#where’s my Janet love :(

[necrotic-nephilim]

I started in DC by reading fanfics, but as I began to read actual comics, I started to be unable to read the actual fanfic that got me into it in the first place because it's so out of character.

But there are still some stories that I love to read because I love the found family trope so much, even if it isn't really accurate to the source material.

As a comics purist (sometimes), are there tropes that you like enough that you'll still enjoy a fic even if it's not accurate to canon?

oh my god this is SUCH a fun question. bc while i started with the comics, there were certain characters and/or character dynamics where i was exposed to the fanon before the canon (just bc it's hard to read everything when you start out just to read some fanfic) and so i've definitely experienced the fanon to canon transition. (*especially* with Jason Todd. i had only read 80s/90s stuff where he was already dead or the New-52 bc that was on-going when i got into comics and man. the fanon misunderstandings i had about him before i got frustrated and sat down to read all his pre-Flashpoint stuff were absolutely bonkers.) and aside from that, whilst i tend to prefer canon over fanon, i'm not past giving fanon its flowers for occasionally having really interesting insights. occasionally. so some of my fanon "guilty pleasure" tropes would probably be

Morally Grey Tim Drake - this is one where if you try to back it up with canon, i *will* get salty about it. of everyone in the Batfam aside from maybe Bruce and Cass, Tim has the *most* black and white morals. often his internal conflicts are routed in such an inability to compromise his moral views and it can cause him to clash with other characters. he's *very* stiff and rigid in his beliefs and is *rare* to compromise in even the smallest ways. i mean, DC has repeatedly used Tim Drake of Tomorrow/Savior/Gun Batman!Tim for a reason. it's to demonstrate that of everyone, Tim *cannot* have his morals compromised. there's no grey area for him. he's zero or a hundred, so if he tips over the edge of "too far" he tips *all the way*, and doing so is one of his worst fears, how he could go "too far" if he let himself. a couple panels out of context from Red Robin (2009) (which was a grief spiral for Tim to begin with) don't change that. now that said. if it's done *right*, i sort of love Tim being morally grey in fanfic. it takes a specific flavor for me, and it's incredibly important to include that mental spiral along with it, of him struggling to justify it. i don't have any interest in "Tim Drake is loosy goosy with Bruce's morals and has the highest kill count and no one knows teehee" bc it doesn't play with the interesting parts of making Tim morally grey, which are fracturing his psyche. but all in all, i think it's fun to put Tim in a morally grey area and i will read it in fanfic and i enjoy writing it a lot

Joker Junior!Tim Drake - i've not written it on this account (yet) but on my main ao3 account one of my biggest fics surrounds this concept. this is one of those "well *technically* it's canon but only in a specific very divorced from the comics universe and would not work at all in the main timeline" so, i categorize it as fanon in that 95% of fics exploring the concept are not doing so within the Batman Beyond universe, but the main timeline. i just love it. I'll take any excuse to whump Tim, but this concept is so fun. psychologically breaking Tim will always be my favorite pastime. there are so many ways to explore the long-term effects this could have on him, how it could affect the Batfam. i'm not a fan of it being used as a "gotcha" to Jason or Babs' trauma with the Joker to paint Tim as the Ultimate Victim, but it is fun to see how their relationships would be affected by being mutual victims of him. (i have a vague JayTim idea where TIm fully retires from being Robin after being Joker Junior and killing the Joker, making Steph Robin for most of his typical Robin era and Jason still tracks him down out of curiosity bc he wants to know what happened and all. very underbaked but i've got thoughts.)

Renegade/Apprentice of Slade!Dick Grayson - this is another one where yes, this happened *sort of* in canon, but i highly doubt most people writing Renegate!Dick have read or are actually pulling from Nightwing: Renegade. it's just an exploration fo the concept fo Dick being Slade's apprentice and i will always eat it up in any capacity. whether Dick grows up with Slade from a young age, or chooses Slade for whatever reason later in life. it's not anything that works in canon bc it compromises Dick morally (similar to the above with Tim) and therefore will always come across incredibly fanon in most fics. but i can't say i don't enjoy it. it's fun to make Dick a little morally fucked up and see what you can make him under Slade's tutelage.

Jason & Damian Meeting in the League -there's no world where i believe this could work in the canon comics. (maybe in the Young Justice cartoon i suppose, but even then i think it's iffy) i would go as far to say it's wildly unrealistic. i don't see a world where Ra's would let Jason anywhere *near* Damian, bc Jason was Talia's pet project that he didn't approve of. that all said, there's something very interesting about how they *could've* met and them potentially bonding during that timeframe. them being somewhat brotherly during this time because Jason sees Bruce in Damian and sort of latches onto the kid and Damian is full of wonder hearing real stories about Batman and Robin, then that getting violently ripped away by Jason leaving the League is fun to me. it's fun how that could affect them within the Batfam and all. it's super fanon to me, but i do not care. i will eat it up

Bad Dad Clark Kent/Good Dad Lex Luthor - i will admit as a late, i've been less and less kind to this particular fanon bc of everything i've argued with people about, *this* one seems the most pervasive as misunderstood fanon. i don't mind when fanon exists, my gripe is when ppl try to claim it's canon. and the *arguments* i've had over this with people who can never seem to cite an actual comic are... frustrating. but that said, i think there is something fun to this strictly in fanon. the duality of who you expect to accept Kon and who you expect to hurt him being flipped is just sort of fun for the occasional guilty pleasure fic. it can make Kon's internal conflict a bit more interesting. the same goes for the Jon favoritism from Clark, it's not a canon thing (and i rlly wish ppl understood how complicated the timeline of Kon and Jon is and any distance from Clark toward Kon isn't malice, it's that Kon is from a timeline that Clark does not remember in the current canon so Clark just straight up doesn't know the poor kid.) but it's sort of fun to give Kon that complex of being overlooked and forgotten sometimes. making Kon just a *bit* more Luthor than Kent will *always* appeal to me in fanfic, especially if he *knows* it's wrong but craves approval from anyone who will give it.

Good Dad Bruce Wayne - i'll die on the hill Bruce is canonically a shitty father. maybe not to the extreme some people write him as, but he's not great at it. that said, i enjoy it in fanfiction. sometimes, i just want silly fluff or hurt/comfort where Bruce finally gets it right and manages to comfort whatever Batkid is in the fic. one of my favorite fics of all time is hinged on Bruce being a good dad, so i think it's just fun to explore how good the relationships *could* be, if Bruce was slightly less of an asshole. i usually prefer him as an asshole, but there are times i want low stakes nonsense.

Gotham Rogues Having Soft Spots for Robin(s) - just about every Rogue in Gotham has done something absolutely irredeemable, and most of them don't like or care about anyone in the Batfamily. but if there's a fic where one of the Robins inexplicably is sort of close with a Rogue and they have a cute silly relationship out of it? I'll eat it up i fear. Steph and the Riddler are besties? I'll believe it. Tim and Scarecrow get along pretty well? give me ten of these. Rogues protecting Robins just hits a spot. the unexpected nature of the relationship, as well as the fact they see each other regularly, can make a lot of good fodder.

[jimmyspades]

"Look alive!" THE BLACKLIST 10.13 "The Sicilian Error of Color"

[1eos]

shopping for black hair products online and it's always some white bitch with curly hair in the reviews like 'this didn't work for me 😞' bc it's not for you dummy. the listing literally says AFRICAN AMERICAN

[bardinthezone]

Night Vale and the Power of Stories

So I’ve been losing my mind about this latest arc. Full hyperfixation. Studying for finals? Calling my parents? Enjoying other hobbies? Eating?? Who’s she, never heard of her. There is only the “#wtnv spoilers” tag.

Anyways, inspired primarily by this post, this post, and this post, I have been thinking about Night Vale as a place of stories.

Night Vale is a deeply weird place. It is a place where all the crazy conspiracies and contradictions and creepy crawlies can coexist (try saying that 5 times fast), and it is built on stories.

We know from “109: A Story About Huntokar” that Huntokar singlehandedly saved the town from nuclear destruction in 1983. This in and of itself is beautiful, tragic, terrifying and wonderful (I could write a whole essay on the lasting effects of the Cold War on the American psyche and how that’s impacted our media, but that’s not what this post is about). But what Huntokar says in describing this moment is fascinating: “ The people of Night Vale huddled, waiting for the end to their story.” The use of the word “story” here is so poignant and poetic. This was her town, a narrative she had lovingly followed since its inception, with an ever rotating cast of characters, finally seeming as though it would come to an end. And yet she managed to continue their story. The people of Night Vale, of every alternate universe Night Vale, are kept alive because Huntokar wanted to keep the narrative going. It is a town kept alive-- inverted and shattered and bizarre, but alive-- because someone saw the tale coming to an end and wasn’t satisfied with that. Night Vale is a place of stories.

And Cecil. Cecil Gershwin-Palmer is such a wonderful enigma. He’s a deeply troubled man, he’s the town’s beloved radio host, he is the voice of Night Vale. As the town’s only (?) regular source of news, he carries incredible weight in shaping the public’s perception of reality. It is his radio show that keeps the people informed through all of these earth-shattering events-- it is Cecil who, for as goofy and cringefail (thank you @bigcommunist for that phrase) as he can be, has been responsible for keeping his citizens safe. In “227: A Word With Dr. Jones,” Dr. Janet Lubelle notes that one of his traits is “town leadership.” When Cecil speaks, things happen. He rallies the people, against Strexcorp or the Beagle Puppy or Steve Carlsberg and his dry, dry scones. Hell, he says “weather” and everyone stops, or sometimes (Like in “204: Audition”) it literally saves his life. @lostboywriting raises a fascinating theory about Cecil having inadvertently brought the Faceless Old Woman into existence through his repression of his complicated relationship with his mother-- and while this contradicts with the backstory presented in "The Faceless Old Woman Who Secretly Lives Inside Your Home," who’s to say that both origins can’t be true, with how splintered and fractured Night Vale’s existence (and especially relation to time) is? Perhaps Cecil, as the Voice Of Night Vale, is capable of changing the world more than he knows.

Either way, this is why Dr. Lubelle’s Explaining of the town has so much of a tangible effect on it-- because she’s coming in and using something “empirical” to change the narrative. That is why she’s so threatening-- because how do you argue with the facts? How do you argue with science? She is using logic to insist that her reality is right, that these stories and poetics used to keep the town alive are meaningless. That it would be better for them to not exist than to exist outside her narrative. She said it herself-- she cannot imagine that anyone thinks differently to herself about anything, and she is all to happy to provide any who disagrees with an Explanation. No matter the cost.

In 227, Cecil remarks that “Science is not good or bad, as language is not good or bad, as religion is not good or bad, because humans are not inherently good or bad.” This sets up a fascinating play between science, language, and religion that I think is perfectly encapsulated by Dr. Lubelle, representing science, Cecil, representing language, and Huntokar, representing religion. Whether she knows it or not, Dr. Lubelle is directly undoing all of the hard work of Huntokar, and attempting to use Cecil as the most powerful tool at her disposal.

And this works in conjunction with my distinction of the What vs. the Why. We can take the incursion point of November 7th, 1983, and view it through both lenses. From Huntokar’s perspective, we get the Why: Night Vale was in danger, and it needed saving, so she saved it. But from Dr Lubelle’s perspective, we just get the What: Night Vale was the target of a nuclear missile. Nuclear missiles are unstoppable by any force known to science. This is a town that should have been empty for 40 years.

I posit a world in which Dr. Lubelle reduces Night Vale to what it “should be:” A town ruined by nuclear destruction. The empirical facts, the anchors that held Night Vale down to reality, the threads that Huntokar broke-- Dr. Lubelle is seeking to tie them back together. And with the Voice of Night Vale on her side, Explained and ready to share the Truth, of course she can make that happen. Perhaps Huntokar takes center stage again to show that science is not the end-all-be-all. Perhaps Carlos steps in to replace Dr. Lubelle as the Scientist in this equation, to provide a good alternative to her callous methods. 

Or I could be totally off-base with that prediction. I imagine the bodies being dug up in the sand wastes and the murals of flesh will play a major role in the finale. Maybe she’ll uncover the splintered realities of Night Vale and won’t know how to explain them away. Hell, people keep hyping up a Desert Bluffs return, what with the Sandstorm tapes and the talk of doubles-- Maybe Kevin and Lauren will be the “religion” in the triumvirate, and drive Dr. Lubelle mad with their unrelenting fervor. Who knows? I have my theories, but I’m just excited to see where this all goes.

.

Also from a meta perspective, this is 100% harkening back to all those early-days fan theories that “Night Vale is a normal town and Cecil is just off his rocker” (Thanks @maxgicalgirl for that one!). Welcome To Night Vale is a show that has never been about continuity and tight lore-- it’s about spinning a fun narrative, it’s about the poetry, the music, the aesthetics; it’s about everything that Dr. Lubelle HATES. From a meta perspective, Dr. Lubelle is every theorist who tries to ruin the magic of a story, who nitpicks it endlessly because it doesn’t adhere to how the “real world” functions. She doesn’t care about why story elements are included, she just needs what’s included to adhere to her worldview. And I can’t wait to see her get taken down, no matter how it happens.

Thanks again to @maxgicalgirl, @lostboywriting, @eclipse-song​, and everyone who’s been sharing their thoughts about the latest arc on tumblr. I would not be writing this without y’all!!

[roseandgold137]

was going to say I’m going to spam the Janet tag again but then I checked and. No one seems to really use it much so my other posts are still very prevalent there 😭

[gwyoi]

Besides Air Force one this might be my favorite post bbc release yet….. I cried when oec came back because it was the first release 😭 but I seriously love the autotune they are doing it sounds like a phone alert and the ViWon chorus……

[anthyies]

jack drake is a dad for sure

[ditzybat]

i love the headcannon that both tim and cass look scarily alike, to the point they could be twins.

like they both share the same general lithe build, they’re the same short height, cass has a short bob while tim has his baby mullet, their training is similar due to their backgrounds with lady shiva and the loa, and (depending on your headcanon) both waisan- so i can definitely see instances where they’re confused for each other or where they mess with everyone around them.

cass on patrol in red robin gear so tim can go on a date with bernard:

random thugs seconds away from being one hit k.o’d: yo since when did red robin start melting into the shadows like an eldritch horror?

jason: hey tim -

cass: wrong.

jason: no, im pretty sure you’re tim, i gave you that scar right there in your neck

cass: nu-uh, this is from cain

jason:

cass:

jason: well this got awkward…

steph hugging tim from behind: hey babe

tim: wrong wayne

steph: ew, i should’ve known, your ass isnt nearly as —

tim walking away with his fingers in his ears: lalalalala im not listening to you

damian: i think you’re the only one in this family i respect

tim who has been silently hanging out with him for the past 3 hours: aw thanks damian, i’ve come to love you like a brother too

damian: drake? i thought you were cassandra, my apologies, i retract my previous statement

tim: don’t care, you love me, don’t try to deny it

lady shiva hugging both tim and cass: my beautiful twins, such well trained weapons, unfortunate that you both ended up with cain

bruce pulling his children back: tim isnt yours…

shiva: well that cant be right, he’s s the spitting image of my sister carolyn, and that birth was far too painful to only produce one small child

tim: woah full circle, my drag-sona is called caroline, maybe you are my mom, i wouldn’t put it past janet drake to adopt

bruce: tim no, you’re not even the same type of asian

cass: too late, we’re blood

shiva: see!

[bradassholemajors]

I made a Brad and Janet playlist. you can listen to it. if u even care

[cottoncandy-icedcream]

Y’all think Jamie Lee Curtis watched psycho?

[littlechivalry]

I love the idea of our Hawkins teens going to a showing of a Rocky Horror so much so please join me in this:

Eddie's driving. He's excited, loves that he gets to 'pop their cherry.' He pulls up to Harrington house expecting to see Steve and Robin posted up outside in full Brad and Janet regalia.

Eddie of course is dressed as Eddie and of course he thought about Frank but that might be too much. Steve is cool but is he cool? Eddie hopes but he's not an idiot.

Instead of proper Midwestern church clothes he finds Robin standing out front in a raggedy black suit, her hair greased down while Vicki (and yes Eddie had had his suspicions) is next to her dressed as a maid with her own bright red hair teased out to heaven.

"Riff Raff? Magenta? I didn't expect to see you two here."

Vicki laughs but Robin gives him a look that makes a shiver run up his back.

"So where's Steve? Decided to stay home?"

The last syllable barely leaves his lips when the door opens and - - -

LEGS. Fishnet stocking LEGS. Tap pants and a bustier and a shining tail coat and a top hat and a blinding grin and LEGS.

"Columbia?"

Steve laughs and dances down the steps and he's wearing tap shoes too? Eddie may not survive this.

Robin laughs at him but Vicki pats his shoulder in commiseration.

The drive to Indy is filled with jokes and conversation and music and Eddie is paying attention to the conversation. And he is paying attention to the road. But

LEGS

They get to the theater and get their props and their seats. A few songs in Steve begs off to go to the bathroom. Does Eddie watch him go? Of course. Can he actually see him very well in the darkened theater? No. But it's the principle of the thing.

Then the music starts up for the Time Warp and Eddie is on his feet along with everyone else in the theater. There are performers on stage dancing along with the movie, a long line of tuxedo clad strangers when suddenly a figure goes flying across the stage and Eddie can hear Robin and Vicki whooping but he is frozen.

It's Steve. Tapping. It's a perfect recreation of Columbia's dance routine and when the other boy finally comes to a stop, gasping, on a chair at the corner of the stage Eddie finds his voice screaming louder than he has at any concert he's ever been to.

A few minutes later Steve makes his way back to his seat and Robin lunges past Eddie to throw herself at him. Eddie can make out that she's talking but not what she's saying.

They make it through the rest of the show and it's amazing. Eddie's second favorite moment may be when Steve and Robin wrapped their arms around him during "Eddie" wailing out fake sobs.

They sing and shout themselves hoarse. The ride home is quiet but in the best possible way. Robin and Vicki are as good as sleeping in the back of the van and Steve is leaning against the window, humming along with the radio.

"Hey," Eddie says softly. "Where did you learn to dance like that?"

Steve smiles but it's barely a shadow of his usual smile and it fades fast. "When I was little my mom still gave half a shit about being seen as a good mother so she put me in dance classes. It didn't last too long. My dad didn't like it and after a while it became more important for her to be seen as a good wife so I was taken out and put into every sport."

Eddie doesn't say anything. Can't say anything.

"I really liked it though? I can't play music and I'm not much of a singer but I really like dancing. Robin had to put up with me practicing this almost constantly for the past few weeks. I thought she was gonna kill me."

"So you learned this for tonight?"

Steve turned to face Eddie and smiles. "I learned it for you, man. Thought you would get a kick out of it."

The small ember of Eddie's crush on Steve had initially been lit years ago in high school. He had banked it carefully, couldn't bear to let it go cold but too worried about losing Steve as a friend to let it flare bright.

"You learned it for me?" Eddie's stomach feels warm

"Yeah," Steve says, smiling. "Every Eddie needs a Columbia, right?"

Steve is laughing at him and that only makes Eddie feel warmer. Steve. His crush, Steve. Steve did this for him.

"Yeah," Eddie says. "Yeah, he does."

"Thought so," Steve says, turning back to the window.

Eddie drives them back to Hawkins in a silence full of potential.

[timmydraker]

Tim isn’t the only queer person in the family, in fact he’s probably one of the last members to actually accept or even realise he wasn’t in the heteronormative category.

But he’s the most open about it.

After Janet died and Jack woke up, the man actually tried to do right by Tim and outwardly told him he was going to try be more understanding of his bisexual son. The two never became the father son duo Tim wanted, but he started to see Jack better, kind of like an uncle in a way.

It was enough for him to feel better making comments on male actors at movie nights, to joke about him being in the gay group of people who didn’t know a single thing about fashion and calling himself a stereotype breaker because of it.

Dick never wanted a label and Bruce was still in denial about his various male crushes, which was probably why Tim was in the situation he was in now.

Tim didn’t turn around to face Damian, if only because the younger had very purposefully sat directly behind him where he was sitting on the library floor.

He played over Damian’s question in his mind, “Why is it important to people that you Mary the opposite gender?” Because holy shit was that a big question.

Eventually Tim answered once Damian tensed in a tell tale way that he was about to run away, “Ignorance, mainly, but it’s all about what people are taught. It’s like how people believe in gods and supernatural things, it’s them hearing what others have said or not being able to understand something purely cause it doesn’t apply to them.”

A moment passes and the other doesn’t respond, so Tim adds a bit more.

“People struggle with change, especially when they are right something to be wrong or evil. Often they just get scared or feel threatened and just… don’t even try to learn. It’s okay to not know something, it’s when people refuse to learn that it’s bad.”

Tim thinks he feels Damian nod behind him but it’s hard to tell until the other lets out a tiny hum of affirmation.

When he doesn’t respond, Tim goes back to his tablet a little awkwardly and tries to figure out why his brother had asked such a question.

After around five minutes Damian finally speaks, his voice strangely timid, “If someone has… wrong opinions or has been taught something false, are they able to come back from it?”

That… wasn’t what Tim expected.

Did Damian know someone close to him that was being homophobic or had the League held hetero standards?

Knowing to tread carefully, Tim didn’t ask for confirmation on any of this lest he scare of his rather temperamental brother.

“Of course. Just look at my father, he was raised to hate people like me but his care for me made him try. He’s not the best at it, but he’s trying and that’s more than I ever expected. You can’t fix hate with love, you need understanding and sometimes you just need to offer the chance to try do so.”

Another lapse of silence, though this time shorter before Damian stood up. “Thank you, Drake.”

As the youngest Wayne left, Tim was left feeling both shock and pride at Damian saying a real, not forced ‘thank you’ after asking for help with something on his own.

Tim knew that Damian came to him because he was so loud about his acceptance of his own sexuality and his push for queer rights, but even months later he had no idea what pushed Damian to ask at all.

Either way he was happy to help his little brother.

[asoftepiloguemylove]

I HAVE MY MOTHER'S FACE AND HER GRIEF

Janet Fitch // Lady Bird (2017) dir. Greta Gerwig // Chen Chen // Youadan Teddy // Ocean Vuong Someday I'll Love Ocean Vuong // Mitski Class of 2013 // 誰も知らない Nobody Knows (2004) dir. Hirokazu Kore-eda // Fatima Aamer Bilal days where my whole world is my bed. // death-born-aphrodite (tumblr) // Ocean Vuong On Earth We're Briefly Gorgeous // Hieu Minh Nguyen Buffet Etiquette

[poppy-metal]

MARRIAGE COUNSELING W ART PLEASEEEEEEEE GOD THE DEVASTATION THAT TAKES PLACE ON THAT COUCH

i think about it alot. tashi staying with patrick, her injury never happening. your arts college girlfriend and now you're married and it feels fucking stagnant, your relationship. but neither of you wants to give up. neither of you wants to reveal to the other true feelings.

under the cut because this got long and i have a whole au in my hear around this concept

you're only in counseling because of tashi. because shes still in your lives, her and patrick. and she recommended it to art when they were having one of their 'friend' lunches. and now here you are, because of course art took her advice.

he hasn't said anything, though. despite pleading for this. saying he wanted to save your marriage, that he wanted to love you how you should be loved but he didn't know how.

so here you are, on opposite ends of the couch, with the counselor staring at the empty space between you like that in itself is very telling. you suppose it is, in a way. couples who want to stay together should be unified, shouldn't they? you imagine how it would feel, if art had sat next to you. put an arm around you. squeezed you to his side. would you even be able to relax into him? its been so long since you touched eachother that way.

"so im picking up on some distance here," your therapist says. shes a small woman. almost swallowed by her chair. her glasses are perched on her nose as she gazes imperiously at empty space separating you and art. "not just physical either, though thats rather obviously there. but emotional distance. do either of you wanna comment on that?"

you cut a glance at art, expecting him to speak up since this was his idea - well. tashi's. but he just looks down at his lap, quiet. spins his wedding band around his finger.

you feel an anger so intense it pricks your eyes with tears.

"well, i guess you could start with the fact that coming here wasn't even either of our idea. it was his friends."

and now. here art speaks. his head jerks up and she shoots you an annoyed look. "you don't have to say it like that. you always say it like that. her name is tashi and she is my friend. and it was her suggestion, yeah, but it was a good one."

you look at the therapist - janet. raise your eyebrows in arts direction like, get a load of this guy. your legs cross and you start picking at a stray string from the couch.

"first words of the session and its to talk about another woman."

arts inhale is sharp and you can feel his eyes on you but you dont look at him. you can't. you wont. you're right, anyway. he can try to deny it all he wants but you know - you know what you are to him. you know where all your problems stem. you dont need to be here to make any grand discoveries over a fact you've resigned yourself too.

"i see." janet says. "and art having a relationship with this other woman upsets you."

"everything upsets her." art cuts in, sounding tired. his elbow is braced on the arm of the couch and hes chewing on his thumb in one of his nervous gestures. he always did that, as long as you've known him. he was a nail biter, he'd chew his lips raw, he'd nibble on straws, the ends of his pens. he was either lost in thought or agitated. your guess was the latter. "nothing i do makes her happy."

"is this true? are you unhappy with art?"

your skin feels hot. you shift around in your seat. the attention is all on you, and it feels like you've done something wrong, even though you know its literally janets job to ask questions.

"more like i know I'm not what he wants and that makes me...... really fucking sad."

art knees almost knock against yours as he turns his body to face you, giving you his full attention the first time today. you cant meet his eyes still, so you look at the faded spot on his jeans. light blue, like his eyes. you wonder how hes looking at you. cant make yourself look up to see.

"what." he stops. seems to gather some thoughts. tries again, with a steadier tone. "what are you talking about."

you try not to roll your eyes. your arm flings out limply.

"just that this whole thing is a joke, art." and you let out an exasperated laugh, even though nothing is funny. nothing has been funny or light between you two in a long time. "we're only here because the girl you really wanted to marry, told you to get your fucking shit together. you didn't ask us to come here because you wanted to mend something, you're here to please tashi. because if playing a good husband is a role she wants for you - well, you want to play it right, dont you?"

its quiet after that. in the silence you cant help but think about those early days. when you'd been full of love and light and art seemed to be really happy with you. you'd go on dates to the movies, walk through the park together with your hands swinging between you. laugh together and steal kisses whenever you could. you felt high back then.

it didn't even matter that art had a crush on tashi, because hell, you had one too, at the time. but she'd started dating patrick, and they seemed to mesh well together. they were both so intense and passionate. back then, you'd been alot closer to tashi yourself. patrick too. you remember the way she'd rant about how much she fucking hated him, pacing around your room and calling him every name under the sun. and you'd sit there with eager curiosity, and ask her why she didn't end it then. if he makes you so angry, why stay?

and she'd get this faraway look in her eyes. kind of wistful. kind of sad. kind of happy.

"because he makes me feel fucking alive. hes like a - like a drug or something. i cant quit. its addictive, you know?"

that stuck with you. it still sticks with you. you remember being envious of that kind of passion. youe relationship with art had always been so easy. you dont think you'd ever fought by that point. you loved art. you felt safe with art. but were you addicted to him? if you broke up - would you feel withdrawal symptoms?

sometimes you layed awake at night and thought about starting a fight - breaking up for no reason. just to see if he'd fight for you back, if the missing of eachother would be so intense one of you would cave.

but somehow you knew that wouldn't be the case. thats just not how you and art operated. if you got angry, he wouldn't rise to meet you, he'd back down. if you ended things, he wouldn't chase you, he'd let you go.

patrick and tashi were fire and brimstone and you and art was ice and you were....... dirt. solid. walked upon. dependable and not at all exciting.

when art had proposed to you after college graduation it wasn't spur of the moment as it had been with patrick when he'd swept tashi up with a ring and a elopement to vegas. it was talked about and agreed upon and you knew it was coming.

you still said yes.

"you think," and arts voice has a barely concealed tremble to it that makes you look up, finally. you're shocked to see he looks wounded. so many of his expressions you can count on one hand - and this - this wasn't one of them. his eyes are dark, stormy. "you think i dont care about our marriage beyond what someone else has to say about it? you really think that?"

you hate the sliver of guilt you feel, because its not a crazy thing to feel.

"yeah, i really do."

because well, that's the truth of the matter isn't it? you and your husband stare at eachother. and it feels like you're looking at a stranger. not the man who's freckles you used to kiss. who's fears you knew. who's hands you know every callous of, every divot and fingerprint.

"it seems you two have very different views of how the other views this marriage." janet cuts in, sounding curious. she taps her pen against the open notepad on her lap. "art, would you like to chime in on why you wanted to come here? even at the suggestion of someone else?"

art stares at you for a long moment. his face is unreadable to you. his jaw works before his chest expands on an exhale and he looks away.

"i guess i - i just didn't realize how..... stagnant things had gotten until it was pointed out to me. harshly." he winces, and you wonder exactly what tashi had to say to him. you haven't talked to the other woman for some time. contact fizzling out after your marriage to art. he flicks a glance to you, then away again. "im not the best at being aware of shit going on around me." his hand comes up to rub nervously at his neck. "i guess you could say im good at brushing things under the rug. going through the motions. that sort of thing."

janet nods like this makes sense to her. well, great, you think. you know my husband more than i do.

"you're not a fan of confrontation, are you?"

art actually laughs. a genuine one. one that brings a dimple to his cheek and flashes his teeth. you stare at it, like its an exotic animal, and you wont see it again. quickly you catalog the expression in your memory, so you dont forget what he looks like when hes happy.

"yeah, no." he shakes his head. "but I think thats part of the problem. I've obviously let too much shit get put under the rug and now its so full other people are noticing."

you look down at your hands, lips pressed together. your face burns at the knowledge that tashi and by extension - patrick - know your marriage is in shambles. how embarrassing, to be caught lacking in such a momentous way. to come up short and have your husbands friends know about it. you wonder - does he talk about all the ways you make him miserable with them? does patrick shake his head, say, "she's sucking the life out of you, man." does tashi look at him with pity? like hes some poor abused cat that needs to be let in from the rain?

the rain of your marriage.

the rain of you.

you're the storm. you're the problem. you're not enough. art needs fire. you're not even dirt, you're glass. and you can feel yourself breaking.

"that clearly hit a nerve, my dear." janets voice is soft. soothing. she hands you a tissue and you realize you'd begun to cry. "do you want to explain what you're feeling about what art said?"

"i...."

you dab dab dab at your eyes. sniffle. look around the room, trying to collect your thoughts. they feel like flyaway dandelions. you dont know which of them to grasp.

a warm hand settles over yours in your lap and you startle. its arts hand. warm and calloused and tan, covering yours. the gold glint of his wedding ring winks at you, the engraved words etched into them, "my soft epilogue". a shortened version of your favorite qoute i think we deserve a soft epilogue, my love.

at the time, that's what art was to you. your life before him hadn't been easy. being with art had felt like coming home from a long day and falling into a soft bed. it had felt like being able to land after weeks of being made to fly.

you turned your palm up, so he could slide his fingers between yours. he squeezed your hand.

"i think, i. i think i just think - I'm a failure." your bottom lip wobbles. you look at your enterwoven fingers and it makes you so sad that you haven't done the simple gesture of holding your husbands hand in months. "the two most important people in your life are. are so passionate and loud. and i see. i see how happy they make you - and i cant - i cant b-be that for you. we aren't - im not - you dont need me. im not a limb for you how they are. you could extract yourself from me and be. be happier."

your breath shudders out of you.

"you don't need me." you echo.

you wait for him to pull his hand away. this is more than you thought you'd share. some of it you weren't even aware of till the words were spilling from your lips. but they ring true.

without patrick and tashi art would drown. without you..... he'd float just fine.

"and that's important to you." janet says. a statement not a question. "you want to feel needed by art, and you feel as though you aren't. that his needs are met better with his friends than with you."

you nod slowly.

"baby." the word sends a shock through you. not the word itself but how its said. art calls you baby all the time, in a monotonous kind of way. routine. now he says it softly. with feeling. he lets go of your hand in favor of cupping your cheek, still damp with tears, turning your face to his. he looks pained. "of course i need you. i know i haven't been good at showing it. i just - you shut down - after we got married. you've been like a fucking ghost. like you dont want me to touch you. like i could dissappear for all you care and you'd just carry on. i don't know. but i need you, okay? i. need. you."

both hands cup your face, he makes you stare right into him. the conviction in his voice takes your breath away. theres a fire burning there you've thought long put out.

"obviously we have shit to sort out, and we will. but you've got to. you've got to know that. tashi only pushed me to do this because she how - how desperate i was. that's all."

you inhale deeply. exhale. swallow hard. tears cling to your lashes. you reach a hand up to clutch at one of arts wrists. eyes fluttering automatically when you do. you feel grounded again. less like you might float away.

"okay."

"yeah?"

"yeah...." and you smile. it trembles across your lips. but its there. "we'll sort our shit."

art lets out a relieved breath. kisses your forehead, lingering there. the gesture so tender you get emotional again. you want to crawl into his lap, have him wrap you in his arms. you want to feel held by him, like you used to.

"our time is up." janet sets her pen down. smiles. "but i think that was a wonderful first session. i can see the love between you hasn't faded, and that's more i can say for alot of couples who come to see me. keep your chin up."

[clockwayswrites]

A Hill to Die On

cw: gender identity issues, overall identity issues

Tim brush his hand idly through his damp hair as he stepped out of the shower.

It had gotten long.

He hadn’t planned to grow it out, it just sort of happened. He’d gotten it cut last summer before he’s started his sophomore year of college. The start of the semester had bled into midterms. Midterms had proceeded papers and projects. Projects had become final presentations and exams. Classes ended abruptly into a too short winter break of Tim visiting Cass and her team then dragging her home for Christmas. The new year had been filled with Titans and teammates and fireworks.

He might cut it when it started getting too muggy. Spring had barely broken into the city. It was warm enough not to need heavy coat but cool enough TIm could still wear his favorite leather jacket he’d stolen from Jason around. It was a good time of the year.

It really had gotten long.

As long as the wig Tim wore when he became Caroline. He tugged at the ends of the hair where, if he tilted his head down to look up under his lashes, the black strands just brushed the top of his shoulders.

Tim hadn’t been Caroline Hill in a long time now.

Or Alvin Draper.

Or Timothy Drake— CEO to be.

He hadn’t been anyone, really. Instead he had been struggling to find out who Tim Wayne was beyond the expectations of dead parents, missions hidden behind masks, and under the weight everyone else’s needs. He still really didn’t know.

It felt more like a game of finding out what he wasn’t than falling into what he was. Or what he liked to be.

He could be a ruthless businessman, but that was Timothy Drake, wasn’t it? That was his father’s Jack’s legacy and Janet’s cold, confident smile. He didn’t like being that.

He didn’t like being them.

He could be whatever the mission needed. He could do recon, hacking, infiltration, fighting— Replacement, like Jason said. The word didn’t have the same sting that it used to. Replacement. It was almost a word of respect now. It had taken a lot of talking (and a lot of alcohol) for Jason and Tim to get somewhere good, but they both got it now. Red Robin was whoever the team needed.

He was tired of having to fill in cracks.

He beyond tired of just existing for everyone else’s needs.

The weight of that had nearly broken him.

Had broken him.

Tim watched the black strands of hair slip over the spider web of scars on his left hand.

Bruce had assured him that there would always be a place with the Bats if Tim still wanted it. Tim refused just to fill in the space that was left for him anymore. It took a lot of sessions with his Justice League approved therapist for Tim to even get to that line in the sand, but he understood how important it was now.

He had to stop being the Replacement.

The problem is, he didn’t always think he was Tim Wayne, even the pieces that he was slowly learning.

Tim dug around under his sink, coming up with the purple case he’d stolen from Steph to keep Caroline’s things in. The robin red lipstick was on the top. Slowly he uncapped it and smeared it almost recklessly across his lips.

Tim no longer stared back out from the mirror.

Maybe Caroline deserved a night out.

It had been a long time, after all.

---

AN: Look, look, I'm not officially starting this but I had the idea for this scene in my head and had to get it down. (Now I should sleep cause it's past 2 in the morning.)

Anyways, I love me a gnc Tim.

[starsjulia]

labour // leah williamson

a/n : i giggled a lot writing this.

warnings : none really, set in a hospital, reader being gobby

Leah was ready for anything. At least, that’s what she’d been telling herself for nine months. She’d read books, watched videos, and even gone to a birthing class where she’d accidentally fainted during the “miracle of life” video. But now, with you gripping her hand like you were trying to crush her metacarpals, she realized nothing could have prepared her for this.

“You’re doing amazing,” Leah said softly, her thumb brushing over the back of your hand.

“shut the fuck up you evil woman,” you growled, your head snapping toward her with the intensity of a woman possessed. “one more bloody ‘you’re doing amazing, and i’m going loose it”

Leah blinked. “Alright, cool, cool, cool. I’ll just… stop talking.”

“Good idea,” you hissed, then immediately let out a pained groan that shook the room.

The midwife, a chipper woman who apparently didn’t fear death, tried to help. “Let’s focus on breathing—”

“Don’t you start with the breathing! I AM BREATHING, AREN’T I?!”

Leah glanced at the midwife apologetically. “She’s normally lovely. I promise.”

“Don’t you dare apologize for me!” you barked. “You did this to me, you fucking cunt! You and your stupid, sexy smile!”

Leah couldn’t help but smirk. “You think my smile is sexy?”

“NOT THE TIME”

An hour later, you were in what the midwife called “active labor” and what you called “the seventh circle of hell.” Leah, to her credit, was trying to keep it together, but you weren’t making it easy.

“How about I go stand up front with the midwife?” she suggested, trying to be helpful. “You know, cheer you on from the sidelines—”

“ABSO-FUCKING-LUTELY NOT!” you yelled, grabbing her wrist then smacking her arm with surprising strength for someone in so much pain. “YOU ARE STAYING BACK HERE, WITH YOURE WIFE. I can feel my fanny ripping in half, ain’t no way in hell your seeing that”

Leah blinked, torn between amusement and terror. “Babe, that’s not—”

“NOT TAKING ANY BLOODY CHANCES!”

“Alright,” Leah muttered, holding her hands up. “I’ll just stay here then.”

“Good,” you snapped. Then, as another contraction hit, you added, “But you’re still not getting sex for a year. Minimum.”

Leah gasped in mock horror. “A YEAR?!”

“Maybe two! Depends on how long it takes me to forget THIS,” you shouted, gesturing wildly to your entire body before screaming in agony once again.

“Didn’t you say earlier that you’d forget everything once you saw the baby’s face?” Leah asked you.

You leveled her with a glare so sharp it could’ve sliced through steel. “FORGET WHAT I SAID EARLIER! one more word from you woman and i’m getting a divorce.”

By hour nine, the room had descended into chaos. You cussing out at everyone in sight, including the poor anesthesiologist who had tried to offer you an epidural.

“I don’t care if it’s late in the game!” you shouted. “Stick the bloody needle in my spine, you fucking COWARD!”

The anesthesiologist froze.

Leah quickly intervened. “She doesn’t mean that.”

“I MEAN EVERY WORD!”

“She’s in pain,” Leah added, patting his arm. “She called me a ‘stupid, gorgeous twat’ earlier. It’s just how she expresses love.”

The anesthesiologist looked unconvinced but did as you asked, and for the first time in hours, you seemed to relax.

“Thank God,” you muttered, leaning back against the pillows. Then, turning to Leah, you added, “Don’t get comfortable. I’m still mad at you.”

Finally, after what felt like an eternity, the midwife smiled. “Alright, one more big push!”

“One more?” you snarled. “THAT’S WHAT YOU SAID THREE PUSHES AGO, JANET!”

“Her name is Emma,” Leah whispered.

“I DON’T CARE WHAT HER NAME IS!”

Leah bit her lip to keep from laughing.

“Alright,” the midwife—Emma—said patiently. “Let’s do this together. Big push!”

With a guttural scream that would’ve put banshees to shame, you gave one last push, and suddenly, the room was filled with the sound of a baby’s cry.

“She’s here!” Leah exclaimed, tears streaming down her face as the midwife placed the tiny, squirming bundle on your chest.

You stared down at your daughter, your entire world shifting in an instant. “Oh my God,” you whispered, tears pricking your eyes. “She’s perfect.”

“She is,” Leah agreed, leaning down to kiss your forehead.

“She’s also loud,” you added. “Definitely gets that from you.”

“Oi!” Leah protested, but her grin gave her away.

Later, as your daughter nursed contentedly, you looked at her with a soft smile. “You know,” you said, stroking her tiny hand, “your muma is going to be so jealous. You’ve stolen her favorite spot.”

Leah gasped, clutching her chest dramatically. “Innocent ears! Did you just tell our newborn daughter about—”

“Yes,” you interrupted. “And she’s got a right to know.”

Leah shook her head, feigning devastation. “I can’t believe you’d corrupt her like this. On her first day. What kind of example are you setting?”

From the corner of the room, Leah’s mum, who had been quietly observing the whole thing, finally spoke up.

“Right, well,” she said, smirking, “this has been the most entertaining day of my life.”

You groaned, burying your face in your free hand. “Oh, God. You’re still here.”

“Still here,” her mum confirmed, grinning. “And I can’t wait to tell this story at Christmas.”

Leah burst into laughter while you muttered something about filing for divorce.

That night, as you lay in bed with your daughter snuggled between you and Leah, you sighed.

“I guess I forgive you,” you murmured.

“For what?” Leah asked, her voice soft.

“For putting me through hell today.”

Leah grinned, brushing a strand of hair from your face. “Does this mean the sex ban is off?”

You shot her a look. “Don’t push your luck, Williamson.”