#whether or not they were actually related

[murfpersonalblog]

I think OP's question also kinda depends on WHO's holding a character accountable?

the people in-universe (who've interacted with said character, and whose lives are (in)directly impacted by that characters' actions). The canon plot will show/tell you who it wants you to take more sympathetically or not; how the characters treat each other, and what the ending implies about the story's overall message they want to convey. The trick is if the story sticks the landing. And that's where we the audience comes in.

us in the external audience (who consume whatever media the character is from, and decide whether we like a character/story or not, BASED ON how that character's treated in-universe). We hold fictional characters accountable all the time, which is how "the villain" and "the hero" are even a thing. The court of public opinion is judge jury & executioner of all media content--if a story's written where general consensus is that the ending was satisfying (or not); or a character was treated unfairly, or got off easy; or if plot contrivances spiraled to the point that the story's not worth following anymore, etc--we hold characters accountable 24/7. And we hold writers accountable by saying their story's mid & we don't like the messages being projected to us. Look at The Last Jedi, or Game of Thrones Season 8, or Joker 2. Look at how many Disney remakes were blasted for tryna give villains tragic backstories. People who pretend they don't care about IRL morality/ethics/politics/etc in fiction are lying their arses off. They DO care; we all align ourselves with characters we relate to, cuz it says something about the moral standards people hold (or not). Look at how DnD's Alignment Chart permeated pop culture. Look at the Bloody Baron questline in The Witcher 3, or all the Yaegerist discourse from Attack on Titan, or Light Yagami's Death Note; or Joker 1. Art imitates life, and life is a constant push/pull of people being held to certain standards or codes of conduct that society expects people to be held accountable for--even if it's just as simple as saying I don't like that character/story/ending.

(Side note: if only the Hays Code was established by a society that actually took its own moral pronouncements seriously; and didn't instead turn around and perpetuate some of the most racist, sexist, capitalist, homophobic treatment of human people in modern American history. But I digress.)

[loveandlegacy]

would love to hear more about your theory that the black rose will torture magic out of mel 👀

lol it's sort of based on nothing but scraps but let's start with the actual opening sequence. we get this glimpse of mel with hands all around her and we know now from the show that the hands are the black rose (their magic manifests as roses/thorns/grabbing hands). but also in general i think it feels kind of important that hands grabbing at a person's body are like generally regarded as a violation of that person right? like mel obviously isn't consenting to being touched, her expression is pained. to me it feels like in addition to the black rose being scary, these people are probably going to try to hurt her physically.

but why would they do that! ig maybe just to get back at ambessa for whatever their "feud" is, but if that were their only goal why would they kidnap mel and not just. assassinate her? that would certainly be more expeditious. that happens all the time. but holding mel hostage and/or torturing her feels a very specific and different choice.

in the lore, the black rose is described a cabal that has been influencing noxian politics for centuries. in the present moment they: "[exist] now to further the clandestine interests of those who can wield the magic hidden within the Immortal Bastion—with its rank-and-file composed of mundane nobles, drawn to rumors of miracles, kept in thrall and ruthlessly exploited. Even the most powerful military commander could only ever serve the cult's true masters, as they fight one another for influence in games of intrigue and conquest, both in the Noxian capital and beyond its borders." (from the league fandom wiki; emphasis mine)

but elora stated that ambessa is LOSING influence. she has been stripped of many of her holdings and seems to have been backed into a desperate corner, so it doesnt seem super likely that the black rose kidnapped mel in order to manipulate ambessa into furthering their power within noxus. she is outside the power structure for now, that's the whole reason she went to piltover in search of hextech weaponry.

instead i think it's more likely that mel has something to do with the black rose's fixation on magic and magic users.

idk how much you know or care about league lore but i'll give a quick rundown here of one particular champion who has not appeared in the show: rell. in league, she's a 16 year old girl who possesses the powers of ferromancy and whose parents basically handed her over to the black rose as a child where they trapped her in a secret academy and violently augment her power thru forced combat and painful magical-medical procedures.

people have a lot of theories about whether or not rell has some relation to the medardas but i am not trying to get into that here. i bring her up mostly to highlight the fact that the black rose's obsession with magic and magic users has shown that they're basically totally okay with torture and child abuse if it furthers their ends of producing/controlling magic users and mages.

and we know from ambessa's MV that mel is PROBABLY touched or blessed or magic-infused by the kindred in some way

idk if this magic is dormant or hidden or what but if the black rose knows about it i can imagine they would be Very interested in trying to harness it (and mel) to their own ends. and especially if it IS dormant or if mel for some reason just doesn't want to use her magic, i can see the black rose resorting to torture to force the magic out of her.

lastly we also have this shot of her from the opening!

i think this is interesting mostly because we've never really seen mel in a state of really unbridled rage. we've seen her get very angry! at ambessa. but never like full-on screaming rage. but here it is happening in the opener! obviously there are a lot of things that could get someone to this point but i do think getting abducted, tortured, and forced into magic use would definitely be. one way. for that to happen. i know a lot of people think that this shot means she's going to somehow end up agreeing with ambessa about might-makes-right but i just don't see that being an arc for her character that makes any sense. she has so firmly positioned herself as someone who opposes both noxus's ideology and ambessa's ideology that i think the only way she could possibly become this wrathful is not because she agrees with ambessa but because something so dramatic has happened to her that she's basically forced to break from her principles in order to survive.

anyway lol! this is so long 😭 i'm sure whatever happens to mel the story will be both interesting and heartbreaking 💔

[kinardsevan]

FYI, I'm crowdfunding a retirement plan for Tim and a place for you on the 911 writers team. I'm sure you can help them sort out the rest of the plots too!

I don’t know if this is genuine or sarcastic, so I’m just going to say this:

I don’t claim to know anything about media literacy. What I do understand is intricate plot and telling a compelling story. I also understand that from the end of 806, I said almost immediately “I feel manipulated”. This has deep personal connotations for me, but the point remains, and because of those personal relations, I get an actual “ick” about feeling manipulated. Now again, I have zero clarity one way or the other as to whether the manipulation is based out of them actually fucking this storyline up or if it’s because of the way they’re trying to pitch it to us as an “exit” and “ending”. Either way, that hasn’t left me.

All I know at the end of the day is that if these people don’t understand how to recover from this decision, they don’t belong in writing television. There’s also the point that I’ve made this week, that this is not the first time TM & Co have done something like this. They’ve done it with Madney. They’ve done it with Tarlos. We’ve even seen it to some degree with Bathena. What set us all off was the interviews, which we’ve all stated from day one were …odd. The thing that stays with me though, is the fact that not once has any one of these interviews stated “Tommy Kinard is gone for good”. I’ve read dozens of exit interviews (said this too earlier this week), and the only people CALLING it an exit interview, are the interviewers. Lou said the arc was over. By the very definition of what needs to be shared and said between BuckTommy for the reconciliation, he’s right. They’ve spanned the first arc of their relationship. Further, another thing that sticks out in my mind is his statement towards how he wouldn’t turn down playing Tommy again because, to his knowledge, there’s nothing else similar to their relationship happening on television. Which is SO important for representation. I also keep thinking about his tweet “keep the hope alive”. Obviously that can be read as he just wants more work… or it can be read as, there’s more coming, don’t give up on them yet.

Above all else, it’s the crowd reaction. We know the “other team” thinks this is all to tee them up into their pairing, and here’s my response to that:

One, it’s not. Because we know that’s now what TPTB want. But two, if it is, I hope they’re prepared for the mass exodus that takes place when all the people who DON’T want that pairing stop watching. And of course, those who do but don’t get the version of it that they want because RG and OS don’t want to play it the way the fandom thinks it should.

I’m not above saying that if they made them canon, I don’t think I’d stick around. It doesn’t serve the story, it spits in the face of what RG has been trying to communicate for years about himself and Hispanic men in general, and especially on the heels of this, it would feel dirty.

Anyway, I rambled on on this far longer than I meant to. Oops!

[slotumn]

In 3H canon, it's kind of taken for granted that Church sides with either Faerghus or Leicester. Leicester also gets treated as sidekick/allies to both Faerghus and Adrestia by canon and fanon; see the amount of combined BE+GD or BL+GD route works. And although it's much rarer than the others, I've even seen BE+BL combined route tag.

However, I think that a Church-Empire team-up route to conquer the other two nations would actually be very convincing in-universe politics wise, and convenient. If Edelgard wasn't as dead set on getting rid of the Church first, or if any other Adrestian emperor tried to re-conquer the rest of the continent at any point, I think allying with the Church and getting their blessing to do it would almost certainly have happened.

It's stated in-game that the Empire has grown distant from the Church as of late, but despite all that, Adrestian connection with the Church runs way deeper than other two countries. The nobles of Adrestia literally have the saints' Crests! If anybody could claim the legitimacy to being the truest and oldest believers, it's them. Plus Empire is still the largest and presumably the strongest nation in Fódlan, so the Church probably won't mind getting close to them again, either.

It wouldn't even take much for the Adrestian imperial heir to repair relations with the Church, too, especially if they go directly to Rhea. Rhea would have a soft spot for Wilhelm's descendants, so Edelgard or any other Hresvelg saying the Southern Church will be reopened might literally be all it takes to win her over.

Then the stuff like the Miklan incident can be used to accuse the Kingdom of not taking good care of Crests/Relics like they were meant to. The political disarray in Leicester can be used to accuse them of being unable to rule themselves. And if the Empire pays a bit of lipservice, swearing that they will retake those lands and rule justly under the guidance of the goddess as their founders did, the Church would probably give the stamp of approval and tell them to go for it.

Whether this alliance lasts or whether the Empire turns on the Church once the conquest is done and take all the power for themselves would depend on the emperor (if Edelgard is in charge, it would definitely be the latter).

But the prospect of a Church-Empire team up is actually way more politically plausible in-universe than fandom thinks imo.

[losrin]

;-; this is all i think about now when i see Grian-Mumbo interactions

if you look at earlier seasons Mumbo was always the first person Grian seeks out. being new in season 6, he's most reliant on Mumbo

in season 7 he dug a tunnel to link his and Mumbo's hobbit hole and sent nice messages to him all the time. made a bell so whenever Mumbo replies he'd know instantly. they always base next to/close to each other

and then season 9 happened. Mumbo took a long break. had his own life. went on trips, experienced life outside of Minecraft. He was away and Grian had to cope

I relate to this so much and as much as it sounds fanfiction-y this is angst that's too much for my heart. i hate to drift away from my friend, hate to seem too needy in case I drive them further away, and it hurts to think that while you were considering them your best friend, that person doesn't really reciprocate

for most people (monogamous), if someone's your partner there's an unspoken agreement that they're the most important and only partner in your life. but with friends it's difficult. you have to navigate your friendships based on your judgement of whether or not someone values you as much as you do them. and if you feel it proves not time and again, you get scared. the thing is, you don't want to lose that friend because they're dear to you. but you also start to branch out because you need friendship... and your best friend is unavailable. and you need a cushion, a safety net in case it's not only in your head. you find more friends

when you're the unavailable best friend who's now back, and realise that OH my best friend's life went on without me, OH now they have more friends, OH maybe they don't need me anymore. and it's MY fault. I was away. ME. I went away and I can't expect everything to stay the same for me. I don't deserve my bestie's full attention because when they needed it I couldn't give it. I didn't give it. It's MY fault

i always feel this tension in every Mumbo-Grian interaction since season 10. and it's honestly like stepping on egg shells. unspoken words behind jokes and laughters. a faint heartache that you can't share with others because

a) it's your best friend! who are you gonna share this friendship problem with??

bi) you don't want to appear needy

bii) it was my fault

I honestly don't want to read too much into this, because it makes me sad and makes me feel delusional. Hermitcraft should be my happy place. but I can never stop my brain...

It's fun when it's fictional, when we explore the angst through stories, but it sucks to imagine anyone actually feeling like this

about the mumbo’s “I’m all the friend that you need”.

I remembered something from the start of hc s10.

mumbo: — tell me, why are you here? are you gonna k- are you working on behalf of someone? are you gonna kill me? is that-

iskall: — no! you said this yesterday as well- mumbo! you are like my best friend! and I don’t have many friends. and I would not kill my one friend that I have!

mumbo: — say that to grian! cause grian came over yesterday, he’s not even the red name and he tried to kill me.

iskall: — but he’s got lots of friends!

oh something happened. something happened there this season. something spiralling into mumbo’s brain there from the start.

mumbo rarely interacted even with his minimum of friends in the early seasons, preferring solitude and redstone. and grian completely changed that. he appeared at mumbo’s bases at any given time without a warning, gradually leaving more and more pleasant words about what mumbo creates and that he is generally missed when he disappears. mumbo has never encountered anything like this,

but you get used to good things quickly, right?

and then he disappears for so long that upon his return grian realizing that it was hard to live with a focus on only one particular person who was not around all the time. and naturally decides to devote more time to other people in order to drown out this sadness for the person. maybe he was too intrusive for mumbo? now he's going to awkwardly avoid him because he thinks that mumbo doesn't really need him that much because he leaves him so often?

meanwhile, mumbo thinks that he is letting grian down, or has already let him down completely, since grian decides to be with his other friends more than with him.

and mumbo does not yet know that the doc’s perimeter war in s9 began simply because doc dared to tell grian that he would never be mumbo's best friend. because grian keeps it close to his heart and hasn't told anyone. especially mumbo. the buttercups started because of «there can only be ONE (best friend) …and it is not YOU!”

[gouraminnow]

Birds of a Feather

(Entirely platonic | SFW | Marco & OC) Marco the Phoenix is found by an orphaned harpy child that mistakes him for one of their own kind. It takes less than a day to commit to adoption- he really is taking after his father.

Warnings: Past world government/celestial dragon related incident, drugging/sedation. This is self indulgent fluff catered to me and exactly one other person she knows who she is. Hi <3

Marco had just wanted to stretch his wings. The winter island they’d all stopped at was beautiful- sloping hills, valleys and deep forests blanketed in thick snow, with the soft orange lights of the small town that had only recently sprung up. They weren’t going to be here very long- at least they didn’t plan on it. Apparently, there were some nice hot springs in more remote areas, and some of the others had asked him to see if he spotted them on his flight. Whether or not his brothers actually wished to commit to the hike when there was booze to be had in town was another matter, but he enjoyed the airtime anyway. The clear wintery skies were quiet and refreshing.

Cresting over a hill and peering down into a valley, he spots the stacked hot spring pools overlapping like fish scales.

But he also spotted something else.

When he swooped lower to get a look at the layered pools of the springs, he also noticed a small white shape- scampering through underbrush, between trees, trying to keep up with him despite being grounded. He can’t get a good look from up here- but whatever it is, it’s awfully little and makes no attempts to conceal itself. He dips again, going lower in an attempt to catch a glimpse of this thing- aiming for a clearing between some pools up ahead, he turns in a wide arc, flaring his wings out to catch the frigid air and slow his descent. He kicks up a healthy plume of snow when he lands, and takes a second to shake himself off. He stands still, arms still transformed into wings as he searches for any movement- though he doesn’t have to wait long. Something white and fluffy with bits of gray and black darts right toward him with a loud trill. He steps to the side, the tiny thing skidding right past him with an undignified squawk. 

The fluffy mess shakes itself off, and he’s met with the confused face of… some sort of little bird creature. It can’t be much taller than his mid-thigh. It wears no clothes, but it does have a leather shoulder bag. It’s covered from head to taloned toe in thick, downy feathers. It has wings instead of arms, but longer, more dextrous phalanges form three functional fingers at each wrist. Little black talons poke through a generous amount of unkempt plumage at both the feet and pseudo-hands, and the face- large, black eyes rimmed with orange, with bright blue circular markings on the cheeks, framed by a wild mane of… well, feathers, but it takes the place of hair. Two little tufts stick out on top of its head, not unlike the “ears” of a great-horned owl. They’re covered in gray and black stripes and speckles- impressive camouflage. He’s sure if the little beast had actually tried to be stealthy, he never would have noticed them. 

But it wasn’t. It was dead-set on getting his attention. It didn’t take a genius to be able to guess that it mistook him for its own kind. He furrows his brow, watching it shake itself off and look back up at him, releasing a quizzical chirp. His mouth presses into a firm line. This was… probably a harpy chick. While harpies were typically depicted with bare faces and torsos, this was a cold environment. Probably just a climate-specific adaptation- or maybe they’re completely feathered as babies and they’ll lose coverage as they age. It chirps at him again, taking a tentative step forward, and he sighs. He’s not sure what to do here. He’s unfamiliar with whatever this species is, and he doesn’t want to inadvertently upset some territorial parents. While the little one seems to think he’s one of them, it’s entirely possible the adults would know better. He looks around- scanning the treeline, the clearing, the sky- and finding no hint of any other presence, he turns back to the creature before him, who has been inching closer and closer. He holds their gaze for a moment. “Where’d you come from, little one?”

They blink up at him. One of their little ear tufts twitches.

“... Can you understand me at all?” He tries.

They tilt their head at him, a little chrrr chrrr chrrr sound bubbling out of their throat.

Inconclusive, but probably not.

With a low chuckle, he crouches down- and that’s when they strike. They launch themselves forward, tackling Marco with a shrill cry. “Woah there,” he says as they cling to his coat, little feet scrabbling frantically as they struggle to get themselves up on top of his bent legs, sitting themselves right down on his lap. They’re not shy at all about getting settled, curling up and nuzzling his chest with a sweet trill. Marco huffs. “Well, aren’t you affectionate, yoi?” he muses, shifting his wings back into arms. Gently, he wraps an arm around the creature, supporting their weight by pressing them against his chest as he sits down cross-legged, settling them back into his lap.

They don’t really react, just continuing to nuzzle against the man. They’re awfully happy to be here, aren’t they? His hands run through the downy, speckled feathers on their back and his mouth presses into a firm line. Checking them over, he finally realizes just how dirty and unkempt they are- specifically in spots they wouldn’t be able to reach on their own. There’s an uninterrupted strip of grimy, disheveled feathers interspersed with the waxy sheaths of developing pin feathers down their spine- when he pulls his hand away, there’s a thin layer of grime on his fingertips. 

“... Who’s taking care of you, kiddo?” He murmurs, only met with the happy, idle twittering of the creature in his lap. “You’re real excited to see me huh…” He’s not sure what to do. They very well could be an orphan, or even a case of a hatchling being ejected from the nest by a stronger sibling. Or they could just be very, very lost. Gently, he pushes the creature’s shoulders back, so they can look each other in the face. “Blink three times if you understand me,” he says, voice firm. They just stare, tilting their head a little bit. Marco sighs. The language barrier is a problem. He takes a second to think, letting the kid snuggle up again. How much this creature takes after regular birds was unknown but some things could be inferred. The eagerness with which they latched onto him suggested a social species- the state of their feathers suggesting flock members assisted each other in grooming. At least at this age, anyway. If this creature had parents, he needed to figure out how to locate them- but as of right now, he had no way of telling if that was the case or not.

 He’s pulled out of his thoughts when the creature begins to rummage through their little bag- producing what looks like two small, dried pieces of meat and then holding one up to his face. They chirp, smiling brightly, practically shoving it against his chin. He looks at the creature's wide eyes, then at the shriveled, burnt looking scrap they’re offering. When he doesn’t accept it immediately, their little face scrunches up, mouth settling into a pout. They pull away, maintaining eye contact, and pop one into their mouth. They make a loud, exaggerated display of chewing(with their mouth closed, thankfully) and swallowing with an audible gulp. Marco huffs, a lazy smile spreading across his face. As unappetizing as it looks, he can smell the char on it, so at least it's been thoroughly sterilized at this point. Not that contaminants were something he worried much about with his particular devil fruit, but some things are just a matter of principle. Dubious meat is dubious. But the display was awfully cute, and he’d hate to disappoint them, so when they slowly hold it out to him again, he plucks it from their talons and swallows it whole. He does briefly taste the char he suspected, but the big grin from the hatchling is worth it.

He ruffles their hair, and they eagerly lean into the gesture. But when he tries to pull away, they grab onto his hand, hopping to their feet and gently trying to tug him along with them. “Oh? Got something to show me?” He gets a series of chirps in response, and they keep tugging. Well, he’s got plenty of time. Might as well see where they want to take him- it's probably his best bet at answering some of his questions.

-

Marco casually follows behind the little bird as they lead him through the snow. He’d gotten them to let go of his hand- they were so short he had to awkwardly bend down in order for them to reach it, and walking like that was very uncomfortable. At one point during their little walk, they had turned back to him and twittered with a quizzical tilt to their head, before flaring their wings out. He raised a brow, and they just repeated the gesture. “Sorry, kiddo, not sure I get what you mean…” they huff, stomping their little feet- before pointing to him and flaring their wings out a third time. A light goes off in his head. Ah, that’s what it is, huh? With a dramatic flourish of blue flame, his arms bloom into wings. He flares them just like they had, flapping a couple times for good measure- disturbing the pristine snow around the two of them in a ten-foot radius. He seems to have gotten it right- they cheer loudly, hopping up and down and twirling in a circle. He can’t help but soften at the sight- he wasn’t a conceited man, but appealing to his ego certainly didn’t hurt. After the little display he just followed along, listening to them chirp and warble endlessly. They may not understand each other, but there was no doubt they were a chatterbox. 

It isn’t long before they come upon a sort of crevice between two tall pools, hidden away by some simple foliage. The little one slips right in, but it’s a bit of a tight squeeze for Marco. The first thing he notices is just how warm it is in the little cave. Makes sense to him- perfect place to make a den. The walls are a soft, reddish brown, working with the pleasant warmth to directly contrast the bitter chill outside. There are a few old wooden crates and cracked, scavenged pottery shoved against the walls of the cavern- the former of which store a variety of pilfered knicknacks, most notably packs of crayons and paints along with what looks like a coarsely-bristled brush tied to a long stick. There’s a nest further in, made of loose furs and old rags primarily- but just beyond that, on the far wall, countless drawings have been pinned up, rows of wobbly child-like sketches displayed right next to their bed. Stepping further, eyes gradually adjusting, he notices something else:

Tally marks.

Hundreds of them- tiny, shallow tick marks etched into every wall of the cave, reaching only a little higher than his knee. Something in him twists, as he crouches down to run his fingers against the clumsily scratched lines. These ones are organized in groups of seven, rather than five. 

He hears another trill, the rustling of papers- and he looks back to see the little one bounding toward him, holding a drawing up above their head with a grin. They shove the paper towards him with an excited cry, earning a chuckle from the man, who graciously accepts it, raising the yellowed material up for a closer look. He goes still, a tightness blooming in his chest. In a childish crayon scrawl, the colors bleeding past the wobbly outlines, are three figures. One is the child standing before him, who is currently excitedly hopping from foot to foot in silent anticipation. They draw themselves as little more than a speckled puffball with big eyes, blue cheeks and their distinct ear tufts. The second figure is bigger, standing to the left of the child. The stripes on this figure are darker, with some browns mixed in with the black and gray stripes. The markings are similar to the child’s, with the blue cheeks and orange-rimmed eyes, but with a few key differences- namely the large tail feathers, black tipped wings and feet, with a hint of that same blue on the undersides of the wings.The drawing is actually… really good, for a kid- there’s an impressive amount of detail put into recreating the distinct markings of their family.

The third figure… confirms some of his suspicions. It’s slightly smaller than the second, but still larger than the child. And the plumage of this adult is primarily a bright, brilliant blue, save for white patches on the belly and face. There’s a tightness in his chest as he holds the paper, eyes flitting to the ever-hopeful face of the child. He sighs, pinching the bridge of his nose. If these harpies matched up with the same types of sexual dimorphism as many bird species, the brightly colored ones are probably the males. This is clearly a family portrait, but the little one’s parents are nowhere to be seen. And the tally marks on the wall don’t reach very high, nor do the drawings they’ve hung up- if they had someone older looking after them, more of that wallspace would probably be utilized. Do they think he’s just another harpy, or their dad specifically? Probably not- if they were able to draw out the markings their parents had, then they’re probably able to see the difference.

“Kid…” he starts, taking a step forward and crouching down. They seem to view this as an invitation, because just like last time, they launch forward and flail their way onto his lap. He sighs, circling an arm around their waist and standing back up. They barely weigh anything at all. He wonders if their bones are hollow.

Now carrying the child, he approaches the wall featuring the rest of the drawings. His steps reverberate around the small cavern, the harpy purring against his chest. He steps into their makeshift nest, settling down in the various pelts, blankets and cushions. It smells a little musty, truthfully… reminds him of the few times he’d entered Ace’s room.

He shakes the thought out of his head, instead focusing on the drawings the little one had made. It’s… a lot of drawings of other Harpies, some scribbly mountains and trees… one seems to depict a gathering of twelve, with a bonfire in the middle and the bird people taking turns roasting nondescript lumps on sticks. He’s sure it’s meant to be meat, as two of them do almost look like rabbit silhouettes. Another depicts the child in his lap playing in the springs with other harpy children- all drawn with sweet little smiles and those big, black dot eyes. All the drawings they’ve pinned to the cave wall are happy scenes with a loving flock that is nowhere to be seen. Many figures celebrating, playing together, hunting and cooking game… none depict a Harpy by itself, all of them groups of at least three. Going off of these, he was right in suspecting they’re part of a highly social species, raised as part of a crowded and attentive flock. Abandonment seems out of the question if these idyllic little pictures are to be believed- but regardless of the circumstances behind their isolation, this was clearly some sort of desperate coping mechanism. Hanging pictures of the family they missed dearly, right by where they sleep? Examining another drawing of adult harpies fending off some large, fearsome thing- mostly black scribbles, big sharp teeth and eyes- while the chicks watch from behind them- the idea of abandonment at the talons of these bird-folk feels like nonsense. He doesn’t want to say anything for sure when all he has to go off are these pictures, but some deep, small but sharp sting of instinct within him makes the suggestion of neglect feel utterly wrong. Something worse had happened, the phoenix was all but certain. His mouth presses into a thin line, and he can’t help but hold the poor kid a little tighter. 

They’re completely oblivious to the inner turmoil welling up inside him, interpreting the slight squeeze as deliberate affection. Their eyelids droop and their feathers puff up as they settle against his warmth. It isn’t long at all before they’re snoring softly in his lap… Marco sighs, idly petting the little bird monster as they doze. “You make it real hard not to get attached, huh, yoi…” He mumbles, gently scratching their chin. Hmm. He wants to check something. Thinking back to their little family portrait, he leans them back and gently unfurls one of their arm-wings. Most of the feathers are still soft and downy, but he catches hints of those iridescent blue patches the mother in the drawing had right under her armpits. Checking their wings, gently detangling as he goes, he catches no further glimpses of those vibrant pinfeathers, and concludes that the child is most likely female- though he is unfamiliar with the child’s age and how quickly their species develops, so he wouldn’t know for sure until all the baby feathers were gone. Judging by the little blue sprigs, it wouldn’t be long-

Marco blinks, stopping his train of thought. When had he started thinking as if this kid was going to live with him? He hadn’t even known them for a day. Suspicious circumstances and heartstring-pulling be damned, it’s far too early to be acting this way. The ideal way this all turns out is that their real family is located, and they’re left with their kind. In the best-case scenario, he’d never even see their adult plumage, having sailed on with his family after reuniting the child with their own. If he did take them with him, he would have to figure out their specific needs on the fly, such as diet, exercise, hygiene, sleeping habits… though at least the size of the crew was unlikely to bother them once they’d integrated, if the large social groups in their artwork were anything to go by. 

Marco sighs. It’s simple- he just needs to know more. And now is the perfect time, seeing as the little one is sleeping like… well, a baby. He sits up, hands raising to their shoulders to gently pry them off from where their claws dig in to the fabric of his coat- and god is the little puffball tiny, one splayed hand covering the width of their speckled back- but as soon as he tries to pull them away, he hears a sleepy little whine and their three-fingered hands bunch up the wool. He frowns- taking in the way their eyes move behind their lids, and the drooping of their ear-tufts. Ugh. Damnit, they’re far too cute for their own good.

With an exaggeratedly resigned sigh, he pulls them back in, the little one cooing contentedly as they snuggle back into the warmth of his chest. He takes a second to adjust, moving the sleeping chick up to a more comfortable position before swinging his legs over the nest’s edge and standing up. He'll just... carry them while he has a look around, since they're so attached. So, with the little chick tucked against his chest with one arm, he begins his search. Starting with the wooden crates off to the side, he’s careful- sinking into a crouch and resting the harpy in the gap between his chest and the tops of his thighs. He picks through- this one is primarily art supplies, as he observed before. Packs of wax crayons dumped into a smaller box, paintbrushes- most in poor condition, he observes, the chipped handle of one resting against his palm as his thumb rubs over the frazzled, uneven bristles spiking outward. There’s a ripped canvas with a broken frame slotted into the box- when he goes to lift it, some chalk falls from where it had likely been resting on the wooden struts. The soft clatter makes the hatchling twitch, but nothing else. There are a few paint pots at the bottom as well, but they’re mostly empty or dried out. Curiously, he finds a couple small rectangular boxes with hinged lids as well, no bigger than his palms. They’re made of a thin, light colored wood and they remind him of Izo’s makeup- a thought that proves its merit when he flips the lid up to reveal the brightly colored chalky substance they have packed away inside. This one has three colors- yellow, orange, and red, and there’s a small mirror tucked into the underside of the lid. Snapping it closed, he opens the other- a sky blue, a darker cobalt pigment, and a deep purple. Hmm. He puts the palettes back where he found them, and turns his attention to the sleeping kid again. Leaning back, he rubs a thumb against the bright blue cheek spot, then pulls it away. Nothing. Those markings were natural, then. Well, it was left at the bottom of the box. If it was something they used with any regularity it would’ve been easier to reach. But the idea of birdfolk adding a little extra pigment to their plumage is one that tickles him.

He doesn’t find much else of note. He examines the brush on a stick he had seen earlier, finds some tools such as knives and scissors. One box has netting, rope, and fishing line- a broken rod laying at the bottom in two pieces. There’s a hole in the floor closer to the entrance of the cave, covered with an old pot lid- when he opens it, he finds a rabbit, two wrapped fish, and a handful of berries in a cheesecloth resting in a bed of snow.

But then, looking back to the inside of the cave, his eyes catch something he’d missed, somehow. Peeking out from under the nest, are more scraps of paper- the crinkled, triangular corners overlapping each other. More drawings… moving back toward the nest, he crouches slowly, careful with the child as usual. Reaching out, he tugs the crinkled papers out from under the furs they’ve been hidden under-

His heart leaps into his throat. His hand, tightening its grip, further crumpling the thin material.

The first picture is of a ship bearing the familiar emblem of the world government, scribbled navy blue and white trim topped by the golden figurehead all world noble ships have. He doesn’t need to look at the rest to know this poor child really is alone. The rest of the hidden drawings, pulled out from where they’ve been shoved and unfolded by his deft hand, are devastating- not just because of the contents. All of them less precise, more frantically drawn, indents or even tears where the kid had applied too much pressure while coloring. Tiny pinprick stains of water damage, if he looks close enough. One drawing is just a large fire. In another, adults and children alike trapped under nets. One shows suited men shooting some of the creatures as the ridiculous bubble-headed celestial dragon oversees. And there was yet another, depicting the familiar bright blue-plumed male flying away with the baby in his talons, little dots as tears falling from their eyes.

No wonder they were so happy to see him. No wonder they could overlook the glaring differences between him and their own kind.

The little one shifts, and Marco realizes how hard he’s breathing. Pinching the bridge of his nose, he takes a moment to calm himself, for their sake- but it’s not easy. Well. He’d already wanted to take the little one with him. He didn’t see a world where Oyaji would say no, especially not once Marco told him everything. And if anyone else had an issue (though he doubted anyone would, other than the typical rational concerns when it comes to having a small child on a pirate ship), they would just have to deal with it. Marco was a commander, he did what he wanted.

But of course, he still has questions. In the brief time they’d spent in town, nobody had made any mention of harpies. He knows the small village is a very recent development- four years old, if he remembered right- is it possible that its presence is younger than the tragedy that befell the birdfolk? When visiting a new place with his family, local urban legends were quickly picked up on. Proud, hardworking folk like these often want others to be impressed with the places they call home- that’s why they’d put so much emphasis on the springs. It seemed odd that nobody had mentioned that this island once contained at least one whole flock of mythical creatures.

But looking at all the tally marks on the walls, the small, clustered groups of seven, seven, seven- he hadn’t counted them, but over four years of living alone looked very plausible if he assumed the kid counted accurately. Did… the kid know there was a human settlement? He would assume they did, but then again… the distance is a lot for someone so small. He only spotted the remote cluster of pools from the air, before he swooped down for a closer look. And all of their things look old, held together through improvised fixes- nothing new that would suggest they had stolen from town. Though if they did know of its presence, it was possible they avoided it on purpose. They only wanted Marco’s attention because he was a giant blue bird. They might not differentiate between world nobles and humans in general. With that in mind, he should be cautious with crew introductions.

Well, regardless of the kid’s relations (or lack thereof) with the other locals, they were coming with him. As well as he can using one hand, he gingerly stacks the previously hidden artwork, tapping it against the ground to line them up. He wishes he had some sort of folder… tucking them into his coat will have to do for now, so he slowly leans them back- prying their little fingers out of the grip they hold so he can unbutton the front enough to slide the papers in. Something to show the others- some sympathy for his cause wouldn’t hurt.

And with that, he lets himself partially transform- Wings, feet, tailfeathers. with a flourish of healing fire- that he washes over the child, just in case. She blinks, yawning- and he watches the flickering of his own flames in their dark, glassy eyes as they widen. They smile up at him with a chirp, and he returns it. “Have a nice nap, little one?” He croons. “How would you like to go on a little flight with me, yoi?” They twitter up at him, feathers puffing up. He sets them down on the floor- which they whine about, earning a laugh from him. He shifts from foot to foot before holding one up and making a grabbing motion with his talons. They perk right up- and sprint outside. Marco blinks, moving after them and squeezing himself through the jagged opening to their little hideout. That’s something he wasn’t looking forward to when he came back to pack up their belongings.

Out in the snow, the hatchling calls out to him- they’ve laid down on their belly, sinking into the powdery substance. He’s amused and impressed they got the message so fast. He thought he’d have to take a leaf out of their book and draw a picture of himself carrying them away. He approaches slowly, holding out one foot again- and when she doesn’t move, he slowly, gingerly wraps his talons around their midsection, the first of his three front toes resting just under the armpit. He tests his grip first, lifting them up while balancing on the other foot, which earns a giggle from them. It feels secure enough, and they don't seem uncomfortable. So using his free foot to propel himself upward, he flaps once, twice, and they’re off- Marco smiling widely at the excited trill they let out. While a little awkward to carry, they’re tiny and weigh nothing to him. They soar over the trees, and Marco climbs higher- even through the sound of the air rushing past his ears, he doesn’t miss the little gasp that escapes them once he’s gotten enough air to reveal the pinks and oranges of a horizon at sunset.

It doesn’t take long. His jaw clenches when he can feel their little body growing more and more tense, the closer he gets to the Moby Dick. When he begins his descent towards the deck, Oyaji and a few others in view- they emit a loud, piercing whine, starting to wriggle. He pulls up, wings flaring out to slow himself, and sticks the landing on one foot, balancing himself before gently setting the kid down with the other. They immediately latch onto Marco’s legs, feathers bristling in agitation. Whitebeard raises a brow, leaning forward in his seat. He’s still shirtless, despite the weather. “Marco,” he rumbles out in greeting. “What’s this you’ve brought to us?” He asks, gesturing to the cowering child clinging to Marco’s legs.

Some of the others have started to gather around, wanting to see what this is about. Marco sighs. First, he reaches into his coat for the bundle of artwork. “Tate, would you mind looking over these with Oyaji?” He asks, extending his arm to the nurse, who approaches slowly. He hands them off to the nurse, who is thankfully dressed for the weather unlike his father, and crouches down to try and dislodge the kid. They whine at him when he grips them by the shoulders, peeling them off of him to the amusement of his brothers. He flashes a quick glare to the men and their chuckling quiets down. “Come on kid, you’re fine, yoi” he chides, opting to lift them into his arms. They bury their face in his chest as he sits them on one arm, turning the other into a wing which he carefully folds around their trembling body. Hopefully, hiding them from view gives them a little security.

He looks back up to Tate, and to Oyaji- he’s leaning over her shoulder as the blonde woman examines each childish drawing, her face growing more troubled with each one. Oyaji keeps the same stony expression the entire time, save for the subtle narrowing of his father’s eyes. “This one spotted me flying, Oyaji. Chased after me from the ground.” He says, watching his old man’s eyes raise to meet his own. “... They think I’m one of them. They’ve been alone for a real long time, yoi. What you’ve got right there, that’s what happened to the rest.”

“These… these are awful,” Tate breathes, still fixated on the foreboding artwork. Marco nods, mouth set in a firm line. 

“Hmph. So you’re saying we’re keeping them, I take it?” the old man says, plucking one of the drawings from Tate’s hands and leaning back to examine it closer. 

Marco nods. “My responsibility, of course. The kiddo’s already… attached.” He sighs, feeling them shift against his chest. “They don’t speak any… human languages. I have no way of telling them that I am not what they think I am, yoi.”

An uncomfortable silence settles over the deck, Whitebeard’s stern gaze sinking to the wing concealing the tiny creature. “And you are certain there are no others of their kind left here?” He asks, the unspoken meaning clear. He is not unsympathetic- it’s the same thought Marco had. It would be better to reunite them with their species, if possible.

Marco nods once again. “They’ve been living in a small cave, and they’ve scratched hundreds of tally marks into the walls. I didn’t count, but it’s been years, yoi. I think…” he sighs, pausing for a second. “None of the townsfolk said anything about bird people. I think this event predates the existence of the village, and this child has managed to remain hidden all this time, yoi.”

His father regards him from a moment, a warmth in his eyes few others would have recognized. “Let me get a look at them. Only for a moment.” Marco nods, retracting his wing. The little one sits with their face buried in his chest, trembling. He nudges them. They whine. He sighs, leaning them back, patting their head with his free hand and gesturing to Whitebeard. They hesitantly turn their head, and he feels them tense when they meet eyes with the Yonko. The towering man gives them a small smile, but it doesn’t help much. They recoil into Marco, pitchy squeak leaving their throat. The Phoenix sighs, letting them latch onto him and covering them from view once more. “Well, that’s it, then.” Whitebeard grunts. “What d’you need?”

“Somebody find Thatch- I need him to whip something up for ‘em. Some meat, add a sedative- I’m going back to their little hideaway to pack their things while they sleep.”

-

Thatch is located, and is reportedly happy to assist. Marco had moved the little beast to his own room, since being around so many humans all of a sudden had utterly terrified the poor thing.He swaddles them in blankets, and intends to leave them in bed- but his face softens when a hand shoots out to cling to him once more. He sighs at the little one glaring at him from the bundle of fabric. “I know, I know,” he coos. “I wish you understood me,” he laments, lifting their swaddled form into his arms. “But this is a good thing, yoi. We’re going to take care of you.” He makes his way over to his desk, opting to at least read over some reports while he waits for Thatch. Settling the child in his lap, he picks up some papers and leans back. 

A bit of guilt creeps up the back of his throat- the poor thing is still trembling. They aren’t being deliberately affectionate like they were before- no chirping, no squeaking, no nuzzling. Just laying where he put them. He sighs, using his free hand to rub their back. They don’t do anything, other than shift slightly. 

It doesn’t take long before he hears three knocks at his door- making the kid flinch. “It’s alright,” he murmurs, patting them softly before speaking up louder. “Come in.” Thatch enters, carrying a  covered platter on one hand.

“Hey, Marco!” the chef beams, strutting inside and setting the food down on the little corner table. The child clings to Marco’s chest tighter, at the sound of his voice. “Heard the big news- fatherhood is gonna look great on you, papa bird~” he teases in a sing-song voice. Marco rolls his eyes, adjusting the kid and standing up to face his crewmate. Thatch’s face softens when his eyes fall onto the bundle in Marco’s arms. “Aw. Still upset, huh?” He says, considerably more subdued now.

“Yeah,” he affirms, patting the bundled creature on the top of the head. “Can’t blame the poor kid- they don’t understand a word we say, so it’s not like I can do much to reassure them, yoi.”

Thatch sighs. “Well, I got the message,” he says, one hand on his hip as he removes the lid with a flourish. The child doesn’t move, but Marco can hear them sniffing. Thatch prepared various types of meat, cut into thin strips, arranged almost like a charcuterie board. There’s a peeled orange and some mixed berries as well. “I’ve got some cured meats, fruits, and I grilled a bit of pork- that’s what's got the sedative in it. Thought about doing chicken, too, but y’know…” He gestures vaguely, and Marco snorts with a shake of his head.

“Thanks, Thatch. And don’t leave just yet, alright?” He says, sliding into a chair. Thatch pulls up one of his own right across from them.

“Don’t have to tell me twice. I was hoping to catch a glimpse of ‘em, anyway. Everyone up top is gossiping.” He smiles, leaning back and propping a foot up on the opposing knee.

Marco returns the smile. “It’s your lucky day, then. You’ll be the first crewmate I introduce, yoi.” If he wants the kid to learn that the others won’t hurt them, the chef is a good place to start. He pries their little talons out of his shirt, shushing the undignified whine the action draws from them. He pulls the blanket down so it’s bunched around their waist, and spins them in his lap to face the tray of food. Thatch’s eyes widen, and a soft gasp falls from his lips. 

The kid regards him warily, leaning back against Marco’s chest. Their ear tufts are drooping back, and their talons find their way to the arm around their waist. “Hey there, little one. Oh, aren’t you cute?” Thatch greets, offering a small wave and a reassuring smile. “I heard all those brutes upstairs gave you a scare, huh? Poor thing,” he coos, before pushing the platter closer. They tense, but lean forward, sniffing the air. “Go ahead, kiddo, all yours.”

The hatchling is hesitant. Their little hands rise from Marco’s forearm, and both men watch their fists clench and unclench. When they turn back to look at Marco, their little face is scrunched up in worry- even if he can’t see their eyebrows through their thick, messy hair, he can tell they’re drawn tight. He gives them a relaxed smile, and slowly reaches out to pluck a piece of salami off of the plate. He makes sure they’re looking when he eats it, chewing slowly. He nods to Thatch. “You eat something too, yoi,” he says. The other man nods, opting for an orange slice. The kid’s little ear tufts perk up, just a little, and they lean forward. Some of the apprehension is beginning to melt away, but they still aren’t going for it. They look nervously back and forth between both men, head swiveling on their little neck. So Marco reaches out again- another piece of meat in his hand, holding it to their mouth as they had done to him. Slowly, they lean forward, biting the edge, and Marco lets go. It doesn’t even take a full second for the kid to realize how good it tastes, snapping it up instantly. They chew, swallow, lick their lips, go to reach for another-

And they freeze, just shy of touching the food. Marco could groan, but he doesn’t. Thatch gives the kid a nod, and when they look back to Marco, he does the same. Their dark glassy eyes go wide for a second. They pick up a blackberry, looking at both men for any reaction before eating it. This repeats a couple of times before they finally give in and start eating like the damn place is on fire, much to Thatch’s delight. The cured meats and fruits are snapped up in a flash, the thin prosciutto torn to shreds as they indulge. The pork is a bit chewier, taking them a little longer, but they eat everything before the drug even starts to set in. They’re licking their talons clean when Thatch pulls the platter back, and stands up. “Well, that was impressive,” he muses, smiling down at the child. They don’t cower against Marco anymore, instead leaning forward to chirp quizzically at the tall man. “Yep, I’m talkin’ to you, honey,” he laughs. “You’ll give Ace a run for his money, I know it.”

“Hope so. All of this is fluff, they’re a scrawny little thing underneath, yoi” Marco chuckles, rubbing the top of their head, relaxing when they lean up into his touch again. He was right. Food is a good way to help most creatures feel secure. 

“What do you need hope for? You know I won’t disappoint! They certainly seemed to like it, didn’t they? Oh, just look at them,” Thatch coos, watching as their eyes squint in satisfaction. 

The two speak a little longer, Thatch telling Marco that word had spread quickly. Oyaji had already given them a nickname, referring to them as “Pipsqueak” and sternly instructing his sons to leave them be for now. Marco told Thatch more about his encounter in turn- the way they’d exuberantly tackled him, the cave, the way the happy drawings had been pinned up by their bed- that particular detail had him dramatically slapping a hand over his heart. “Sent off to find some hot springs, and you come back with an orphan. You’re really taking after the old man, Marco.” He says with a sly smile. It doesn’t take too long for the kid to start nodding off- after around five minutes, there’s a big yawn, and they’re snuggling up to Marco again. He wraps an arm around them, gently preening their wings with his fingers. The speckled little creature all but melts against his chest.

“I think that’s your cue to get going, yoi,” he says.

Thatch sighs, dramatically slapping his hand over his heart. “So it is… how cruel.”

“Oh don’t pout about it, yoi. I actually let you see ‘em didn’t I? And you’ll be bringing them plenty more meals, I’m sure.”

“Of course I will! I’m aiming for the title of Favorite Uncle, after all!”

“You’ll have some stiff competition, yoi.”

“I’m a chef, my dear brother,” Thatch beams, spreading his arms. “Kids love food. Everybody loves food. I like my odds.”

Marco wouldn’t say it, but he did, too. Instead he just smiles, lifting the child into his arms. They rub a blue cheek against his chest, eyelids fluttering. “Yeah, yeah. Now go, yoi. Shoo. I’m sure I’ll be up shortly.” Thatch chuckles, gazing tenderly at the child before shaking his head. As his weathered hand grips the brass door handle, he shoots his brother a knowing smirk.

“You sure you’ll be back in time for them to wake up? I’m a busy man, but I’d be happy to keep an eye on-”

“I said shoo, yoi! Get on with it!”

Thatch laughs, the door swinging closed behind him with a creak. Marco sighs, shaking his head, but he’s still smiling. Turning his attention back to the kid, he holds them closer and stands up from his seat. He listens to their soft breathing, trying not to let the patch of drool seeping through his shirt bother him. He sets them down on the bed, carefully unwrapping the blanket to tuck them in properly. He lays them against the pillow, huffing at their drowsy face, their mouth still hanging open. He pulls the blanket up to their chin, patting them on the head. They nuzzle into his pillow, sigh, and quickly slip into slumber.

He stays for a moment, warm hand resting on top of their head as they doze. “Big day for you hmm?” He muses. It didn’t take long at all for him to commit to this, did it? He wishes they understood him. That he didn’t have to do things like this. But at the very least, his intentions were altruistic, and the child suspected nothing. And when they woke up, they’d have all their drawings hung up within view of their new nest.

[indieyuugure]

Hi Indie !

First of all, I truly love your version of TMNT. Your dialogues are so good and the designs are great. In terms of writing it kind of reminds me of the Webtoon comic: Batman, Wayne Family Adventures in the way that it’s a brilliant take on a famous franchise.

Also, I kind of had a question and a request.

I noticed a change of style with the color scheme you have now compare to your previous sketches. Like before, Mickey’s stickers were colored and blood was red when those elements are now in black and white. My question is why the change ? Not that it’s a bad choice or it doesn’t fit in you aesthetic, I was just genuinely wondering😁.

As for my request, well I’m French and I really enjoy doing translation either from French to English or from English to French. Therefore I was wondering if you were okay with me doing a French version of your comics ? If you’re not, I totally understand so no worry😁

I can’t wait for the next chapter !!! I wish all the best !

Aw thank you so much! I’m so glad you love the art and the writing! I’ve never read that webcomic, but I’ve heard about it before! I’ll take it as a compliment! ^v^

That is an excellent question! Basically I wanted to reduce the colors on the pages to just the colors of one of the characters items.

I’ve actually been cutting down on color usage since TMS (April’s hair and Casey’s under shirt were colored red and mauve respectively in ROTP but not in TMS) since I felt that it made for some very odd color things, like it felt like too much color be stylistic, but too little to be fully colored? Idk I just didn’t like it, so in TMS every character was allotted two colors: one eye color and one outfit color. That made it a lot simpler and drastically decreased the feeling I had about the colors.

That reason is also why I cut Mikey’s sticker colors. I did think about it, but I decided against it because it felt odd to give Mikey three colors and everyone else one. He’s not the MC, so like, it just seemed like an odd design choice to continue with.

The removal of using red for blood is a bit more complicated. I actually considered making it red in Indie TMNT, but I ended up not because of a few reasons.

1: Red is Raph’s color, it should be used as such (every character only got one color anyway, reusing the color makes it feel less special that it’s there)

2: flushing, whether because of love or illness or embarrassment or whatever, was also being shaded with red because it’s caused by blood, and I just didn’t really like the way it looked? I dunno probably a personal thing? I won’t say why cause I don’t wanna put the thought in your heads, but specifically with Donnie’s face being red from his fever in TMS, I just didn’t like it.

3: I found that the color red makes wounds more graphic. Not sure why? I found with TMS I was having to censor Leo’s wounds more than I anticipated. They were originally so much more disgusting when the red was added that I had to add a lot more black to be comfortable with the drawing. I’m satisfied with my results, I think I struck a good balance, but it did kind get me thinking since I plan to make Indie TMNT just as gory.

Its original purpose for being added was because wounds were key plot points in both ROTP and TMS and I wanted you to pay attention to them and remember them. Now, that’s not to say they’re not important in Indie Tmnt, but I found with the increased violence I was adding (because murder is okay in this comic) it felt unnecessary. Almost every fight scene has splatters of blood that aren’t really that plot related, so it’s not the same as TMS which follows 2012’s no blood or injuries in fights rule until it’s shattered. So in addition to all the other reasons listed, I felt it was fine to get rid of the usage of red for blood and other injuries in this comic.

TLDR: I want each character’s color to be special and they only get one cause I’m lazy and I think it looks cooler. Red blood makes people squeamish but black blood doesn’t 🤷‍♀️ also less important in this comic

As for your request: YES!! I’m totally okay with it, you absolutely may! I would love that! However you decide to do it, just be sure you credit me as the original author of the comic and send me a link when your done so I can post it on the comic masterpost for anyone who wants the translation to read!

Good questions! :]

[onehelluvafan]

Will Stolas lose his immortality?

I’ve seen several mentions of Mission: Weeaboo-boo being a parallel to Blitz’s first encounter with Stolas (as an adult), which I can totally get behind. Right out the gate we have the “you were here to ravish me” similarity as well as Blitz “sneaking in, under the cover of night.”

I've also seen the hypothesis that Emberlynn's fan fiction includes an element of foreshadowing for what’s going to happen in the climax of Season 2.

Her episode is also the only one of the shorts with that "ticking" sound during the content warning, which lends further credence to the idea that it is tied in with the main plot somehow, even if merely thematically.

This got me pondering the possible parallels related to Emberlynn's functional immortality against demonkind and her decision to give it up in order to "be with Blitz."

Which now has me wondering—is Stolas going to have to give up his immortality to be with Blitz? Or lose it due to the illegal arrangement they've had going on?

Or, leaning into the idea that her episode is merely a reflection of how Blitz views his relationship with Stolas, could it simply be a parallel to the fact that Stolas has already been in mortal danger as a result of choosing to be with Blitz? And that Blitz feels responsible for Stolas' “undoing?”

We’re shown in Ghostfuckers that one of Blitz’s fears is that Millie could have died during any of the missions from episodes 1-4 of season one. Couple that with the fact that he believes that he “makes everyone’s lives worse,” it’s reasonable to assume that he not only fears, but feels responsible for her life being in mortal danger during their missions.

Whether he cared more about Stolas or the arrangement when he stopped the first assassination attempt, Striker was without the angelic weapon when he fled, which Moxxie had expressed complete shock in Striker's ability to have in the first place.

I think that Blitz allowed his cognitive dissonance to convince himself that Striker was no longer a threat without this weapon. Because deep down, he may have been afraid that telling Stolas about the assassination attempt might not be a neutral event for him. That he didn’t even want to contemplate the idea that he might actually care beyond the loss of their "arrangement."

In the very next episode, Truth Seekers, we see these feelings forced to the surface during his drug-induced hallucination—with Stolas at the top of a long flight of stairs, saying, “Are you afraid to love people, Blitzy?”

With the knowledge that he’s afraid that he makes “everyone’s lives worse,” it adds layers to many Stolitz scenes that follow throughout the series. Data points that someone like Blitz could easily see as evidence of that very fear. “Proof” that he’s responsible for Stolas’ life “falling apart.”

- He knew that Stolas was married as evidenced by his “Sorry, I fucked your husband” after their first night together. Stolas was clearly not only consenting to sex with Blitz, but was expressing a joyous desperation for it. Despite this, it was actually the “first ever friend” comment that caused Blitz to hesitate and return to Stolas, which we now know was a soft spot for him due to his experience with Fizz. But it was Blitz’s choice to stay or go, and staying is what kicked off the arrangement, is the reason for the sexual nature of its terms, and caused a domino effect that impacted Stolas’ entire life, including his family.

- When the two of them were being roasted at Ozzie’s, it wasn’t Stolas’ perspective that was showcased for Blitz, but Ozzie and Wally Wackford’s. Not only does the narrative begin early with Wally’s “Are you sleeping with an imp?!” but it’s followed up by Ozzie’s “My dark lord, how the mighty do fall,” and continues with Stolas being called out for “giving up” his wife and daughter specifically for his choice to be with Blitz. And the way that the narrative plays out, it almost sounds like his downfall was less for cheating than it was for sleeping with an imp.

Either way, seeing Stolas hide his face behind the menu likely “confirmed” multiple things for Blitz. That despite Stolas’ “public” flirting in front of other imps, when confronted by someone actually associated with Stolas’ upper class society, Blitz was reduced to being an embarrassment for Stolas.

Believing that, left no room for even a glimmer of hope that they could be anything more than what they already were: a prince who enjoyed “sleeping with an imp” and was apparently paying a pretty steep price for it.

- Then there’s Octavia. In Loo Loo Land, Stolas takes her to the theme park but spends most of his time flirting with Blitz. Not only does she comment on this in front of Blitz, but he’s there to witness when she’s finally had enough and storms off, mad at her father. In Seeing Stars, Octavia came to I.M.P., stole the grimoire, and disappeared with it. Why? Because her father was so wrapped up in the divorce, that she felt angry and neglected.

- In Full Moon, his fight with Stolas took them through part of the palace. This is very likely the first time he’s seen it since he was apprehended at the “Not Divorced” party, and what has it become? When he came back into Stolas’ life, it was bright, vibrant, and full of people. That night in Full Moon, it was dark, muted, and the only person visible in his photos were of Via.

While Blitz may have inferred at the time that Stolas’ marriage wasn’t in a good place, he doesn’t know just how miserable Stolas was in the life he had before. From Blitz’s perspective, he may have appeared fairly content overall when they first reconnected.

Compare that to Apology Tour, which Blitz sees as the natural outcome of what people experience when they are around him long enough.

Data point after data point, to feed into the idea that Stolas’ life has been “ruined,” just by Blitz being in it. His marriage ended, his relationship with his daughter was negatively impacted, and by Ghostfuckers, someone had tried to kill him twice.

I don't think Blitz is aware that Stella is the one who has been putting out the hits, but I could see him internalizing the idea that if Stolas had died during the second attempt, it would have been his fault. Because not only had he chosen not to warn Stolas that someone was trying to assassinate him, he was also the person that Stolas had reached out to for help and he had let M&M go in his stead.

It is after this attempt on Stolas’ life that we see Blitz absolutely shook by the idea that Stolas not only could be hurt, but that he was hurt and had almost died.

This is also several months after the night at Ozzie’s, when he had first begun to realize that, painful as it was, he may care for Stolas after all. Months during which they hadn’t seen each other and he had time to actually miss their time together.

Between that and finding out that he can actually get hurt, I can see Stolas becoming one of the people that Blitz feels the desire to protect. Unfortunately, this also seems to come with the anxiety of being responsible for what he perceives as the “collateral damage” of being associated with him.

Finally, in Truth Seekers, where the "ticking" began, Stolas had exposed himself via "real" demonic power to the D.H.O.R.K.S. and by extension, the living world. But the only reason he was there and got himself caught on camera is because he came to rescue Blitz.

This could be linked to the scene where we see Blitz attempting to protect and defend Stolas against someone. My bet is on Paimon, who, while ranking below the 7 Sins in power, is still depicted as a fairly powerful being. Stolas had not only exposed their existence to the living world, but had showcased his power in his attempt to scare the agents into submission. We know there’s going to be consequences for that, as well as for the divorce, and I expect Paimon will have a part to play, one way or another.

Stolas mentioned in Seeing Stars that without the grimoire, his powers are rather limited. I assumed that the worst outcome for him at the end of Season 2 was being stripped of his status and grimoire, which would vastly reduce his raw power as well as the power his position in society affords him.

Obviously, the actual worst-case scenario would be the loss of his life, which it's assumed Blitz is trying to protect him from in the snippet from the trailer. But it didn't occur to me until now that even with my own certainty that he'll survive the Season 2 climax, there was a third possible outcome... that along with his power and status, Stolas could also be stripped of his immortality.

[applestorms]

ooo, a shinigami eyes logistics talk again, i've written about this before!! i have some slight disagreements with this answer actually:

This only occurred because Ryuk dropped a Death Note and Light Yagami picked it up. With this, we can say with certainty that humans have free will and deaths that were not supposed to happen can occur if people interfere.

while it is definitely true that the deaths light causes go against those predestined by the lifespan counters the shinigami can see, i would argue that this is not actually proof of human free will, but of free will specifically related to the death note.

by the inherent nature of how shinigami use their death notes, it is necessary that human lifespans are static and unchanging (they wouldn't be able to gain any years otherwise), which means that to some degree they must be predetermined. humans may have some free will on a smaller scale, in terms of the specific actions they take day to day, how they eventually die, etc., but as a whole they cannot escape that number. if a human were to, for example, attempt suicide long before their lifespan ran out right before a shinigami could successfully write down their name (i.e. they die due to free will and not because of either their name being written or their counter running out), it would presumably fuck up the shinigami's ability to feed their own lifespan. humans thus must have at the very least have some major limitations on their free will, if we're assuming that this aspect of the shinigami's survival mechanism takes priority.

point is, shinigami need to be able to rely on lifespan counters as accurate for the sake of their survival. death notes themselves may go against the predetermined course of the universe in this way by killing people before their due date, but even in the case that a human is using a DN, this should not be taken as evidence of human free will-- just the ability for a shinigami-based entity to go against the natural course of human fates.

[Light] killed them with the Death Note, which was never supposed to be involved. And this is the same question that is raised when we consider Soichiro Yagami—and even Mello, for that matter. Mello likely never would've joined the mafia and done all this crazy dangerous stuff, Soichiro likely never would have gone into a dangerous raid at his age, if it weren't for the presence of the Death Note.

there are some official rules relevant to this one, specifically:

Whether the cause of the individual's death is either a suicide or accident, if the death leads to the death of more than the intended, the person will simply die of a heart attack. This is to ensure that other lives are not influenced. (X) [ and ] A human death caused by the Death Note will indirectly lengthen some other human's original life even without a specific intention to lengthen a particular person's original life span in the human world. (LIX) [ note also that X is essentially repeated in XXVI as: "Even though only one name is written in the Death Note, if it influences and causes other humans that are not written in it to die, the victim's cause of death will be a heart attack." ]

thus at least according to the official DN rules (and this could definitely have some plot holes/inconsistencies, but let's see if we can make it fit anyways) human lifespans can be influenced by deaths caused by the DN, but only in a positive manner, e.g. a lifespan can end up longer than originally determined, but cannot end up shorter.

the most questionable/unrealistic part of all of this in my mind though is that claim that, "other lives are not influenced." the more obvious point that this is trying to establish is that other (unwritten) lives cannot be cut off in the sense that you can't write "Person A kills [such-and-such]," without writing both names, meaning that light can't write something like, "Soichiro Yagami kills the head of the KIRA investigation, the man under the pseudonym L," and end the story prematurely. but this statement also has the somewhat awkward side effect of implying that lives as a whole cannot be majorly influenced by the DN so long as their names are not written...

ANYWAYS, the important point here is again the fact that the lifespan itself is what is being predetermined, and not necessarily the exact cause of death. perhaps there are many paths that an individual human may take throughout their life, and they have free will in terms of which specific one they choose-- but they cannot change the natural date of when they're fated to die, at least not without the help of the shinigami. and again, a death cannot come earlier due to DN influence, only later.

soichiro took the eyes because he was already suicidal-- he thought himself a failure for allowing mello to get the DN and use him to manipulate the task force, for choosing his daughter's life over his job. i can very easily see an alternate timeline where he allowed matsuda to take the eyes as planned, only to either off himself or die from the same explosion but slightly slower a day later than in canon, or even one where he did take the eyes but wrote mello's name, forcing light to kill him to cover his tracks & keep up appearances with the 13 day rule. thus his death was coming soon no matter what in the timeline where a DN does exist-- and in the case where it doesn't, where light never got the notebook or ryuk never dropped it, i think the divergences are just too extreme for us to be able to claim whether or not he would've died at that same point in time. our only evidence is really the lifespan itself, which would presumably claim that he dies either at the same time as his dead in canon, or even a bit earlier if we assume that the DN's influence somehow lengthened his life in some way (maybe by killing a criminal that would've gotten him?).

edit: the key point here is that soichiro’s name wasn’t written, so his lifespan can’t be influenced to be shorter by the DN.

in the case of mello, i guess i just don't see it as all that unrealistic that mello would've still joined the mafia or somehow lost his shit, considering how relatively disconnected both mello & near are from the KIRA investigation. their rivalry (well, maybe more like "rivalry" in near's case) seems like such a key part of their characters, i can see plenty of other circumstances under which something like that might've happened. and we don't really know mello's "true" death date anyways, since takada killed him with the DN, so...

[D]espite halving her lifespan twice, I think Misa had the potential to live for an extremely long time, possibly even way past the average lifespan of a normal human. But she killed herself. And that's where the big question about free will and destiny come in.

your equation is a very helpful visual, but the one thing that i think it may be missing is the fact that misa had already run up against the end of her natural lifespan at the time that gelus saved her and gave her his little time infusion. so, when we're judging whether or not it is realistic that misa would've died by the end of the story, we're really only counting 1/4 of gelus's lifespan + all of rem's remaining time.

i don't think it's entirely unrealistic that even if shinigami as a whole have plenty of time ticking away, gelus & rem do not. their interest in misa to begin with sets the two of them up as kinda weird in contrast with the rest of the shinigami-- honestly, even ryuk, with his fixation on humans as a source of entertainment, is a bit of an odd one out. shinigami just Don't seem to give much of a shit about humanity (at least until KIRA happens)-- looking at ryuk's explanation:

In actual fact, shinigami these days don't have a lot to do. All they do is nap, or gamble. If they see you scribbling humans' names into your death note, they say, "What're you working so hard for?" and laugh at you. (ch.1)

thus, at least at the start of the story, shinigami have some degree of social pressure to not want to write their names down (assuming they care about being laughed at) and/or typically just don't give enough of a shit to bother unless they're already running super low (e.g. sidoh). considering the fact that gelus was busy watching misa all the time, and that his lifespan was essentially quartered by the end, it doesn't seem too unrealistic to me to think that he wasn't exactly giving her a whole lot. they also don't seem to have any way of knowing, in exact terms, just how much life they or other shinigami have left, since their lifespan counters are not revealed by their eyes like human lifespans are, so if a shinigami isn’t paying a whole lot of attention it may be easy to let it trickle down a lot without realizing.

the bigger question here is perhaps rem, who dies by writing watari & L's names, yes, but also writes down the name of one of higuchi's victims while in the car with misa to help convince him that she's the second KIRA, meaning that she has at least the remains of one human lifespan to hand over to misa right at the end of the story...

obviously though, a lot of this is just speculation since we never actually know how much time either shinigami had (and perhaps they didn't even know themselves, considering again that they can only see human lifespans). misa definitely could've had a super long lifespan and lived long past an ordinary human lifespan, exactly as you say. in the manga canon specifically, we never actually see her in-story again and her "confirmed" death date is only something from vol. 13, which has somewhat questionable information that at the very least isn't explicitly depicted in the canon of the story itself.

(reason number 5 billion why that "random woman," at the end of the series should totally be misa because i mean come. on. the woman whose whole thing is living past when she should've died, living for [x] stupidly long time to lead some mystery KIRA cult in the mountains??? obha, what the fuck. it's right there.)

wait so soichiro died a day after getting the eyes. so does that mean he only had two days left to live??? 😱

Ooookay, so this one is a very common claim/theory. The same applies to the, MIsa committed suicide a year after the manga ended, meaning people think that's how many years she got from Gelus and Rem combined as well as halving twice. Personally, I find that unlikely. I'll get to Soichiro, but I'm going to use Misa as the main example for the followiong rant:

It sounds like Shinigami don't bothering writing down names often, meaning they're generally okay on remaining years. They could write the names of two humans and have like, nearly two hundred years added to their lifespan. Only Shinigami we've ever seen worried about running out is Sidoh. Gelus we only knew for five seconds, but Rem never seems to say or do anything indicating that she is lacking in years. So here is my little equation that is likely wrong because I am tired right now:

In my personal opinion, despite halving her lifespan twice, I think Misa had the potential to live for an extremely long time, possibly even way past the average lifespan of a normal human. But she killed herself. And that's where the big question about free will and destiny come in. How much do humans actually control? Was it a coincidence the Misa's scheduled death was going to be at the hands of a stalker who planned a murder-suicide? Or was it somehow destined and predetermined that this man would grow obsessed with Misa to the point he ends both of their lives?

Criminals are dropping dead at alarming rates, and it is very much NOT NORMAL. It can only be the work of a person somehow causing these deaths. There was not supposed to be a sudden, random wave of criminal deaths. This only occurred because Ryuk dropped a Death Note and Light Yagami picked it up. With this, we can say with certainty that humans have free will and deaths that were not supposed to happen can occur if people interfere. Not to mention that Shinigami take years from humans who had remaining years, so they are messing with how lifespans and whatnot are supposed to naturally work.

So Light Yagami caused deaths that were never supposed to happen via his choices/actions. He killed them with the Death Note, which was never supposed to be involved. And this is the same question that is raised when we consider Soichiro Yagami—and even Mello, for that matter. Mello likely never would've joined the mafia and done all this crazy dangerous stuff, Soichiro likely never would have gone into a dangerous raid at his age, if it weren't for the presence of the Death Note.

So did Soichiro Yagami canonically have two days to live? The answer is that there is no way of actually knowing. In my personal opinion, the answer is no.

[ace-of-hugs]

the most annoying thing about being a low support needs autistic person is that you are never an autistic person.

at school, none of the teachers believed that I was autistic. nobody was really willing to accommodate properly for my needs and expected me to do things that were clearly too much for me. in year six, I nearly had my part in the leavers play taken from me because I was unable to access school after having masked every day for the last six years and I had completely burnt out. my teachers were aware of this. we were trying to get an autism diagnosis and they knew that. but to them, I would only ever be a person, like everyone else, so if everyone else can do it, why can’t you.

then, on the opposite end of the spectrum, you have people like my dentist (who I do not like, but that’s a story for later in the post) and the people from the school that I was nearly forced to go to by the local authority (who I dislike even more). both of them went into meeting me with a preconceived notion of me because I’m disabled. my dentist speaks to me like I’m five, explaining everything clearly in a condescending voice that grates on my ears. and it’s not just me, because my dad hears it too. and then when I went to visit the school, I told them that I want to go to university and study psychology and their response was “we’ll have to see if that’s a realistic option” and I was like??? just because I’m disabled, you automatically think that I can’t go to uni??? and I did some tests to see what educational level I was at and the teacher was genuinely surprised when I’d finished quickly. and this is made more annoying by the fact that neither of them are that great at actually accommodating me anyway! they just see “disabled“ and refuse to see past that

outside of my family and my friends I can only think of one person/authority figure in my life who’s ever actually treated me like an autistic person, who has support needs but is also intelligent, who doesn’t understand the questions initially but just needs a bit of a prod in the right direction and will be fine soon. I will be eternally grateful to her for helping me trust again.

[katebihshop]

there is a world of difference between "this person was fired for supporting palestine" and "this person was fired for being a raging antisemite" and you do in fact need to actually look at what that person said to determine which it is. it sets a dangerous precedent to consider any support of palestine inherently antisemitic but it is just as dangerous to excuse antisemitism under the guise of supporting palestine.

[bugflies00]

like going “hey guys see those lyrics about hating yourself and being a bad person? well since that guy actually turned out to be a bad person you shouldve known” Is Not The Take You Think It Is. purely for the reason that so many people who are mentally ill and/or struggle with self loathing RELATED to that. but unlike him they were not ACTUALLY the bad person being described. i dont know if im being coherent but like. ive seen takes that are essentially implying “hey look at those lyrics that were so relatable to so many people because of mental illness? yeah anyone with a BRAIN couldve seen a bad person wrote that like who ELSE than pieces of shit would relate to that lol”. same goes for his character. people can struggle with mental illness and hate themselves and ALSO be horrible abusive pieces of shit. but do not equate the two or act like we shouldve KNOWN the former because of the latter. that has horrible implications think before you speak idk

[hadesknockedupintheunderworld]

Big win for Sonine/Sontails fans this January!!

Not a single "brother" or "little bro" spoken between them in the entirety of Sonic Prime

[primalshane]

Vent?? Question mark??

[kinardsevan]

yesterday i wrote a whole thing out that i was going to post on my actual writing blog about the effects on 911 and why this break-up has hurt so much. it felt overly needy and maudlin though, and so i kind-of made the decision to leave it in notes.

even so, there was a line in there that i have referenced back to, and it's this:

"And the thing is, this isn’t some cliche where I tell you 911 saved my life, because it didn’t. The people who picked me up and raised me back up are who saved me. 911, Evan/Buck, and Tommy made my life make sense. It made things click. It made me feel seen."

I still have a lot of feelings about everything in relation to it all, but that for me, was the core of why this loss has been so damaging. Further, I think it's why so many others in our fandom are so broken right now. I know there are others commenting here about the importance of representation and people's continued ability to fumble and fuck it up. Art, whether it be music, movies, television, painting, writing, photography, etc., gives our lives meaning. giving art to a marginalized community in support of them is even more important. for six beautiful months, we were given that with this show in a new way. it will never be lost on me that we get judged as a group for "wanting the two white men together" when for me, it's not their skin tone or genealogy. it's their age, their social dynamic, their masculinity. they had Tommy say it perfectly in 705 when he said that they were both men in a "macho line of work". We were granted two people who were likely not to have people consider them as an option together, and it fucking worked. The story fit, the chemistry was there, the train was going down the track. right now it feels as derailed as the train in 318 was.

i truly don't know what happens next. i woke up feeling better today, but there's no guarantee on how things move forward. (right now i just feel like i'm rambling so i'm gonna shut up because i really just wanted to share that quote)

[icewindandboringhorror]

I know multiple of these are likely important to people, but I'm asking in terms of like - which of these do you tend to focus on the MOST, enjoy the most, that is most essential for you to actually care about the media, etc.?

(For example: someone finding "Relatability" most important would likely not enjoy a show much if they have trouble empathizing with the characters/relating to it, even if it were good otherwise. Or, someone might be able to overlook bad acting and ugly costumes, as long as the Character Dynamics are fun to them, because they value that more than Aesthetics- while for others, bad costumes would be a dealbreaker.)

Also feel free to reblog and explain your answer or more information in the tags- I've always been curious about people's relationships to media, how they conceptualize it/what they get out of it, how some people value some parts more than others, how that informs their overall taste and genres they may be more inclined towards, etc. :0c