#which is kind of foreshadowing <3 i will not elaborate

[kandibatz]

btw. one of those ocs i never post

[chaifootsteps]

With all the supposition about Viv having planned the whole Lilith/Eve/Rosie/Roo thing for a very long time (which is looking more likely given that art of Lilith, Al looking at her in the pilot, etc.)... I just came to a sobering realization.

If Viv is in fact still intent on realizing that plot, has been since before the pilot, and put in that moment of Al looking at Lilith as intentional foreshadowing... it suddenly makes the pilot retroactively worse.

Because it means that the pilot set up the premise as redeeming the sinner cast, with Alastor as an antagonist—you know, the elements that got people excited for more episodes—all while having absolutely no intention of having the things that got people intrigued to begin with ever being the focus of the plot.

Redeeming sinners? Alastor being an overarching antagonistic force? All of those aspects people drew elaborate comics and wrote novel-length fics depicting and kept waiting for years for? Being the animated R-rated Disney musical version of The Good Place? The story of redemption and moral nuance we thought we were going to get?

Never was on the table. Redemption was never intended to be the plot focus in any way, have random antagonist plot twists out of nowhere, a war on Heaven, and Alastor being a good guy the whole time instead. At least that's how it feels based on the Season 1 trailer and the Lilith/Eve/Rosie leaks.

Which means, if true, the story that everyone was waiting for, the "very special story" we thought Viv had planned, was in fact never intended to happen and the fan investment was entirely pointless.

I'm not against the idea of plot twists happening to raise the stakes. I'd be okay with that kind of thing being set up as the endgame of the final season or something (aside from the Root of All Evil utterly removing any sort of moral nuance we hoped the show would have). But planting those kind of things as being the plot focus in Season 1, focusing on a war in heaven instead of the promised premise of redeeming sinners, is pretty disappointing.

Considering how excited I was for Hazbin after watching the pilot, how much I've adored the pilot for the past 3 years, how excited I had been for Hazbin due to thinking there was finally a 2D afterlife musical series out there with a story like The Good Place... it's really sobering that all the moral nuance I and many others hoped for in the show with morally gray characters improving themselves just seems to be... not only not there, but never intended to be there in the first place despite it being what had fans invested in Hazbin all these years.

Never let alone tell you it's impossible to mourn for something that was never there in the first place.

[matataku-hoshi]

Groundhog Day at the Old Vic, London 2023

*dusts off the old blog* It's certainly been a minute, hasn't it! Still here, still a huge GHD fan. In the intervening years, I got to see productions at San Francisco Playhouse and at the Paramount Theatre in Aurora, IL. (I also got married and went through a bunch of other life stuff, but that's neither here nor there). But then it was announced that Groudhog Day would be returning to the Old Vic in 2023 with Andy Karl, and my husband and I used that as an excuse to finally do that UK trip we'd been talking about for years.

Tumblr user colemckenzies did a great post outlining some of the changes between Broadway and 2023 Old Vic. I wanted to further elaborate on some additional changes I noticed. Obviously spoilers to follow:

In “There Will Be Sun”, the first chorus of “Tomorrow spring will come and then there will be blue skies my friend” is cut. It goes straight from “If not tomorrow then tomorrow or tomorrow there will be sun” to “Oh if I could I’d will these clouds away my love”

While obviously the revolves are gone (look at me picking up British-isms 😄), the bedroom set gets wheeled in every loop. They keep the trick from Broadway where this is always done counter-clockwise until the loop finally breaks.

As previously mentioned, there’s a wonderful lyric change in Day One. “Their dumb superstitions and vacuous chat, their total unawareness of the fact their trapped, perhaps you don't miss it if you don't know you lack it, I'm sure there was a pack of xanax in this jacket'

I adore this because of the foreshadowing, and how Phil thinks he’s singing about the townsfolk when he’s really singing about himself.

Dialogue change in 2023 when Phil runs into Jonathan:

Jonathan: “Off to the see the groundhog?”

Phil: “Why, isn’t there a tractor pull or a cow-tipping contest?”

Jonathan, looks confused: “I don’t think that’s today.”

When Rita introduces  to Phil on Day One and reminds him of the flood story, Phil takes a second before recalling, groans, and goes, "Oh, the intern? They didn't even send me a real producer." After which Rita corrects him that she's a real producer now, albeit an associate producer. 

On Day 2 when the sheriff drops his gun, Phil asks "How do you have a permit???"

At the end of Day 2, Rita sings “I mean he acts kind of asshole-ish still. I think he might be mentally ill.” While it’s on the cast recording and the early previews bootleg, I could have sworn it was cut in the final Broadway version. Regardless, it’s restored in the 2023 version.

Phil’s “Help me~~~~” at the end of Day 3 is cut.

In Philandering, they cut the line where Phil "proposes" to Nancy (which I prefer - no one is that stupid, and they make the point later that Nancy is more than a caricature)

Also in Philandering, you can hear the chorus singing, “Gonna party like it’s no tomorrow~~~” in the party scene (formerly the orgy scene). Phil also gets 10 pizzas delivered to his room.

Phil is less aggressive when he confesses his “love” to Rita in One Day. 

On Broadway, they sit down directly on the stage, and Phil leans sideways to Rita to confess. As he gets more desperate, he starts to position himself over her and tries to take her hand, after which she slaps him.

In 2023, they’re sitting on a bench together. Phil tries to take her hand, and she pulls away and slaps him. Still creepy, but much less heading in the direction of sexual assault.

Either way Phil totally deserves to get slapped. I’ve talked to a few people who have said they could never root for Phil because of this scene (which is a fair critique). The 2023 version IMO makes the same point without so much portraying Phil as a potential sexual predator. 

Right before Phil smashes the alarm clock at the end of One Day, he yells “Make it stop!” (“Somebody make it stop”? Memory is a fickle thing)

When Phil kills himself with the gun before Hope, it's more explicit that he stole the gun off of the sheriff with his faulty holster.

I don't remember if this is new, but when Phil wakes up at the beginning of Hope, he touches the side of his head where he shot himself and even though he knows that the day will always reset, he still looks a little surprised and it's heartbreaking. 

For the third death/revival in Hope (where Phil climbs the ladder):

Broadway: Phil reappears in bed

Old Vic 2023: Phil reappears on the scene of the broadcast, fully dressed

As noted, lots of changes to If I Had My Time Again. 

Cast recording: "The thing with these revolving rides / they're only fun because you know they're going to end"

Broadway (as of early in previews): "I was completely dead inside / But today I'm like 85%"

London 2023: We're back to the cast recording lyrics.

IMO the orchestration and lyric changes are for the better. I adored this song on the cast recording, but in the August Wilson theater it frequently felt swallowed up.

With the emphasis on just Phil and Rita, it’s a much more intimate song, which is what the scene needs IMO.

I also love Rita’s new lyric “Go to all the parties that I missed / Kiss all the boys I was too afraid to kiss”, because then it’s Rita fulfilling her “time again” when she kisses Phil during Seeing You.

After "If I Had My Time Again", Phil eats a carton of Ben & Jerry's while discussing the almanac with Rita. I love the implication that he’s eaten all of this junk food before, but he’s trying it again with her.

Dialogue change after "If I Had My Time Again" 

Phil: "You know, Larry, we never really talk."

Broadway Larry: "Sometimes I think you don't notice that I'm there."

London 2023 Larry: "Well you never brought me donuts before."

Not a change, but I was sitting close enough one night to see the stock photos they use for Ned’s wallet pictures of his kids, and I realized that “little Mary” is just a baby. It really hit home that Ned has probably just lost his wife in the last year or two, and he’s trying to raise five very young kids on his own.

In the Broadway/cast recording versions of "Philanthropy", you can hear some melodic callbacks to earlier songs. In the London 2023 version, the chorus actually sings lines like, "I'm not sure what the point is / But this point is it don't matter" and "If I had my time again I would not do it all the same"

There's no pause of silence before "Seeing You" starts

After Phil and Rita run off into the snow at the end of Seeing You, the couples left dancing are Nancy/Larry, Debbie/Fred, and then Mrs. Lancaster dances alone in the snow in joyous wonder. I love this bit, becuase it feels like all the different ways you can find a new meaning of love (Nancy/Larry, the couple just discovering each other, Debbie/Fred, who have moved into a new phase of their relationship, and then Mrs. Lancaster, who even as an old woman can revel in the beauty of the snow)

In 2023 when Phil takes Rita to see the sunrise, he makes her cover her eyes, and then unveil them once the full sunrise is in view. It’s very sweet.

Anyway, I love this show, and I love talking about this show, so please feel free to hit me up! I may post more general thoughts, etc. if anyone is interested.

[welcometoteyvat]

the wanderer and furina story was beautiful!! i loved the little foreshadowing to dancing a waltz alone, which i read was furina dancing at the stage as the hydro archon all alone—but she’s not alone because scaramouche is there as well.

it was genius to have scaramouche see the funeral of furina and furina the funeral of scaramouche. i’m not sure if this is reading too much but the front part of the story hints at neuvilette controlling the rain, and the fact that it rained at the end… does it allude to how neuvilette was mourning for the death of what furina was (which was her act and the furina that he grew to know) but in the midst of people mourning the loss furina is freed and found a partner who understands her turmoil and they sort of relish in that fact they aren’t alone??? either way, i loved it and i would love more author’s commentary!

i don’t think this is particularly ooc too. — @apologems

for people who missed the context it is here

ehe (venti voice) thank you!!!!! wahhh this is such a sweet note 🥺 also i'm so glad you picked up on all the things i added in by chance and intentionally FDSKFJKDSJF it's good to hear they were expressed clearly enough!!

tbh both the waltz and the rain were kinda spontaneous BUT im very happy they both had their intended effects. i was thinking about that exact scene when writing the waltz line—it's such a good cutscene from the archon quest i had to refer to it. lowkey was also thinking about coppelia and coppelius, especially since they're a pair of dancers, based off a play about an almost human mechanical doll and the creator who fell in love with her... yeah. it's not 1:1 but the pieces are there. also yeah her and scara! it worked nicely as his intro, but I also wanted to show furina as someone who's suddenly alone, but slowly trying to live for herself.. in an empty ballroom there's nobody for whom to put on an act, and now she can dance only if she feels like it. she can also teach scara how to formal dance! and maybe his puppet body can finally control its own strings </3 also im sure she's been to some kind of fancy ballroom party before with neuvillette and maybe this just reminds her of the artificial foreignness that's estranged them now. oh furina my dear actress on the stage

i was so close to cutting out the rain at the end but i was like nooooooo i need the weather symbolism (incredible archetype btw i love weather), and furiously tried to figure out a good ending sentence. you basically got all my thoughts LOL i wanted people to make the connection between rain as rebirth and the washing away of old sins, but also like. the sky is crying. it is dreary and miserable and they're soaked to the bone but the last string connecting their present to their past has finally been dissolved, and now... maybe they're free to move on to sunnier days.. etc,,, i didn't think too much about neuvillette's role in this but what you said 100% works <3 im still unsure what he thinks of furina tbh so i didn't really elaborate DSKFJKSDJ. last thought about the rain: they both have a thing about crying, but the only thing wet during that scene was the rain—i guess i was trying to show like, neither furina nor scara think that this death is a bad thing, or maybe all the tears they could've shed already dried up. it's only other people who mourn for their pasts.

also i forgot but the fire was supposed to be a lowkey callback to when scara burned the house down when his unnamed child died. the entire theme i was kinda going for was like. a farewell to your past; no matter what happened before, maybe you can finally put it down, and leave it behind, live today unrestrained by yesterday's pain, etc.

if i was an animator this would've gone so much better because the scenes were so clear cut in my head. ideally the flow is like this: furina says she can see kabukimono. wanderer's face whitens in a flash, until he's the color of a sheet of paper and it's actually scary to look at. he recovers, says the line about his and furina's funeral. he steps closer to her and turns so that they're directly facing each other, faces like two feet apart. it cuts to a closeup of their faces, panning from furina's, neutral/apprehensive, to wanderer's, eyebrows furrowed, face set (entirely self centered anger that this, of all things, is fate's last laugh at him). and idk the light changes and makes his eyes glassier and more reflective, and furina sees her old self—the camera gets sucked into her reflection (like you're diving into the void) as her face warps in a terrible twisted way, maybe some blood idk; the camera zooms back out, furina breathes heavily, looking disturbed and a bit sick. wanderer is slightly off to the side and his face is blurred (the focus is on furina's slightly horrified face) but he's watching her closely and carefully, but without judgement. wanderer holds out his hand, and furina takes it, and immediately the hiss of the fire starts. its like one of those gigantic funeral pyres, wild and leaping and intense, and she watches the pile of kabukimono doll get smaller and smaller. somewhere in the middle a blackened chunk of something gets spit out (his heart), lands at their feet. the most important part is that after the fire burns itself out, the rain starts immediately. sudden downpour, very heavy etc. the viewer should feel a wave of Closure and Relief after the intensity of the burning. a slow waltz starts playing in the background, low, smooth, and very quiet. they just stand there, and the camera zooms out until they're just two dark blue/black smears against a blurry gray backdrop. end scene

also about the characterization: that's good I always wonder whether I'm leaning too much into my own writing voice instead of sticking closer to the character's canonical language register and mannerisms haha

[nobodysdaydreams]

ALL ABOARD TO TRUTH TOWN🚂 , WHERE FICTIONAL STORIES ABOUT SHINY BUTTONS, DONUTS, AND ROBOT UPRISINGS ARE MORE FUN THAN CUTTER'S STUPID SLOW CLAPS, HERA ALMOST DYING (she BETTER not), AND DOUG'S JAIL TIME AND ALCOHOLISM THAT I TOTALLY PREDICTED (good for me 🥰) (or my reaction to episodes 38-40 of Wolf359)

Also: Whiskey boy needs to chill, seriously. Are we sure Doug is the one with the problem?

Welcome back dear readers. Thanks again for your patience. Excited to continue with my season 3 reactions!

Tagging the mutuals who got me invested in this, and if you want to be tagged or untagged from these posts, lmk, or you can follow my blog or simply follow the tag "#bods wolf359 reactions". Anyone who has followed me for a while knows my updates are inconsistent, so I apologize in advance for that and for any spelling/grammar mistakes in my posts.

@sophieswundergarten @oflightningandstars @acollectionofcuriousreblogs @herawell @commsroom

Episode 38: Happy Endings

I'm gonna be doing chores while I listen to these three episodes, so sorry if the notes get a bit brief.

This Hilbert and Doug morality debate is funny because it's literally one actor debating with himself.

I'm sad Hera can't be a part of the group.

"2am"? How is it 2am? You're...you're not on earth. I understand keeping up with a schedule, but it's still a little weird, what time zone are they following?

The way Hilbert talks about Sam... it's like he has this shred of humanity left inside him that he's just gotten used to ignoring.

And Hilbert, I have a clear answer to your little "trolley problem": the decima virus is CUTTER'S property. He put that in your contract, or have you forgotten? Do you seriously think that man will be using it for the good of humanity? Because I don't.

I also feel like the "No one gets a happy ending/ there are no happy endings" think is foreshadowing. But I hope I am wrong.

"This wasn't here last time"

IS THIS THAT WEIRD DOOR???? FINALLY! Bah-ha just shove him in! At least it’s not the airlock which is what I was expecting.

Hm. Do not like the dark. Uh what. Also. Isn’t he supposed to be alone? Totally alone? And shouldn’t it be an emergency?

Dentist chair from hell? Nope. Don’t like it.

Recorded message? Oh gosh not the slow claps…Cutter no doubt. Of course he does a dramatic dark room, and the lights go up on an evil chair...he was one of those kids in school who at recess would find insects and torture them for fun, wasn't he?

Easter egg? Cutter, this is the worst easter themed scavenger hunt I've ever heard of. Where are the chocolate bunnies? The jellybeans? The message of hope, love, and rebirth? But I suppose I should expect nothing else from the man who ordered the killing of three people on Christmas. Makes you wonder what Cutter has against holidays. Did mommy and daddy not give someone enough presents?

“The other crew has... gone away like last time” Cutter you suck. Seriously his villain mode does not have an off switch.

What does Cutter want with his brain? An old friend made this for him?? Is it the dude he killed or is it the Pryce person he wrote the book with? Makes me wonder where his mysterious friend is hiding. In the shadows at Cutter's right hand or six feet underground with a knife in the back? Not sure which is worse. I guess we'll see.

THEY CAN SCAN HIS BRAIN AND GET THAT KIND OF INFO? That...but...I...as someone who knows slightly more than average about how the brain works, Cutter needs to learn how to make better use of his tech. I cannot even BEGIN to tell you how much better his evil plans would go, if he focused on THAT instead of...oh I don't know...investing his money into elaborate dark rooms with evil dentist chairs and slow clap videos?

Also "Hera can't detect these secret rooms" HOW. HOW CAN SHE NOT THAT'S AN AWFUL IDEA: She flies the ship, she has to calculate for its size. It's science fiction, so let me be 100% clear, I'm not dumping on the creators or writers, I'm dumping on Cutter the character. You idiot.

Oh he’s just leaving him in space. Oh...Hilbert will come around in the hopes that he’ll use decima to help people. That's cruel. “Thanks for all the memories” Cutter. DUDE. Too much.

Do not give him your memories. Do not Hilbert.

Haha… hee hee… why is he laughing?

Brilliant? Chance for work to continue? NO. HILBERT YOU DUM-DUM. THEY ARE NOT GOING TO USE IT FOR GOOD. CUTTER WILL NOT USE IT FOR GOOD. BECAUSE HE IS NOT A GOOD MAN. The reason you shouldn't do this has nothing to do with sacrifices for the great good...it's that the greater good IS NOT GUARANTEED AND LIKELY DOESN'T EXIST BASED ON CUTTER'S BEHAVIOR!

Don’t call her Isabel. You are in the wrong here Hilbert. And there is a very clear difference between what she is doing and what you are doing. She knows better than to count on a killer for benevolence.

Good. Smart. Don’t get in the chair. It would probably slice off your head or something.

Something about Eiffel? Minkowski… Doug is your friend. Just because he served time doesn’t mean he’s a bad guy.

Well Lovelace and Hilbert...it's an unusual alliance. Hope it works out.

Episode 39: All Things Considered

"It's a bottle…"

👎🙅‍♂️🤬❌ WRONG!

Oh it's the Whiskey isn't it.

Wrong! Cancelled! 🤬👎🙅‍♂️❌

Oh my gosh Kepler shut up.

Of course duck boy knows the boss’s drinks. Teacher's pet.

“YOU VILLAGE IDIOTS!…🤬... but points to you Jacobi 😏🥰👍" okay… clearly discount Cutter has his own discount Kepler.

oh I love these stories. Why do I feel like Minkowski's is gonna be the most realistic. Like, I can see Doug making lightsaber noises, and I can see Jacobi being a little arrogant. Just...maybe a little exaggerated.

Oh my gosh Jacobi's story. 😂😂😂 The way he's portraying Doug is way too much.

“But the button is so shiny! 🥺” PFFT- the way Jacobi portrays Doug... I'm sorry for laughing but it's too funny😂

He’s doing Minkowski dirty. Why is he making her talk like a valley girl?

“I’m sorry Jacobi you were right!” / “I’m just gonna lean against this big red button!”

Duck boy who do you think you’re fooling with this one 😂

I cannot wait for Doug's story.

Yes, Doug I am ready for the truth. I am so ready. I AM READY!

I love Hera’s announcement: "Uh...yeah some stuff is happening today for sure"

“The innocent victim stepped in to help” why is Doug me telling a story.

“We’ve never high-fived!” “We’re headed to truth town!”

Heck yeah we are! All aboard to truth town Doug, this is the best story yet!

Why are they like fighting elementary school children? I love this. Dang Doug is roasting them!

“Oh thank goodness Doug you saved us 🥰”

"Minkowski decked him!" "I did not!" "Duck boy passed out" "I did not!" "But then Hilbert came. Russian's are drawn to loud noises and he wanted to experiment on Jacobi's brain."

Doug, if you made a fictional podcast about your time in space I would listen to it. It sounds amazing.

Why is Minkowski doing a different accent now? WHY IS HERA THE VILLAIN SUDDENLY DOING A ROBOT UPRISING? 😂

"Is there any truth to your story?" Um...yeah? I'm pretty sure there were donuts in multiple stories Kelper 🙄

"But... but truth town! 🥺"

I agree. Doug was taking them straight to truth town and Whiskey boy shut down the railways. All because discount Cutter can't handle the truth. Big surprise.

“As I've mentioned...I like the feel of it IN MY HAND 😡”

Geez man okay.

And Doug's story was not a time waste. It was delightful. Just because discount Cutter is evil doesn't mean he has to be the fun police.

“Until your idiocy stretches all the way around back to half-way competent” dang I really am like Doug. 😔

Episode 40: Limbo

"Lob of meat" well you don't have to say it like that Hera.

"I can't think of a single way to prank everyone else" Doug. Jacobi is afraid of ducks. You are sitting on a gold mine.

Ugh this is awful because I can't tell if Hera's compliance with Maxwell is programmed or not! It's so scary that her free will can just be...programmed out.

Maxwell. Why are you interrogating her? Hera. Do not turn on your friends. Maxwell. You BETTER be trying to help.

I'm very worried about Hera. Is Kepler going to shut her down?

Good on you Hera. She deserves to know the truth.

...oh no.

Maybe I'm misremembering this, but was it Maxwell or Lovelace who said "if only Hera knew the truth" a few episodes back? I'm really suspicious about how Cutter and co. treat the AIs and what they want with them.

Hera. Talk to Doug about it. Just let him know you're scared. He'll be there for you.

Hera please let your friends help you. Please let them help you. AND LEAVE HERA ALONE STOP OVERWHELMING HER! She clearly has...whatever the AI equivalent of anxiety is.

I feel so bad for Hera. I swear. Whatever Cutter has planned for her...he will pay for this.

Hera offline? NOOOOOO...

Maxwell you kinda got in her head.

But everyone has problems. And Hera is more than a robot computer. She's a friend. You can't just shut her down!

I KNEW IT. A panic attack. She has anxiety 🥺. Poor Hera.

What's dummy program? Would they destroy Hera's freewill? Neanderthal version of AI? No. Maxwell no. You don't get it. Hera is a friend. Oh they don't get it. They think it's a companion to her, not a replacement for her.

DO NOT DO IT. THANK YOU DOUG! YES! THANK YOU DOUG!

I need Whiskey Boy to drown in his own whiskey. And I need Hera to be okay. You can't do this to me. You already took Blessie you monsters. YOU ALREADY TOOK BLESSIE!

Maxwell stand up to discount Cutter! "Don't forget what she is Maxwell. She went rogue and tried to escape. There's a reasons she's up here. She's expendable. Make sure that doesn't become you." YOU better make sure it's not YOU whiskey boy. Hera just wanted freedom! She didn't ask to be born!

Minkowski just tell him. Please tell him.

Yikes.

Minkowski don't make him go through this. Please stop.

Kidnapping isn't the worst part? That's...this doesn't sound like a fun story. This doesn't sound like a trip to truth town.

Right. His daughter. Baby Ann 🥺

Doug would make a good dad. Oh no. I predict that he had drug and alcohol issues!!! Oh he gets clean. Good for him. Oh no... Doug...relapse is bad.

Oh he loses Ann. HE KIDNAPS HER? Doug bad idea. People get put away for stuff like that.

NO HE CRASHED INTO SOME TEENS. ...Model UN president in a wheelchair?

The way he says "I was fine...the driver's always fine..." yikes. He made her deaf? He hasn't seen her since? How old was she?

Hera needs to be okay. And I'm sorry if they have the tech for sentient AI, decima viruses, space travel, and who knows what else, that weird brain transmitting machine, then deafness should be totally curable by now, Cutter's just hogging the tech to himself like a psychopath. I hate him. I hate him so much. Cutter is the worst. I hope HE loses his senses. Almost all his senses. Except for pain. That's the only one he deserves to keep.

I hope Maxwell can save Hera. She has to! Hera can't die now. We already went through that, and she deserves to be happy.

But I do get the feeling that might not happen. For anyone.

You know, as I go back and edit this, I gotta say, in some ways Kepler is like an evil version of Doug. They both clearly like alcohol and substances (Kepler's "I like the feel of it in my hand" and Doug's "I just want to hold the cigarette"), but Doug wants to get better while Kepler clearly doesn't. "You're like this Whiskey see? I'd be sad without it but I'd be okay." And then he risks the life of his crew for it. You sure you don't have a bit of problem Whiskey boy? 👀

And that's all folks! Thanks dear readers for coming along on my journey. Sorry for the delays in reactions. Life gets busy, but I try to do at least once a week for you guys.

[tmblrgirlie1]

It's Bridgeton B****

It feels like a lifetime ago since watching the first part of this new season of Bridgeton. Alas, I have thoughts and opinions in anticipation for this second part drop.

1. There are so many things that set the show apart. From the costumes to the musical composition, storyline, casting, and the diversity of casting. All reasons that set this show apart this season is no different. Through the musical composition we get that modern feel through classical renditions of these iconic trendy songs (which they've done from the beginning).

Through costumes we're able to understand the mood and shift of characters (which you can see in a lot of television and film) which can help audience with foreshadowing. Although you're already kind of saw it early on in the show with her 2 step sisters and mom we can kind of get this vibe with Penelope and not being considered worthy of putting on the front for finding a husband.

On brand for the show we still kind of see the former couple of seasons but like in their honeymoon era is able to really experience themselves as a couple an established couple.

I loved the inclusion of elaborate hairstyles for Queen Charlotte they just became more experimental as the season progressed and I liked the appearance of dreads in this time period because they were in existence during this era (which educated me) and it's nice to see that representation.

2. Some things I'm nervous about for this next half is how Collin will react when he finds out who she is. Like I couldn't even be happy for them in the carriage scene because of my anxiety for how he will respond to finding out.

3. I'm also interested in seeing if the friendship between Penelope and Eloise will be rectified in this season.

4. And then which one of the sisters will provide a heir first before the family is in ruin for the Featheringtons.

5. I'm excited to see more costumes, cast diversity/ storylines and then also how they will introduce the new era of leads for the next season of Bridgeton.

6. Really excited to see the new playlist for these coming episodes and what songs they'll turn into classic classicals

7. Also, also, did anyone else get autistic representation with Colin's sister and her (I'm sure to be) new man?

[oceangenasi]

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#i’m 2% mad that the first lyric is missing a word but that’s bc i’m a cranky bastard who obsesses over lyrics to an unhealthy degree

My Top Posts in 2022 below the cut lol

#5

I started thinking about this on Twitter and had to elaborate: People are interpreting the "you didn't kill Anakin Skywalker" line as Anakin seeing Obi-Wan sad and summoning a shred of his former self to absolve Obi-Wan of guilt. But while that was its EFFECT, I don’t think that was Anakin’s INTENTION. I think he was still trying to hurt Obi-Wan.

Anakin can’t STAND the pity and regret -- it makes him furious. It reminds him of how far he’s fallen and what he’s become. In claiming responsibility for his own corruption, he's trying to hammer home that he isn't a traumatized young adult who was trapped by the trauma of a global war and manipulated by one of the only people who showed they cared about him -- even if he absolutely is that person. But he's TRYING to be his evilest version of himself, to say that he's a monster and he made himself that way and he WANTS to be one.

He’s lashing out in an attempt to reject Obi-Wan's compassion -- that last bit of his past, his "feelings" for his former master -- and, by accident, stumbling into exactly what Obi-Wan needed to hear.

22 notes - Posted June 23, 2022

#4

you'll wish she didn't!

For science, I collected what each of the Houses hears when Gideon speaks to them for the first time.

Seventh: "Yo. Step off." (when Cytherea faints)

Sixth: "Then get off your ass and help me."

Fifth: never got to hear her talk :(

Fourth: thee line of all time, which is to say, "Did you know that if you put the first three letters of your last name with the first three letters of your first name, you get 'Sex Pal'?"

Eighth: "They had names, you lily-livered, tooth-coloured asshole, and if you want to make a thing about it, I warn you that I'm in the kind of mood that can only be alleviated by walloping you."

Corona: "No. I thought their arms would all flop around." (in response to Corona asking if she's seen a necro hold a sword before)

Ianthe/Babs, probably also the Second: "Why?" (after they gather to confront Cyth about Pro's head)

24 notes - Posted October 17, 2022

#3

is anyone else here talking about the foil/parallel of a vampire who's supposedly being manipulated by his familiar and the familiar just believes he's taking care of his master bc idk that also gave me Nandermo Foreshadowing Vibes

26 notes - Posted July 20, 2022

#2

the fact that the Nandermo tag on ao3 is already listing several new E-rated fics and they are very literally canon-compliant.... I cannot even

39 notes - Posted July 20, 2022

My #1 post of 2022

The symbolism of Obi being weak and out of practice but being saved through the kindness of others while Vader is strong but alone in every way that matters

85 notes - Posted June 1, 2022

Get your Tumblr 2022 Year in Review →

[elriell]

Another (Updated) list of replies, theories & thoughts from myself and fellow shippers for easier access to all my favourite opinions! Just to make navigating specific topics a little easier, though feel free to explore my tags for more. I had to redo this because all the links were fucked on my old one after I changed URL.

→ Azriel Bonus POV   &  Feysand Bonus POV ←

Mates/Mating Bonds

Elriel Master-Post of Thoughts

Mating Bonds/Elucien/Elriel

[Updated Mates]

The Mating Bond is A Spell

Do you think Elriel are mates?

Mating Bonds & Bridges

Need Through Bond

8th Court/Dusk Court - Theories (and more)

8th Court/Dusk Court Theory  ➝ 1 / 2 /The Moirai

Foreshadowing & Mist and Shadow

4th Death Trove

The Bone Carver & The Prison

High Lady of Dusk Court

Three’s

Truth-Teller

Koschei the Deathless

Elain "Kingslayer" Archeron

Elain’s fucking Uterus

Elain + Angel Wings

Elain Vibes/Dresses

ELAIN APPRECIATION

“It’s Elain’s Book”

Wearing Black + Another One

The Void

Receipts

Elriel

Elriel Quotes Master-List

FanArt Masterpost

Then vs. Now

Azriels Secrets

Another Kind of Sunlight

Misconceptions (Only Sexual)

"Only Wants Sex" Argument

Foreshadowing

Forbideen

Sun & Shadows

Windows

After POV Opinion (Azriel Specific) + Another One

Elriel Opinion + Gwynriel Friendship & Part Two

Only wants Sex, argument.

Powder Gift Significance

SHYEET

Necklace + Part 2

BDE

↳ Parallels

Feysand Parallels

Rowaelin Parallels in Text + Another One + Three

Elorcan Parallels

Rowan&Lyria/Elucien Parallels

Holy Trio Parallels

Cazriel Parallels + Part Two + Part Three + Wings & Embers [W&E Part Two]

Helion & The High Lady of Autum Past vs Present Elriel Parallels

Nesta & Azriel Parallels

3 Bat Boy Reactions + Part Two

All Sarah's Mates

TOG Parallel?

Rowaelin x Feysand x Elriel Parallel

Arguments/Discussions Against Elriel Debunked

Shadows:

Azriel's Shadows/Trauma

Elain + Shadows

Azriel's Shadows DO NOT run from Elain

↳ Sub-Category - Lightsinger/Powers

Gwyn as a Lightsinger + Part Two

Glow = Power

Gwyn's Powers

Gwyn's Song/Cauldron Song

Timing

Necklace

Parallels to Nessian

Necklace Thoughts

Other;

Rescuing

Azriel's Personality

COMEDY BINGO, click a link and have a laugh!

(A)   (B)   (C)   (D)     (E)

There is unfortunately a link limit so I can no longer link all my replies to a bunch of ask's which really elaborates on some of my opinions, so I will make a separate specific post HERE.

always be kind and enjoy yourself.

Morgan xo

[captnjacksparrow]

After the SS novel gets a manga adaptation do you think Kishi will be less likely to reveal that Karin is Sarada's mother?

@dear-anon-hello Hi!!! I got your Submission regarding this topic. Probably you might find the Answer here.

Sakura is Sarada's mother. Period. Now and Always. Sarada and Sakura both has similar Eye Shapes.

Yes, There are various instances where Sarada's origins were questioned which I talked about here. Like her being a spitting image of Karin, both wearing same kind of glasses, born in Oro's hideout instead of Konoha Hospital.

But it was all just an Elaborate Troll from the Author to spite SS. And I don't think there's anything more to it. Like, every page is full of deliberate mockery. Starting from Sakura's shady as fuck relationship with Sasuke, Her negligent relationship with her Daughter and her dismissive relationship with all of her Teammates... Spite! Spite! Everywhere.

If Karin was the mother of Sarada.... What's the need of making SS into canon instead of SK???

If Sarada has such a big revelation... Why there's no clues or hints or foreshadows regarding that in the Boruto Manga but everything stopped right where in Gaiden???

Why Sarada is being totally irrelevant to Boruto manga's storyline??? Yeah, She does stuffs here and there. But storywise, she has yet to prove her relevance.

If Sarada's character is almost non-existent in Boruto manga as well as Sasuke's life.... What good will it do if she ended up having a Controversial Birth anyway??? Like, What's the point???

Say, On a rare case, If Sarada's plot was going to be brought in the Future... If that's the case..... Sarada, Sakura, Karin, Orochimaru and Sasuke has to be brought up again as a Separate Arc in a Monthly Serialized manga.

Sasuke was so prominent in the manga during the earlier chapters... But ever since Kurama died, he appeared just twice in the Manga. So, in 15 months, he appeared only in 3 pages.

Do you think the Editorial team would dedicate any more pages on Sakura, Karin and Orochimaru again???

I don't think so.

If you ask all these questions to yourself, you'll realize the Answer too.

As for why Sasuke has sex with Sakura... I talked about it here... Please read the comment section too. Or Short Answer : They had sex because the Studio needed Babies. That's all. No complicated explanation.

There are so many Fanon theories floating out there which is sooooo good and believable. Like Sarada being Experimental baby and hence Sasuke never had sex with Sakura... As an SNS'er, I would be glad If I get a confirmation on this theory in the future...

But do I truly believe these theories to the point of Indulging myself and everyone who are reading my posts frequently???

A Big No.

[nineteensixtieschikadee]

Arya Stark & Femininity

This might turn into a mini rant, so bear with me here. A lot of times whenever I watch old GOT clips, (bc I hate myself) and read stuff about Arya on fansites, I realize that there’s been a lot of misconception about her and her character. Particularly about her being a woman. And a lot of times i see this sort of “justification” from her fans that the reason why she’s such a fan-favorite character in the show (and to some extent, the books?) is because Arya is esentially this “bad-ass ninja asassin tomboy who’s out for revenge against those who’ve killed her family.” And some of her fans and especially her anti’s will call her out expressing that “Arya’s only a child who doesn’t like girly things like dresses and boys and doing her hair. She “identifies” herself as a tomboy because she likes “boyish things” like sword play, and playing in the mud, and gore, wrestling, etc. I was scrolling through the Jonrya tag here on Tumblr, this is a comment I found regarding Arya:

The moment I read that I straight up just wanted to rant! Lol! Also, I’m sorry for the formatting, I’m writing this on mobile. :( Anyways, these people who make those claims about Arya, esentially only see her as this small girl who likes fighting and getting dirty. They completely disregard everything else that makes Arya, Arya. Pretty much just limiting her to her sex, understanding that because Arya likes boyish things, she’s NOT ALLOWED to inherit things, like the North, fall in love and get married, have a high position in the hierarchy and in politics. It’s because that these people see her as someone who hates needlework or everything that isn’t Sansa, everyone believes that she hates everything that makes her FEMALE. Everybody here knows that Arya’s my favorite female character in the books, so I just wanna talk about how the general public views her, and how their views tend to go against Arya’s entire character.

People have this view that she is the “exact opposite” of Sansa. And while that’s true in terms of their different characteristics, it doesn’t mean that Arya is against everything that makes Sansa, feminine. Now lemme elaborate here. Sansa is everything that represents “femininity.” Especially in terms of the inspired time period that ASOIAF takes place in. She’s very girly & lady-like, is mannerful, “soft-spoken.” She daydreams about boys and being a princess. She’s graceful and elegant. She knows her place in terms of society, and as a woman. AND YEAH, Arya is the exact opposite of that. Yes, she has this boyish nature. She’s wild and free spirited. Loud also adventerous. But that’s the thing: Arya has a lot of femininity in her. It’s just not the femininity that we’re used to. What society percieves as “normally feminine.”

Arya is not Sansa. And it’s because she doesn’t act like a “lady” that the audience sees her as this girl who “doesn’t want” or most importantly, should not want/get the same treatment as the typical noblewoman in Westeros should recieve. This idea was engraved into people’s heads because of the show, and that’s how we’re supposed to see her. As this cold hearted ninja assasin warrior who happens to be a girl, but doesn’t act like a typical girl. The audience pretty much places her in the “I’m not like other girls” trope. Which is honestly, so wrong to me. Because yeah okay, Arya isn’t like the typical lady. But god, she is far deeper than that, and is a much more complex character.

Here’s the thing, Arya does not reject being a female, and most importantly, she does not reject the typical ideals of what makes a lady feminine. Of course not. In fact, she actively encourages that women be included in all things, especially in things only made for men. She believes that women should not be held back or ignored because of their sex and femininity.

“The Lannister’s are proud,” Jon observed. “You’d think the royal sigil would be sufficient, but no. He makes his mother’s House equal in honor to the king’s.”

“The woman is important too!” Arya protested.

This excerpt is from Arya’s very first chapter in AGOT. It is also my favorite Jonrya moment, lol. And asides from the scene foreshadowing potential plot points for not only Jon & Arya, the scene introduces to us and examines Arya’s perception of society and more specifically, the women in society. In this scene Arya joins Jon in observing Prince Joffrey, talking about the Lannister/Baratheon coat of arms. Jon makes a point that while the Baratheon sigil should be enough to prove that Joffrey is of royalty, the Lannisters (Cersei) are a proud house, married into the royal family. So therefore Joffrey is of house Baratheon AND Lannister. That is why the Lannister sigil stands besides the Baratheons. Because they, specifically Cersei, should be seen as equal to the king.

And while Jon makes this seem like it’s wrong or not needed, Arya disagrees with him. She tells him that the women should not be forgotten, as they should be seen as equal to the men. That the women are just as important as the men, and that it would be of good conduct to not forget that. And with that being said, she never acknowledges that Joffrey’s mother is too lady-like or too feminine to be seen as an equal to the king. Nope. Although she does question later as to why if women cannot fight, why should they have a coat of arms. Though that is hardly the point of her argument.

Another point that makes people believe that Arya is not feminine or does not support femininity, is when she flat out says to Ned that she hates the idea of being a lady.

“Your mother and I have charged her with the impossible task of making you a lady.”

“I don’t want to be a lady,” Arya flared.

Alot of people misinterpret this as Arya not wanting to be a noblewoman, because she only likes to play with swords, and get dirty. Because acting like a lady is stupid and not her. This is simply not true. Arya has no problem with women, or being a lady. She is a lady. A highborn one. What she does have a problem with is that being a lady often means being trapped in the conformities of what society percieves to be the acceptable standard for women in this time period.

All of the acceptable standards is what Sansa is. And she is not like Sansa. She does not believe herself to be a lady like her sister or her mother. When she first reveals her true identity to Gendry in ACOK, he immediately apologizes to her for his behavior and calls her m’lady. :3 Arya unfortunately sees this as a form of mockery and an attack because while Gendry acknowledges that she is a lady, Arya doesn’t act like a typical lady or even look like one. That insecurity of not being a lady like her mother and sister makes her believe that Gendry is using her sex against her. Like a form of irony. But I mean, we all know that’s far from the truth, lol!

And Jon recognizes this too! It’s the reason why they are so close and tightly knit together. Because Jon understands Arya, and sees her insecurity like how she sees his. They are one and the same. Jon sees and understands Arya’s frustrations of sexism viewed in Westeros. He acknowledges that Arya is to become a lady. But he also sees that Arya is not the conventional type of lady wanting to stick to the norms. She is a different type of lady, and to him, that is okay. He may tease her for it once in a while, pointing out all the unfair limitations that women have to go through. But he accepts her for being this unconventional noblewoman, and often encourages her to pursue being different.

“Girls get the arms but not the swords. Bastards get the swords but not the arms. I did not make the rules, little sister.”

Later when Jon and Arya say their goodbyes, Jon gifts Arya with the swords. Needle. This is his way of saying, fuck all them haters, be who you wanna be. Solidifying the idea that he supports her and accepts her for who she is. Kinda like how Tyrion told him to use his identity as armour, Arya should do the same to herself. It’s okay to be different than the rest. Fuck the rules.

It’s not that Arya hates the idea of being a lady. It’s a far cry from that. It’s the sexism that goes along with being the typical lady that infruiates her. Arya loves running around, riding horses, playing with swords, being loud and adventurous. She has a firery temper to her. And just because she likes doing all of that, and is all of that, it doesn’t mean, shouldn’t mean that she isn’t a lady. That she can’t be a lady. All of those things shouldn’t limit her to being viewed as a girl, a highborn lady. She is a woman, and she identifies as one.

“Listen to him, boy.”

“It was the third time he had called her “boy.” “I’m a girl,” Arya objected.

That is why, even though she sees herself as a woman, she often tells herself and other people that she is not a lady. Despite others telling her that she is one. Her insecurity and her frustrations do not allow her to see herself as a lady because she isn’t a “conventional woman.”

But the thing is, even though Arya doesn’t enjoy most of the typical lady-like things, she still has a ton of femininity to her. And people often ignore her more feminine traits in favor of her more “badassery” side, which unfortunately are most often occupied by men. People forget and downright ignore that Arya is really intelligent. She particularly excels in math. It’s one of the few things that she’s better at than Sansa. She loves flowers—like her aunt Lyanna. The very person who she’s said to look and act like the most. And a really important one is that she has motherly instincts. It’s what helps her protect other kids throughout her journey. Her ability to empathize enables her to be more social with outcasts and befriend others without judgement. She is well-mannered and kind to strangers. (An example of this would be when she apologizes to a common woman who lent her a dress to wear, and she accidentally destroys it because she and Gendry were playing by the acorn tree.) She can also cook and clean just like any other woman—or any other person. All of those are feminine traits, and are traits that make her more human. And the show opted to get rid of all that and gave us some cold-hearted, angry, ninja.

The audience perceives that because Arya is this ninja warrior who rejects the common standards of being a lady, it means that she can’t have these other more female traits. Nope. She’s not allowed to have or want more rights and power because that’s not her. She’s a warrior and nothing more. She can’t find love because she has to be this bad-ass independent woman who don’t need no man. That’s not her, that’s her sister. We can’t have Arya be any more female than she already is because she rejects the idea of being female. Leave all that crap to her sister! Sansa’s the princess—and we can’t have Arya being a princess or queen. Arya’s only allowed to carry a sword.

And it’s the audience’s perception of her that goes against everything that Arya is, and everything that she believes in. Because remember, Arya hates the idea that being a lady means being trapped in the societal norms. And it can be said vice versa too. Arya still respects those who want to be more of the conventional type. Arya may not have the more typical feminine traits that make her a lady, but to hell with it! It doesn’t mean that she’s not allowed to have the other things that the more conventional woman would/should have. That goes against all of her views and beliefs. The audience puts Arya at an unfair standard because she doesn’t act like a conventional woman.

It’s the same thing as the audience saying that Jon Snow doesn’t want a title or power, because he’s devoted his life to the Nights Watch and is unselfish. False. Very false. Just like Arya. Arya’s young. She still has time to grow, and no doubt she doesn’t think of all those things now because of other priorities. But she’s slowly getting there. And there is so much foreshadowing of her finding love, becoming a woman gaining power, etc, etc. She’s not there yet, but that’s a part of her growth. Just because she defies the typical female standards, it doesn’t mean she doesn’t want or wont want all those things later.

Like com’on. Everyone knows that Arya is the only legitimate candidate right now to inherit the North. Everyone knows. The Northmen know, the Nights Watch knows, the people in Kings Landing knows. Hell, even the damn wildings know this. And it’s because of this knowledge that formed the majority of the northern plotline in ADWD. People are going to war for her. She is the true key to the North, and that’s why the Boltons lied and said that they have her. It’s why Jon went to war and died for her. I don’t think Arya will truly believe it if/when she finds out that people are fighting for her because she holds the power to the North. Unless Jon’s gonna be the one to tell her himself. The fact that she is being set up to inherit all this power, and yet people deny it and believe that she doesn’t want it because it’s “not her” in regards that she’s not feminine enough, is seriously infuriating.

I mean look at the type of women Arya respects and idolizes. Where do you think she got the name Nymeria from? Nymeria’s name originates from the Princess of Dorne herself, Princess Nymeria of Ny Sar. Princess Nymeria was said be very beautiful, strong-willed, cunning, and full of wisdom. She was a “warrior-queen.” From that alone, her femininity clearly did not matter. She was a woman whose goals were not held back because of her femininity and sex.

Arya does not hate femininity or things that makes women more feminine. She doesn’t truly hate wearing dresses or being a lady. It’s being conformed to the general standards that she hates. It’s her sex being used against her that makes her angry. It’s not being able to be herself that she despises. And thanks to Sansa and her mother’s judgement of her, Arya’s insecurity only heightened. Despite looking exactly like Lyanna, Arya herself believes that she’s not beautiful enough to even be considered a lady. Only Jon and Ned allowed Arya to be Arya. Only they called her beautiful, and only they encouraged her to be who she wanted to be. Arya loves her fellow women. And yeah, she also loves Sansa despite her being such a pain in the ass bitch, lol.

Arya’s character encourages women to just be women. She encourages us the audience to just be ourselves despite all the conformities forced upon us. Her character explores the limitations of sex, gender, and especially the loss of identity. Arya not wanting to be a lady doesn’t actually mean she doesn’t want to be a lady. She doesn’t want to be held back by the standards of being a lady. Her question, her argument is that why should women be limited only to being this or that. Women are far more than meets the typical standard, and if society can’t accept it, then fuck that! Women can be knights and still be a lady. They can be fierce and passionate and emotional and still be a lady. Women can be warriors and still be a lady. Just because there are some women out there who don’t fit the ideal standards of what it means to be lady, it shouldn’t make them feel like less than one.

[oswinsdolma]

Yes, it's nearly 2.00am (because that's apparently the only time I have inspiration to write essays) but I've been thinking a lot about this lately and wanted to get it off my chest, so here you go:

The main goal of Merlin becomes disturbingly fractured along the way, which opens up the gaps for the prophecy to seep through instead of following the expected channels, but it can essentially be boiled down to three key elements 1) build albion; 2) decriminalise magic and 3) save Arthur, but when all is said and done, we never really see any of those objectives achieved.

Now, there are a few reasons for this, both from a writing perspective and a plot perspective. The first, and one of the most obvious, is that this show loves irony. I won't go into a lot of detail here because I've already written a whole ass essay in this very subject, but in a nutshell, you can look at this from two perspectives: firstly, it's important to establish that this technique is purely about the angst: it's the writers' way of provoking a reaction from an anguished audience, but it's foreshadowed just enough to make it more painful than it is shocking. Alternatively, there is the more plot motivated irony in that it genuinely makes a good story. Irony is a technique that has been used for thousands of years, not just because it provokes a reaction from the audience, but because it allows you to explore your characters in greater detail than before, riddling them with hidden juxtapositions and internal conflicts that are never resolved quite in the way you expect. The irony in Merlin is the epitome of this, with the whole motif of Arthur needing to die for his reign to begin. It is a classic example of the simultaneous despair and hope that mocks you from the shadows.

Following this, there is another force at play that deals with half truths and seemingly imperfect contradictions, and that's prophecy. It's not really a secret that I have very strong feelings about prophecy and its effects on all the characters, Merlin in particular, and the fact that fate and destiny are such key themes in Merlin both makes perfect sense and wants me to smash my head into a brick wall. Prophecies are another common trope that often go hand in hand with irony (think Oedipus Rex, Macbeth, The Iliad, all that doomed hero shit that I inexplicably adore), the key to their influence over the plot often lying in how they usually come true in the most unexpected of ways. This links back to that initial theme of irony, but this isn't what makes me angry: what is infuriating is that prophecies tend to come true, no matter what, and most of the characters seem not only to know this, but to let it take their autonomy over their respective fates, driving them to disaster.

Let me elaborate: especially in season five (I'm assuming just for the added fall at the end), Merlin talks a lot about how "one day, things will be different". He tells sorcerers that one day they won't have to hide. That one day, they won't have to live in fear of who they are and what others think of them. And Merlin is right: while it is not explicitly stated, it's generally established that this is one of the things Merlin should actively be working towards. But here's the kick: except for a few specific circumstances, when has Merlin ever actively tried to change Arthur's mind about magic? Yes, he has taken a few opportunities, like with Dragoon saving Uther's life, or with the Dolma's final request, where he has encouraged Arthur to rethink his choices, but otherwise, his support has been lukewarm at best. Instead, his primary concern was always saving Arthur, so he can become the king the magical world hoped he'd be, but he left out a crucial part, trusting in the prophecy to fill in the gaps. He knew it would come true, but it was, almost predictably, in the one way he never dared to expect.

And in a twisted way, there's that thread of irony again: Merlin thought he was saving Arthur so he could one day become the king who would see magic as a force for good, but instead, he created someone who was merely a survivor. It was Kilgharrah who said it first, and he who would mention it last: they are two sides of the same coin. But as willing as Merlin was to give his life for Arthur, and vice versa, he was never really ready to give him his mind.

Another interesting thing to note is Merlin's fixation on the "Saving Arthur" lens of the prophecy over the "Restoring Magic" part. Now, there are a ton of ways you can look at this, depending on how far along the scale of Queer Analysis you are, so I'm going to try and address a couple. At one end of the scale, you have the fairly simple and very believable "merthur" take. This basically boils down to the fact that Merlin and Arthur may or may not be deeply in love with one another, and that drowns out any voice of reason that may unfold. This is actually fairly canon compliant, particularly looking at incidents such as the Disir, when Merlin chooses Arthur over his and his people's freedom, though that choice was clearly, in hindsight, misadvised.

At the other end of the spectrum, there is the idea that it is the work of Kilgharrah, Gaius and other responsible figures in Merlin's life when he was new to his role in destiny, who reiterated at every occasion that Arthur must be protected at all costs. This may have ingrained into Merlin's thoughts and influenced his decisions from here on out.

Between those two points, there is a grey area, and I am of the personal opinion that neither extreme entirely satisfies the situation. For me, I think the characters in question are far too complex to have such simple motivations, and that the true reason lies somewhere between the two: Merlin undoubtedly cares for Arthur, and while at the start, his actions in protacting Arthur may have been driven by other (largely superficial) motives, over time, their mutual affection blossomed to the point where certainly the more personal quests were motivated not by need, but by love. However, there is a divide here, and while the line in the sand smudges from time to time, it never really disappears: a lot of instances in which Merlin is trying to help Arthur are entirely overshadowed by destiny, and in time, Merlin comes to accept that Arthur and Destiny are, in fact, one and the same, and this is where that ever-present tragedy lies. For all he truth in here, Merlin doesn't get everything quite right: he sees Arthur as a balance that needs to be protected, without fully realising that he doesn't just have to keep the sides of his equation in equilibrium, but he actually has to start solving them if he wants them to endure.

Having just said all that, sometimes I decide to fuck over complexity for a few hours purely because I am a shameless merthur hoe.

Also, can you take a moment to please note that this last section is highly subjective and it is completely up to you as to what you decide!! This is just my opinion and you're welcome to agree or disagree at any point.

So, aside from the Angst Factor™ and twisted character development, why was the main goal never fulfilled? Unfortunately, that is a question far cleverer people than me can only speculate, as the writers alone know the answers, but I'm going to give my opinion a shot. Honestly, there is something beautifullly poetic about something that never ends, or ends when there could be something more. Humanity has struggled with endings-and beginnings- since it learned truly how to think, because that kind of finality, that inkling that there might have been nothing before and after something else is incomprehensible. In leaving Merlin in a place where the next point was uncertain, the writers left the story open for us. In depriving us of that catharsis, they effectively made sure that the story would never be over, not until we want it to be. And yes, it was painful. I can't think of an ending that was more heartbreaking than that curious mixture of closures and openings all at the same time (hell, I could write a whole essay based on this concept alone!), but it was also a gift, ironically like that of the prophecy itself in that we can choose what we want to do with it, safe in the knowledge that there will be a happy ending again, one day.

In summary, we might not be left with catharsis in the way we wanted. We might not have got the happy ending that could also have stretched on and on indefinitely. But we were left with something else, something equally beautiful as closure, but in the complete opposite way. Amongst the remains of allwe had hoped to build, Merlin left us hope.

[bisexy-legend]

Since Fear Street: 1666 is coming out on friday I think it's time we share our final theories about what will happen in the end.

Mine are:

1. Nick Goode is not a good guy

I don't feel like I need to elaborate on that but I will anyway cause there were two major scenes where a got a very foreshadowing vibe that he's a bad guy. In 1994, Martin, the mall janitor, tells Nick that he was more "Sheriff Mother Fucking Evil" when Nick tells him his name is "Sheriff Goode", and in 1978, when Nick goes into the cabin and sees the bodies of the kids his hands get covered in blood, their blood on his hands, he keeps looking at it until Kurt runs to him and he even asks if he was the one who killed Joan when he sees the blood, and in the very beginning of 1994 when Josh shows Deena the police report of the mall massacre it says that Ryan attacked Nick and that's why he shot him, which definitely was not true since the killers don't even go after Sunnyvalers, so he is definitely sus.

2. Sarah Fier's is not the bad guy

I think this one everyone knows but I actually think that when people bleed on her bones she tries to show them the truth about whatever happened in 1666 but she was unable of it because she was missing her hand, that's why Deena gets the same flash images that everyone else gets but she actually goes there and also whoever is behind this is definitely the one who calls the henchmen back to prevent them from learning the truth.

3. Samantha Fraser is the key

I've been thinking this since 1994 cause of two scenes, when they are in the forest and Sam goes for the bones for the second time, Sarah's voice keeps telling her "it's you!" over and over, I think somehow maybe Sam is actually related or the reincarnation of some sort of Sarah's lover? Idk, but it was weird. And there's also that scene with Deena saying "You and we are the way out " felt very foreshadowing to me.

4. They need to destroy the hanging tree to end the curse

The tree is overlooked during most the movies and they just go there to search for Sarah or to get the hand, but after Heather is killed right in the beginning the tree is shown alone in a long shot which was definitely on purpose, and also, why would the Goode family preserve this specific tree? If they wanted to erase the bloody past of that place the tree where two people died in the camp is a great place to start isn't it? But they didn't and that's shady as fuck.

Also, during Olivia, Kiana and Emily interview to MTV they were very careful to only show shots of the first movie since the second wasn't even out at that point but they ended up showing a shot that's probably from the third movie that's this one

I would like to point out the "GOODE IS EVIL" on the wall and the wires around the tree, something is definitely going on here and who's gonna try to stop them you may ask and they also show the answer and is this dude

He's not one of the previous henchmen cause they have shown us everyone and he's not a new possessed cause as far as we know "the witch" can only do that one person at a time.

So I think he's the big bad but who is he? Well my first guess would be Nick since I don't thrust him at all but he was wearing his uniform that night and this dude is wearing kind of fancy clothes? So maybe is actually his brother, Mayor Will Goode but something happened to the face of the person wearing the mask cause there's also a lot of blood in his clothes and neck.

I'm also worried sick about Sam cause my baby didn't show up after possession yet and that makes me anxious if she's gonna survive this shit or not, also if Deena sacrifices herself blowing things up with her still in it I'm suing cause I didn't sign up to see them die even if it is a horror movie.

Anyway I'm really excited for the final movie, does anyone have more theories about it? Cause I've been burning up my two remaining brain cells trying to connect the dots

[galactichoneybee92]

Disorganized Thoughts on Sex Education Season 3

I binge watched the entirety of season 3 on Friday, and after sitting with it for a couple days, I have composed myself enough to offer some thoroughly disorganized thoughts on what I’ve seen. 

     While I did enjoy many things about this season, I don’t understand the people who claim it was the strongest. In fact, I believe that it was the weakest. I don’t know what exactly happened during the delay, but I swear they have to have lost staff. Writers, perhaps editors? Whoever usually reins things in a bit, keeps the show grounded, and everyone in character. Whoever had that job, they’re either gone, or they’ve just stopped giving a fuck which, while relatable, is unfortunate in regards to this show. Now what do I mean by that? Let me elaborate:

1. This season was gross. And I don’t mean in general, like I didn’t like it. No, I mean that the writers decided that being sexually explicit wasn’t funny enough and decided to add just a fuck-ton of fart jokes and toilet humor. And I get it, okay? This show prides itself on being crass. But you can be crass without being disgusting. I acknowledge that this comes entirely down to personal preference, but I can’t stand toilet humor and I feel like this season really ramped it up. Every episode was someone farting or talking about shit, or that god forsaken thrice cursed bus scene. Sex doesn’t gross me out, talk about sex all fucking day I don’t care, but I don’t need to watch an extended scene of someone digging their own shit out of a bus toilet in a sock and chucking it out the window onto someone’s car. And even just smaller things, like Aimee talking about the flour constipating her or her taking a massive shit in Jean’s toilet when she and Maureen were there. Those scenes weren’t necessary for the plot in any way, which leads me to believe they were just there because someone thought they were funny and if that’s you’re thing go off, but it most definitely isn’t mine. 

2. Ruby and Otis. And more importantly, what was the point of Ruby and Otis? Now don’t get me wrong, I like Ruby as a character and I found their relationship interesting. And I think that it would have been even more interesting if the writers had devoted more time to properly developing it- Ruby was getting better as a person but she wasn’t there yet. I liked it once Otis started standing up for himself more, and demanding respect in the relationship and as she started to actually care for him she did come to treat him more respectfully. I think with more time they could have been really good. But they didn’t get that time- she said she loved him and they didn’t even work through that fiasco before he was kissing Maeve at a gas station. Overall it had a lot of potential but the way they played it left me just sitting here like...why? Like from a narrative standpoint what was even the purpose? Because from where I’m sitting it really only served as yet another roadblock standing between Otis and Maeve and even though I shipped them like CRAZY in season 1 and 2 the constant unnecessary roadblocks are getting a little old. Which leads me to my next point...

3. Why was Maeve and Otis so unsatisfying? That’s not actually a rhetorical question, I can tell you: Because the writers put so little effort into what is supposed to be the main couple on the show. I feel like they put more effort into keeping them apart and then when it comes time to put them together they’re just kind of like NOW KISS, they only talk like once after and then they ship Maeve off to America. Now I’ve heard rumors that Emma Mackey might not want to return to the show for season 4 so if I had to guess at all of this I would say that both this point and the last was a sloppy attempt to cover their asses in the event that they can’t get her to sign back on. If she does return, they can explore the relationship between her and Otis in season 4. If she doesn’t, they’re probably going to put him back with Ruby. But they couldn’t just write her off without at least touching on the relationship they spent the past 2 seasons building, even though Otis and Maeve barely interact in this season, which is frankly another reason why it felt so shoddy. They spent exponentially more time talking to other people and then half the time when Otis was talking to her he was super cringe. 

     Overall, despite loving their relationship initially, the characters have changed so much from their original dynamic, and have interacted so little, that I really don’t even know what’s pulling these characters together. It’s disappointing to admit that I’m kind of over it but honestly even the writers don’t feel invested. it kind of feels like they put them together because the audience expected it and after 3 seasons of anticipation the payoff was generally underwhelming. 

4. Otis. Just...Otis. I understand that Otis was introduced as being a very nice helpful character in season one. He was the quintessential good guy. And then in season 2 he got to explore being a douche for a bit- which is fine. He is a teenager and he was going through some shit. But I really felt that by the end of season 2 he should have resolved that particular plot point. And he was a little better in season 3 I guess? But he didn’t really progress until the end of this season and from a writing standpoint I feel like they really dragged that out for too long. 

5. What’s with this show and it’s hard on for cheating? Like seriously, why does almost every relationship have some kind of infidelity. Like, were Otis and Ruby officially broken up when he kissed Maeve? Maeve certainly hadn’t broken up with Isaac, and this was almost directly on the heels of their very emotional sex scene. There was the issue with Jean and Jakob last season, and Eric cheating on Rahim with Adam. And then Eric (for some reason) cheating on Adam this season with random Nigerian dude whose name I can’t remember. Just...why is this a thing? 

     But also can we just talk about how weird the break up was? And out of left field? Like they literally spent the whole season developing their relationship, and then they get to Nigeria and after hiding the whole time he is subtly able to talk about Adam to his grandmother. And he sounds so proud, and so nice when he’s doing so, and not at all like he’s planning to end this wonderful relationship he’s describing. And then when he gets back, guilty after cheating on said boyfriend (like he should be) he asks Adam, seemingly as a test, if he would go out to a club with him. And Adam says no because that isn’t his scene and like...Eric knows that isn’t his scene. But at the same time, I feel like if Eric had sat him down and been like “You don’t have to wear makeup or dress outlandishly, just come to the club with me because it’s important to me” I really think Adam would have gone. And if the clothes and make-up were a dealbreaker like...why? You know who you’re dating. And while wanting him to tell his mom isn’t an overwhelmingly outrageous request, when you start getting into his physical appearance then that’s just actually trying to change him as a person and that’s just a really shitty thing to do. 

6. I promise there will be some positives in this list at some point but before that...what the fuck Eric? Like, I understand that Eric wants to get out there and explore his options, find someone more comfortable doing the things that he wants to go do. That’s realistic I guess, your high school relationships don’t work out and just because Adam came out for him he still isn’t obligated to stay in a relationship with him. But from a fictional narrative standpoint? What the fuck is this? Adam and Eric were one of the most popular ships on the show. They have been foreshadowed since season one, and had so so much effort put into developing them both as characters. Adam has come such a long way. They have brought him so far out of him comfort zone that Adam in season 3 is almost a completely different person to Adam in season 1. They spent so much of this season further developing the relationship they established last season, and for what? To break them up at the very end? WHY? 

7. Following on the heels of point 6, Aimee and Steve. They didn’t need to break up. I understand the direction the writers were taking this- Aimee wants to be single for a while to fully process her trauma and get to know her own body again. And that’s valid. I just don’t like it because I very strongly suspect that she will have a new love interest next season and that all her stuff about being single isn’t going to be shown. It will all happen off screen during whatever time skip they employ between seasons and then they’re going to use the fact that she is single to introduce a new more dramatic love interest for her since golden retriever boy Steve wasn’t interesting enough for them. Maybe that’s just me being cynical but if anyone can come out of season 3 NOT feeling a little cynical it would probably be a miracle. 

8. A positive! Finally a positive! I love the relationship between Adam and Rahim. Do I want them to date? Not particularly. I wouldn’t be mad if it happens, but I really just like them as like awkward begrudging friends. Some of my favorite scenes this season were the interactions between the two of them (Once again, the disgusting bus ride notwithstanding) I like Rahim a lot more when he isn’t interrupting my ship (which is a habit of mine. I liked Ola a lot more once she broke up with Otis) 

9. I don’t think Viv was out of character. Some people have been saying that she was, but I don’t think so. She has always been ambitious and even Jackson understand that about her in the show. And even when she was working for Hope and carrying out her rules, she was never an antagonist because she never gave up her personal morals to do it. For example, when Hope had them divided into boy and girl lines, Jackson asked her where Cal should go. She told him that boys went to the left and girls went to the right but as soon as Cal was like “Im not a boy or a girl,” Viv was immediately like, “ Oh! Right! Let me ask Hope.” She approached the situation in a way that made it clear that she recognized this issue as a legitimate problem and when she went to Hope it wasn’t framed like “This person is being an issue refusing to choose,” but instead like “We didn’t account for this possibility, that was our bad. How should we fix it?” Later on, on the class trip, Viv even lied to Hope and told her everything was fine because she didn’t want to get anyone in trouble. Viv took the opportunities presented to her, but I never interpreted it as her being an antagonist in any way. 

10. I love that Viv and Jackson remained friends, and I love that Viv has her sexy long-distance boyfriend who sexts about wheat XD Her sexting was one of my favorite scenes- well written, laugh out loud hilarious. No complaints. Sexy boyfriend was indeed very sexy and honestly, Viv absolutely deserves him. 

11. Mr. Groff better apologize to Adam next season, or at the very least have any kind of fucking conversation with his son at all or else why the fuck did I watch SO MANY scenes developing him as a sympathetic character? They could have spent that time developing ANYONE, but instead we were focused on him so like...I’m going to need some kind of payoff. Make it relevant

12. I want more bonding scenes between Adam and Maureen. I love Maureen- I love her friendship with Jean and I love how she always chooses her son over  her estranged husband (as she should) I especially love her very loving and supportive relationship with Adam, even though Adam is terrible at communication. It’s a self indulgent wish, I’d just like to see more. 

13. Isaac. I made many posts after the season 2 release, about how much I despised Isaac. Unlike Ola, I find that I didn’t have a complete change of heart but I don’t hate him AS MUCH as I did before. I still don’t like him though and while you might think “Yeah but you hate anyone who stands in the way of Otis and Maeve” no. This is historically accurate and yet, this season? Not true. For example, I don’t hate Ruby. Do I think her inclusion in the story was handled poorly in a way that made the entire plot point unnecessary? Yes I do. I also feel that way about Isaac, but less so because I feel like the relationship between him and Maeve deepening was better foreshadowed and was kind of the natural conclusion given the events of the previous season. As a character though, I still don’t really like him, and after 2 seasons of him I don’t think it has anything to do with him interfering with Maeve’s relationship with Otis- I just legitimately don’t like him. And I don’t like him with Maeve. I think the biggest irritant this season was the way that, after confessing about deleting the message he was like “yeah I fucked up but only because I like you so much, just forgive me” And then at one point I believe I remember Maeve apologizing to him for her reaction to everything. But then when he found out that she kissed Otis (admittedly a shitty thing to do) he got so mad and like, held a fucking grudge about it. And I get it, he has a right to be mad, but also boy you were the one groveling like 2 episodes ago get over yourself. They both fucked up in different ways but he acts like he has the moral high ground all the time and it gets really annoying. I don’t know, maybe I’m letting my general dislike of the character color my perception of events, but this show has managed to change my opinion on characters before but it still hasn’t made me like him so I think it’s just not going to. 

14. What the hell were they trying to do with Hope? Like legitimately, what? Because I can’t quite figure it out. And that’s mostly because I feel like they were trying to make her a nuanced and sympathetic villain, but they broke a cardinal rule- To make a villain sympathetic you must also ensure that nothing they do is inherently irredeemable. For example, principal Groff. He was a grade A dick for the past 2 seasons but I still feel that, now that we have a sympathetic backstory, if handled properly he could still come back from this. He can see the error of his ways and if he works really really hard to make amends to his family he could perhaps have his character turned around. In Hope’s case however, I would argue that they did makes her nuanced, but failed to make her sympathetic because as a character she went too far. If they had stuck to her just being a general tyrant of a headmaster - enforcing strict rules and regulations but doing so out of insurmountable pressure from her own bosses -  and then softened us towards the character by showing us her willingness to help Maeve get a scholarship, her troubled marriage, and her inability to conceive, it could have worked. The trouble is when they brought in her racism and general bigotry. Those weren’t flaws brought on by stress, those were deeply rooted character flaws that the character isn’t going to overcome because by the end of the season the character hasn’t even admitted them to herself. The issues were addressed by others, but not by Hope herself, leaving me to believe that the character herself still views them as a nonissue. I would be very surprised if she even appears in season 4 and moreso if they manage to even half-way redeem her. I’m relatively certain we won’t see her again, which makes me question the effort put into her character development. 

15. I like Jakob as a character, I don’t like him as a love interest for Jean, but I LOVE him as a father figure for Otis. It’s very conflicting because I want him to stay in Otis’s life, but I don’t like him as a romantic interest for Jean. also it’s pretty clear he isn’t Joy’s father so that’s going to be an awkward fucking conversation. If she even tells him. The way the show is going I kind of feel like she won’t, or will at least put it off for as long as possible. 

16. I want more interaction between Otis and Jean. Positive interaction, not just her being intrusive or Otis being a little bitch. I like their mother-son dynamic when they’re getting along so I just generally want more of it. 

17. Adam. Adam has become my favorite character in this show and I just generally want more of him and his relationships with others. I love his relationship with his mother but I want more if him and Emily, and him and Ola and now him and Ruby. I want to see him and Ruby discussing the Kardashians. I want him to train Madam and enter her in more competitions and just ultimately grow his social circle. Get all the love and support for god’s sake this boy needs it. 

Im sure there are plenty of things I’m forgetting and you can ask me about them if you like but for now it’s late and I’m tired. 

[emmys-grimoire]

Lesson 52 analysis + 53 predictions

Turning this into a routine thing now! They’re fun to write and they’re popular (moreso than my actual commentary posts lmao).

Y’all like my ramblings.

Things guessed correctly from prior lesson

The House of Lamentation was an illusion produced by the fairies

The arc culminated in the completion of the Trial of Patience (star received via Simeon)

The illusion did a number on Simeon's feelings as well due to his fondness for Lucifer and the brothers

They shoved Mammon and Luke off to the side and plopped them back in only after the Satan/Simeon arc was complete. There was no arc for Luke. To be fair, though, they did get more content than I expected even so.

Things guessed wrong

The banshee didn't show up at all. It was a red herring.

There was no significance to the geranium found in the mysterious book

Our adventure also completed the Trial of Generosity. (I incorrectly attributed this to Diavolo, who actually gave us the Star of Gratitude)

Still ???

Whether or not there is some kind of transfer of memories/experiences going on between the brothers' past selves and present selves due to our meddling in time. We've confirmed that past angel Beelzebub has turned into a glutton in between the time we last saw him and now, but we haven't confirmed if it *is* our meddling that has induced that. Currently, no change has manifested in the present brothers, nor has the timeline of events seemed to have significantly changed.

Whether or not present Lucifer becoming more "angelic" in season 2, in lieu of past angel Lucifer's growing doubt, will be a significant plot point. The parallels are getting stronger, though. (This is elaborated on further down)

It feels like 50/50? I’ll probably keep a list like this going for future analysis/prediction posts just so I can keep track of how right/mistaken I am throughout the playthrough. Might help me make less mistakes in my analysis!

As a general rule I try not to meander too far off into symbolism or out-of-game lore because what I write begins to sound like this:

And this is an otome game that is light on writing and plot. Nine times out of ten, it’s not going to be that deep. So I work with the details given and the plot points shown and try to draw connections within the framework of the story, in an attempt to try to deduce where the devs are taking the plot. Unfortunately for me, the devs like red herrings, and red herrings are designed to mislead you. With me, they are quite successful! I’d like to get better at spotting them.

The book was consequential -- it’s used to imprison Satan later -- but that’s the end of it’s meaning. Maybe the Bible verse had something to do with it, too -- those were some weird ass numbers to just throw in the title -- but maybe not. Either way, it doesn’t really matter. 

But enough of that, onwards! We have a lot of points to go over that may be interesting to note, right or not.

Satan the Memory Thief

Back in 50-B we learn that it was Michael who taught the brothers the stories behind the human world constellations. 

When we’re tossed back in time-dreamland (?) again, it is Satan who takes the opportunity to teach the brothers the human world constellations. The room had just been remodeled: Michael hasn’t had the opportunity to give them tours yet. Lucifer mosied into the room so he and the brothers can get the first glimpse.

Sooo if in a future lesson we ask them about where they learned the constellations in the present timeline and they say “oh a guy named Sully, who suspiciously looked just like Satan, taught us!” then we know our meddling is having significant consequences.

It IS worth noting that unlike the prior dream sequence, Satan and Simeon remember what they just went through. This particular time-dream could very well just be an illusion meant to give Satan/Simeon some kind of emotional resolution and nothing else. This is kind of why I hate that they’re bring time travel back into the story: it makes stuff like this confusing and borderline inconsistent. Some sequences may have effects and others may not. 

The chat between Lucifer and Simeon could also be consequential.

“Do you *really* mean that?”

There is a parallel at play here!

After you wake up after dozing off, you go off to find Lucifer and Simeon conversing in a forest clearing, evidently unaware that you’re eavesdropping on them. Simeon says although he knows it is just an illusion, that he was glad to see angel Lucy once more. Angel Lucy is predictably confused, and reassures Simeon that they’ll remain like this forever.

Simeon, of course, knows better. He tells Lucifer that he knows he’s been meeting with Diavolo and he’s having doubts about his place in the Celestial Realm -- and if things really will remain the same. Lucy is caught off guard, and starts to explain with some clear hesitation... and of course we pass out before we could hear his answer.

There’s creepy loud heartbeats when it fades out. Normally I associate them with tense, pivotal decisions -- but it could also just be related to us waking up and returning to reality.

If Simeon ends up being wrong -- and there will be real world consequences to this conversation -- they could be very significant consequences. We’re not sure if the conversation continues for a bit longer after we pass out, but Simeon already woke up before we come to.

Obviously the brothers still fell (they’re still demons in the present), but I wouldn’t underestimate the potential of a butterfly effect changing the circumstances of the Great Celestial War. I kind of hope they don’t do that, though, because they haven’t even begun to explain the present details of that event. We know only the broad strokes. Suddenly changing them to make the resolution between the demons and angels more smooth will feel really forced.

And that parallel I mentioned: Diavolo expresses similar worries and doubt in Lucifer’s conviction in season 2.

I have no doubt Lucifer actually means what he says to Diavolo, unlike his dialogue with Simeon, but Diavolo is aware of just how far Lucifer will go for the sake of his family -- and he’s probably #2 on the priority list, when push comes to shove. Lucifer forsaking the Celestial Realm for Lilith was the thing that brought him to Diavolo in the first place.

Of course, this lesson has Simeon suggesting that Diavolo’s influence on Lucifer was significant prior to all that unfolding, and it may have eventually happened regardless. It was only a matter of when, not how.

Still, Lucifer be writing checks he may not be able to cash. We also get this foreboding warning from Barbatos in Season 2:

As I’ve said before, the inevitable conflict the story was hinting to at this point doesn’t happen in Season 2. Lucifer isn’t forced to make a choice like this. The Night Dagger didn’t demand it.

I’ve also expressed my belief that Season 2 and Season 3 were likely written back-to-back due to the small window of time between their releases, so I believe details overlooked in Season 2 may suddenly become more relevant in Season 3.

It’s worth remembering Diavolo’s growing feelings for MC -- and Lucifer’s inner conflict about it -- were hinted at early in Season 2, as well. It doesn’t really get going until the conclusion of Season 2, leading into Season 3.

Do I have any clue of what this is actually leading up to? Not at all! If it mirrors Season 2′s format, though, it’ll suddenly come to a head in the last 3-5 lessons. I remember feeling equally clueless then, and Season 2 had a lot more foreshadowing...

... a lot of which actually didn’t pan out! But it might now. 

Guardian Angels

Another smaller, but interesting detail. Guardian Angels are indeed a thing.

I think they’re gonna become a thing soon. The devs very sneakily changed a small detail in Season 2, suggesting they might have realized that it may interfere with their plans for later seasons. 

Old version.

New version.

I’m thinking they may have decided giving Michael guardianship of an entire swath of the population was cheating, and they may be individualizing the role of Guardian Angels.

Which leads me to who I think Michael’s chosen human squeeze is:

My man has been scoping him out long before we came around.

It makes sense, too. We know Michael gave his Ring of Wisdom to Solomon, which seems to have kickstarted his career as a demon-pacting sorcerer (though he clearly was a sorcerer before this).

This is a very powerful item, described as the Ring of Light’s counterpart, that would be very useful for a high-ranking angel to possess. I don’t think Michael would fork it over to just anyone, particularly when we remember how he felt compelled to interrogate us via dream hi-jack before the Ring of Light fully came into our possession.

Solomon also makes Michael angst in a way a well-meaning but misbehaving child would make their parent angst:

Solomon also really doesn’t seem to regard Michael like some distant, all-powerful alien being who could smite him out of existence.

Contrast this with how he responds when he’s forced to hang out with Diavolo for a day (he gets more comfortable, but he initially wants to punt the responsibility back to Lucifer ASAP).

And he knows a surprising amount of small details about the guy:

I think Solomon is a significant part of Michael’s long-term plans, but he may not even be fully aware of how. Or he is, and they’re in some kind of mutually beneficial agreement -- possibly related to cross-realm peace -- that we simply haven’t been made aware of yet.

Personally, I think Simeon should be made MC’s ‘official’ Guardian Angel if they’re gonna be a thing with official mechanics behind them. I know Michael is supposed to be the Big Cheese and ridiculously hot, so it may make sense to have him linked to the MC of an otome game because they’re super special too, but Michael may already have Solomon. He shouldn’t get to hog everything. It’s not like assigning Simeon to do job would really inconvenience him, either: MC is Solomon’s apprentice. He can easily work with the arrangement.

Luke may feel left out but he’s a kid so...

Seven Brothers Constellation

We learn there’s a constellation representing the brothers in the Celestial Realm. Everyone there knows the legend, but Luke doesn’t know what the three stars ‘watching over them’ represent. 

He, Mammon, and Satan begin to theorize and Satan suggests they may represent the three realms. The other two like the idea, and Mammon insists the ‘human’ star represents MC. 

He’s probably right, but I’m willing to take it a step further: it represents MC, Diavolo, and Michael. The three “guardians” of their respective realms, and the brothers. Season 3 has been repeatedly beating us over the head with how much Michael still cares for the brothers and his relevance to their upbringing, and likely their future.

It bears repeating: Diavolo and Michael are aiming towards the same goal, though their visions of what peace and harmony looks like may be very different.

Solomon could also qualify as a self-appointed guardian, but I think he lacks the connection to the brothers MC obviously has.

Still, he has the same resolve, and he’s not leaving the story any time soon.

Predictions

I sniff out even the smallest Michael details because he’s clearly the key to whatever is gonna blow up.

This might give us some insight on how the initial dealings with him may unfold:

It’s hard to deduce just what this actually means. Either Michael tends to overthink things that just aren’t that deep (can empathize) and that in itself leads to needless complications, or he’s apt to misread situations and as a result gives poor advice. Or a combination of both.

My initial read on him makes me think that he thinks the best of humans/angels but the worst of demons. He is very, very complimentary towards MC as soon as they start answering his questions.

Am I now? Really?

It could just be the game making characters butter up the MC to make the game more enjoyable for the player of a self-insert character, but dude we just met.

When you tell him you did what you did out of love for Lucifer:

That’s a very telling pause/ellipsis. It’s like his brain momentarily short-circuits and he needs to regain his composure before he continues, and he still doesn’t sound entirely sure of what you just said lol

He also just outright admits he initially thought you must be wicked just because the brothers liked you, and this is a guy who is still fond of them himself. I think he’s having a very hard time with it.

So the inevitable bumps in the roads ahead with him will likely be a result of this, and/or his dad being an asshole. Neither he or Diavolo are actually in charge of the realms they’re overseeing -- they’re both de facto leaders -- so maybe the parents will suddenly barge in and try to knock over their sand castles for whatever reason. It is kind of weird that the exchange program has been agreed to in the first place, particularly on the Celestial Realm’s part.

Regardless, I have no clue what the next arc will be. I know we still have three trials left, but they could combine two again to leave more room for the actual storyline to progress. The climax is going to be the last trial of our sorcerer’s exam, or something happening afterwards. Not sure which one I’m willing to bet on yet: I remember Simeon’s play and the silly Blood Moon contest in Season 2 were what kept use preoccupied for Season 2 until SUDDENLY LUCIFER GETS AMNESIA AND THE WORLD IS IN DANGER AND WE HAVE TO STAB HIM TO SAVE EVERYONE. But they did heavily foreshadow that in the very beginning lol. They just didn’t fill in the blanks until much later.

I wonder what the trial of chastity is gonna be like and how hard we’ll actually fail and the game will need to overcompensate for that

[sepublic]

Lumity and the Illusion Coven Leader?

           So I’m really interested in Through the Looking Glass Ruins. Not only because it’s another important Gus episode (and the implications of him being at Glandus and how that can connect to the premise of Escaping Expulsion), but also…

           Luz and Amity are at the library- I’m not sure WHICH library, it could be the one at Glandus, or the one in Bonesborough. But given the mention of ruins, and how the background image that reveals the synopsis shows us what appears to be the desolate ruins of an arena of sorts, surrounded by cloaked statues… It makes me wonder. Aside from the obvious possibility that these statues were real witches petrified by Belos or some other entity;

           The title is interesting, because it invokes the sequel to Alice in Wonderland, itself a fantasy tale about a young girl entering a fantastical world… In other words, an Isekai, which fits Luz’s whole schtick in the Boiling Isles! Obviously I should be careful about using the reference in the title as a basis for my speculation; Sense and Insensitivity references Sense and Sensibility, but otherwise has zero correlation with the book as far as I can tell, beyond the idea of King being of higher social prestige and that sort of concept I guess?

           In Through the Looking-Glass, Alice goes through a large mirror to enter a fantasy world. The imagery of mirrors intrigues me, because it directly invokes the symbol of the Illusion Coven… And we can bet that the Coven Heads will make their appearances this season, especially with how Season 3 is too short and more likely to be a final battle/climax of sorts. Not only that, but we also have the other plot of Gus, who is an illusionist… And of course, the library reminds us of Lost in Language, and the twins Emira and Edric, who are both also illusionists.

           I don’t think the twins would be messing with Amity and Luz again, but then again, maybe Odalia and Alador are making them; We don’t know what will happen at the end of Escaping Expulsion, but if Amity and Luz are still hanging out, perhaps they’re feeling pressured. The concept of illusions also ties back to Luz a second time… Remember Witches before Wizards? And how a puppet demon, Adegast, used illusions to put Luz through a whole segment straight out of her favorite fantasy books, of a special chosen one travelling through a world with wacky companions?

           Adegast’s plot appealed to Luz’s sense of fantasy, her desire to feel special and important, as validation/justification for being so ostracized back home. With the idea of illusions, and fantasy worlds, not to mention literary references because Luz and Amity are at a literal library, and it’s brought up the idea in some fans’ heads of like… Luz and Amity going through a fantasy segment taken straight out of Alice in Wonderland.

           So, to get it all out of the way; I think the Illusion Head will play a role in this episode, debuting in Through the Looking Glass Ruins as the main antagonist. I suspect that each coven leader will get their own episode introducing and featuring them as antagonists and characters, so an episode hearkening back to Lost in Language, which had the illusionist twins… With a side-plot of Gus the Illusionist, who wants validation; Not to mention the idea of fantasy stories come to life, feeling special, and how that’s reminiscent of Adegast…

           I think Through the Looking Glass Ruins could be a major episode for Luz and Amity and their characters. Perhaps as a major stepping point that helps to tie together previous events thematically, the Illusion Head might place Luz and Amity in an illusion even more grand and powerful than what Adegast could dream of; One that places the duo in a saccharine fantasy world. Luz and Amity of course have to navigate this fake world and its inane rules, while exploring their own relationship… Perhaps Gus will come into play, or his story will just be a parallel, I can’t tell. But again, it calls back to Luz and Amity having their own experiences with illusionists, so having them face off against the most powerful Illusionist of all, together, would be a nice culmination of those respective arcs!

           What’s interesting is the mention of ruins, and the image we see… It reminds me of that one article description for a ‘Witch Arena’ at the titan’s knee (which foreshadowed Adventures in the Elements), but aside from general ruins, we don’t see any duels occur there, nor is there reference to that site hosting sacred rituals and events for witches. Perhaps we’ll see this actual arena here, or not… This arena could just be part of the elaborate illusion, hence why Luz and Amity encounter it in the library, or they get transported. Maybe the library is next to the ruins, if it’s the one for Glandus or one besides the Bonesborough one.

           (Personally I’m hoping for more Amity and the library lore, possibly the return of that librarian who seems to be on good terms with her.)

           Like Adegast, the Illusion Head could taunt Luz and Amity with visions and deception… Perhaps hearkening back to Enchanting Grom Fright, by showing illusions of Luz rejecting Amity or vice-versa. Luz and Amity of course have to see through and realize what’s real or not, as part of their character development, Luz’s especially with recognizing reality and not being deluded by fantasy. For all we know, the Illusion Head might cruelly play with their feelings, by having ‘Luz’ or ‘Amity’ confess their feelings to the other… Only to sadistically reveal it all be fake in the end.

           Perhaps the ruins will be a part of this illusion world that Luz and Amity confront the Illusion Head at, by the climax of the episode! Or the ruins are/hold some entrance to this fake world… Regardless, we could see Luz and Amity dealing with their ‘fantasy’ of being friends, and possibly more, with the other… Both might want more, but be afraid that’s just fake in the end, or just hopeless romance that only happens in their little fantasy books that they love, and the Illusion Head might capitalize on these insecurities. Perhaps they’ll try to sway Luz with a perfect world, only to change plans when she’s clearly used to that; And Amity, she might need Luz’s help, as she hasn’t faced this kind of dilemma before. Mirrors are symbols of self reflection, so perhaps this will give Luz the chance to reflect on her own feelings for Amity and realize them, to look back at past interactions with Amity and realize the hidden meaning and all new context that comes with what she learns about Amity...

           Maybe the Illusion Head will try to manufacture situations, trick the two girls into ruining their friendship, thinking the other doesn’t like them, acting rashly, etc. Perhaps they’ll create a fake scenario that leads one girl to act at the cost of the other, for whatever reason… Maybe Amity will be so caught up in the idea of a perfect world where everything is ideal; Where her parents love her, where her siblings respect her… And where she can confess her love to Luz, and Luz reciprocates. Luz may or may not stumble across and see, and realize, how Amity feels… And we could get some painful angst skin to Grom rejecting Amity’s invite as Luz, but dialed up with the Illusion Head’s more immersive, fake reality.

           Perhaps the despair created by the Illusion Head leads to Amity turning to the side of the Emperor’s Coven, losing hope in finding a better life for herself because that’s just ‘fantasy’. Rejecting her favorite childhood stories like Otabin and The Good Witch Azura, attempting to be more ‘mature’, which could also lead to a brief discussion about how it’s okay for older people to enjoy stories for younger audiences! It could contribute to Amity’s constant feeling of shame for who she is, that feeling of inadequacy and not being enough, hiding behind a façade; Hiding the truth beneath an ‘illusion’, which of course the Illusion Head might poke fun at. Maybe offering a literal illusion to help Amity pretend and fit the image of the Emperor’s Coven?

          From what we’ve seen, the Illusion Head could be a pair of twins like Emira and Edric, or like Gus, an individual operating alongside a copy. Amity might be directly reminded of the twins and her relationship with them, so this could be an opportunity to explore her relationship with the twins and their past together, perhaps showing what happened between them in the fallout between Lost in Language and Adventures in the Elements.

          We could see how she feels about them and vice-versa, maybe look at their interactions throughout the past, with the Illusion Head possibly even taking their appearance and poking at Amity’s memories knowingly. Maybe they pretend to be the twins, hurting and mocking Amity, only for her to acknowledge that while they ARE flawed, they’ve also grown and the real Emira and Edric would never do this- This could help to develop the relationship with Amity and the twins, and her own potential disdain for illusions because of that association with her siblings.

          Another thing to note with the Illusion Head is that amongst their two selves, one face smiles, the other is frowning; Invoking the image of the Comedy and Tragedy masks. Fitting with the idea of written stories and fantasies, perhaps the Illusion Head will operate as two halves, one light-hearted, the other morose; And both toy with the idea of Luz and Amity’s story being a tragedy, or a comedy.

           The dual symbolism, two sides of the same coin concept, could come with Luz embracing Comedy, the happy ending, while Amity sides with Tragedy, the sad ending. Maybe Amity breaks free of this conception and her and Luz get their happy ending together… I can see the Illusion Head being a MAJOR theater nerd, and thus invoking the kinds of stories and tropes that the two kids are familiar with. And Amity will of course be reminded of Emira and Edric, making her more insecure and uncertain, while Luz might call upon memories of Gus to guide her. Luz and Amity are parallels and opposites, again, two sides of the same coin, and this might be paralleled with the Illusion Head being composed of two halves, with it yet to be seen if both halves are separate individuals or not; For all we know, it could be a witch and an illusion so immersed in the other that they’ve both forgotten who is the real one!

           Am I saying Luz and Amity will kiss and/or realize their love for one another in this episode? I can’t say for sure… But this episode might play on the idea of their relationship and its progression regardless. It could end in Tragedy, or Comedy, what a duality- Maybe even both! We’ll just have to wait and see… I’m excited for this, for more Gus, and I wonder if he’ll show up at the end to help, or provide more insight into the idea of Illusions, which will then enrich the other plot of Luz and Amity! The audience might gain a better appreciation for the mechanics of what the Illusion Head is doing.

          And of course, the illusions here could lend to a trippy nightmare sequence where the animators can REALLY flex and mess with our heads and the visuals, confusing both the in-universe characters and the real-life audience as well, as we’re uncertain of what’s real or not- Perhaps the ending of the episode could play with this question, with Luz and Amity not entirely sure if what happened was totally real or not or some elaborate dream, and the Illusion Head’s status and actions also uncertain.

           So, what do you guys think? Will we get an episode dedicated to Luz and Amity’s relationship, to their pasts with fantasy, with illusions, entering an unusual world together, taunted by the Illusion Head while another major illusionist, Gus, operates elsewhere? Could the Illusion Head serve as a thematic exploration of duality, of opposites and parallels, and how Luz and Amity’s relationship with one another, their dynamic, is built on those foundations?

          Will we see Emira and Edric here- Perhaps with Luz and Amity… Or even with Gus, acting as ‘cool kids’ who ARE impressed by him, unlike the students from Glandus High? I’ve always wanted Gus and Twins interaction… I think Gus is also an interesting duality, parallels and opposites, two sides of the same coin dynamic with the twins; Emira and Edric are individuals who are like one, while Gus is his own person split amongst himself and his clone! Both with a knack for showmanship, and wanting to be noticed on some level. 

          Maybe when all is said and done, Amity grows a greater appreciation for Gus, Emira, and Edric, getting to interact with Porter properly for once, and helping repair her relationship with the twins; Imagining their surprise at Amity suddenly hugging them, only for the twins’ playful wit to melt away into endearing appreciation… Only to finish it off with a practical joke, because they can’t be TOO sappy of course!

          I’m really fascinated and I can’t wait to see what we have for store in this episode… Sounds like the first five episodes alone are ALL going to be jam-packed with very important, major events! Wasting no time I see… Alas, because Season 3 is shorter than anticipated.

[vantaeskookies]

Yes, I'm standing up for my homeboy Teh and giving my opinion on IPYTM EP.2 things

Look, I know absolutely nothing about what makes a piece of media good but this episode KILLED me. The previous episode was fine, okay, a great start to the series, but it didn't stand out to me.

IPYTM ep2 just about hit me and dragged me through the mud, to put it in a way. I don't know if that's what makes a TV show great, but it definitely made it amazing for me.

I am terrible at words most of the time, so I'll try to put it as best as I can,

Teh is, for one, a Really Stupid Person. But get this. He's Just Like Me. Okay, maybe this is another case of me loving something because I can deeply relate to it, but COME ON. From my point of view, it just makes so much sense. I understand every single thing he's feeling, I swear. I know why he did what he did, why he said what he said. And yes, he treated people terribly and came out all self-centered and mean and it was, I'm not denying it. No matter how much he explains to Oh-Aew his insecurities, he still behaved like an asshole been there, done that. But it makes so much sense. It's another facet of the Teh we met in ITSAY, that arguably immature and at times selfish (I don't know if that's the word I'm looking for, really) teenager that held a grudge against his once best friend because he felt like he stole his thing, which was acting. That same guy who got increasingly stressed over his best friend/crush not loving him enough. Let's not forget that Teh did lose Oh-Aew once -even though it was his fault from the beginning- and his father even died. No wonder he's afraid of being left alone in his fight. Add to that the fact that his entire life has been about proving himself to others, after growing up as his brother's shadow and with his then rival's image in the back of his mind.

From what I can tell from this episode, it seems that he knows his fight is difficult and that his chances of failing are bigger than the other option, and he had Oh-Aew by his side, but now he doesn't anymore. So now his whole world is crumbling down. Will Oh-Aew leave him again? If Oh-Aew didn't fight as hard to follow his dream, will he fight for their relationship in the future? Will Teh be left alone once again, hating Oh-Aew the way he did back then? It's unfair! Now Khim seems to give up too! Everything's going badly!

Teh doesn't seem like the kind of person to doubt himself, but he definitely seems to panic whenever things don't go the way he planned them. He had it all already pictured, and now it's gone. If the one thing he thought would never change -his and Oh-Aew's acting careers, which was the beginning of EVERYTHING, looking back on it-, already changed, what are the odds that Oh-Aew won't stop loving him suddenly? What are the odds of him never living up to his own expectations, both in his career and life in general?

It's so fucked up... so human.

Don't get me wrong, I think that sooner or later Teh has to change his behavior otherwise he might really end up alone personal experience things. If he keeps making the same damn mistakes, I will punch a hole through my computer screen, as I was about to throughout the whole damn episode.

But now that my Teh Best Character rant is over (I AM aware of the fact that I'm just praising myself if I say we're the same, but shhh), let's just a tiny bit about the episode!

As I said, I have no idea what makes a good piece of media, but this episode was the biggest roller coaster of emotions I've felt in a while (see: ITSAY ep.3 and 4), and that, to me, makes it great. The acting was top-notch, seriously. The scenes of them arguing are not anything I was thriving to see -because conflict stresses me- but I was shocked by how heart-wrenching they were. And each time I cried a little, not gonna lie.

Now, CAN WE TALK about PP for a minute? And Oh-Aew? First of all, never in my life did I expect for them to touch on this subject of Oh-Aew being more 'feminine' as they said. I saw another post talking about it really well so I'm not about to elaborate on a subject that would only get me tangled in my own words, but I just wanna say that I felt so hard for Oh-Aew at that moment. I think it was mainly to show how he doesn't fit in the acting industry, but it's still a statement on how that same industry and, let's be honest, the rest of the world looks down on not traditionally masculine guys. And PP did a superb job in these scenes. 10/10 definitely cried my eyes out.

I already talked my shit on Teh so I just wanna say, there's a reason why Billkin was named best actor! He kills it every. single. time. Where's his oscar??? I didn't think he could get even better than in ITSAY but here we are.

Now on the actual episode, I loved it. The last scene is the most direct foreshadowing I've ever witnessed so I am scared but putting that aside, I think this might've become my second favorite episode of the whole series (ITSAY ep.3 is another level of keyboard smash).

I really don't know what's to come. I'm afraid. I don't know if I should trust Jai and Q or if I should quietly drag Teh and Oh the fuck away from them. Q is a sweetheart for all I know but I don't trust pretty boys with painted nails! And Jai has been sus since the beginning, not once did he say or do anything to make me like him, to be honest.

I just hope that whatever shit Teh and Oh-Aew go through in the next episode, it won't be Teh's fault because it would mean he lost that single braincell of his side comment I know that jealousy is toxic and we don't want that but I'd love to see jealous Oh and Teh again asdfgbxvbdfgzxcv. I mean I know Oh-Aew's perfect and all but he CAN make a mistake once in a while too, you know?

That's all. Head's now empty. I don't ever want to think about this episode and show for another week. I need my sanity.