#where now we have to explain the context to every person that comes on

[chirpsythismorning]

People keep posting in the tag like WHERE ARE THE LEAKS bc we keep talking about it.

To be clear, there are no leaks. And I feel like it’s disingenuous to keep humoring stuff that we know for a fact is false. Like it’s 100% false and there is no room for speculation.

And then on top of that not giving the full context of the situation that led us here, because a lot of fans just popping in obviously don’t have that context. They hear the word leak and they get excited and then it just spirals to something that complicates things even more.

To be clear, there was one account on Twitter that is known for having sources and getting leaks. This one account said they got a spoiler in their inbox. They did not share that source nor the spoiler. That’s where the supposed leak ends. That’s it.

Since that happened, fans have been unhinged making claims they have a source too.

I understand being misinformed because you don’t have all the information. And that’s why it’s harmful to humor stuff as if it has an ounce of validity when we know it doesn’t, creating confusion.

If there was ever a leak, it’ll come from a source directly, and it’ll likely end up on the Hawkins AV Club on Reddit. IF you want leaks, join that sub and wait it out. THEN if and when something happens, there will likely be a list of leaks based on what comes from that. THIS is when there will be fans saying they have a leak, when really all they have is the leak the sub has. If fans said they had leaks in the past and they ended up being accurate, it came from that sub, not from their personal source. And so that’s my issue with taking claims fans have sources seriously rn, bc there are no leaks for them to even claim they have. They’re just trolling and using the past of having leaks that weren’t even theirs in the first place, as an excuse for why they magically have some now. But they don’t.

And seeing fans take these claims seriously, when its coming from people very intentionally mocking bylers, like it’s hard to watch.

It’s not a matter of maybe it’s true maybe it’s not. It’s not true. And spending time confusing people over it as if there’s a chance it could be true, is going to make this hiatus miserable bc we are clearly struggling to think critically about what’s worth our time, as if it’s worth confusing other fans over, based simply on just wanting stuff to talk about.

Of course we’re bored and lacking content. There is still plenty of stuff we can do that doesn’t involve falling for stuff specifically made to mock us by antis.

And now people elsewhere are saying the leaks came from byler tumblr, which isn’t even true, and we’re getting shit on for something that wasn’t our doing in the first place. We get enough hate as it is for simply shipping byler, and now we have to deal with claims that we are making up stuff. People are going to think and say what they want about us, but I dread that we’re giving them ammo to criticize us even more for stuff that we never started in the first place.

[blueskittlesart]

All children raised religiously are being abused. They're sweet now but in thirty years see who's voting for Trump Jr or who ever the fuck.

ok let's talk about it. for context i've been working with children aged 2-6 in both school and home settings for almost 10 years and have met kids raised in basically every major religion in the world. I was personally raised completely agnostic.

religion is not inherently abuse. religion is a moral framework. All religions have the potential to become high-control groups or perpetuate abuse, and certain religions are more prone to those issues than others. that does not mean that teaching your child about the god you believe in is abusive. the abuse comes when your religion perpetuates a lack of choice, which, as I have already explained, most of the religious children i have worked with are not experiencing. Religion at such a young age is often primarily about stories, which preschool aged children LOVE. The bible functions similarly to, say, a my little pony episode to these children, in the sense that it's a fun story they get to experience which teaches them an age-appropriate moral lesson at the end. (and by and large, these kids are only getting the age-appropriate stories and lessons. I do not know any evangelical children who are being taught about the rapture and i don't condone that kind of fear tactic, but again, that's not what's being discussed here. we're talking about RELIGION, not high-control groups that happen to use god as a mechanism to perpetuate their abuse.)

in that same vein, religion in preschool aged children largely functions as a moral framework, which, in certain situations, can genuinely be very helpful. the christian and muslim children I have worked with especially are very often the ones that are the best at resolving conflict. they understand the concept of "treat others the way you want to be treated" and they're able to articulate it to their peers at an age where their morality is still developing and children often think in very black and white, self-centered ways. With rituals like prayer, church, etc, at such a young age they tend to consider them bonding activities. they have friends at their church or temple. their entire family prays together in the same way an agnostic family may enjoy a family dinner. again, I'm not denying that these rituals have the potential to be used to control or abuse, but they are not INHERENTLY abusive. they're normal. religion is a normal part of life for a VERY large percent of the population. telling your two year old about heaven isn't inherently going to strike the fear of god into their heart. more likely it's going to make them tell their babysitter, very earnestly, that when they go to heaven they're going to bring their legos so that we can all play legos together in heaven.

it is very likely that you, personally, have people in your life who are privately religious and you never even knew, because religion is not inherently a public statement of identity nor is it necessarily conducive to fringe or radical beliefs. it is a part of the human experience. you need to learn to be normal about religion.

[awearywritersworld]

i was benevolent and good; misery made me a fiend

sukuna x reader summary: you persuade sukuna to play go fish. the two of you have a small disagreement (he really can't stay mad at you). he confides in you about his past as a sorcerer. w/c: 3.4k tags/warnings: the teeniest bit of angst. mostly fluff. banter. cursing. aged up!yuuji. slight yuuji x reader. not canon compliant. fem!reader. no use of y/n. no manga spoilers. a/n: the first section could be read as a brief(ish) stand alone. and for context, the world's shortest frankenstein synopsis: victor frankenstein brings a creature to life using dead body parts and thrusts him into a world he doesn't understand, then promptly abandons him and wishes him dead. alone and regarded as repulsive by every human he comes across, the creature begs frankenstein to create a wife for him too. when frankenstein refuses, the creature is further driven to hatred and violence. series masterlist // masterlist

"we should play a card game!" you exclaim as if you've just had the world's greatest idea.

"i'll pass."

sukuna sounds listless, like it's quite possibly the worst proposition he's ever heard.

"why's that? scared i'll beat you?"

"i'm opposed to mind numbing boredom, more like."

"you really need to expand your horizons," you suggest, making your way over to where you keep your playing cards. "all you do is read and brood."

"it's gotten me this far."

you don't respond, too busy rifling through your bookshelf. just as you spot your cards, a book catches your eye and you pull it from its place.

making your way back over to him, you drop it in his lap. "since you found jane eyre so insufferable, here's one you might actually like."

he surveys the cover, which reads: frankenstein or the modern prometheus

you take a seat across from him at the kotatsu table and shuffle the deck, while sukuna flips through the pages with new found intrigue.

"what's it about?"

"the dangers of playing god. should be right up your alley."

"your subtly never ceases to amaze."

"i'm just kidding." you laugh. "there's a lot more to it than that— revenge, loneliness, personal responsibility..."

he turns the book over. "it's written by a woman?"

you raise your eyebrows at him. "what, you don't think women have enough depth to write about those kinds of topics?"

"no, it was just an observation," he says off handedly. "you are evidence enough to the contrary."

he doesn't say it as a compliment, more so as a statement of fact. you hope your astonishment isn't written all over your face.

clearing your throat, you begin dealing while explaining the rules to him.

he takes up his cards and seems to understand the game after only a turn or two, but you're narrowing your eyes at him soon thereafter.

"go fish," he says for the fourth time in a row.

your gaze shifts down to his hands. there's just no way. "show me your cards."

"wouldn't that defeat the purpose of this stupid game?"

"not if you're cheating, now let me see."

"no."

you reach across the table, hoping to snatch them from his grasp, but he just holds them out of your reach.

swiftly rising to your feet, you launch yourself at him in a sad attempt to catch him off guard.

with only one arm extended, he easily fends off your attack. "do you actually think you have a chance here?"

you sink to your knees in defeat and sit with your legs folded beneath you. "not really, but i have to know if you'd stoop this low."

"that so? had you believed me to be above cheating?"

you gasp. "so you admit it?"

"i told you i didn't want to play," he deadpans.

"that doesn't mean you had to cheat! now we have to start over!"

he carelessly tosses the cards onto the table. "i don't think so."

"please?" you lean forward, jutting out your bottom lip.

he just stares at you with an air of disinterest.

sukuna can be so haughty sometimes, and frankly, it drives you a little crazy. you'd give anything to wipe that look from his face— to prove that he doesn't find this as miserable as he lets on.

leaning forward even further, your hands meet with the carpet to support your shifting weight. now he's watching intently as your face approaches his, your eyes flicking down to his lips.

unbeknownst to you, sukuna's breath catches in his throat once he sees your gaze shift, though his mind struggles to catch up. it happens so fast that he hardly registers the quick peck you place on his lips (though maybe it's not the speed of the occurrence, so much as his shock).

"please?" you repeat.

he looks off to the side and stays silent, though his demeanor is indicative of some heated internal debate.

sukuna can't let you win, not that easily. you'd be under the impression that you actually have power over him! and for what? some measly kiss?

no, he simply will not allow that. "i already told you—"

grabbing him by the chin, you cut off his words with another kiss, but this time it lasts a few beats longer. your lips don't move against his, they just linger there in a way that that makes him question whether all of the oxygen has vanished from the room.

when you pull away, you're looking at him expectantly with the same pout still playing on your lips.

"fine!" he barks, grumbling something afterwards that sounds a lot like "evil little minx."

"human earthworm two is definitely still the best."

you're walking home with yuuji after a late night showing of the newest movie in the series.

"no way," you contend. "this one was even better."

he gawks at you. "in no world is the seventh film in an anthology the best! you're crazy—"

sukuna's mouth appears, always eager for a chance to undermine his vessel. "she's right, brat."

yuuji can't believe his ears. "what?! you haven't even seen it!"

"i don't know," you interject slyly. "i'm willing to look past that. it really seems like he knows what he's talking about."

"you mean the guy who's existence predates cinema?" yuuji asks, his eyebrows furrowing as a thought occurs to him. "what'd you do all day anyway? watch plays?"

"..among other things, yes." sukuna answers.

"if you look at it logically," you reason, "we probably wouldn't have movies without theater, so we should definitely consider him an expert in this case."

"oh please, baby. when the topic is ancient civilization or being a homicidal maniac, i'll be sure to solicit his opinion then."

"i resent that," sukuna declares, his conviction forcing a giggle from your lips.

"why?" you question. "was it the part where he called you old as shit, or the part where he called you a murderous lunatic?"

yuuji brings a hand to his mouth to stifle a snort, but you're freely laughing now.

sukuna scoffs indignantly and bites back a comment about how partial you seem to be toward said lunatic. "and to think i defended your opinion."

his response has you clutching at your sides and struggling to see through teary eyes.

but perhaps karma is real, because not a moment later, you step off the curb in a way that sends a sharp sensation through your leg.

you gasp in pain and brace yourself for the impact of falling to the concrete, but it never comes. instead, you're left with fingers clamped tightly around your wrist and a strange sense of deja vu.

you turn your head just before the dark lines fade from yuuji's arm completely.

"tch, watch where you're going idiot," sukuna scolds, his mouth disappearing as soon as he finishes speaking.

"are you okay?" yuuji asks worriedly.

"absolutely," you claim, but when you try to put weight on your left foot, you let out a hiss.

yuuji's hands find your waist, hoping to keep you steady. before you know it, he's crouching in front of you with his back turned and beckoning you to wrap your arms around his neck.

once you do, he hooks his arms under your thighs and easily stands up. "this okay? you comfy?"

"yeah. i can't believe i just did that." you hide your face in the space where his neck meets his shoulder. "thanks, yu."

when you get home, yuuji sets you up on the couch with icepacks, heating pads, three different drinks, two different books, and the tv remote.

he still asks if you have everything you need several times, then kisses you sweetly before heading to bed.

around thirty minutes later, sukuna's leaning in the doorway with his arms crossed.

"hey," you greet. your eyes never leave the tv, as you're privy to the slight tension between the both of you.

he skips the evening's pleasantries. "i could heal it, you know."

you finally turn to face him. "really?"

"of course." he rolls his eyes. "some of us can actually use reverse cursed technique."

"and you've just let me hobble around the past hour anyway?"

he shrugs. "you pissed me off."

you blink at him a few times, rubbing at your temples. "well what about now?"

"i don't know," he begins, making his way over to you. he towers over where you're seated on the couch, so you have to crane your neck to look up at him. "just doesn't really seem like something a homicidal maniac would do, but maybe if he were to receive an apology..."

you cover your face with your hands and groan. "i didn't say that. this is really something you should take up with yuuji—"

"i don't make a habit of conversing with the brat, so if that's the way you're going to be..." he turns on his heel and starts for the bedroom, but you grab onto his sleeve just before he's out of reach.

"wait. please don't go."

just like that, your words have his resolve crumbling and any of his lingering irritation ebbs away. he urges himself to stay strong though, especially after the go fish debacle.

when he doesn't speak, you let out a breath.

"i'm sorry, sukuna." he can tell right away that you're being entirely sincere. "i would never purposefully hurt your feelings. i only meant to tease you, but i can see how i was being mean."

are those... are those tears swimming in your eyes? are you in that much pain, or did he just make you feel that badly? in any case, he endeavors to remedy it immediately.

moving around the couch until he's in front of you, sukuna kneels between your legs. he grabs your left foot gingerly, situating it on his thigh before hovering his hand over top of it.

he sighs. "i don't care if you tease me and you weren't being.. mean." the words sounds so juvenile to him.

you weren't necessarily wrong either, goes unsaid.

well, he'd like to consider himself a little more sophisticated than 'maniac' would imply, but that's beside the point.

"then why are you upset with me?"

his jaw flexes as he tries to find the right words. "i would prefer you do that when it's just.. us."

"oh." realization dawns on you, as does another heap of guilt. you know he despises being trapped in yuuji's body, and you completely failed to consider how ganging up on him might make him feel. "i'm... fuck. i'm really sorry, sukuna—"

"stop apologizing," he urges you in a low voice. it's partly because what he just said makes him feel pathetic, but more than that, it's because the look of self reproach you're wearing is akin to a thousand needles in his chest. "it's fine."

he can't believe you're sitting there with so much remorse over a man like him because you... what? wounded his pride?

he probably deserves it anyway.

why should you give a shit when he's done things a thousand times worse, a million different times?

oh, right. because you care about him.

you can't see the cursed energy at play, but you can tell it's working as your pain begins to dissipate.

once he's finished, he carefully moves your foot to the floor and looks up at you. it's not unlike the way a person might gaze at one of the wonders of the world, like they're lucky to be there in the first place.

with the intensity of his gaze, it feels like he can see right into your head— read your every thought and pick apart every emotion. has anyone ever looked at you like that before? you're having a hard time remembering. you're having a hard time thinking of anything at all, really.

so it goes without saying that you don't think about it when you lean forward and kiss him.

it's not at all like when you were trying to convince him to play cards. no, this isn't light hearted or frivolous.

and it's not like the other two kisses you've shared either. it isn't heated or desperate, nor does it leave you gasping for air.

it's tender. it's so fucking tender, in fact, that sukuna wonders whether he's going to crumble beneath your touch.

he grips the area just above your knees, as if needing something to tether himself to before he withers away completely.

his lips move with yours in a way that's slow and careful.

your hands are on either side of his face, ghosting over his skin as a testament to your hesitance— like you're not certain if this is something he would want.

he wonders how in the world you could ever second guess yourself.

when you pull back, you examine his face for a moment before a small, shy smile tugs at your lips and you murmur, "thanks 'kuna."

he just peers at you wordlessly and it makes you nervous, so you attempt to fill the silence. "it feels so much better. a-and i'm sorry again abo—"

his hand finds the back of your neck, pulling your lips against his for a moment longer. "don't mention it, angel."

ever since you gave sukuna your copy of frankenstein, he's spent a decent portion of your nights together reading, his brows drawn together in concentration.

upon finishing, he stares at the page after taking in the final line: "he was soon borne away by the waves and lost in darkness and distance."

he's deathly quiet and wearing some unreadable expression. his eyes seem far off.

you leave him be for a little while, as it's clear he's lost in thought, but eventually you grow a bit concerned. it's been nearly half an hour since he last moved.

"sukuna?"

he turns to you. "why did you think i would enjoy this particular book?"

you consider his question carefully, his mood evoking your own seriousness. "it's... elegant and tragic. i suppose i appreciate the moral grayness of it. why do you ask?"

"no reason."

"did you enjoy it?"

"yes."

"why?"

he ignores your question. "frankenstein— do you like his character?"

you can't help but feel like you're answering some sort of riddle. "i think he's foolish and arrogant, but i guess i pity him to some degree."

"and the creature?"

"i'm much more sympathetic toward him. he's very... complex and certainly less culpable for the events of the novel than his creator."

you're surprised when he laughs. "of course you would think that way."

and with that, he's flipping through the pages of the novel. you move to sit beside him and once he finds what he's looking for near the middle, he begins reading:

"remember, thou hast made me more powerful than thyself; my height is superior to thine, my joints more supple. but i will not be tempted to set myself in opposition to thee. i am thy creature, and i will be even mild and docile to my natural lord and king if thou wilt also perform thy part, the which thou owest me. oh, frankenstein, be not equitable to every other and trample upon me alone, to whom thy justice, and even thy clemency and affection, is most due. remember that i am thy creature; i ought to be thy adam, but i am rather the fallen angel, whom thou drivest from joy for no misdeed. everywhere i see bliss, from which i alone am irrevocably excluded. i was benevolent and good; misery made me a fiend. make me happy, and i shall again be virtuous.”

his voice is strangely even, almost bordering on robotic. you're struck with the notion that he's attempting (with rare difficulty) to mask his emotions.

you regard him quizzically and wait for him to speak. the last thing you expect to hear tumbles from his lips.

"you know they called me the disgraced one?" you nod. "do you know why?"

"i know the story that sorcerers have passed down."

he hums. leaning back into the couch, he looks fixedly at the ceiling before continuing. "i was just a boy when i was orphaned and no one knew anything about my heritage, including me. jujutsu society took me in and raised me as a sorcerer."

"and you didn't care for it?"

"oh, quite the opposite. i reveled in it. my strength was unprecedented, that much was clear from the start. i surpassed my teachers with ease, and eventually, i took to training alone— reading primitive texts and honing skills that they couldn't teach me."

your hand finds his thigh, hoping to offer him some consolation before beckoning him to continue. "then what happened?"

"the men who had been my teachers, who had been the only.. family i'd ever known.. they scorned me. deemed me reckless and dangerous to jujutsu society. plotted my demise."

your voice is small when you ask, "were they right?"

he wants to hate the question— wants to hate you for asking it— but he knows that it's warranted.

"no. i admit i was forward thinking and a bit.. unorthodox, but i wasn't..."

"what they thought you were?" you offer gently.

he nods. "not until they made me that way— not until they abandoned me and backed me into a corner like some animal."

you struggle to find the right thing to say, if any such thing even exists. you're amazed that he's confiding in you, and while it makes your heart swell, you really don't want to fuck it up.

he looks back down at the book, his eyes scanning the paragraph before repeating, "i was benevolent and good; misery made me a fiend."

he says it as if he's coming to terms with the circumstances of his life for the very first time.

"the creature was remorseful at the end of the novel," you recall somewhat bravely. "are you?"

sukuna thinks for a great deal of time before replying. you wait patiently for him.

"no," he answers decidedly.

looking over at you for the first time since he began his story, he's relieved to find your face is free of rebuke. instead, there's a warm willingness to understand him. a sadness because of the way he was alienated.

he's curious whether anyone would be able to read the sentiment on your face, or if he just knows you better than most.

is that a privilege he's worthy of? he doubts it.

"you didn't deserve what they did to you," you whisper, reaching up to rake your fingers through his hair, nails grazing his scalp before your palm rests against his temple.

his head leans almost imperceptibly into your hand, and any regret or unease he may have felt at relaying his past to you disappears. watching a single tear slip down your cheek, he wipes it away with the pad of his thumb.

he means to say "don't cry. not for me," but the words die in his throat.

for once, your tears are for him rather than because of him and it's utterly riveting. the fact that someone like you would cry on his behalf seems to contradict every horrible thing he's ever been told about himself.

he could sit here and bask in the feeling forever— he's always known himself to be selfish after all. and you know it too, don't you?

his eyes flicker between each of yours, studying your face. "do you want to know why i don't regret the things i've done?"

you tilt your head to the side. "why?"

"because even if it's made me into a monster..."

for a moment, he contemplates not saying anything more. he considers forcing himself to pull away from your touch, even if it's the only comfort he's been given his entire life. he might still be able to salvage whatever tiny, laughable pieces remain of his pride—

"all of my actions have led me to you."

your eyes soften before you're wrapping your arms around his neck and pressing your body to his. he returns the gesture after a few seconds pass.

you know he's awful. you know he's cruel. you know that what he's been through doesn't excuse his actions. but still— you want so desperately to take away his pain. to make up for all the things in his past. to wipe the blood from his hands.

as you embrace such an incredibly complicated man (one who is infamous for unrivaled wickedness, yet has his face buried in your hair), you ponder the creature's plea: "make me happy, and i shall again be virtuous."

a/n 2: if you're still w me, thanks for reading!! i'm not sure how i feel abt this part, so feedback is both welcome and appreciated!! also, how do we like sukuna using angel?? in my head he picked it up from the "my good angel" line in jane eyre, so i hope it doesn't seem too unnatural. alsoooo, highly recommend frankenstein. it's one of my favorite books!! mary shelley popped off and literally created the entire genre of science fiction at 21! anyway, thanks for all the love yall, it means the world<3

taglist: @96jnie @ay0nha @sad-darksoul @bbysatoruuu @luciiferian @risuola @lirasmoon @disaster-rose @archivist-ghoul606 @creative1writings @sloppyzengarden @omismicrowave @cecesharktales @tanyeonn @hiqhkey @ruixrei @yellowsubiesdance @thefallofruins @anything-and-everything-here69 @emzalot @thepup356 @browneyedgirl22 @lantsovheiress // users in bold could not be tagged. if i forgot to tag anyone, my apologies!! just give me a heads up.

[roll-for-gaslight]

While I think Sklonda is right to be critical of the Bad Kids and specifically Kristen, I think that a lot of the reason she did so is that she was missing a lot of context the other parents were given. We see in Freshman Year that she’s often given the information about their quests from Riz, several hours after the fact, and he shares clues with her rather than personal things. He doesn’t think the personal bits are what she cares about because, for him, that’s not the problem being solved. He’s happy with his friends and she only really would hear if one of them caused a problem. Her apartment isn’t a hangout like Seacaster Manor, Mordred Manor, the Thistlespring Tree, or even Gilear’s season one apartment were. By the nature of her being a single working mother in a difficult financial situation, she often was left out of extracurricular activities.

For example, Mordred is obviously a place filled with a lot of activity, and plenty of kids to give updates on said activity if something slips through the cracks of someone’s retelling. If Adaine leaves out a personal moment because she’s focused on the case, Fig or Kristen or even Ragh could fill in that blank, plus the fact that the other BKs spend a lot of time there means that Sandralynn, Jawbone, and Lydia are usually getting every side of every story. The Thistlespring Tree is where the Bad Kids go not just because it’s a nice place to spend time, but because it’s often directly tied into a plot or subplot! The power source in season one, the satellite in season two, and Gorgug’s artificer journey + the whole Frosty Faire thing going on now! Besides that, the Thistlesprings have raised Gorgug in a way that encourages open channels of communication about his emotions above all else, so he tells them what’s going on! Fabian’s parents over at Seacaster Manor haven’t been involved so much this season, but Bill Seacaster saw their bond from the start and taught them how to take care of each other and fight as a group, and Gilear has always been heavily involved in their adventures because all of the BKs have been emotionally invested in him as well!

Aside from that, she’s missing the context of actually being able to attend their quests like some other parents/guardians were able to in Sophomore Year! Gilear and Cathilda and Sandralynn all know things like the fact that everyone was worried about Riz and called him their little angel when he was gone and that Kristen saved him almost at the expense of her own life in the Nightmare King’s forest. She never sees them together, the way they’ll risk everything for each other when the chips are down, the way they all show they care in little ways all the time ( like Fig giving him the card or Fabian’s gifts in Freshman Year). She doesn’t understand that while “the Ball” may have come from a bully on the first day of school, it turned into a term of endearment! She doesn’t see how hard they’ve been trying this year to pass their classes and such, not because it matters to them, but because they know it’s important to Riz. He never even explained the whole needing scholarships thing to them! He showed up with folders on the first day, stressed out of his mind about all of them passing together, and basically decided to get their shit together! Sure, it took Kristen and Fig a little while to do it, but that’s because they were struggling to build better habits!

I also understand how she could think Riz does all of the heavy lifting: when he presents the clues to her and he’s their lead investigator, do you think she assumed other people did the finding? Absolutely not! She doesn’t see the way they put things together by focusing on their individual strengths; she only sees Riz trying to put it all together and find the connections. Why would she know that a lot of the investigative work was done by Adaine and Kristen in sophomore year because so much of it had to do with religion? She wouldn’t!

All this to say: Sklonda is a good mom for checking in with Riz, but she also has a narrow view of things that no one else has. If she were to be exposed to the BKs more often and actually pay attention to how things work between them, I think she would be much more understanding.

[wip]

Please make it possible to hide users' posts without blocking them. Like, in cases where a person hasn't done anything wrong to be blocked, but you just don't like their posts.

Answer: Hello, @deithwen!

As it turns out, we’ve received this feature request a lot over the years. Usually, it comes in as wanting the ability to “mute” other blogs on Tumblr. While we would love to build it, we’ve balked at it a bit because of its technical and product complexity. Let us explain what that means:

In terms of technical complexity, our current blocking feature is closest to how “muting” would work. Our current blocking feature may seem simple, but it’s very complex because of how big Tumblr is. Every time we fetch a list of blogs for you or anyone on Tumblr, we have to also fetch the list of who you’re blocking, and who’s blocking you, and filter out anyone with that block relationship. This mapping of who’s-blocking-who is stored in a directional way right now, so the “cost” of loading that list gets higher the more people you’re blocking and the more people who are blocking you. If you’re blocking 1,000 blogs, we have to check that list a lot. If you’re being blocked by 1,000 blogs, that’s another big list to check against.

In technical terms, this is a “many-to-many” relationship, which is almost always incredibly difficult to manage while not degrading the experience of using a platform like Tumblr. The more people who are blocking, the harder it is to store those lists in a way that’s easy to check, but we’re working on making it smoother. The vast majority of people don’t block many others, if at all, so it’s never been a huge problem. But the outliers who block thousands of others (or are blocked by thousands of others) can degrade performance for everyone over enough time.

Adding muting would throw on top of that yet another list of blogs to check, increasing the complexity of something that’s already pretty complex. It helps that muting would be one-directional and not bi-directional (as in, it doesn’t matter who’s muting you), but, as that list of muted blogs grows, your experience may degrade further. So we’d need to solve for that, which is definitely doable. It would just take time—and lots of it.

And, as a product, Tumblr is already pretty confusing to people trying to figure out what “blocking” means already, as well as our other filtering options. Up until fairly recently, blocking was almost entirely one-directional, the opposite way you’d expect: blocking made it so the blocked person couldn’t see you, not that you couldn’t see them. We’ve been updating blocking to work both ways instead, which is more common on social media these days. Similarly, the options to filter tags versus content cause a lot of confusion because they don’t work the same way as each other.

So if we wanted to add another filtering option to that mix, “muting” blogs, we’d need to be conscious of how all of those options work together—and are confusing in context with each other. We should really clean up that experience to be more streamlined and simple, not more complex. And I didn’t even mention the oddity of how different settings apply to your primary blog versus your sideblogs if you have more than one blog!

Taken together, it is a great idea for us to clean all of this up, improve our existing options here, and add “muting” for even more control and granularity. Sadly, however, it just isn’t high enough on our list of priorities to tackle anytime soon. We don’t want to simply tack on muting for the sake of doing it—we want to do a better job than that. I hope that makes sense!

Thanks for your question. It was an important one to address. If anything should change here, you will get news through the usual channels: here at WIP, or at @changes. 

[nohaijiachi]

I got randomly recommended this video by YT and wrote a ginormous comment in response because I have no self control, apparently, so I thought I might as well also share my thoughts here in regard to whatever is going with THIS FUCKING SMILE

(under a cut to not clog y'alls dashboards)

(the first part of the comment here is a direct response to some of the ideas put forth in the video, it is very short so give it a quick watch for more context if you want)

Imo it's not necessary to look into overcomplicated theories that rely too much on off screen shenanigans to explain the smile, for how amusing the idea of them having swapped during the kiss is (like, the kind of stuff I won't want to be actually canon, but I'll be very happy to see explored in fan fics lol)

I think to fully explain that smile we have to take in consideration multiple factors:

This show is very purposeful in what it does and doesn't, well... show. That last shot is very long and I think the fact that Aziraphale's and Crowley's expressions in the aftermath of their disastrous break up is shown in such a manner tells us a LOT about the state of mind they might be at the start of S3, and the obstacles they'll have to face. Aziraphale doesn't immediately smile, rather he seems to look almost shell-shocked for most of the shot; it's clear (to me at least lol) that the quiet ride up the elevator is finally giving him some desperately needed time to fully digest everything that happened, because too much has happened in an extremely short amount of time, and we all know Aziraphale doesn't do well with speed lol.

But, for how much he can sometimes be a complete moron, he is smart, and all he needs are just those seconds of quiet to properly ponder on everything, on the choices made and the ramifications of said choices, and that's how we get to smile-- I'll delve into what I think Aziraphale is going through in his mind in more details later, because I also think it's necessary to focus a bit on Crowley's own expression, since the both of them are so intrinsically linked that the narrative cannot make sense without taking the both of them into account.

Crowley's expression is much more static and doesn't change the way Aziraphale's does; he looks profoundly tired in ways we've never seen him before. I don't think he's giving up on Aziraphale, and I fully believe the fact that he stood there and waited for Aziraphale to disappear in the elevator, the both of them sharing that last look, was a quiet message: He'll never give up on Aziraphale, he'll be there, waiting. But wait is all he can do for Aziraphale, now, because he can't follow where Aziraphale is going.

For how messy and full of heightened emotions the confession + kiss are, I think actually denying Aziraphale's request was a HUGE step forward for Crowley's character. He's never been able to deny Aziraphale, he always went back to him after every fight, and we all know how stupidly whipped for Aziraphale he is and how he'd empty the ocean with a spoon if Aziraphale asked him nicely-- But to actually put his foot down and say "no, I cannot do this for you" when asked to all but renounce the person he is now? Especially with how Aziraphale is all but begging him openly? That's a huge step, and something I think Crowley desperately needs to mature as a person (or, well, person-shaped being). We all love how Aziraphale has him wrapped around his little finger I'm sure, but we also all know that if they truly want to build a strong, healthy relationship they also both need to be able to keep their individuality and to put forth adequate boundaries about what they are willing to do for each other within reason.

Asking Crowley to come back to being an angel when he's made blatantly clear for six thousand bloody years how much he despises Heaven is not a 'within reason' request, innit?

So, yeah, for how heartbreaking the break-up was, in a sense Crowley needs it. They both do. They both need time apart to figure their own shit out, dismantle all those unhealthy habits they had to adopt in order to be with one another as safely as they possibly could while still 'employed', and then come back together with a clearer mind and a whole deal stronger than before, both as individuals and as a couple.

And I think how tired and downtrodden Crowley looks in that last shot is a precursor to this process, just as much as Aziraphale's smile is... So, let me get back to our favorite angel and what I personally think is going on with him.

I think to properly contextualize that smile we need to look at not just the happening of those infamous last fifteen minutes, but of S2 as a whole, and what Aziraphale does in it.

So, what is Aziraphale doing during S2?

At the start he seems to be more or less comfortably settled in his current life; he's as happy as ever doing what he's always done, enjoying humanity's creativity with his books and his music and his food and drinks, seemingly content to be puttering about in his bookshop (which is a stark contrast with Crowley's homelessness and his kinda adrift and depressed attitude). Of course then Jim!Gabriel throws a wrench right into that, but imo I think there was a lot more going on behind the facade of Aziraphale's well ingrained habits.

Sure, he still has all of his familiar comforts and his routine, but from the moment we see him interact with Crowley I saw a deep restlessness emerge in him: The panicked look he launches Crowley when Nina asks him about his 'naked man friend', the way he speaks with Crowley with all those 'our' he uses, the blatant way he keeps reaching over and touching Crowley-- To me that suggests that Aziraphale is clearly not as happy as he seems to be on a superficial glance. He clearly wants more with Crowley, wants to bring their relationship to the next step, but because the both of them are so deeply entrenched in their unhealthy coping mechanisms and habits and their inability to openly communicate it doesn't even occur to Aziraphale to just... You know. Take the first step, actually say something about it. So he just keeps throwing bait after bait in the water, hoping Crowley will bite and be the one taking the initiative as he's always done, finally allowing Aziraphale to accept said initiative, this time around.

Of course, we all see that Crowley doesn't take any first step, which is probably something deeply frustrating for Aziraphale at a subconscious level. That's how we get the ball; sure, on the face of it it was Aziraphale's way to make Nina and Maggie fall in love, but... Was it, really? Let's be real, for how entirely believable it is that Aziraphale makes up the lie about Nina and Maggie's love to cover for their miracle is, since we've seen him being anxious around other angels, I don't think for a second that had Aziraphale just stopped and spent three minutes thinking about it he wouldn't have found a way to convince Muriel that Nina and Maggie were, in fact, in love, especially with how 'green' Muriel is about humans.

I fully believe that Aziraphale is not properly thinking during S2, period. He's frustrated by his inability to bring his and Crowley's relationship to what he wants it to be, and that frustration and single-minded objective is utterly obfuscating his thought process. There are plenty of moments he seemed almost manic, imo, which I read as another sign about his 'impaired' (allow me the term) state of mind as of S2.

So, yes, the ball: On the face of it something to actually turn his lie to the Archangels into truth, but deeper down, perhaps almost unconsciously, I think Aziraphale sees the ball as a way to finally make him and Crowley happen. That fact that he's taking pointers about romance from human literature is blatant, and obviously he truly does believe the ball will be THE way to make love bloom.

If you stop and think about it, the ball scene is terrifying. These people are being manipulated to play the perfect background parts to make, what is in Aziraphale's mind, the height of romance atmosphere happen. The fact we get a juxtaposition with Nina's "what the F is going on, am I losing my mind???" rightful attitude underlines this. And I truly believe Aziraphale isn't exerting said manipulation with intent, but rather doing so subconsciously, because he's just so fixated on the idea of having finally the perfect set-up to have Crowley as he desires that he is influencing everything around him. After all, we all know they both have the tendency of making things happen the way they want simply by thinking that's how things are supposed to happen.

And again, he's so manic and giddy when he asks Crowley to dance, his ass is not LISTENING. He literally needed a brick thrown through a window to snap out of it.

So, in the present we have an Aziraphale who , in his own way, is trying to take the initiative, come out with plans. There is a moment that I think might have slipped under the radar of a lot of people but that's frightfully important about who Aziraphale is at this point in the story, and who he will need to become: "I have a plan," Aziraphale said to Crowley during the stare down with the demons outside of the bookshop after the ruined ball; Crowley didn't even seem to have registered that sentence at all, because his mind is already projected forward and going a mile a minute about what to do to keep both the humans and Aziraphale safe in this situation.

Crowley, who loves to swoop in and save Aziraphale, doing what he's always done to keep his angel safe, even to the detriment of their relationship with one another... And Aziraphale, who adores playing the part of the damsel in distress in turn, is actually telling Crowley that *he has a plan*.

That's not something to take lightly, methinks. That's very much just another sign that Aziraphale's individuality is struggling, trying to emerge through Aziraphale's anxiety and doubts and fears and deeply ingrained habits. Aziraphale's cognitive dissonance in regards to heaven, and his shaken faith in God are huge motivators of his actions, and in the grand scheme of things the scant few years he had away from under the oppressive thumb of heaven is nothing. It was barely any time at all in the face of the eternity of an immortal life spent under that oppression, and yet we are already seeing little glimpses of Aziraphale's rebellious side struggling to get fully free.

I think these little glimpses inform us at great lengths about the evolution Aziraphale's character will go through in S3, and greatly explains that strange smile right at the end; in my opinion that smile isn't the smile of someone who's trying to convince himself that he's ok, or realizing that Crowley loves him (he knew already, they both knew and have known for a long time, their inability to properly express those feelings was their downfall, but I don't think either of them has doubted even for a second when it comes to how much they love one another). In my opinion that smile is the smile of someone who is steeling himself for what he envisions in his future; equal parts old-sedated anxiety and yet determination to actually enact plans he's surely concocting in his brilliant little mind. That's the smile of someone who has just realized that not only they can, but that they need to do something, and you can damn well be sure they won't be sitting and twiddling their thumbs waiting to be saved, but they'll be the one saving themselves and everybody else along with 'em, this time.

Just as Crowley needs to actually spend some time define himself as himself, and not just in relation to Aziraphale, Aziraphale needs to spend some time shedding all those fears and doubts that are weighing him down, and emerge the other side someone much more self-assured and ready to do what he thinks is right without all the hesitations that have indirectly been strengthened by Crowley; in a way, by allowing Aziraphale an out with his 'temptations', Crowley had been feeding into those hesitations, and had been holding Aziraphale back from fully maturing, even if not done on purpose, obviously. Imo is very important for Aziraphale's character that he comes to realize that he doesn't need those excuses Crowley gifted him to keep doing what he thinks is right, that he actualizes his own morality properly, and enacts on it.

I don't have the faintest clue about what is going to happen in S3, but I do fully believe the above paragraph is what Aziraphale and Crowley's respective character arcs will focus on. And once they'll come back together they'll be the most power couple that has ever power coupl-ed, and the Metatron will have no clue about what is about to hit him >:)

[bonefall]

Not sure if this is the place to ask or if I should go to Bonebabble, but ooh, Dungeon Meshi mention! I love what you said about low-empathy and apathy, I think I’ll use that in ny own characters.

I wanted to ask why you think Shuro is autistic. I’ve seen a lot of people say it so there must be a reason why, but I don’t think it’s really obvious to me? Like with Laios, autism/neurodivergence is so integral to his story, so it’s deeply obvious. I love the way he’s written! But we don’t see a lot of Shuro, so I’d like to hear more of why people see the tism in him.

@bonebabbles is the better place to send these in the future but it's chill! The vibe right now's loose since we're all coming down from the heaviness of Mooncourse lmao

Honestly, I feel a little 'tism in a lot of the cast of Dungeon Meshi. As a very autistic writer myself, it kind of has a vibe like it was written by someone who's autistic and so it gets peppered into all of her characters. It's something I notice a lot in my own art, too.

But like, when it comes to Toshiro... I can't stop thinking about him. He makes me want to chew the furniture. With every passing day I become less normal about him.

glossary because I had a lot of thoughts about Toshiro Dungeon Meshi i guess. Oh my god this got long

He reminds me of some people I know

His culture clash is very relatable to me in an autistic way

He has a rigid commitment to his values and morals

Miscellaneous Autism Moments

THE LAIOS FIGHT

in conclusion

He reminds me of some people I know

He reminds me of certain autistic men I've met from affluent families. The type who both is taught to repress and mask their own traits, yet also not to be incredibly mindful of the emotions of other people. Because of their status, they don't have to learn how to work out interpersonal conflict because the majority of the people around them are servants or family. People who would never go away if they didn't like you.

So, his vassals have to learn to talk to him and how to carry out his orders. Not the other way around. As a result, Toshiro has a bit of unearned confidence about his leadership abilities and communication skills. NOT in a way that is smug, DO NOT misunderstand me; just in a way that overestimates his own judgement. Maybe he has encyclopedic knowledge for talking to other nobles offscreen, but when it came to his own team, he was ignoring a lot of the good advice they gave him about taking breaks.

Yes, Toshiro is from a high-context culture-- but his communication issues are bad with everyone.

ESPECIALLY his vassals, people he calls family, from the same exact culture as him. They're worried about him, most of them are desperate for acknowledgement, they'd do anything for him, and he doesn't address this until AFTER his brawl with Laios!

His culture clash is very relatable to me in an autistic way

Toshiro knew he was going somewhere that was going to be a melting pot of mostly western cultures. He knew the manners were going to be different, and he came alone, not in a group where he was only interacting with his own people.

Yet he NEVER adjusted his own social behavior.

I'm American and my partner is British. When I first went, I had no idea why they were offering me so much tea. I thought I was being polite by following them into the kitchen, thinking they wanted to move the conversation over there. My partner quickly fixed this by explaining that when someone offers you tea, they're taking a short pause in the lull of a conversation to be a good host.

I am autistic. What someone else might have just figured out through getting an awkward look, I had to be told directly. There are a lot of little things like that.

Toshiro feels like what would happen if the opposite was happening, an autistic person from a high-context culture coming to a low-context culture. He can't properly express discomfort. It's not JUST Laios, King of Autism, that he's having issues talking to. Neither Marcille nor Chilchuck know that "Shuro" is a mispronunciation, and they had no clue that he disliked Laios THIS much.

I even think it's kinda telling that Toshiro felt the most comfortable with Falin out of the rest of the party. The hyper-empathetic autistic girl who goes out of her way to accommodate others.

He has a rigid commitment to his values and morals

A strict, uncompromising moral compass is a hallmark of autism. It's everything Toshiro does!!

When Falin was eaten, he bolted off to assemble the best team he could think of. He believes that love is sacrifice, so he pushes his body and his family to the limit to try and prove how much he loves Falin. Chilchuck freaks out when he finds out that Laios told him about the dark magic, because "HE'S THE WORST PERSON TO TELL!"

LIKE, YEAH! HE SURE IS!

Maizuru also explains that from a very young age, he's been incredibly compliant. He never asks for anything, he's always been a bit sickly and uninterested in eating. He always tries to be on his very best behavior, even if that means not asking for accommodations he might actually need.

In fact, the only food he seems to LIKE eating is what Maizuru makes him. To the point where she ended up getting pulled into the kitchen even when she was on a "mission." Senshi makes a cute comment that it's "love" that Maizuru puts into those meals, but... what if it's actually because she knows the textures and flavors he likes?

Miscellaneous Autism Moments

There's so many little moments that are so incredibly autistic to me.

He sees Falin with a bug and he proposes right on the spot. The other characters are like, "oh that's just how they act in the east" but no the fuck it is not. They don't even know "Shuro" is a mispronunciation, how the hell do they know anything about eastern courting traditions?

I know EXACTLY what happened. I'm beaming you this information directly from the truth.

Toshiro was TOLD that you're supposed to 1. make your proposals a surprise, and 2. you will know the right one when you see them, and NO ONE elaborated any further because he comes from a high context culture. He popped that question the first time both of those boxes were ticked off.

In coming from a high context culture, what he does is strictly follow rules and conditions he was taught.

And that's absolutely why he handed Laios that bell. Because he does care about him and the party, and he's taught that doing these acts of service is a show of that... and he didn't even think ahead to the fact the bell was going to be ringing constantly.

And yet. In spite of that, he ALWAYS keeps it near him.

Before it clicked and I realized why, I used to think Toshiro was kind of an asshole for running off to get his vassals without even telling Marcille and Laios about his plan. Like... how could you not know they were going to do something drastic? The three of them were the Falin Fan Club and he was the most normal member of it. It's so obvious to me that Laios (brother) and Marcille (""Gal Pal"") were going to get themselves in danger.

So how could you just run off like that without telling them? Even if lack of supplies meant they couldn't go back in, how could you just leave them worried sick in the town, thinking you abandoned Falin?

And then it hit me. The man just has low empathy.

There WAS no malice, just like how there wasn't malice in how he was pushing him and his vassals to the limits, just like how there was never malice against Laios. It simply didn't occur to him like that.

He's never been taught to consider the thoughts and feelings of others very deeply and they don't come naturally. He's still compassionate. There's a reason all of his vassals love him!

But THAT'S WHY he never put himself in Laios' shoes, or anyone else's. Empathy does not come naturally to him. All of his good behavior is as a result of his moral code, NOT empathy.

So with that said, why does he love Falin so much? Aside from the wonderful, positive traits he lists when he's asked? I mean, what's really deep down at the core of why he finds these things so lovely?

Well... Falin and Laios are not all that different from each other, to the point where Toshiro gets gently ribbed in a bonus chapter about how if one of them was a girl, Shuro might have loved Laios instead. He waxes poetic about the ways she's different from most women, how she's not afraid of things like insects, her compassion, her face, her laugh.

These are all things Laios does too (in fact in one of the panels where Toshiro is appreciating Falin, she's trying to check if a caterpillar is a male or female), but Falin's personality expresses in a more subdued and introverted way. Closer to how Toshiro is, as a person. So... I think it's because he relates to her.

To both Touden siblings. But Laios makes him see things he doesn't want to.

THE LAIOS FIGHT

We established that Toshiro has a strict commitment to his values, he probably has low empathy, and even taking his cultural differences into account he's bad at communicating.

So then, why was one of his complaints against Laios' obliviousness that he "knows he doesn't mean anything by it, and that makes it worse"? Isn't that kinda specific when you think about it?

If you're neurodivergent, I want you to think back to points in time where you dealt with people who have the same issues you do. Autism, ADHD, PTSD, DID, whatever. Did you ever have a moment where they did something harmless or mildly inconvenient, definitely as a result of the same exact thing you have, and you just... HATED it?

You HATED it even more than you would anyone else doing the same thing. You probably know your response was disproportionate. But YOU don't do that THING they did. Or if you do that, it's less bad somehow. Or you used to do that but don't anymore and it reminds you of when you did.

If you're reflective, you might have realized it might be internalized ableism. I feel like that's a huge part of why Toshiro finds Laios SO. ANNOYING. Laios is like this stupid, idiot, blundering caricature of things Toshiro has been taught to avoid, which violate his moral code. Shuro comes from a place of so many more rules and subtle cues, and it's like Laios doesn't respect any of them.

What STARTS this fight, causes Laios to finally hit back after being smacked, shoved, and shouted at, is being told "YOU'RE NOT TAKING THIS SERIOUSLY."

It's so obviously wrong! Laios, who ran back into a dungeon immediately? Who Toshiro himself called rash? This is NOT a logical conclusion to make about Laios or his party. I think it came from frustration that Laios "does things the wrong way." That it's projection, stemming from that low empathy.

He's not like Kabru in the same chapter, who's desperately trying to get a read on Laios' inner workings and failing. Shuro's just extrapolating his own feelings onto him, because he's recognizing that same "sense" within him. If TOSHIRO didn't follow the rules he sets down for himself, that's not "taking it seriously."

Toshiro follows the rules. Laios does not.

...and Laios is FREE.

He's open and honest in a way Toshiro can never be, not as a noble, not as an easterner, and not as an autistic man. Hell, Laios was ALSO a noble, he gave that up! Threw that away, and then came back to his village and took Falin away from it. If Laios is acting like an idiot, he's acting like an idiot who does everything Toshiro has ever wanted to do. Laios cannot mask and Toshiro resents that.

One of the things Toshiro even explicitly says he HATES about Laios is the fact he's willing to be a burden on other people. Maizuru said earlier that he's NEVER made a "selfish request" before-- but Laios can just open his mouth and ask for help, feeling no shame, just as he did in this chapter when he asked him not to tell the Island Lord about the dark magic.

And then, after they literally come to blows, Toshiro tells Laios some incredibly brutal things, revealing he's NEVER been his friend and he has resented him this whole time. This actually sits with Laios well into the later chapters, but the fight ends and then they're just CHATTING FRIENDLY LIKE IT DIDN'T MATTER.

More honestly than ever before, because Toshiro is returning the effort. He eats some food (the narrative's metaphor for making connections). He thanks his vassals for the first time. He talks about how he wishes he'd told Falin about all the things he adored about her when he still had the chance.

I have to take the panels of his response right out of the manga actually because this little expression here is so subtle, but so meaningful.

(Read <- <- <- that way)

Look at the way that when Laios makes that genuine movement, assuring him with passion that he will be making sure Falin receives this message, Toshiro's gut response is annoyance. But then it softens and he pauses, like he's reconsidering what his response is going to be.

To admit that he envies "this side of Laios" is also admitting that the earlier fight was based on envy.

Laios was like this the WHOLE time. Making these grand speeches about his plans, what his party's been doing, how Toshiro needs to eat something and take a nap. He's ALWAYS been like this. It was Toshiro's mindset that changed.

In conclusion

Something I really like about Dungeon Meshi is HOW MANY of its characters can be read as autistic. Laios is just the most obvious one, with his special interest in monsters and inability to read social cues being central to the plot. His is a more "well known" expression of autism-- it's rare you get characters whose masking is central to their characters.

But it's really refreshing to see characters like Kabru, Falin, and Toshiro. Autistic people are rare enough in popular media to begin with, but we NEVER get characters whose autism intersects with their trauma, gender, and culture quite like these three.

[purrlockswatson]

Phantom of the Opera (1990), you did Erik proud

Alternate title: Christine, we have beef!

(Meme inspired by this post.)

I have not a bad word for this Erik (and not just because I can feel a certain friend of mine holding a chandelier over my head). The 1990 adaptation made some big changes to the story, but it perfectly captured the childlike soul of Leroux's Erik that is often lost in translation but vital to him. (When I was explaining POTO to someone outside the situation, i. e. my mum, two things I kept using as comparisons were a child and Gollum - not because he's a chaos gremlin, I was trying to describe how he has a skewered perspective of the world that isn't evil but doesn't follow the accepted moral system. But that's for another time.)

I found myself trying very hard not to resent Christine - a first time for me. I will defend her choosing the Compte de Chagny over Erik, she doesn't owe Erik love, no matter what he did for her. The problem is that she took on a responsibility she couldn't possibly carry.

Never, ever assume to fully understand someone. Especially someone like Erik, who thinks and exists on a different pane as most people. Christine was wrong, terribly wrong, to assume she 'knew his heart.'

When faced with a person so sensitive, so particular, when being the one person trusted by a person who trusts no one, don't make huge gambles like that. She shouldn't have assumed she knew what Erik needs better than he does - he told you he is happy with where they were, then stay there with him! Instead, she pulled the 'I can fix him' and shattered him completely. I don't hate her for being unable to catch Erik when he falls, I hate her for blindly promising to catch him and failing him.

(I do realise how much of the above describes myself and my worries about how people treat me, so fair warning, I may be a bit biased.)

An opinion: in every version, Erik emotionally manipulates Christine but here, Christine is the one who is emotionally manipulative. ('Manipulative' may sound malicious, but manipulators aren't always aware of what they're doing.)

In the second part of the series, she said at least three times 'If you love me...' Now, that is one of my least favourite sentences to see and hear in the best of times, but this is somehow even worse because Erik DOES do everything because he loves her. In other versions, there is the question of obsession against love when it comes to their relationship; in that context, I would accept her saying this. But here, Erik is not possessive.

As for Monsieur Carrière, I have beef with him too. An even bigger, tougher slice of beef. He is proved to be irresponsible: not once, but twice, he got in relationships and then left this partners when they have children. First time could be a mistake; the second time, especially when kept Erik's mother in the dark about his marriage, is inexcusable. Yes, he stayed with her till the end, but then left their son in a basement. Yes, he reached out to Erik in the end, but too little, too late. If Erik is emotional and irrational, it's because Carrière never gave him the guidance he should have.

Christine and Carrière love Erik, I don't doubt it. But it's still painful to see Erik fall down through everyone and everything that should have caught him: his talent, his parents, Christine.

If you'll excuse me, I need to cry in the catacombs and draw something miserable.

I talk about several other adaptations here!

[neversetyoufree]

I've remarked on this blog a few times before that I'm fond of the theory that The Shapeless One is Paracelsus, but I've always hesitated to elaborate, as I felt like there wasn't enough hard evidence that supported this theory being true. However, something recently clicked for me regarding one big parallel between them, and now I can't stop thinking about what that connection would mean for the story thematically.

In mémoire 61, after Machina pushes him to explain what his "plot" is, Teacher declares that he wants to achieve world peace. I've had no idea what to make of this line for a while now, just assuming that we'd need more context to understand what the actual hell he's talking about. But with the Paracelsus comparison, I feel like I'm starting to grasp what's going on there.

[This post needs a VnC-standard warning for mentions of suicide, sexual assault, and child abuse].

There are a few pieces of evidence that support the idea of Teacher being Paracelsus. VnC's Paracelsus is introduced as a great alchemist, just as he was in the real world, and the Count of Saint Germain was an alchemist as well. Nobody knows Teacher's origins, but he's one of the oldest vampires and close with the queen. There's also a little drawing of six-pointed stars that appears behind Paracelsus in the first storybook illustration of him, and those same stars are seen hanging from Teacher's walking stick in the scene where he first meets Noé.

That panel of Teacher and Noé appears at the very end of chapter 6, and the Paracelsus panel appears at the start of chapter 7, meaning these images are quite conspicuously close together.

So what does this mean for Teacher's idea of "world peace"?

In the storybook version of Paracelsus's life, he's described as wanting to alter the world formula not for scientific curiosity, but because he wants to save the world.

Paracelsus, per the childish version that Teacher presents to Noé, caused the Babel Incident because he was trying to "rid the world of its ills" and "guide people to happiness." The line about the human world's "rampant ills" is read over a drawing of dancing skeletons—a Danse Macabre. This is a Medieval way of drawing the personification of death, usually for the purpose of expressing the way that death comes comes for every person inevitably (the same theme later expressed by Vanitas art).

When Paracelsus speaks of the world's ills, this is the reality he seeks to cure. The world is afflicted with suffering and death, and he wants to rewrite the world's formula so that humanity can live happily without that pain.

A world rewritten to be without suffering—isn't that world peace? "World peace" is often used to evoke an end to armed conflict specifically, rather than suffering at large, but the concepts must overlap if they're pursued seriously. How can world peace last if there are people starving in famines or dying of disease? Suffering breeds violence. And how can someone seeking to alleviate "the world's ills" not want to achieve world peace?

If this is true, if Teacher's hope for "world peace" is him carrying on Paracelsus's legacy (or carrying on his own work, if they're the same man), then what does that mean for Paracelsus's supposed altruistic intentions?

We know little about Paracelsus now, only Teacher's recounting of the Babel Incident by way of a book he's reading to a child, but I think there are two ways to interpret what we do know.

Trying to rid the world of suffering is, on its face, the most noble possible intention. To lead the world to happiness is to attempt to help every other person in the world. And I can think of a lot of ways that Paracelsus's goals make absolute sense to me. If you discover that the fabric of reality can be rewritten, and you know that there are people in the world dying of famines, wouldn't you want to reshape the world so that they no longer have to go hungry?

It's possible, depending on what we find out about him in the future, that Paracelsus really will be a noble figure whose one great sin was hubris, and all he wanted from his research was to help the world in ways that make both moral and logical sense.

However, given some of VnC's other themes, I think there's another lens through which we should consider Paracelsus's actions. We don't know exactly what he was trying to rewrite with that disastrous experiment, but that Danse Macabre does give us one possible clue.

One of the themes that VnC has been slowly developing throughout its run is the idea that, though trying to save a person's life is noble, it is not noble to deny all death as a whole. This is a story about the concept of Vanitas, the idea that death is inevitable and that all else is rendered meaningless in its face. Noé feels like he failed Louis because he was unable to kill him when he asked, and it seems like the manga's being set up to end with Noé killing Vanitas to escape a fate Vanitas considers worse than death. One big part of what makes Mikhail so unsettling is his denial, his laughing about his mother's draining and the fact that he cannot accept the reality Luna has died, and Vanitas is horrified to hear that Misha is planning to resurrect their parent. That same issue goes on to be the one thing that finally drives a wedge between Noé and his teacher, as Noé can apparently forgive the man for purchasing him on the black market and killing Louis, but he's horrified to hear that Teacher told Mikhail that resurrecting Luna was possible.

All of these scenes have other elements to them, other things that drive the characters and inform why these specific ideas of undeath are so deeply horrifying to them, but the buildup of this running theme is an undercurrent through all of it. Vanitas means that someday all people must die, so what does it mean when somebody tries to deny that?

Even further, there's the broader horror of both Noé and Mikhail failing to process the bad things that happen to them. Misha commits blithe horrors in part because he does not understand that his sexual abuse was wrong, so he seems to see no problem with sexually assaulting others now in turn—as he does when he pressures Noé to drink his blood. Noé happily recounts being kidnapped and sold on the black market, remarks on Chloé and Jean-Jacques's goodness minutes after Chloé assaults him in his sleep, and brushes off the incident of Jean-Jacques drugging him to the extent that even Jean-Jacques himself is unnerved by it. All of that is deeply concerning behavior.

Misha is written to be obviously uncanny in his denial, and that uncanniness holds up a mirror to the subtler horror of Noé's own disconnects from reality. The more recent chapters have also begun drawing direct attention to the ways that Noé's denial of the bad in the world becomes problematic. The aforementioned scene of Vani, Dante, and JJ being disturbed by Noé's "it doesn't bother me" line does this, as does the long discussion Noé and Vanitas have about why Noé's ignorance of anti-Dham racism upsets Dante so much.

There is an ongoing tension in VnC between the inherent goodness of peace and life and the horror of what comes when those concepts are taken too far. Noé and Vanitas are this in a nutshell: an endlessly clashing duo made up of a too-extreme pessimist and a too-extreme optimist. The story arcs thus far have taken turns challenging each of their worldviews, slowly pushing Vanitas to open up and let himself hope for peaceful solutions, let himself accept love and emotional closeness, while also slowly pushing Noé to confront the fact that sometimes not everything has a happy-making peaceful solution after all. Sometimes "saving" a child means she has to die, and sometimes an enemy will have an entirely sympathetic reason to hate vampires, but Noé still has to fight them anyway to save the people he wants to save, regardless of whether that enemy is "right" or not.

Noé lives in denial of his own past traumas and his own present-day potential for harm. He denies the potential that "good" people he meets might harm him, and he struggles to accept instances where he has harmed others in turn. Dominique and Vanitas go on for pages after the amusement park about how reckless and overly trusting he can be, and he turns around, unable to cope, when confronted with the truth of what he did to Misha with his claws. However, Noé also has the benefit of his proximity to Vanitas knocking just a bit of sense into him, and it might not be a sure thing that he's going to stay in denial-land forever.

One of VnC's specific points of tension is the question of if/how Noé will grow to accept the hard things that currently bounce off his oblivious denial like water off of a raincoat. The end of mémoire 1, the statement that someday he's going to kill Vanitas, suggests that perhaps he might learn to understand how death, despite its pain, is important in its own right. It suggests that maybe he'll come around to no longer denying death and insisting that salvation is always its avoidance.

However, if he can't quite make that leap, the story provides us with dark mirrors to show us what a monster Noé could become by doubling down on his idealistic, optimistic denial. Misha's current state is Noé to an extreme, an innocent child committing horrors as he utterly fails to process the truth of his own horrific early childhood. Misha's driving motivation is a hatred of pain and suffering, and he's willing to do anything to resurrect the family that saved him from that pain in the past.

Then there's also Lord Ruthven, a man who was once an optimist in Noé's own mold, but has since broken bad in a spectacular way. Noé and Ruthven recite the exact same line about liking both humans and vampires, an obvious parallel, but now Ruthven is working with Naenia. Now he's living in the aftermath of his idealistic peace plan imploding and almost costing him his life. Ruthven despairs the last time he visits Gévaudan, lamenting the wrongness of his naive past hopes for understanding, and now he's working toward some unknown end involving Naenia, Charlatan, and the Queen. Now he's committing horrors of his own, biting at least three people by force, overriding their wills, and associating with the being that steals innocent people's true names.

There's also the question of what the hell Ruthven is doing with the queen. It seems he was somehow involved with Faustina devolving to her current state, and Loki references "smashing up her corpse," so it's possible Naenia's existence may be a sign that Ruthven wants or wanted her dead and/or cursed. However, the shots of him with the Faustina-like body in the tank at the end of mémoire 18 suggest there's a chance that he could instead be involved with some form of resurrection scheme (or a scheme to preserve/save her if she's not yet fully dead).

Ruthven exists in part to demonstrate the ways that an idealist like Noé can go bad, and it's possible that he, like Misha, is attempting some sort of awful resurrection, once again denying the reality of death.

Then, finally, there's one more character with whom Noé has these sorts of obvious parallels. The man who, perhaps, is also meant to represent what Noé could become if the dangerous sides of his optimism aren't reigned in: his teacher.

Noé is fascinated by Vanitas, drawn to him out of care and connection, but also because he wants to observe and understand him to sate his curiosity. In a darker mirror of the same trend, we see Noé's teacher allow Louis, Noé, Domi, and Misha to come to harm at least in part for the simple enjoyment of seeing how they react when placed in dark new situations. Noé and his teacher are also the only crimson vampires we know of who find the Blue Moon beautiful and alluring, rather than a source of fear (assuming that Teacher is a normal crimson vampire).

Noé was raised by this man; his worldview has been shaped by him in countless ways big and small. Noé was already living in cheerful rejection of trauma before The Shapeless One found him, but he could not have remained so radically detached from the painful parts of the world around him if his teacher had not wanted and allowed him to do so. He censored Lord Ruthven out of Noé's education, and he apparently did the same with anything that discussed (or expressed) severe bigotry toward Dhampirs. How else did Teacher shape him, and to what goal?

We know that the Shapeless One taught Noé how to fight. Given that "world peace" line, I wonder if perhaps he may also have taught him his morals on wanting to avoid conflict.

Teacher is a contradiction. He talks about "world peace," but he blithely leads Louis to his doom and supposedly doesn't hesitate to half-kill anyone who calls him by the wrong name. Marquis Machina calls him an incomprehensible natural disaster for this reason. Yet, despite all his rampant cruelty, I'm beginning to think that he might be just as much of a dangerous optimist as his student.

Teacher is defined by the fact that, in every scene, he always seems to look like he's having fun. There's hardly been a single panel where he's not drawn smiling. Sometimes that fun is vicious, a cruel smile made as a threat to Vanitas when he fails to address him by his name, but just as often, his aura seems horrifically innocent. He's just a man with a sweet smile and rather dull eyes having a very good time with life.

In the past I've largely looked at this smile as an extension of Teacher's sadism. He toys with Louis and Noé for the fun of it, and I took his smile as an expression of his cruel enjoyment of the pain he creates in his wake. However, now that we've seen him interact with Machina, now that we've observed him speaking casually with a peer for an extended period, there seems to be a disturbingly sincere quality to him as well.

Based on how he's portrayed in mémoire 61, when Teacher says he does everything he does for the sake of "world peace," I honestly think I believe him. I don't believe that he's not a villain—I can't guarantee that his vision of "world peace" would even align with a normal person's definition of "peace" or "happiness," but I believe that he's speaking some version of honestly here.

There's an honest to goodness optimism in that ever-present smile. There's a hope and a genuine quality to what he announces to Machina, in contrast to his smiles of sweetly cruel schadenfreude.

So perhaps, if all that is true, if Teacher is another dark mirror to Noé and he really does want to bring about world peace, then the point of him is that "world peace" has the potential to be a horror. What is the pursuit of world peace if not the ultimate pipe dream of every idealist in the mold of Noé and Ruthven? And what is VnC if not a long catalog of the horrors that idealists can bring about if they aren't careful?

And that, finally, brings me back to Paracelsus and the Danse Macabre.

Depending on what Paracelsus wanted to achieve through his experiments, it's possible he may have been yet another character trying to escape the harsh reality of death. The line about the world's "rampant ills" is placed over the Danse Macabre, after all—a symbol of death's universal inevitability. Is that the painful ill that Paracelsus wanted to address by rewriting the world formula? Inescapable death itself?

If so, Paracelsus becomes the ultimate embodiment of what happens when one denies death's certainty and the necessity of that certainty. He's the ultimate denial of "Vanitas" and what it represents on a scale far larger than Noé, Misha, or even Ruthven could grasp. And the manga casts his failed experiment as a Tower of Babel, throwing the world into chaos and causing countless deaths in his failure's wake.

Meanwhile, Teacher seems to have some ideas about how to cheat death in the present day, as he's promised Misha that there's a way to bring "The Vampire of the Blue Moon" back to life. This could be a lie, of course, or he could be planning to bring back "the vampire of the blue moon" in a way that does not actually bring back Luna as an individual. However, even trying to bring back the Blue Moon in some other way, perhaps through the human Vanitas, still represents him trying to restore something he found beautiful that was lost because of death. It still ties him thematically to the perversion of death as an ending, the same as Mikhail and Ruthven.

So far every character we've seen that wants to undo death is cast as an antagonist. Ruthven, Mikhail, and The Shapeless One are all united by a cruelty and a perverseness in various forms, and their goal is part of this. Death is a tragedy, but although trying to save the lives of people who want to live is noble, attempting to undo or eternally escape death is a far worse horror.

If Teacher is Paracelsus, or if they're closely connected in some other way, then that serves to further this point and show how the horror of escaping death extends to Paracelsus as it does the others. Teacher is strange and cruel. Paracelsus might be a nobly hubristic historical fool in a storybook, but if these two characters are connected, that instantly reveals the unsettling truth of how wrong Paracelsus's potential attempt to thwart death would have been. Nothing Teacher is working for can be wholly good.

And, just as Noé and Misha's denial is both present and harmful beyond the most severe subject of death, even if Paracelsus wasn't trying to craft a world without death by altering the world formula, we know he was trying to create a world without suffering. Again, this is a noble goal in theory, but so long as death remains, some suffering will remain as well. Crafting a world without pain and suffering can also go much too far, can slip into denial and cruelty. Mikhail's whole motivation as an antagonist is his search for a life without pain, and look where that's led him.

A rejection of all suffering can be an extremely dangerous thing, whether it's running from one's own mental pain or wanting to rewrite the world to negate all suffering as a whole. This dream will never not be a detachment from reality.

The Case Study of Vanitas is a series that seems to be searching for a balance of optimism and pessimism, a way to approach the harsh realities of life that lies between the toxic extremes embodied by Vanitas and Noé. To lapse too far into hopeless pessimism creates a Vanitas, a Chloé, an Astolfo. It creates people who are suicidal, genocidal, or both, and dangerous to themselves and others for it. However, to go through life in a state of eternal joy without processing one's pain, or to attempt to create a world wholly free of suffering—that is just as dangerous and foolish. What are Noé, Misha, and Ruthven if not dangers to themselves and others? What is Teacher if not the most dangerous man in this manga?

Noé and Misha are unsettling because they smile through the bad things that happen to them and act as though they aren't bad. They each have some exceptions to this rule—Louis's death for Noé and the pain suffered at the hands of Moreau for Misha—but they still come across as at times disconnected from the reality of pain.

Yet, neither of them is as disconnected from the reality of pain as a man that can behead the grandson he raised with a smile on his face. Noé as a child sees the fun in being kidnapped and put up for auction. Teacher, if his smile is to be believed, sees the fun in every single thing we've seen him do, and that's what's so unsettling about him. He genuinely seems to be having a good time, including and especially when he's blithely committing horrors for the fun of it.

Noé and Misha's strange behavior stems from trauma, and we don't know that's the case for Teacher. Perhaps not, as he seems much colder and crueler in his tendencies than either of them. But either way, the happy sincerity displayed by both of them is echoed in the face of the Count of Saint Germain as he tells Machina that he's searching for world peace. That is the face of someone idealistic, someone who believes he's working toward a real goal that both justifies and delights him.

Teacher wants world peace, and his warped nature means that we have no real idea what "world peace" means to him. Is a world at peace a world where he still gets to violently beat people who get his name wrong? A world where he still gets to have fun observing the free will and choices of the traumatized children he raises? Maybe he once believed in a world that was truly without suffering, and his overly-long life and mad optimism have eroded his tether to reality, turning him into the awful person we see now. Maybe the catastrophe of the Babel incident broke him and turned him from a hubristic idealist to warped echo of his former self. Maybe he somehow thinks all the suffering he causes is justified if it's in pursuit of his noble end goal. Maybe his version of "world peace" is a world where all people can live free from the fear of death, and the smaller pains caused along the way are irrelevant in the face of that impossible dream.

Or maybe he's just a cruel hypocrite.

In the end, we still know too little about both Paracelsus and Teacher to make any grand proclamations about the truth of their characters. However, I can't unsee this connection between them now that I've seen it. Teacher is one of Noé's dark mirrors, a character that represents the horrors possible when one goes too far down his current emotional path. Noé is optimistic to a fault, convincing himself to see only the best in many truly awful scenarios, and Teacher is the man with an eternal smile printed on his face. Noé loves and wants to save Vanitas, and Teacher speaks of the Blue Moon's ultimate beauty and says he has a way to bring them back to life now that they're dead. Noé is the eternal savior, always desperate to prevent people from dying, and Teacher claims that everything he does is done in the name of achieving world peace.

Similarly, Paracelsus is defined by throwing the world into chaos and horror due to his over-optimism. He tried to go too far, tried to rid humanity of its countless ills and create his own form of world peace, perhaps even tried to rewrite the reality of death. Did he hate pain and cold like Misha? Did he want to stop unjust wars like Ruthven? Did he want to become a savior in the image of Noah?

If Teacher's goal of "world peace" is to be believed, then whether or not Teacher and Paracelsus are actually the same person, they represent the same thematic extreme. Death is inevitable, says the concept of Vanitas. It's inevitable and Noé must learn to accept that fact before he does something awful in the name of pain and death's prevention. Teacher and Paracelsus have both done something(s) awful in the name of pain and death's prevention. Teacher and Paracelsus have followed Noé's path of optimism to such an extent that they, in one way or another, both claim(ed) to want to save the world, and this requires a mad extreme of Noé-like cognitive dissonance and hubris.

Paracelsus pursued some goal, some way of granting humanity happiness that was supposedly noble but still murky in its specifics, and he warped the fabric of reality and caused the countless disasters of the Babel Incident in the process. And that's assuming the storybook is true, and Babel really was accidental on his part. Meanwhile Teacher has warped the seemingly noble dream of world peace into something that he can claim is served by the way he's tormented Louis, Misha, and Noé. There's a chance that both men tried or are trying to undo the reality of death. They're bound by the same underlying current of scientific curiosity intermingled with their dreams of world peace.

Noé is not an alchemist, and he's not particularly skilled at rewriting the world formula. He's unlikely to have any chance to rewrite the fabric of reality itself for the better. He's unlikely to have any chance to achieve "world peace" by any definition.

Noé is, however, a dangerous optimist who has not yet learned that death is unavoidable. He hasn't yet learned that death can be preferred to its alternatives. And he was raised by a man who seems like he has not learned or does not care that disrupting Death in the grand sense will inevitably lead to horror. Or perhaps a man who enjoys horrors and wants to toy with absolute death as a part of that. And all this in a world warped and defined by the folly of a man who may also not have understood the horror of evading death.

So Teacher might be Paracelsus. I think this connection between them only strengthens the odds of that theory being true. But even if he isn't, they represent a similar thing for Noé and for the manga's themes at large. You cannot rid the world of the Danse Macabre, and attempting to end that dance will only bring greater ills and greater pain than death on its own could ever hope to bring.

A strange and dangerous man proclaiming with an honest smile that he wants to bring about world peace does not make him any less strange or dangerous. Depending on his definition of world peace and his idea of death's place in it, that idealistic goal may actually make him far more dangerous than if he were nothing more than a simple sadist.

[pickingupmymercedes]

Not even ours (3/3) - Lewis Hamilton

Sequence: It comes with the territory / Hardest truth / Not even ours

This one can be read as a one-shot, but some context might be lost.

pairing: Lewis Hamilton x Reader!

warnings: angst, pure angst

wordcount: +2k

a/n: Right person wrong time. It's gonna hurt, sorry.

As always, I'm open for feedback, come say hi!

______________________________________________________________

She hadn’t spoken to her friend in weeks, maybe months.

It wasn’t on purpose, not at first, but as time passed, she had found it easier to shut everyone out. It wasn’t personal—at least, that’s what she told herself—but somewhere along the way, she’d pushed her away, too.

Y/n sat across from her friend in the café, her fingers nervously tracing the rim of her cup, the weight of her decision hanging in the air like a storm cloud she couldn’t escape.

Her throat felt tight. Their eyes holding onto each other’s with a tenderness she hadn’t seen in so long, and it made something inside her ache.

Her friend tilted her head, watching Y/n with a careful, concerned expression. "You seem... lost," she said gently, her voice cutting through the dull hum of the café.

Y/n opened her mouth to respond but found herself swallowing the words that sat on the edge of her tongue.

Lost. Yes, that was exactly how she felt.

But how could she explain to someone else what she hadn’t even fully admitted to herself?

"Do you remember when we used to come here every week, no matter how busy we were?" her friend continued, a small smile playing on her lips. "We’d talk about everything, laugh about the dumbest things. It feels like you’ve... disappeared. Where’s my Y/n gone?"

That question.

Y/n had asked herself the same thing, in front of the mirror, in the middle of the night, and every time she forced herself to smile when she felt like falling apart.

Where had she gone?

Y/n sighed, rubbing her temples as the weight of it all pressed down on her. “I’m fine. Really.”

But her friend wasn’t buying it. “Are you? Because the Y/n I know wouldn’t let herself disappear like this.”

That hit harder than she expected.

She could feel her chest tighten, her heartbeat pulsing in her ears. And she wanted to be angry, to lash out, to defend herself—but there was no point.

Her friend wasn’t wrong.

“I’m just… going through some stuff,” she admitted, her voice sounding small even to herself.can

She reached across the table, her fingers grazing Y/n’s. “You don’t have to go through it alone. But you have to take a step back and figure out if this is really making you happy.”

Happy? She almost laughed at the word, but it caught in her throat.

Happy.

When was the last time she’d even thought about that? About whether she was happy in this whirlwind she’d been caught up in?

“I…I don’t know” she whispered, the truth spilling out before she could stop it and it tasted bitter, like an admission of failure.

She looked up at her, her heart heavy. She wasn’t angry, not really, but the realization hit her like a punch to the gut.

She had been losing herself—slowly, without even noticing. And now… She wasn’t sure there was anything left to hold onto.

The other woman’s grip tightened on Y/n’s hand. “Then it’s time to figure that out.”

When she got home everything was too quiet.

Too calm, almost.

The walls felt like they were closing in on her, and she couldn’t stop the pressure building in her chest.

She needed to let it out.

Lewis was in the living room, casually flipping through sheets of data, completely unaware of the storm brewing a few steps from him.

Y/n stood in the doorway for a moment, watching him. The sight—so familiar, so calm— made something inside her snap.

“You just… you just sit there,” She blurted out, her voice shaking with the suddenness of her own words. “Like everything’s fine. Like we’re fine. How can you do that?”

He looked up, confused, the papers still in his hand. “Y/n, what—what are you talking about?”

She paced the room, her hands shaking as she tried to find the words.

But they wouldn’t come.

All she had was the overwhelming need to scream, to lash out, to do something, anything, that would make the suffocating feeling go away.

“I don’t know!” she shouted, her voice cracking. “I don’t know what I’m talking about. I don’t even know what I’m feeling anymore, Lewis. I just—”

Her throat closed up, and the rest of the words stuck, tangled in a mess of emotions she couldn’t unravel.

He stood up, his face etched with concern as he approached her slowly. “Hey, hey… come here.” He reached for Y/n, his hands gentle, trying to calm her, but it only made the frustration worse.

“No!” she jerked away, tears stinging her eyes as she pushed his arms back. “Don’t do that. Don’t try to fix this! I’m not some problem you can just solve.”

He blinked, hurt flickering across his face. “Y/n, I’m not trying to—”

“I don’t even know what you’re trying to do!” she cut him off, the words spilling out faster than she could stop them. “I don’t know what I’m doing anymore. I feel like I’m drowning, and you—you don’t even notice.”

His brows furrowed, and he stepped closer again, this time slower, more deliberate. “I notice,” he whispered, his voice pained. “I notice every single day.”

The raw honesty in his voice broke something in her.

Her shoulders slumped, and she felt her resolve start to crumble.

He reached again, his arms wrapping around her this time, and she let him. Sagging into his chest, but it wasn’t comfort she was seeking.

Everything felt like too much. The air in the room was too thick, her skin too tight, her thoughts too loud.

She couldn’t breathe. Couldn’t think.

All she knew was that the ache in her chest was unbearable, and if she didn’t do something—anything—she was going to fall apart right here in front of him.

Without thinking, without pausing to consider what she was doing, Y/n surged forward, her lips crashing against his.

It wasn’t a kiss born of passion or love—it was frantic, desperate, a plea for something solid in a world that felt like it was falling apart.

She poured everything she had left into the kiss, as though if she could just hold him close enough, she could escape the storm raging inside her.

Her fingers dug into his shirt, clinging to him like he was her lifeline, the only thing keeping her from sinking.

But instead of comfort, all she felt was the growing panic that even this wasn’t enough. Not anymore.

His hands came up to cup her face, but instead of pulling her closer, he held her in place.

His lips stilled, unmoving, and when he pulled back, his eyes searched hers, a with a mix of sorrow and pity.

“Y/n, stop” he whispered, his voice firm, and the words hit her like a blow.

He was looking at her like he understood, like he knew what she was trying to do, but it only made it worse.

He knew, and still, he wouldn’t let her try and run from this.

His eyes were filled with so much hurt, so much confusion, but he held her gaze. “This isn’t what you need right now. This isn’t what we need.”

His voice wasn’t harsh, but the rejection still cut deep.

Tears filled her eyes as she stepped back, wrapping her arms around herself like she was trying to hold herself together.

But it was no use. Everything was spinning, and now she didn’t even have him to anchor her.

“You don’t know what I need.” she spat, her voice sharp and bitter, but even as the words left her mouth, she knew they weren’t true.

He knew her better than anyone, and that was the problem. He knew she was falling apart, and he wouldn’t let her use him to keep pretending everything was okay.

She wiped her mouth, feeling foolish, like she had just tried to put a Band-Aid on a wound that was too deep to heal with a kiss.

It wasn’t enough. She wasn’t enough. Not for him. Not for herself.

She couldn’t tell how long she locked herself in the bedroom for, curled up on the corner, her mind racing and heart aching.

It felt like hours when there was the knock on the door.

“Y/n?” her friend’s voice was gentle, cautious. “Let me come in.”

Y/n didn’t respond, but after a moment, she creaked the door open, and the woman stepped inside, her eyes scanning the room before landing on her trembling figure.

She couldn’t even look at her. She didn’t want her friend to see her like this—so lost, so broken. But she didn’t push. She sat down next to Y/n on the floor, the silence between them heavy.

“I didn’t know what else to do.” Y/n mumbled; her voice hoarse.

Her friend nodded, her hand finding Y/n’s and giving it a reassuring squeeze. “It’s okay. I’m here.”

“I don’t know who I am anymore” Y/n choked out, her voice barely above a whisper. “I don’t know how I got here.”

She couldn’t hold it in anymore. The tears started to fall, and before she knew it, she was sobbing, the weight of everything finally crashing down on her.

The pain and confusion spilling out in waves.

Her friend rubbed her back, her touch gentle. “It’s okay to feel lost, Y/n. But you don’t have to stay lost.”

When the tears finally stopped, she stood up, giving one last reassuring look. “I’m just a call away if you need me.”

Y/n found Lewis outside in the garden, sitting on the edge of the patio, staring out into the darkness. The night air was cool, and she could hear the distant hum of traffic, as though the world beyond their little bubble had no idea it was falling apart.

“Lewis,” she called softly, stepping outside.

He turned at the sound of her voice, but didn’t rise. His face was unreadable, but his eyes—those eyes she had once found so comforting—looked tired, worn out by the weight of what neither of them wanted to say.

She swallowed hard as she walked toward him, her footsteps slow, each one more difficult than the last.

She didn’t sit down right away, just stood beside him, looking at the familiar outline of his form against the night, the way his hands rested limply in his lap, as though even they had given up.

For a moment, the silence between them felt like a chasm—an endless stretch of space that neither of them could cross.

It hung there, heavy and suffocating.

"I don’t think I can keep doing this," she choked out, the tears she had been holding back from him finally breaking free.

Her voice was raw, each word scraping painfully out of her like she was admitting to a failure she didn’t want to face.

His hand stilled and the night went quiet, the silence deafening.

She could feel his breath hitching, the weight of her words sinking in. His face was stricken, heartbreak written in every line of his expression.

He stood slowly, his brows furrowing as he took in her words, as if he hadn’t really heard her. "Y/n—"

“I can’t keep doing this,” she interrupted, her hands shaking. “What happened earlier, that’s not who I am. It’s not who I want to be. And you don’t deserve someone who can’t keep up, who’s falling apart.”

She took a breath, trying to steady herself, but it wasn’t working. The truth was out, and it hurt so much more than she thought it would.

Lewis stepped toward her, his arms reaching out as if to steady her, to hold onto her, but she shook her head. “Don’t,” she whispered, her voice cracking. “Please don’t.”

The look in his eyes almost undid her.

He was breaking, too. She could see it—how much this hurt him, how much he was holding back.

For a moment, neither of them moved. They just stood there, staring at each other, neither wanting to be the first to walk away.

“You deserve better,” she whispered, her voice cracking. "I’ve lost myself, Lewis. I’m not me anymore, and I don’t know how to find my way back. I love you so much, but I can’t keep drowning like this."

He let out a shaky breath, his jaw clenching as he fought to keep his emotions in check.

His hand twitched at his side, like he wanted to reach for her but didn’t trust himself to move. “I noticed” he whispered finally. “I noticed every single day.”

His voice broke, and Y/n could see the raw pain in his eyes—the realization that this wasn’t something he could fix now.

His hand then found her cheek, his thumb brushing away the tears that wouldn’t stop falling.

She leaned into his touch, savoring it, knowing this was the last time she’d feel it.

And she closed her eyes, the memories of their life together flashing before her—the way he used to laugh when she teased him about his messy habits, the late-night conversations that seemed to go on forever.

They had built so much together, but somewhere along the way, she had lost herself and their lives with it.

“This… this is the hardest thing I’ve ever done,” she admitted, her voice barely a whisper. “But no love is worth losing my sanity over. Not even ours.”

His breath hitched, and Y/n could feel the conflict in him—the pain of wanting to hold on but knowing he couldn’t.

"I don’t want to lose you" he whispered; his voice thick. "But I can’t see you like that, Y/n..."

Her heart shattered at his words. She reached for him, her fingers brushing against his skin, warm and familiar, and it took everything in her not to pull him into her arms and never let go.

"I love you too much to keep pretending everything’s okay,” she said softly. “I’m falling apart, and it’s not fair to you.”

He closed his eyes, resting his forehead against hers, his breath shaky. “I don’t want to let you go” he whispered, his voice so broken it made her chest ache.

Tears spilled freely down her face as she shook her head, her fingers gently caressing his cheek. "I know," she whispered. "I don’t want to go either. But I can’t stay. Not like this."

He swallowed hard, his other hand guiding her chin so she was looking into his eyes.

The way he looked at her—the way his eyes, brimming with unshed tears, locked onto her—was like he was seeing Y/n for the first and the last time all at once.

"I’ll miss you" he breathed as he embraced her, the soft tremor in his voice shaking her.

"I’ll miss you too" she whispered, the words tasting like ashes on her tongue.

She tried to keep herself together, but the cracks in her heart were spreading, deepening, until she could barely breathe.

"I wish..." he breathed into her hair, his voice thick with emotion, but then he stopped, his words dying in the air.

"I know" she whispered, her heart breaking all over again.

There were so many things they wished for, so many things they wanted, but none of them mattered now. And they both knew it.

The quiet that settled between them was full of everything they couldn’t say, everything they were too afraid of.

She wanted to tell him that she wished things were different, that she wished she was stronger. but she couldn’t.

All she could do was hope that this wouldn’t hurt as much in a few weeks. But deep down, she knew it would.

Tears welled up in her eyes for the last time when she stepped away from him for the last time "I need you to know it’s not your fault, Lewis. You’ve been nothing but amazing."

His thumb brushed over the arm he could reach, almost as if he was drawing comfort from the motion. "It doesn’t make it easier, though, does it?"

She shook her head. "No. It doesn’t."

She wanted to stay like this forever, to keep holding on to him, but she knew she shouldn’t. They had already decided this was the end, and dragging it out would only make it hurt more.

"I should go" she whispered, voice cracking.

"I know" he replied, though the words felt like daggers.

She wanted to beg for him to get her to stay, but that wouldn’t be fair.

He shifted slightly, untangling their fingers, and the loss of that connection made her heart stutter.

She watched as he slowly backed away, his eyes still locked on her, like he was trying to memorize every detail of her face before it was too late.

As she turned to leave, her steps felt heavy, each one more painful than the last. She glanced over her shoulder, catching one final glimpse of him—standing there, watching her with that sad, broken smile.

He looked back, his eyes heavy with pain, and for a brief moment, she thought he might say something more, something to make this easier.

But he didn’t.

And then she was gone.

She had never felt so hollow, so empty. She had never known that love could hurt this much.

But now she did.

______________________________________________________________

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[actuallyjustabiscuit]

So as someone who is very fond of the Latin American dub of certain Disney movies, I wanted to check out TADC in Spanish…

…and found some interesting dialogue changes.

Now changes in translation is not unheard of when dubbing something that was written in a different language, of course. This is usually done to help make the lip movements look more natural, but also because some jokes or expressions can hit different depending on the language.

And I think that’s really neat

So I wanna share some of these differences that I spotted from episode 3 🙂

“And Zooble returns to normal.”

“I’m already nor[mal]…”

So the original joke Jax makes in English is “And Zooble turns straight.” which Zooble then clarifies that their limbs just straighten out when they hold their breath.

But I think the change to Zooble getting defensive over their appearance (or just taking offense at the implication that they’re abnormal) makes the fact that they hate their body hit a lot harder.

“Bubble has those?”

This is referring to Bubble having feelings, which is certainly a good question.

It’s sounds like an insult, but I’d find it funnier if Zooble’s curiosity was sincere.

“Excuse me, could you repeat that? I don’t speak Lovecraftian.”

C’mon, we were all thinking this angel looked a little too much like an eldritch abomination.

“And Pomni, every time she comes back from one we lose a little more of her”

…this…really puts Pomni’s experience in the Circus into perspective.

It also makes me wonder how much Zooble is projecting here.

“Please, stay dead.”

Not much different from the original but I love that she says “porfis” instead of “por favor” because using the abbreviated version makes her sound cuter.

“Congratulations, my honey mariachi rockers (?)”

…I don’t even know…

My personal favorite dialogue change because Caine is basically saying “And that’s the end!” but instead of referring to a story (which is usually the context for which this phrase is used) he’s referring to his adventures.

I just thinks it’s fun how they essentially made Caine rhyme like a Dr. Suess character.

So…this…

I’m gonna try to explain why this scene hit me so much harder in Spanish. Again, it’s not that different from the original where Kinger says “In this world, the worst thing you can do is make someone think they’re not wanted or loved”

But here, it sounds almost...poetic? Melodic? My point is that he’s rhyming here, and I’m almost certain that it was intentional.

Like…directly translating this into English would not do this subtle change justice. Or vice versa! Directly translating the English version to Spanish would not hold the same aesthetically pleasing delivery.

And that’s another thing!

I want to give a quick shout out to the amazing voice actors that lent their talent for the Spanish dub of TADC.

Especially, Rodo Balderas (Caine), Maureen Herman (Zooble) and Elliot Leguizamo (Kinger), because WOW their performances in this episode was peak.

Elliot make Kinger so goofy. Like really goofy. Then when we get to the point where he talks about Queenie his voice gets so soft. You can feel how much he loves and misses her. Seriously, the range on this man!

Anyway, yeah, watching the show in Spanish definitely gives another enjoyable experience.

[envyenvys]

svsss | one-shot | T | 2.4k | ao3

This is. unreasonably long for what it is. I wrote this whole thing in a day bc I couldn’t stop thinking abt it and it’s so stupid but I hope it’s also as funny as I think it is??? So here, have some post-canon bingqiu nonsense from an outsider pov

What’s His Fucking Deal

#cucumber-spotting

dick jokes

[screenshot of a text from Peerless Cucumber that reads “Do you still take commissions?”]

passionate ranting

no fucking way

he’s still alive???

binghe obsession

of course this is how we find out

homoerotic undertones

maybe he really was dead and he just rose from the grave to commission art of lbh one last time

in a totally hetero way ofc

binghe obsession

ofc

passionate ranting

after a year?

homoerotic undertones

anything’s possible

binghe obsession

@ dick jokes what did he want anyway

?

homoerotic undertones

@ dick jokes

dick jokes

gimme a minute he’s still explaining

homoerotic undertones

still???

passionate ranting

ooo point for me

homoerotic undertones

no it’s not, that’s just how he talks

it needs to be pidw comment level ranting or it doesn’t count

binghe obsession

probably still a point for me though

homoerotic undertones

shut the fuck up

basically everything he says counts as a point for you

some of us actually need to put effort into our point collecting

binghe obsession

skill issue

your fault for picking one of the harder ones

dick jokes

how do you think I feel

binghe obsession

yeah you really fucked that one up

he’s only ever made like one dick joke

passionate ranting

famously

binghe obsession

famously

dick jokes

what the actual fuck

THERES NO WAY

he’s serious?????????

homoerotic undertones

context??

binghe obsession

what did he do now

dick jokes

he wants me to

how the fuck do I phrase this so it makes sense

he wants me to go to his stupidly expensive apartment to paint a portrait of him and his husband(???????) in sqq x lbh cosplay

📌 [passionate ranting pinned a message to this channel. See all pinned messages.]

homoerotic undertones

how gullible do you think we are

dick jokes

IM NOT FUCKING JOKING

[screenshot of a text from Peerless Cucumber that reads “Would it be possible for you to paint at least part of it in person? My husband would prefer the authenticity of a live portrait, though it can still be digital.”]

[screenshot of a text from Peerless Cucumber that reads “My apartment would be best, our cosplay will likely attract too much attention anywhere else.”]

passionate ranting

WHAT

HUSBAND??????????????????

homoerotic undertones

oh my fucking god

binghe obsession

did he marry a lbh cosplayer

please say yes

passionate ranting

SHEN QINGQIU??????????

what the fuck HAPPENED to him while he was gone????

homoerotic undertones

maybe he got fucking

binghe obsession

lmfao he wishes

homoerotic undertones

transmigrated

let me finish??

passionate ranting

I mean……

he did get married, so

it’s likely

binghe obsession

can we go back to the part where under suggested he got fucking transmigrated

homoerotic undertones

think about it

binghe obsession

oh don’t worry I’m definitely thinking about it

passionate ranting

wait no I kinda get it

PC is kind of perfect for a transmigration romance tbh

homoerotic undertones

he’d be so good at it

passionate ranting

like imagine he ended up in pidw, he probably knows that world better than the author at this point

classic op otome isekai protag

homoerotic undertones

exactlyyyy

binghe obsession

what if we had a normal conversation for once

passionate ranting

in the peerless cucumber discord server?

binghe obsession

yeah okay point taken

then can either of you two geniuses explain the lbh x sqq shipping

homoerotic undertones

see that’s where the transmigration theory comes in

otome isekai never has the protag end up with their character’s canon love interest, but in pidw that cuts out like every woman

binghe obsession

wait hold on

homoerotic undertones

which is fine bc we’re 99% sure he isn’t into women anyway, but I digress

binghe obsession

you think he got transmigrated into fucking LUO BINGHE????

passionate ranting

wait they’re onto something here

let them cook

homoerotic undertones

what’s more of an otome isekai plotline than the protag falling in love with a character they used to hate after actually getting to know them?

PC would be basically immune to all the bullshit sqq pulls in the early chapters, and with his encyclopedic knowledge of pidw he’d notice pretty quick if there was anything different about sqq

like the brothel theory and how he treats nyy

plus with the way he writes comments he’d be able to keep up with sqq’s snark pretty easily

passionate ranting

wait why is this kinda…… 😳

binghe obsession

we are NOT shipping peerless cucumber x shen qingqiu

dick jokes

what the fuck happened while I was gone

passionate ranting

don’t worry about it

what did he say?

dick jokes

well the good news is he’s paying enough to cover my rent for the next six months

homoerotic undertones

you’re fucking joking

dick jokes

the bad news is they want me to start tomorrow

binghe obsession

LMFAOOO GOOD FUCKING LUCK

What’s His Fucking Deal

#general

homoerotic undertones

@ dick jokes you have to tell us everything, we need to know if the transmigration theory is real

passionate ranting

it’s real to me

and honestly kind of compelling ngl

[passionate ranting created a poll.]

would you read the peerless cucumber transmigration romance?

☐ yes I need to know how his brain works [25%]

☐ fuck no he’d be insufferable [75%]

4 votes • 23h left

dick jokes

what happened to hello? how are you? good morning?

homoerotic undertones

good morning, how’s the commission going

dick jokes

bad

homoerotic undertones

didn’t you only get there like 10 minutes ago

dick jokes

yeah

┌ passionate ranting would you read the peerless cu…

passionate ranting

why are you all voting no

wait what’s happening with dj?

dick jokes

well first of all you’re both wrong, he didn’t transmigrate into lbh

passionate ranting

damn

dick jokes

second of all if I stop replying call the police immediately because the lbh cosplayer murdered me for looking at PC too long

it’s not like I’m a fucking artist who needs references or anything

passionate ranting

HES SQQ????

homoerotic undertones

villainess isekai……

passionate ranting

I can’t believe they sank scumcum in less than 24h

wait hold on

binghe obsession

where the fuck are you coming up with these names

also good morning

[passionate ranting created a poll.]

best PC ship

☐ peerless cucumber x shen qingqiu [100%]

☐ peerless cucumber x luo binghe [0%]

1 vote • 23h left

binghe obsession

there’s something wrong with you clinically

dick jokes

guys idk if I’m gonna survive this

homoerotic undertones

is the lbh cosplayer actually threatening you? bc I’m 100% willing to call the police right now

or book a didi to pick you up

actually what’s his address I’m coming to get you

dick jokes

fucking chill

(but ty I appreciate it <3)

I was talking abt the mountains of dog food they’re shovelling down my throat rn

binghe obsession

lmfaooo

dick jokes

I don’t think the lbh cosplayer has stopped touching PC since I got here

they’re like

nauseating

homoerotic undertones

honestly still a pretty good reason to just leave

I have the didi app open just say the word

dick jokes

six months of rent

homoerotic undertones

right

binghe obsession

I can’t decide if this is ooc behaviour for lbh or not

passionate ranting

the exhibitionism is accurate at least

dick jokes

ugh don’t say that

homoerotic undertones

bingge isn’t clingy though

passionate ranting

hm good point

binghe obsession

I’m just thinking, if the transmigration theory was true and PC became sqq, it would affect lbh’s behaviour

passionate ranting

omg we converted you

homoerotic undertones

oh that’s true, PC’s obsessed with lbh and he hates sqq… if he turned into sqq he wouldn’t be able to keep the plot on track to save his life

binghe obsession

actually nvm I don’t want to think about this anymore

homoerotic undertones

noooo come on, think of it as a character study!!

passionate ranting

yeah!! even bingge was obsessed with sqq for years, there’s no way a lbh with PC for a shizun could be normal about him

binghe obsession

ugh fine

passionate ranting

!!!

binghe obsession

well to start, it would depend entirely on what part of the novel PC transmigrated into, how much freedom he has to fuck around, and how hard he’s trying to act like original!sqq

canon lbh is an obsessive, horny perfectionist incapable of self reflection in any meaningful way bc he can’t accept that his life sucks and he’s miserable. He has mommy issues, daddy issues, abandonment issues, probably an inferiority complex and a superiority complex at the same time, and who knows what else. Basically anything airplane thought would be depressing enough to introduce in the first arc but then never resolved later on

homoerotic undertones

OK Peerless Cucumber

binghe obsession

YOU ASKED????

passionate ranting

under shut up I wanna hear the rest of the analysis 😭

binghe obsession

what I was GOING to say is that if the shizun lbh was always trying to get the approval of just turned around one day and started doting on him the way we KNOW pc would, he’d direct all his issues toward pc and then it’d probably dissolve into some endless feedback loop of obsessive behaviour

so yeah, the clinginess makes sense

passionate ranting

ohh you’re so right

hopefully a bingge with pc!sqq would have a happier ending…

this sucks, now I wish the transmigration theory was real :(

homoerotic undertones

probably better that it isn’t, since, yk, PC would have to die first

passionate ranting

only a little bit

dick jokes

thank fucking god I thought I’d be trapped in there with them forever

homoerotic undertones

are you already done??

dick jokes

lmfao god no

lunch break, I’m hiding on the balcony

there’s SO MUCH shit I need to tell you guys, you don’t even know

binghe obsession

they actually gave you a lunch break?

dick jokes

tbh actually I think the only reason I get a break is bc lbh wanted the time alone to feed pc

these two are literally insane

I’m eating off a takeout plate bc they don’t have enough dishes. they didn’t even offer me anything to drink bc there’s only one cup in the entire apartment and they share it

homoerotic undertones

what the fuck

dick jokes

RIGHT?

binghe obsession

thought you’d be full from all that dog food lmfao

dick jokes

ugh don’t remind me you’re gonna make me lose my appetite

which is saying something bc this is literally unironically the best food I’ve ever tasted in my life

lbh made it and I thought he was genuinely gonna kill me when pc told him to give me some

like I’m sorry bro you’re the one who hired me?? take it up with your wife

passionate ranting

what’s his problem 😭

you don’t need to method act for cosplay

dick jokes

I don’t think he’s acting though?? like this is 100% home grown issues

he calls pc ‘shizun’ unironically and refers to himself as his disciple

homoerotic undertones

wtf

dick jokes

AND they’ve been wearing the most beautiful, intricate, clearly handmade xianxia style hanfu I’ve ever seen the entire time, didn’t even take it off to eat which is CRAZY to me

like what if you dropped soy sauce on it and it stained??? I’d kms

passionate ranting

oh they weren’t kidding abt the cosplay attracting attention then huh

dick jokes

THEY WERE NOT KIDDING, NO

homoerotic undertones

we’ve got to get you outta there

dick jokes

six months of rent

homoerotic undertones

right

well. good luck I guess

at least the food’s good

dick jokes

at least the food’s good

What’s His Fucking Deal

#general

dick jokes

hey guys?

this is gonna sound insane but

I think this might be the real luo binghe

homoerotic undertones

what

dick jokes

I think we were right about the transmigration thing

I think peerless cucumber really did die and transmigrate last year, and he brought the real lbh back with him

it’s just… something about the way they’re talking? PC keeps having to explain things to lbh but it’s only the sort of stuff you wouldn’t know about if you, say, lived in a fictional xianxia world without modern technology

also I saw his huadian glowing, like LED bright glowing

you can’t do that with practical effects

passionate ranting

are you doing okay, dj?

binghe obsession

blink twice if you need help

dick jokes

I’m serious!!! there’s something really weird about them!!!

passionate ranting

that doesn’t mean they’re transmigrators??? they’re probably just hardcore larping or something

dick jokes

see that’s what I thought at first too, but then

HOLY FUCK

homoerotic undertones

???

dick jokes

[10 seconds of shaky footage of an icy portal opening in the centre of an upper-class apartment living room. A man in xianxia style hanfu stumbles out of it, followed by a much taller man with long, dark hair, and skin tinged faintly blue.]

passionate ranting

MOBEI JUN???????????

binghe obsession

is that fucking shang qinghua

homoerotic undertones

WHAT

passionate ranting

MOBEI JUN???? FROM PIDW?????

what the fuck. what the Fuck

homoerotic undertones

what the FUCK

this is so

passionate ranting

oh my god. you weren’t kidding. that’s the real luo binghe

oh FUCK peerless cucumber died last year and no one even knew

AND HE GOT TRANSMIGRATED?????????

homoerotic undertones

THEYRE REAL???????????????

wait why are they in OUR world?????

binghe obsession

I think I need to lie down for a minute

passionate ranting

why is shang qinghua there???? isn’t he supposed to be dead??????

dick jokes

PC just called him airplane

passionate ranting

AIRPLANE SHOOTING TOWARDS THE SKY????????????????????????????

homoerotic undertones

imagine getting transmigrated into your own novel and your biggest hater is there too and he’s fucking your protagonist

villainess isekai protag peerless cucumber is real and I don’t know how to feel about this

binghe obsession

I just know this is your fault somehow

all three of you

dick jokes

ME???

WHAT DID I DO??

homoerotic undertones

wait oh fuck this means airplane died too and no one noticed

how did it happen twice???????

dick jokes

……….. shang qinghua and mobei jun want me to paint a portrait of them too

passionate ranting

omg….. moshang is real……..

homoerotic undertones

DJ GO HOME??

JUST LEAVE

dick jokes

they’re doubling my pay

one year of rent is worth so much more than my sanity

binghe obsession

I just remembered when like two years ago PC said something stupid on weibo

and it was one of his “lbh deserves better than this shitty novel” rants so I commented something like “luo binghe isn’t gonna fuck you, dude”

he was so pissed at me

but like

homoerotic undertones

LMFAO

binghe obsession

he really did it. luo binghe really fucked him

[yuurivoice]

the way everyone started calling withered Finn old will never not be funny to me because it came right out of the gate and no one cared to stop (I was one of those people)

It genuinely annoys me, and I have expressed this calmly multiple times, so to send an ask basically outing yourself as the person responsible for my least favorite fandom meme is a wild choice! So I say this with genuine concern for your feelings and comfort, but I do not think it's funny, I think there are multiple other people who find it off-putting, and we are treading dangerously close to "fuck off" territory but I will try to calmly explain.

To double back and personally come tell me about your joke no one is laughing about right now, off anon, is a great opportunity for a learning experience.

Not everyone will be comfortable with every joke you make. You should probably learn to take the temperature of the reception of a joke, because it never got a single laugh out of me and made me uncomfortable in the middle of stream meant to be a celebration.

There are several reasons why I think it's bothersome, and I don't need to explain myself to seek anyone's validation, but in any scenario where a design is revealed and the "joke" is to misrepresent the character's physical appearance and make it a point to laugh at them, that makes me incredibly uncomfortable. I'd feel that way in any context, but because this specifically was something the team worked on and designed, it is especially frustrating.

Thanks for listening.

[randomfoggytiger]

Hey Tiger!

So I’m doing a XF rewatch and In the coming days I’ll be on the infamous ‘The Field where I Died’ I don’t think I’ve seen this episode in over 10 years and I don’t really remember it. I know this episode is quite divisive amongst the community because iirc it portrays M and S as “friends” in every previous lifetime and not lovers. So I want to know your opinion/thoughts on this episode. Thank you!

Hey, thanks for droppin in! :DDDD

Your question spiraled into a longer meta I've been meaning to write, so I cut those segments out and should finish the post later on.

I've talked about The Field Where I Died before (posts here and here) but! To the point: I think TFWID can be separated into three categories: the intent, the execution, and the lack of fault-taking.

The intent of The Field Where I Died is intriguing, I own: soulmates, not in twos but threes, that are trapped in a doomed, self-fulfilling, cycle (that never-ending line.) Love and longing; yearning and relearning. For those reasons, I can see why some fans love it. (I can especially see why David Duchovny loves it-- the security of forever, impermeable love unbound by time or human faults and frailties.) And the score and cinematography are gorgeous, and moving, and haunting. I get it.

The execution, however.

It... wasn't great. So much so that Morgan had to admit its many faults. The execution is so faulty, in fact, that it's easy to write off these grand examinations and touching gestures as nothing more than the sway of persuasive, mentally unwell people. That, and Kristin Cloke's acting; that, too, and cutting up David Duchovny's hypnosis scene so badly that his own acting flails without context.

The fault-taking... was worse. And a recent discovery. Well, half recent. I'd long heard the lovers of TFWID-- DD and Kumail Nanjiani, recently-- reiterate that the power of the story doesn't dim even though Mulder and Scully aren't romantic soulmates. That that wouldn't lessen their bond; and they could be romantic soulmates if they (read: you) wanted them to. Sure, I can see it; I can buy it. The problem is, the intent was mangled in execution so badly that the message wasn't translated so much as narratively spelled out to the audience in broad, cursive, underlined letters that didn't loop back into the story elegantly (if at all.) We're told the message so we must believe it. We feel magic in the air; and thus, are expected to let rationale pale in comparison. But because the story, theme, and execution is so mangled, no one largely cares for the end result. And because no one largely cares for the end result, fault has to be laid somewhere.

And because fault had to be laid somewhere, Morgan laid it neatly on the fans for not quite understanding and on the executives for having to cut out necessary scenes and, maybe, a little on himself for not explaining as best as he could. Instead of accepting, of course, that he could have written shorter exposition to get the point across within the time limit; should have fact-checked whether CSM had already been born when Gestapo CSM was killing a previous incarnation of Mulder's; and would have anticipated these plot holes if he wasn't so self-involved in recreating his and his wife's love story through the mouths of disparate characters with separate stories, personalities, and goals.

Now, The Field Where I Died did have its merits. I love how the writers explored Mulder's draw to lonely, vulnerable, self-destructive women (like himself); and I like their read on his and Scully's characters (to be discussed in a future post.) And I do understand the magnetism of this episode's concept on screen. And I'm lulled by the thought that this episode could be stretched into a larger concept: that of Mulder the sacrificial lamb and Scully the savior, an angle canon keeps plucking at throughout the series (Deep Throat, Tooms, Little Green Men, One Breath, End Game, Paper Clip's The White Buffalo Woman/the White Calf, Pusher, Redux II, Fight the Future's "But you saved me", One Son, Amor Fati's "Get up and fight", Deadalive, etc.) and one that neatly ties into her possible immortality. But those are aspects the fans have to read into "the text", not ones that are written in purposefully.

It's just, in short, not for me. :))))))

[ms-demeanor]

hello! sorry to bother w this but im sort of desperate at this point. given your post about school abuse: so like. i had a similar experience and i thought that i had sorted my brain out. BUT. big but. now im trans and every time i have to correct people w/ misgender or come out to people that i dont already know their opinion on the issue, i get an anxiety attack that makes me unable to do it. ive told many therapists and no one so far has understood why im terrified of making stuff that other people can perceive as me being difficult to work with. would you have *any* advice? thanks!

Okay so first of all it is totally valid to feel that way; that isn't an irrational response, that is your body and brain going "!!!! I have learned this lesson before!" But just because it's a sensible response doesn't mean it's functional in the long term, which is why it needs to be addressed (which I'm sure you already know, I'm just explaining for people in the back).

So now here is some meandering advice:

Spend time with people you already know you can trust. It's okay to take a break from new people and situations (as much as is possible) when you are processing traumatic events and learning to care for yourself. Spending time with people who you don't have to come out to, who don't misgender you, can help you normalize being out and correctly gendered to yourself.

Recognize that you don't have to be out to everyone and some assholes aren't worth it. This is going to depend some on the context, but you don't owe everybody an explanation for yourself and if people repeatedly misgender you after being corrected you may just be better off not spending time around those people.

Loop in trusted people in low-stakes ways. If you get the sense that someone who you think is pretty safe has misgendered you on accident, it might still feel too intimidating to correct them in person but it might be a good idea to follow up with text or a call or a message to say "hey, just FYI, I think I heard you use a/b pronouns for me earlier, I just wanted to let you know that I use c/d pronouns. Did you want to meet up again next week?" the breakdown on why I think this is effective is - Distance means you're safe - nonthreatening "FYI" means you aren't saying "I'm offended" and assumes good faith from the other person - feels less accusatory (not that you need to tone police yourself, but if you're trying to lower the stress level overall then assuming it was a mistake and letting them know you don't think it was on purpose should reduce the overall tension) - request to meet up again or topic switch to something lighter once again says "I'm not mad, that was just regular information, we can now return to our scheduled programming"

I think that, generally speaking, this is also a decent way to come out to people if you're nervous; physically remote and emotionally casual can be a good place to work from (even if you're actually panicking in your head but you can pull off casual in a written message)

Find (or create) a space where people are 100% going to support you. If you need to create a discord server, if you need to schedule a regular coffee date with trusted friends or family members, whatever it is, give yourself a space where you are unconditionally supported and can have people to bounce ideas and concerns off of. Even if it's just you and one other person, it's good to know you have *someone* who you can say "I think I want to tell this other person to use my pronouns but it's scary" to and know that you're not at risk in any way. I'd say try to make sure that you're still interacting with people outside of that space, but have a space to retreat to where you can just drop the worry.

Recognize that somebody else's problem is not a reflection of you. If you have, for instance, a coworker who is being a piece of shit and refusing to recognize your gender, that is not a reflection of your gender that is a reflection of them being a piece of shit. If there is a classmate or a sibling who uses the wrong pronouns after being corrected that doesn't mean you're not entitled to your pronouns that means they are being a piece of shit. Some people are just not going to accept you and that's on them. Try to minimize your time spent with them and if you have to spend time with them at work take steps to ensure your safety, but don't fight losing battles with assholes.

It really is legitimately scary. You have good reasons to be scared and you are doing a very frightening thing (and not to do the meme thing but you are legitimately being so brave about it; the fact that you are reaching out and asking anyone for help, including randos on the internet, means that you are taking steps to doing the scary thing and that is SO GOOD and I'm really proud of you for making the effort in spite of the fear).

Here is some less meandering advice:

Practice. Talk to yourself in the mirror, practice with friends, practice with your therapist. Practice coming out to yourself in a casual way. Practice correcting your pronouns. Practice an introduction for yourself that explains the information you want to give to new people you might meet. Get it down to a quick little patter, get it to be something that's easy to say to yourself in the mirror first, then try it with friends for practice, then try it around the safer people you might want to give the information to. It'll get easier as you go.

Look for a local support group (or an online support group). If there's a local LGBTQ+ center you should see if they've got events going on or a support group you can join or workshops or any manner of social thing where you can go interact with people who have been through similar stuff.

Journal. Each time you find yourself frightened of talking to someone about your gender, do what you need to to get through the day and then sit down and think about that interaction. Write down what happened, write down what you were thinking. Was there something in particular that made you anxious? Is it something you can practice addressing? Was there something you noticed about the person that made you uncomfortable? Is that a common thread in the times you have trouble talking about this? If you're able to narrow down specifically what is making it hard to speak to some people that might make it easier to explain to therapists but will also make it more actionable for you.

Here's some very optimistic advice:

If at all possible find a friend who will be rabid and unflinching in their support for you and hang out with them around new people. Get yourself an attack dog copilot who will cheerfully step up and make corrections for you. I know not everyone can do this and I know that if you can find someone like this they can't be around all the time, but it can be wonderfully reassuring to find that one person who you know is going to be ride or die about making sure that everyone in the room respects you. (Being that person for someone else can also teach you how to be that person for you)

[nerdyfan1]

I know I like never talked about this franchise let alone this show on this account before but, I’ve been watching A New Wish recently. Enjoying myself a lot btw it’s different from the original but, still fun.

Tho I wanted to point out something cus as you guys know I do love overthinking my goofy comedic cartoons hehe.

New Wish Spoilers under the cut

Ok so for anyone who has been watching through this show like I have you probably already have caught on to Dev and his daddy issues. It was very clear as soon as we got introduced (or I guess reintroduction cus Dale was in the og show technically? whatever it’s not that important) to his dad as the very first scene we get with the man is him dragging his 10 y/o son on business stuff. On a Saturday. Then low key shaming him for understandably wanting to not be there. After that he then proceeds to be a lying scum bag to get money from people who mean well.

This entire episode just Dale Dimmadome showing how money grubbing he is. Hence really painting a good picture of the person he is and kind of showing the type of guy Dev is being raised by.

Hell we even get this specific line towards the end of this same episode. For context this episode about a living trash bin Hazel accidentally wished up being used by Dale for a pro over consuming message. Now after Stanky the Trash Bin is convinced by Hazel to get rid of trash they run off. With Dale running out from his front door, with Dev right next to him btw, then I quote saying:

“Stanky don’t leave! Oh you’re like a son to me.” With Dev sighing loudly.

Like wow man he’s right there.

Not to mention this part in “Peace of Pizza”. Where Hazel tries to convince Dev with a fake version of Dale. It’s just Cosmo but, it’s so obvious from this dialogue and even the background music that he thought that was his dad and that Dale seemingly doesn’t spend much time with this kid.

These are like two examples that were highlighting this. Dale Dimmadome is kind of a fuck ass dad from what is shown. So I do wonder when watching through “A New DEVelopment” and getting to this point then noticing how quiet he is as soon as the principal comes in to scold them.

Now like I said earlier I’m probably just overthinking this or something but, noticed before she came into the scene Dev was talking with the teacher perfectly fine. Then she starts yelling at them and it’s Hazel that takes lead to explain what they were doing. Which was weird to me cus Dev up until this point came off as I guess a principle’s pet of sorts. We saw it in “28 Puddings Later” and kind of “Prime Meridian Love”. While every interaction she’s had with Hazel however it is the same with any other kid.

Idk so um random thought does like Dev get really quiet when he’s shouted at or something cus his fuck ass dad has a habit of yelling at him when he messes up? Idk just what I was thinking ever since I saw this specific episode.