#where’s my happy family
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fortunxa · 2 months ago
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the sound of her absence
Jinx and Isha
summary: Bravery wasn’t in the noise, the chaos—it was in the silence that stood still against the storm.
cw: pain. nothing act II didn’t already deliver. reader not mentioned.
author’s note: i’m quick with it.
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Zaun was a furnace, its heart always burning, always devouring. The city had been forged in suffering, a machine that never stopped grinding down the weak. And yet, somehow, in all its fire and ruin, a single spark of warmth had dared to flicker. A warmth impossibly out of place in the cold steel of Jinx's world.
Isha.
Her face came back to her, vivid and bright in her mind's eye. Wide, eager eyes that shined brighter than the neon glow of the city, full of a hope that had no place here, sparkling with questions, with admiration, with trust. The small, knowing smile of hers or the shrug of her shoulders, the one that said, "I'll be fine". And that moment—that moment—when Jinx's gaze locked with hers in the middle of the battle, when the world around them turned to fire and blood.
When the child who didn’t speak answered the world’s violence with bravery.
She had looked so steady. So determined.
So much like Jinx—staring down the chaos as if daring it to break her.
She squeezed her eyes shut, but it didn’t stop the image. Isha, tiny and frail and far too fearless, standing in the firestorm. Her chest puffed up like Jinx's always did, that same reckless grin trying to stretch across her soft, round face. She had called out for her, her voice tearing raw against the chaos, but Isha didn’t hear her.
Or maybe she had. Maybe that was the problem.
She had always listened too closely.
The hideout was too quiet now, smothered beneath the weight of an absence Jinx couldn’t ignore, louder than any explosion she could create.
Her hands curled into fists at her sides, nails biting into her palms and leaving bloody crescent shapes. The smog-heavy air seemed thicker tonight, each breath heavier than the last. She paced back and forth, her boots scuffing the floor, the sound filling the oppressive silence. She couldn't stop replaying it in her mind.
The air still smelled of gunpowder, acrid and sour, like a wound festering. Her fingers, smudged with grease and blood, itched for something to fix, but there was nothing left to save.
Jinx hadn’t been fast enough.
She hadn’t been good enough.
She hadn’t saved her.
She dropped to her knees, her fists slamming against the floor. The sound echoed through the empty space, but it did nothing to drown out the memory of Isha’s final moments. The way she’d thrown herself forward, packing gemstone after gemstone—overloading the power source of the pistol—before firing it at Vander. Or what used to be Vander, at least.
Hot and bitter tears blurred Jinx’s vision, dripping down onto the cold floor beneath her. She pressed her hands to her face, shaking her head as if she could shake away the weight in her chest.
“Why’d you do it?” she whispered, her voice trembling. It cracked beneath the weight of the question, but the silence gave no answers. “You were supposed to stick around. You were supposed to live. Not… not this. Not for me.” Not for anyone.
But there had been no hesitation in Isha’s eyes.
Jinx slammed her fist into the floor again, harder this time, until pain bloomed across her knuckles like some cruel reminder that she was still here, alive, while Isha wasn’t. “You didn’t have to prove anything!” she shouted into the void. “You were already… You were perfect. You didn’t have to—” Her voice broke, the words dying in her throat.
She crumpled in on herself, her knees pulled tight to her chest, as though folding herself small enough could make the world rewind. Make it undo itself.
She opened her eyes to the dim, scattered wreckage of her hideout and glanced up at the walls, where one of Isha’s stick figures still smiled beside a crooked sun.
“Stop haunting me,” she hissed, her voice breaking on the last word. But they stayed, stubborn in their simplicity, a silent declaration of the joy she had tried to bring into Jinx’s chaos.
She crawled to the wall, her fingers brushing over the faint lines. The chalk smudged under her touch, disappearing just like Isha had—too easily, too quickly.
Jinx’s hands trembled as she picked up one of the little girl’s old chalks, the color a soft yellow that barely showed against the grime of the walls. Her fingers shook as she pressed it to the floor instead, sketching the outline of a sun. The lines wavered, uneven and fragile, and she hated how much it looked like Isha’s.
Hated how much it didn’t.
She snapped the chalk in half, the pieces tumbling from her fingers, and rested her head against the wall, her blue hair spilling over her face like a curtain, hiding her tears from the empty room. “I wasn't worth it.” Her voice broke again. “Why'd you try to be like me?”
But hadn’t she wanted this? To be someone worth admiring? To be someone a kid like Isha could look up to? And now that it had happened, all she could feel was the weight of it, heavy and suffocating, like chains around her chest—grief.
Grieve.
“I’m sorry,” she choked out, but the apology fell apart in the still air. "I'm so sorry." The tears come harder now, Jinx’s shoulders shaking with the force of them. She bit down on her lip until she tasted blood.
Her pink eyes darted to the far corner of the room, where Isha’s jacket still hung on a nail. It was too small, patched and frayed, the kind of thing someone would have laughed at in Piltover. But Isha had worn it with pride, like it was armor.
Jinx got up and dragged herself across the room, her footsteps heavy in the silence. She pulled the jacket from the nail and held it close, the fabric rough against her fingers. It still smelled faintly of her—chalk dust and grease and something warm Jinx could never name.
She sank to the floor again, rocking back and forth with the jacket clutched tightly in her arms, as if holding it could somehow hold Isha, too. But the fabric was empty, and her hands came away as hollow as the rest of her.
Be like you.
Jinx shook her head violently, a sob tearing from her throat. “Not like me,” she spat, her voice cracking. “Not like me, Isha. You were supposed to be better. You were supposed to—” Her words disintegrated into ragged breaths, and she buried her face in her hands as the tears came in full force.
She couldn't breathe.
In the dim, flickering light, she felt her world splinter further while the quiet mocked her.
Jinx pressed the jacket to her face, inhaling deeply as if the lingering scent could anchor her to a world that lost its sense once again. But all it did was remind her of how empty everything felt.
She sat there for hours, her breath hitching, hiccuping, her heart racing as her tears soaked into the grime of the floor, her sobs echoing through the empty space. And when she finally looked up, the room was still the same.
Isha was still gone.
All that remained was smoke from that single spark of warmth that had dared to flicker.
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lotus-pear · 22 days ago
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i love you royal trio (minus akechi)
#i was listening to the world we knew by frank sinatra while drawing this to inflict maximum emotional damage 😔#royal actually shot me fifty times in the chest and slaughtered my entire family#i’m actually inconsolable over the ending what the fuck do you mean akechi chooses to die of his own volition rather than be manipulated#god it’s just. his character actually makes me violent and insane. they’re going to drag me kicking and screaming to the psych ward#he never had an ounce of control over his life. not even once. he was CONSTANTLY being yanked around like a marionette#until he was disposed of as another pawn in shido’s plan#and then out of some cruel irony he was resurrected even though he did not want to be alive#for once in death he would have found peace—only for that to be taken from him too.#and bc he thinks he’s worthless and his life is so easily gambled away he doesn’t view it as a major dealbreaker when maruki brings it up#“do you really think something as trivial as my life should stand in the way of your decision?” yes you fucking asshole#what do you mean he’s literally fated to die in every timeline? definition of doomed by the narrative#there’s not a single version of his story that doesn’t end with him being slaughtered#GODDDDD he makes me violently ill i hate goro akechi so much he’s so fucking selfish HOW CAN YOU NOT SEE THAT THIS DEAL IS TEARING ME APART#i was so tempted to get the bad ending just so that he was alive ☹️#he looked so happy. he was surrounded by people who loved and treasured him.no shido. control over his life. the ability to choose his futu#TEARS IN MY EYES MARUKI WAS THE ONLY VILLAIN WHO WAS LOWKEY MAKING SENSE 😭😭😭😭😭#my toxic trait is that i think maruki was right all along 😔#ALSO SUMIRE AAUUGGHHHH 😭😭😭😭😭😭😭#the survivors guilt literally eating her alive until the point where she gaslighted herself into thinking she was her sister. insane.#royal was so good bro i’m so glad i endured 200 hours of hell just to play it#terrible terrible ending with everyone going their separate ways and ren ending up in juvie for months#akechi actually being dead in the good ending is so fucked up 😭😭 i thought there was some way maruki could bring him back regardless#not ren hallucinating him in the last cutscene too 😭😭😭😭 “i still see your shadows in my room” ahh ending#persona 5 royal#persona 5#ren amamiya#akira kurusu#sumire yoshizawa#goro akechi#lotus draws
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sysig · 1 year ago
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Permission to headbutt: Granted (Patreon)
#My art#UT#Sans#Papyrus#Ft. something smol and I do on a regular basis ♪#This could be Handplates or it could be classic Undertale I leave that up to you lol#I definitely picked up a lot of the style quirks lol - but there are some of the ones that I like myself! Like Papyrus' darkmode clothes lol#And Sans' shorts having the stripe in the front haha - little details ♫#Realistically it probably is Handplates tho just based on where my head's at lol - I love the Handplates dynamic :D#Handplates#I talked myself into it! Pfft ♪#I found myself relating a lot to Sans especially while rereading - I want nothing more in the world than for my siblings to be happy! <3#So I gathered up a bunch of ideas of things especially me and smol do together and this was the most obviously cute one haha#Easiest to do! Tho I did still go a little extra on this lol#I'm trying to do more digital stuff ♪ It wasn't the best art day and I'm still a little nervous to jump right in :')#Not doing any sketches on paper beforehand feels weird but I guess it is thematic in a way lol#And I'm still pleased with how they turned out hehe#It really does feel nice to be drawing them again <3#And doing silly sibling things! Hehe#I dunno how clear it is since it's so ingrained into how smol and I talk to each other lol family language!#One of us will literally just announce ''bonk'' and the other will prepare for/lean in for a headbutt haha#She is a tiny bit taller than me - it's not quite /this/ extreme but she does lean down for me! S'cute <3#I like to think Papyrus would do the same hehe ♪ Let your lazy brother headbutt you! He can only reach so far!#On minimal effort anyhow hehe#It's just a fun way to be silly together ♫♪#Also yes I did show this to her and she cosigned lol - ''Cute'' -smol
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choccy-milky · 1 month ago
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being weak for clora is in the DNA 💕 like father like son 😊
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cliopadra · 1 year ago
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*laughs nervously* Izzy? Dead and gone for good? Naaaah, of course not, he’s just in the gravy basket…or on his way to get sea witch necromancied back by seagull Buttons. He’s ok, he’ll be back…he’ll totally be back 🥲.
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bogdreamz · 5 months ago
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korvo lost and farting 0 stars for you my boy
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kimiibo · 5 months ago
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and then they lived happily ever after
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try-set-me-on-fire · 2 days ago
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You’re laughing? They lived the plot of Lorde’s Supercut and you’re laughing?
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skyblueartt · 8 months ago
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Drawing another fckin FNAF REFERENCE on the whiteboard at my pizza place job irl
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heymacy · 10 months ago
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IAN GALLAGHER + his journey with bipolar disorder
╰┈➤ “At times, being bipolar can be an all-consuming challenge, requiring a lot of stamina and even more courage, so if you’re living with this illness and functioning at all, it’s something to be proud of, not ashamed of." - Carrie Fisher
#happy world bipolar day to all my bp babies#(more thoughts at the end of the tags)#shameless#shamelessnet#shamelessedit#ian gallagher#cameron monaghan#*macygifs#bipolar disorder#hello pals how are we doin#i made this gif set in july of 2023 and never posted it because 1) i was terrified to share it and potentially see Bad Takes in the tags#and 2) because my hyperfixation was waning. and while both of those things are still mostly true (the fixation comes and goes)#i feel like it's really important to share as ian's bipolar storyline was not only so vital to his character it was a bit of representation#that isn't often given to the disorder and those (like myself) who live with it every single day#world bipolar day is a day where we can both celebrate ourselves and our resilience and also raise awareness of the reality of the disorder#which is both terrifying and beautiful at its core. this disease is not a death sentence or a sentence to an unfulfilled and miserable life#while there are challenges galore when it comes to balancing life with this disorder it IS possible to live a full and productive life#and i think it's really important to have representation of that in media - and while shameless dropped the ball on a LOT of storylines#over the years THIS is the one they really fucking nailed and i am incredibly grateful#i first started watching shameless while in the midst of a major depressive episode and i was later (finally) diagnosed during an extended#hypo/manic episode - this show and ian's storyline got me through so much and made me feel so seen and validated in my struggles#world bipolar day is also vincent van gogh's birthday (happy birthday buddy) who was posthumously diagnosed with bipolar disorder#and who experienced both depressive and hypo/manic episodes during his lifetime (and was regularly institutionalized)#it takes a lot of help and support to keep us going. it takes the support of our family and friends and *most* of all#it takes patience and kindness and understanding - which is so so so easy to give if you are willing to love and listen#so please. be willing. listen to our stories. be patient with us. show us love without conditions. support us in any way you can.#we are worth it#i promise#anyway. that's really all i wanted to say. happy world bipolar day to those who celebrate (me) and may all of us living with this disorder#go on to live happy fulfilling beautiful magical lives
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kil9 · 2 months ago
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salt marsh
[marsfish catch fish]
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fatehbaz · 5 days ago
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patience being tested. being forced by a bizarre unfortunate situation to adhere to university requirement technicality by taking this simple basic elementary "introduction to environmental history" class.
this class is from facilitators/program which do, like, "history of the American frontier" or "history of fishing and hunting" and still basically subscribe to that old-school twentieth-century idealization and celebration of characters like Teddy Roosevelt and reverence for a mythical arc-of-history-bent-towards-justice narrative of the often-clumsy but ultimately-benevolent US federal government and its mission to "save nature" through the miracle of "sustained yield," while heroic federal land management agencies and "heritage" institutions lead to way, staffed by exceptional individuals (appeals to nostalgia for the frontier and an imagined landscape of the American West; ego-stroking appeals to flattering self-image that center the environmentalist or academic). where they invoke, y'know, ideas like "ecology is important because don't you enjoy cross-country skiing in The Woods with your niece and nephew? don't you like hunting and fishing?" which makes it feel like a time capsule of appeals and discourses from the 1970s. and it invokes concept of "untouched wilderness" (while eliding scale of historical Indigenous environmental relationships and current ongoing colonial violence/extractivism). but just ever-so-slightly updated with a little bit of chic twenty-first-century flair like a superficial land acknowledgement or a reference to "labor histories" or "history from below," which is extra aggravating when the old ideologies/institutions are still in power but they're muddying the water and diluting the language/frameworks (it's been strange, watching words like "multispecies" and "Anthropocene" over the years slowly but surely show-up on the posters, fliers, course descriptions, by now even appearing adjacent to the agri-business and resource extraction feeder programs, like a recuperation or appropriation.) even from a humanities angle, it's still, they're talking at me like "You probably didn't know this, but environmental history is actually pretty entangled with political and social events. In fact, we can synthesize sources and glean environmental info from wacky places like workers' rolls in factories, ship's logs, and poetry from the era." and i'm nodding like YEP.
the first homework assignment is respond to this: "Define and describe 'the Anthropocene'. Do you think 'the Anthropocene' is a useful concept? Why or why not?" Respond in 300 words.
so for fun, right now in class, going to see how fast i can pull up discussion of Anthropocene-as-concept solely from my old posts on this microblogging site.
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ok, found some
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I think that the danger in any universal narrative or epoch or principle is exactly that it can itself become a colonizing force. [...] I’m suspicious of the Anthropocene as concept for the very reason that it subsumes so many peoples, nations, histories, geographies, political orders. For that reason, I think ideas like the Anthropocene can be a useful short-hand for a cluster of tangible things going on with the Earth at the moment, but we have to be very careful about how fluid and dynamic ideas become concretized into hegemonic principles in the hands of researchers, policymakers, and politicians. There’s so much diversity in histories and experiences and environmental realities even between relatively linked geographies here in Canada [...]. Imagine what happens when we try to do that on a global scale - and a lot of euro-western Anthropocene, climate change and resilience research risks doing that - eliding local specificities and appropriating knowledge to serve a broader euro-western narrative without attending to the inherent colonial and imperial realities of science and policy processes, or even attending to the ways that colonial capitalist expansion has created these environmental crises to begin with. While we, as a collective humanity, are struggling with the realities of the Anthropocene, it is dangerous to erase the specific histories, power-relations, political orders that created the crisis to begin with. So, I’m glad that a robust critique of the Anthropocene as a concept is emerging.
Text by: Words of Zoe Todd, as interviewed and transcribed by Caroline Picard. “The Future is Elastic (But it Depends): An Interview with Zoe Todd.” 23 August 2016.
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The Great Acceleration is the latest in a series of human-driven planetary changes that constitute what a rising chorus of scientists, social scientists, and humanists have labeled the Anthropocene - a new Age of Humans. [...] But what the Anthropocene label masks, and what the litany of graphs documenting the Great Acceleration hide, is a history of racial oppression and violence, along with wealth inequality, that has built and sustained engines of economic growth and consumption over the last four centuries. [...] The plantation, Sidney Mintz long ago observed, was a “synthesis of field and factory,” an agro-industrial system of enterprise [...]. Plantation legacies, along with accompanying strategies of survival and resistance, dwell in the racialized geographies of the United States’ and Brazil’s prison systems. They surface in the inequitable toxic burdens experienced by impoverished communities of color in places like Cancer Alley, an industrial corridor of petrochemical plants running along the Mississippi River from New Orleans to Baton Rouge, where cotton was once king. And they appear in patterns of foreign direct investment and debt servitude that structure many land deals in the Caribbean, Brazil, and sub-Saharan Africa [...]. [C]limatologists and global change scientists from the University of London, propose instead 1610 as a date for the golden spike of the Anthropocene. The date marked a detectable global dip in carbon dioxide concentrations, precipitated, they argue, by the death of nearly 50 million indigenous human inhabitants [...]. The degradation of soils in the tobacco and cotton-growing regions in the American South, or in the sugarcane growing fields of many Caribbean islands, for example, was a consequence of an economic and social system that inflicted violence upon the land and the people enslaved to work it. Such violent histories are not so readily evident in genealogies that date the Anthropocene’s emergence to the Neolithic Revolution 12,000 years ago, the onset of Europe’s industrial revolution circa 1800, or the Trinity nuclear test of 1945. Sugarcane plantations were already prevalent throughout the Mediterranean basin during the late middle ages. But it was during the early modern era, and specifically in the Caribbean, where the intersection of emerging proto-capitalist economic models based on migratory forced labor (first indentured servitude, and later slavery), intensive land usage, globalized commerce, and colonial regimes sustained on the basis of relentless racialized violence, gave rise to the transformative models of plantations that reshaped the lives and livelihoods of human and non-human beings on a planetary scale. [...] We might, following the lead of science studies scholar Donna Haraway and anthropologist Anna Tsing, more aptly designate this era the Plantationocene. [...] It is also an invitation to see, in the words of geographer Laura Pulido, “the Anthropocene as a racial process,” one that has and will continue to produce “racially uneven vulnerability and death." [...] And how have such material transformations sustained global flows of knowledge and capital that continue to reproduce the plantation in enduring ways?
Text by: Sophie Sapp Moore, Monique Allewaert, Pablo F. Gomez, and Gregg Mitman. "Plantation Legacies." Edge Effects. 22 January 2019. Updated 15 May 2021. [Bold emphasis added by me.]
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Geologists and other scientists will fight over [the definition of the beginning start-date of the Anthropocene] in scientific language, seeking traces of carbon dioxide that index the worst offenses of European empire which rent and violated the flesh, bodies, and governance structures of Indigenous and other sovereign peoples in the name of gold, lumber, trade, land, and power. [...] The stories we tell about the origins of the Anthropocene implicate how we understand the relations we have with our surrounds. In other words, the naming of the Anthropocene epoch and its start date have implications not just for how we understand the world, but this understanding will have material consequences, consequences that affect body and land.
Text by: Heather Davis and Zoe Todd. On the Importance of a Date, or Decolonizing the Anthropocene. ACME An International Journal for Critical Geographies. December 2017. [Bold emphasis added by me.]
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From Aime and Suzanne Cesaire, C. L. R. James, Claudia Jones, Eduoard Glissant, through Sylvia Wynter, Christina Sharpe, and so many others, critical anticolonial and race theory has been written from the specific histories that marked the Black Atlantic. [...] Glissant also reminds us, secondly, of how cunning the absorptive powers of [...] liberal capitalism are - how quickly specific relations are remade as relations-erasing universal abstractions. [...] This absorptive, relations-erasing universalism is especially apparent in some contemporary discourses of […] liberalism and climate collapse - what some call the Anthropocene - especially those that anchor the crisis in a general Human calamity which, as Sylvia Wynter has noted, is merely the name of an overdetermined and specific [White] European man. […] [T]he condition of creating this new common European world was the destruction of a multitude of existing black and brown worlds. The tsunami of colonialism was not seen as affecting humanity, but [...] these specific people. They were specific - what happened to them may have been necessary, regrettable, intentional, accidental - but it is always them. It is only when these ancestral histories became present for some, for those who had long benefitted from the dispossession [...], that suddenly the problem is all of us, as human catastrophe.
Text by: Elizabeth Povinelli. “The Ancestral Present of Oceanic Illusions: Connected and Differentiated in Late Toxic Liberalism.” e-flux Journal Issue #112. October 2020.
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The narrative arc [of White "liberal humanism"] [...] is often told as a kind of European coming-of-age story. […] The Anthropocene discourse follows the same coming-of-age [...] script, searching for a material origin story that would explain the newly identified trajectory of the Anthropos […]. Sylvia Wynter, W.E.B. DuBois, and Achille Mbembe all showed how that genealogy of [White subjecthood] was [...] articulated through sixteenth- through nineteenth-century [historiographies and discourses] in the context of colonialism, [...] as well as forming the material praxis of their rearrangement (through mining, ecological rearrangements and extractions, and forms of geologic displacements such as plantations, dams, fertilizers, crops, and introduction of “alien” animals). […] As Wynter (2000) commented, “The degradation of concrete humans, that was/is the price of empire, of the kind of [Eurocentric epistemology] that underlies it” (154).
Text by: Kathryn Yusoff. “The Inhumanities.” Annals of the American Association of Geographers, Volume 11, Issue 3. November 2020.
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As Yarimar Bonilla suggests in regard to post-Irma-and-Maria Puerto Rico, “vulnerability is not simply a product of natural conditions; it is a political state and a colonial condition.” Many in the Caribbean therefore speak about the coloniality of disaster, and the unnaturalness of these “natural” disasters [...]. Others describe this temporality by shifting [...] toward an idea of the Plantationocene [...]. As Moore and her colleagues write, “Plantation worlds, both past and present, offer a powerful reminder that environmental problems cannot be decoupled from histories of colonialism, capitalism, and racism that have made some human beings more vulnerable [...].” [W]e see that contemporary uneven socioecologies associated with the rise of the industrial world ["the Anthropocene"] are based [...] also on the racialized denial and foreshortening of life for the sacrificial majority of black, brown, and Indigenous people and their relegation to the “sacrifice zones” of extractive industry. [...] [A]ny appropriate response to the contemporary climate emergency must first appreciate its foundations in the past history of the violent, coercive, transatlantic system of plantation slavery; in the present global uneven development, antiblackness, and border regimes that shape human vulnerability [...] that continues to influence who has access to resources, safety, and preferable ecologies [...] and who will be relegated to the “plantation archipelagoes” (as Sylvia Wynter called them) [...].
Text by: Mimi Sheller. “Thinking Beyond Coloniality: Toward Radical Caribbean Futures.” Small Axe (2021), 25 (2 (65)), pages 169-170. Published 1 July 2021. [Bold emphasis added by me.]
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Indigenous genocide and removal from land and enslavement are prerequisites for power becoming operationalized in premodernity [...]; it was/is a means to operationalize extraction (therefore race should be considered as foundational rather than as periphery to the production of those structures and of global space). [...] Wynter suggests that we […] consider 1452 as the beginning of the New World, as African slaves are put to work on the first plantations on the Portuguese island of Madeira, initiating the “sugar-slave” complex - a massive replantation of ecologies and forced relocation of people […]. Wynter argues that the invention of the figure of Man in 1492 as the Portuguese [and Spanish] travel to the Americas instigates at the same time “a refiguring of humanness” in the idea of race. [...] The natal moment of the 1800 Industrial Revolution, […] [apparently] locates Anthropocene origination in […] the "new" metabolisms of technology and matter enabled by the combination of fossil fuels, new engines, and the world as market. […] The racialization of epistemologies of life and nonlife is important to note here […]. While [this industrialization in the nineteenth century] […] undoubtedly transformed the atmosphere with […] coal, the creation of another kind of weather had already established its salient forms in the mine and on the plantation. Paying attention to the prehistory of capital and its bodily labor, both within coal cultures and on plantations that literally put “sugar in the bowl” (as Nina Simone sings) […]. The new modes of material accumulation and production in the Industrial Revolution are relational to and dependent on their preproductive forms in slavery […]. In 1833, Parliament finally abolished slavery in the British Caribbean, and the taxpayer payout of £20 million in “compensation” [paid by the government to slave owners for their lost "property"] built the material, geophysical (railways, mines, factories), and imperial infrastructures of Britain and its colonial enterprises and empire. [...] A significant proportion of funds were invested in the railway system connecting London and Birmingham (home of cotton production and […] manufacturing for plantations), Cambridge and Oxford, and Wales and the Midlands (for coal). Insurance companies flourished [...]. The slave-sugar-coal nexus both substantially enriched Britain and made it possible for it to transition into a colonial industrialized power […]. The slave trade […] fashioned the economic conditions (and institutions, such as the insurance and finance industries) for industrialization.
Text by: Kathryn Yusoff. "White Utopia/Black Inferno: Life on a Geologic Spike". e-flux Journal Issue #97. February 2019. [Bold emphasis added by me.]
#sorry for being mean#instructor makes podcasts about cowboys HELP ME#and he recently won a New Business award for his startup magazine covering Democrat party politics in local area HELP#so hes constantly performing this like dance between new hip beerfest winebar coolness and oldfashioned masculinity#but hes in charge of the certificate program so i have to just shut up and keep my head down for approximately one year#his email address is almost identical to mine and invokes enviro history terms but i made mine long before when i was ten years old#so i could log in to fieldherpforum dot com to talk about enviro history of distribution range changes in local reptiles and amphibians#sir if you read my blog then i apologize ive had a long year#and i cant do anything to escape i am disabled i am constantly sick im working fulltime i have NO family i have NO resources#i took all of this schools graduate level enviro history courses and seminars years ago and ran the geography and enviro hist club#but then left in final semester because sudden hospitalization and crippled and disabled which led to homelessness#which means that as far as any profession or school is concerned im nobody im a retail employee#i was doing conference paper revisions while sleeping on concrete vomiting walking around on my cane to find outdoor wifi#and im not kidding the MONTH i got back into a house and was like ok going back to finish the semester the school had#put my whole degree program and department in moratorium from lack of funding#and so required starting some stuff from scratch and now feel like a hostage with debt or worsening health that could pounce any moment#to even get back in current program i was working sixteen hours a day to pay old library fines and had to delicately back out of workplace#where manager was straight up violently physically abusive to her vulnerable employees and threatened retaliation#like an emotional torturer the likes of which i thought existed only in cartoons#and the week i filed for student aid a massive storm had knocked out electricity for days and i was clearing fallen tree debris#and then sitting in the dark in my room between job shifts no music no phone no food with my fingers crossed and i consider it a miracle#sorry dont mean to dramatize or draw attention to myself#so actually im happy you and i are alive
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mumuqings · 1 year ago
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tgcf book spoilers, but one mu qing and xie lian snippet that I think about a lot is this one, at the start of xie lian’s second banishment when he’s surprised to hear mu qing being described as generous and kind:
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as opposed to this memory from before his first ascension when mu qing started giving out cherries to the kids in the city:
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I think it just really goes to show 1) how deeply mq’s actions truly affected xl and what he thought of him, but also 2) just how different mq and xl are fundamentally in the way that they think and approach things.
I don’t have a lot of commentary on xl that hasn’t already been said, but bc we get the story from xl’s pov, we see a lot of mq’s actions being framed as selfish or suspicious (which is fair, bc again, we know how much his actions hurt xl), but we also see a lot of misconstrued kindness, like in book 8 where it’s revealed that he knocked out fx in order to save him. it’s also pretty obvious how much mq still cares abt xl, with how quickly he volunteers as fu yao and the lengths he goes to protect him when he deems hc a threat, so I also think it’s very likely that mq leaving the trio first was exactly what he said it was — that he thought becoming a junior official, ascending quickly, would be the best way to take care of not just his mother, but also xl, fx, the king and queen, and himself, and so in a way, him leaving was him acting on his kindness. but ofc it doesn’t work out, and he spends the next 800 years fighting w/ fx about it, defending himself, his decisions, and his kindness, and nitpicking the accuracies of his statues while he himself remains completely misunderstood by the two people he probably cares abt the most.
and idk, I guess I just think that’s probably a really lonely way to spend 800 years.
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fumifooms · 1 year ago
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Chilchuck analysis speedrun: As a hardworking half-foot who grew up poor and discriminated against and had his gullibility taken advantage of multiple times in his early adventuring days, Chilchuck thinks optimism is a dangerous flaw. He’s stressed and strict all the time because his job is noticing details like traps that could get everyone killed before anyone knows it, he takes the lives of everyone to be on his shoulders, and with the way he speaks about it that probably partly reflects how he felt about taking it upon himself to provide for his family too. His life’s always been pretty centered around work and has become even moreso now that his wife left and everyone is independent, and due to past events he’s very iffy with bonding with coworkers. He thinks feelings and job are a disaster mix. Like with his wife or with parties hiring him as sacrifice, being open or having good faith is vulnerability which can get you hurt, so he processes and shows all his stress as anger instead of worry. Doing strict dieting probably isn’t helping the irritability what with hunger, and on top of being a hunger suppressant alcohol might be the main stress reliever he has.
His grey hairs are so earned
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#Chilchuck tims#dungeon meshi#analysis#HAPPY CHILCHUCK DAY#You know what yeah understandable have a good day#Alcohol be a ticket straight to chilling out town I suppose#Spoilers#dungeon meshi manga spoilers#Thinking on if I should split my family masterpost into diff posts for max reach hmm#I’m def editing in the second page into that post that “I’ve got three people to think of here” sounds sooo much like that’s#how he’d think about it in a family setting as well. He works so hard for them 🥺#I could have put 100 pics on this post to justify everything I mentioned but this is a speedrun for a reason. I’m planning so many#compilations rn i need a break from rereading lol#He’s just here to do his work!! He just wanna do his work!!!#I’m always rotating him in my brain like rotisserie chicken :( Hopefully this doesn’t sound disjointed or insane to average readers#He’s always on his guard so he has a short fuse and his type of humor & liking for snarky remarks doesn’t help#Also bc he knows nothing lasts he has a very work hard play hard mentality where ‘dying doing something you love. Like drinking’#is nice in his opinion#This post makes it all sound so dry. Chilchuck is so messy thinking about him is thrilling I swear. This is concise but at what cost…#OH ALSO he has weird self-hate issues where he really values his skills but devalues himself on a personal level.#‘I am a coward. I only care about myself. I cheated on my wife (lying for no reason)’ etc etc#Can’t disappoint people and make them leave you if they already have no expectations and esteem of you 😏💡#Laws are important to him bc he knows how bad punishment is if you break them and how they’re the key to getting better rights
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seagull-scribbles · 21 days ago
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New Years Eve Party
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kizykoolors · 4 months ago
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ARLIGHT PEOPLE, AFTER A TON OF HARD WORK AND HAIR PULLING, i present to thee....
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My designs for Calypso and Circe!!
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