mr. Reigen today. He’s never missed work. Did something happen? 

Older guard: Oh hey, I’ve got something for you.

Guard: huh? Energy drinks and a card for the lobby coffee shop? The card has “Take care of yourself!” written on it.

Older guard: The guy with the light hair left them for you. He said it was too much trouble to take this stuff home, so he said you could have them.

He walked out with a box, I think he quit.

Oh, I see.

Life was dull once again, like it had been before.

TO BE CONTINUED

“God help the Girl“ is an odd title, but it’s actually a song from 2017 when this was first written. It’s about a person working a day to day job just to pay the bills. Their life is so mundane and dull that only supernatural or divine force will make it something different.  

This comic is an attempt to explain why Ekubo always possesses that one guard in fanworks. 

[ordinaryschmuck]

Starkid Musicals Ranked from Worst to Best

Salutations to you, random people on the internet who most certainly won’t read this. I am an Ordinary Schmuck. I write stories and reviews and draw comics and cartoons.

Welp. I finally did it. I've watched the entire Starkid musical library, and I must say, most of these plays fit my writing style perfectly:

Humor that is cynical yet random

Leaning in with comedy while sprinkling in some well-executed drama

An understanding that any type of story works as long as the cast of varying personalities of characters is dynamic enough to result in some phenomenal chemistry.

This is in almost all of their plays, excelled through fantastic writing and stellar performances driving the overall quality. And it inspired me not only to review each musical, but also ranking them all from worst to best. Or, more accurately, least good to most good. Because even at their "worst," Starkid still provides a funny, enjoyable experience that will keep you laughing with its comedy and your toes tapping with its catchy music. So strap in as I go in-depth into how Starkid proves how they are the masters of humor and melody.

(I'll also provide links to each musical, which is all for free on YouTube, so you can check them out yourselves. Just know that their early work is impossible to enjoy without subtitles, so you might want to have Closed Captions on when watching.)

#12-Holy Musical B@man-Everything about this play makes it seem like it's the weakest to me. The jokes, songs, and characters in Holy Musical B@tman just don't hit as hard as Starkid's other plays. It's still good, but compared to their best, the cracks show a lot more. That is, except for the ending. Not only is there a great speech that shows what makes superheroes so beloved, but "Super Friends" might just be my favorite finale song Starkid has ever put out. Holy Musical B@tman may not be the best, but it's at least worth the time.

#11-Firebringer-This was stupid. Really stupid. Funny as f**k, but still pretty stupid. Although I will give credit to one of the central pairings being LGBTQA+...Even though it makes little to no sense based on the characters' previous interactions. But in fairness, Starkid really sucks at writing good romantic relationships, so at least Firebringer has the benefit of being gay. And as we all know: The gayer, the better. The play is still stupid, though.

#10-Me and My Dick-The world in this musical makes little to no sense. Penises and vaginas are sentient and can communicate with their humans. And yet the penises and vaginas can also talk with each other, form relationships, leave their humans, and reinsert themselves into others--Yeah, it makes no sense...But, DAMN, is it funny! Every joke and innuendo Me and My Dick has about human anatomy works, and I could not stop laughing at each of them. Especially the names that were given to the vaginas, which are just...I mean, I'm laughing just by thinking about them. That should tell you how funny they are. This play might be illogical in every way, but if you turn your brain off and watch it for the humor, you'll definitely be in for something fun.

#9-ANI: A Parody-What's weird about ANI is that its best qualities are also weaknesses. A good chunk of the jokes are hilarious and expertly delivered. The issue is that most of them are about taking potshots at the Star Wars prequels, which might be the laziest jokes to make in a Star Wars parody. Then there's the soundtrack, having several songs that are a bop to listen to. The problem is that ANI suffers from the same issues as Tarzan and Brother Bear: Yes, technically, it is a musical, but it's one where none of the characters sing, and some people in the background do all the singing instead. It's all an odd balancing act of quality content made through questionable choices. ANI is still an entertaining play, but the force isn't as strong with this one.

#8-Black Friday-This might be the least funny play that Starkid has ever put out. Not just because it leans extra hard into drama, which was pretty effective during certain scenes. It's just when there are jokes in Black Friday, they tend to fall flatter more here than they did in other plays. Also, the plot of Black Friday might not be the best one to play straight. The serious moments work best when focusing on the characters and their personal struggles, but through the big bad that's supposed to be threatening? Not so much. Even if it was meant to be funny, well, I wasn't laughing. And believe it or not, I consider that to be the best judge of whether or not something is funny. That being said, while Black Friday isn't the most humorous Starkid musical, it's still pretty good. The characters are excellent, the songs are awesome, and the story is somewhat easy to follow. I would have appreciated a few more laughs, but I can respect these talented people wanting to challenge their strengths.

#7-Starship-This play feels very...Disney. It follows a familiar formula we've seen several times: The main character wants more than what he has in his crappy life, miraculously gets the exact thing he wants, falls in love with a girl in a short amount of time, faces off against a campy/over the top villain, realizes the hand he's been dealt isn't so bad, and in the end, gets what he wants anyway. Starship is still pretty entertaining through its jokes, characters, and songs, but it also feels weird that Starkid leans into these tropes when they would eventually make a much better play by making fun of them. The end result is not bad in the slightest, but it's also nowhere near their best.

#6-A Very Potter Musical-Starkid's first production, and boy, what a start to something wonderful. Every one of their gimmicks and motifs is present in A Very Potter Musical. The use of parody to playfully mock characters and stories they love, making songs that are as funny as they are emotional, and creating characters that work because of their lines and the actors' performances. Oh, and also, it's funny. And it’s not just through a parody angle, like making Cedric be a perfect boy who's always smiling. It's also funny through its jokes that work, even if you ignore the fact that it’s a parody altogether. Case in point, there are these two bits, one involving Voldemort and Beatrix with the other involving Ron and Hermoine, that are written and delivered so well that I was in tears much more than with any other Starkid play. When watching A Very Potter Musical, you'll not only understand how parody works, but you'll also gain an understanding of why Starkid turned out as successful as they did.

#5-The Trail to Oregon-What can I say? I'm a sucker for comedic dysfunctional families. And seeing a family of idiots make their way to Oregon via The Oregon Trail parody? Yeah, that's a win for me. The play may be another family road trip narrative, which some people might get sick of at this point. But because the dynamics and comedic chemistry everyone has with each other are on point, the end result proves that you don't need an original story to tell an entertaining one. Although I will say that out of all of Starkid's productions, The Trail to Oregon has by far the worst ending. Without giving anything away, the play spends way too much time on this one stupid joke that any of the characters could make. Comedy is defined by personalities, as are most things, so making the joke work for anyone is a bad move when this one, in particular, doesn't fit as well for some characters as it would for others. Plus, the finale song "Naked in a Lake" is a really poor choice to cap off this musical. It's catchy, but to me, a finale song should encapsulate everything about the story, characters, and themes. Not paying off a joke that I honestly wouldn't want the payoff for. So while the ending could have used a lot more polish, that doesn't change how The Trail to Oregon is a pretty funny play that I won't mind revisiting when I have the chance.

#4-A Very Potter Sequel-Hey, sometimes a sequel is better than the original. Sure some jokes don't land, and some story beats aren't as impactful as they thought they were (Serious Black's introduction, for example), but there are far more improvements to this play than the last one. The performances are stronger, the jokes are funnier, the music is catchier, and the characters are much more entertaining in this play than in A Very Potter Musical. Especially new additions like Lupin and Lucious Malfoy, who provide great comedy and sublime drama at times. And Umbridge. Sweet Mother of all that is holy, Umbridge. While A Very Potter Sequel never made me laugh to tears as the first play did, twice, Professor Umbridge carries the comedy so well that she surpasses all of that. Plus, on top of it all, this play nails its ending through a bittersweet note that really captures what makes Hogwarts so special to these characters. I always feel like Starkid's plays tend to lose steam during the last few minutes, but A Very Potter Sequel is one of the few instances that it just builds and builds to a perfect ending. A Very Potter Sequel might not always hit the right marks, but the results are just magical when it does get it right.

#3-The Guy Who Didn’t Like Musicals-This one is pretty clever. The Guy Who Didn't Like Musicals is one of those stories that manages to be explicitly hilarious yet implicitly disturbing. For instance, people suddenly bursting into perfectly choreographed musical numbers in a world where songs are exclusively diegetic is pretty funny (especially through the characters' reactions to it). However, knowing what happens to these people and why they sing and dance so expertly helps make the whole situation pretty dire. It's an excellent balancing act that not many stories can accomplish. And while The Guy Who Didn't Like Musicals leans one way or the other at times, it's still all handled really well. Oh, and also, you know how most people say the villain song is the best one in any musical? Well, technically speaking, nearly every song in The Guy Who Didn't Like Musicals is the villain song. Including the finale, which is just too brilliant for me not to give a round of applause. If you're a person who unfortunately doesn't like musicals either, I'd say be more than willing to give this one a chance. It's funny, catchy, and if you think of the implications, pretty damn disturbing.

#2-A Very Potter Senior Year-...You know how Avengers: Endgame is a bit of a mess, yet people still love it for how much of a perfect (sort of) finale it is? It's the same regard with A Very Potter Senior Year in my eyes. It's far from a masterpiece, but the many, many solid scenes that cap off this series help make me willing to overlook the mistakes. The characters, callbacks, and overall message about how things end was done so expertly well that I physically can’t hate this one. I can understand how it's more of an ok play when compared to the rest of Starkid's productions, but sometimes, ok is wonderful.

#1-Twisted: An Untold Story of a Royal Vizier-...It's Twisted. Everyone loves Twisted! And how could they not? Everything about this play just screams Starkid at their best. The comedy is uproarious, added with the fantastic delivery of the actors and the characters' personalities. Everyone feels as though they have one step in reality and the other in insanity. This, to me, seems like the best type of character work when going for the parody angle. Parody is about giving slight yet snide remarks toward the work you're mocking, which I feel works best when characters drop the suspension of disbelief audiences have when enjoying such a story. And Twisted definitely nails its satire in not only poking fun at Aladdin but also making jokes towards Disney as a brand. From their movies to their inside jokes to their formulas to even their corporate dealings with Pixar, nothing about Disney is sacred in Twisted. But on top of being funny, Twisted might just be the most successful Starkid has been with telling some really compelling drama. The jokes allow themselves to take a back seat to let serious moments play out, and even comedy is added, it provides more for the experience rather than taking anything away. You see this not only through the actors giving it their all but even through some really gorgeous and heart wrenching musical numbers. Oh, and also, Twisted has the best Starkid soundtrack, featuring songs that are epic, funny, and, as I said, heartbreaking. You cannot get better than this and, if you want to get a friend interested in Starkid as a whole, this might be the play for them. Scheherazade may have a thousand tales, but his one is a tale I wouldn't mind hearing for a thousand nights.

And that's about how I feel about Starkid and each and every one of their plays. Odds are your ranking would be much different from mine, and I'm all for that differing opinions. Feel free to make your own ranking if you want because I'm honestly curious where fans would place these plays above or below others. I'm relatively new to enjoying their work, so I have no idea what the consensus is. I do know one thing, though: If Starkid can still be incredibly entertaining through over ten years of content, then I am excited to see what they can accomplish next in another ten years.

[agroovymutant]

I am very invested in ‘Pietro’ really being Peter for many reasons, but I don’t want to hope too much because I will be incredibly upset if it turns out he isn’t........ however, here are my feelings on theories I’ve heard about who he could be if he’s not Peter (spoilers: I basically just say I disagree with them all and it makes more sense if he’s actually Peter, haha) and my thoughts on what’s going on with him/how he got there etc if he truly is Peter...

If you just wanna read the evidence I’ve collected on why I think ‘Pietro’ is really Peter, scroll to the final bullet point! Warning: it’s LONG!

EDIT 24/02: Kevin Feige has now stated that Agatha purposefully “recast” Pietro in order to mess with Wanda. This does not confirm that this isn’t Peter brought over from another universe but it does change some of my points on other theories slightly. I do think it also does make it seem slightly less likely that he is secretly Mephisto or someone.

EDIT 26/02: In the new episode Agatha states that ‘Pietro’ is under a possession spell, which really rules out that he could be anyone like Mephisto, Nightmare, or Chthon.

‘Pietro’ is really Mephisto or Nightmare - (EDIT 26/02: In the new episode Agatha states that ‘Pietro’ is under a possession spell, which really rules out that he could be anyone like Mephisto, Nightmare, or Chthon.) I mean, immediately I feel there are a lot of holes in the theory that ‘Pietro’ could be either of these big bads tbh. To start with, they are both very powerful beings, how would Agatha be able to control them like she is seen doing in Agatha All Along? Do we really think she’s that powerful? Secondly, why would Agatha be controlling them if they were on the same side, and why would she been controlling them to pretend to be Pietro? Seems super weird to me. Yes, the necklace could be the thing keeping him in ‘Pietro’’s body, or normalising his appearance, but why would he wanna be in this particular body? Why would he be running around doing a really poor imitation of Pietro? Doesn’t make sense to me. ‘Pietro’ does call the twins “demon spawn” (could be hinting they were created by Mephisto, who looks like the devil, or Nightmare, who is a literal demon) and he does mention nightmares to Wanda too, but these could easily just be a throwaway lines or a subtle reference to the kids being created from Mephisto’s soul fragments in the comics, doesn’t necessarily mean ‘Pietro’ is either of these big bads. If Agatha is an unreliable narrator (very likely) and she isn’t really controlling ‘Pietro’, but he is indeed Nightmare or Mephisto, why is he lurking around Agatha’s house, looking like he’s acting more as a henchman than the devastating villain he really is? Surely he would have someone else do a menial task like that? The bug on the window in Agatha’s house could very well be Mephisto, as his first appearance was as a fly, so this would make sense. This doesn’t rule out that he’s also possessing the ‘Pietro’ body/can shapeshift, but it makes it less likely imo. Regarding the mid credits, if he is either of these beings, even with her new powers, Monica will be in big trouble. She has only just gotten her powers and doesn’t know how to use them, were as Mephisto and Nightmare are both crazy powerful beings who would be able to kill her easily, and really would have no reason not to. Now, the show is not gonna kill off Monica, so how the hell would she get out of this situation if it was Nightmare or Mephisto? I don’t believe she would, which makes me think 'Pietro’’s not either of them, and possibly not even a bad guy at all, it’s just been framed that way for the cliffhanger (I don’t actually think the next episode will show us what happened after this though, my theory is that next episode will be flashback style and in the final episode we will get a Darcy/Monica/PETER team up. Here’s hoping!!!). Also...... final point. Though a bit of a silly one, I do genuinely think this...... why the hell would either of these bigs bads choose to act and dress like that?? Just seems a bit weird, idk. Overall I do think ‘Pietro’ is acting sus (maybe cause of mind control and being zapped over from a different universe) but I just think he’s a bit too childish etc. to be either of these big bads in disguise.

‘Pietro’ was created by Agatha - (EDIT 26/02: In the newest episode, Agatha confirms she cannot create beings in the scene where she calls Wanda The Scarlet Witch) Immediately I think there are a lot of holes in this theory too tbh. To start with, can she even do that? There’s nothing that I know of in the comics that suggests she can, and even if she could why would she make someone who didn’t look or act like Pietro? (EDIT 24/02: it has now been confirmed that this was just to mess with Wanda) I don’t really think she created him, but if she did he must be based on what she thinks Pietro looks like? If she really did create him, maybe he looks and sounds like Peter because she is from a different universe where this is what ‘Pietro’ looks and acts like. While this would mean that he isn’t actually Peter, it does support the idea that a multiverse including the Fox X-Men does exist, so if this is true we could still get Peter in the multiverse in the future.

‘Pietro’ is Nicholas Scratch (Agatha’s son) - (EDIT 26/02: In the new episode Agatha states that ‘Pietro’ is under a possession spell, which really rules out that he could be anyone like Mephisto, Nightmare, or Chthon, and it seems unlikely to me that she would be possessing her son, but who knows! Also, after she introduces herself to Wanda she says to Señor Scratchy “She does look shocked to meet the real us, doesn’t she?” to me this implies Scratchy is more than just a rabbit but this is just a guess.) In the comics Nicholas and Agatha are enemies and although I know the show isn’t following the comics exactly (Agatha isn’t the villain in the comics) this does make me feel as though it’s slightly less likely for Nicholas and Agatha to be teamed up and doing whatever Agatha’s doing together (not impossible though). If Nicholas and Agatha were on the same side though, why would Agatha use her son as a Pietro replacement? They obviously don’t look similar. it seems like a very strange and sloppy plan. And why would she, as shown in Agatha All Along, be controlling him if they were allies? Makes no sense. If Agatha and Nicholas are not on the same side, it would make sense that she was controlling him....... however, it would still make no sense for her to make him pretend to be ‘Pietro’ when they look nothing alike. Also, why would she even have brought him to Westview if they were not allies? In the comics he’s quite powerful and dangerous, doesn’t seem like a good idea to bring him along when Agatha would have to spend so much time focussing on keeping him under her spell. I’m not saying it isn’t possible that in WandaVision Agatha and Nicholas are allies, I’m just saying in either case I think it is unlikely that ‘Pietro’ is Nicholas. In the comics, Nicholas is banished to another realm. I think it’s possible that, in WandaVision, instead of another realm, he’s trapped inside the bunny rabbit we’ve seen in a few episodes? The rabbit is called Señor Scratchy, after all (I know that’s a reference to the devil but so is Nicholas’ name...) Another point about Nicholas in general is that in the comics he has allied himself with Mephisto. If Agatha and Nicholas really are allies in this then maybe Señor Scratchy is Nicholas and the bug we see on the window is Mephisto, and Agatha is trying to free them both from the bodies they are trapped in.

‘Pietro’ is Jimmy Woo’s FBI witness - I thought this was quite an interesting take. I was talking about it with a friend of mine and he suggested that the necklace we keep seeing on ‘Pietro’ could be some sort of FBI tracker. But Woo has seen ‘Pietro’ on the broadcast so why wouldn’t he have been like “that’s not Pietro, that’s my witness!”? My friend suggested that Agatha could have altered the witness’ appearance but if that was the case, why wouldn’t she just make him look like the real Pietro? Doesn’t make sense to me but a fun theory nonetheless (but where is the real FBI witness??). Also, with the ‘breach’ alarm going off in the background of the shot where Darcy sees ‘Pietro’ arrive on the broadcast, it seems to me that whoever is ‘playing’ him came in from outside the Hex.

‘Pietro’ is really Chthon - (EDIT 26/02: In the new episode Agatha states that ‘Pietro’ is under a possession spell, which really rules out that he could be anyone like Mephisto, Nightmare, or Chthon.) Initially, I thought this one made a lot of sense, and still think it could potentially be right but I don’t think it makes as much sense as him really being Peter. Chthon created a different dimension in which he resides most of the time. Before he left Earth for this dimension he wrote the Darkhold (which is possibly the book seen in Agatha’s basement in the new episode). The Darkhold is the key to him moving from his dimension back to Earth. Chthon is very often linked to Doctor Stranger (and Doctor Strange: Multiverse of Madness is where we will next see Wanda appear sooo......) After Chthon leaves Earth the first time, he falls into a deep slumber. He is eventually awoken and there’s a lot of back and forth with him coming to Earth and being sent back to his dimension and being trapped there etc. But eventually he ends up trapped in the dimension and banned from Earth, and through a loophole it turns out he can come back if summoned, via the Darkhold. (Perhaps this is what Agatha is trying to do in the show?) Now the theory that ‘Pietro’ is really Chthon comes from a comic book where Chthon resurfaces many years after his initial banishment, and Doctor Strange isn’t around to stop him. Loki finds out and disguises himself as Wanda to reform the Mighty Avengers to stop Chthon. However, Mordred (long history with Chthon) manages to summon Chthon into the body of Pietro. People think that, especially with the reveal of the book which may be the Darkhold, this is what’s happened in WandaVision, with Agatha in place of Mordred. In the comic, the Mighty Avengers injure ‘Quicksilver’ so severely that Chthon is forced to leave his body, and Vision reads a spell from the Darkhold, trapping Chthon inside it. While I can see where this theory is coming from, I’m not sure it’s right. If Chthon is involved, imo, it makes a lot more sense for him to possess Wanda. Years before Chthon possesses Pietro, he is summoned to earth with the Darkhold by Morgan Le Fay, but she cannot control him. After realising this, she traps Chthon in a fixed point, under warding, for a very long time. A lot later, he is once again banished but, before he leaves, he marks a baby as his future vessel; that baby is none other than Wanda Maximoff. Many years later, thanks to Mordred, Chthon possesses Wanda and tries to use the Darkhold to summon his proper form back to earth in a mystical circle (the Hex?). When the Avengers arrive to help Wanda, Chthon imprisons them the circle (like the Westview residents?). Beast arrives and manages to distract Chthon though, and Chthon is removed from Wanda’s body and trapped inside a doll, which Pietro and Wanda then bury. Years later, Chthon possesses Wanda again and this time she is freed from Chthon's possession by Doctor Strange (Multiverse of Madness?). Is it possible that, because of the Avengers’ Time Heist fucking with the Multiverse, Chthon was disturbed from his slumber in his dimension and is trying to get back to Earth to wreak havoc? Perhaps Wanda is somehow the perfect vessel (maybe to do with her being a Nexus being) and Agatha will use the Darkhold to aid Chthon in possessing her? I don’t really know how I feel about any of that, but after reading the Pietro theory, I just thought that, if Chthon was involved in WandaVision, it would be more likely he’d possess Wanda based on what’s previously happened in the comics and the position Wanda was left in at the end of the most recent episode.

‘Pietro’ is really Peter Maximoff - Obviously, this is the theory I most want to be true, but am hesitant to believe because of my overwhelming love of the X-Men prequels and my tendency to take bad things happening to my faves really really badly (I’m talking ‘cried every day for over a month after Loki died’ badly...). Anyway. Here are my feelings on ‘Pietro’ being Peter:

EDIT 26/02: In the new episode Agatha states that she is possessing ‘Pietro’ - would she be able to possess someone who was already under Wanda’s mind control? I’m not sure she would, so she would possibly have to have brought someone in from outside the Hex. This could support the theory that he was pulled in from the multiverse, rather than just outside the Hex in that reality and Wanda either weakened the barriers between worlds allowing Agatha to being him in from the Multiverse - possibly with the help of the Darkhold - or Wanda herself accidentally brought her in without knowing and he was found by Agatha. Also, she states she couldn’t get Wanda’s “real brother” so used this fake ‘Pietro’ under mind control instead, it may not mean anything but the term “real brother” did stick out to me. Could ‘Pietro’ be her brother in the sense that he’s her brother from another reality, so technically not her real brother? When you think about it, though ‘Fietro’ could mean ‘Fake Pietro’ as Agatha had intended it, to a viewer, it could also be a nod to ‘Fox Pietro’ - or Peter, as we know him. In the flashback scene where we see Wanda and Pietro as children, they are both played by different actors to the flashback scene when Fietro is talking about their childhood. This could just be because his memories were made up, or it could be his real memories of his childhood with his universe’s Wanda. EDIT  3/03: Yesterday, an interview with Matt Shakman (WandaVision’s director) was published on CBR.com. In the interview, he is asked about whether the finale will provide us with a firm answer on who ‘Fietro’ really is and he says: “I think there’s a strong possibility you might get a little more of Evan Peters coming up. But how that plays out, I wouldn’t want to say.” He could be talking specifically about the finale, but he could also be talking about in the MCU in general. Either way, this has made me a bit more hopeful that he really is Peter tbh.

1. So, starting at the beginning - when he first turns up. We now know that this was Agatha’s doing and, though I do feel as though she is possibly an unreliable narrator, if we believe that she was controlling ‘Pietro’ with her magic, that means he’s not Mephisto, Nightmare or Chthon just playing the part of ‘Pietro’, because why and how would Agatha be controlling any of them? This means that he’s either some random guy she’s controlling - but why wouldn’t she try to get someone who looked a bit more like ATJ Quicksilver? How did he get in there (see next bullet point)? Why does this random guy have the same hair as Peter? etc. etc. - she created him out of thin air (already addressed), or he is really Peter. Out of these options, honestly, Peter makes the most sense.

2. When he first turns up and we see what is going on outside the Hex in the SWORD facility, there are alarms going off. Darcy seems to be in a panic when she runs over to her desk and sees ‘Pietro’ on the broadcast. Why were there alarms going off? It seems like they’re the ones that go off because of a perimeter breach. If this is the case, where would this new person entering the Hex have come from? How would they have gotten in? It’s not like someone is gonna just wander into that huge red dome, is it? In the first episode where we see outside the Hex, Jimmy tells Monica that Westview “doesn't want me to [go in]” and asks her “you can feel it too, can't you? No body's supposed to go in”, a random person from outside wouldn’t just wander in, especially with all that security around. Perhaps the alarms are going off because someone has been pulled into the Hex not from the MCU reality but from the multiverse?? The Fox X-Men reality. Peter.

3. His hair - when ‘Pietro’ turns up. he has his Fox universe silver hair. By the next episode it has changed to ATJ Quicksilver’s blond. Why would he start off with silver hair if he wasn’t the Foxverse Quicksilver?? Silver hair isn’t a normal thing for a man in his 30s to have, really. So if he was a random guy being possessed/controlled I think it’s a bit weird that he just happened to have silver hair, the same as Peter. I feel the only reason it’s blond in the next episode is because Wanda’s reality is trying to make him fit in, by making him look more like the person he’s supposed to be - ATJ’s Quicksilver. But my point is basically why would he have silver hair to start with? Why not just make him blond? Surely it’s because he’s Peter? (Also, side note, is his hair silver again in the episode 7 mid credits? He has a hat on and it’s a low angle shot so it’s hard to see but I was thinking that maybe now he’s been kicked out of Wanda’s family and she knows he isn’t Pietro, his hair has gone back to its normal colour because she is not trying to make him fit in. Once again, why would he have silver hair if he isn’t Peter?).

4. The episode 5 subs - the descriptive subtitles on his first episode introduced him as the Fox X-Men version of Quicksilver...

5. He has powers - where the hell did they come from if he’s not Peter? Billy and Tommy have powers, but the twins - through birth or some other way - were created by Wanda. So their powers must come from her - either as something inherited from her or just because they’re a part of Wanda’s illusion. Where would ‘Pietro’‘s powers have come from now that we know he wasn’t created or summoned by Wanda? Can Agatha give people powers? (EDIT 26/02: seems unlikely as Agatha literally told Wanda her illusion magic wasn’t as powerful as Wanda’s) Or are his powers just another sign that he is really Peter?

6. ‘Pietro Maximoff as himself’ - this is shown in the Malcolm in the Middle style opening credits, none of the other characters have who they’re ‘played by’ listed and this isn’t something that appears in the Malcolm in the Middle opening either so I’m not sure it’s a reference. Initially, I thought it was just to try to reinforce the idea that he was Pietro even though we knew he wasn’t, and to make us even more suspicious of him (it worked on me!), but what if it was telling us that he really is Peter Maximoff. Playing himself. ‘Peter’ is obviously the English version of ‘Pietro’ and Peter was listed as ‘Pietro’ on some of the DOFP promo stuff so it’s completely reasonable to assume that in the Foxverse his real name is Pietro and he just goes by Peter because he’s been ‘Americanised’. So maybe it was a hint that the Fox ‘Pietro’ is literally playing himself, Pietro ‘Peter’ Maximoff........ He also refers to himself as ‘Uncle P’, perhaps hinting that ‘Pietro’ isn’t usually the name he would use for himself?

7. The clothes - he literally turns up in a leather jacket. Though usually a silver one (though he does wear a suspiciously similar black one, and similar black jeans too, in his Deadpool 2 cameo), this is something Peter is well known for wearing in the Fox films. We’ve seen that people who come into the Hex get their clothes rewritten into more ‘Westview-appropriate’ attire, maybe his silver jacket was deemed too bright and crazy for the little town and the era they were in. In episode six he’s wearing a silver watch, much like the watch Peter wears in DOFP. All the clothes we see him wear seem a very odd choice for someone who is maybe supposed to be the villain of the show(?). Bright blue and pink? I mean they’re basically Wanda and Pietro’s colours, maybe hinting that he is really on the ‘good’ side? His jumper in the mid credits, to me, looks very (comic book) Quicksilver-esque. Overall, his outfits just seem like something Peter would wear in this jumbled Wanda version of reality (his style is kinda ‘bright and a bit too young for him’, maybe this is just Wanda’s take on it). And I repeat, if he was Mephisto or whoever, would he really choose to wear such fucking ridiculous clothes??

8. He acts like Peter - though slightly less cute and a little more adult-like than when we last saw him in Apocalypse (I’m not counting Dark Phoenix cause he had like three lines in it so it was hard to gauge what he was like) he is still a hyperactive, sugar-consuming, video-game playing, sarcastic, immature, thieving, jokester... essentially. Which is pretty much who he was in X-Men - though, as mentioned he was a little more adorable prankster, less straight up arsehole (like he’s slightly been in this), but I think that could be put down entirely to whatever is going on with the mind control or whatever (he probably super confused with mind control making him think he is Pietro and ask the right questions, but his real personality is still shining through slightly), plus the fact that he was probably only in his mid-twenties in Apocalypse, so as a man is his thirties now, he’s likely to be a little less ‘cute’.

9. He also sounds like Peter - this is obviously just ‘cause that’s Evan Peters’ real voice but they make a point of commenting on his voice and his lack of ATJ’s accent.

10. The Parent Trap is playing at the cinema in the background - a film about twins separated at birth . I mean..... doesn’t this just hint that Wanda and ‘Pietro’ really are twins separated by the multiverse and ‘Pietro’ really is Peter?? And the twins in the film switch places? Does that not hint that Peter has switched over from his own universe to play the part of Pietro in this universe?

11. Why does Wanda trust him? She looks at him when he first arrives and obviously she knows he doesn’t look anything like her Pietro, but she still somehow ‘recognises’ him. She must feel some familiarity for him? Initially she lets him stay in her house and play with her kids. She shares a lot about what she’s been through and been doing in Westview with him... She must have trusted him to an extent, even though she was suspicious of his different look and strange personality, etc. Wanda, in the comics, is a very powerful Nexus being, so if this is the same in the MCU perhaps in their version it means she can recognise Peter as her brother even though he’s from a different reality with a different face. Also, it’s shown in Age of Ultron that she can sense when Pietro is injured (and in WandaVision Billy, who has pretty much the same powers as Wanda and a ‘blood’ connection to Vision like Wanda does with Pietro, can sense when Vision is injured), so they clearly had a deep connection. Is it possible that even though Wanda and Peter are from different realities she still has this bond with him - perhaps she can sense they really are family, and they still have this blood connection, even though they’re family from different realities.

12. The necklace - people have suggested it may be being used to control Peter. I think that’s a great theory and completely possible, but I also have another theory to add - from the clip we see in Agatha All Along, it looks as though Agatha was there using her magic to control ‘Pietro’, though it may have just been shown that way to make it really obvious at a glance he was under her control, it could also mean the necklace is there for another purpose. Thinking about Agatha’s brooch - she has worn a variant of it through every decade and the only other time (?) we’ve seen that happen is with ‘Pietro’‘s necklace. Perhaps Agatha’s brooch protects her from Wanda’s false memories. Perhaps the necklace ‘Pietro’ is wearing is, similarly, to do with memories - possibly placed on him by Agatha to give him some memories of the real Pietro’s? Or to make sure he does not regain his memories of who he really is - Peter Maximoff?

13. NO ONE KNOWS WHO HE IS - and people (Darcy, Jimmy, Monica, Vision, Wanda, Billy AND Tommy) keep drawing attention to this fact!!! Why would they be bringing attention to this if it wasn’t important?! I’ve made it pretty obvious I don’t think he’s one of the powerful villains I previously mentioned, and if he was just some random guy why would people be bringing so much attention to him? Narratively, it makes sense for him to be an important character, and with all the evidence I’ve gathered I think  it makes most sense for him to be Peter. 14. I know this is a weak one, but think about the time period of the episodes - ‘Pietro’ arrives right at the end of the 80s episode, when it is about to go into the 90s. The last time we properly saw Peter in the Fox universe was in the 1980s, and in Dark Phoenix we briefly see him in the early 90s. This could mean something! Perhaps the Multiverse universes are not all aligned to the same time period, but Wanda accidently reached out for ‘Pietro’ and ended up pulling Peter into her universe because he was in the same time period her ‘show’ was currently on. 15. Left this one ‘til last cause I’m really not that sold on it but, his tattoo - now, the ‘Mom’ tattoo we see on ‘Pietro’ in episode 6 is Evan Peters’ actual tattoo. Why didn’t they get him to cover it up? Is it a hint that ‘Pietro’ and Wanda really do share a mum, just different versions of the same mum from two different realities? Could it also be a hint that ‘Pietro’ is indeed Peter brought in through the multiverse... MOM = Multiverse of Madness, after all. (I also think it’s possible the Hex is a pocket reality Wanda has created but that’s not strictly relevant to this Peter post).

BEHIND THE SCENES

16. Speaking of things outside of what we see in the show - head WandaVision writer, Jac Schaeffer, spoke about the casting of Evan Peters in an interview on Marvel's official site. In the interview she said: “We were rooting for it for so long, and didn't know if it would be possible. It was complicated to make happen.” Why would it not have been possible to make happen? Casting Evan Peters to play some random guy doesn’t seem very complicated to me. Is it possible that, when the writers came up with this idea, Disney had not yet acquired Fox? And the reason that they weren’t sure they could make it happen was because they did want to bring him in to play his Fox character and had to wait for Disney to finish the acquisition before moving forwards with their Evan Peters idea? That’s the only reason I can think of why it would have been “complicated” tbh.

17. This is a really weak argument tbh, but I thought I may as well include it anyway - around the time Dark Phoenix was due to be released, when Disney were part-way through acquiring Fox (which was public knowledge and had been for a while) - Evan Peters stated that he hoped Dark Phoenix wouldn’t be the end for his character, and said he’d be sad if it was. He went on to say "I'd want to do more, there's more to explore and shooting the sequences are more fun and just to be behind the scenes on it." Perhaps this was just wishful thinking on his part, but it is also possible that he knew that the door wasn’t necessarily closed on that character and there may be a chance for him to return to the role once Disney had purchased the X-Men (perhaps he had even already been approached about playing Peter in WandaVision).

18. In terms of promo for the show, Evan Peters has not been involved AT ALL - no interviews or anything. Obviously originally Marvel were trying to keep his involvement in the show a secret so it was a big surprise (unfortunately for them they didn’t manage this but ah well), but now that the cat’s outta the bag, why has there been no promo from Peters? I know he doesn’t do social media and I know it’s COVID times but interviews are still happening. Why has he not been called in to promote the show at all? To me, it feels like Marvel are worried about the sort of questions an interviewer would ask Peters. It seems as if they’re still trying to keep his character’s identity a secret, which means it must be important and not just some random Westview citizen - and the fact that he is still yet to receive his own character poster for the show only adds to my suspicions. (EDIT 26/02: Agatha talked about ‘Fietro’ in the new episode and seemed to very purposefully avoid mentioning who he actually was. To me, this very much makes it seem even like his identity is a big deal and it will be revealed as a major plot point in the finale next week. I mean, think about it - they’re gonna save a Multiverse reveal for the finale, aren’t they?)

19. Marvel have literally said this show will lead into Multiverse of Madness on many occasions, they have said that the events of WandaVision open the Multiverse, and we have yet to see this happen! The only mention of anything connected to the Multiverse so far was the Nexus ad. So there must be something big coming up that opens up the Multiverse. There are only two episodes left and nothing has happened that implies the Multiverse has been opened up (EDIT 26/02: one episode left! And the Multiverse still not been addressed) unless Peters’ ‘Pietro’ is really Peter. This wouldn’t need a huge amount of explaining as it’s already been set up and even people who don’t watch the Fox X-Men movies by now know he played the ‘other’ Quicksilver.

Also, side note, in Far From Home (set months after WandaVision) Fury and Hill don’t seem at all surprised that Quentin Beck is from an alternate reality. We find out at the end of FFH that they are both skrulls pretending to be Nick and Maria - who has a connection to the skrulls? Monica, obviously! Perhaps Talos and Soren are not surprised Beck is from an alternate universe because they have already been informed of the events of WandaVision opening up the Multiverse, by Monica (or possibly even through their daughter being Monica’s contact, who we see in the new episode? Just adding that in there cause it’s a theory I really like, as a huge fan of the Skrulls). 20. Marvel haven’t denied it - I know this doesn’t necessarily mean anything but I like to think that if there was absolutely no way that Fox X-Men were joining the MCU via Multiverse, someone from Marvel might actually have said this in an interview since the Evan reveal, just so people don’t get their hearts totally crushed and Marvel don’t get a load of backlash for leading fans on? Idk. Disney/Marvel Studios never actually said there wouldn’t be more films in the Fox X-Men universe after Disney acquired the rights to them, everyone just assumed. This could mean something. 21. Merch - there was a massive amount of X-Men merch released last year. Yes, maybe it was just because Disney wanted to cash in on their acquisition of the Fox movies, but maybe it was something else... There was the 20th anniversary line of Funko Pops, there were the variants for that line (metallic Mystique, Professor X with Cerebro, and YOUNG Magneto from DOFP), there was the Marvel 80th anniversary original X-Men line of Funko Pops, there was the line of Hasbro action figures from various films including Deadpool 2 and the X-Men prequel movies..... I’m just saying, a lot of X-Men merch has been released over the last year, and most of it has been based on the films. Yes, last year was the 20th anniversary of the first X-Men movie, but that doesn’t explain the release of all the prequel/Deadpool merch. If it was for the 20th anniversary of X1 then why the young Magneto Pop etc? It doesn’t necessarily mean anything, but it does make it clear that Marvel know there are a lot of people out there who are huge fans of the original and prequel X-Men movies, so they must know that people would love to see those characters back, played by the same actors. Perhaps Evan really is Peter, and perhaps we will get more characters from his universe in future MCU content. 22. Elizabeth Olsen’s “Luke Skywalker level cameo” -  okay, so she didn’t say these exact words. She was asked if there was anything in WandaVision similar to Luke’s Mandalorian cameo (weird question tbh??) and she apparently said “Yes, I’m really excited.” Paul Bettany has also said something weird and cryptic in an interview about how later in the show there’s a guest appearance from someone he’s always wanted to work with. (EDIT 26/02: now that we’ve seen White Vision I’m pretty sure Paul Bettany was talking about himself - what a troll! But it’s so funny reading back what he said, haha. HOWEVER, Lizzie’s comment still stands.) NOW, Elizabeth Olsen is actually a huge Star Wars fan so she would know how big the Luke Skywalker cameo was in Mando, so I highly doubt it’s Evan Peters’ appearance she’s talking about, as some people have thought it might be. The Luke Skywalker cameo in Mando was, for me (also a massive Star Wars fan), mind-blowing. As soon as I saw that one X-Wing turn up, I was shaking, and by the time we got to see Luke’s face revealed I was sobbing. Evan Peters’ appearance in WandaVision, while fun, was not at all on that level (and I say this as a fan of the Fox X-Men movies above everything else). A cameo that would have that sort of effect on me, would be one that confirmed without a doubt that the Fox X-Men will be joining the MCU via Multiverse. Initially when I heard that Lizzie had said this, I assumed she was exaggerating and it would be Doctor Strange or Loki as they are clearly tied into all the Multiverse stuff as well, but when I really thought about how big the Luke cameo was and how much influence Star Wars has apparently had on Elizabeth Olsen (apparently she cried when she saw Mark Hamill at a premiere?), I thought that it couldn’t possibly be either of those characters. So now I’m thinking it must be someone that confirms the Fox X-Men are joining the MCU (Fassbender or McAvoy maybe?), which would in turn confirm ‘Pietro’ is  really the Peter we know and love. Obviously this is all speculation, but that’s all that really makes sense to me from that comment. 23. Deadpool 3 has literally been confirmed, and it has all but been confirmed as being MCU - I have two points to make here: 1. How the hell does Deadpool 3 fit into the MCU when mutants have never even been mentioned before because of the licensing issues? With all the shit that happened in the previous Deadpool films (mutants AND the X-Men clearly already being established, time travel working in a completely different way to how it works in the MCU, and many other points too...) Deadpool in no way fits into the MCU as it is now so surely it only makes sense to bring him into the MCU via Multiverse? 2. If Deadpool is in the MCU why the fuck couldn’t the Fox X-Men be too??? Give me one good reason. There isn’t one.

TLDR; my theory on how Peter could have been brought to the MCU reality is:

Assuming Agatha brought Peter over - she is magic as we know - I think she summoned a Pietro from another universe (possibly using the Darkhold if that is the book in her basement, or possibly she was able to summon him easier because Wanda’s magic had weakened the barriers between universes or something) to use against Wanda and when he arrived she either 1. didn’t know he didn’t look like the right Pietro (possibly because she’s from a different reality herself, and surely a Pietro is a Pietro, right?) or 2. just straight up didn’t care/felt it was too late/too much effort to really do anything about it (EDIT 24/02: it has now been confirmed that she “recast” Pietro to mess with Wanda). It is also possible imo that Wanda unknowingly brought Peter over from the Foxverse and Agatha just happened to find him and decide to use him to her advantage (he does say he heard Wanda calling out to him, this could be the real Peter talking).

The summoning of Peter sets off the alarms we hear in the background of the shots when Darcy sees him arrive on the broadcast. Agatha is controlling Peter with her magic and the necklace is something to do with that (suppressing his memories/giving him Pietro memories etc). Wanda, as a Nexus being and someone who clearly has strong bonds to her family (she can sense when the real Pietro dies, just like how Billy can sense when Vis is in trouble), recognises him as a Pietro even though he’s not her Pietro which is why she initially semi-trusts him despite him looking different. When he’s pulled into the Hex his clothes adapt to Wanda’s reality which is why we see him wearing a black leather jacket initially - it’s been rewritten from his silver leather jacket. His hair starts off silver like Peter’s (because he is Peter) but becomes blond in the next episode - this is because he’s spending time in Wanda’s house and she is subconsciously trying to make him look more like her Pietro. When he is removed from Wanda’s household and she tells the kids he’s not their uncle his hair goes back to silver because Wanda is no longer focussing on trying to make him fit in with how she thinks Pietro should look. He has powers because he is Peter. He is being controlled by Agatha and that’s why he is asking weird questions and acting like a bit of an arsehole, but his Peter personality is still shining through slightly (his childish behaviour etc). So far, this pretty much sums up my feelings on ‘Pietro’ possibly being Peter. I know it’s clear I’ve put way too much thought into this, even though I said I was trying not to get my hopes up.......but I literally cannot stop thinking about him haha. Let’s hope he is really Peter and we’re getting the Fox X-Men in the multiverse. *

(Obviously there is another option which is that he’s just some random guy being mind-controlled by Agatha but that just seems so dumb and a waste of Evan Peters to me so I don’t even really wanna think about it tbh! Haha)

[papabirdurskeks]

I ask this both for Baron Dark, Ariandel and SkekSo !

Give me a character and I will answer: @ben-the-hyena

Oh boy a triple feature! :D Here we go, folks!

Under a read more cause its going to get long but each listed character will be split apart evenly!

First up is Baron Dark!

Why I like them: He is just bombastic in personality! He lives loud in his actions and words, participating in most of the action himself while also showing he is a threat and menacing altogether! I also like that he is one of the few villains that shows he cares for his crew as a “family” (at least for most part of the series before being overtaken with obsession to have power more on his own). Given the dynamic we are given from the show, its obvious he cares and treats them all on a level of respect as well, something so rare to see nowadays! And I also enjoyed that his reasons to take over and do the shit he did in the series, “Because I can!” is just as refreshing and fun to see in a villain too!  And again, his design is a top tier design I love overall! Its menacing, powerful, and outright amazing! Definitely adds to the character and how well he works in effect to keeping my attention! Like just look at that design! And his VA did a wonderful job of adding to that charm that is just delightful to see in his personality! Overall, he is totally a villain I would love to see more of in the future!

Why I don’t: I say my dislikes often fall on the usual tropes of a kid’s show of the 90s. He talks too much when he could be doing things himself and falls victim to the typical “I am too powerful” but doesn’t think of the obvious steps ahead that will be his downfall. But honestly, its so small I don’t find it jarring or that bad to be in the way! It was the 90s and aimed at kids at the time, so we can’t expect TOO much out of that xD

Favorite episode (scene if movie): Oh man, that’s a tough one cause every scene/episode Baron is in he totally slays it! Its either a tie from the first episode to the very last one cause the stakes of start and finish are so well done, I love it all! 

Favorite season/movie: Obviously, the TV series is the best version of him! The comics sucked and turned him too OOC from what was initially given! Like how does one go from point A to be Z so freaking fast? xD

Favorite line: “Because I can.” Yeah, not gonna lie this was indeed my favorite line of his xD

Favorite outfit: Honestly, the outfit he gains near the end of the series is by far my favorite! Its like a mix of the Bejeweled Catacomb Saints and Mictlantechutli put in one and its befitting of the Baron given his gain in power! 

OTP: Baron and Cyborn are my OTP and are married, fight me. 

Brotp: Definitely Brotps with the rest of his henchmen though I see them more being like his adoptive children! 

Head Canon: Baron is of indigenous background! I also like to headcanon that the white tuft/strands in his hair are truly his and have been there since birth!  (I have so many more HCs for him but I will keep it short cause it can go all day x’) )

Unpopular opinion: Don’t think I have one, at the moment at least. 

A wish: To have gotten more information/lore on him and the entire cast, honestly! I would have loved to see more of his character explored and what more he could have had to offer as a series main villain! Hell, the whole damn series had so much to offer! And just the relationships he has with the others and what more he could have done post season and before! So much potential there to be explored! I honestly would not be objecting to a reboot/revival or continuation of the series! 

An oh-god-please-dont-ever-happen: Though with that said, if a reboot does come around, don’t turn it into the mess of current cartoons we have. Not that they are all bad but most of them have been very disappointing in keeping my attention and liking. Keep the same type of messages it had before! It worked beautifully as it did then and still does work now! I’d love to see the same formulas used while also updating it to be more gritty and mature like they did for Castlevania! Just... Don’t turn it into a cringe worthy mess that will ruin Baron and all the characters in the series! Don’t do what the comics did! 

5 words to best describe them: Charmingly evil, badass, fun, conniving bastard, and menacing. 

My nickname for them: Mega dork (affectionately speaking)

Next is Ariandel!

Why I like them: Oh boy, there is a lot to say in terms of why I like him but I will try to keep it short and simple for time purposes!  His design is top tier for me! Like a rotting skull like face? Check! A monstrous body much like a bird’s? Check! And to add he is a giant Corvian, which are one of my favorite enemies in Dark Souls III!  His personality also differs from the usual loud, bombastic, and proud characters I tend to gravitate for. Instead, he’s withdrawn and rather sad to look at and hear. You know he’s going through a lot but don’t know exactly what it is. In game, one can sort of get hints as to what has gone on behind the scenes but at the same time, its still vague and hard to really pinpoint what really did happen. So he has that air of mystery to him that I honestly adore in many characters as it leaves room to explore deeper into their lore! But I also find his personality relatable as well as sympathetic.  But that’s just me, I can gush about him all day but I will cut it short here x’)

Why I don’t: To be honest I don't have any reason not to like Ariandel other then the small fact that he followed Friede and let the Painted World rot in such a terrible state. But that is so minor of an issue to me to really make a difference, lol. I adore this giant bird man!

Favorite episode (scene if movie): I have to say the scene where he ultimately snaps and breaks out of binds after seeing Friede's lifeless body before him is my favorite scene of his. The amount of pain and anguish heard in his scream and the way he moves prior and after; I can very much relate to that feeling. Sometimes, actions truly convey the emotions better in the most powerful means necessary. And this scene alone truly nailed it.

Favorite season/movie: He's only ever seen in the Dark Souls III DLC, so obvious answer points to the DLC!

Favorite line: "When the Ashes are two, a flame alighteth. Thou'rt Ash, and fire befits thee, of course..."

Favorite outfit: Uhh, he doesn't really wear any clothes save for his cape? So I guess the cape does him well as he is, though I always draw him without it xD

OTP: To be honest, I don't ship him with any canon characters within Dark Souls. Friede does not deserve him..

Brotp: Ariandel being best friends with the Ashen One is my ultimate Brotp! Just think of how much of a valuable ally he could have been!

Head Canon: I know his origins are debatable, as either theory I have for him can be plausible but I often lean more towards the idea of him being half Giant and half Corvian! IDK why but I just like it a lot more x’)

Unpopular opinion: While Ariandel is partly responsible for what happened to the Painted World, I still feel he was manipulated overall and probably at one point did have a change of heart before being forced into complete isolation. He plays more the role of the willing/unwilling accomplice then the actual perpetrator of the crime.  

A wish: He could have had a happier ending without having to die for Friede. I know, its Dark Souls. Such a thing is expected to happen in the Soulsborne series but its a wish, right? 

An oh-god-please-dont-ever-happen: That anything beyond the infatuation he had for Friede took place. Just.. No. He loved her but never could ever have her in that sense and never did. Just no, she is horrible to him. 

5 words to best describe them: Sad, lonely, birdman, withdrawn, and tragic

My nickname for them: Papa bird

And lastly for skekSo!

Why I like them: I think its as obvious as the case for Baron Dark. I like evil, smug bastards that shine through their wickedness and don't usually hold back. In the case of skekSo, I actually didn't care for him at first but then after my second viewing of the show, I started to like him more and enjoy his villainy! He's selfish, arrogant, vain, and conniving and I love it! Added that his design is really appealing to the eye and how he carries himself out, I gotta say he's one of the few villain characters from a show that makes the turn around for me to like them instead of hate them more. Also, his voice. Can NOT go wrong with that voice cause DAMN, its good and shows just how powerful a villain can be with a voice like his. And those eyes. Oh man, those eyes!

Why I don’t: Despite his villainy being the main point that caught my attention, its also a part of his downfall too. His constant greed and arrogance pushed him too far into doing what he did and ultimately cost him everything in the end; including loyal allies that end up dying for him in the long run. I hate how easily and quickly he changes his mind when actual logic is put into perspective of his plans and how quick he is to dismiss someone else when they don't please him anymore or things don't go his way for the smallest things. And yes, that is part of his character, I know that. That is what makes him as scummy as he is and why I love how trashy he is. But I also can't ignore just how easily he pushed skekVar away and believed skekSil despite knowing just what a lying bastard he is. IDK, it just feels too obvious but at the same time, it is what it is and I am not upset about it in the least x)

Favorite episode (scene if movie): Honestly, I enjoyed all the scenes with him in the show but mostly in particular with his interactions with skekVar, especially towards the end of the series. It showed a peak part of his vulnerability in his character that honestly I doubt he ever shows to anyone else. He spends most of his time pushing others around and making them fear him but with skekVar there is a sort of mutual respect going that really speaks out in a different way. Maybe I am just reading too much into it, but I always did enjoy how they interacted with one another!

Favorite season/movie: Well, skekSo didn't get much screen time in the movie other then him dying and turning to dust so.... Definitely enjoyed him more in the show then the film xD

Favorite line: "NOOOOO!" (Yes, this scene is still very infamous to me for personal reasons but the way he carried out his "no's" cracked me up each time xD)

Favorite outfit: Honestly, the main outfit he wore throughout the show. It's just so regal and goth, I love it! And as a goth and fashion enthusiast myself, I am all up for the style he has! The battle armor he wore near the end made it a tad more laughable to be honest.

OTP: I started shipping him with skekVar but ended up with an OT3 of skekVar and skekZok. So now all three of them live in a happy relationship with each other in my noodle~

Brotp: I see him being on neutral terms with skekMal! 

Head Canon: I feel that even in the show it wasn’t seen or given, but he did feel a lot of remorse and regret after the loss of skekVar. He seemed very close with him and spoke with skekVar with more trust then he did the others. Perhaps in secret he did mourn the General’s loss. 

Unpopular opinion: Does this count as an unpopular opinion? I know most people see him with just a few strands of hair but I tend to see him with a head full of long flowing white locks he keeps hidden beneath his clothes. It adds to the extra layer of vanity for a proud Emperor such as he! He looses it over time the darkening consumes him and withers down his health. 

A wish: To see what he was like as an urSkek prior to being split up into a Skeksis and urRu. Yeah, I know people don't care or like the urSkeks all that much but honestly, I would LOVE to see more urSkek lore and see what it was that made SoSu so special among his peers. It was said, after all, he had a voice that could move the stars but was conflicted and consumed with darkness. Honestly, I want to know why and who he was prior to all of this mess! SkekSo even says in the show he still has nightmares of the life before so I wonder, what they were and how it was! So much potential here, man!

An oh-god-please-dont-ever-happen: I don’t think I have any of these to be honest? At least with skekSo. Not that I can think of on top of my head now. 

5 words to best describe them: Proud, absolute piece of shit, pretty, conniving, and menacing. 

My nickname for them: Stupid idiot

[alisarb]

the nature of frenchie and kimiko’s relationship

in every frenchie-kimiko video about their relationship there’s always someone commenting how much they ship it and there’s always someone else pointing out that their relationship in the comics is like father and daughter

so, being the obsessive shipper that I am and weirdly overthinking everything about a tv show because i can’t enjoy things like normal people, i decided to write this post to defend why I think their relationship in the show (and even a bit in the comics) is anything BUT paternal, and why their relationship in tv vs. comics is so different

(please bear in mind this is my opinion and in no way i wanna force ships onto anyone, you’re free to interpret stories and ship characters however you want!!)

Okay, the first thing we learn about frenchie in the show is that he is a man of many skills: in his own words, a gunrunner by trade, but with a very particular niche. we also learn he used to be a hitman, probably, and then he talks about his victims like scars he has to carry forever. he’s the first character apart from hughie that expresses some kind of remorse in the show about killing someone up until that point in the show (and i know it’s only the second episode, but by then we’d already seen quite enough violence)

he’s a layered character from the beginning, going from what looks like a man who likes his pills way too much and who seems dangerous to someone who actually has more to offer. still, he has other personality traits that differentiate him from the rest: frenchie describes himself as a womanizer in a conversation with m.m, who he mocks for being in a loving relationship with his wife. he “goes to sleep every night next to someone different.” we’ve met cherie by then but we can assume they are not really in a relationship by this statement, more like a casual lovers situation

and then, like a joke from fate, he meets kimiko. and from the very beginning they form a connection like no other. one can argue that their earlier interactions are kinda sweet and tender and not romantic at all, but from what i see, they share the kind of intimacy that most tv couples wish they could convey without even touching. their chemistry is undeniable 

on top of that, as their relationship progresses, kimiko begins to return the affection. she goes from this killing machine that can’t stand to be touched to initiate contact with (and only) frenchie, because he’s her source of comfort and reassuring. at mesmer’s, kimiko looks at him because he’s the only person that she can trust and the first one to show her kindness in who knows how long

the rest of the group is understandably wary of kimiko, as she has proved to brutal and ruthless. frenchie is the only one who understands her, and that’s why he frees her that first time: to give her a choice 

in exchange, when they are at mesmer’s,he asks her to show them what he sees, and she complies. because she doesn’t trust the rest yet, but she trusts frenchie. and even with that first vision he doesn’t doubt for a second that she can’t be just a terrorist. so kimiko shares with them and relives her trauma: the murder of her parents, being removed from her home and sent to a camp with her brother, being forced to become a soldier, being injected with compound v and becoming a supe with a talent for mass murder just to be locked in a cage like an animal... 

the look they share after that revelation is anything but platonic and/or paternal:

LOOK AT MM AND BUTCHER. BUTCHER IS LIKE WTF AND M.M SHRUGGED LIKE “NOTHING TO BE DONE HE’S IN LOVE YOUR HONOR”

sorry about the excitement this scene makes me wanna squeal with delight

shortly after, kimiko is watching shark week again and frenchie comes up to her to talk about vought and how they’re hurting people like they hurt her, how she could help them stop it. at first kimiko keeps staring at the TV and looks defensive, but the moment he says: “it’s your choice, if you wanna go back and look for your brother i’ll take you to the airport” she looks at him, surprised. 

because he keeps giving her a choice, which is the core of their relatiionship

and, as another user pointed out in a post a while ago, if you watched the show with the captions on (as i did bc english is not my native language) as she holds his hand, you can hear and read that shark week talks about mating and how if a female shark returns the male’s feelings will make some sort of move. one could think that this was accidental but c’mon, this show doesn’t leave anything a coincidence 

it’s clear from the beginning that frenchie is completely smitten with her. in fact, we see small glimpses of him literally OBSESSING over her from the beginning: he meets with cherie to get the gas to sedate kimiko and we learn he hasn’t been with her in a while. i’m sure he was plenty busy with the whole vought + kimiko situation, but at that point they were all living separately and they returned to their places even if it was less frequently than usual (and cherie seemed to spend a lot of time in his place, if not even living there)

he cooks for her when she’s chained and then later on he teaches her HOW TO BAKE my heart 

I could keep listing every moment when Frenchie looks at Kimiko (because his eyes inevitably follow her at any scene) or how the rest of The Boys is so aware of what they are (”you’re dating a terrorist”/”your crazy ass girlfriend”), and (SPOILERS SEASON 2 STOP READING FOR A SECOND) in the s2 we see how Frenchie is dog tired, probably angry and frustrated, and his face automatically changes when Kimiko goes to show him the origami piece. He smiles sweetly because she makes him happy, and amidst all the chaos they are going through one of his main worries is still Kimiko and how to understand and communicate with her.

END OF SPOILRS SEASON 2 

One of the last moments is in the finale, when Kimiko is finally pulling herself back together after years of abuse and mistreatment by brushing her hair, wearing pretty clothes or painting her nails. Simple acts that make her feel like she’s a person. When she comes out of the bathroom, he looks at her with pure AWE. He even says “look at you, mon coeur”, because it’s like she’s the prettiest thing he’s seen. When the gas comes into the room he pushes her into the bathroom first thing. 

M.M’s face at the end when they’re surrounded and he sees Frenchie hitting his head against the wall because even though he’s been shot he only wants to go get Kimiko, I think it says everything. His face when he talks about Kimiko and how she made him a better person. The way he pulled the hair out of her face. 

I really love how everything is coming together this new season, so now I’d like to address the main issue of this post: the nature of their relationship and how it’s nothing like the comics. 

There’s a very basic reason to why I believe their relationship is romantic, and not only by the actors’ interactions in Instagram, or the way Amazon promotes their relationship, but because the comics are so different from the tv show. 

Every character’s background story is changed, and so are their motivations, personalities and, as far as we’ve seen, their storylines. In the show they’ve made it pretty clear that Kimiko and Frenchie share a connection that resembles that of a soulmate. 

And even in the comics, (spoiler) when they’re about to die, Frenchie turns around and tells her that he’s loved her since the beginning. I don’t think that’s very father-like. 

In conclusion, it’s likely that they’ll make us wait for a long time before we get more romantic interaction (especially since Kimiko is growing as a character and that might mean she might need to grow on her own, which I think is great), but it’s been clear since the beginning that they are meant to be. I WILL DIE ON THIS HILL 

[shoichee]

KNB OC

Name: Shirobi Arisu

School: Touou Academy

Zodiac: Pisces

Note: I gave it an attempt to draw her portraits in the Production I.G artstyle! Excuse the lazy anatomy and messy sketch lines, er... hope they don’t distract you too bad? Also EXTREMELY long profile, hence the cut! This is a 300-follower special, but perhaps I’ll do something with Shirobi in the future! (Shirobi is her surname, Arisu is her first name)

Appearances

Personality

she is very much described to be “fox-like” in demeanor, slipping in and out of conversations naturally and with ease, being able to show different aspects and sides of her to different types of people

her default persona in encountering new people is a noble, unassuming/demure one in order to gauge how they interact with her before adjusting accordingly // you can see what that looks like here

a very innate actress, but the most cynical description of her would be “two-faced,” though it’s important to note that her personas are not so drastic that they seem like different people (like Akashi’s situation); perhaps if someone was keenly observing her for a while, they would notice

she does subtle shifts in aspects of her personality’s repertoire because of: 1.) becoming more compatible with people, and thus, having the most efficient conversations without having “annoying, unnecessary” conflicts with them, and 2.) studying people in different social settings is interesting to her

as a result of her jumping around and exploring different sides of her to different people daily, she does wind up suffering from mini identity crises and mental exhaustion very frequently

after a whole dismantle of her *mostly harmless* mind schemes (particularly by a close friend or two later on), her “true self” would be a deflective “tsundere-like” character, since her visceral reaction is for her to always slip into a convenient persona for the situation rather than being initially honest with herself and the people around her, and without the security of a “persona,” she gets flustered and embarrassed very *very* easily

hobbies in her free time include either being alone to sleep and not worrying about how to present herself or reading various works of (non)fiction (of many genres)/psychology to study people and how they tick (bonus: became a recent internet junkie after finding greater convenience in just finding articles and blogs instantly with a simple click)

irony: she finds talking to people inconvenient and tiring but she finds it intriguing to study them in all aspects of behavioral, cultural, and social means (so she kind of has to talk with people)

certified ambivert

if she does approach to someone, it’s almost never for the reasons of “making friends;” if there is no intellectual gain nor tangible benefit from talking, then she won’t bother partaking in it

because of her recent upbringing, while she may not show it, she despises arguments and fights, so when situations escalate, she will attempt to either smoothly divert the subject elsewhere and/or trivialize the matter to a degree; if all else fails, she will simply disengage from the conversation (essentially avoiding confrontation) // note: see “background” section for context

Teiko-era Personality

pleasant and friendly, albeit shy

perfect example of a polite goody two-shoes and teachers’ pet but still respected among her classmates for her genuine cordiality

very reserved individual but at this time was slowly breaking out of her shell to try to befriend her classmates to distract her mind from thinking about her home life

post-divorce/3rd year of Teiko: see “background” section for context

               *while still maintaining her amiable grace, she slowly detached herself from her acquaintances and classmates, keeping to herself a lot more while critically studying them increasingly as months went by; she began to talk with others only when it was a necessity

                                   *(occurred during her 1st year of Touou) a few months after she graduated from Teiko, she stopped going to the gym after school to observe the first string’s practices and only went to their games for Kōzō’s sake (especially when he fell ill) // her observant skills quickly picked up, even from their games alone, that the Teiko team’s dynamics have completely changed (which she relates this revelation back to Kōzō in the hospital)

                                   *her current personality will hit full force once she enters high school after graduating from Teiko

“Last Game” Personality

reverted mostly back to her genuine, cordial self, but is still very spontaneous in showing different aspects of her personality in different situations, although most who know her can see right through her now (unless she really wanted to fool them, she probably could)

attempts to be more honest with herself and with others, especially in trying to unpack years of compartmentalization starting from her Teiko years

if she’s caught off guard, she will definitely become a flustered tsundere type of person

a happier person now that she’s made friends to rely on (•̀ᴗ•́)و (e.g. Momoi and Sakurai)

Background/Family

her multifaceted personality stemmed from her home life, where her parents became increasingly volatile and erratic when interacting with each other before they finally divorced her 2nd year of middle school

she constantly observed how her parents would initially act romantic on some days, but on many other days, they’d either tiptoe carefully around each other during conversations or they’d immediately fight

                    *rather than focusing on the discord of her home, she’d observe how they’d interact with each other in every situation and how despite being the two same individuals, they both act differently with each other every time they meet, thus feeding her intrigue on how individuals act in various social settings and cues

her parents would later on (shortly before divorcing) only meet up for motives of financial discussions, decisions on who she would live with for the week, etc. and they would no longer spend time together out of sentiment and love

                    *this imprinted into her belief that conversations that bring mutual benefit/reward are much better than other casual interactions, since she sees that they don’t provoke the unnecessary conflict/fights like other interactions do (e.g. seeing her parents fight when they talk about anything else)

Kōzō Shirogane (her great uncle, Teiko’s ex-coach) and Eiji Shirogane (a distant relative, Rakuzan’s current coach) are both from her father’s side of the family, hence she attended Teiko on behalf of Kōzō’s request in exchange for him paying for all of her school’s expenses (he wanted to spend more time with his great niece before he fell completely ill)

she and Kōzō would often be on the upper floor to observe practices together, and she would be immersed in studying how players would interact with each other on and off of courts; he was the one that got her into watching sports games (basketball in particular)

she graduated from Teiko a year before the GoMs did but would frequently visit their practices after school with Kōzō (until he fell ill)

she took after her mother’s surname after the divorce

Kōzō Shirogane fell ill shortly after her parents’ divorce

after graduating from middle school, she lives alone in an apartment under Shirogane’s name

she is not close with her parents but goes to visit each of them separately once in a while when Kōzō makes her go see them

she sees Kōzō as more of the father figure and cares deeply for him, and as for Eiji, she respects and admires him, but she isn’t close with him

ever since Kōzō fell ill, she would visit him in the hospital biweekly and update him on highlights from critical games from middle school and later on, inter-high and winter cup

Headcanons

she is the opposite of Kuroko in which she has a huge presence; it could be because of her hair color, hair pins, the many ways she carries herself throughout the day, or all of the above

why does she wear tons of hairpins? we don’t know, but she thinks they look nice and keeps the unruly hair out (for convenience)

sports games are fun for her to watch up close IRL because she can detect/study the mental games and simulations sparking across different players without having to talk to other people at all // televised games are useless because they cut a lot footage and cameras jump around too much for her to discern anything cohesive on the players

(if she ever got to speak with them) the most interesting people for her to converse with and study would be Midorima (because of his oha asa’s obsessions), Imayoshi, Hanamiya, Akashi, Teppei, Mitobe (she can actually understand him), and Momoi (when she doesn’t fawn over Kuroko)

no one knows what to genuinely get her for her birthday, let alone knowing her actual birthday; the closest thing they know is her zodiac sign

                     *throughout her deduced “birthday month,” different people will approach her with different gifts with what they thought she was interested in (because of her different personas she exhibited with each person): porn mags, antiques, shopping coupons, snacks, comic gags, etc.

                     *she keeps her birthday on the down low to prevent any chances of people being suspicious of her character when they try to throw a party for her and realizing she has these drastic “hobbies” and “interests” with each person // plus she doesn’t see a point of having a party because she knows how these familiar acquaintances would act in this particular situation

                     *she’s a fan of attending other people’s parties to observe them without being in the spotlight for once

she could be considered as part of the “uncrowned” generation considering her cognitive/mental skills and deduction (and she’s the same year as them)

                     *she and riko could be rivals as 2nd years in that sense, along with Momoi when she becomes a 1st year

Role/Skill

if she ever joined a sports club, her critical role would be monitoring and improving cognitive (mental) acuity especially in the following brain functions of: information processing, memory storage, attention, and situational judgement (and how they all respond and handle high pressure), since she’s so keen on studying people and how they act in different situations

she would also study opponents’ levels of acuity especially during huge pressure and high stakes

she will note environmental factors as well as lifestyles on every player; home players would get the according lists of tasks to work on to improve their acuity (which may include diet changes, mental exercises, adjusted sleep schedules, etc.) on their own and get tested on set dates

                 *will also initially ask home players to do a quick self-survey on possible genetic factors that would affect cognitive performance as well as any prescription/drug history

during club hours, she shows a very professional, polite side that purposefully distances herself from the rest of the team, and she is initially solely there to do her job and get compensations from the coach (until eventually she stays because she actually cares for the team)

Interactions

Kuroko: (Teiko + present)

polite with each other, although both will joke with each other in such a way that others can’t really tell if a joke just passed between them or if they’re being serious

she shifts her personality to be slightly more deadpan and delivers more dry humor when she’s around Kuroko

bonus: she addresses him with the nickname “Kurokuro” with the deadpan delivery, and others don’t know whether to laugh or be concerned

she doesn’t jump from his sudden appearances; while she doesn’t detect where he pops up most of the time, when he does, she just shrugs it off casually or does the dry “ahh i’m scared” or “wahhh you scared me” with surrendering hand motions whenever people around her get a genuine jumpscare from him

Kise: (Teiko + present)

with him she becomes more expressive and mildly snickers at their jokes together

the moment his fans come though, she’ll ditch him no questions asked; their constant interrogations and verbal grillings + fangirling are inconvenient to deal with // she’ll observe their behaviors from afar and take note on fan culture though, so she wouldn’t ditch him per say

she finds the fact that Kise can switch between a serious, determined persona and a flamboyant, energetic one so quickly really intriguing to witness every single time

Kise turns to her for mundane advice because “she’s just smart,” but she finds it really annoying and often gives him vague (but still valid) answers to shoo him away

Midorima: (Teiko + present)

she talks to him the most, mostly because his oha asa obsessions and meticulous rituals and schedules are ridiculously fascinating

she takes on a more serious persona (which is easy since she’s a pretty serious-like person to begin with) and subtly challenges Midorima, poking and prodding with very well-veiled questions to uncover the bottom of his obsessions

she does study up a bit of astrology and arcana books because of Midorima // one day he caught her with an astrology book on hand, and he immediately assumed she was into horoscopes as well, to which she did not deny a thing and let him convinced himself that she was (she’s gotta do what she’s gotta do)

after that ordeal, he gave her lucky items for her sign sometimes back in the Teiko days

just two smart brains having casual conversations about school

in the present day, if Takao was there, her persona switches to the one similar to what she’d use with Kise, and both would make snide remarks about Midorima

Midorima is slightly confused in seeing a subtly different side to her but he figured it was just Takao’s antics

Aomine: (Teiko + present)

when it was the days of “Puremine,” she was a supportive character, being slightly more blunt and more outspoken

she was extremely observant of his talent, and she was one of the first people to notice that he was going to bloom in talent before anyone else while also knowing its consequences // she subtly dropped hints for Aomine to slow down his pace in practicing, playing, etc. and to take a step back from basketball, but the blue-haired boy was an idiot so he didn’t pick them up one bit ((AKASHI DID THOUGH, UH))

with current Aomine, she’s presenting a more indifferent persona while further pushing a blunter side of herself when interacting with Aomine

like Imayoshi, she’s picked up on his dilemma and inner turmoil very quickly, but she wasn’t like Momoi who was actively trying to help him // she wasn’t enthusiastic in exerting effort when she knew that what he really needed to have his conflicts resolved was a definitive showdown on the courts

she doesn’t understand the appeal of porn mags at all, but feigns interest in them especially around Aomine (when they attend Touou Academy) to figure out why are people at her age so enthralled by them; Aomine definitely thinks she’s into them and gets her mags of half naked people for her and he’s extremely smug about it (“because we’re bros together” // “you’re welcome,” as he slaps her back way too hard)

she doesn’t really hang out with Aomine in Touou, maybe sometimes after school when she finds him up in the rooftop skipping practice when she’s in the mood to study how he ticks and annoy him for certain reactions to either prove/debunk her predictions

Momoi (Teiko + present)

she takes on a “girlier” and “cutesy” personality to be more compatible with Momoi to get along with her common interests

doesn’t really hang out with Momoi during the Teiko days unless Momoi approached her first with either data analyses, questions, or pleas to come with her to either: go shopping, drag Aomine, follow around Kuroko, etc.

Momoi addresses to her as “senpai” or “chan”

(during Teiko and present) asks her questions about her “love life” with Kuroko in a way that makes Momoi think she’s someone who believes in romance and lovey dovey things (she’s quite neutral about it IRL)

when Momoi finds out they both ended up at Touou, Momoi pounces on her every chance they get and drags her around because “we’re best friends!” // she goes along with it just to see how things turn out

she ends up being Momoi’s listening ear as she rants about Aomine’s awful habits or her worries about the team

Momoi begs and pleads her to join the team and assist them in some way; she outright refused, but Momoi is also intelligent in which she comes up with new offers everyday to try to convince her

she finally agrees when Momoi asked the coach to pay her a weekly salary (poor guy, but then again he’s rich) for her work and take Momoi’s word that the addition of her would be nothing but beneficial for the team’s success

because they're both on the same team together, they both spend even more time together to do analyses on both their own team members and other schools’ players

attends Touou’s games and only watches from first row seats in the audience in order to conduct naturalistic observations on both teams; she will never be on the benches unless it’s the semi-finals onwards

Murasakibara: (Teiko + present)

there isn’t much to study on this guy; he’s as straightforward as a single-file line

she either acts more of a casual childlike persona (by calling him “Muramura” or “Sakisaki-san”) or exhibits more of a stern, serious side (e.g. the persona used with Midorima) depending on the situation/context

she definitely bribes him with snacks and food to do convenient favors (in addition to using childish nicknames), or she throws the snacks far, gives them to someone else, eats them in front of him, etc. to elicit reactions from the man-child

she knows it’s better for her own good to NOT purposely provoke the scary side of Murasakibara, but when that side does come out for other reasons, it’s showtime for her; she’s going to be observing him with hidden glee

she doesn’t talk with him after graduating from Teiko; the next time she’ll see him is during the winter cup, particularly with yosen vs. seirin // it’s another movie marathon for her just watching every players and how they interact with each other (a LITERAL showdown between Teppei and Murasakibara.... Kagami and Himuro.... Himuro and Murasakibara—yeah it’s a field day)

Akashi: (Teiko + present)

she and ore-Akashi get along swell; she is at her surface self the most when conversing with him, not having a need to adjust herself that much from her initial “polite” persona

lots of theoretical talks and hypotheses in studying people and the world; they both respect each other very much

boku-Akashi is a different story; she starts avoiding him tactfully after his other side awakens

the saying “it takes one to know one” is especially true in this case: Akashi is very much aware of her two-facedness, and she is uncomfortable at the fact of him knowing such an innermost secret about herself

at the same time, she knows about where his “other side” “disappeared” to, whereas no one else hadn’t had a clue

both know about each other’s gimmicks and personalities, and throughout the rest of their years at Teiko, it’s a bunch of mind games and careful maneuverings around each other

Akashi finds it thrilling because it’s reminiscent of shogi

she finds this stressful because what the hell please leave me alone i’m trying to avoid you

after she got over her initial anxiety of this newfound revelation of new Akashi, she carefully treads this game and takes the advantage to study how this new side of Akashi ticks

he DEFINITELY caught what she was trying to do with Aomine in dropping hints; in response, he used his role as captain to push Aomine to try harder in games

she DEFINITELY caught what he was trying to do in pushing Aomine in “motivating” him; problem was, she wasn’t going to sacrifice her effort, wellbeing, and life to go against Akashi

after graduating from Teiko, when she still used to observe their practices and games, she was still very much uneasy and tried to downplay her presence to avoid Akashi’s scrutiny (sadly, her presence is too significant) // she really wished she was a Kuroko

she was able to breathe easier once she finds out later that they’re both going to different high schools; she continues to watch more of Rakuzan’s games after finding out that’s where Akashi ended up attending to figure his dynamics with his team + basketball and then predict his current mannerisms off the courts

when ore-Akashi comes back, she’s suspicious at first, but after confirming his character in person, she’s relieved that the “old him” was back (but slightly disappointed that his other self is gone // she kind of found that side of him more interesting to observe)

he still knows how many personas she has under her disposal, but he isn’t going to snitch any time soon

GoMs together: (Teiko + present)

to not give away the fact that she shows different sides to everyone, when everyone gathers/is nearby, she (at least attempts to) becomes a wallflower to observe everyone and act appropriately in the situation if she’s ever addressed to in the group; her name will always come up in some shape or form so she’s prepared to present a neutral persona without throwing people off

since the GoMs all attend different schools, it’s easier for her to socially maneuver around, however she is still cautious when near crowds (before/after games) and groups of people (such as Touou’s team) because they tend to call her over (but she’ll smoothly pretend she didn’t hear/was preoccupied and she’ll slip away)

Haizaki: (Teiko + present)

dear god, she hoped not to ever directly interact with him

he was a morbidly interesting person to observe, from far away // she’s trying to comprehend how this one middle schooler is already so immoral and violent

he’s definitely tried to hit on her, but she smoothly slipped away before he did anything else

it was a never-ending game of weasel and snake; he fancied her because she was someone who was mysterious and “hard to get,” but she’s always slipping away because he was extremely annoying to converse with and she definitely doesn’t want to end up in a fist fight with this guy

this constant chasing was significantly quashed after Akashi ordered him to quit the team (who’s to say that Akashi hadn’t also noticed that Haizaki was trying to harass her? respect women juice)

Haizaki noticed her outside the stadium before his match with kaijo a year later; she was outside ready to enter in before he blocked her way, but after a lot of sugar coating and sidestepping to try to diffuse the situation (she fooled him by feigning interest in him using a slightly more flirtatious, sly persona), she escaped from his grasp once again // it agitated him and that’s why he continued to prowl around outside before he chanced upon Alex and Himuro

Imayoshi: (present)

this guy is an Akashi; he picked up on her multifaceted personality frighteningly fast

except that instead of being wary and observant of her like Akashi would, this guy openly makes passive-aggressive remarks referring to her personality; no one except her would understand his real intentions behind those comments (they inwardly scare and piss her off)

he also had the upperclassman advantages to openly talk to her very casually and harp on her (on the other hand, Akashi was a year younger than her), so he very much does every thing to get under her skin and rile her up

she employs a more sarcastic persona to match up with Imayoshi, but that just makes him more determine to break her facades; in the end, to keep her cool, she just settled for a default polite persona while still shooting occasional flippant responses at him

TLDR; this guy has the same hobby as she does in getting reactions out of people to study them, except Imayoshi is an actual psychic in deciphering people out; perhaps he’s even better at these things than her

Momoi unintentionally helps her out by always telling Imayoshi to “stop bothering her so much,” and all he does is a mock-surrender, replying cheerfully that it was all in good fun

he definitely makes her job harder by trying to be a smartass when she gives him instructions and lists in how to improve his mental acuity; she quickly shuts his attempts down, and he always calls her an “absolute killjoy”

while she knows it’s beneficial to observe an individual who has a similar hobby like herself to see and compare the similarities/differences, Imayoshi makes it really difficult because his keen senses plus her huge presence makes him able to pick her out most of the time

                     *she’s only able to safely observe him when he’s on the courts

                     *other times, she dutifully avoids him unless when she’s doing her job

are they friends? it’s hard to say; they act like they’re familiar with each other but it’s a love-hate relationship // she respects his intuition but she frowns on his personality (it’s the fact that he acts like he knows everything and she knows he also puts up a few “nice guy” facades of his own)

he’s probably the first guy to actually break through her personas completely and get her to snap and yell at him unabashedly one evening when they were walking to a nearby convenience store because he was tagging along (Momoi was with Aomine at the time)

                     *at that moment, she probably also gave Imayoshi a shock for his life for the first time outside of the games

                     *she coughed and went back to her polite persona like nothing happened and that just made him so much more amused

they’re frenemies and rivals, trying to outdo the other in poking each other mentally and out-acting the other

Sakurai: (present)

first impressions of this kid: she pities him a lot

sometimes, she says various things to see if he‘ll apologize just to see which trigger words get him in a sweat to say “sorry”

she’ll either be a *gentler* polite person or take on a more stern/serious side (used with Midorima and sometimes Murasakibara); the latter would be used to try to toughen the poor guy up mentally

increasing Sakurai’s cognitive acuity would be the most difficult considering the fact that (combined with Momoi’s data) there’s a direct relationship between his physical and mental stamina; if he’s extremely exhausted, his mental sharpness declines dramatically along with it

he’s not considered the sharpest tool in the shed, and his naiveté tends to show when he asks innocent questions about her and her life, and one day, this guy accidentally hit the nail on the head when he asked about her family out of curiosity, which was her touchiest subject

                     *she did have a moment of shock and took some time to recollect herself and deflect the subject elsewhere, but Sakurai picked her hesitance up as a sign of offense and spewed a plethora of apologies (to which she had to calm the boy down)

                     *from that point on, although still curious, he became a lot more observant and cautious of how she acts around other people (at first he was watching so he can learn how to not offend her and overstep his boundaries)

as time progresses (especially after their loss at the winter cup), and the more Sakurai just asks her about many things, she does loosen up around him; he does eventually bring up the topic of family (not necessarily hers, but his own) to try to encourage her to talk about her own

Sakurai would be the type of person to be uncharacteristically determined and blunt in particular situations with people whom he considers his friends: here, he would confront her and asked if she was alright and if things were going okay at home

                     *out of curiosity in where he got that confidence boost and respect for him being mentally stronger, she does open up slowly one topic/talk at a time spread out for the next few weeks

both of their different curiosities for each other would lead to them being close friends ´･ᴗ･` (she makes him a more self-assured person and he gives her time to be her true self [or at least develop one], and other than annoying her with his occasional sorry’s, he doesn’t overwhelm her with his presence)

[demetriandelibinaryboyfriends]

I know it's been said before buy I just have to say I know the whole demetri and yasmine plot was just so that all the gay undertones of the rivalry and obsession and tension between Demtri and hawk could be easily overlooked

Lololol Anon you’re not even WRONG

Once they yeeted Moon out of the picture the writers were like “Oh shit, better No Homo it again!!!”

I guess in the writer’s (very feeble) defense, they DID set it up kinda, by having Demetri be like “Wow!!! I’d love to have Yasmine spit in my face!!!” and then very atrociously trying to hit on her at the beach party. But I thought his sorta-crush on her was just supposed to be like...comic relief??? Like “haha look at this nerdy guy being hot for this sexy popular chick he’ll never, ever get, isn’t it good memes???” I mean, him coming on to her at the party and just FAILING at every level was so incredibly funny BECAUSE of how much someone like her was just...never going to go for a dude like that in a million years. Like I thought that was the whole joke??? And Cobra Kai seems a bit more realism-leaning than some teen shows in how the teenagers actually act, so I figured from that angle it was gonna be the trope of “nerdy guy into hot popular bitchy girl” set up...but then, Reality Ensues, and she’s not only not remotely interested, but mildly to moderately disgusted at the idea. And that’s the comedy of it.

So yeah, after Season 1, I thought we were done with that whole arc, and it was literally just like...a joke “love” subplot to balance out the more serious relationship difficulties Miguel was having at the time. But now...Yasmine’s back, I guess??? And she apparently did a full 180 and is sorta nice now and went through a bunch of Character Development offscreen, none of which we got to see? So I GUESS her and Demetri were hinted to eventually become a thing, just like...very, very poorly. And in “hints” I assumed we were in no way meant to take seriously at all.

But yeah, the Yasmine/Demetri thing DOES seem kinda thrown in last-minute, given how finished that arc felt back in s1. And we only ever really get to see Yasmine when she’s interacting with Demetri, so it really feels like she was only brought back to be his love interest, which like...VERY weird flex, Cobra Kai writers, but okay :/

It IS incredibly sus how much time and energy Hawk and Demetri devote to their rivalry in particular, rather than like...idk, moving on with their lives??? Just ignoring each other and doing their own things, now that they are officially no longer bros and are in different friend circles, etc etc? Like they go OUT OF THEIR WAY to fuck with each other when they could just like...chill and move on. Like Demetri, a socially-awkward dude with limited people skills, works up the balls to get onstage and roast Hawk in front of an entire partyful of peers. Hawk SEARCHES THROUGH AN ENTIRE SCHOOL to hunt down Demetri at the school fight. Hawk goes up to Demetri on the first damn day back at school just to GLARE at him ominously (which I also just realized is RIGHT after some freshman girls give Demetri moony looks as they pass--jealous much???) Later on, Hawk coulda ignored Demetri and finished eating lunch with his Cool New Friends, but instead he goes out of his damn way to bust Demetri’s project and then come over and roast him about it. Demetri then eagerly goes over and reciprocates said roasting and spends that entire fucking soccer game tryna screw with Hawk in particular. They fricken almost IMMEDIATELY go for each other in the Golf N Stuff fight, IIRC. Really, they devote more time and energy to each other and their Rivalry™️ than either does to like...any other character? Like are Eli’s thoughts 90% “what’s the next thing I can do to fuck with Demetri?” Are Demetri’s thoughts 90% “what’s the next thing I can do to fuck with Eli?” Because like...I just don’t think obsessing over another man that much, even in a negative context...is very straight XD

There’s also the fact that their arcs are WAY more intertwined with each other’s than ANY girl either of them dates or interacts with. I mean ffs, Moon dumped Hawk BECAUSE of how he treated Demetri--even Hawk’s supposed Straight Romantic Subplot™️ ties directly back into Demetri! And the only reason Demetri joins Miyagi-Do at ALL and doesn’t just like...fade into the background in Season 2 is to show HAWK SPECIFICALLY that he can “fight back.” And later we have DEMETRI being the one to make Hawk realize he’s gone too far with Cobra Kai (i.e. his guilt after breaking Demetri’s arm) and ultimately being the catalyst that makes Hawk SWITCH SIDES! I honestly think every major point of development for both characters directly involves the other in some way--you could even argue Eli initially becomes “Hawk” in part because Demetri quits Cobra Kai, and isn’t around to stick up for him anymore--so he has to find another way to protect himself from bullying. Even their sense of “dojo rivalry” is mostly just about each other--Hawk’s animosity toward Miyagi-Do lowkey seems to stem almost entirely from Demetri in particular joining it and “betraying” him, while Demetri’s animosity toward Cobra Kai basically entirely comes from Cobra Kai taking Eli away from him. I literally like...cannot think of a single thing in either of their developments that doesn’t tie into the other in a major way. 

Like to put it plainly, Moon and Yasmine feel like a single step in each of the boys’ character journeys--a single turning point to spur them in a certain direction. But Demetri and Hawk just...ARE each other’s character journeys. They’re not a step for the other to discover something about themself or get pushed in a certain direction--they just ARE the entire arc for each other, if that makes any sense. Like you could argue BOTH Demetri and Eli/Hawk’s arcs like 90% center on how to navigate their relationship when Eli gains confidence and their interests diverge and they no longer need each other the way they used to. Like??? Name ONE aspect of either of their arcs that doesn’t tie directly into their undying gay love friendship in some way??? It’s INCREDIBLY integral to both their stories and is just...SO much more compelling to watch than either of them making out with hot girls at parties or in the hallway. And them repairing their relationship and/or evolving it as needed, realizing that they love each other too much to let one another go, even if they’re both somewhat different after everything??? And realizing it’s a romantic kinda undying love they’re feeling, because really, what good reason is there for it NOT to be??? We HAVE enough male characters in media already with strictly platonic/brotherly friendships, why not just let two male characters with a compelling story, a strong prior friendship, and REALLY good romantic chemistry just like...be gay??? It feels natural, it’s a good ending to their arc, it feels narratively satisfying in a “Finally having the ‘will they or won’t they’ couple get together” kinda way...why not do it??? It makes ALL the damn sense and would be incredibly thematically interesting and SATISFYING, but y’all writers are COWARDS DAMMIT

Just gonna make that crack ship from Season 1 canon so we can prove that Demetri isn’t gay, no sir??? No Homo my guy??? We can only have one (1) LGBT character per television show, or the “traditional values” viewers will come for us???

Pre Season 3 I honest to god was hoping that part of Demetri’s arc, if he ran into Yasmine again, would be him realizing that he could honestly do better than someone that bitchy and vile, and having enough self-respect to just...lose interest in someone who’s going to push him around, act like he’s beneath her, and talk smack about his friends the second she thinks they’re “lame.” Maybe it isn’t too late though, and we’ll see this in Season 4? Here’s to hoping, because I am going to THROW HANDS if this fricken pairing is ENDGAME endgame. Like...what even do these people have in common, besides getting wedgies??? Do they even have like...any of the same interests??? At all??? How are they going to build a lasting relationship off of...both having gotten a wedgie? And being mean to people sometimes, I guess?

Like, sure. Let them date for a bit--they’re horny teens, they’re prone to jumping into relationships for not exactly the most deep and meaningful reasons. Physical attraction, teenage horniness, and raging hormones are no joke. So sure, I can see them having a fling solely because they both think the other’s hot. But you wanna tell me they’d LAST??? No SIR, I must inform you I Do Not Buy it.

(Tfw you meant to do a short ask making memes about what a crackship Demetri/Yasmine was in Season 1 and you ended up having WAY too much to say about All The Things and now it’s 3 am and you’re typing like a madman. I probably cycled back across the same 5 points like 5 times each because it’s late and I’m not thinking straight, I apologize.)

[maariarogers]

How They Steal Seojun’s Scenes and Ruin A Tiny Essence of Seojun and Suho’s Character(s) in the K-Drama: A Study

Hi everybody!

First and foremost, I’m not online a lot, and whenever I do lately, I mostly try to spend it by fixating on a certain fandom — which, this time, happened to be the latest K-Drama “True Beauty”. I’ve written about two other study / analysis / meta which you could find here:

Thoughts On True Beauty and Why I’m On Team Suho

Why Webtoon!Suho is Superior and K-Drama!Suho Needs To Catch Up 👏

I’ve recently noticed during my scrolling that there has been a lot of tension between Team Seojun and Team Suho, which... broke my heart a little bit, because for the last eight episodes, I wasn’t really aware of it. I just thought everybody was having as much fun as I was just watching the K-Drama, but you know, we still have our favourites and we still have times when we disagree with the direction of the show, but by the end of the day, it was still something fun to watch, to distress with, and to share with like-minded fans.

Regardless, this is a warning that I don’t write with any intention to specifically target any characters or storyline, whether it be webtoon or the K-Drama. I do equally adore all of the cast, the production; the characters in the webtoon — and I will forever be thankful that I was fortunate enough to stumble upon the story as I did.

To add some context: I am a film student graduate, and I’ve always been interested in objectively dissecting characters, especially from a franchise, or things that came from a raw materials like True Beauty is. For your reference, I am currently at Chapter 128 of the webtoon series, although I am aware of spoilers beyond the chapters. As for the drama, I am at Episode 10 while I’m writing this. (Started at episode 9, continuing after episode 10.)

This is purely an in-depth analysis, if you’re into those sort of things, mainly discussing the major differences between webtoon representation of characters Lee Suho and Han Seojun in particular, and their mirrored selves in the K-Drama. Under the category, I will be touching on:

What the K-Drama changed the characters specifically

How They Stole Seojun Webtoon’s Scene and Character

Why Some of It Worked, Some of It Will Never

How They Highkey Ruined Seojun and Suho’s Dynamics

Why They Didn’t Need to Change the Characters At All, really

Another warning, just so any readers are aware, I am primarily a Suho x Jugeyong fan, but I’ve never really minded Seojun’s relationship with Jugyeong, either in Webtoon and K-Drama. Again, this mostly has a lot to do with how excellent the execution for Seojun was in the webtoon particularly — but I believe we’ll be getting into that.

Also, this is mostly to address the differences of webtoon vs. k-drama (and why some scene worked, why some scene didn’t work), and while I’ll be touching on the issues underlying the characters a bit, for a more thorough analysis or thoughts on the mental health represented by the characters, I would recommend reading:

By Tumblr User imjukyung (speaking about post-episode 10, specifically for Suho)

True Beauty: True Trauma and Unsettling Regression by tumblr user life-rewritten

Last Warning: This is about 5,000+ words. I... yeah. I have nothing to say except it’s written.

1. What Changed Specifically

I think the massive change an audience could probably observe — or if you can’t observe, you would find yourself being annoyed by it at certain point — would be in Suho. Yes, we’re starting with him.

I’ve been noticing a lot that people do heatedly comment that Suho’s “boring” — which, to an extent, I agree. (I mentioned this too in the first meta.) He is a massive play on the “cold and distant” trope, which, in my head, I’d like to call, a massive Edward Cullen case. That trope is often repetitive, most of the time it’s horribly executed, and it’s just, yeah, I’m not a big fan of them.

But again, I’ve mentioned this before, it works for Suho. I think this was what he was meant to be. As reference, in the webtoon even, Sua was never impressed with Suho, and she did repetitively say that the only “good thing that was going for him” was his good looks, and that he’s “boring” (in fact, I believe this is a fact since high school towards their adulthood). So yes, I think he was written like that on purpose.

On top of that, in the webtoon, compare to the K-Drama, Suho really does — nothing.

I’ll circle back to this specific characteristic because it relates to Seojun again, but I do wanted to point out that it is actually a prominent thing that’s to do with Suho. All he does in the webtoon, really, is study. Some of the things we learn later while we read would be that: he reads horror comic books as a sense of escapism, and he’s a good cook.

That’s it.

We would learn later, of course, that it is more than that. This personality is intentional and, most importantly, purposeful. What we’ve perceived as “boring” was used right against Suho — especially in the Prince of Princes arc, where the influencer called Suho out for “never trying his best” when the other contestants, Seojun and Aiden if we’re being specific, truly had something to lose while they were doing the show.

So, it wasn’t just, something the webtoon author decided Suho to be and held him no responsibility over, no — she crafted Suho like that from the beginning, she made us get used to it, and then, slowly, we see cracks of Suho’s “perfect” image and how that backfired. And Suho? He paid for it.

More than the simple cold and distant trope, his continuously monotone exterior actually did raise important questions in the long-run: For someone so smart with such a solid background, why does he seemed the most lost out of the Seojun-Jugeyong-Suho trio?

In my second meta, I wrote this:

It felt like the writers were desperate to fill the gaps for Suho possibly being “dull” [while playing] this typical cool and distant character — when, in reality, Suho’s existence as is was quite enough. He didn’t need to steal Seojun’s fighting ability, and he especially didn’t need to rob Seyeon’s musical passion too, to be interesting and have depths of his own [...]

Which I feel unfortunate about when it comes to K-Drama!Suho, and I still stand by it now. That doesn’t mean I don’t enjoy the K-Drama, because it could really hold up as its own separate storyline and timeline, but if we start to critically compare, we do see that, in reality, Suho could carry his “boring” character well and the K-Drama probably just didn’t know how to do this well, or thought the reception would be bad, so they added all of these unnecessarily profile traits to have him stand out.

To add, even when all he really does is study and read comic books, Jugyeong still likes him. To Jugyeong, Suho doesn’t really need to be more than what he is - their shared interest and their strong loyalty in ensuring they’re each other’s safe haven when it comes to emotional struggles were already enough for her; and for Suho, Jugyeong’s company as is had been sufficient to make him happy, or have a better outlook in life.

2. How They Stole Seojun Webtoon’s Scene and Character

This is quite a sensitive topic for Seojun’s fans, so I will try addressing this very, very carefully. If you have anymore to add and discuss, feel free — I’d love to know what else I’ve missed or might have overlooked.

In this specific section, I think I’d like to focus on three (3) major Seojun scene that was stolen. The band-aid, the wallet, and the spicy food. Of course, I’ll be touching on things they’ve stolen beyond those scenes because they did incorporate a lot of what Seojun should be experiencing to Suho, or other characters, and why this wasn’t okay — or it couldn’t be held up. But let’s start with the scene first and we’ll slowly walk to what other aspects of Seojun the writers think we wouldn’t notice being stolen.

The Band Aid Scene

In the webtoon (spoilers to those who haven’t read) in Chapter 34, Suho got into an accident in an attempt to save Jugyeong. This led her to be injured on the knees, which, after Seojun was called in, he helped treated. 

In the K-Drama, Suho was the one who treated Jugyeong’s knees – but this happened very early in the series and it was specifically triggered because Jugyeong tripped on her way to run Suho’s errands.

Personally, for me, I didn’t really mind this scene was “stolen”. Now, okay, before anybody comes at me, allow me to explain why: I didn’t think it mattered? Which probably didn’t help my case in fending a lot of you off lol but — I just didn’t think it mattered because in either scenes, it was still an in-character thing for them to do. Each boy would still assist Jugyeong and treated her knees even if they’ve switched places.

What I really meant was though, the scene didn’t really take any of Seojun’s important and/or core personality away from him — which you’ll find what I mean more as we delve on soon — it was just an act which anybody would’ve done for Jugyeong in that moment.

Especially in the webtoon, the bigger focus was more towards Suho who just got into an accident. There wasn’t really any fundamental value or any obvious motivation towards the scene unless you counted Seojun finding out that Heegyeong was Jugyeong’s sister - which, even then, it was brushed over quickly because, of course, we focus heavily on Suho’s state towards the end, and we’re stirring into what really happened between the three S (Seojun-Suho-Seyeon).

In the K-Drama, it was set up in such a way with a clear motivation: Suho apologising for pushing Jugyeong to such a limit and therefore elevating their statuses in comradeship, and for Seojun to notice and took an important interest in Jugyeong after seeing Suho and her together, triggering his consecutive contacts with her afterwards.

Each of them could really hold up as their own separate acts, and both boys are still heavily in-character.

The Wallet

In Chapter 32, Jugyeong (bare-faced) met with her bullies and they had a quick confrontation in WcDonalds. We realise the bullies didn’t really think they were responsible for how they acted, and didn’t apologise. This left Jugyeong devastated, so she left the restaurant premises and went home without realising she dropped her wallet. At the restaurant, Seojun’s friends picked it up — but Seojun was the one who identified the wallet’s owner, and came back just as Jugyeong, now fully in make-up, came to get it. Despite probably having eaten, Seojun invited Jugyeong to eat, noticing she’s in a bad mood.

In the K-Drama, Episode 6 if I’m not mistaken, Jugyeong stumbled upon her former bullies bare-faced. She managed to run out of the restaurant premises before shortly realising that she dropped her wallet. When she turned, she saw Suho was with her bullies, grasping the wallet from them. She ran away, he chased after, and they had their mini confrontation and Suho shielded Jugyeong from being recognised by their schoolmates.

Again, like the first, I didn’t really hold up any grudge over the scenes? Mostly because the difference in context between them?

Allow me to explain: in the webtoon, it was clearly placed that way to show the slow elevation of friendship between Jugyeong and Seojun; that scene also progressed to Jugyeong meeting Seojun’s group of friends later, which triggers to more scenes of them in the future i.e. Jugyeong trying out clothes at the request of Seojun’s friend’s girlfriend and Seojun obviously falling hard during the whole process.

(I also think like these are the first few instances where we’re established a place Seojun and Jugyeong bonded over most besides school, i.e. the shopping street background, because them shopping together in that group, or just the two of them, are relatively mentioned or brought up again and again.)

But that can’t realistically work for K-Drama.

In the webtoon, we’re allowed for a slow-paced friendship between Jugyeong and Seojun to form, which was important, because it was meant to bring us to the tipping point wherein Seojun transformed from being that best male friend (and why he stayed being the male best friend), to her boyfriend. The why, of course, is important — but we’ll get to that soon.

In the K-Drama, we’re not allowed the amount of pace. And, more than that, all of Seojun’s friends in the webtoon, who are high school dropouts or older (and therefore were not attending school) I believe, are replaced by the massive group Seojun has in their shared high school. So, the opportunity as is wasn’t really there, and it was later restricted by the time frame of a sixteen-episodes.

I’ll be touching on the fact that they do make up for this with various scenes, various new opportunities, but you can still see how Seojun falls a little short still to compare with his webtoon counterpart.

Speaking of the context further, technically I don’t think Suho “stole” the scene. The act, yes, I’ll admit to that, but not the scene, nor the core of what bonded Jugyeong and Seojun together — Suho didn’t have an external group of friends which he brought Jugyeong to meet, and he certainly didn’t share the street-shopping backgrounds and have a comforting meeting place with Jugyeong there.

I would’ve been more upset if Seojun confronted the bullies himself and returned the wallet to Jugyeong in the webtoon, only for Suho to obviously rob this scene from him in the K-Drama, when it was obviously Seojun’s highlighted moment. But as is, it happened differently.

Suho’s acts could held up as his own, especially since, different than the webtoon, he already saw bare-faced Jugyeong and knew the owner of the wallet [as he’s watched the scene unfold], while Seojun happened to find the wallet and Jugyeong thankfully had her ID, the one with make-up on her face, which led to Seojun keeping it and giving it back to her when they bump into each other later.

They weren’t really any confrontations about insecurities, past mistakes or the truth to be had; for Seojun and Jugyeong, that scene was only a “beginning” (the first of many events to come, the trigger point on how the rest starts), while for Suho, it was a “conclusion” (scenes triggered by other events first, ending with a specific decision).

The Spicy Food

Now, this is where I get a bit iffy? I wasn’t happy with it, simply put. I understand they amended it in episode 9, but — it still happened. And hoo-boy, they weren’t sneaky about it at all.

In the webtoon, Episode 33, Seojun invited Jugyeong to eat tteokbokki with him. Jugyeong wasn’t really feeling up to eat, but she accepted because she likes spicy food. Later, while having the meal together, Seojun is obviously having a hard time eating the spicy food, which Jugyeong internally questioned about.

In the K-Drama, Heegyeong and Mr. Han went on a date, and then we later find out that Mr. Han couldn’t withstand spicy food. He didn’t want to return the meal though, thinking that he would’ve burdened the staff.

Again, one can obviously just argue that, it happened in different context too, just like it did in the Wallet Scene. Or, better yet, that it’s fine, since they did include this in episode 9 in the end. But — the reason I had a problem with this choice of writing was because, unlike the other two examples, not beiong able to handle spicy food is a major, if not a constant, Seojun’s characteristics and behaviour.

That’s a Seojun thing, rather than a simple action, and taking that from him, or basing it off of him, feels a little... lazy.

Mr Han in the webtoon, while he didn’t play a major part and Heegyeong eventually lost interest in him, was a messy eater. They could’ve gone with that route easily. That he’s a messy eater, and Heegyeong finds herself liking it anyway — that is, if, like how I’ve been viewing the direction of the show, they really do want them to be together.

That’s already been apart of Mr. Han’s already-established behaviour, why take it from Seojun?

Which led us to the few bits of how Seojun is stolen beyond simple scenes.

Seojun’s Character

Now, “stolen” is such a big word. It’s right, to an extent, but it’s still such a big word. More than that, I’d say it’s “chipped”? As in, the true essence of what made Seojun so remarkable and strong as a second male lead in the webtoon is taken apart to have it lend to other characters or, equally worse, downplayed in the drama.

I’ve always had such a problem and it’s a MAJOR problem when Seojun, in the K-Drama, told Suho, “You don’t deserve to be happy.”

Straight-up, honest to god? That isn’t Seojun at all.

Yes, he’s upset. And yes, he’s irritated by what he perceived as Suho not coming to his expectation when it came to their shared loss regarding Seyeon and/or what he thought Suho failed to do. These are all true. Seojun is angry, and he’s consistently angry at Suho until they reach their resolution together — but he would never wish that on Suho.

What drove his anger was disappointment, was a sense of hopelessness, was the loss, but it never came from hatred. Seojun felt a lot towards Suho, but hate to the point of wishing someone’s unhappiness was never one of them.

Just having that spoken by Seojun contradicted a lot to how he behaves in the webtoon — which was honestly this upstanding, responsible and caring guy. And he is!

And while I adore Suho and he has a special place in my heart, I do see a stark difference to how Seojun operates if we compare to Suho: Seojun’s always been straightforward with his actions, countlessly working hard once he sets his mind to something (either that by choice, or otherwise i.e. helping his mom pay the bills, and then pursuing a career in being an idol) — he’s a go-getter.

Suho isn’t, not so directly at least. He’s quiet, and he keeps things to himself, and he doesn’t like a show. Which was why a lot of him “helping out” Jugyeong — mostly driving off weird men or confronting them — happened behind the scenes and without anybody’s knowledge. He doesn’t even really wanna acknowledge it after.

Seojun’s direction in life is clear, too. He wants to work right after school, and he does. He wants to treat Jugyeong properly as her romantic partner, and he does. He wants to be an idol and succeed, and he works hard on it.

Suho, on the other hand, not so much. A lot of the major things that did happen to Suho, it happened externally. Something else was pushing him to do an action. Him flying out to Japan due to his father, him returning to Korea etc. Again, this is a lot to do with his mental health as well, which is a separate post altogether, but I just wanted to point this out as comparison.

Rambling over — yes, if you’re not an avid webtoon reader, just know that, that specific line from Seojun? He would never. That was already so out-of-character of him because, as I’ve said and I will say it again, whatever anger Seojun harboured for Suho, it never came from such ugly or raw hatred. He didn’t understand Suho’s motivation after and/or during Seyeon’s death, and I do believe he could lash out from that - but he never held any extreme grudges.

To add, in the webtoon, that line was actually spoken by Suho when he admitted to his therapist that he think he doesn’t deserves to be happy.

This is also a big thing in my opinion, because it shows how differently Seojun and Suho coped — either with Seyeon, or whatever that comes after. Seojun has always been more prone to anger while Suho, either that added by his fluctuating mental health or otherwise, is prone to sadness.

Now, these are two extremely big negative emotions to be associated with our ever-favourite boys, but it’s true. It’s consistent throughout their characters all-through the story (in the webtoon, at least). And it does play a role, because, again, it showcases the difference of characters between Seojun and Suho, and how they react to situations differently. Seojun with his quick-temper, and Suho, easily feeling hopeless.

So, why is it important to know this?

Because a lot of Seojun’s anger, a lot of that deep-rooted aggression — that was transferred to Suho in the K-Drama. And no cap? It shouldn’t have.

3. Why It Worked, Why It Will Never

Let’s go back to the broader subject briefly.

At this point of the K-Drama, which is ten episodes in, I felt a little moot comparing scenes specifically to what had happened in the webtoon. It’s always nice, of course, to critically analyse any form of entertainment so we could always better our watching experiences or give the proper feedbacks to the creative industry, and while I like delving in deep too, I also have to remind myself a lot to not .... take it too seriously, essentially.

Because at this point, obviously the K-Drama has adapted many of the plot points from the webtoon, and re-arranged it to fit into what they deemed to be necessary to work in that timeline. And that’s okay!

For example, while Seojun’s scene was borrowed to other characters, we do get the opportunity to see Seojun being presented slightly differently. We have that new arc regarding his mother, and we see a whole loveable cast of group Seojun has acquired during his time schooling, and Seojun gets a ton more interactive chances with Jugyeong to make up for what they couldn’t do — that is, the slow progress of them becoming truly close friends till they’re in their young adult years — and every scene of them could still hold up as a magnifying and incredible moment as its own.

For example, that scene when Seojun took care of a sick Jugyeong in the bus, and he said (although I’m recalling only from memory), “I don’t like it when people get sick.” Which I think was super sweet and super impactful at the same time. This didn’t happen in the webtoon, but in the K-Drama, among the first scenes they’ve introduced Seojun in was when he was in the hospital visiting his mother; we also learn later that he actually time off from school to do help his parent.

So obviously Seojun’s cautious on anything that’s to do with somebody contracting an illness etc — and not only it showed in that one dialogue, it’s made more brilliant when Seojun, who can’t really afford any expensive jewellery, made Jugyeong a flower-braid bracelet. I think that was such a nice contrast, a nice touch and ugh!!!!!

That really punched me straight into my Seojun x Jugyeong heart.

We also see a different way of them interpreting and putting Sujin brilliantly into the story. I really want to go deeper into this, but I don’t believe I have sufficient enough thoughts beyond the fact that I much prefer the way the K-Drama built up Sujin to compare with how the webtoon placed Sujin. She has more motivation, she has more leverage, and last but not least, she has much more flexibility to become a serious second female lead and rival.

I do have a problem with how they decided to go with Suho, because again, I think all of the extra personality traits are not necessary. Suho doesn’t need to be a good fighter like Seojun had been established to be, and he doesn’t need to be musically passionate, like Seyeon was, because his own personality and character should’ve been enough. He could carry that personality well; he doesn’t need to be “more”.

Which brought us to this: Seojun’s aggressiveness taken by Suho.

To make this short - it just doesn’t work. It didn’t... really feel out of character, per se, but I'm not the biggest fan of it. I felt like, personally, the writers sort of missed the point of what truly made Suho Suho — which was this guy who was more prone to melancholy-based emotion than anything else — and, in return, (again, I’ll be using the word) they “chipped” away at Seojun because of it.

So, what should’ve been Seojun’s distinctive reaction carried specifically by his character, it was shared by Suho.

Suho isn’t unpredictable, he isn’t quick-tempered, and he isn’t fast on his feet. These are all Seojun’s major personality traits. He’s opinionated, yes, and he isn’t afraid to set his boundaries — but mostly, only his own. One of the more primary example I could give from the K-Drama that I think sorta worked at first glance, but didn’t really when you think twice about it, in regards to this, was Suho chasing after Seojun and Jugyeong after a gang of people were running towards them. (This is after the karaoke scene.)

Honestly, rather than just wasting his energy, it’d be more appropriate if Suho calls the cop.

Suho’s incredibly logical, and furiously straightforward. He doesn’t precisely need to be running around for — what? What was he achieving anyways in the K-Drama by running after the gang? See how it sorta doesn’t make sense? So, yes, if it doesn’t make sense - Suho wouldn’t. 

Again, this circles back to how the different way the boys coped or react, as I mentioned earlier, and it’s important to be distinctive with these because both boys are two separate individuals with two different ways of seeing the world and taking them in, and, cheesy as I may, representation matters.

And when it isn’t represented properly, and I’ll be repeating this over and over: Seojun’s character seems like it’s “chipped away”. Not stolen, no, because it’s still there but — what should’ve been an emotion his specific character should harbour, it feels ... lacklustre, almost. Like a joke: what makes Seojun’s anger so “special” compared to the obvious internalised rage Suho seems to have [in the K-Drama]?

4. How Is Seojun and Suho Dynamic Ruined?

Simply put: observe the way the writers put Seojun and Suho when it comes to Jugyeong.

In the K-Drama, it’s constant rivalry between the boys — driven, of course, by Suho’s possibly deteriorating mental health and the insecurity that came with. But it was also easily flamed by Seojun making jabs and/or crossing the boundaries by being there when he shouldn’t have been.

Now, I’m not into the whole Team Seojun vs. Team Suho thing because the real tea is, that just isn’t Seojun and Suho.

And when the K-Drama writers failed to incorporate how exactly Seojun and Suho had been when both boys clearly shared an affection towards the same person, Jugyeong, I feel like — out of everything, that’s when they lost the biggest essence of what made these two men who they are. 

Because Seojun and Suho? They were mad respectful towards each other.

I think one of the most memorable and important scene, and I carry this in my heart, was when Jugyeong was supposed to go out on that date with Suho, and they promised each other — but then Suho’s father got into an accident, and Jugyeong wasn’t reachable because she broke her phone.

You know who showed up to that date to inform Jugyeong? It was Seojun.

And it was Seojun again who came to pick Jugyeong up and got into the taxi to the airport to see Suho off. Seojun was the one who gave Jugyeong and Suho some time to say goodbye between themselves, tapping Jugyeong on the back when he walks away. That’s how far Seojun really cared for the girl he loves: he was willing to let her love the person she likes.

He was supportive, without being discriminating.

And it was the same again when it’s reversed. During the whole time Seojun and Jugyeong were dating, Suho never once showcased that he was dissatisfied or he wasn’t happy with the development. In fact, again and again, he was supportive. He put in good words for Seojun, he encouraged Jugyeong to always work it out between her and Seojun.

Of course, there are hiccups here and there — but that was the true essence, I believe, of the Seojun-and-Suho dynamic.

Even despite the misunderstanding, even through the romantic interest coming in between them, there will always have this big respect to not go behind one another and put the other down, I think. They would confront, and have their clashing moments face-to-face (but never too aggressively because Suho’s weak and often pulls back lol), but very rarely does it go further than that.

Even when they’re driven with anger, jealousy, or disappointment — you could tell that the bond they’ve shared from their middle school and with Seyeon were always somehow stronger.

And yes, you could argue that maybe, in this point of the K-Drama, they aren’t reconciled yet, which is why they acted the way they did. But I feel like? That didn’t matter? Because, in episode 10, we could clearly see Seojun having the capability of being supportive and putting his good faith in Suho, despite not being on good terms with the guy (e.g. when he advised, “Suho would never do that to you.”) even though that’s quickly tarnished when Seojun, in the same breath, quickly suggest for a break-up.

I don’t really have any defence for Suho because I already felt like him expressing constant aggression towards Seojun is already wrong, misplaced, or poorly written — so whatever action that came after always came a bit off for me. For example, rather than putting the blame for his own jealousy towards Seojun or Jugyeong (i.e. episode eight in its entirety), Suho is the kind of person to blame himself. He would feel that he lacked something, that it was him that wasn’t enough, that it must be him that’s done something to push Jugyeong, or anybody, away.

(Again, echoing his admittance: “I don’t think I deserve to be happy.” or, if we’re going with the K-Drama route, from Seojun’s accusation.)

5. Why They Didn’t Need To Change At All

The worst part of knowing or realising these small details is that, the story could still work. It could still move the characters forward, and have the relatively same outcome i.e. Suho lashing out by the end, threatened by his own insecurity that Jugyeong might prefer Seojun after all etc — but instead, we have these amazing characters that came off at 90% in the drama adaptation, but the 10% that really mattered to their characters weren’t mixed in well enough.

So, the question comes: how exactly should they be acting?

First, Suho’s often more calm — the calmest, in fact, between the Suho-Jugyeong-Seojun trio. This still doesn’t mean he doesn’t have any pent-up guilt, or sadness, or even aggression, but it rarely ever comes out violently. Even if it does, in any shape or form, mostly the emotions are fired back towards himself i.e. experiencing massive self-loathing, self-doubt, which, of course, may in return affect his interpersonal relationships.

Episode 10 played this out nicely, in fact: because we do have a scene where Suho’s being incredibly understanding and respectful in the beginning, but then little things and mistimed events built up (without proper explanations from the other party, to add) and he essentially imploded on himself i.e. lashing out, spiralling, having a mental breakdown, and by the end of it, (trigger warning ahead) committing suicide and/or self-harming himself by walking freely and stopping in the middle of traffic.

Secondly, Seojun could’ve still held so much anger at Suho for what happened with Seyeon and had fallen for Jugyeong all the while, but he could still stay in-character by never explicitly trying to constantly put Suho down. It just goes against a character so substantial for putting his all towards the people he loves, or have loved. And Seojun have loved Suho as a best friend - so for him to act the way he did, to say that line ( “You don’t deserve to be happy” ) especially, that makes me sad.

6. Conclusion

True Beauty, on the surface, will always be a light-hearted romance comedy that honestly has very interesting and well thought-of characters that... don’t necessarily stand out, I don’t think, among other high school K-Drama, but it does represent young adults or teens who seemed to “look like they’re doing well” but a lot of us really aren’t. We’re just figuring things out as we go along, and that’s what Suho, Seojun and Jugyeong seemed to be doing with us: they’re figuring things out as they go along, too.

In the end, there really isn’t much of a point expressing these thoughts except that it gives me simple pleasures, and if it can attract a few people who loves True Beauty too, I would simply die of appreciation. I hope a lot of the K-Drama audience can have a slight knowledge that, yes, Seojun is absolutely super kind, way kinder than he’s been portrayed on screen, and yes, Suho isn’t normally that possessive - protective, yes - he never stalks or particularly demands anything out of Jugyeong though.

Okay, before this got too long again, I thank you for reading!

Feel Free To Ask Me Anything

[kjack89]

When All This is Over

For @adorablecrab, my very belated fill from the @bishopmyrielfundraiser. Sorry it’s taken me so long!!

The request was for Modern AU, getting together fluff, and, well, I’ve done my best :)

E/R, Modern AU. COVID-19 stay at home order related because I am nothing if not the most predictable of trash.

“Alright everyone,” Enjolras said, raising his voice to be heard over the din that signified the natural end of a Les Amis meeting, even if it sounded more than a little different through the speakers of his computer via Zoom than in the backroom of the Musain. “Let’s call it a night. We’ve all got our assignments, and I’ll be in touch with any follow-ups as needed.”

“Enj,” Courfeyrac said, resting his chin on his hand, “you do realize that since we all talk and text, like, multiple times a day, and we’re now on week, what, 8 of social isolation, you probably don’t need to worry about doing ‘follow-ups’, right?”

Enjolras ignored him. “We’ll meet back here on Saturday. Combeferre will send the link again—”

“Because I’m the only one with a licensed Zoom account,” Combeferre grumbled. “One of the only fringe perks of doing a postdoc.”

“And believe me,” Grantaire interjected with a smirk, “we all appreciate your sacrifice for the Cause.”

“As opposed to everything you’ve contributed,” Combeferre shot back. “Which, let me check my notes here, but, uh, what exactly have you contributed recently?”

Grantaire’s smirk didn’t slip as he raised his beer bottle in a mock toast. “Morale,” he said simply.

Bossuet tried to cover his laugh with a fake cough that turned into a real cough, Joly pounding on his back worriedly, and Enjolras sighed. “On that note,” he said, loud enough to be heard over Bossuet’s coughing, “I will talk to you all later.”

He waited for everyone to hop off so he could end the meeting, but to his surprise, as the rest of the squares on his screen disappeared, one remained, even if it was without its former occupant. Grantaire’s video feed remained on his computer, and Enjolras frowned. “Grantaire?” he called, feeling foolish when Grantaire didn’t answer. “Are you still there? Did you need something?”

There was no answer and Enjolras sighed, his cursor lingering over the ‘End Meeting For All’ button. But something, likely against his better judgment, stopped him.

It was probably the same thing that had stopped him from kicking Grantaire out after the man had first wandered into a Les Amis meeting all those years ago, the one decision of his that Combeferre had ever openly questioned. But there was just something about Grantaire, something that infuriated and inspired Enjolras in somewhat equal measures. 

The fury part had happened a lot less recently, but Enjolras suspected that was a temporary side effect of not being in the same room with each other, and was likely to be as temporary as this stay at home order they were all under.

Shaking his head, Enjolras turned back to the work that he needed to do, leaving the Zoom call on in the background. About fifteen minutes later, Grantaire wandered back into frame, holding a full bottle of beer. “Oh, there you are,” Enjolras said, and Grantaire did an almost comical doubletake, his beer bubbling over the lip of the bottle.

“Jesus Christ,” Grantaire huffed as he quickly sipped at the foam to stop it from overflowing. “You almost gave me a heart attack!”

“Sorry,” Enjolras told him.

Grantaire’s eyes narrowed. “Funny, you sure don’t sound it,” he said, sitting back down in front of his laptop. “Besides, isn’t the meeting over? Or have I been held after class so you can scold me?”

Enjolras rolled his eyes. “Believe me, if I thought scolding you would do any good, I’d’ve tried it long ago.” Grantaire grinned and Enjolras allowed himself a small smile as well. “And yes, the meeting is over, but you were still in the call.”

“Ok,” Grantaire said slowly, “but you’re the host. You could’ve just ended it for everyone, myself included.”

“I know, but I didn’t want to just disappear on you.”

Grantaire blinked. “You know, that may be the nicest thing you’ve ever said to me.”

Enjolras rolled his eyes again. “Shut up,” he said, but without much heat.

The video of Grantaire suddenly tilted, as if he had picked up his laptop, and a moment later, he came back into view, reclining on his couch, his computer resting on his stomach. “So what are you up to?” he asked, taking a sip of beer.

“Trying to figure out what protesting looks like in the age of social distancing,” Enjolras said with a sigh. “Our die-in at the state capitol was incredibly successful, but—”

“But laying out body bags doesn’t exactly have the same media impact as real humans lying there?” Grantaire supplied wryly. “Yeah, but what else can you do?”

Enjolras shrugged, glancing down at his notes. “I was thinking of trying to put together some kind of virtual rally, but even that’s not going to have the same impact.”

Grantaire nodded slowly. “Well, I’m sure you’ll figure something out,” he said bracingly, and Enjolras raised an eye at him.

“You know, that may be the nicest thing you’ve ever said to me,” he said, and Grantaire laughed.

“Shut up,” he said. “Tell anyone I said it, and I’ll deny it.”

Enjolras grinned. “They wouldn’t believe me, anyway.” He hesitated. “So I’ll assume since you’re still on this call that you don’t have any better plans for this evening?”

Grantaire sighed. “I’m afraid that even my usually full social calendar has been negatively impacted by COVID-19,” he said with a dramatic sigh, clearly doing his best Courfeyrac impression, and Enjolras snorted. “But I can go if you need to get work done.”

Enjolras hesitated. “Honestly, it’s kind of nice having someone online with me,” he admitted. “Almost reminds me of all those nights at the Musain, y’know?”

“When you were working late and I was too drunk to stumble home?” Grantaire supplied.

“Well, something like that, anyway.”

Grantaire nodded slowly, something wistful creeping into his expression. Then, abruptly, he shook his head. “Never though I’d see the day where I missed that,” he said ruefully.

“Yeah,” Enjolras said. “I know what you mean.”

Grantaire sighed, his head tipping back to rest against the arm of his couch. “I just want things to go back to normal,” he said, his voice muffled from being further away from his computer’s microphone.

Enjolras made a face. “Do you even know what that means?” he asked, the sharpness in his voice making it teeter on the edge of a demand.

Grantaire sat upright again and rolled his eyes. “Yes, because I’ve clearly thought through every single socio-economic implication of stating my wish for ‘normalcy’,” he sniped. “Fine, if it’ll make you happy, I want my particular, individual life circumstances to return to how they were before.”

“It’s not about making me happy,” Enjolras pointed out. “It’s about making yourself happy. Or do you really want to go back to working two minimum wage jobs just to scrape by in between selling your paintings?”

Grantaire pretended to consider it. “It wasn’t so bad,” he hedged, and when Enjolras just gave him a look, he laughed and shook his head. “Ok, so the work was shit but the hours were manageable and besides, that way I got to spend my free time doing what I wanted. And besides, it’s a helluva lot better than being unemployed.”

Enjolras winced. “Fair point.”

Grantaire took another swig of beer. “What about you?” he asked. “Are you eager for your individual life circumstances to go back to normal?”

“Not sure anyone would call anything in my life normal,” Enjolras said, and Grantaire choked on his sip of beer.

“Truer words have never been spoken,” he managed after spluttering for a long moment. “But you know what I mean.”

Enjolras shrugged. “There are things I miss,” he said.

“And?” Grantaire prompted.

“And if you keep badgering me instead of letting me work, there’ll definitely be one less thing.”

Grantaire chuckled. “You win,” he said. “I’ll go back to muttering to myself while you ignore me, how about that?”

“Just like old times,” Enjolras murmured, and Grantaire laughed.

“Exactly.”

He did just that, breaking out his tablet to assumedly work on some art, muttering occassionally to himself, and Enjolras was surprised to find that the familiar background murmuring was strangely soothing, enough for him to settle into his own work.

It wasn’t until very late that Enjolras finally had to call it a night, and Grantaire stretched, looking over at the clock. “Jesus, when did it get to be 1 in the morning?” he asked, rubbing his eyes.

“Right around the time I realized I’m supposed to be getting up at seven tomorrow,” Enjolras said through a yawn. “Or, well, later today, I guess.”

“Seven in the morning?” Grantaire repeated, horrified. “Why in the world do you have to be up at the asscrack of dawn? Don’t you realize we’re in the middle of a pandemic and time is meaningless?”

Enjolras rolled his eyes good-naturedly. “Seven is hardly the asscrack of dawn,” he said. “Besides, I’ve got work to do.”

Grantaire shook his head. “No wonder you’re eager to go back to normal, since your life clearly hasn’t changed at all.”

“Goodnight, Grantaire,” Enjolras said pointedly.

“Yeah, yeah, goodnight, you freak. Getting up at seven to do work, I swear to God—”

Enjolras clicked the ‘End Meeting for All’ button, cutting Grantaire off before he could truly launch into a rant, and he hadn’t even closed his computer before his phone buzzed with a text. [From: Grantaire] Rude.

[From: Enjolras] Well, you said you were missing normal, and I figured this was as close as I could get to making Bossuet or Joly drag your drunk ass home.

[From: Grantaire] ...fair.

Enjolras laughed and stood to head to his bedroom, surprised when his phone buzzed again, and he glanced down at it. [From: Grantaire] Want to have another little bit of post-meeting normalcy on Saturday?

Despite himself, Enjolras couldn’t stop the smile that spread across his face at the thought. [From: Enjolras] Sounds like a plan.

----------

Sure enough, they spent Saturday night (and well into Sunday morning) the same way, both of them keeping each other company while working on their various projects. And after that, it became routine. Every Les Amis meeting was followed by Grantaire staying on the line to hang out, almost always drinking, only occassionally actually working.

As much as Enjolras hated to admit it, it felt...nice. Like Grantaire had said, a little bit of normalcy, despite everything. In fact, it was one of the few things keeping Enjolras sane as the stay at home order extended another month, dashing his plans for a return to the advocacy work he had so meticulously planned.

Nice was probably too mild a word for the quiet comfort that Enjolras found with Grantaire. He enjoyed having someone to talk to again, someone to bounce ideas off of, just like they had so many nights at the Musain. 

But it was more than just comfort. Enjolras found himself actively looking forward to their time together, and while he’d never pretend to know what Grantaire was thinking, he got the feeling that Grantaire looked forward to it as well. 

It helped that, without the urgency of everything else normally going on, they were able to actually talk, and not just about Enjolras’s latest idea. As much as they had been friends for years, too often their conversations were layered by Grantaire’s cynicism and sarcasm, and Enjolras was glad to really get to see beyond it.

“Where’s the first place you’ll go when this is over?” Grantaire asked one evening, lying on his couch, this time on his stomach, his computer balanced on what Enjolras could only assume was the arm of the couch, given the angle.

“Hmm,” Enjolras said, considering the question before barking a laugh. “You’re gonna make fun of me.”

“I always do,” Grantaire said cheerfully. “And that’s never stopped you before, so spill.”

Enjolras laughed again. “Alright, the first place I’ll probably go is City Hall. I’ve got a bone to pick with the permits office.”

Grantaire snorted a laugh. “God, you’re such a nerd,” he marvelled. “It’s truly incredible.”

“Shut up,” Enjolras said, laughing. “Where are you gonna go?”

“A bar,” Grantaire said promptly, “to get drunk with people instead of by myself.”

Enjolras made a disparaging noise in the back of his throat. “Nope, try again.”

“Excuse me?” Grantaire said, amused. “Are you trying to tell me that my answer was wrong?”

“No, just insincere,” Enjolras told him. “I know you’ve thought about it, or you wouldn’t have brought it up. So c’mon, where you really want to go?”

Grantaire’s smile softened, just slightly. “Honestly? I want to go to the zoo.” Enjolras blinked and Grantaire shrugged. “Don’t ask me why, since it’s not like I went all that frequently before, and it’s probably because of all the stupid videos they’ve been posting online during all of this, but. Yeah. I want to go to the zoo.” He gave Enjolras a withering look. “And now is not the time to launch into your tirade against keeping wild animals at zoos.”

“I wasn’t going to say anything!” Enjolras protested, but he was laughing, and Grantaire glared at him before laughing as well, the conversation turning from there.

If they had nothing else to show for it, Enjolras figured at the very least they’d come out of this whole thing as far better friends than they had started.

And then, finally, finally, there appeared to be good news on the horizon, with contact tracing and a decrease in new cases, and much of the Les Amis meeting that night was spent on the governor’s press conference, and her announcement that the state would move towards reopening in the next few weeks.

“You must be thrilled,” Grantaire said when everyone else had logged off.

“Of course I am,” Enjolras said, ebullient. “Aren’t you? You’re the one who’s wanted things to get back to normal.”

Grantaire made a face. “Yeah, but what does normal even mean anymore?” he mused. “Most folks will still be working from home, and even though we’ll be able to do some smaller protests and such, it’ll still be awhile before we can do any big rallies.”

Enjolras’s smile faded. “I mean, you’re not wrong, but is now really the time to bring it up?” he asked.

Grantaire forced a smile. “Of course, sorry,” he said. “We should celebrate! Wish I’d gotten a bottle of champagne with my last instacart order—”

“You’re using instacart?” Enjolras practically yelped. “After everything we’ve talked about with their exploitative business model?”

Grantaire’s smile widened into something more genuine, and infinitely more smug. “It’s called a joke, Enjolras. Glad to see your sense of humor is returning to normal as well.”

Enjolras made a face before hesitating. “I guess that probably means the end of these late night meetings as well,” he said, and Grantaire looked up, startled.

“What?” he said blankly. “Why?”

Enjolras blinked. “Well, I assume you’ll be going back to work, as will most of our comrades, so we won’t be able to have as frequent meetings, and besides, your social calendar will probably fill up again.”

He said it jokingly, but Grantaire didn’t smile. “My social calendar never stopped me from hanging out at the Musain before.”

“No, I know,” Enjolras started, but Grantaire cut him off.

“If you don’t want me to bother you, just say the word and I’m gone.”

Enjolras stared at him. “What are you—” he started before cutting himself off. “That’s not what I meant,” he said instead, trying not to sound as exasperated as he felt.

Juding by the look on Grantaire’s face, he hadn’t succeeded. “No, I know exactly what you mean,” Grantaire said, taking a larger than normal swig from his bottle of beer. “Once this Stay at Home Order is lifted, everything will go back to how it was.”

“Grantaire—”

“It’s fine,” Grantaire said, forcing a smile that didn’t even remotely meet his eyes. “After all, I’m the one who wanted things to go back to normal, remember?”

“That’s not—” Enjolras started, but Grantaire again cut him off.

“Goodnight, Enjolras.”

He left the Zoom call, and Enjolras stared at his laptop, trying to figure out what the hell had just happened.

And far more importantly, how he was going to fix it.

----------

Enjolras knocked on Grantaire’s apartment door, breathing in the fresh air for what felt like the first time in longer than he cared to admit.

Even though he had left his apartment during lockdown, it didn’t feel quite the same as it did now, and he smiled slightly as he glanced over his shoulder at the other people milling around in Grantaire’s apartment complex, all of them looking as happy as he was to be outside.

The door opened and Enjolras turned to look at Grantaire, who was staring at him as if he couldn’t believe what he was seeing. “Hi,” Enjolras said, wincing when he realized how stupid that sounded. 

“What are you doing here?” Grantaire asked, still staring at him.

Enjolras hesitated. “I don’t want things to return to normal,” he blurted, everything he had carefully prepared going out the window, and Grantaire’s brow furrowed.

“Yes, you’ve made that perfectly clear, but what—”

“I don’t just mean, like, socioeconomically or anything,” Enjolras hurried to add. “I mean, um, between you and me. I don’t want that to go back to normal.”

Grantaire’s expression was unreadable. “Then what do you want?”

There were a thousand things that Enjolras had prepped for that exact moment, but he didn’t bother with any of them. Instead, he told Grantaire simply, “This,” before leaning in and kissing him.

Then, just as quickly, he pulled back, eyes wide. “Oh, wait, I’m sorry, affirmative consent, I should—”

Grantaire cut him off by kissing him, something heated and desperate in the press of his lips against Enjolras’s, as if he was afraid they’d lose the moment.

Enjolras wished he had never done or said anything that would make Grantaire feel that way.

When they broke apart this time, Grantaire was smiling, just slightly, almost nervously. “So, uh...dare I ask what this is about?”

“I like you,” Enjolras said, feeling his face flush as he said it. “And apparently, it took me a global pandemic to realize it.”

“Technically, you don’t have to say global and pandemic,” Grantaire said. “It’s implied.”

Enjolras sighed. “Grantaire—”

“I’m sorry, I couldn’t resist,” Grantaire said with a laugh, and Enjolras shook his head before reaching out and drawing Grantaire close, resting his chin on top of Grantaire’s head as he held him.

“I missed you,” Grantaire whispered, so quietly that Enjolras almost didn’t hear him.

“I know,” Enjolras said, kissing Grantaire’s forehead. “And I’m sorry that I was an idiot, and didn’t figure things out earlier.”

Grantaire arched an eyebrow. “Speaking of,” he said, lacing his fingers with Enjolras’s, “did you come to this realization on your own?”

The corners of Enjolras’s mouth twitched. “Would you believe me if I said yes?”

“No.”

Enjolras snorted and shook his head. “Fine, I had some help. And some sense knocked into me.” He made a face. “Apparently every single one of our friends figured it out before I did.”

“Color me shocked,” Grantaire muttered.

Enjolras ignored that, instead taking a deep breath so that he could say what he actually came to say. “Grantaire,” he said carefully, “one of the few bright parts of this fucking pandemic was spending time online with you. And I’d really like to continue spending time with you. And, well, I’m sorry that I didn’t figure that out until it was almost too late.”

“Well, you know what they say,” Grantaire said, a slow smile stretching across his face. “Better late than never.”

Enjolras laughed, but the sound was mostly lost against Grantaire’s lips as they kissed again, slower this time, Grantaire’s hand resting lightly against Enjolras’s cheek, the other gripping the front of Enjolras’s shirt as if he could somehow pull him closer.

Then, abruptly, he pulled away. “Hang on a second, I thought the first place you were going to go after this ended was City Hall.”

“What can I say, I lied,” Enjolras murmured, ducking his head to kiss Grantaire again, but this time, Grantaire didn’t let him.

“Really?” he asked skeptically.

Enjolras hesitated. “Well, no,” he admitted. “City Hall opened at 8 and I figured you wouldn’t be awake yet, so I went there first and then came here.”

Grantaire laughed loudly. “God, Enj,” he said, pulling Enjolras close and wrapping his arms around him again. “I’d say never change, but clearly we’ve proven that even a pandemic couldn’t change you.”

“Are you sure about that?” Enjolras asked, and Grantaire considered it for only a moment before kissing him again. 

“Ok, fine, maybe it changed you just the right amount.”

“So I’ll take it you don’t want things to go back to normal?” Enjolras asked teasingly.

Grantaire rolled his eyes. “Fuck normal,” he said decisively, and Enjolras grinned.

“Technically, that’s what I’ve been saying all along,” he pointed out, and Grantaire cut him off by kissing him once more.

“Shut up,” Grantaire advised, and Enjolras grinned.

After all, who needed normal when they finally had each other?