#which one did i use lol

[forgettable-au]

FORGETTABLE-AU (Page 61-64)

* I-I don't think we were talking about the same thing...

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[vaguely-concerned]

the strength it must have taken for illario to not immediately go full 'lmao since when have you even had a kiss hello lucanis' sibling violence mode during the café talk. inspirational. rook and lucanis really were doing all that right in front of his salad huh

[mlobsters]

jared padalecki and jensen ackles boston con 2025 - gold panel

cheerleading and (allegedly non-existent) short shorts

[stargirl230]

interlude

Lost focus and drew a consensual workplace relationship (the inherent intimacy of hanging out in an artist's studio to watch them exist in their element got to me)

Zoom in for details I poured my soul into <3

(no reposts; reblogs appreciated)

[short666bread]

nighttime routine in an au where the marauder’s map has pinch zoom

[krysmcscience]

The Lamb is malicious in a funny way and the Goat is funny in a malicious way. No, I will not elaborate.

Anyway, everyone give thanks to the Lamb for interrupting what was sure to be a very boring and patronizing PSA from their grouchy cat hubby. Truly, they are doing God's work. Granted, the Lamb canonically is God now, so, uh. Mostly they're just doing their own work.

Speaking of their grouchy cat hubby, yes this is absolutely still Narilamb, Narinder is 100% into his goofy-ass spouse always no matter what and we all know it, he just wasn't expecting his brand new adopted kid to share the same single goofy-ass brain cell as the Lamb. :)

[fiepige]

Compilation of EVERY single time they changed Hobie's filter in the digital version:

Left: Theatrical release Right: Digital release

You might have to click on some of them to get a better look at Hobie, sadly I don't have a video editor that allows me to make better edits than these :')

[marshmallowgoop]

no thoughts just Heiji Hattori (HD)

[astranauticus]

Director of the False Last Act

[johnnyshrine]

★ 118 // “Catharsis”

[realtapiocafan]

tee's fond grin as he watches ja'marr fuss over the pictures <3

[vaguely-concerned]

powerful mental image of lucanis expounding passionately about any given one of his limited but extremely deep areas of interest (the wyvern/knives/coffee/cooking/murder continuum of lucanis dellamorte special interests if you will) while rye lounges around and Beholds him with palpable twink boutta pounce energy

[iamthepulta]

@joemomrgneissguy SPACE MINING. HO BOY.

So when mining comes into a conversation, there are several 'laws' of mining and processing that I like to consider that people tend to forget:

Location and rarity of commodity

Location and rarity of extraction techniques/reagents

What is necessary for this operation to work?

Where does the finished product go?

Some of these are extraneous. Theoretically, we don't have to care that iron is common on earth and might be present on the moon, so it changes the conversation from "why?" to "how would we?". Same with extraction and reagents. If you don't care how expensive it is to ship- for example: water and carbon dioxide to the moon because you want to process He-3, nothing can stop you.

However, what will stop planning, is processing. Blowing up a rock is easy. Collecting the rock and breaking it into a usable form is not. If there isn't a plan for exactly what commodity is being mined and how to separate it and all the equipment that needs to be made to get it into a usable form, and a plan to get that equipment into space. God help the poor bastard.

And fundamentally, no matter HOW you turn it, people use the finished product. If there are no people where you are mining the Thing, you need to have a way for the Thing to get back to the people who need it. WHY are you mining the Thing? What is economic about the Thing being made? and Is it worth the money?

[angry geologist rant under the cut]

So the thing about space and asteroids is metals come in native form a lot of the time because there's nothing to oxidize them; it makes processing simpler and the density increases profit. This is usually what people talk about when they go off about space mining: Ohh, if we just reach this asteroid 400 years away there's so much Gold and Platinum! Ohh, if we just crashed a FUCKING ASTEROID INTO EARTH OR MARS we could be so rich!

However this is a LIE for two reasons: It's actually harder to process straight sulfides or straight metal because they aren't brittle. Instead of breaking into smaller pieces you can separate and process, they jam the crusher. Universities with mining departments often have huge chunks of impressive high-grade sitting around that were donated by companies when they jammed their fucking system. If you can't break it down, it's a useless fucking clump of rock.

Secondly, even if you have native metals clumped together like an iron-nickel asteroid, unless you want an iron-nickel product, you have to separate them. Since it's not brittle, you would have to pour a bunch of hydrochloric on it and wait for the reaction to dissolve the outer surface.

And all this is assuming the metals are on Earth. If not, you have to figure out how to do this in space. How much HCl will you need? How are you going to fly it up there? How are you going to break it down? How are you going to replace parts when they inevitably break?

The big "commodity" on the moon is Helium-3, which is extremely rare on Earth. (So yes, we have a need, and yes, there's substantial reason to mine it in a place where it's more accessible.) The logic starts breaking down around "getting it back" and "how does the operation work": In moon quantities (up to 15 parts per billion (ppb)), you have to mine about 150 tons to extract 1g of He-3. That's not unreasonable, to be honest, since economic gold hovers around 7-12 ppb. And technically you'd only have to heat the rock to 600-700 C. However, things do melt at those temperatures. Then you have to get it back to earth. Either a SpaceX-style return and come back, or a drop shipments- It's just insane to me though that we would use SO MANY RESOURCES to rip up the fucking moon, even with an automated system, when if you look at He-3 we already produce what equals 11 pounds of He-3 yearly from Oil and Gas deposits, it's just not collected.

I have more beef with planets that are theoretically resource-rich, but people just- don't care about getting them back to Earth? Venus has significant metal-Sulfides and Tellurides in its atmosphere, which is why people joke about the "floating oxygen colonies" on Venus. But congratulations! You've colonized a planet that is inaccessible to human technology because anything we've ever designed will dissolve. Same with Europa. To design something that works on Venus - not to mention extracts things in the proper form to be used in human conditions - and/or get them back to Earth means redesigning how we think of the properties of the periodic table.

With extraction, we play a lot with oxidation states, and one of the rules is to stay within Earth's aqueous conditions. If you oxidize anything too much, your solution will want to vaporize to oxygen. Reduce anything too much, and your solution will want to vaporize to hydrogen gas.

So, if you design anything on Earth designed for conditions on Venus, it will be unstable. If you design anything on Venus meant for Earth, it will be unstable.

Which is kind of the end of my rant, I guess. Don't crash something into Earth unless you can process it. If you can process it in space, can you get it back? Who's responsible when the thing breaks? Why the fuck is money being spent when 9 times out of 10 we have it here on earth with the conditions we're familiar with?

If we've somehow depleted Earth enough that we need resources from other planets, which would insinuate we have not figured out how to recycle our own metals, which is untrue, and likewise we have no business in space anyway- Where did all our resources go? Are we leaving for those other planets? Do we have faster-than-light travel to collect the new resources in a timely manner?

There isn't even water in space half the time and if you do have a colony on Mars and tech bros are going to process all the hematite to build their shitty underground Martian city, are they shipping water from the north and south poles to do this? Have they figured out how to renew the carbon filters that are going to be needed to get all the waste and organics out of it once it's used?

In my opinion, it's all just fucking stupid. Space mining tries to answer a question that doesn't need to be asked with people who don't know how mineral processing works who haven't thought what the logistics require and don't care that entropy demands even minerals in stasis don't last forever. But it's ~new~ and the dollar signs on metallic asteroids gleam in their eyes and I want to take out Elon Musk's kneecaps.

[dipndops]

Happy Valentine's Day!!!

Hi @potahun, I'm your gifter for the Heishin Valentine Exchange and I picked your Ghibli movie prompt and went with Howl's Moving Castle c:

@heishinvalentineexchange2025 Thank you for hosting the event! It has been super fun!!

Close ups and explanations below~

It took me a bit of time to figure out which character I wanted to be who, but I settled with Shinichi as Howl and Heiji as Sophie! I think the idea of Shinichi being an other worldly character like Howl isn't too far off from how he is depicted in canon. From an outsider's perspective, Shinichi seemingly has all the answers to the many cases he comes across. Especially with the way Heiji reveres Shinichi, it's not hard to see him as someone larger than life. (Also Shinichi transforming into a bird creature whenever he intervenes in the war kind of fits with how he transforms into Conan in canon as he investigates the Black Organization)

As for Heiji as Sophie, I feel that putting Heiji in a position where he becomes old can parallel his struggle with his family's (particularly his father) distrust in him being a teen detective. But in this case, Heiji initially fears that growing old hinders his ability to remain a detective. Throughout the course of the film, his fears would be assuaged as Heiji helps end the ongoing war in spite of his age.

Now for the art itself, originally I wanted to pick one scene to focus on so that I could combine this prompt with your Heishin whump prompt. But then I figured it would be neat to take inspiration from the movie's song Merry Go Round of Life. The large ring was intended to mimic the roof and rim of a merry-go-round. Like imagine the roof and then you squish it down (if that makes lol)! The rims on merry-go-rounds often feature a circular frame with images of landscapes within. For that, I recreated backgrounds from the movie.

Given the name of the song, I felt that I should recreate different scenes from the movie to show the progression of Heiji and Shinichi's lives (I would've drawn Heiji much older but I was just struggling on how to execute that properly TT-TT). From right to left the scenes are; Shinichi intervenes in the war; Heiji views the meadow Shinichi shared with him; baby Shinichi cronches on a star; Heiji watches the parade celebrating the war effort; and Shinichi stares fondly at Heiji within the castle.

Anyways, have some bonus doodles I made while working on this piece to keep me sane c:

(^ this is my celebratory doodle that I drew right after I submitted the artwork. I'm going to hibernate now thanks LMAO)

[filurig]

– this whole - the dancing, singing, pole...raising. it is all rather ridiculous... 'midsummer'. i fail to... see the point of this human... invention. for once.

arvo's words were slurred, uneven - as if merely letting them past his lips was a great effort... this was, no doubt, influenced by the drink in his hand, resting on his stomach. folke, who had, in fact, brewed the alcohol that they were drinking, giggled - not exactly sober himself.

– i'm... the only human here, arvo. remember...

– no kraksi, or crakam, in sartrill, raises a huge, leafy pole for long summer days, that much i know.

– okay, haha - the pole thing... the pole thing is entirely human, probably. but... gullmar - tomtar, celebrate 'solvarvir' around the same time... trolls celebrate, uh... oh, curses, i'll butcher it... 'rawr - owa'... rawrr - oh wra? rawr... haha!

arvo opened one of his eyes slowly, fighting against some kind of weight that has, somehow, been set upon them - in order to look at the human beside him, still struggling to pronounce the foreign word correctly. a corner of the basilisk's lips twitched upwards.

– hm. nevermind what i said. there is a certain element of entertainment present, i suppose...

[mariana-oconnor]

OK okokok... gonna put this 'I just woke up' thought out there because this is tumblr and what else is it for? Someone has probably already said this and I haven't seen it, but whatever. I will throw it out anyway.

SO... Gale. We've all seen the posts where people quote the Gale lines about being naturally gifted with magic as a baby, a prodigy etc. and then point out that this is sorcerer behaviour.

BUT, what if... you're all right and it is sorcerer behaviour. BUT the orb feeds on weave/magic right? And sorcerers are born with innate magic... so what if he was born a sorcerer, then trained as a wizard, but the orb consumed his sorcerous magic. And that's why he's not as powerful as he once was, because, unbeknownst to him, all this time, he's been using that natural sorcerous connection to make accessing the weave easier. And now that's gone. Eaten up. Destroyed forever by the Netherese void.

And that's part of what's causing him pain. Because an instrinsic part of himself has been taken away. And he feels it like a phantom limb. Maybe he thinks it was actually connected to his relationship with Mystra, rather than a part of him, and that adds to his sense of loss from that relationship.

What if the first magic item Gale fed to the orb was himself and he doesn't even realise it?