#which I will almost certainly NEED after work

[sammygender]

is there any point in the series that sam could have made an escape and actually successfully gotten away from dean and hunting, or do you think that his lack of support system made it impossible

FANTASTIC QUESTION. sorry im gonna ramble for 7374893594 words now

tldr, past like s3 (and certainly past s5) i think its kinda impossible.

early seasons, like 1-2, sure and totally, he almost does, he plans on it. but then the demon deal for his life happens and theyre trapped in cycles forever and ever and everything becomes a lot harder and, also, sam and dean just naturally become more and more codependent, decreasing the chances of them ever being able to have a 'normal relationship', which i think is necessary (dean loosening grip on sam, them having connections outside of each other) for sam to ever 'get away' from dean/hunting (cause otherwise its just an all-or-nothing choice, more on this in a sec).

i think its less so much about sam successfully getting away in terms of getting dean off his back/to leave him alone (which, dont get me wrong, WOULD be hard, especially as the seasons go on, considering dean cant stand to be alone and has extremely controlling and occasionally stalkerish tendencies <3..... but could still certainly be possible), but about him actually choosing to leave dean/hunting (which for the purposes of this question we r equating).

bc its sort of like..... he takes a lot of Breaks especially during mid seasons (s5 after lucifer's set free (tho iirc this one is dean's doing), s7 after dean kills amy, s8 with amelia tho he thinks deans dead, s9 after gadreel possession is revealed....) but he always always comes back. of course s8 is dean Literally Dragging sam back into it (<3) and also just shaking everything up by being generally Alive, but s7 and 9, its cause dean has done something awful thats genuinely shook sam up, and in the end he just... gets over it. cuz what is the alternative? dean doesnt change and rarely apologises!

like its the fact that of course he wants a relationship with dean because deans the closest person in his life and everything to him, but having a relationship with dean equals their intense codependent unhealthy bond, equals dealing with dean's disregard of his autonomy and ignoring it (read: letting it wear him down). dean's all or nothing. they cant just be 'normal brothers'. and i find it extremely hard to see sam ever actually longterm choosing 'no dean' over 'dean who loves him more than anything and will always do anything for him but systematically wears down his personhood and punishes him for percieved disobedience and thinks he's the one who gets to make choices about sam's life'. like he would have to have a bunch of connections outside of dean, they probably both would, and that would never really happen partially because of dean. they can never let anyone else get on their level. like u said. lack of support system!

and its like... what could dean Actually do that would make sam 'cut him off'/distance himself permanently. i literally and truly cannot think of anything. sam canonically has an INCREDIBLE capacity for forgiveness, just in general - where's that jared quote about how sam forgives everyone cause he sees himself as someone so in need of forgiveness - and this even more so applies to dean. dean locks sam up and leaves him to die, kills his friend, tricks sam into letting an angel possess him, and tries to kill him, and none of that makes sam leave dean permanently, not just because dean makes it physically difficult for him to (tho he does - insisting they work together in s7 on the case, going off to get mark of cain in s9) but also cause sam just eventually forgives him and moves on. is it 'capacity for forgiveness' or is it that he doesnt really view bad things that happen to him as a big deal, that (thru s5-esque emotional abuse techniques <3) deans subconsciously gotten him questioning his own reality and opinions so deeply that it just takes time before sam's agreeing with dean again. makes you think!

but tbf (and this is a digression but i just find it interesting) this probably goes both ways too - what could sam actually do to make dean leave him permanently? even when deans incredibly angry at sam he usually wants him around to berate about it <3. exceptions being start of s10 when hes a demon but even demon dean soon switches to sam-obsession.... and s5. which i know according to endverse Wouldve been a permanent split up? which is kind of wild? and canonises that that Couldve Happened i guess. samgirls should do more with endverse, id kill to see an actually good samcentric fic of like. the events leading to endverse. if anyones read any pls pls recs. ANYWAY. theres also ofc s2 meg possession, where dean just fully thinks sam killed people and is like <3 okay baby brothers lets pretend this never happened we got this do u need me to bury a body <3. truly a ride or die. unless ur actively going against Him specifically. things to think about. tell me ur takes.

and anyway then s11 onwards he is NOT getting out. not unless someone really managed to get it into his head Hey So Pro Tip This Is Fucked. sam acquiesces to dean-as-dictator, having literally Let Dean (be about to) Kill him, dean (newly cured from moc) is consequently much more pleased with sam and with their relationship, they fight much less and theres therefore much less prominent emotional abuse etc since dean is at his worst when hes upset. (iirc. late seasons are a blur except for jack stuff.). and by s13 he has a son and maybe if this happened seasons ago dean's treatment of jack would've been enough to prompt at least a temporary split up but it doesnt, it just sparks a few vague arguments between samndean and sam telling jack that dean is trying <3 and that its very difficult for him <3 which is why he told you hed kill you <3 thats just what dean is like you have to get over it at some point <3 (I LOVE S13). so then yeah. too late.

TLDR... he is too indocrinated <3. sad!

[isdalinarhot]

I do worry if I get the job im applying for I’ll “relapse” or “slip back” or what have you. Because if I get the job I will 100% have the money to get blackout drunk 7 days a week and from my vantage point right here I will take it. It takes a great deal of sacrifice and suffering for me to skip a day or even get less drunk than usual and with the whole “having a job and being more physically and emotionally drained” I’m almost certainly gonna drink more to cope. I dunno.

[thegreatyin]

And thus, with the passing of 24 hours, Caeru's ambition truly comes to an end. Major Nemesis spoilers below the cut- we're talking endgame ambition business here. Mostly on a character RP front.

The Doomed Scientist made quite a few... choice decisions, in the end. Killing Cups once and for all, recording his story as one of grief-

And sparing what little remained of Mr Mirrors, leaving it free to roam Parabola as it sees fit.

Some of them, he can explain. Others, he's still left to feel... discontent.

Cups needed to die. That much was certain from the start. It was a tyrant, as all Masters are, and complicit in the bargaining and eventual destruction of four (potentially five) cities, as all Masters are. It was an obstacle. A murderer. A petty monster that felt no remorse even on its deathbed, and it went out of its way to ruin multiple lives just because it felt owed its own sick and twisted idea of revenge.

It killed his first love. It looked him in the eyes and he knew what it had done and he knew from the start it was going to die.

Perhaps, in the end, it knew too. And yet it still pleaded, and wanted to live, and-

It made a bargain.

A bargain Caeru didn't take.

Not because he didn't want to. Gods, he wanted to. He wanted it. He wanted it more than anything else in the world. To have Greylu back, to give him the gift of life, of love, to show him the wonders of the Neath and the beauty of the correspondence and all of the people Caeru has met and loved and found home with along the way-

But. He couldn't.

Because Cups was a monster. And no matter what, it deserved to die. And he could not, in good conscience, allow it to live.

Even if sparing it meant everything he's ever wanted.

So he's left here, now. With a bloodied traveling coat, and a bloodsoaked knife, and a favor finally fulfilled.

And nothing to live for. No resurrected lover, no charming visits to Helicon, no slow dances in the living room, no memories to rebuild and lives to live and he won't live again-

Nothing. All he has is a coat born of obligation, not to his love, but to people he's never even met. To lives he's never even touched. To a paramour, still alive, with hair of rose-pink, who doesn't even remember her own brother's existence.

Cups didn't die for Caeru's sake. Cups died for the sake of all who wanted it dead. For the revenger's court, and the ghost screaming in his ear, and the reckoning that will not be postponed indefinitely.

And Caeru, who acted as a tool to carry out their wills? Who all but betrayed his own lover, just to satisfy a cause he never knew existed?

All Caeru is left with, is regret. Regret-

-And grief.

[naamahdarling]

.

[orcelito]

Despite all odds, I have arrived home safely👍

Turns out that the earlier goop was the better goop. The adderall goop. The adderall has worn off now though. So I am. Very incredibly out of it.

But I am home. And I will take my quick shower. And then I will climb into bed.

I do need to eat. But... later...

[britneyshakespeare]

the middle school principal wants to hire me in a full-time position so bad.

and who can blame him? i'm that substitute 💅

[retiredteabag]

winter weight (nanami ver)

Synopsis: nanami has gained some weight this winter, it seems you don't mind.

based on this fanfic I wrote for Toji which was based on this fanart! thank you @lil-sis for requesting more nanami :,)

〰・♡・〰〰・♡・〰〰・♡・〰〰・♡・〰〰・♡・〰

You had known Nanami Kento for years before you were romantically involved. He had never made an inappropriate comment, always treated you with the utmost respect, and was all-around, the truest form of a gentleman.

For a time, you locked away your feelings for the kind man, sure he could never see you in that way, but little did you know, the man in question hid from your gaze, not because he did not want to see you, but in fear that you would see him. See him for what he was: a man, obsessed.

You had been with Ken for nine months now and he was everything you could want and more. He was communicative, thoughtful, and romantic. He looked at you in a way nobody had before. Likewise, for you, those nine months passed with comfortable ease.

This was your first winter together, and with the changing of the seasons you learned day by day that the man you knew was your life partner. The both of you were homebodies in a sense, however, with the chilly air and light snowfall this week, you were even more keen on a night in together.

You raced around the house, lighting candles, simmering mulling spices on the stove, and laying out blankets for the two of you. The house felt even cozier knowing that Ken was coming to join you.

He had spent the afternoon with his parents and was coming over after having dinner, he told you to eat without him and you had just finished cleaning your plate when you received a text,

"I am on my way now, sweetheart, is there anything you would like from the store?"

Ken was like this, domestic in the way that made you want to bounce around the room. You thought for a moment before deciding you would probably need more eggs. Earlier this week the two of you had planned a movie night, the next morning you were both hoping to bake cookies together while playing board games or taking turns reading to one another.

You informed him of the need for eggs and he told you he would be just a few more minutes. During that time you scrolled through the choices of movies, picking a few for the two of you to choose from.

Despite being together longer than the gestational period for a baby human, you still received butterflies in your stomach at the thought of his arrival. Knowing he was nearly home, you bounded to the kitchen and faced the door, the room smelled delicious, the only thing missing was his presence, and perhaps another layer of clothing.

Even so, you could hear his footsteps approach and knew that the two of you would share a blanket and body heat in no time.

When the man finally opened the door he was smiling shyly, a red dusting across his face from the cold. He wore a long winter coat, and in his arms were a bouquet of flowers and a wrapped gift.

You rushed to greet him, taking the day bag from his arm,

"Oh! Ken, they're beautiful!" You stood on tiptoe as he bent his knee and you kissed his cold cheek. "Goodness, you're freezing! Come in please!"

"Hello, my love." He smiled more broadly now, wrapping his free arm around you, "This if from my parents, but they told me not to let you open it until the holidays."

A warmth ran through you, the Nanami's were all too kind. Kento set the flowers on the counter and stepped toward the coat rack by the door to retire his shoes and jacket.

In the motion it took for him to pull the sleeves off his broad shoulders, you took him in. Leaning on the kitchen counter you allowed yourself to stare at him. His dress shirt was tight on his arms, and his suit pants clung to his thighs. You took a step toward him again.

"I almost don't want you to change, you look so handsome in your work clothes."

"Well, I've certainly put on some weight. These pants hardly fit now." he looks increasingly uncomfortable, not to be in your presence but to show that he was dressed in such a tailored fashion.

"Ken, my dear, you look incredible." You contain the desire to squeeze his thigh by walking to the bedroom and bringing out a pair of sweats and a cotton shirt.

"Although you are a delight to see this way, I'll let you get comfortable." You smile and pinch his bicep.

"Thank you, dear, I don't believe I've ever been so heavy. It's all the good restaurants you introduce me to, perhaps I should get back into the gym." He had grabbed the soft clothes you picked for him and walked into the bedroom to change.

"You're the one bringing me to all those good restaurants so you can't just blame me." You smile from outside the door.

"I'm just grateful you're with me" He laughs, pulling the shirt over his head.

"Ugh!" You exclaim, "Of course, Ken, don't say something so ridiculous." He laughs but you are still caught on what he said earlier. "And don't start going to the gym, you look great, very chewable."

He pops out from behind the door and looks down at you, amused. "I'm not sure how to feel about that descriptor, but if you still like me with extra weight, then I suppose I can remain comfortable."

"Still like you?" You gasp offended, "Ken, I grow more attracted to you every day, I don't care how tight your clothes are, in fact, it's a good look."

He gives you a mischievous face, "Go sit on the couch, pick a movie, stop trying to seduce me."

You laugh, incredulous, "I'm not trying anything, I'm only speaking the truth." You shrug, bounding to the couch and crawling beneath the blanket. Ken brings two mugs of cider before joining you.

That night you lay on his chest, watching a cheesy romance, the both of you laughing at the silly main character. You tilt your head up, to watch his face, your eyes catching the beginning of a few grey hairs dispersed in his blonde hair. You gently run your hand through his undercut.

In that moment, in his arms, as comfortable as you've ever been, you are sure, he is the man you will grow old with.

[gojoest]

URGES — gojo satoru

MDNI, pregnancy freak!satoru, f!reader, established relationship (married), reader is pregnant, public sex (in the train, but it’s just the tip), reader is going through hormonal changes that cause a very high sex drive + wears a dress, unprotected sex, pet names (sweetness), wc: 1.3k, dividers by @/cafekitsune

a/n: i implemented the ideas suggested by @/tapiocakisses & @/cherriel0v3r into this drabble, big thank you <3

Satoru adores every bit about your pregnancy.

Certainly, his favorite thing about it is the baby bump that had slowly started forming — all because it is the most unambiguous sign that you belong to someone.

Surely, he also likes to put his hands on your belly. He places them on top when you sit together, rubs it softly, or gently shields it with his palm as you walk down the street while his other hand firmly sits at the small of your back — after all, this is the most unambiguous sign that you belonged to him, because not just any man would walk around touching a pregnant woman like that.

Not just any man, but the father himself.

But recently, there is another aspect of your pregnancy that he had grown extremely fond of — almost addicted, in fact, to the point he thinks he won’t be able to live any other way once this “side effect” subsides.

High sex drive…

…which comes as a result of increased hormonal shifts in your body, causing an abysmal spike in your libido. Thus meaning, you keep him quite busy.

These arousal outbursts occur at random times of the day, and Satoru is always ready to deliver — even if it means making regular stops at home during work hours (a few times a day) or ending a mission in an abrupt and brutal manner (unnecessary hollow purpling curses left and right that otherwise could’ve been handled with less effort).

It is all for a good cause — he needs to take care of his pregnant wife.

Sometimes you’d wake him up in the middle of the night, pawing at his cock, sweetly and innocently asking him to fuck you.

The blood has never rushed faster to his groin before. In all honesty, those are the times he struggles with his self-restraint because you drive him absolutely nuts with a single word, and the fact that you need him this bad, so bad that you’re already wet down there between your legs — and he can smell it, so bad that you wake him up rubbing your thighs together asking for his cock because your fingers aren’t good enough to reach certain spots… messes with his head oh so terribly. If you weren’t in this fragile, pregnant state, he’d pin you down nasty and fuck the living hell out of you until you pass out.

He thinks to himself, that once the child is born the first thing he’ll do is fuck your brains out in the most obscene of positions that weren’t suitable during the pregnancy and take his pent-up frustration from holding back his stroke game out on that pretty cunt of yours. Well, until he knocks you up all over again.

…because he wants to keep you pregnant and needy for him, all the time.

Until then, he’ll fuck you tenderly. Sometimes with just the tip…

…as you so happen to be in public — in the train, on your way to visit the zoo during one of his rarely free days, when your urges just so happened to kick in. Again.

Even though, he fucked you good before leaving the house. Pretty sure his cum is still staining the inner of your panties even — the panties that are now slid to the side as you’re backed against one of the corners of the train where it’s relatively secluded, with your husband standing before you holding the hem of your dress up and high enough to access what’s underneath. His pants undone but still intact around his legs, it’s just the zipper that is down for his cock to be out and the tip prodding in your cunt.

It’s a good thing that he’s a big man and that his frame can cover the entirety of you once he is in front of you, so that people entering or leaving the wagon wouldn’t witness the obscenity beyond him. Fortunately, all they see is the huge, broad back of a tall, well-built man. And, well, a pair of smaller feet that could be spotted through his spread lower limbs, that is, if you looked down.

“Shh—“, cupping your cheek with his free hand Satoru quietly hushes you, tracing his index finger over your lips as you squeeze your eyes shut, moving your hips slightly to swallow more of him inside you, and not just the tip. “I don’t want other people to hear the sweet noises you make, they’re for my ears only, okay?”

His finger moves away from your mouth, giving way for his lips to seal them instead. Because he knows that you won’t listen to him. You never do. And he really can’t make peace with the possibility of someone catching on to your voice. Not because you’d be busted fucking in broad daylight, inside of a train of all places. But because, that voice you make when his cock is inside you? It’s really just for him to hear and keep.

“Please, sweetness— just whisper your moans to me, in my ear only”, he mumbles against your lips, just barely breaking the kiss so he could beg for you to keep it down. Growing concerned on what he could possibly do if someone were to actually hear you.

“Nghh—”, you pant into him, incoherent. Easier said than done, you think but the words don’t make it out. All that is in your mind is how bad you want his cock inside you, all of it. The tip only is doing more damage than any good, teasing you further.

“Fuck me for real, ‘Toru”, you hiss at him, grabbing a chunk of his hair before dragging your nails down his undercut, then down his back, and then lower, and lower, and lower — until you reach his ass. Your hand kneading on it, sneakily luring his hips into you.

He wavers, he really does.

Beads of sweat sliding down his forehead, his bangs damp and sticking on his skin. His cheeks flushed while he breathes in heavy stutters as tremors run up and down his body, causing him to buck himself forward just a tiny bit before he stops himself. Terrified of losing his mind if he goes an inch deeper in you, because then — people would know and unfortunately see you in a state that only he is allowed to see.

His extreme possessiveness of you being the only voice of reason in him right now, no matter how contradicting the present situation is. He wants people to know that he fucks you, but he does not want them to witness it. His wish to be the only one you give yourself to is followed by the desire to be the only witness to how you do it.

“Yeah?”, he scoffs, his head falling back for a second then shifting to its previous position. Shortly after his neck cranes down and he nestles his forehead on the nook of your shoulder.

“Do you know what it costs me to stop myself from going all the way in? Do you have any idea how fucking good you feel?”, he laughs in a daze. “Pretty sure I just lost about 10 years of my life holding back, so please — please, don’t let anyone get to that sweet voice”, he pleads through a heavy breath. His voice is really desperate. Like he really is fighting for his life there, trying to keep your voice pristine to his ears only.

“There’s a café three stops away”, he continues after he peels his head away from your shoulder and looks at you through half-lidded eyes. “I can give you the rest there — can you be a good girl for me till then?”

You nod.

The zoo visit was clearly off the table now. But in a few more minutes you would be on the bathroom counter — legs spread and a cockful of your husband inside you — getting what you deserve.

[intodarknes]

Adding some great Romana II outfits from the EU:

Not her best choice, but it's the highest fahion on Gallifrey.

Same with this one.

No idea what's going on here, but I love it!

Also adding this picture of her Shada outfit. Just because I think that it looks like this is where she belongs!

Her wearing four outfit and then wearing her own version of it was just <3

Romana is the Companion with the Best Fashion Sense!

Okay, but which one?

TOURNAMENT MASTERPOST

[nappingmoon]

more domestic nanami kento because I love and adore him, but this time you’re in an argument and try to sleep on the couch (spoiler: nuh uh)

wc: idk i’m on my phone it’s not that long

you get into an argument w nanami and think he wants space so after dinner, when he heads into the room to go to bed, you stay out under the pretense of finishing some paper work and watching the news. you pull a blanket out and splay onto your couch, which, despite being a little small, is soft and comfortable— a testament to its use and the friends you've had over to break it in. the thought of those good times warms your heart a smidge, though it remains heavy with the current tension between you and your fiancé. you leave the tv on, let the night shift television shows fill the space and keep you company while you sleep, an alarm set so that tomorrow you can make breakfast and talk it out.

in the bedroom, nanami lays on his back, the small clock to his left almost mocking him with the way the red numbers change minute after minute with no sign of you coming to bed. the room is cold without your presence, dark in a way that has nothing to do with lamps or moonlight. he fidgets and turns but without your familiar dip in the bed, sleep is impossible. he never sleeps well without you; the lack of your steady breaths and soft snores means he starts to spiral with thoughts about your wellbeing. he knows you’re in an argument, but you always come to bed, right?

he sits on it for a moment more, eyeing the door to see if you’ll slip in and put his worries to rest like you always do. when the numbers blip again, he gets up, feet sliding into the silly slippers you got him for christmas (you have a matching pair) and finds his way to the living room.

when he finds you there curled up with your arm hung over the edge of the sofa and a little bit of drool spilling onto the cushion, his heart twists. the lights of the television flash over your face, certainly disrupting your sleep, though he doubts your reaching anywhere near a restful slumber. he walks over to you, slowly crouching in order to avoid scaring you awake. his right hand grabbing yours, and it’s freezing— left without the protection of your measly blanket. he warms it with one hand while the other comes up to graze your face, easing you awake.

“kento?” you ask, bleary eyed. “you’re even handsome in my dreams.” you smile and pat his face before letting your arm drop and closing your eyes once more.

a small chuckle escapes him, both in surprise and adoration at his soon to be wife. unwilling to try and wake you a second time, he quickly turns the tv off, then slides an arm around your back and another under your knees before rising. he elbows the light switch to the living room off and slowly makes his way back to your shared bedroom, carefully avoiding hitting you at any point. your head is safe regardless, tucked into his chest contentedly despite not being awake. he supposes your body recognizes him asleep or awake— a testament to the years you’ve spent side by side; once as teammates and now as lovers.

he slides you into bed on your side, fixing up the covers before making his way around to his side. he slips off his slippers and gets himself under the covers, body gravitating to you. as he brings you closer to him, you finally seem to shake off your sleep. you look at him sadly, and it’s enough to resolve him against letting any future arguments happen (an impossible sentiment, he knows, but the look on your face is makes him dead set on trying).

“never try to sleep on the couch again.” he whispers, quiet but stern. “I hate sleeping without you. I worry too much.” the honesty is almost suffocating and tears build at your waterline.

“m’ sorry kento. thought you were mad at me n’ I wanted to give you some space away from me.” you reply, the words thick with sleep and emotion.

“i’ll never need space from you baby,” he insists, “I know we were in an argument but you mean everything to me. I’ll always want you by my side. I’ll always need you by my side. I’m sorry if I made you feel like you were the reason I was upset.” he finishes off with a kiss to your forehead, his hand coming up to wipe the tears that have begun to drip down your cheeks.

he kisses down the bridge of your nose before leaving a peck at your lips. it’s the last thing you feel before giving in to the exhaustion once more.

in the morning, you’ll discuss the tensions of yesterday, but before that, you’ll wake in the arms of your lover, held tight against the rhythmic thumping of his heart.

it beats for you, anyway.

[yanderenightmare]

part one

TW: nsfw, dubcon, blackmail

fem reader

As promised, you receive the pictures in the mail while the payment is forwarded almost emmidiatly. You don’t know which makes you gawk more, the photos of you or the numbers.

You also get an email—an invitation. The photographer is asking you to dinner. Or, asking is putting it nicely—which he most certainly didn’t. It’s phrased like a notice from your boss—matter-of-factly, he’s picking you up at eight, wear something nice.

You think about declining, but then you think about your friend again and how you don’t want to cause her any trouble. A free dinner isn’t really all that bad, is it?

It’s worse, actually.

“You should have told me you didn’t have anything to wear. I would have lent you something,” is the first thing he says when you get in his car. He hadn’t opened the door for you or anything, just sat in the driver’s seat waiting.

And though your cheeks burn with embarrassment, you think you’re foolish for it. You hadn't really dressed to impress him, after all—something you might as well tell him, “Maybe I just didn’t feel like dressing up. You didn’t exactly leave a good impression last time we met, so I don’t believe I owe you anything.”

He scoffs with a grin—face turned towards the road as he starts driving. “You have a lot more bite without your friend.”

“She has too much respect for you.” You cross your arms and look out the window. 

“That’s for sure.” You hear him chuckle, but he doesn’t offer any more of a response. You’re glad to spend the rest of the drive in silence.

You feel underdressed at the restaurant. You hadn’t thought he’d take you somewhere so nice. Most of the other couples there are dressed as if for a gala, while you’re dressed as if you’re going to an office party.

He hasn’t tried too hard himself. But still, he fits in—fat watch on his wrist, kempt hair, neat shoes, dress trousers, and a silk shirt with one too many buttons undone—a nauseating skinny chain beneath the collar as well as the hint of a chest tattoo. You bet it’s one of those dumb tribal inks, probably with some mundane Japanese characters he doesn’t know the meaning of.

“Is this where you undermine all the models desperate for your recognition?” you sigh as you sit down.

“We haven't even gotten our menus, and you’re already causing a scene?” 

He’s the one who was rude the moment you got in the car. In fact, he was rude the minute you met him. “Might as well speed this along.”

He chuckles—his smile genuinely amused instead of angered the way you’d imagined—the way you’d remembered from last time when he sent girls crying. “You know, for a face like that, you have one hell of a tongue.”

He orders wine by the name with ease and swiftness before returning to what he was saying.

“I like that. Most models are dull, but not you.”

“I don’t agree. And I’m a model,” you snip, showing no interest in his flirting.

 “No? Didn’t you see the pictures?” Your attitude doesn’t seem to deter him—rather, it only seems to egg him further on. “I have them all mounted on my walls at home—you should come see.”

This makes you falter. Looking at him from across the table with rounded eyes. “On your walls?”

“Framed.” He smiles, finally having broken through—he only intends to take it further. Not that what he was saying wasn’t true. “I just couldn’t help myself. I consider it my best work.” 

The look on your face is something between disgusted and uncertain—speechless in a sense.

It makes him laugh again. “Does anything flatter you?”

The wine comes. He’s poured a glass for testing.

“Not when spoken by men like you.”

His grin grows as he swirls the liquid around, smelling it like a phony.

“That’s a shame,” he says before taking a sip. He nods to the waiter, and you’re poured a similar glass. Meanwhile, he looks at you. “I’d like to flatter you—I’d like to spoil you even. You seem like you deserve it.”

You sip your glass. “No need.”

“I’m not so sure about that. You currently work at a diner, right?”

You gaze at him from atop your glass, brows furrowing. “How do you—”

“I didn’t.” It’s a lie, of course, he’d searched you up and gone over every little detail he could find. “It’s clear from the looks of you—”

“Fuck you,” you snap, putting your glass down a bit too harshly, enough to make a little wine slip and spill.

He doesn’t mind it. “Oh, I want you to,” he says instead. “After I pay for dinner and drive you back. We can fuck right under my favorite portrait of you.”

You’re stunted by his crude words, but only for a second. “How about we skip dinner, and you go fuck yourself.” 

His smile doesn’t drop, even as you get up to leave. “Settle down, sweetheart.”

“Make me, jackass.” 

You’re on your way to go, but his next words have you halting. 

“Either you humor me, or I make sure your friend never models in the country again.”

You turn around to look at him. You don’t really know why you’re so surprised. The card he just pulled is the very reason you agreed to the dinner in the first place. But an incentive is very different from outright blackmail, and suppose you just hadn’t really believed he’d take it that far.

“It’s my impression you don’t want that,” he continues.

You sit back down. He tops your glass off.

“I could make her big, you know?” he offers while pouring for himself as well. “Really speed her career along—set her up for life. I’ll do the same for you, too, of course.” 

He swirls his wine, lifting it as if to make a toast.

“And all you gotta do is come back home with me.”

You don’t have the words.

“You won’t be disappointed,” he promises. “I’m good at it.” As if that’s your concern. “You’ll never want to fuck anyone else again.”

You hate how right he is. 

You’ve never cum sooner or harder before in your life, not with anyone else or on your own. It’s like nothing you’ve ever experienced—so good, you’re screaming—moaning out in echoes throughout his giant penthouse, bouncing off the marble floors into all unlocked rooms, creating a cacophony of your undeniable pleasure.

He’s on his knees beneath you as you lean with your back against the window overlooking the city, barely able to stand as he buries his face between your soft thighs, canting his chin up while lapping hard at your slit and clit. His hard stare set on your face and the way you throw your head back while cumming in his mouth—your hand tussled in his hair, yanking on it hard enough to make him growl.

Your legs and feet give you little support. It's his hands that keep you up as you slide further and further down the floor-to-ceiling window until you’re almost about ready to drop your weight completely.

But he’s made you come undone three times by then, and just can’t wait any longer. 

He’s spun you around before you know it, making you face the pretty lights of the city skyline—his mouth hot on the shell of your ear, “I told you so, didn’t I?”

Your breath fogs the glass with your panting—knees wobbly, only standing thanks to the thick arms he’s got supporting you, each with a tit in their hand, giving them rough squeezes as he starts pounding away at your womb—hard enough to make the city lights blend in with the stars. 

“You won’t wanna fuck anyone else again.”

♡ BNHA – Bakugou, Shigaraki, Dabi, Aizawa, Shinso, Overhaul ♡ JJK – Sukuna, Naoya, Toji ♡ HQ – Tsukishima, Kageyama, Iwaizumi, Sakusa ♡ BLLK – Reo, Rin ♡ AOT – Levi ♡ DS – Akaza, Sanemi

♡ FEM x M INSERT masterlist ♡ GN x M INSERT masterlist

[echoekhi]

I’m Declaring War Against “What If” Videos: Project Copy-Knight

What Are “What If” Videos?

These videos follow a common recipe: A narrator, given a fandom (usually anime ones like My Hero Academia and Naruto), explores an alternative timeline where something is different. Maybe the main character has extra powers, maybe a key plot point goes differently. They then go on and make up a whole new story, detailing the conflicts and romance between characters, much like an ordinary fanfic.

Except, they are fanfics. Actual fanfics, pulled off AO3, FFN and Wattpad, given a different title, with random thumbnail and background images added to them, narrated by computer text-to-speech synthesizers.

They are very easy to make: pick a fanfic, copy all the text into a text-to-speech generator, mix the resulting audio file with some generic art from the fandom as the background, give it a snappy title like “What if Deku had the Power of Ten Rings”, photoshop an attention-grabbing thumbnail, dump it onto YouTube and get thousands of views.

In fact, the process is so straightforward and requires so little effort, it’s pretty clear some of these channels have automated pipelines to pump these out en-masse. They don’t bother with asking the fic authors for permission. Sometimes they don’t even bother with putting the fic’s link in the description or crediting the author. These content-farms then monetise these videos, so they get a cut from YouTube’s ads.

In short, an industry has emerged from the systematic copyright theft of fanfiction, for profit.

Project Copy-Knight

Since the adversaries almost certainly have automated systems set up for this, the only realistic countermeasure is with another automated system. Identifying fanfics manually by listening to the videos and searching them up with tags is just too slow and impractical.

And so, I came up with a simple automated pipeline to identify the original authors of “What If” videos.

It would go download these videos, run speech recognition on it, search the text through a database full of AO3 fics, and identify which work it came from. After manual confirmation, the original authors will be notified that their works have been subject to copyright theft, and instructions provided on how to DMCA-strike the channel out of existence.

I built a prototype over the weekend, and it works surprisingly well:

On a randomly-selected YouTube channel (in this case Infinite Paradox Fanfic), the toolchain was able to identify the origin of half of the content. The raw output, after manual verification, turned out to be extremely accurate. The time taken to identify the source of a video was about 5 minutes, most of those were spent running Whisper, and the actual full-text-search query and Levenshtein analysis was less than 5 seconds.

The other videos probably came from fanfiction websites other than AO3, like fanfiction.net or Wattpad. As I do not have access to archives of those websites, I cannot identify the other ones, but they are almost certainly not original.

Armed with this fantastic proof-of-concept, I’m officially declaring war against “What If” videos. The mission statement of Project Copy-Knight will be the elimination of “What If” videos based on the theft of AO3 content on YouTube.

I Need Your Help

I am acutely aware that I cannot accomplish this on my own. There are many moving parts in this system that simply cannot be completely automated – like the selection of YouTube channels to feed into the toolchain, the manual verification step to prevent false-positives being sent to authors, the reaching-out to authors who have comments disabled, etc, etc.

So, if you are interested in helping to defend fanworks, or just want to have a chat or ask about the technical details of the toolchain, please consider joining my Discord server. I could really use your help.

------

See full blog article and acknowledgements here: https://echoekhi.com/2023/11/25/project-copy-knight/

[derinwrites]

The Three Commandments

The thing about writing is this: you gotta start in medias res, to hook your readers with action immediately. But readers aren’t invested in people they know nothing about, so start with a framing scene that instead describes the characters and the stakes. But those scenes are boring, so cut straight to the action, after opening with a clever quip, but open in the style of the story, and try not to be too clever in the opener, it looks tacky. One shouldn’t use too many dialogue tags, it’s distracting; but you can use ‘said’ a lot, because ‘said’ is invisible, but don’t use ‘said’ too much because it’s boring and uninformative – make sure to vary your dialogue tags to be as descriptive as possible, except don’t do that because it’s distracting, and instead rely mostly on ‘said’ and only use others when you need them. But don’t use ‘said’ too often; you should avoid dialogue tags as much as you possibly can and indicate speakers through describing their reactions. But don’t do that, it’s distracting.

Having a viewpoint character describe themselves is amateurish, so avoid that. But also be sure to describe your viewpoint character so that the reader can picture them. And include a lot of introspection, so we can see their mindset, but don’t include too much introspection, because it’s boring and takes away from the action and really bogs down the story, but also remember to include plenty of introspection so your character doesn’t feel like a robot. And adverbs are great action descriptors; you should have a lot of them, but don’t use a lot of adverbs; they’re amateurish and bog down the story. And

The reason new writers are bombarded with so much outright contradictory writing advice is that these tips are conditional. It depends on your style, your genre, your audience, your level of skill, and what problems in your writing you’re trying to fix. Which is why, when I’m writing, I tend to focus on what I call my Three Commandments of Writing. These are the overall rules; before accepting any writing advice, I check whether it reinforces one of these rules or not. If not, I ditch it.

1: Thou Shalt Have Something To Say

What’s your book about?

I don’t mean, describe to me the plot. I mean, why should anybody read this? What’s its thesis? What’s its reason for existence, from the reader’s perspective? People write stories for all kinds of reasons, but things like ‘I just wanted to get it out of my head’ are meaningless from a reader perspective. The greatest piece of writing advice I ever received was you putting words on a page does not obligate anybody to read them. So why are the words there? What point are you trying to make?

The purpose of your story can vary wildly. Usually, you’ll be exploring some kind of thesis, especially if you write genre fiction. Curse Words, for example, is an exploration of self-perpetuating power structures and how aiming for short-term stability and safety can cause long-term problems, as well as the responsibilities of an agitator when seeking to do the necessary work of dismantling those power structures. Most of the things in Curse Words eventually fold back into exploring this question. Alternately, you might just have a really cool idea for a society or alien species or something and want to show it off (note: it can be VERY VERY HARD to carry a story on a ‘cool original concept’ by itself. You think your sky society where they fly above the clouds and have no rainfall and have to harvest water from the clouds below is a cool enough idea to carry a story: You’re almost certainly wrong. These cool concept stories work best when they are either very short, or working in conjunction with exploring a theme). You might be writing a mystery series where each story is a standalone mystery and the point is to present a puzzle and solve a fun mystery each book. Maybe you’re just here to make the reader laugh, and will throw in anything you can find that’ll act as framing for better jokes. In some genres, readers know exactly what they want and have gotten it a hundred times before and want that story again but with different character names – maybe you’re writing one of those. (These stories are popular in romance, pulp fantasy, some action genres, and rather a lot of types of fanfiction).

Whatever the main point of your story is, you should know it by the time you finish the first draft, because you simply cannot write the second draft if you don’t know what the point of the story is. (If you write web serials and are publishing the first draft, you’ll need to figure it out a lot faster.)

Once you know what the point of your story is, you can assess all writing decisions through this lens – does this help or hurt the point of my story?

2: Thou Shalt Respect Thy Reader’s Investment

Readers invest a lot in a story. Sometimes it’s money, if they bought your book, but even if your story is free, they invest time, attention, and emotional investment. The vast majority of your job is making that investment worth it. There are two factors to this – lowering the investment, and increasing the payoff. If you can lower your audience’s suspension of disbelief through consistent characterisation, realistic (for your genre – this may deviate from real realism) worldbuilding, and appropriately foreshadowing and forewarning any unexpected rules of your world. You can lower the amount of effort or attention your audience need to put into getting into your story by writing in a clear manner, using an entertaining tone, and relying on cultural touchpoints they understand already instead of pushing them in the deep end into a completely unfamiliar situation. The lower their initial investment, the easier it is to make the payoff worth it.

Two important notes here: one, not all audiences view investment in the same way. Your average reader views time as a major investment, but readers of long fiction (epic fantasies, web serials, et cetera) often view length as part of the payoff. Brandon Sanderson fans don’t grab his latest book and think “Uuuugh, why does it have to be so looong!” Similarly, some people like being thrown in the deep end and having to put a lot of work into figuring out what the fuck is going on with no onboarding. This is one of science fiction’s main tactics for forcibly immersing you in a future world. So the valuation of what counts as too much investment varies drastically between readers.

Two, it’s not always the best idea to minimise the necessary investment at all costs. Generally, engagement with art asks something of us, and that’s part of the appeal. Minimum-effort books do have their appeal and their place, in the same way that idle games or repetitive sitcoms have their appeal and their place, but the memorable stories, the ones that have staying power and provide real value, are the ones that ask something of the reader. If they’re not investing anything, they have no incentive to engage, and you’re just filling in time. This commandment does not exist to tell you to try to ask nothing of your audience – you should be asking something of your audience. It exists to tell you to respect that investment. Know what you’re asking of your audience, and make sure that the ask is less than the payoff.

The other way to respect the investment is of course to focus on a great payoff. Make those characters socially fascinating, make that sacrifice emotionally rending, make the answer to that mystery intellectually fulfilling. If you can make the investment worth it, they’ll enjoy your story. And if you consistently make their investment worth it, you build trust, and they’ll be willing to invest more next time, which means you can ask more of them and give them an even better payoff. Audience trust is a very precious currency and this is how you build it – be worth their time.

But how do you know what your audience does and doesn’t consider an onerous investment? And how do you know what kinds of payoff they’ll find rewarding? Easy – they self-sort. Part of your job is telling your audience what to expect from you as soon as you can, so that if it’s not for them, they’ll leave, and if it is, they’ll invest and appreciate the return. (“Oh but I want as many people reading my story as possible!” No, you don’t. If you want that, you can write paint-by-numbers common denominator mass appeal fic. What you want is the audience who will enjoy your story; everyone else is a waste of time, and is in fact, detrimental to your success, because if they don’t like your story then they’re likely to be bad marketing. You want these people to bounce off and leave before you disappoint them. Don’t try to trick them into staying around.) Your audience should know, very early on, what kind of an experience they’re in for, what the tone will be, the genre and character(s) they’re going to follow, that sort of thing. The first couple of chapters of Time to Orbit: Unknown, for example, are a micro-example of the sorts of mysteries that Aspen will be dealing with for most of the book, as well as a sample of their character voice, the way they approach problems, and enough of their background, world and behaviour for the reader to decide if this sort of story is for them. We also start the story with some mildly graphic medical stuff, enough physics for the reader to determine the ‘hardness’ of the scifi, and about the level of physical risk that Aspen will be putting themselves at for most of the book. This is all important information for a reader to have.

If you are mindful of the investment your readers are making, mindful of the value of the payoff, and honest with them about both from the start so that they can decide whether the story is for them, you can respect their investment and make sure they have a good time.

3: Thou Shalt Not Make Thy World Less Interesting

This one’s really about payoff, but it’s important enough to be its own commandment. It relates primarily to twists, reveals, worldbuilding, and killing off storylines or characters. One mistake that I see new writers make all the time is that they tank the engagement of their story by introducing a cool fun twist that seems so awesome in the moment and then… is a major letdown, because the implications make the world less interesting.

“It was all a dream” twists often fall into this trap. Contrary to popular opinion, I think these twists can be done extremely well. I’ve seen them done extremely well. The vast majority of the time, they’re very bad. They’re bad because they take an interesting world and make it boring. The same is true of poorly thought out, shocking character deaths – when you kill a character, you kill their potential, and if they’re a character worth killing in a high impact way then this is always a huge sacrifice on your part. Is it worth it? Will it make the story more interesting? Similarly, if your bad guy is going to get up and gloat ‘Aha, your quest was all planned by me, I was working in the shadows to get you to acquire the Mystery Object since I could not! You have fallen into my trap! Now give me the Mystery Object!’, is this a more interesting story than if the protagonist’s journey had actually been their own unmanipulated adventure? It makes your bad guy look clever and can be a cool twist, but does it mean that all those times your protagonist escaped the bad guy’s men by the skin of his teeth, he was being allowed to escape? Are they retroactively less interesting now?

Whether these twists work or not will depend on how you’ve constructed the rest of your story. Do they make your world more or less interesting?

If you have the audience’s trust, it’s permissible to make your world temporarily less interesting. You can kill off the cool guy with the awesome plan, or make it so that the Chosen One wasn’t actually the Chosen One, or even have the main character wake up and find out it was all a dream, and let the reader marinate in disappointment for a little while before you pick it up again and turn things around so that actually, that twist does lead to a more interesting story! But you have to pick it up again. Don’t leave them with the version that’s less interesting than the story you tanked for the twist. The general slop of interest must trend upward, and your sacrifices need to all lead into the more interesting world. Otherwise, your readers will be disappointed, and their experience will be tainted.

Whenever I’m looking at a new piece of writing advice, I view it through these three rules. Is this plot still delivering on the book’s purpose, or have I gone off the rails somewhere and just stared writing random stuff? Does making this character ‘more relateable’ help or hinder that goal? Does this argument with the protagonists’ mother tell the reader anything or lead to any useful payoff; is it respectful of their time? Will starting in medias res give the audience an accurate view of the story and help them decide whether to invest? Does this big twist that challenges all the assumptions we’ve made so far imply a world that is more or less interesting than the world previously implied?

Hopefully these can help you, too.

[op-sys-chaos]

DPxDC prompt (demon twins au)

A video from your son, the email was titled. Bruce was confused. Which of his kids would send a video to his public work email??

Bruce clicked play.

On the screen was a boy who look a lot like Damian, but most certainly wasn’t him.

“This video is for the eyes of Bruce Wayne only.

Hi Dad. I’m Danny. You likely don’t know I exist, and if you’re receiving this, I’m already dead. Well, more dead than I already was. Maybe it’s cruel of me to send you a message post-mortem, but you deserve the truth, and telling you earlier would’ve put you in danger.

This email is set to automatically send if I haven’t opened my computer for 3 days. I sometimes set it longer if I’m on vacation or expecting trouble, but I’ve mostly likely been away from home for a bit over three days if you’re receiving this.

I don’t know who killed me. Obviously. I’m recording this in advance. But it was probably either the GIW or my adoptive parents, the Fentons. I half-died at 14 and became a local ghost superhero, but they never realized I was trying to help and kept talking about tearing ghost-me apart molecule by molecule, so I bet that’s what happened. There will be nothing left of me to bury. Sorry about that!

The rest of the story is this. I was raised in an assassin cult, eventually escaping at the age of 6 when they sent me on mission and I successfully faked my death.

My biggest regret is that I escaped alone. And that’s the reason I’m reaching out to you.

You’re a civilian. If you know too much about the League of Assassins you’ll be in danger. But I need you to save my twin Damian. He’s likely still there after all these years. He never wanted to escape; he took pride in being the heir to the league. He’s probably going to be stabby; he’s an assassin after all. But it’s not his fault. Ra’s - our grandfather - brainwashed him a lot more than he brainwashed me because Damian was more susceptible to it. It’s not his fault. Please. Save him. I’m begging you. My biggest regret is leaving Damian in the league. You have a chance to save him. Please, please do it.

I wish it would’ve been safe for me to get to know you. You seem like a cool dad, from what I’ve seen of you on the news with your oldest kids. I bet you’re like that with the youngest you hide from the public too. I wish you all the best. Thank you for listening.

Your long lost almost certainly dead by now son, Danny Fenton.”

Bruce took a second to process this, then picked up his phone and dialed his youngest’s number.

“Father.”

“Damian, did you have a twin named Danny?”

“…Who told you?”

Bruce hung up and sent Damian the video. He needed a minute to process this anyway.

Damian called back a few minutes later, after watching the video.

“Father. I do not care what state he is in. We must discover exactly what happened to Danny. Even if there is only a single molecule left. We must discover the truth.”

“I couldn’t agree more, Damian.”

Dealer’s choice on whether Danny is alive. The few ideas I have for this are:

- they find him mid-vivisection and rescue him

- they find what’s left of him post-vivisection and post his core being crushed

- he’s perfectly fine and just forgot to open his computer (maybe clockwork made sure he forgot?) and now he’s panicking about the fact that his family knows about him and could be in danger. He wanted them to know he existed, not make themselves a walking target for the league by finding him and trying to bring him home!

- Jazz found the automatic email and, deciding to meddle in her brother’s life and him back to his family and maybe get a good parent for herself as a bonus, sent it early

- Technus decided to start shit and sent it while haunting Danny’s computer

- Clockwork screwed with time to make sure it got sent

Lmk what yall do with this!

[flseur]

꒰ 𐙚 it's so lonely in my mansion — jjk men ꒱

⟡ synopsis : you've always gotten whatever you've wanted, and it doesn't stop with the men you're interested in.

⟡ content warning : nsfw ( 18+ ), fem!reader, richgirl!reader, pool boy!gojo, private chef!suguru, ceo!nanami, age gap ( reader is in her early 20s, characters are in their mid 20s to early 30s ), fingering, missionary, semi-public sex, cunnilingus, overstimulation, multiple orgasms, doggy

౨ৎ note : first multi-chara fic in a bit ! it's a bit shorter than what i usually write i think bc i needed to do a bio and cogsci lectures right after but please enjoy ! ꒰ᐢ. .ᐢ꒱₊˚⊹

୨୧ SATORU GOJO

❥₊ ⊹ "o-oh fuck!" you moan out, your little frilly pink bathing suit was thrown somewhere haphazardly and your breasts press against the strong plains of satoru's bare chest.

you were staying at your parent's summer house in the hamptons, it's upkeep being done completely by the hired staff. but one member of them would always catch your attention.

snowy white hair with matching long lashes, bright cerulean eyes, and a body that's hard to take your mind off of.

satoru had recently been hired to take care your olympic-sized pool, and you certainly were not complaining at the free (not really free) show that came with him cleaning it.

every time you knew he was coming over to do some work, you'd be out sunbathing, doing pilates, or "homework" outside. and every time you'd ask him for help with something.

your sweet voice would call him over, pouty lips and big eyes stare up at him and ask him, ever so innocently, "satoruuu... can you help me with this?"

which led to where you were right now. after about 2 weeks of asking him for his help, you finally asked him if he could, "pretty please put sunscreen on my back?"

you were flipped over on your stomach, laying on a lounge chair with your skimpy pink bikini bottoms doing absolutely nothing to cover your ass and you swore you could hear him gulp loudly.

his large hands massaged the lotion into your back, getting lower and lower until he stopped right where the string of your bottoms were.

confused, you whip your head around to see why he stopped before turning back over to face him.

"fuck..." you heard him sigh under his breath before hastily pressing his lips onto yours. "you're such a fucking tease."

satoru wasted no time ripping your swimsuit off, one hand coming up to pinch one of your nipples while the other crept towards your aching heat.

his lithe fingers brush against your folds before his thumb finally presses on your clit, making you gasp into his mouth.

satoru continues his ministrations on your pussy until he feels your hand wrap around his wrist, making him stop his movements. "is something wrong?" he asks, concern laced throughout his voice.

"no..." you mumble. "i just want you to fuck me now."

satoru lolls his head backwards and groans, "fuck, baby... you don't know what you do to me. don't know how long i've wanted to fuck you and this pretty pussy."

"then do it." you chide, getting impatient.

hurriedly, satoru removes his black board shorts, his cock springs free. the tip is flushed pink with precum leaking from it.

satoru's hands grab at the fat of your hips, pulling you down the lounge chair and making your ass flush against his his own hips.

you squirm against him, desperate for friction then whimpering when your clit bumps against the head of his dick.

"patient, princess." a small smirk pulls on his pink lips as he watches you pout up at him.

"put it in already." you groan, getting more and more impatient.

and though satoru does like how horny you are for him, he's almost sure that he's more turned on then you are. he swears he's never been this hard before.

he leans down, his arms caging you in as his cock sinks into you. "stop squeezing me... can hardly move." he moans.

"c-can't," you gasp, feeling him stretch your pussy. "you're s'big..."

your ears were ringing and stars blurred your vision, the way he was splitting you open was deliciously sinful.

satoru lets out a low moan before pulling out almost completely, only leaving the tip in before thrusting his full length in.

"oh my god!" you cry out, your manicured fingers wrap around his torso and dig into his pale skin.

his pace was relentless, the feeling of his thick cock dragging inside your walls and his tip continously pressing that gooey spot in you was overwhelming paired with his balls slapping against your ass.

you were on the brink of your orgasm, feeling the build-up in your tummy. "g'nna cum—" your sobs turn into near screams as you feel one of satoru's hands creep down and rub your puffy clit.

"cum for me. cum on my cock, god, baby please cum. c-can feel you squeezing me, oh fuck." he babbles, not entirely sure of what he was saying but he knew one thing, and it was that he was going to make sure he got to fuck you every chance he got before you left for school again.

୨୧ SUGURU GETO

❥₊ ⊹ though you have all the money you need to buy new purses, clothes, and sports cars, money simply could not buy you cooking skills. after countless of cooking classes for beginners (and dozens of burnt meals), your parents decided to hire a private chef for you. and that chef was suguru.

he was there to make whatever you wished for breakfast, lunch, and dinner, which you appreciated but ever since he's come into your mansion, you've found yourself craving something... different.

and suguru could tell. each time you first came downstairs in the morning you were always in some silky pyjama set. dainty lace straps of the top would always be falling off of your shoulders where he'd see no bra strap causing his eyes to fall down to your breasts and he would see your pert nipples peeking through.

but this time, you had come downstairs in a tiny little pyjama dress that did not cover your ass at all. suguru had asked you what you wanted for breakfast and you mumbled "pancakes" quietly, still trying to wake up.

you brushed past him to open a top cupboard, standing on the tips of your toes to reach a cup, your dress moving upwards and showcasing your -- oh my god you weren't wearing any panties.

suguru held back a groan at the sight of your bare pussy before muttering a quiet "fuck it" and you felt his large hands grip your hips, flipping you around to face him before he urgently pressed his lips into yours.

soon enough, he has you bare with your ass sitting on the cold marble countertops. black tufts of hair tickle your inner thighs while your mind is overwhelmed with pleasure.

suguru licks a strip up your pussy, from your hole to your clit. then one of his hands creeps closer to your heat and a thick finger plunges into you causing you to moan out.

your hands grab at his hair, pulling at the roots and he moans against you. his fingers work wonders in you, each thrust calculated and precise. every press from the digits would hit that sweet spot that made your ears ring.

his mouth was the opposite of his fingers, wrapped around your clit slurping loudly and messily. his moans made you press his face deeper into your cunt, basically riding his face.

"cum on my face, pretty girl..." he looks up at you, alluring eyes looking at your own. "know you've been wanting to, i'll let you, baby.”

you let out a strangled cry and grind quicker against his face, clit bumping against his nose. your cries get higher in pitch until finally the dam breaks and you orgasm all over suguru's face yet he never once stops his ministrations. his mouth continues to work your clit and his fingers are still fucking into you.

you were about to be thrown into another mind-numbing orgasm, tears lining your eyes and you sobbed out in overstimulation until the high was ripped away from you.

"w-what?" you looked up at suguru, confused.

"this time, you're gonna cum on my cock instead," he says before you hear the buckle of his belt hit the floor.

୨୧ KENTO NANAMI

❥₊ ⊹ he knew he had an important meeting. knew it was with your father, but here nanami is, balls deep in his competitors daughter, whispering about how much he loves you.

you were bent over his large desk, your head facing the floor-to-ceiling windows. cute little tweed skirt pushed above your hips and your gucci monogrammed fishnet tights had a hole ripped out from the crotch.

when kento had ripped the hole, you gasped, ready to give him an earful of how hard it was for you to get those but you were quickly cut off by feeling his thick cock split you open accompanied by his strained voice saying, "i'll just get you another pair... another dozen if i get to do this to you..."

his hands were grabbing at your ass, while his eyes watched it recoil with each thrust of his hips. your pussy was dragging him in deeper, squeezing him impossibly tighter, it took everything in kento to not cum early, he needed to make sure you came at least twice before he does.

the sinful noise of skin against skin, accompanied by hushed moans permeated the office. each thrust of his cock was deep and impactful, but the pace was still quick. as much as he would love to take his time with you, he can't today.

"love you, baby," he moans. "love you so much, g'nna marry you one day, i swear..." kento rolls his hips, the head of his length pressing that gooey spot in you.

you let out a mewl, freshly manicured nails gripping the mahogany wood of the desk. you fuck your hips back onto him, relishing in the sheer amount of pleasure your boyfriend was providing you.

wanting to see your face, nanami's strong arms reach around your torso and pulls you upward, your back arching. he has one strong hand against your jaw, making your head face him while his other hand slithers down to your sopping pussy.

"k-kiss me..." you struggle between moans. "please kiss me."

and kento obliges. he presses his lips to yours as his hand begins to rub hurried circles to your puffy clit, making you moan into his mouth.

the drag of his thick cock paired with the stimulation of your clit was addicting, you pull apart from the kiss and your eyes roll to the back of your head. kento was overwhelming your senses, he was everywhere you needed him and everywhere you wanted him.

as your impending orgasm catches up to you, your hand grips the wrist of the hand playing with your pussy, the blunt of your nails dig into the skin.

"i-i'm cumming!" you sob, cunt sucking his cock in deeper and coating it as well as his wrist in your arousal. "love you s'much kento!" words slurring, still riding out your orgasm.

"one more time, princess... need you to cum one more time." he groans in your ear, moving downwards to press open-mouth kisses to your neck. his cock still bullying your insides while his lithe fingers rub your little clit relentlessly.

"y-yes!" you gasp, chest heaving.

"that's it... cum for me..." he coos.

as you come down from your second high, your ears ring but as soon as you come to, you realize the ringing wasn't from them. but instead it was from your phone.

[ (1) MISSED CALL FROM : DAD ]

dad: Y/N.

dad: Where the hell are you?!

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[misstycloud]

Yandere cowboy x fem.reader

Yandere! Cowboy who’s the towns sweetheart. How can he not be? He helps every troubled soul he comes across, doesn’t matter who they are. He works hard every day to easy the load of providing for the family, he’s not a child anymore, of course he’ll do anything he can to help out! Besides, who wouldn’t fall for those muscles and pearly smile? You’d be crazy if you didn’t.

Yandere! Cowboy who you meet the first day of your ‘vacation’ to stay at your grandparents. Your parents though you’d been acting up the last weeks so they decided it was best to send you away for the summer, much to your dismay. Now you’d have to text your friends that you can’t hang out at all. Damn it. Being forced to stay in a in-the-middle-of-nowhere town definitely wasn’t your top priority. There was practically no service and nothing to do all summer. You’ll be bored out of your mind unless you manage to find something to entertain you. Luckily, there does appear to be something worthy of your attention- or rather, someone. It’ll certainly make things more interesting.

Yandere! Cowboy who you think is kinda cute, if not a little weird. He’s no doubt very different compared to the boys in the city- speaking in that special accent, wearing worn overalls, sweat at his forehead everytime you meet and practical thinking above all else. Still, you find yourself intrigued by his contrasting personality.

Yandere! Cowboy who is enchanted by you. You’re just so….wonderful. Funny enough, he also thinks you’re different, which interests him. Normally, he isn’t the type to brag and is quite humble, but he isn’t blind. He can see the way the girls in town drool over him. He knows he’s attractive. But you, you don’t fall over your feet whenever you gets a glimpse of him. You don’t stutter over every word while talking to him- in fact, you’re as cool as a cucumber. It almost seems like you’re flirting with him.

Yandere! Cowboy who notices you way your eyes sparkle when you speak of your interests. He starts thinking about the way you sound when laugh, how you pout when you’re frustrated and what you look like when you’re sad. It’s all beautiful. You are beautiful. Soon, it’s not only that he focuses on. Now, every time you’re walking ahead of him, he pays attention to the curve of your ass, how your hips sway when you walk, and suddenly he finds himself having to adjust his pants.

Yandere! Cowboy who you enter a special relationship with. You’re more than friends but less than actual lovers- that’s how you see it at least and you believed that’s what yan! Cowboy wanted, too. You two spend all your free time together in each others arms and going on cute dates around town and in the forest.

Yandere! Cowboy who wishes to marry you. You’re his perfect match! It must be fate that you ended up in their little town. He’d give you a big beautiful ring- he’s saved up quite a bit during his years of working, so he can easily afford it- and let you have whatever wedding you imagine. He’d make sure it’s exactly how you want it. Then, he’ll personally build you a house. Of course, before he starts working on that, he’ll need to know if you want a porch, what kind of shutter you want and what colour should the exterior be, would you like a fireplace?

Yandere! Cowboy who can’t believe it; you’re leaving? You say that summer is over and you don’t have to stay there with your grandparents anymore. You almost seem…relieved. No, that can’t be it. You love him! Right? Or was the connection he felt just one-sided?

“Sorry, you weren’t meant to catch feelings for me or anything. I just wanted to have fun, pass the time y’know.

“So I didn’t meant anything to you? Not even a little bit?…”

“I do like you. But I live in the city and my stay here was never going to be permanent. Like I said, I’m sorry it got a little too serious.”

“…….”

“Yeah, I gotta go now. I wish you well though, see ya.”

Yandere! Cowboy who spiraled after you left. You’ve dug yourself too deep in him. He can’t imagine going on about his life like you never existed. He thought you could be happy there, even if wasn’t like the big city you were used too, but that was clearly not the case.

If he had to uproot his life and move to be with you, then so be it. He wonders if you’ll be happy to see him again.